Sources for symbols
-------------------

In addition to surveying the music fonts supplied with existing major
scoring applications, the following texts were consulted as sources for
musical symbols:

-	Abbās (al-), Ḥabīb Ẓāhir, et حبيب ظاهر Ḥabīb Dhāhir العباس. نظرياتالموسيقى العربية Nadhariyyāt al-Mūsīqā al-ʿArabiyya. Vol. Theorie Musique Arabe. (Baghdad – Irak) بغداد – العراق: وزارة الثقافةوالٳعلام، دائرة الفنون الموسيقية، معهد الدراسات النغمية العراقى (Wizārat a-th-Thaqāfa wa-l Iʿlām, Dāʾirat al-Funūn al-Mūsīqiyya, Maʿhad a-d-Dirāsāt a-n-Naghmiyya al-ʿIrāqiyy), 1986.

-   Agostini, Dante. *Methode de Batterie*. France: Carisch
    Musicom, 2009.

-   Apel, Willi. *The Notation of Polyphonic Music 900–1600, Fourth
    Edition*. Cambridge, MA, USA: The Medieval Academy of America, 1953.

-   Bach, J.S. (ed. Palmer, Willard). *J.S. Bach: Inventions and
    Sinfonias, 2nd Edition*. Van Nuys, CA, USA: Alfred Publishing
    Co., 1991.

-   Balestrieri, Donald. *Registers of the Standard Stradella Keyboard
    Accordion*. USA: Accord Magazine, 1979.[^7]

-	Couperin, François. *L'Art de Toucher Le Clavecin*. France, 1716.

-   Davis, Roger E. *The Organists’ Manual.* New York: W. W.
    Norton, 1985.

-	Deyoe, Nicholas. *Lachenmann for the Conductor: Understanding, Learning, 
	and Rehearsing Helmut Lachenmann’s "...zwei Gefühle..." Musik mit Leonardo.
	UC San Diego, CA, USA: 2008.

-   Doty, David B. *The Just Intonation Primer*. San Francisco, USA: The
    Just Intonation Network, 1993.

-	Dougherty, Matthew & Katz, Sam & Weber, Sam. *Proposal to encode Kahnotation*, 2016.

-   Draugsvoll, Geir & Højsgaard, Erik (translated Borregaard, Andreas).
    *Handbook on Accordion Notation*. Copenhagen: The Royal Danish
    Academy of Music in Copenhagen, 2001.[^8]

-   Drobner, Mieczysław. *Instrumentoznawstwo i akustyka* (Musical
    Instruments and Acoustics). Cracow: PWM Edition, 1960 (7th
    Edition, 2008).

-   Gould, Elaine. *Behind Bars*. London: Faber Music, 2011.

-   Inglefield, Ruth & Neill, Lou Anne. *Writing for the Pedal Harp:
    Standardized Manual for Composers and Harpists*. University of
    California Press, 1985.

-   Karkoschka, Erhard (tr. Koenig, Ruth). *Notation in New Music*.
    Universal Edition, 1972.

-   McCarty, Frank. *Notational Standards for Percussion: A Report on
    the Ghent Conference* (from *The Instrumentalist,* *xxix*).
    Northfield, IL: The Instrumentalist Publishing Co., 1975.

-	McKean, John. *Proposal for the encoding of German organ tablature*.
	2017.

-   Neumann, Frederick. *Ornamentation in Baroque and Post-Baroque
    Music*. Princeton, NJ: Princeton University Press, 1978.

-   Peinkofer, Karl & Tannigel, Fritz: *Handbuch des Schlagzeugs. Praxis
    und Technik.* Mainz: Schott, 1981.

-   Poulton, Diana. *A Tutor for the Renaissance Lute*. London, UK:
    Schott, 1991.

-   Read, Gardner. *Twentieth-Century Microtonal Notation*. USA:
    Praeger, 1990.

-	Richardson, Andrew Paul. *Selected solo marimba music of Raymond Hieble:
	a guide for teaching and performance*. Oklahoma: University of Oklahoma,
	2013.

-   Roland, Perry. *Proposal for Encoding Western Music Symbols in
    ISO/IEC 10646*. Virginia: University of Virginia, 1998.

-   Sabat, Marc. *The Extended Helmholtz-Ellis JI Pitch Notation.*
    Plainsound Music Edition, 2005.

-   Salzedo, Carlos. *Modern Study of the Harp*. London: G.
    Schirmer, 1921.

-   Secor, George & Keenan, David. *Sagittal – A Microtonal Notation
    System*. Xenharmonikôn, An Informal Journal of Experimental Music,
    Volume 18, 2006. [www.sagittal.org](http://www.sagittal.org), 2004.

-   Sevsay, Ertugrul: *Handbuch der Instrumentationspraxis.* Kassel:
    Bärenreiter, 2005

-   Simmons, Nikita. *A Primer of Kievan Square-Note (Quadratic
    or Synodal) Notation*.
    [www.synaxis.info](http://www.synaxis.info), 2004.

-   Smith Brindle, Reginald. *Contemporary Percussion*. New York: Oxford
    University Press, 1991.

-   Stiller, Andrew. *Handbook of Instrumentation.* Philadelphia:
    Kallisti Music Press, 1994.

-   Stone, Kurt. *Music Notation in the Twentieth Century: A
    Practical Guidebook.* New York: W.W. Norton, 1980.

-   Vounelakos, Antonis. *Die Konzepte der
    Flamenco-Gitarrentranskription*. Vienna: Universität Wien, 2009.

-   Weinberg, Norman. *Guide to Standardized Drumset Notation*. Lawton:
    Percussive Arts Society, Inc., 1998.

-   “Ornaments”, Grove Music Online, ed. L. Macy (accessed January
    24 2013)

-   *AGEHR Handbell and Handchime Notation Booklet, 8th ed.* Dayton:
    Lorenz, 2010.[^9]

[^7]: See http://www.accordions.com/articles/stradella.aspx

[^8]: See http://www.scribd.com/doc/94910034/Handbook-on-Accordion-Notation

[^9]: A summary of the main notations prescribed in this book can be found at http://www.handbellworld.com/music/HandbellNotation.cfm
