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Title: Les Miserables
       Complete in Five Volumes

Author: Victor Hugo

Translator: Isabel F. Hapgood

Release Date: June 22, 2008 [EBook #135]
Last Updated: October 30, 2009

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK LES MISERABLES ***




Produced by Judith Boss





LES MISERABLES

By Victor Hugo


Translated by Isabel F. Hapgood

Thomas Y. Crowell & Co.
No. 13, Astor Place
New York

Copyright 1887

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CONTENTS


     VOLUME I

     BOOK FIRST.--A JUST MAN

     CHAPTER
         I.  M. Myriel
        II.  M. Myriel becomes M. Welcome
       III.  A Hard Bishopric for a Good Bishop
        IV.  Works corresponding to Words
         V.  Monseigneur Bienvenu made his Cassocks last too long
        VI.  Who guarded his House for him
       VII.  Cravatte
      VIII.  Philosophy after Drinking
        IX.  The Brother as depicted by the Sister
         X.  The Bishop in the Presence of an Unknown Light
        XI.  A Restriction
       XII.  The Solitude of Monseigneur Welcome
      XIII.  What he believed
       XIV.  What he thought

     BOOK SECOND.--THE FALL

         I.  The Evening of a Day of Walking
        II.  Prudence counselled to Wisdom
       III.  The Heroism of Passive Obedience
        IV.  Details concerning the Cheese-Dairies of Pontarlier
         V.  Tranquillity
        VI.  Jean Valjean
       VII.  The Interior of Despair
      VIII.  Billows and Shadows
        IX.  New Troubles
         X.  The Man aroused
        XI.  What he does
       XII.  The Bishop works
      XIII.  Little Gervais

     BOOK THIRD.--IN THE YEAR 1817

         I.  The Year 1817
        II.  A Double Quartette
       III.  Four and Four
        IV.  Tholomyes is so Merry that he sings a Spanish Ditty
         V.  At Bombardas
        VI.  A Chapter in which they adore Each Other
       VII.  The Wisdom of Tholomyes
      VIII.  The Death of a Horse
        IX.  A Merry End to Mirth

     BOOK FOURTH.--TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON'S POWER

         I.  One Mother meets Another Mother
        II.  First Sketch of Two Unprepossessing Figures
       III.  The Lark

     BOOK FIFTH.--THE DESCENT

         I.  The History of a Progress in Black Glass Trinkets
        II.  Madeleine
       III.  Sums deposited with Laffitte
        IV.  M. Madeleine in Mourning
         V.  Vague Flashes on the Horizon
        VI.  Father Fauchelevent
       VII.  Fauchelevent becomes a Gardener in Paris
      VIII.  Madame Victurnien expends Thirty Francs on Morality
        IX.  Madame Victurnien's Success
         X.  Result of the Success
        XI.  Christus nos Liberavit
       XII.  M. Bamatabois's Inactivity
      XIII.  The Solution of Some Questions connected with the
                 Municipal Police

     BOOK SIXTH.--JAVERT

         I.  The Beginning of Repose
        II.  How Jean may become Champ

     BOOK SEVENTH.--THE CHAMPMATHIEU AFFAIR

         I.  Sister Simplice
        II.  The Perspicacity of Master Scaufflaire
       III.  A Tempest in a Skull
        IV.  Forms assumed by Suffering during Sleep
         V.  Hindrances
        VI.  Sister Simplice put to the Proof
       VII.  The Traveller on his Arrival takes Precautions
                 for Departure
      VIII.  An Entrance by Favor
        IX.  A Place where Convictions are in Process of Formation
         X.  The System of Denials
        XI.  Champmathieu more and more Astonished

     BOOK EIGHTH.--A COUNTER-BLOW

         I.  In what Mirror M. Madeleine contemplates his Hair
        II.  Fantine Happy
       III.  Javert Satisfied
        IV.  Authority reasserts its Rights
         V.  A Suitable Tomb



     VOLUME II

     BOOK FIRST.--WATERLOO

     CHAPTER
         I.  What is met with on the Way from Nivelles
        II.  Hougomont
       III.  The Eighteenth of June, 1815
        IV.  A
         V.  The Quid Obscurum of Battles
        VI.  Four o'clock in the Afternoon
       VII.  Napoleon in a Good Humor
      VIII.  The Emperor puts a Question to the Guide Lacoste
        IX.  The Unexpected
         X.  The Plateau of Mont-Saint-Jean
        XI.  A Bad Guide to Napoleon; a Good Guide to Bulow
       XII.  The Guard
      XIII.  The Catastrophe
       XIV.  The Last Square
        XV.  Cambronne
       XVI.  Quot Libras in Duce?
      XVII.  Is Waterloo to be considered Good?
     XVIII.  A Recrudescence of Divine Right
       XIX.  The Battle-Field at Night

     BOOK SECOND.--THE SHIP ORION

         I.  Number 24,601 becomes Number 9,430
        II.  In which the reader will peruse Two Verses which are
               of the Devil's Composition possibly
       III.  The Ankle-Chain must have undergone a Certain Preparatory
             Manipulation to be thus broken with a Blow from a Hammer

     BOOK THIRD.--ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN

         I.  The Water Question at Montfermeil
        II.  Two Complete Portraits
       III.  Men must have Wine, and Horses must have Water
        IV.  Entrance on the Scene of a Doll
         V.  The Little One All Alone
        VI.  Which possibly proves Boulatruelle's Intelligence
       VII.  Cosette Side by Side with the Stranger in the Dark
      VIII.  The Unpleasantness of receiving into One's House a Poor
               Man who may be a Rich Man
        IX.  Thenardier at his Manoeuvres
         X.  He who seeks to better himself may render his Situation Worse
        XI.  Number 9,430 reappears, and Cosette wins it in the Lottery

     BOOK FOURTH.--THE GORBEAU HOVEL

         I.  Master Gorbeau
        II.  A Nest for Owl and a Warbler
       III.  Two Misfortunes make One Piece of Good Fortune
        IV.  The Remarks of the Principal Tenant
         V.  A Five-Franc Piece falls on the Ground and produces a Tumult

     BOOK FIFTH.--FOR A BLACK HUNT, A MUTE PACK

         I.  The Zigzags of Strategy
        II.  It is Lucky that the Pont d'Austerlitz bears
               Carriages
       III.  To Wit, the Plan of Paris in 1727
        IV.  The Gropings of Flight
         V.  Which would be Impossible with Gas Lanterns
        VI.  The Beginning of an Enigma
       VII.  Continuation of the Enigma
      VIII.  The Enigma becomes Doubly Mysterious
        IX.  The Man with the Bell
         X.  Which explains how Javert got on the Scent

     BOOK SIXTH.--LE PETIT-PICPUS

         I.  Number 62 Rue Petit-Picpus
        II.  The Obedience of Martin Verga
       III.  Austerities
        IV.  Gayeties
         V.  Distractions
        VI.  The Little Convent
       VII.  Some Silhouettes of this Darkness
      VIII.  Post Corda Lapides
        IX.  A Century under a Guimpe
         X.  Origin of the Perpetual Adoration
        XI.  End of the Petit-Picpus

     BOOK SEVENTH.--PARENTHESIS

         I.  The Convent as an Abstract Idea
        II.  The Convent as an Historical Fact
       III.  On What Conditions One can respect the Past
        IV.  The Convent from the Point of View of Principles
         V.  Prayer
        VI.  The Absolute Goodness of Prayer
       VII.  Precautions to be observed in Blame
      VIII.  Faith, Law

     BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM

         I.  Which treats of the Manner of entering a Convent
        II.  Fauchelevent in the Presence of a Difficulty
       III.  Mother Innocente
        IV.  In which Jean Valjean has quite the Air of having read
               Austin Castillejo
         V.  It is not Necessary to be Drunk in order to be Immortal
        VI.  Between Four Planks
       VII.  In which will be found the Origin of the Saying: Don't
               lose the Card
      VIII.  A Successful Interrogatory
        IX.  Cloistered


     VOLUME III

     BOOK FIRST.--PARIS STUDIED IN ITS ATOM

          I.  Parvulus
         II.  Some of his Particular Characteristics
        III.  He is Agreeable
         IV.  He may be of Use
          V.  His Frontiers
         VI.  A Bit of History
        VII.  The Gamin should have his Place in the Classifications
                 of India
       VIII.  In which the Reader will find a Charming Saying of the
                 Last King
         IX.  The Old Soul of Gaul
          X.  Ecce Paris, ecce Homo
         XI.  To Scoff, to Reign
        XII.  The Future Latent in the People
       XIII.  Little Gavroche

     BOOK SECOND.--THE GREAT BOURGEOIS

          I.  Ninety Years and Thirty-two Teeth
         II.  Like Master, Like House
        III.  Luc-Esprit
         IV.  A Centenarian Aspirant
          V.  Basque and Nicolette
         VI.  In which Magnon and her Two Children are seen
        VII.  Rule: Receive No One except in the Evening
       VIII.  Two do not make a Pair

     BOOK THIRD.--THE  GRANDFATHER AND THE GRANDSON

          I.  An Ancient Salon
         II.  One of the Red Spectres of that Epoch
        III.  Requiescant
         IV.  End of the Brigand
          V.  The Utility of going to Mass, in order to become a
                 Revolutionist
         VI.  The Consequences of having met a Warden
        VII.  Some Petticoat
       VIII.  Marble against Granite

     BOOK FOURTH.--THE FRIENDS OF THE ABC

          I.  A Group which barely missed becoming Historic
         II.  Blondeau's Funeral Oration by Bossuet
        III.  Marius' Astonishments
         IV.  The Back Room of the Cafe Musain
          V.  Enlargement of Horizon
         VI.  Res Angusta

     BOOK FIFTH.--THE EXCELLENCE OF MISFORTUNE

          I.  Marius Indigent
         II.  Marius Poor
        III.  Marius Grown Up
         IV.  M. Mabeuf
          V.  Poverty a Good Neighbor for Misery
         VI.  The Substitute

     BOOK SIXTH.--THE CONJUNCTION OF TWO STARS

          I.  The Sobriquet; Mode of Formation of Family Names
         II.  Lux Facta Est
        III.  Effect of the Spring
         IV.  Beginning of a Great Malady
          V.  Divers Claps of Thunder fall on Ma'am Bougon
         VI.  Taken Prisoner
        VII.  Adventures of the Letter U delivered over to Conjectures
       VIII.  The Veterans themselves can be Happy
         IX.  Eclipse

     BOOK SEVENTH.--PATRON MINETTE

          I.  Mines and Miners
         II.  The Lowest Depths
        III.  Babet, Gueulemer, Claquesous, and Montparnasse
         IV.  Composition of the Troupe

     BOOK EIGHTH.--THE WICKED POOR MAN

          I.  Marius, while seeking a Girl in a Bonnet encounters a
                 Man in a Cap
         II.  Treasure Trove
        III.  Quadrifrons
         IV.  A Rose in Misery
          V.  A Providential Peep-Hole
         VI.  The Wild Man in his Lair
        VII.  Strategy and Tactics
       VIII.  The Ray of Light in the Hovel
         IX.  Jondrette comes near Weeping
          X.  Tariff of Licensed Cabs, Two Francs an Hour
         XI.  Offers of Service from Misery to Wretchedness
        XII.  The Use made of M. Leblanc's Five-Franc Piece
       XIII.  Solus cum Solo, in Loco Remoto, non cogitabuntur
                 orare Pater Noster
        XIV.  In which a Police Agent bestows Two Fistfuls on a Lawyer
         XV.  Jondrette makes his Purchases
        XVI.  In which will be found the Words to an English Air
                  which was in Fashion in 1832
       XVII.  The Use made of Marius' Five-Franc Piece
      XVIII.  Marius' Two Chairs form a Vis-a-Vis
        XIX.  Occupying One's Self with Obscure Depths
         XX.  The Trap
        XXI.  One should always begin by arresting the Victims
       XXII.  The Little One who was crying in Volume Two



     VOLUME IV

     BOOK FIRST.--A FEW PAGES OF HISTORY

        I.  Well Cut
       II.  Badly Sewed
      III.  Louis Philippe
       IV.  Cracks beneath the Foundation
        V.  Facts whence History springs and which History ignores
       VI.  Enjolras and his Lieutenants

     BOOK SECOND.--EPONINE

        I.  The Lark's Meadow
       II.  Embryonic Formation of Crimes in the Incubation of Prisons
      III.  Apparition to Father Mabeuf
       IV.  An Apparition to Marius

     BOOK THIRD.--THE HOUSE IN THE RUE PLUMET

        I.  The House with a Secret
       II.  Jean Valjean as a National Guard
      III.  Foliis ac Frondibus
       IV.  Change of Gate
        V.  The Rose perceives that it is an Engine of War
       VI.  The Battle Begun
      VII.  To One Sadness oppose a Sadness and a Half
     VIII.  The Chain-Gang

     BOOK FOURTH.--SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH

        I.  A Wound without, Healing within
       II.  Mother Plutarque finds no Difficulty in explaining a Phenomenon

     BOOK FIFTH.--THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING

        I.  Solitude and Barracks Combined
       II.  Cosette's Apprehensions
      III.  Enriched with Commentaries by Toussaint
       IV.  A Heart beneath a Stone
        V.  Cosette after the Letter
       VI.  Old People are made to go out opportunely

     BOOK SIXTH.--LITTLE GAVROCHE

        I.  The Malicious Playfulness of the Wind
       II.  In which Little Gavroche extracts Profit from Napoleon the Great
      III.  The Vicissitudes of Flight

     BOOK SEVENTH.--SLANG

        I.  Origin
       II.  Roots
      III.  Slang which weeps and Slang which laughs
       IV.  The Two Duties: To Watch and to Hope

     BOOK EIGHTH.--ENCHANTMENTS AND DESOLATIONS

        I.  Full Light
       II.  The Bewilderment of Perfect Happiness
      III.  The Beginning of Shadow
       IV.  A Cab runs in English and barks in Slang
        V.  Things of the Night
       VI.  Marius becomes Practical once more to the Extent of
                Giving Cosette his Address
      VII. The Old Heart and the Young Heart in the Presence
                of Each Other

     BOOK NINTH.--WHITHER ARE THEY GOING?

        I.  Jean Valjean
       II.  Marius
      III.  M. Mabeuf

     BOOK TENTH.--THE 5TH OF JUNE, 1832

        I.  The Surface of the Question
       II.  The Root of the Matter
      III.  A Burial; an Occasion to be born again
       IV.  The Ebullitions of Former Days
        V.  Originality of Paris

     BOOK ELEVENTH.--THE ATOM FRATERNIZES WITH THE HURRICANE

        I.  Some Explanations with Regard to the Origin of Gavroche's
                Poetry.  The Influence of an Academician on this Poetry
       II.  Gavroche on the March
      III.  Just Indignation of a Hair-dresser
       IV.  The Child is amazed at the Old Man
        V.  The Old Man
       VI.  Recruits

     BOOK TWELFTH.--CORINTHE

        I.  History of Corinthe from its Foundation
       II.  Preliminary Gayeties
      III.  Night begins to descend upon Grantaire
       IV.  An Attempt to console the Widow Hucheloup
        V.  Preparations
       VI.  Waiting
      VII.  The Man recruited in the Rue des Billettes
     VIII.  Many Interrogation Points with Regard to a Certain
                Le Cabuc, whose Name may not have been Le Cabuc

     BOOK THIRTEENTH.--MARIUS ENTERS THE SHADOW

        I.  From the Rue Plumet to the Quartier Saint-Denis
       II.  An Owl's View of Paris
      III.  The Extreme Edge

     BOOK FOURTEENTH.--THE GRANDEURS OF DESPAIR

        I.  The Flag: Act First
       II.  The Flag: Act Second
      III.  Gavroche would have done better to accept Enjolras' Carbine
       IV.  The Barrel of Powder
        V.  End of the Verses of Jean Prouvaire
       VI.  The Agony of Death after the Agony of Life
      VII.  Gavroche as a Profound Calculator of Distances

     BOOK FIFTEENTH.--THE RUE DE L'HOMME ARME

        I.  A Drinker is a Babbler
       II.  The Street Urchin an Enemy of Light
      III.  While Cosette and Toussaint are Asleep
       IV.  Gavroche's Excess of Zeal



     VOLUME V

     BOOK FIRST.--THE WAR BETWEEN FOUR WALLS

         I.  The Charybdis of the Faubourg Saint-Antoine and the
               Scylla of the Faubourg du Temple
        II.  What Is to Be Done in the Abyss if One Does Not Converse
       III.  Light and Shadow
        IV.  Minus Five, Plus One
         V.  The Horizon Which One Beholds from the Summit of a Barricade
        VI.  Marius Haggard, Javert Laconic
       VII.  The Situation Becomes Aggravated
      VIII.  The Artillery-men Compel People to Take Them Seriously
        IX.  Employment of the Old Talents of a Poacher and That
               Infallible Marksmanship Which Influenced the
               Condemnation of 1796
         X.  Dawn
        XI.  The Shot Which Misses Nothing and Kills No One
       XII.  Disorder a Partisan of Order
      XIII.  Passing Gleams
       XIV.  Wherein Will Appear the Name of Enjolras' Mistress
        XV.  Gavroche Outside
       XVI.  How from a Brother One Becomes a Father
      XVII.  Mortuus Pater Filium Moriturum Expectat
     XVIII.  The Vulture Becomes Prey
       XIX.  Jean Valjean Takes His Revenge
        XX.  The Dead Are in the Right and the Living Are Not in the Wrong
       XXI.  The Heroes
      XXII.  Foot to Foot
     XXIII.  Orestes Fasting and Pylades Drunk
      XXIV.  Prisoner

     BOOK SECOND.--THE INTESTINE OF THE LEVIATHAN

         I.  The Land Impoverished by the Sea
        II.  Ancient History of the Sewer
       III.  Bruneseau
        IV.  Bruneseau
         V.  Present Progress
        VI.  Future Progress

     BOOK THIRD.--MUD BUT THE SOUL

         I.  The Sewer and Its Surprises
        II.  Explanation
       III.  The "Spun" Man
        IV.  He Also Bears His Cross
         V.  In the Case of Sand, as in That of Woman, There Is a
               Fineness Which Is Treacherous
        VI.  The Fontis
       VII.  One Sometimes Runs Aground When One Fancies That
               One Is Disembarking
      VIII.  The Torn Coat-Tail
        IX.  Marius Produces on Some One Who Is a Judge of the
               Matter, the Effect of Being Dead
         X.  Return of the Son Who Was Prodigal of His Life
        XI.  Concussion in the Absolute
       XII.  The Grandfather

     BOOK FOURTH.--JAVERT DERAILED

         I.  Javert

     BOOK FIFTH.--GRANDSON AND GRANDFATHER

         I.  In Which the Tree with the Zinc Plaster Appears Again
        II.  Marius, Emerging from Civil War, Makes Ready for
               Domestic War
       III.  Marius Attacked
        IV.  Mademoiselle Gillenormand Ends by No Longer Thinking
               It a Bad Thing That M. Fauchelevent Should Have
               Entered With Something Under His Arm
         V.  Deposit Your Money in a Forest Rather than with a Notary
        VI.  The Two Old Men Do Everything, Each One After His
               Own Fashion, to Render Cosette Happy
       VII.  The Effects of Dreams Mingled with Happiness
      VIII.  Two Men Impossible to Find

     BOOK SIXTH.--THE SLEEPLESS NIGHT

         I.  The 16th of February, 1833
        II.  Jean Valjean Still Wears His Arm in a Sling
       III.  The Inseparable
        IV.  The Immortal Liver

     BOOK SEVENTH.--THE LAST DRAUGHT FROM THE CUP

         I.  The Seventh Circle and the Eighth Heaven
        II.  The Obscurities Which a Revelation Can Contain

     BOOK EIGHTH.--FADING AWAY OF THE TWILIGHT

         I.  The Lower Chamber
        II.  Another Step Backwards
       III.  They Recall the Garden of the Rue Plumet
        IV.  Attraction and Extinction

     BOOK NINTH.--SUPREME SHADOW, SUPREME DAWN

         I.  Pity for the Unhappy, but Indulgence for the Happy
        II.  Last Flickerings of a Lamp Without Oil
       III.  A Pen Is Heavy to the Man Who Lifted the
               Fauchelevent's Cart
        IV.  A Bottle of Ink Which Only Succeeded in Whitening
         V.  A Night Behind Which There Is Day
        VI.  The Grass Covers and the Rain Effaces





LES MISERABLES





VOLUME I.--FANTINE.




PREFACE


So long as there shall exist, by virtue of law and custom, decrees of
damnation pronounced by society, artificially creating hells amid the
civilization of earth, and adding the element of human fate to divine
destiny; so long as the three great problems of the century--the
degradation of man through pauperism, the corruption of woman through
hunger, the crippling of children through lack of light--are unsolved;
so long as social asphyxia is possible in any part of the world;--in
other words, and with a still wider significance, so long as ignorance
and poverty exist on earth, books of the nature of Les Miserables cannot
fail to be of use.

HAUTEVILLE HOUSE, 1862.




FANTINE




BOOK FIRST--A JUST MAN




CHAPTER I--M. MYRIEL

In 1815, M. Charles-Francois-Bienvenu Myriel was Bishop of D---- He was
an old man of about seventy-five years of age; he had occupied the see
of D---- since 1806.

Although this detail has no connection whatever with the real substance
of what we are about to relate, it will not be superfluous, if merely
for the sake of exactness in all points, to mention here the various
rumors and remarks which had been in circulation about him from the very
moment when he arrived in the diocese. True or false, that which is said
of men often occupies as important a place in their lives, and above all
in their destinies, as that which they do. M. Myriel was the son of a
councillor of the Parliament of Aix; hence he belonged to the nobility
of the bar. It was said that his father, destining him to be the heir of
his own post, had married him at a very early age, eighteen or twenty,
in accordance with a custom which is rather widely prevalent in
parliamentary families. In spite of this marriage, however, it was said
that Charles Myriel created a great deal of talk. He was well formed,
though rather short in stature, elegant, graceful, intelligent; the
whole of the first portion of his life had been devoted to the world and
to gallantry.

The Revolution came; events succeeded each other with precipitation; the
parliamentary families, decimated, pursued, hunted down, were dispersed.
M. Charles Myriel emigrated to Italy at the very beginning of the
Revolution. There his wife died of a malady of the chest, from which she
had long suffered. He had no children. What took place next in the fate
of M. Myriel? The ruin of the French society of the olden days, the fall
of his own family, the tragic spectacles of '93, which were, perhaps,
even more alarming to the emigrants who viewed them from a distance,
with the magnifying powers of terror,--did these cause the ideas of
renunciation and solitude to germinate in him? Was he, in the midst of
these distractions, these affections which absorbed his life, suddenly
smitten with one of those mysterious and terrible blows which sometimes
overwhelm, by striking to his heart, a man whom public catastrophes
would not shake, by striking at his existence and his fortune? No one
could have told: all that was known was, that when he returned from
Italy he was a priest.

In 1804, M. Myriel was the Cure of B---- [Brignolles]. He was already
advanced in years, and lived in a very retired manner.

About the epoch of the coronation, some petty affair connected with
his curacy--just what, is not precisely known--took him to Paris.
Among other powerful persons to whom he went to solicit aid for his
parishioners was M. le Cardinal Fesch. One day, when the Emperor
had come to visit his uncle, the worthy Cure, who was waiting in the
anteroom, found himself present when His Majesty passed. Napoleon,
on finding himself observed with a certain curiosity by this old man,
turned round and said abruptly:--

"Who is this good man who is staring at me?"

"Sire," said M. Myriel, "you are looking at a good man, and I at a great
man. Each of us can profit by it."

That very evening, the Emperor asked the Cardinal the name of the Cure,
and some time afterwards M. Myriel was utterly astonished to learn that
he had been appointed Bishop of D----

What truth was there, after all, in the stories which were invented as
to the early portion of M. Myriel's life? No one knew. Very few families
had been acquainted with the Myriel family before the Revolution.

M. Myriel had to undergo the fate of every newcomer in a little town,
where there are many mouths which talk, and very few heads which think.
He was obliged to undergo it although he was a bishop, and because
he was a bishop. But after all, the rumors with which his name
was connected were rumors only,--noise, sayings, words; less than
words--palabres, as the energetic language of the South expresses it.

However that may be, after nine years of episcopal power and of
residence in D----, all the stories and subjects of conversation which
engross petty towns and petty people at the outset had fallen into
profound oblivion. No one would have dared to mention them; no one would
have dared to recall them.

M. Myriel had arrived at D---- accompanied by an elderly spinster,
Mademoiselle Baptistine, who was his sister, and ten years his junior.

Their only domestic was a female servant of the same age as Mademoiselle
Baptistine, and named Madame Magloire, who, after having been the
servant of M. le Cure, now assumed the double title of maid to
Mademoiselle and housekeeper to Monseigneur.

Mademoiselle Baptistine was a long, pale, thin, gentle creature; she
realized the ideal expressed by the word "respectable"; for it seems
that a woman must needs be a mother in order to be venerable. She
had never been pretty; her whole life, which had been nothing but a
succession of holy deeds, had finally conferred upon her a sort of
pallor and transparency; and as she advanced in years she had acquired
what may be called the beauty of goodness. What had been leanness in
her youth had become transparency in her maturity; and this diaphaneity
allowed the angel to be seen. She was a soul rather than a virgin. Her
person seemed made of a shadow; there was hardly sufficient body to
provide for sex; a little matter enclosing a light; large eyes forever
drooping;--a mere pretext for a soul's remaining on the earth.

Madame Magloire was a little, fat, white old woman, corpulent and
bustling; always out of breath,--in the first place, because of her
activity, and in the next, because of her asthma.

On his arrival, M. Myriel was installed in the episcopal palace with
the honors required by the Imperial decrees, which class a bishop
immediately after a major-general. The mayor and the president paid the
first call on him, and he, in turn, paid the first call on the general
and the prefect.

The installation over, the town waited to see its bishop at work.




CHAPTER II--M. MYRIEL BECOMES M. WELCOME


The episcopal palace of D---- adjoins the hospital.

The episcopal palace was a huge and beautiful house, built of stone at
the beginning of the last century by M. Henri Puget, Doctor of Theology
of the Faculty of Paris, Abbe of Simore, who had been Bishop of D---- in
1712. This palace was a genuine seignorial residence. Everything about
it had a grand air,--the apartments of the Bishop, the drawing-rooms,
the chambers, the principal courtyard, which was very large, with walks
encircling it under arcades in the old Florentine fashion, and gardens
planted with magnificent trees. In the dining-room, a long and superb
gallery which was situated on the ground-floor and opened on the
gardens, M. Henri Puget had entertained in state, on July 29, 1714, My
Lords Charles Brulart de Genlis, archbishop; Prince d'Embrun; Antoine
de Mesgrigny, the capuchin, Bishop of Grasse; Philippe de Vendome, Grand
Prior of France, Abbe of Saint Honore de Lerins; Francois de Berton de
Crillon, bishop, Baron de Vence; Cesar de Sabran de Forcalquier, bishop,
Seignor of Glandeve; and Jean Soanen, Priest of the Oratory, preacher in
ordinary to the king, bishop, Seignor of Senez. The portraits of these
seven reverend personages decorated this apartment; and this memorable
date, the 29th of July, 1714, was there engraved in letters of gold on a
table of white marble.

The hospital was a low and narrow building of a single story, with a
small garden.

Three days after his arrival, the Bishop visited the hospital. The visit
ended, he had the director requested to be so good as to come to his
house.

"Monsieur the director of the hospital," said he to him, "how many sick
people have you at the present moment?"

"Twenty-six, Monseigneur."

"That was the number which I counted," said the Bishop.

"The beds," pursued the director, "are very much crowded against each
other."

"That is what I observed."

"The halls are nothing but rooms, and it is with difficulty that the air
can be changed in them."

"So it seems to me."

"And then, when there is a ray of sun, the garden is very small for the
convalescents."

"That was what I said to myself."

"In case of epidemics,--we have had the typhus fever this year; we
had the sweating sickness two years ago, and a hundred patients at
times,--we know not what to do."

"That is the thought which occurred to me."

"What would you have, Monseigneur?" said the director. "One must resign
one's self."

This conversation took place in the gallery dining-room on the
ground-floor.

The Bishop remained silent for a moment; then he turned abruptly to the
director of the hospital.

"Monsieur," said he, "how many beds do you think this hall alone would
hold?"

"Monseigneur's dining-room?" exclaimed the stupefied director.

The Bishop cast a glance round the apartment, and seemed to be taking
measures and calculations with his eyes.

"It would hold full twenty beds," said he, as though speaking to
himself. Then, raising his voice:--

"Hold, Monsieur the director of the hospital, I will tell you something.
There is evidently a mistake here. There are thirty-six of you, in five
or six small rooms. There are three of us here, and we have room for
sixty. There is some mistake, I tell you; you have my house, and I have
yours. Give me back my house; you are at home here."

On the following day the thirty-six patients were installed in the
Bishop's palace, and the Bishop was settled in the hospital.

M. Myriel had no property, his family having been ruined by the
Revolution. His sister was in receipt of a yearly income of five hundred
francs, which sufficed for her personal wants at the vicarage. M. Myriel
received from the State, in his quality of bishop, a salary of fifteen
thousand francs. On the very day when he took up his abode in the
hospital, M. Myriel settled on the disposition of this sum once for
all, in the following manner. We transcribe here a note made by his own
hand:--


NOTE ON THE REGULATION OF MY HOUSEHOLD EXPENSES.

  For the little seminary . . . . . . . . . . . . . .    1,500 livres
  Society of the  mission . . . . . . . . . . . . . .      100   "
  For the Lazarists of Montdidier . . . . . . . . . .      100   "
  Seminary for foreign missions in Paris  . . . . . .      200   "
  Congregation of the Holy Spirit . . . . . . . . . .      150   "
  Religious establishments of the Holy Land . . . . .      100   "
  Charitable maternity societies  . . . . . . . . . .      300   "
  Extra, for that of Arles  . . . . . . . . . . . . .       50   "
  Work for the amelioration of prisons  . . . . . . .      400   "
  Work for the relief and delivery of prisoners . . .      500   "
  To liberate fathers of families incarcerated for debt  1,000   "
  Addition to the salary of the poor teachers of the
       diocese  . . . . . . . . . . . . . . . . . . .    2,000   "
  Public granary of the Hautes-Alpes  . . . . . . . .      100   "
  Congregation of the ladies of D----, of Manosque, and of
       Sisteron, for the gratuitous instruction of poor
       girls  . . . . . . . . . . . . . . . . . . . .    1,500   "
  For the poor  . . . . . . . . . . . . . . . . . . .    6,000   "
  My personal expenses  . . . . . . . . . . . . . . .    1,000   "
                                                        ------
       Total  . . . . . . . . . . . . . . . . . . . .   15,000   "


M. Myriel made no change in this arrangement during the entire period
that he occupied the see of D---- As has been seen, he called it
regulating his household expenses.

This arrangement was accepted with absolute submission by Mademoiselle
Baptistine. This holy woman regarded Monseigneur of D---- as at one and
the same time her brother and her bishop, her friend according to the
flesh and her superior according to the Church. She simply loved and
venerated him. When he spoke, she bowed; when he acted, she yielded her
adherence. Their only servant, Madame Magloire, grumbled a little. It
will be observed that Monsieur the Bishop had reserved for himself
only one thousand livres, which, added to the pension of Mademoiselle
Baptistine, made fifteen hundred francs a year. On these fifteen hundred
francs these two old women and the old man subsisted.

And when a village curate came to D----, the Bishop still found means to
entertain him, thanks to the severe economy of Madame Magloire, and to
the intelligent administration of Mademoiselle Baptistine.

One day, after he had been in D---- about three months, the Bishop
said:--

"And still I am quite cramped with it all!"

"I should think so!" exclaimed Madame Magloire. "Monseigneur has not
even claimed the allowance which the department owes him for the expense
of his carriage in town, and for his journeys about the diocese. It was
customary for bishops in former days."

"Hold!" cried the Bishop, "you are quite right, Madame Magloire."

And he made his demand.

Some time afterwards the General Council took this demand under
consideration, and voted him an annual sum of three thousand francs,
under this heading: Allowance to M. the Bishop for expenses of carriage,
expenses of posting, and expenses of pastoral visits.

This provoked a great outcry among the local burgesses; and a senator
of the Empire, a former member of the Council of the Five Hundred
which favored the 18 Brumaire, and who was provided with a magnificent
senatorial office in the vicinity of the town of D----, wrote to M.
Bigot de Preameneu, the minister of public worship, a very angry and
confidential note on the subject, from which we extract these authentic
lines:--

"Expenses of carriage? What can be done with it in a town of less than
four thousand inhabitants? Expenses of journeys? What is the use
of these trips, in the first place? Next, how can the posting be
accomplished in these mountainous parts? There are no roads. No one
travels otherwise than on horseback. Even the bridge between Durance and
Chateau-Arnoux can barely support ox-teams. These priests are all thus,
greedy and avaricious. This man played the good priest when he
first came. Now he does like the rest; he must have a carriage and a
posting-chaise, he must have luxuries, like the bishops of the olden
days. Oh, all this priesthood! Things will not go well, M. le Comte,
until the Emperor has freed us from these black-capped rascals. Down
with the Pope! [Matters were getting embroiled with Rome.] For my part,
I am for Caesar alone." Etc., etc.

On the other hand, this affair afforded great delight to Madame
Magloire. "Good," said she to Mademoiselle Baptistine; "Monseigneur
began with other people, but he has had to wind up with himself, after
all. He has regulated all his charities. Now here are three thousand
francs for us! At last!"

That same evening the Bishop wrote out and handed to his sister a
memorandum conceived in the following terms:--

EXPENSES OF CARRIAGE AND CIRCUIT.

  For furnishing meat soup to the patients in the hospital. 1,500 livres
  For the maternity charitable society of Aix . . . . . . .   250   "
  For the maternity charitable society of Draguignan  . . .   250   "
  For foundlings  . . . . . . . . . . . . . . . . . . . . .   500   "
  For orphans   . . . . . . . . . . . . . . . . . . . . . .   500   "
                                                            -----
       Total  . . . . . . . . . . . . . . . . . . . . . . . 3,000   "

Such was M. Myriel's budget.

As for the chance episcopal perquisites, the fees for marriage bans,
dispensations, private baptisms, sermons, benedictions, of churches or
chapels, marriages, etc., the Bishop levied them on the wealthy with all
the more asperity, since he bestowed them on the needy.

After a time, offerings of money flowed in. Those who had and those who
lacked knocked at M. Myriel's door,--the latter in search of the alms
which the former came to deposit. In less than a year the Bishop had
become the treasurer of all benevolence and the cashier of all those
in distress. Considerable sums of money passed through his hands, but
nothing could induce him to make any change whatever in his mode of
life, or add anything superfluous to his bare necessities.

Far from it. As there is always more wretchedness below than there
is brotherhood above, all was given away, so to speak, before it was
received. It was like water on dry soil; no matter how much money he
received, he never had any. Then he stripped himself.

The usage being that bishops shall announce their baptismal names at the
head of their charges and their pastoral letters, the poor people of the
country-side had selected, with a sort of affectionate instinct, among
the names and prenomens of their bishop, that which had a meaning for
them; and they never called him anything except Monseigneur Bienvenu
[Welcome]. We will follow their example, and will also call him thus
when we have occasion to name him. Moreover, this appellation pleased
him.

"I like that name," said he. "Bienvenu makes up for the Monseigneur."

We do not claim that the portrait herewith presented is probable; we
confine ourselves to stating that it resembles the original.




CHAPTER III--A HARD BISHOPRIC FOR A GOOD BISHOP


The Bishop did not omit his pastoral visits because he had converted his
carriage into alms. The diocese of D---- is a fatiguing one. There are
very few plains and a great many mountains; hardly any roads, as we have
just seen; thirty-two curacies, forty-one vicarships, and two hundred
and eighty-five auxiliary chapels. To visit all these is quite a task.

The Bishop managed to do it. He went on foot when it was in the
neighborhood, in a tilted spring-cart when it was on the plain, and on
a donkey in the mountains. The two old women accompanied him. When the
trip was too hard for them, he went alone.

One day he arrived at Senez, which is an ancient episcopal city. He was
mounted on an ass. His purse, which was very dry at that moment, did not
permit him any other equipage. The mayor of the town came to receive
him at the gate of the town, and watched him dismount from his ass,
with scandalized eyes. Some of the citizens were laughing around him.
"Monsieur the Mayor," said the Bishop, "and Messieurs Citizens, I
perceive that I shock you. You think it very arrogant in a poor priest
to ride an animal which was used by Jesus Christ. I have done so from
necessity, I assure you, and not from vanity."

In the course of these trips he was kind and indulgent, and talked
rather than preached. He never went far in search of his arguments and
his examples. He quoted to the inhabitants of one district the example
of a neighboring district. In the cantons where they were harsh to the
poor, he said: "Look at the people of Briancon! They have conferred on
the poor, on widows and orphans, the right to have their meadows mown
three days in advance of every one else. They rebuild their houses for
them gratuitously when they are ruined. Therefore it is a country which
is blessed by God. For a whole century, there has not been a single
murderer among them."

In villages which were greedy for profit and harvest, he said: "Look at
the people of Embrun! If, at the harvest season, the father of a family
has his son away on service in the army, and his daughters at service in
the town, and if he is ill and incapacitated, the cure recommends him to
the prayers of the congregation; and on Sunday, after the mass, all the
inhabitants of the village--men, women, and children--go to the poor
man's field and do his harvesting for him, and carry his straw and his
grain to his granary." To families divided by questions of money and
inheritance he said: "Look at the mountaineers of Devolny, a country so
wild that the nightingale is not heard there once in fifty years.
Well, when the father of a family dies, the boys go off to seek their
fortunes, leaving the property to the girls, so that they may find
husbands." To the cantons which had a taste for lawsuits, and where the
farmers ruined themselves in stamped paper, he said: "Look at those good
peasants in the valley of Queyras! There are three thousand souls of
them. Mon Dieu! it is like a little republic. Neither judge nor bailiff
is known there. The mayor does everything. He allots the imposts,
taxes each person conscientiously, judges quarrels for nothing, divides
inheritances without charge, pronounces sentences gratuitously; and he
is obeyed, because he is a just man among simple men." To villages where
he found no schoolmaster, he quoted once more the people of Queyras: "Do
you know how they manage?" he said. "Since a little country of a
dozen or fifteen hearths cannot always support a teacher, they have
school-masters who are paid by the whole valley, who make the round
of the villages, spending a week in this one, ten days in that, and
instruct them. These teachers go to the fairs. I have seen them there.
They are to be recognized by the quill pens which they wear in the cord
of their hat. Those who teach reading only have one pen; those who teach
reading and reckoning have two pens; those who teach reading, reckoning,
and Latin have three pens. But what a disgrace to be ignorant! Do like
the people of Queyras!"

Thus he discoursed gravely and paternally; in default of examples, he
invented parables, going directly to the point, with few phrases and
many images, which characteristic formed the real eloquence of Jesus
Christ. And being convinced himself, he was persuasive.




CHAPTER IV--WORKS CORRESPONDING TO WORDS

His conversation was gay and affable. He put himself on a level with the
two old women who had passed their lives beside him. When he laughed,
it was the laugh of a schoolboy. Madame Magloire liked to call him Your
Grace [Votre Grandeur]. One day he rose from his arm-chair, and went
to his library in search of a book. This book was on one of the upper
shelves. As the bishop was rather short of stature, he could not
reach it. "Madame Magloire," said he, "fetch me a chair. My greatness
[grandeur] does not reach as far as that shelf."

One of his distant relatives, Madame la Comtesse de Lo, rarely allowed
an opportunity to escape of enumerating, in his presence, what she
designated as "the expectations" of her three sons. She had numerous
relatives, who were very old and near to death, and of whom her sons
were the natural heirs. The youngest of the three was to receive from a
grand-aunt a good hundred thousand livres of income; the second was the
heir by entail to the title of the Duke, his uncle; the eldest was to
succeed to the peerage of his grandfather. The Bishop was accustomed to
listen in silence to these innocent and pardonable maternal boasts. On
one occasion, however, he appeared to be more thoughtful than usual,
while Madame de Lo was relating once again the details of all these
inheritances and all these "expectations." She interrupted herself
impatiently: "Mon Dieu, cousin! What are you thinking about?" "I am
thinking," replied the Bishop, "of a singular remark, which is to be
found, I believe, in St. Augustine,--'Place your hopes in the man from
whom you do not inherit.'"

At another time, on receiving a notification of the decease of a
gentleman of the country-side, wherein not only the dignities of the
dead man, but also the feudal and noble qualifications of all his
relatives, spread over an entire page: "What a stout back Death has!"
he exclaimed. "What a strange burden of titles is cheerfully imposed
on him, and how much wit must men have, in order thus to press the tomb
into the service of vanity!"

He was gifted, on occasion, with a gentle raillery, which almost always
concealed a serious meaning. In the course of one Lent, a youthful vicar
came to D----, and preached in the cathedral. He was tolerably eloquent.
The subject of his sermon was charity. He urged the rich to give to the
poor, in order to avoid hell, which he depicted in the most frightful
manner of which he was capable, and to win paradise, which he
represented as charming and desirable. Among the audience there was
a wealthy retired merchant, who was somewhat of a usurer, named M.
Geborand, who had amassed two millions in the manufacture of coarse
cloth, serges, and woollen galloons. Never in his whole life had M.
Geborand bestowed alms on any poor wretch. After the delivery of that
sermon, it was observed that he gave a sou every Sunday to the poor old
beggar-women at the door of the cathedral. There were six of them to
share it. One day the Bishop caught sight of him in the act of bestowing
this charity, and said to his sister, with a smile, "There is M.
Geborand purchasing paradise for a sou."

When it was a question of charity, he was not to be rebuffed even by
a refusal, and on such occasions he gave utterance to remarks which
induced reflection. Once he was begging for the poor in a drawing-room
of the town; there was present the Marquis de Champtercier, a wealthy
and avaricious old man, who contrived to be, at one and the same time,
an ultra-royalist and an ultra-Voltairian. This variety of man has
actually existed. When the Bishop came to him, he touched his arm, "You
must give me something, M. le Marquis." The Marquis turned round and
answered dryly, "I have poor people of my own, Monseigneur." "Give them
to me," replied the Bishop.

One day he preached the following sermon in the cathedral:--


"My very dear brethren, my good friends, there are thirteen hundred
and twenty thousand peasants' dwellings in France which have but three
openings; eighteen hundred and seventeen thousand hovels which have but
two openings, the door and one window; and three hundred and forty-six
thousand cabins besides which have but one opening, the door. And this
arises from a thing which is called the tax on doors and windows. Just
put poor families, old women and little children, in those buildings,
and behold the fevers and maladies which result! Alas! God gives air to
men; the law sells it to them. I do not blame the law, but I bless God.
In the department of the Isere, in the Var, in the two departments
of the Alpes, the Hautes, and the Basses, the peasants have not even
wheelbarrows; they transport their manure on the backs of men; they have
no candles, and they burn resinous sticks, and bits of rope dipped in
pitch. That is the state of affairs throughout the whole of the hilly
country of Dauphine. They make bread for six months at one time; they
bake it with dried cow-dung. In the winter they break this bread up with
an axe, and they soak it for twenty-four hours, in order to render it
eatable. My brethren, have pity! behold the suffering on all sides of
you!"

Born a Provencal, he easily familiarized himself with the dialect of the
south. He said, "En be! moussu, ses sage?" as in lower Languedoc; "Onte
anaras passa?" as in the Basses-Alpes; "Puerte un bouen moutu embe un
bouen fromage grase," as in upper Dauphine. This pleased the people
extremely, and contributed not a little to win him access to all
spirits. He was perfectly at home in the thatched cottage and in the
mountains. He understood how to say the grandest things in the most
vulgar of idioms. As he spoke all tongues, he entered into all hearts.

Moreover, he was the same towards people of the world and towards
the lower classes. He condemned nothing in haste and without taking
circumstances into account. He said, "Examine the road over which the
fault has passed."

Being, as he described himself with a smile, an ex-sinner, he had none
of the asperities of austerity, and he professed, with a good deal
of distinctness, and without the frown of the ferociously virtuous, a
doctrine which may be summed up as follows:--

"Man has upon him his flesh, which is at once his burden and his
temptation. He drags it with him and yields to it. He must watch it,
check it, repress it, and obey it only at the last extremity. There may
be some fault even in this obedience; but the fault thus committed is
venial; it is a fall, but a fall on the knees which may terminate in
prayer.

"To be a saint is the exception; to be an upright man is the rule. Err,
fall, sin if you will, but be upright.

"The least possible sin is the law of man. No sin at all is the dream
of the angel. All which is terrestrial is subject to sin. Sin is a
gravitation."

When he saw everyone exclaiming very loudly, and growing angry very
quickly, "Oh! oh!" he said, with a smile; "to all appearance, this is
a great crime which all the world commits. These are hypocrisies
which have taken fright, and are in haste to make protest and to put
themselves under shelter."

He was indulgent towards women and poor people, on whom the burden of
human society rest. He said, "The faults of women, of children, of the
feeble, the indigent, and the ignorant, are the fault of the husbands,
the fathers, the masters, the strong, the rich, and the wise."

He said, moreover, "Teach those who are ignorant as many things as
possible; society is culpable, in that it does not afford instruction
gratis; it is responsible for the night which it produces. This soul
is full of shadow; sin is therein committed. The guilty one is not the
person who has committed the sin, but the person who has created the
shadow."

It will be perceived that he had a peculiar manner of his own of judging
things: I suspect that he obtained it from the Gospel.

One day he heard a criminal case, which was in preparation and on the
point of trial, discussed in a drawing-room. A wretched man, being at
the end of his resources, had coined counterfeit money, out of love for
a woman, and for the child which he had had by her. Counterfeiting was
still punishable with death at that epoch. The woman had been arrested
in the act of passing the first false piece made by the man. She was
held, but there were no proofs except against her. She alone could
accuse her lover, and destroy him by her confession. She denied; they
insisted. She persisted in her denial. Thereupon an idea occurred to
the attorney for the crown. He invented an infidelity on the part of
the lover, and succeeded, by means of fragments of letters cunningly
presented, in persuading the unfortunate woman that she had a rival, and
that the man was deceiving her. Thereupon, exasperated by jealousy, she
denounced her lover, confessed all, proved all.

The man was ruined. He was shortly to be tried at Aix with his
accomplice. They were relating the matter, and each one was expressing
enthusiasm over the cleverness of the magistrate. By bringing jealousy
into play, he had caused the truth to burst forth in wrath, he had
educed the justice of revenge. The Bishop listened to all this in
silence. When they had finished, he inquired,--

"Where are this man and woman to be tried?"

"At the Court of Assizes."

He went on, "And where will the advocate of the crown be tried?"

A tragic event occurred at D---- A man was condemned to death for
murder. He was a wretched fellow, not exactly educated, not exactly
ignorant, who had been a mountebank at fairs, and a writer for the
public. The town took a great interest in the trial. On the eve of the
day fixed for the execution of the condemned man, the chaplain of the
prison fell ill. A priest was needed to attend the criminal in his
last moments. They sent for the cure. It seems that he refused to come,
saying, "That is no affair of mine. I have nothing to do with that
unpleasant task, and with that mountebank: I, too, am ill; and besides,
it is not my place." This reply was reported to the Bishop, who said,
"Monsieur le Cure is right: it is not his place; it is mine."

He went instantly to the prison, descended to the cell of the
"mountebank," called him by name, took him by the hand, and spoke to
him. He passed the entire day with him, forgetful of food and sleep,
praying to God for the soul of the condemned man, and praying the
condemned man for his own. He told him the best truths, which are also
the most simple. He was father, brother, friend; he was bishop only to
bless. He taught him everything, encouraged and consoled him. The man
was on the point of dying in despair. Death was an abyss to him. As he
stood trembling on its mournful brink, he recoiled with horror. He
was not sufficiently ignorant to be absolutely indifferent. His
condemnation, which had been a profound shock, had, in a manner, broken
through, here and there, that wall which separates us from the mystery
of things, and which we call life. He gazed incessantly beyond this
world through these fatal breaches, and beheld only darkness. The Bishop
made him see light.

On the following day, when they came to fetch the unhappy wretch, the
Bishop was still there. He followed him, and exhibited himself to the
eyes of the crowd in his purple camail and with his episcopal cross upon
his neck, side by side with the criminal bound with cords.

He mounted the tumbril with him, he mounted the scaffold with him. The
sufferer, who had been so gloomy and cast down on the preceding day, was
radiant. He felt that his soul was reconciled, and he hoped in God. The
Bishop embraced him, and at the moment when the knife was about to fall,
he said to him: "God raises from the dead him whom man slays; he whom
his brothers have rejected finds his Father once more. Pray, believe,
enter into life: the Father is there." When he descended from the
scaffold, there was something in his look which made the people draw
aside to let him pass. They did not know which was most worthy of
admiration, his pallor or his serenity. On his return to the humble
dwelling, which he designated, with a smile, as his palace, he said to
his sister, "I have just officiated pontifically."

Since the most sublime things are often those which are the least
understood, there were people in the town who said, when commenting on
this conduct of the Bishop, "It is affectation."

This, however, was a remark which was confined to the drawing-rooms.
The populace, which perceives no jest in holy deeds, was touched, and
admired him.

As for the Bishop, it was a shock to him to have beheld the guillotine,
and it was a long time before he recovered from it.

In fact, when the scaffold is there, all erected and prepared, it has
something about it which produces hallucination. One may feel a certain
indifference to the death penalty, one may refrain from pronouncing upon
it, from saying yes or no, so long as one has not seen a guillotine with
one's own eyes: but if one encounters one of them, the shock is violent;
one is forced to decide, and to take part for or against. Some admire
it, like de Maistre; others execrate it, like Beccaria. The guillotine
is the concretion of the law; it is called vindicte; it is not neutral,
and it does not permit you to remain neutral. He who sees it shivers
with the most mysterious of shivers. All social problems erect their
interrogation point around this chopping-knife. The scaffold is a
vision. The scaffold is not a piece of carpentry; the scaffold is not
a machine; the scaffold is not an inert bit of mechanism constructed of
wood, iron and cords.

It seems as though it were a being, possessed of I know not what sombre
initiative; one would say that this piece of carpenter's work saw, that
this machine heard, that this mechanism understood, that this wood,
this iron, and these cords were possessed of will. In the frightful
meditation into which its presence casts the soul the scaffold appears
in terrible guise, and as though taking part in what is going on. The
scaffold is the accomplice of the executioner; it devours, it eats
flesh, it drinks blood; the scaffold is a sort of monster fabricated
by the judge and the carpenter, a spectre which seems to live with a
horrible vitality composed of all the death which it has inflicted.

Therefore, the impression was terrible and profound; on the day
following the execution, and on many succeeding days, the Bishop
appeared to be crushed. The almost violent serenity of the funereal
moment had disappeared; the phantom of social justice tormented him. He,
who generally returned from all his deeds with a radiant satisfaction,
seemed to be reproaching himself. At times he talked to himself, and
stammered lugubrious monologues in a low voice. This is one which his
sister overheard one evening and preserved: "I did not think that it was
so monstrous. It is wrong to become absorbed in the divine law to such a
degree as not to perceive human law. Death belongs to God alone. By what
right do men touch that unknown thing?"

In course of time these impressions weakened and probably vanished.
Nevertheless, it was observed that the Bishop thenceforth avoided
passing the place of execution.

M. Myriel could be summoned at any hour to the bedside of the sick and
dying. He did not ignore the fact that therein lay his greatest duty and
his greatest labor. Widowed and orphaned families had no need to summon
him; he came of his own accord. He understood how to sit down and hold
his peace for long hours beside the man who had lost the wife of his
love, of the mother who had lost her child. As he knew the moment for
silence he knew also the moment for speech. Oh, admirable consoler! He
sought not to efface sorrow by forgetfulness, but to magnify and dignify
it by hope. He said:--

"Have a care of the manner in which you turn towards the dead. Think
not of that which perishes. Gaze steadily. You will perceive the living
light of your well-beloved dead in the depths of heaven." He knew that
faith is wholesome. He sought to counsel and calm the despairing man, by
pointing out to him the resigned man, and to transform the grief which
gazes upon a grave by showing him the grief which fixes its gaze upon a
star.




CHAPTER V--MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG


The private life of M. Myriel was filled with the same thoughts as his
public life. The voluntary poverty in which the Bishop of D---- lived,
would have been a solemn and charming sight for any one who could have
viewed it close at hand.

Like all old men, and like the majority of thinkers, he slept little.
This brief slumber was profound. In the morning he meditated for an
hour, then he said his mass, either at the cathedral or in his own
house. His mass said, he broke his fast on rye bread dipped in the milk
of his own cows. Then he set to work.

A Bishop is a very busy man: he must every day receive the secretary
of the bishopric, who is generally a canon, and nearly every day his
vicars-general. He has congregations to reprove, privileges to grant,
a whole ecclesiastical library to examine,--prayer-books, diocesan
catechisms, books of hours, etc.,--charges to write, sermons to
authorize, cures and mayors to reconcile, a clerical correspondence, an
administrative correspondence; on one side the State, on the other the
Holy See; and a thousand matters of business.

What time was left to him, after these thousand details of business, and
his offices and his breviary, he bestowed first on the necessitous,
the sick, and the afflicted; the time which was left to him from the
afflicted, the sick, and the necessitous, he devoted to work. Sometimes
he dug in his garden; again, he read or wrote. He had but one word
for both these kinds of toil; he called them gardening. "The mind is a
garden," said he.

Towards mid-day, when the weather was fine, he went forth and took a
stroll in the country or in town, often entering lowly dwellings. He
was seen walking alone, buried in his own thoughts, his eyes cast down,
supporting himself on his long cane, clad in his wadded purple garment
of silk, which was very warm, wearing purple stockings inside his coarse
shoes, and surmounted by a flat hat which allowed three golden tassels
of large bullion to droop from its three points.

It was a perfect festival wherever he appeared. One would have said that
his presence had something warming and luminous about it. The children
and the old people came out to the doorsteps for the Bishop as for the
sun. He bestowed his blessing, and they blessed him. They pointed out
his house to any one who was in need of anything.

[Illustration: The Comfortor  1b1-5-comfortor]

Here and there he halted, accosted the little boys and girls, and smiled
upon the mothers. He visited the poor so long as he had any money; when
he no longer had any, he visited the rich.

As he made his cassocks last a long while, and did not wish to have it
noticed, he never went out in the town without his wadded purple cloak.
This inconvenienced him somewhat in summer.

On his return, he dined. The dinner resembled his breakfast.

At half-past eight in the evening he supped with his sister, Madame
Magloire standing behind them and serving them at table. Nothing could
be more frugal than this repast. If, however, the Bishop had one of his
cures to supper, Madame Magloire took advantage of the opportunity to
serve Monseigneur with some excellent fish from the lake, or with some
fine game from the mountains. Every cure furnished the pretext for
a good meal: the Bishop did not interfere. With that exception, his
ordinary diet consisted only of vegetables boiled in water, and oil
soup. Thus it was said in the town, when the Bishop does not indulge in
the cheer of a cure, he indulges in the cheer of a trappist.

After supper he conversed for half an hour with Mademoiselle Baptistine
and Madame Magloire; then he retired to his own room and set to writing,
sometimes on loose sheets, and again on the margin of some folio. He was
a man of letters and rather learned. He left behind him five or six
very curious manuscripts; among others, a dissertation on this verse in
Genesis, In the beginning, the spirit of God floated upon the waters.
With this verse he compares three texts: the Arabic verse which says,
The winds of God blew; Flavius Josephus who says, A wind from above was
precipitated upon the earth; and finally, the Chaldaic paraphrase of
Onkelos, which renders it, A wind coming from God blew upon the face of
the waters. In another dissertation, he examines the theological works
of Hugo, Bishop of Ptolemais, great-grand-uncle to the writer of this
book, and establishes the fact, that to this bishop must be attributed
the divers little works published during the last century, under the
pseudonym of Barleycourt.

Sometimes, in the midst of his reading, no matter what the book might
be which he had in his hand, he would suddenly fall into a profound
meditation, whence he only emerged to write a few lines on the pages of
the volume itself. These lines have often no connection whatever with
the book which contains them. We now have under our eyes a note written
by him on the margin of a quarto entitled Correspondence of Lord Germain
with Generals Clinton, Cornwallis, and the Admirals on the American
station. Versailles, Poincot, book-seller; and Paris, Pissot,
bookseller, Quai des Augustins.

Here is the note:--

"Oh, you who are!

"Ecclesiastes calls you the All-powerful; the Maccabees call you the
Creator; the Epistle to the Ephesians calls you liberty; Baruch calls
you Immensity; the Psalms call you Wisdom and Truth; John calls you
Light; the Books of Kings call you Lord; Exodus calls you Providence;
Leviticus, Sanctity; Esdras, Justice; the creation calls you God; man
calls you Father; but Solomon calls you Compassion, and that is the most
beautiful of all your names."

Toward nine o'clock in the evening the two women retired and betook
themselves to their chambers on the first floor, leaving him alone until
morning on the ground floor.

It is necessary that we should, in this place, give an exact idea of the
dwelling of the Bishop of D----




CHAPTER VI--WHO GUARDED HIS HOUSE FOR HIM

The house in which he lived consisted, as we have said, of a ground
floor, and one story above; three rooms on the ground floor, three
chambers on the first, and an attic above. Behind the house was a
garden, a quarter of an acre in extent. The two women occupied the
first floor; the Bishop was lodged below. The first room, opening on the
street, served him as dining-room, the second was his bedroom, and the
third his oratory. There was no exit possible from this oratory, except
by passing through the bedroom, nor from the bedroom, without passing
through the dining-room. At the end of the suite, in the oratory, there
was a detached alcove with a bed, for use in cases of hospitality.
The Bishop offered this bed to country curates whom business or the
requirements of their parishes brought to D----

The pharmacy of the hospital, a small building which had been added
to the house, and abutted on the garden, had been transformed into
a kitchen and cellar. In addition to this, there was in the garden a
stable, which had formerly been the kitchen of the hospital, and in
which the Bishop kept two cows. No matter what the quantity of milk they
gave, he invariably sent half of it every morning to the sick people in
the hospital. "I am paying my tithes," he said.

His bedroom was tolerably large, and rather difficult to warm in bad
weather. As wood is extremely dear at D----, he hit upon the idea of
having a compartment of boards constructed in the cow-shed. Here he
passed his evenings during seasons of severe cold: he called it his
winter salon.

In this winter salon, as in the dining-room, there was no other
furniture than a square table in white wood, and four straw-seated
chairs. In addition to this the dining-room was ornamented with an
antique sideboard, painted pink, in water colors. Out of a similar
sideboard, properly draped with white napery and imitation lace, the
Bishop had constructed the altar which decorated his oratory.

His wealthy penitents and the sainted women of D---- had more than once
assessed themselves to raise the money for a new altar for Monseigneur's
oratory; on each occasion he had taken the money and had given it to
the poor. "The most beautiful of altars," he said, "is the soul of an
unhappy creature consoled and thanking God."

In his oratory there were two straw prie-Dieu, and there was an
arm-chair, also in straw, in his bedroom. When, by chance, he received
seven or eight persons at one time, the prefect, or the general, or the
staff of the regiment in garrison, or several pupils from the little
seminary, the chairs had to be fetched from the winter salon in the
stable, the prie-Dieu from the oratory, and the arm-chair from the
bedroom: in this way as many as eleven chairs could be collected for the
visitors. A room was dismantled for each new guest.

It sometimes happened that there were twelve in the party; the Bishop
then relieved the embarrassment of the situation by standing in front
of the chimney if it was winter, or by strolling in the garden if it was
summer.

There was still another chair in the detached alcove, but the straw was
half gone from it, and it had but three legs, so that it was of service
only when propped against the wall. Mademoiselle Baptistine had also in
her own room a very large easy-chair of wood, which had formerly been
gilded, and which was covered with flowered pekin; but they had been
obliged to hoist this bergere up to the first story through the window,
as the staircase was too narrow; it could not, therefore, be reckoned
among the possibilities in the way of furniture.

Mademoiselle Baptistine's ambition had been to be able to purchase a set
of drawing-room furniture in yellow Utrecht velvet, stamped with a rose
pattern, and with mahogany in swan's neck style, with a sofa. But this
would have cost five hundred francs at least, and in view of the fact
that she had only been able to lay by forty-two francs and ten sous for
this purpose in the course of five years, she had ended by renouncing
the idea. However, who is there who has attained his ideal?

Nothing is more easy to present to the imagination than the Bishop's
bedchamber. A glazed door opened on the garden; opposite this was the
bed,--a hospital bed of iron, with a canopy of green serge; in the
shadow of the bed, behind a curtain, were the utensils of the toilet,
which still betrayed the elegant habits of the man of the world: there
were two doors, one near the chimney, opening into the oratory; the
other near the bookcase, opening into the dining-room. The bookcase was
a large cupboard with glass doors filled with books; the chimney was of
wood painted to represent marble, and habitually without fire. In the
chimney stood a pair of firedogs of iron, ornamented above with two
garlanded vases, and flutings which had formerly been silvered
with silver leaf, which was a sort of episcopal luxury; above the
chimney-piece hung a crucifix of copper, with the silver worn off, fixed
on a background of threadbare velvet in a wooden frame from which the
gilding had fallen; near the glass door a large table with an inkstand,
loaded with a confusion of papers and with huge volumes; before the
table an arm-chair of straw; in front of the bed a prie-Dieu, borrowed
from the oratory.

Two portraits in oval frames were fastened to the wall on each side of
the bed. Small gilt inscriptions on the plain surface of the cloth at
the side of these figures indicated that the portraits represented,
one the Abbe of Chaliot, bishop of Saint Claude; the other, the Abbe
Tourteau, vicar-general of Agde, abbe of Grand-Champ, order of Citeaux,
diocese of Chartres. When the Bishop succeeded to this apartment, after
the hospital patients, he had found these portraits there, and had left
them. They were priests, and probably donors--two reasons for respecting
them. All that he knew about these two persons was, that they had
been appointed by the king, the one to his bishopric, the other to his
benefice, on the same day, the 27th of April, 1785. Madame Magloire
having taken the pictures down to dust, the Bishop had discovered these
particulars written in whitish ink on a little square of paper, yellowed
by time, and attached to the back of the portrait of the Abbe of
Grand-Champ with four wafers.

At his window he had an antique curtain of a coarse woollen stuff, which
finally became so old, that, in order to avoid the expense of a new one,
Madame Magloire was forced to take a large seam in the very middle
of it. This seam took the form of a cross. The Bishop often called
attention to it: "How delightful that is!" he said.

All the rooms in the house, without exception, those on the ground
floor as well as those on the first floor, were white-washed, which is a
fashion in barracks and hospitals.

However, in their latter years, Madame Magloire discovered beneath the
paper which had been washed over, paintings, ornamenting the apartment
of Mademoiselle Baptistine, as we shall see further on. Before becoming
a hospital, this house had been the ancient parliament house of the
Bourgeois. Hence this decoration. The chambers were paved in red bricks,
which were washed every week, with straw mats in front of all the beds.
Altogether, this dwelling, which was attended to by the two women, was
exquisitely clean from top to bottom. This was the sole luxury which the
Bishop permitted. He said, "That takes nothing from the poor."

It must be confessed, however, that he still retained from his former
possessions six silver knives and forks and a soup-ladle, which
Madame Magloire contemplated every day with delight, as they glistened
splendidly upon the coarse linen cloth. And since we are now painting
the Bishop of D---- as he was in reality, we must add that he had said
more than once, "I find it difficult to renounce eating from silver
dishes."

To this silverware must be added two large candlesticks of massive
silver, which he had inherited from a great-aunt. These candlesticks
held two wax candles, and usually figured on the Bishop's chimney-piece.
When he had any one to dinner, Madame Magloire lighted the two candles
and set the candlesticks on the table.

In the Bishop's own chamber, at the head of his bed, there was a small
cupboard, in which Madame Magloire locked up the six silver knives and
forks and the big spoon every night. But it is necessary to add, that
the key was never removed.

The garden, which had been rather spoiled by the ugly buildings which
we have mentioned, was composed of four alleys in cross-form, radiating
from a tank. Another walk made the circuit of the garden, and skirted
the white wall which enclosed it. These alleys left behind them four
square plots rimmed with box. In three of these, Madame Magloire
cultivated vegetables; in the fourth, the Bishop had planted some
flowers; here and there stood a few fruit-trees. Madame Magloire had
once remarked, with a sort of gentle malice: "Monseigneur, you who turn
everything to account, have, nevertheless, one useless plot. It would be
better to grow salads there than bouquets." "Madame Magloire," retorted
the Bishop, "you are mistaken. The beautiful is as useful as the
useful." He added after a pause, "More so, perhaps."

This plot, consisting of three or four beds, occupied the Bishop
almost as much as did his books. He liked to pass an hour or two there,
trimming, hoeing, and making holes here and there in the earth, into
which he dropped seeds. He was not as hostile to insects as a gardener
could have wished to see him. Moreover, he made no pretensions to
botany; he ignored groups and consistency; he made not the slightest
effort to decide between Tournefort and the natural method; he took part
neither with the buds against the cotyledons, nor with Jussieu against
Linnaeus. He did not study plants; he loved flowers. He respected
learned men greatly; he respected the ignorant still more; and, without
ever failing in these two respects, he watered his flower-beds every
summer evening with a tin watering-pot painted green.

The house had not a single door which could be locked. The door of the
dining-room, which, as we have said, opened directly on the cathedral
square, had formerly been ornamented with locks and bolts like the door
of a prison. The Bishop had had all this ironwork removed, and this door
was never fastened, either by night or by day, with anything except the
latch. All that the first passerby had to do at any hour, was to give it
a push. At first, the two women had been very much tried by this door,
which was never fastened, but Monsieur de D---- had said to them, "Have
bolts put on your rooms, if that will please you." They had ended by
sharing his confidence, or by at least acting as though they shared it.
Madame Magloire alone had frights from time to time. As for the Bishop,
his thought can be found explained, or at least indicated, in the three
lines which he wrote on the margin of a Bible, "This is the shade of
difference: the door of the physician should never be shut, the door of
the priest should always be open."

On another book, entitled Philosophy of the Medical Science, he had
written this other note: "Am not I a physician like them? I also have my
patients, and then, too, I have some whom I call my unfortunates."

Again he wrote: "Do not inquire the name of him who asks a shelter of
you. The very man who is embarrassed by his name is the one who needs
shelter."

It chanced that a worthy cure, I know not whether it was the cure of
Couloubroux or the cure of Pompierry, took it into his head to ask
him one day, probably at the instigation of Madame Magloire, whether
Monsieur was sure that he was not committing an indiscretion, to a
certain extent, in leaving his door unfastened day and night, at the
mercy of any one who should choose to enter, and whether, in short,
he did not fear lest some misfortune might occur in a house so little
guarded. The Bishop touched his shoulder, with gentle gravity, and
said to him, "Nisi Dominus custodierit domum, in vanum vigilant qui
custodiunt eam," Unless the Lord guard the house, in vain do they watch
who guard it.

Then he spoke of something else.

He was fond of saying, "There is a bravery of the priest as well as
the bravery of a colonel of dragoons,--only," he added, "ours must be
tranquil."




CHAPTER VII--CRAVATTE

It is here that a fact falls naturally into place, which we must not
omit, because it is one of the sort which show us best what sort of a
man the Bishop of D---- was.

After the destruction of the band of Gaspard Bes, who had infested the
gorges of Ollioules, one of his lieutenants, Cravatte, took refuge in
the mountains. He concealed himself for some time with his bandits, the
remnant of Gaspard Bes's troop, in the county of Nice; then he made his
way to Piedmont, and suddenly reappeared in France, in the vicinity
of Barcelonette. He was first seen at Jauziers, then at Tuiles. He hid
himself in the caverns of the Joug-de-l'Aigle, and thence he descended
towards the hamlets and villages through the ravines of Ubaye and
Ubayette.

He even pushed as far as Embrun, entered the cathedral one night,
and despoiled the sacristy. His highway robberies laid waste the
country-side. The gendarmes were set on his track, but in vain. He
always escaped; sometimes he resisted by main force. He was a bold
wretch. In the midst of all this terror the Bishop arrived. He was
making his circuit to Chastelar. The mayor came to meet him, and urged
him to retrace his steps. Cravatte was in possession of the mountains
as far as Arche, and beyond; there was danger even with an escort; it
merely exposed three or four unfortunate gendarmes to no purpose.

"Therefore," said the Bishop, "I intend to go without escort."

"You do not really mean that, Monseigneur!" exclaimed the mayor.

"I do mean it so thoroughly that I absolutely refuse any gendarmes, and
shall set out in an hour."

"Set out?"

"Set out."

"Alone?"

"Alone."

"Monseigneur, you will not do that!"

"There exists yonder in the mountains," said the Bishop, "a tiny
community no bigger than that, which I have not seen for three years.
They are my good friends, those gentle and honest shepherds. They own
one goat out of every thirty that they tend. They make very pretty
woollen cords of various colors, and they play the mountain airs on
little flutes with six holes. They need to be told of the good God now
and then. What would they say to a bishop who was afraid? What would
they say if I did not go?"

"But the brigands, Monseigneur?"

"Hold," said the Bishop, "I must think of that. You are right. I may
meet them. They, too, need to be told of the good God."

"But, Monseigneur, there is a band of them! A flock of wolves!"

"Monsieur le maire, it may be that it is of this very flock of wolves
that Jesus has constituted me the shepherd. Who knows the ways of
Providence?"

"They will rob you, Monseigneur."

"I have nothing."

"They will kill you."

"An old goodman of a priest, who passes along mumbling his prayers? Bah!
To what purpose?"

"Oh, mon Dieu! what if you should meet them!"

"I should beg alms of them for my poor."

"Do not go, Monseigneur. In the name of Heaven! You are risking your
life!"

"Monsieur le maire," said the Bishop, "is that really all? I am not in
the world to guard my own life, but to guard souls."

They had to allow him to do as he pleased. He set out, accompanied only
by a child who offered to serve as a guide. His obstinacy was bruited
about the country-side, and caused great consternation.

He would take neither his sister nor Madame Magloire. He traversed the
mountain on mule-back, encountered no one, and arrived safe and sound
at the residence of his "good friends," the shepherds. He remained
there for a fortnight, preaching, administering the sacrament, teaching,
exhorting. When the time of his departure approached, he resolved to
chant a Te Deum pontifically. He mentioned it to the cure. But what was
to be done? There were no episcopal ornaments. They could only place at
his disposal a wretched village sacristy, with a few ancient chasubles
of threadbare damask adorned with imitation lace.

"Bah!" said the Bishop. "Let us announce our Te Deum from the pulpit,
nevertheless, Monsieur le Cure. Things will arrange themselves."

They instituted a search in the churches of the neighborhood. All the
magnificence of these humble parishes combined would not have sufficed
to clothe the chorister of a cathedral properly.

While they were thus embarrassed, a large chest was brought and
deposited in the presbytery for the Bishop, by two unknown horsemen, who
departed on the instant. The chest was opened; it contained a cope of
cloth of gold, a mitre ornamented with diamonds, an archbishop's cross,
a magnificent crosier,--all the pontifical vestments which had been
stolen a month previously from the treasury of Notre Dame d'Embrun. In
the chest was a paper, on which these words were written, "From Cravatte
to Monseigneur Bienvenu."

"Did not I say that things would come right of themselves?" said the
Bishop. Then he added, with a smile, "To him who contents himself with
the surplice of a curate, God sends the cope of an archbishop."

"Monseigneur," murmured the cure, throwing back his head with a smile.
"God--or the Devil."

The Bishop looked steadily at the cure, and repeated with authority,
"God!"

When he returned to Chastelar, the people came out to stare at him as at
a curiosity, all along the road. At the priest's house in Chastelar he
rejoined Mademoiselle Baptistine and Madame Magloire, who were waiting
for him, and he said to his sister: "Well! was I in the right? The poor
priest went to his poor mountaineers with empty hands, and he returns
from them with his hands full. I set out bearing only my faith in God; I
have brought back the treasure of a cathedral."

That evening, before he went to bed, he said again: "Let us never fear
robbers nor murderers. Those are dangers from without, petty dangers.
Let us fear ourselves. Prejudices are the real robbers; vices are the
real murderers. The great dangers lie within ourselves. What matters it
what threatens our head or our purse! Let us think only of that which
threatens our soul."

Then, turning to his sister: "Sister, never a precaution on the part
of the priest, against his fellow-man. That which his fellow does, God
permits. Let us confine ourselves to prayer, when we think that a danger
is approaching us. Let us pray, not for ourselves, but that our brother
may not fall into sin on our account."

However, such incidents were rare in his life. We relate those of which
we know; but generally he passed his life in doing the same things at
the same moment. One month of his year resembled one hour of his day.

As to what became of "the treasure" of the cathedral of Embrun, we
should be embarrassed by any inquiry in that direction. It consisted of
very handsome things, very tempting things, and things which were very
well adapted to be stolen for the benefit of the unfortunate. Stolen
they had already been elsewhere. Half of the adventure was completed; it
only remained to impart a new direction to the theft, and to cause it
to take a short trip in the direction of the poor. However, we make no
assertions on this point. Only, a rather obscure note was found among
the Bishop's papers, which may bear some relation to this matter, and
which is couched in these terms, "The question is, to decide whether
this should be turned over to the cathedral or to the hospital."




CHAPTER VIII--PHILOSOPHY AFTER DRINKING

The senator above mentioned was a clever man, who had made his own way,
heedless of those things which present obstacles, and which are called
conscience, sworn faith, justice, duty: he had marched straight to his
goal, without once flinching in the line of his advancement and his
interest. He was an old attorney, softened by success; not a bad man by
any means, who rendered all the small services in his power to his sons,
his sons-in-law, his relations, and even to his friends, having wisely
seized upon, in life, good sides, good opportunities, good windfalls.
Everything else seemed to him very stupid. He was intelligent, and just
sufficiently educated to think himself a disciple of Epicurus; while he
was, in reality, only a product of Pigault-Lebrun. He laughed willingly
and pleasantly over infinite and eternal things, and at the "Crotchets
of that good old fellow the Bishop." He even sometimes laughed at him
with an amiable authority in the presence of M. Myriel himself, who
listened to him.

On some semi-official occasion or other, I do not recollect what,
Count*** [this senator] and M. Myriel were to dine with the prefect.
At dessert, the senator, who was slightly exhilarated, though still
perfectly dignified, exclaimed:--

"Egad, Bishop, let's have a discussion. It is hard for a senator and a
bishop to look at each other without winking. We are two augurs. I am
going to make a confession to you. I have a philosophy of my own."

"And you are right," replied the Bishop. "As one makes one's philosophy,
so one lies on it. You are on the bed of purple, senator."

The senator was encouraged, and went on:--

"Let us be good fellows."

"Good devils even," said the Bishop.

"I declare to you," continued the senator, "that the Marquis d'Argens,
Pyrrhon, Hobbes, and M. Naigeon are no rascals. I have all the
philosophers in my library gilded on the edges."

"Like yourself, Count," interposed the Bishop.

The senator resumed:--

"I hate Diderot; he is an ideologist, a declaimer, and a revolutionist,
a believer in God at bottom, and more bigoted than Voltaire. Voltaire
made sport of Needham, and he was wrong, for Needham's eels prove that
God is useless. A drop of vinegar in a spoonful of flour paste supplies
the fiat lux. Suppose the drop to be larger and the spoonful bigger;
you have the world. Man is the eel. Then what is the good of the Eternal
Father? The Jehovah hypothesis tires me, Bishop. It is good for nothing
but to produce shallow people, whose reasoning is hollow. Down with that
great All, which torments me! Hurrah for Zero which leaves me in peace!
Between you and me, and in order to empty my sack, and make confession
to my pastor, as it behooves me to do, I will admit to you that I
have good sense. I am not enthusiastic over your Jesus, who preaches
renunciation and sacrifice to the last extremity. 'Tis the counsel of an
avaricious man to beggars. Renunciation; why? Sacrifice; to what end?
I do not see one wolf immolating himself for the happiness of another
wolf. Let us stick to nature, then. We are at the top; let us have a
superior philosophy. What is the advantage of being at the top, if
one sees no further than the end of other people's noses? Let us live
merrily. Life is all. That man has another future elsewhere, on high,
below, anywhere, I don't believe; not one single word of it. Ah!
sacrifice and renunciation are recommended to me; I must take heed to
everything I do; I must cudgel my brains over good and evil, over the
just and the unjust, over the fas and the nefas. Why? Because I shall
have to render an account of my actions. When? After death. What a fine
dream! After my death it will be a very clever person who can catch me.
Have a handful of dust seized by a shadow-hand, if you can. Let us tell
the truth, we who are initiated, and who have raised the veil of Isis:
there is no such thing as either good or evil; there is vegetation.
Let us seek the real. Let us get to the bottom of it. Let us go into it
thoroughly. What the deuce! let us go to the bottom of it! We must scent
out the truth; dig in the earth for it, and seize it. Then it gives you
exquisite joys. Then you grow strong, and you laugh. I am square on the
bottom, I am. Immortality, Bishop, is a chance, a waiting for dead men's
shoes. Ah! what a charming promise! trust to it, if you like! What a
fine lot Adam has! We are souls, and we shall be angels, with blue wings
on our shoulder-blades. Do come to my assistance: is it not Tertullian
who says that the blessed shall travel from star to star? Very well. We
shall be the grasshoppers of the stars. And then, besides, we shall
see God. Ta, ta, ta! What twaddle all these paradises are! God is a
nonsensical monster. I would not say that in the Moniteur, egad! but I
may whisper it among friends. Inter pocula. To sacrifice the world to
paradise is to let slip the prey for the shadow. Be the dupe of the
infinite! I'm not such a fool. I am a nought. I call myself Monsieur le
Comte Nought, senator. Did I exist before my birth? No. Shall I exist
after death? No. What am I? A little dust collected in an organism. What
am I to do on this earth? The choice rests with me: suffer or enjoy.
Whither will suffering lead me? To nothingness; but I shall have
suffered. Whither will enjoyment lead me? To nothingness; but I shall
have enjoyed myself. My choice is made. One must eat or be eaten. I
shall eat. It is better to be the tooth than the grass. Such is my
wisdom. After which, go whither I push thee, the grave-digger is there;
the Pantheon for some of us: all falls into the great hole. End. Finis.
Total liquidation. This is the vanishing-point. Death is death, believe
me. I laugh at the idea of there being any one who has anything to tell
me on that subject. Fables of nurses; bugaboo for children; Jehovah for
men. No; our to-morrow is the night. Beyond the tomb there is nothing
but equal nothingness. You have been Sardanapalus, you have been Vincent
de Paul--it makes no difference. That is the truth. Then live your life,
above all things. Make use of your _I_ while you have it. In truth,
Bishop, I tell you that I have a philosophy of my own, and I have my
philosophers. I don't let myself be taken in with that nonsense.
Of course, there must be something for those who are down,--for the
barefooted beggars, knife-grinders, and miserable wretches. Legends,
chimeras, the soul, immortality, paradise, the stars, are provided for
them to swallow. They gobble it down. They spread it on their dry bread.
He who has nothing else has the good. God. That is the least he can
have. I oppose no objection to that; but I reserve Monsieur Naigeon for
myself. The good God is good for the populace."

The Bishop clapped his hands.

"That's talking!" he exclaimed. "What an excellent and really marvellous
thing is this materialism! Not every one who wants it can have it. Ah!
when one does have it, one is no longer a dupe, one does not stupidly
allow one's self to be exiled like Cato, nor stoned like Stephen, nor
burned alive like Jeanne d'Arc. Those who have succeeded in procuring
this admirable materialism have the joy of feeling themselves
irresponsible, and of thinking that they can devour everything without
uneasiness,--places, sinecures, dignities, power, whether well or
ill acquired, lucrative recantations, useful treacheries, savory
capitulations of conscience,--and that they shall enter the tomb with
their digestion accomplished. How agreeable that is! I do not say that
with reference to you, senator. Nevertheless, it is impossible for me
to refrain from congratulating you. You great lords have, so you say, a
philosophy of your own, and for yourselves, which is exquisite, refined,
accessible to the rich alone, good for all sauces, and which seasons
the voluptuousness of life admirably. This philosophy has been
extracted from the depths, and unearthed by special seekers. But you are
good-natured princes, and you do not think it a bad thing that belief in
the good God should constitute the philosophy of the people, very much
as the goose stuffed with chestnuts is the truffled turkey of the poor."




CHAPTER IX--THE BROTHER AS DEPICTED BY THE SISTER

In order to furnish an idea of the private establishment of the
Bishop of D----, and of the manner in which those two sainted women
subordinated their actions, their thoughts, their feminine instincts
even, which are easily alarmed, to the habits and purposes of the
Bishop, without his even taking the trouble of speaking in order to
explain them, we cannot do better than transcribe in this place a letter
from Mademoiselle Baptistine to Madame the Vicomtess de Boischevron, the
friend of her childhood. This letter is in our possession.


                                        D----, Dec. 16, 18--.
MY GOOD MADAM: Not a day passes without our speaking of you. It is our
established custom; but there is another reason besides. Just imagine,
while washing and dusting the ceilings and walls, Madam Magloire has
made some discoveries; now our two chambers hung with antique paper
whitewashed over, would not discredit a chateau in the style of yours.
Madam Magloire has pulled off all the paper. There were things beneath.
My drawing-room, which contains no furniture, and which we use for
spreading out the linen after washing, is fifteen feet in height,
eighteen square, with a ceiling which was formerly painted and gilded,
and with beams, as in yours. This was covered with a cloth while this
was the hospital. And the woodwork was of the era of our grandmothers.
But my room is the one you ought to see. Madam Magloire has discovered,
under at least ten thicknesses of paper pasted on top, some paintings,
which without being good are very tolerable. The subject is Telemachus
being knighted by Minerva in some gardens, the name of which escapes
me. In short, where the Roman ladies repaired on one single night. What
shall I say to you? I have Romans, and Roman ladies [here occurs an
illegible word], and the whole train. Madam Magloire has cleaned it all
off; this summer she is going to have some small injuries repaired, and
the whole revarnished, and my chamber will be a regular museum. She has
also found in a corner of the attic two wooden pier-tables of ancient
fashion. They asked us two crowns of six francs each to regild them, but
it is much better to give the money to the poor; and they are very ugly
besides, and I should much prefer a round table of mahogany.

I am always very happy. My brother is so good. He gives all he has to
the poor and sick. We are very much cramped. The country is trying in
the winter, and we really must do something for those who are in need.
We are almost comfortably lighted and warmed. You see that these are
great treats.

My brother has ways of his own. When he talks, he says that a bishop
ought to be so. Just imagine! the door of our house is never fastened.
Whoever chooses to enter finds himself at once in my brother's room. He
fears nothing, even at night. That is his sort of bravery, he says.

He does not wish me or Madame Magloire feel any fear for him. He exposes
himself to all sorts of dangers, and he does not like to have us even
seem to notice it. One must know how to understand him.

He goes out in the rain, he walks in the water, he travels in winter. He
fears neither suspicious roads nor dangerous encounters, nor night.

Last year he went quite alone into a country of robbers. He would
not take us. He was absent for a fortnight. On his return nothing had
happened to him; he was thought to be dead, but was perfectly well, and
said, "This is the way I have been robbed!" And then he opened a trunk
full of jewels, all the jewels of the cathedral of Embrun, which the
thieves had given him.

When he returned on that occasion, I could not refrain from scolding him
a little, taking care, however, not to speak except when the carriage
was making a noise, so that no one might hear me.

At first I used to say to myself, "There are no dangers which will stop
him; he is terrible." Now I have ended by getting used to it. I make a
sign to Madam Magloire that she is not to oppose him. He risks himself
as he sees fit. I carry off Madam Magloire, I enter my chamber, I pray
for him and fall asleep. I am at ease, because I know that if anything
were to happen to him, it would be the end of me. I should go to the
good God with my brother and my bishop. It has cost Madam Magloire
more trouble than it did me to accustom herself to what she terms his
imprudences. But now the habit has been acquired. We pray together, we
tremble together, and we fall asleep. If the devil were to enter this
house, he would be allowed to do so. After all, what is there for us
to fear in this house? There is always some one with us who is stronger
than we. The devil may pass through it, but the good God dwells here.

This suffices me. My brother has no longer any need of saying a word to
me. I understand him without his speaking, and we abandon ourselves to
the care of Providence. That is the way one has to do with a man who
possesses grandeur of soul.

I have interrogated my brother with regard to the information which you
desire on the subject of the Faux family. You are aware that he knows
everything, and that he has memories, because he is still a very
good royalist. They really are a very ancient Norman family of the
generalship of Caen. Five hundred years ago there was a Raoul de Faux, a
Jean de Faux, and a Thomas de Faux, who were gentlemen, and one of whom
was a seigneur de Rochefort. The last was Guy-Etienne-Alexandre, and was
commander of a regiment, and something in the light horse of Bretagne.
His daughter, Marie-Louise, married Adrien-Charles de Gramont, son of
the Duke Louis de Gramont, peer of France, colonel of the French guards,
and lieutenant-general of the army. It is written Faux, Fauq, and
Faoucq.

Good Madame, recommend us to the prayers of your sainted relative,
Monsieur the Cardinal. As for your dear Sylvanie, she has done well in
not wasting the few moments which she passes with you in writing to me.
She is well, works as you would wish, and loves me.

That is all that I desire. The souvenir which she sent through you
reached me safely, and it makes me very happy. My health is not so very
bad, and yet I grow thinner every day. Farewell; my paper is at an end,
and this forces me to leave you. A thousand good wishes.

BAPTISTINE.

P.S. Your grand nephew is charming. Do you know that he will soon be
five years old? Yesterday he saw some one riding by on horseback who
had on knee-caps, and he said, "What has he got on his knees?" He is a
charming child! His little brother is dragging an old broom about the
room, like a carriage, and saying, "Hu!"


As will be perceived from this letter, these two women understood how to
mould themselves to the Bishop's ways with that special feminine genius
which comprehends the man better than he comprehends himself. The Bishop
of D----, in spite of the gentle and candid air which never deserted
him, sometimes did things that were grand, bold, and magnificent,
without seeming to have even a suspicion of the fact. They trembled, but
they let him alone. Sometimes Madame Magloire essayed a remonstrance in
advance, but never at the time, nor afterwards. They never interfered
with him by so much as a word or sign, in any action once entered upon.
At certain moments, without his having occasion to mention it, when he
was not even conscious of it himself in all probability, so perfect was
his simplicity, they vaguely felt that he was acting as a bishop; then
they were nothing more than two shadows in the house. They served him
passively; and if obedience consisted in disappearing, they disappeared.
They understood, with an admirable delicacy of instinct, that certain
cares may be put under constraint. Thus, even when believing him to be
in peril, they understood, I will not say his thought, but his nature,
to such a degree that they no longer watched over him. They confided him
to God.

Moreover, Baptistine said, as we have just read, that her brother's end
would prove her own. Madame Magloire did not say this, but she knew it.




CHAPTER X--THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT

At an epoch a little later than the date of the letter cited in the
preceding pages, he did a thing which, if the whole town was to be
believed, was even more hazardous than his trip across the mountains
infested with bandits.

In the country near D---- a man lived quite alone. This man, we will
state at once, was a former member of the Convention. His name was G----

Member of the Convention, G---- was mentioned with a sort of horror in
the little world of D---- A member of the Convention--can you imagine
such a thing? That existed from the time when people called each other
thou, and when they said "citizen." This man was almost a monster.
He had not voted for the death of the king, but almost. He was a
quasi-regicide. He had been a terrible man. How did it happen that such
a man had not been brought before a provost's court, on the return of
the legitimate princes? They need not have cut off his head, if you
please; clemency must be exercised, agreed; but a good banishment for
life. An example, in short, etc. Besides, he was an atheist, like all
the rest of those people. Gossip of the geese about the vulture.

Was G---- a vulture after all? Yes; if he were to be judged by the
element of ferocity in this solitude of his. As he had not voted for the
death of the king, he had not been included in the decrees of exile, and
had been able to remain in France.

He dwelt at a distance of three-quarters of an hour from the city, far
from any hamlet, far from any road, in some hidden turn of a very wild
valley, no one knew exactly where. He had there, it was said, a sort
of field, a hole, a lair. There were no neighbors, not even passers-by.
Since he had dwelt in that valley, the path which led thither had
disappeared under a growth of grass. The locality was spoken of as
though it had been the dwelling of a hangman.

Nevertheless, the Bishop meditated on the subject, and from time to time
he gazed at the horizon at a point where a clump of trees marked the
valley of the former member of the Convention, and he said, "There is a
soul yonder which is lonely."

And he added, deep in his own mind, "I owe him a visit."

But, let us avow it, this idea, which seemed natural at the first blush,
appeared to him after a moment's reflection, as strange, impossible, and
almost repulsive. For, at bottom, he shared the general impression, and
the old member of the Convention inspired him, without his being clearly
conscious of the fact himself, with that sentiment which borders on
hate, and which is so well expressed by the word estrangement.

Still, should the scab of the sheep cause the shepherd to recoil? No.
But what a sheep!

The good Bishop was perplexed. Sometimes he set out in that direction;
then he returned.

Finally, the rumor one day spread through the town that a sort of young
shepherd, who served the member of the Convention in his hovel, had come
in quest of a doctor; that the old wretch was dying, that paralysis was
gaining on him, and that he would not live over night.--"Thank God!"
some added.

The Bishop took his staff, put on his cloak, on account of his too
threadbare cassock, as we have mentioned, and because of the evening
breeze which was sure to rise soon, and set out.

The sun was setting, and had almost touched the horizon when the Bishop
arrived at the excommunicated spot. With a certain beating of the heart,
he recognized the fact that he was near the lair. He strode over a
ditch, leaped a hedge, made his way through a fence of dead boughs,
entered a neglected paddock, took a few steps with a good deal of
boldness, and suddenly, at the extremity of the waste land, and behind
lofty brambles, he caught sight of the cavern.

It was a very low hut, poor, small, and clean, with a vine nailed
against the outside.

Near the door, in an old wheel-chair, the arm-chair of the peasants,
there was a white-haired man, smiling at the sun.

Near the seated man stood a young boy, the shepherd lad. He was offering
the old man a jar of milk.

While the Bishop was watching him, the old man spoke: "Thank you," he
said, "I need nothing." And his smile quitted the sun to rest upon the
child.

The Bishop stepped forward. At the sound which he made in walking, the
old man turned his head, and his face expressed the sum total of the
surprise which a man can still feel after a long life.

"This is the first time since I have been here," said he, "that any one
has entered here. Who are you, sir?"

The Bishop answered:--

"My name is Bienvenu Myriel."

"Bienvenu Myriel? I have heard that name. Are you the man whom the
people call Monseigneur Welcome?"

"I am."

The old man resumed with a half-smile

"In that case, you are my bishop?"

"Something of that sort."

"Enter, sir."

The member of the Convention extended his hand to the Bishop, but the
Bishop did not take it. The Bishop confined himself to the remark:--

"I am pleased to see that I have been misinformed. You certainly do not
seem to me to be ill."

"Monsieur," replied the old man, "I am going to recover."

He paused, and then said:--

"I shall die three hours hence."

Then he continued:--

"I am something of a doctor; I know in what fashion the last hour draws
on. Yesterday, only my feet were cold; to-day, the chill has ascended to
my knees; now I feel it mounting to my waist; when it reaches the heart,
I shall stop. The sun is beautiful, is it not? I had myself wheeled
out here to take a last look at things. You can talk to me; it does not
fatigue me. You have done well to come and look at a man who is on
the point of death. It is well that there should be witnesses at that
moment. One has one's caprices; I should have liked to last until the
dawn, but I know that I shall hardly live three hours. It will be night
then. What does it matter, after all? Dying is a simple affair. One has
no need of the light for that. So be it. I shall die by starlight."

The old man turned to the shepherd lad:--

"Go to thy bed; thou wert awake all last night; thou art tired."

The child entered the hut.

The old man followed him with his eyes, and added, as though speaking to
himself:--

"I shall die while he sleeps. The two slumbers may be good neighbors."

The Bishop was not touched as it seems that he should have been. He
did not think he discerned God in this manner of dying; let us say the
whole, for these petty contradictions of great hearts must be indicated
like the rest: he, who on occasion, was so fond of laughing at "His
Grace," was rather shocked at not being addressed as Monseigneur, and he
was almost tempted to retort "citizen." He was assailed by a fancy for
peevish familiarity, common enough to doctors and priests, but which
was not habitual with him. This man, after all, this member of the
Convention, this representative of the people, had been one of the
powerful ones of the earth; for the first time in his life, probably,
the Bishop felt in a mood to be severe.

Meanwhile, the member of the Convention had been surveying him with a
modest cordiality, in which one could have distinguished, possibly, that
humility which is so fitting when one is on the verge of returning to
dust.

The Bishop, on his side, although he generally restrained his curiosity,
which, in his opinion, bordered on a fault, could not refrain from
examining the member of the Convention with an attention which, as it
did not have its course in sympathy, would have served his conscience as
a matter of reproach, in connection with any other man. A member of the
Convention produced on him somewhat the effect of being outside the pale
of the law, even of the law of charity. G----, calm, his body almost
upright, his voice vibrating, was one of those octogenarians who form
the subject of astonishment to the physiologist. The Revolution had
many of these men, proportioned to the epoch. In this old man one was
conscious of a man put to the proof. Though so near to his end, he
preserved all the gestures of health. In his clear glance, in his firm
tone, in the robust movement of his shoulders, there was something
calculated to disconcert death. Azrael, the Mohammedan angel of the
sepulchre, would have turned back, and thought that he had mistaken
the door. G---- seemed to be dying because he willed it so. There was
freedom in his agony. His legs alone were motionless. It was there that
the shadows held him fast. His feet were cold and dead, but his head
survived with all the power of life, and seemed full of light. G----,
at this solemn moment, resembled the king in that tale of the Orient who
was flesh above and marble below.

There was a stone there. The Bishop sat down. The exordium was abrupt.

"I congratulate you," said he, in the tone which one uses for a
reprimand. "You did not vote for the death of the king, after all."

The old member of the Convention did not appear to notice the bitter
meaning underlying the words "after all." He replied. The smile had
quite disappeared from his face.

"Do not congratulate me too much, sir. I did vote for the death of the
tyrant."

It was the tone of austerity answering the tone of severity.

"What do you mean to say?" resumed the Bishop.

"I mean to say that man has a tyrant,--ignorance. I voted for the death
of that tyrant. That tyrant engendered royalty, which is authority
falsely understood, while science is authority rightly understood. Man
should be governed only by science."

"And conscience," added the Bishop.

"It is the same thing. Conscience is the quantity of innate science
which we have within us."

Monseigneur Bienvenu listened in some astonishment to this language,
which was very new to him.

The member of the Convention resumed:--

"So far as Louis XVI. was concerned, I said 'no.' I did not think that I
had the right to kill a man; but I felt it my duty to exterminate evil.
I voted the end of the tyrant, that is to say, the end of prostitution
for woman, the end of slavery for man, the end of night for the child.
In voting for the Republic, I voted for that. I voted for fraternity,
concord, the dawn. I have aided in the overthrow of prejudices and
errors. The crumbling away of prejudices and errors causes light. We
have caused the fall of the old world, and the old world, that vase of
miseries, has become, through its upsetting upon the human race, an urn
of joy."

"Mixed joy," said the Bishop.

"You may say troubled joy, and to-day, after that fatal return of the
past, which is called 1814, joy which has disappeared! Alas! The work
was incomplete, I admit: we demolished the ancient regime in deeds; we
were not able to suppress it entirely in ideas. To destroy abuses is not
sufficient; customs must be modified. The mill is there no longer; the
wind is still there."

"You have demolished. It may be of use to demolish, but I distrust a
demolition complicated with wrath."

"Right has its wrath, Bishop; and the wrath of right is an element of
progress. In any case, and in spite of whatever may be said, the French
Revolution is the most important step of the human race since the advent
of Christ. Incomplete, it may be, but sublime. It set free all the
unknown social quantities; it softened spirits, it calmed, appeased,
enlightened; it caused the waves of civilization to flow over the
earth. It was a good thing. The French Revolution is the consecration of
humanity."

The Bishop could not refrain from murmuring:--

"Yes? '93!"

The member of the Convention straightened himself up in his chair with
an almost lugubrious solemnity, and exclaimed, so far as a dying man is
capable of exclamation:--

"Ah, there you go; '93! I was expecting that word. A cloud had been
forming for the space of fifteen hundred years; at the end of fifteen
hundred years it burst. You are putting the thunderbolt on its trial."

The Bishop felt, without, perhaps, confessing it, that something within
him had suffered extinction. Nevertheless, he put a good face on the
matter. He replied:--

"The judge speaks in the name of justice; the priest speaks in the name
of pity, which is nothing but a more lofty justice. A thunderbolt should
commit no error." And he added, regarding the member of the Convention
steadily the while, "Louis XVII.?"

The conventionary stretched forth his hand and grasped the Bishop's arm.

"Louis XVII.! let us see. For whom do you mourn? is it for the innocent
child? very good; in that case I mourn with you. Is it for the royal
child? I demand time for reflection. To me, the brother of Cartouche,
an innocent child who was hung up by the armpits in the Place de Greve,
until death ensued, for the sole crime of having been the brother
of Cartouche, is no less painful than the grandson of Louis XV., an
innocent child, martyred in the tower of the Temple, for the sole crime
of having been grandson of Louis XV."

"Monsieur," said the Bishop, "I like not this conjunction of names."

"Cartouche? Louis XV.? To which of the two do you object?"

A momentary silence ensued. The Bishop almost regretted having come, and
yet he felt vaguely and strangely shaken.

The conventionary resumed:--

"Ah, Monsieur Priest, you love not the crudities of the true. Christ
loved them. He seized a rod and cleared out the Temple. His scourge,
full of lightnings, was a harsh speaker of truths. When he cried,
'Sinite parvulos,' he made no distinction between the little children.
It would not have embarrassed him to bring together the Dauphin of
Barabbas and the Dauphin of Herod. Innocence, Monsieur, is its own
crown. Innocence has no need to be a highness. It is as august in rags
as in fleurs de lys."

"That is true," said the Bishop in a low voice.

"I persist," continued the conventionary G---- "You have mentioned Louis
XVII. to me. Let us come to an understanding. Shall we weep for all the
innocent, all martyrs, all children, the lowly as well as the exalted?
I agree to that. But in that case, as I have told you, we must go back
further than '93, and our tears must begin before Louis XVII. I will
weep with you over the children of kings, provided that you will weep
with me over the children of the people."

"I weep for all," said the Bishop.

"Equally!" exclaimed conventionary G----; "and if the balance must
incline, let it be on the side of the people. They have been suffering
longer."

Another silence ensued. The conventionary was the first to break it. He
raised himself on one elbow, took a bit of his cheek between his thumb
and his forefinger, as one does mechanically when one interrogates and
judges, and appealed to the Bishop with a gaze full of all the forces of
the death agony. It was almost an explosion.

"Yes, sir, the people have been suffering a long while. And hold! that
is not all, either; why have you just questioned me and talked to me
about Louis XVII.? I know you not. Ever since I have been in these parts
I have dwelt in this enclosure alone, never setting foot outside, and
seeing no one but that child who helps me. Your name has reached me in
a confused manner, it is true, and very badly pronounced, I must admit;
but that signifies nothing: clever men have so many ways of imposing on
that honest goodman, the people. By the way, I did not hear the sound of
your carriage; you have left it yonder, behind the coppice at the fork
of the roads, no doubt. I do not know you, I tell you. You have told me
that you are the Bishop; but that affords me no information as to your
moral personality. In short, I repeat my question. Who are you? You are
a bishop; that is to say, a prince of the church, one of those gilded
men with heraldic bearings and revenues, who have vast prebends,--the
bishopric of D---- fifteen thousand francs settled income, ten thousand
in perquisites; total, twenty-five thousand francs,--who have kitchens,
who have liveries, who make good cheer, who eat moor-hens on Friday, who
strut about, a lackey before, a lackey behind, in a gala coach, and
who have palaces, and who roll in their carriages in the name of Jesus
Christ who went barefoot! You are a prelate,--revenues, palace, horses,
servants, good table, all the sensualities of life; you have this like
the rest, and like the rest, you enjoy it; it is well; but this says
either too much or too little; this does not enlighten me upon the
intrinsic and essential value of the man who comes with the probable
intention of bringing wisdom to me. To whom do I speak? Who are you?"

The Bishop hung his head and replied, "Vermis sum--I am a worm."

"A worm of the earth in a carriage?" growled the conventionary.

It was the conventionary's turn to be arrogant, and the Bishop's to be
humble.

The Bishop resumed mildly:--

"So be it, sir. But explain to me how my carriage, which is a few paces
off behind the trees yonder, how my good table and the moor-hens which I
eat on Friday, how my twenty-five thousand francs income, how my palace
and my lackeys prove that clemency is not a duty, and that '93 was not
inexorable."

The conventionary passed his hand across his brow, as though to sweep
away a cloud.

"Before replying to you," he said, "I beseech you to pardon me. I have
just committed a wrong, sir. You are at my house, you are my guest, I
owe you courtesy. You discuss my ideas, and it becomes me to confine
myself to combating your arguments. Your riches and your pleasures are
advantages which I hold over you in the debate; but good taste dictates
that I shall not make use of them. I promise you to make no use of them
in the future."

"I thank you," said the Bishop.

G---- resumed.

"Let us return to the explanation which you have asked of me. Where were
we? What were you saying to me? That '93 was inexorable?"

"Inexorable; yes," said the Bishop. "What think you of Marat clapping
his hands at the guillotine?"

"What think you of Bossuet chanting the Te Deum over the dragonnades?"

The retort was a harsh one, but it attained its mark with the directness
of a point of steel. The Bishop quivered under it; no reply occurred to
him; but he was offended by this mode of alluding to Bossuet. The best
of minds will have their fetiches, and they sometimes feel vaguely
wounded by the want of respect of logic.

The conventionary began to pant; the asthma of the agony which is
mingled with the last breaths interrupted his voice; still, there was a
perfect lucidity of soul in his eyes. He went on:--

"Let me say a few words more in this and that direction; I am willing.
Apart from the Revolution, which, taken as a whole, is an immense human
affirmation, '93 is, alas! a rejoinder. You think it inexorable, sir;
but what of the whole monarchy, sir? Carrier is a bandit; but what name
do you give to Montrevel? Fouquier-Tainville is a rascal; but what
is your opinion as to Lamoignon-Baville? Maillard is terrible; but
Saulx-Tavannes, if you please? Duchene senior is ferocious; but what
epithet will you allow me for the elder Letellier? Jourdan-Coupe-Tete
is a monster; but not so great a one as M. the Marquis de Louvois. Sir,
sir, I am sorry for Marie Antoinette, archduchess and queen; but I am
also sorry for that poor Huguenot woman, who, in 1685, under Louis the
Great, sir, while with a nursing infant, was bound, naked to the waist,
to a stake, and the child kept at a distance; her breast swelled with
milk and her heart with anguish; the little one, hungry and pale, beheld
that breast and cried and agonized; the executioner said to the woman, a
mother and a nurse, 'Abjure!' giving her her choice between the death of
her infant and the death of her conscience. What say you to that torture
of Tantalus as applied to a mother? Bear this well in mind sir: the
French Revolution had its reasons for existence; its wrath will be
absolved by the future; its result is the world made better. From its
most terrible blows there comes forth a caress for the human race. I
abridge, I stop, I have too much the advantage; moreover, I am dying."

And ceasing to gaze at the Bishop, the conventionary concluded his
thoughts in these tranquil words:--

"Yes, the brutalities of progress are called revolutions. When they are
over, this fact is recognized,--that the human race has been treated
harshly, but that it has progressed."

The conventionary doubted not that he had successively conquered all the
inmost intrenchments of the Bishop. One remained, however, and from this
intrenchment, the last resource of Monseigneur Bienvenu's resistance,
came forth this reply, wherein appeared nearly all the harshness of the
beginning:--

"Progress should believe in God. Good cannot have an impious servitor.
He who is an atheist is but a bad leader for the human race."

The former representative of the people made no reply. He was seized
with a fit of trembling. He looked towards heaven, and in his glance a
tear gathered slowly. When the eyelid was full, the tear trickled down
his livid cheek, and he said, almost in a stammer, quite low, and to
himself, while his eyes were plunged in the depths:--

"O thou! O ideal! Thou alone existest!"

The Bishop experienced an indescribable shock.

After a pause, the old man raised a finger heavenward and said:--

"The infinite is. He is there. If the infinite had no person, person
would be without limit; it would not be infinite; in other words, it
would not exist. There is, then, an _I_. That _I_ of the infinite is
God."

The dying man had pronounced these last words in a loud voice, and with
the shiver of ecstasy, as though he beheld some one. When he had spoken,
his eyes closed. The effort had exhausted him. It was evident that he
had just lived through in a moment the few hours which had been left to
him. That which he had said brought him nearer to him who is in death.
The supreme moment was approaching.

The Bishop understood this; time pressed; it was as a priest that he had
come: from extreme coldness he had passed by degrees to extreme emotion;
he gazed at those closed eyes, he took that wrinkled, aged and ice-cold
hand in his, and bent over the dying man.

"This hour is the hour of God. Do you not think that it would be
regrettable if we had met in vain?"

The conventionary opened his eyes again. A gravity mingled with gloom
was imprinted on his countenance.

"Bishop," said he, with a slowness which probably arose more from his
dignity of soul than from the failing of his strength, "I have passed my
life in meditation, study, and contemplation. I was sixty years of age
when my country called me and commanded me to concern myself with its
affairs. I obeyed. Abuses existed, I combated them; tyrannies existed,
I destroyed them; rights and principles existed, I proclaimed and
confessed them. Our territory was invaded, I defended it; France was
menaced, I offered my breast. I was not rich; I am poor. I have been one
of the masters of the state; the vaults of the treasury were encumbered
with specie to such a degree that we were forced to shore up the walls,
which were on the point of bursting beneath the weight of gold and
silver; I dined in Dead Tree Street, at twenty-two sous. I have succored
the oppressed, I have comforted the suffering. I tore the cloth from
the altar, it is true; but it was to bind up the wounds of my country. I
have always upheld the march forward of the human race, forward towards
the light, and I have sometimes resisted progress without pity. I have,
when the occasion offered, protected my own adversaries, men of your
profession. And there is at Peteghem, in Flanders, at the very spot
where the Merovingian kings had their summer palace, a convent of
Urbanists, the Abbey of Sainte Claire en Beaulieu, which I saved in
1793. I have done my duty according to my powers, and all the good
that I was able. After which, I was hunted down, pursued, persecuted,
blackened, jeered at, scorned, cursed, proscribed. For many years past,
I with my white hair have been conscious that many people think they
have the right to despise me; to the poor ignorant masses I present the
visage of one damned. And I accept this isolation of hatred, without
hating any one myself. Now I am eighty-six years old; I am on the point
of death. What is it that you have come to ask of me?"

"Your blessing," said the Bishop.

And he knelt down.

When the Bishop raised his head again, the face of the conventionary had
become august. He had just expired.

The Bishop returned home, deeply absorbed in thoughts which cannot
be known to us. He passed the whole night in prayer. On the following
morning some bold and curious persons attempted to speak to him about
member of the Convention G----; he contented himself with pointing
heavenward.

From that moment he redoubled his tenderness and brotherly feeling
towards all children and sufferers.

Any allusion to "that old wretch of a G----" caused him to fall into a
singular preoccupation. No one could say that the passage of that soul
before his, and the reflection of that grand conscience upon his, did
not count for something in his approach to perfection.

This "pastoral visit" naturally furnished an occasion for a murmur of
comment in all the little local coteries.

"Was the bedside of such a dying man as that the proper place for a
bishop? There was evidently no conversion to be expected. All those
revolutionists are backsliders. Then why go there? What was there to be
seen there? He must have been very curious indeed to see a soul carried
off by the devil."

One day a dowager of the impertinent variety who thinks herself
spiritual, addressed this sally to him, "Monseigneur, people are
inquiring when Your Greatness will receive the red cap!"--"Oh! oh!
that's a coarse color," replied the Bishop. "It is lucky that those who
despise it in a cap revere it in a hat."




CHAPTER XI--A RESTRICTION

We should incur a great risk of deceiving ourselves, were we to conclude
from this that Monseigneur Welcome was "a philosophical bishop," or a
"patriotic cure." His meeting, which may almost be designated as his
union, with conventionary G----, left behind it in his mind a sort of
astonishment, which rendered him still more gentle. That is all.

Although Monseigneur Bienvenu was far from being a politician, this is,
perhaps, the place to indicate very briefly what his attitude was in the
events of that epoch, supposing that Monseigneur Bienvenu ever dreamed
of having an attitude.

Let us, then, go back a few years.

Some time after the elevation of M. Myriel to the episcopate, the
Emperor had made him a baron of the Empire, in company with many other
bishops. The arrest of the Pope took place, as every one knows, on the
night of the 5th to the 6th of July, 1809; on this occasion, M. Myriel
was summoned by Napoleon to the synod of the bishops of France and Italy
convened at Paris. This synod was held at Notre-Dame, and assembled
for the first time on the 15th of June, 1811, under the presidency
of Cardinal Fesch. M. Myriel was one of the ninety-five bishops who
attended it. But he was present only at one sitting and at three or four
private conferences. Bishop of a mountain diocese, living so very close
to nature, in rusticity and deprivation, it appeared that he imported
among these eminent personages, ideas which altered the temperature of
the assembly. He very soon returned to D---- He was interrogated as to
this speedy return, and he replied: "I embarrassed them. The outside air
penetrated to them through me. I produced on them the effect of an open
door."

On another occasion he said, "What would you have? Those gentlemen are
princes. I am only a poor peasant bishop."

The fact is that he displeased them. Among other strange things, it is
said that he chanced to remark one evening, when he found himself at
the house of one of his most notable colleagues: "What beautiful clocks!
What beautiful carpets! What beautiful liveries! They must be a great
trouble. I would not have all those superfluities, crying incessantly
in my ears: 'There are people who are hungry! There are people who are
cold! There are poor people! There are poor people!'"

Let us remark, by the way, that the hatred of luxury is not an
intelligent hatred. This hatred would involve the hatred of the arts.
Nevertheless, in churchmen, luxury is wrong, except in connection with
representations and ceremonies. It seems to reveal habits which have
very little that is charitable about them. An opulent priest is a
contradiction. The priest must keep close to the poor. Now, can one come
in contact incessantly night and day with all this distress, all these
misfortunes, and this poverty, without having about one's own person a
little of that misery, like the dust of labor? Is it possible to imagine
a man near a brazier who is not warm? Can one imagine a workman who is
working near a furnace, and who has neither a singed hair, nor blackened
nails, nor a drop of sweat, nor a speck of ashes on his face? The first
proof of charity in the priest, in the bishop especially, is poverty.

This is, no doubt, what the Bishop of D---- thought.

It must not be supposed, however, that he shared what we call the "ideas
of the century" on certain delicate points. He took very little part
in the theological quarrels of the moment, and maintained silence on
questions in which Church and State were implicated; but if he had
been strongly pressed, it seems that he would have been found to be an
ultramontane rather than a gallican. Since we are making a portrait, and
since we do not wish to conceal anything, we are forced to add that he
was glacial towards Napoleon in his decline. Beginning with 1813, he
gave in his adherence to or applauded all hostile manifestations. He
refused to see him, as he passed through on his return from the island
of Elba, and he abstained from ordering public prayers for the Emperor
in his diocese during the Hundred Days.

Besides his sister, Mademoiselle Baptistine, he had two brothers, one a
general, the other a prefect. He wrote to both with tolerable frequency.
He was harsh for a time towards the former, because, holding a command
in Provence at the epoch of the disembarkation at Cannes, the general
had put himself at the head of twelve hundred men and had pursued the
Emperor as though the latter had been a person whom one is desirous
of allowing to escape. His correspondence with the other brother, the
ex-prefect, a fine, worthy man who lived in retirement at Paris, Rue
Cassette, remained more affectionate.

Thus Monseigneur Bienvenu also had his hour of party spirit, his hour
of bitterness, his cloud. The shadow of the passions of the moment
traversed this grand and gentle spirit occupied with eternal things.
Certainly, such a man would have done well not to entertain any
political opinions. Let there be no mistake as to our meaning: we are
not confounding what is called "political opinions" with the grand
aspiration for progress, with the sublime faith, patriotic, democratic,
humane, which in our day should be the very foundation of every generous
intellect. Without going deeply into questions which are only indirectly
connected with the subject of this book, we will simply say this: It
would have been well if Monseigneur Bienvenu had not been a Royalist,
and if his glance had never been, for a single instant, turned away from
that serene contemplation in which is distinctly discernible, above the
fictions and the hatreds of this world, above the stormy vicissitudes of
human things, the beaming of those three pure radiances, truth, justice,
and charity.

While admitting that it was not for a political office that God created
Monseigneur Welcome, we should have understood and admired his protest
in the name of right and liberty, his proud opposition, his just but
perilous resistance to the all-powerful Napoleon. But that which pleases
us in people who are rising pleases us less in the case of people who
are falling. We only love the fray so long as there is danger, and in
any case, the combatants of the first hour have alone the right to be
the exterminators of the last. He who has not been a stubborn accuser in
prosperity should hold his peace in the face of ruin. The denunciator of
success is the only legitimate executioner of the fall. As for us, when
Providence intervenes and strikes, we let it work. 1812 commenced to
disarm us. In 1813 the cowardly breach of silence of that taciturn
legislative body, emboldened by catastrophe, possessed only traits which
aroused indignation. And it was a crime to applaud, in 1814, in the
presence of those marshals who betrayed; in the presence of that senate
which passed from one dunghill to another, insulting after having
deified; in the presence of that idolatry which was loosing its footing
and spitting on its idol,--it was a duty to turn aside the head. In
1815, when the supreme disasters filled the air, when France was seized
with a shiver at their sinister approach, when Waterloo could be dimly
discerned opening before Napoleon, the mournful acclamation of the army
and the people to the condemned of destiny had nothing laughable in it,
and, after making all allowance for the despot, a heart like that of
the Bishop of D----, ought not perhaps to have failed to recognize the
august and touching features presented by the embrace of a great nation
and a great man on the brink of the abyss.

With this exception, he was in all things just, true, equitable,
intelligent, humble and dignified, beneficent and kindly, which is only
another sort of benevolence. He was a priest, a sage, and a man. It must
be admitted, that even in the political views with which we have just
reproached him, and which we are disposed to judge almost with severity,
he was tolerant and easy, more so, perhaps, than we who are speaking
here. The porter of the town-hall had been placed there by the Emperor.
He was an old non-commissioned officer of the old guard, a member of the
Legion of Honor at Austerlitz, as much of a Bonapartist as the eagle.
This poor fellow occasionally let slip inconsiderate remarks, which the
law then stigmatized as seditious speeches. After the imperial profile
disappeared from the Legion of Honor, he never dressed himself in his
regimentals, as he said, so that he should not be obliged to wear his
cross. He had himself devoutly removed the imperial effigy from the
cross which Napoleon had given him; this made a hole, and he would not
put anything in its place. "I will die," he said, "rather than wear the
three frogs upon my heart!" He liked to scoff aloud at Louis XVIII. "The
gouty old creature in English gaiters!" he said; "let him take himself
off to Prussia with that queue of his." He was happy to combine in the
same imprecation the two things which he most detested, Prussia and
England. He did it so often that he lost his place. There he was, turned
out of the house, with his wife and children, and without bread. The
Bishop sent for him, reproved him gently, and appointed him beadle in
the cathedral.

In the course of nine years Monseigneur Bienvenu had, by dint of holy
deeds and gentle manners, filled the town of D----with a sort of
tender and filial reverence. Even his conduct towards Napoleon had been
accepted and tacitly pardoned, as it were, by the people, the good and
weakly flock who adored their emperor, but loved their bishop.




CHAPTER XII--THE SOLITUDE OF MONSEIGNEUR WELCOME

A bishop is almost always surrounded by a full squadron of little abbes,
just as a general is by a covey of young officers. This is what
that charming Saint Francois de Sales calls somewhere "les pretres
blancs-becs," callow priests. Every career has its aspirants, who form
a train for those who have attained eminence in it. There is no power
which has not its dependents. There is no fortune which has not its
court. The seekers of the future eddy around the splendid present. Every
metropolis has its staff of officials. Every bishop who possesses the
least influence has about him his patrol of cherubim from the seminary,
which goes the round, and maintains good order in the episcopal palace,
and mounts guard over monseigneur's smile. To please a bishop is
equivalent to getting one's foot in the stirrup for a sub-diaconate.
It is necessary to walk one's path discreetly; the apostleship does not
disdain the canonship.

Just as there are bigwigs elsewhere, there are big mitres in the Church.
These are the bishops who stand well at Court, who are rich, well
endowed, skilful, accepted by the world, who know how to pray, no doubt,
but who know also how to beg, who feel little scruple at making a whole
diocese dance attendance in their person, who are connecting links
between the sacristy and diplomacy, who are abbes rather than priests,
prelates rather than bishops. Happy those who approach them! Being
persons of influence, they create a shower about them, upon the
assiduous and the favored, and upon all the young men who understand
the art of pleasing, of large parishes, prebends, archidiaconates,
chaplaincies, and cathedral posts, while awaiting episcopal honors. As
they advance themselves, they cause their satellites to progress also;
it is a whole solar system on the march. Their radiance casts a gleam
of purple over their suite. Their prosperity is crumbled up behind
the scenes, into nice little promotions. The larger the diocese of the
patron, the fatter the curacy for the favorite. And then, there is Rome.
A bishop who understands how to become an archbishop, an archbishop who
knows how to become a cardinal, carries you with him as conclavist;
you enter a court of papal jurisdiction, you receive the pallium, and
behold! you are an auditor, then a papal chamberlain, then monsignor,
and from a Grace to an Eminence is only a step, and between the Eminence
and the Holiness there is but the smoke of a ballot. Every skull-cap may
dream of the tiara. The priest is nowadays the only man who can become a
king in a regular manner; and what a king! the supreme king. Then what a
nursery of aspirations is a seminary! How many blushing choristers,
how many youthful abbes bear on their heads Perrette's pot of milk!
Who knows how easy it is for ambition to call itself vocation? in good
faith, perchance, and deceiving itself, devotee that it is.

Monseigneur Bienvenu, poor, humble, retiring, was not accounted among
the big mitres. This was plain from the complete absence of young
priests about him. We have seen that he "did not take" in Paris. Not a
single future dreamed of engrafting itself on this solitary old man.
Not a single sprouting ambition committed the folly of putting forth its
foliage in his shadow. His canons and grand-vicars were good old men,
rather vulgar like himself, walled up like him in this diocese, without
exit to a cardinalship, and who resembled their bishop, with this
difference, that they were finished and he was completed. The
impossibility of growing great under Monseigneur Bienvenu was so well
understood, that no sooner had the young men whom he ordained left the
seminary than they got themselves recommended to the archbishops of Aix
or of Auch, and went off in a great hurry. For, in short, we repeat it,
men wish to be pushed. A saint who dwells in a paroxysm of abnegation
is a dangerous neighbor; he might communicate to you, by contagion,
an incurable poverty, an anchylosis of the joints, which are useful in
advancement, and in short, more renunciation than you desire; and
this infectious virtue is avoided. Hence the isolation of Monseigneur
Bienvenu. We live in the midst of a gloomy society. Success; that is the
lesson which falls drop by drop from the slope of corruption.

Be it said in passing, that success is a very hideous thing. Its false
resemblance to merit deceives men. For the masses, success has almost
the same profile as supremacy. Success, that Menaechmus of talent, has
one dupe,--history. Juvenal and Tacitus alone grumble at it. In our
day, a philosophy which is almost official has entered into its
service, wears the livery of success, and performs the service of its
antechamber. Succeed: theory. Prosperity argues capacity. Win in the
lottery, and behold! you are a clever man. He who triumphs is venerated.
Be born with a silver spoon in your mouth! everything lies in that. Be
lucky, and you will have all the rest; be happy, and people will think
you great. Outside of five or six immense exceptions, which compose
the splendor of a century, contemporary admiration is nothing but
short-sightedness. Gilding is gold. It does no harm to be the first
arrival by pure chance, so long as you do arrive. The common herd is an
old Narcissus who adores himself, and who applauds the vulgar herd.
That enormous ability by virtue of which one is Moses, Aeschylus, Dante,
Michael Angelo, or Napoleon, the multitude awards on the spot, and by
acclamation, to whomsoever attains his object, in whatsoever it may
consist. Let a notary transfigure himself into a deputy: let a false
Corneille compose Tiridate; let a eunuch come to possess a harem; let a
military Prudhomme accidentally win the decisive battle of an epoch;
let an apothecary invent cardboard shoe-soles for the army of the
Sambre-and-Meuse, and construct for himself, out of this cardboard, sold
as leather, four hundred thousand francs of income; let a pork-packer
espouse usury, and cause it to bring forth seven or eight millions, of
which he is the father and of which it is the mother; let a preacher
become a bishop by force of his nasal drawl; let the steward of a fine
family be so rich on retiring from service that he is made minister
of finances,--and men call that Genius, just as they call the face
of Mousqueton Beauty, and the mien of Claude Majesty. With the
constellations of space they confound the stars of the abyss which are
made in the soft mire of the puddle by the feet of ducks.




CHAPTER XIII--WHAT HE BELIEVED

We are not obliged to sound the Bishop of D---- on the score of
orthodoxy. In the presence of such a soul we feel ourselves in no mood
but respect. The conscience of the just man should be accepted on his
word. Moreover, certain natures being given, we admit the possible
development of all beauties of human virtue in a belief that differs
from our own.

What did he think of this dogma, or of that mystery? These secrets of
the inner tribunal of the conscience are known only to the tomb, where
souls enter naked. The point on which we are certain is, that the
difficulties of faith never resolved themselves into hypocrisy in his
case. No decay is possible to the diamond. He believed to the extent
of his powers. "Credo in Patrem," he often exclaimed. Moreover, he
drew from good works that amount of satisfaction which suffices to the
conscience, and which whispers to a man, "Thou art with God!"

The point which we consider it our duty to note is, that outside of and
beyond his faith, as it were, the Bishop possessed an excess of love. It
was in that quarter, quia multum amavit,--because he loved much--that
he was regarded as vulnerable by "serious men," "grave persons" and
"reasonable people"; favorite locutions of our sad world where egotism
takes its word of command from pedantry. What was this excess of love?
It was a serene benevolence which overflowed men, as we have already
pointed out, and which, on occasion, extended even to things. He lived
without disdain. He was indulgent towards God's creation. Every man,
even the best, has within him a thoughtless harshness which he reserves
for animals. The Bishop of D---- had none of that harshness, which is
peculiar to many priests, nevertheless. He did not go as far as the
Brahmin, but he seemed to have weighed this saying of Ecclesiastes: "Who
knoweth whither the soul of the animal goeth?" Hideousness of aspect,
deformity of instinct, troubled him not, and did not arouse his
indignation. He was touched, almost softened by them. It seemed as
though he went thoughtfully away to seek beyond the bounds of life which
is apparent, the cause, the explanation, or the excuse for them. He
seemed at times to be asking God to commute these penalties. He examined
without wrath, and with the eye of a linguist who is deciphering a
palimpsest, that portion of chaos which still exists in nature. This
revery sometimes caused him to utter odd sayings. One morning he was in
his garden, and thought himself alone, but his sister was walking behind
him, unseen by him: suddenly he paused and gazed at something on the
ground; it was a large, black, hairy, frightful spider. His sister heard
him say:--

"Poor beast! It is not its fault!"

Why not mention these almost divinely childish sayings of kindness?
Puerile they may be; but these sublime puerilities were peculiar to
Saint Francis d'Assisi and of Marcus Aurelius. One day he sprained his
ankle in his effort to avoid stepping on an ant. Thus lived this just
man. Sometimes he fell asleep in his garden, and then there was nothing
more venerable possible.

Monseigneur Bienvenu had formerly been, if the stories anent his youth,
and even in regard to his manhood, were to be believed, a passionate,
and, possibly, a violent man. His universal suavity was less an instinct
of nature than the result of a grand conviction which had filtered into
his heart through the medium of life, and had trickled there slowly,
thought by thought; for, in a character, as in a rock, there may exist
apertures made by drops of water. These hollows are uneffaceable; these
formations are indestructible.

In 1815, as we think we have already said, he reached his seventy-fifth
birthday, but he did not appear to be more than sixty. He was not tall;
he was rather plump; and, in order to combat this tendency, he was fond
of taking long strolls on foot; his step was firm, and his form was
but slightly bent, a detail from which we do not pretend to draw any
conclusion. Gregory XVI., at the age of eighty, held himself erect and
smiling, which did not prevent him from being a bad bishop. Monseigneur
Welcome had what the people term a "fine head," but so amiable was he
that they forgot that it was fine.

When he conversed with that infantile gayety which was one of his
charms, and of which we have already spoken, people felt at their ease
with him, and joy seemed to radiate from his whole person. His fresh and
ruddy complexion, his very white teeth, all of which he had preserved,
and which were displayed by his smile, gave him that open and easy air
which cause the remark to be made of a man, "He's a good fellow"; and
of an old man, "He is a fine man." That, it will be recalled, was the
effect which he produced upon Napoleon. On the first encounter, and to
one who saw him for the first time, he was nothing, in fact, but a fine
man. But if one remained near him for a few hours, and beheld him in the
least degree pensive, the fine man became gradually transfigured, and
took on some imposing quality, I know not what; his broad and serious
brow, rendered august by his white locks, became august also by virtue
of meditation; majesty radiated from his goodness, though his goodness
ceased not to be radiant; one experienced something of the emotion which
one would feel on beholding a smiling angel slowly unfold his wings,
without ceasing to smile. Respect, an unutterable respect, penetrated
you by degrees and mounted to your heart, and one felt that one had
before him one of those strong, thoroughly tried, and indulgent souls
where thought is so grand that it can no longer be anything but gentle.

As we have seen, prayer, the celebration of the offices of religion,
alms-giving, the consolation of the afflicted, the cultivation of a bit
of land, fraternity, frugality, hospitality, renunciation, confidence,
study, work, filled every day of his life. Filled is exactly the word;
certainly the Bishop's day was quite full to the brim, of good words and
good deeds. Nevertheless, it was not complete if cold or rainy weather
prevented his passing an hour or two in his garden before going to bed,
and after the two women had retired. It seemed to be a sort of rite with
him, to prepare himself for slumber by meditation in the presence of
the grand spectacles of the nocturnal heavens. Sometimes, if the two old
women were not asleep, they heard him pacing slowly along the walks at
a very advanced hour of the night. He was there alone, communing with
himself, peaceful, adoring, comparing the serenity of his heart with the
serenity of the ether, moved amid the darkness by the visible splendor
of the constellations and the invisible splendor of God, opening his
heart to the thoughts which fall from the Unknown. At such moments,
while he offered his heart at the hour when nocturnal flowers offer
their perfume, illuminated like a lamp amid the starry night, as he
poured himself out in ecstasy in the midst of the universal radiance of
creation, he could not have told himself, probably, what was passing in
his spirit; he felt something take its flight from him, and something
descend into him. Mysterious exchange of the abysses of the soul with
the abysses of the universe!

He thought of the grandeur and presence of God; of the future eternity,
that strange mystery; of the eternity past, a mystery still more
strange; of all the infinities, which pierced their way into all
his senses, beneath his eyes; and, without seeking to comprehend the
incomprehensible, he gazed upon it. He did not study God; he was dazzled
by him. He considered those magnificent conjunctions of atoms, which
communicate aspects to matter, reveal forces by verifying them, create
individualities in unity, proportions in extent, the innumerable in the
infinite, and, through light, produce beauty. These conjunctions are
formed and dissolved incessantly; hence life and death.

He seated himself on a wooden bench, with his back against a decrepit
vine; he gazed at the stars, past the puny and stunted silhouettes
of his fruit-trees. This quarter of an acre, so poorly planted, so
encumbered with mean buildings and sheds, was dear to him, and satisfied
his wants.

What more was needed by this old man, who divided the leisure of his
life, where there was so little leisure, between gardening in the
daytime and contemplation at night? Was not this narrow enclosure, with
the heavens for a ceiling, sufficient to enable him to adore God in his
most divine works, in turn? Does not this comprehend all, in fact? and
what is there left to desire beyond it? A little garden in which to
walk, and immensity in which to dream. At one's feet that which can be
cultivated and plucked; over head that which one can study and meditate
upon: some flowers on earth, and all the stars in the sky.




CHAPTER XIV--WHAT HE THOUGHT


One last word.

Since this sort of details might, particularly at the present moment,
and to use an expression now in fashion, give to the Bishop of D---- a
certain "pantheistical" physiognomy, and induce the belief, either
to his credit or discredit, that he entertained one of those personal
philosophies which are peculiar to our century, which sometimes spring
up in solitary spirits, and there take on a form and grow until they
usurp the place of religion, we insist upon it, that not one of
those persons who knew Monseigneur Welcome would have thought himself
authorized to think anything of the sort. That which enlightened this
man was his heart. His wisdom was made of the light which comes from
there.

No systems; many works. Abstruse speculations contain vertigo; no,
there is nothing to indicate that he risked his mind in apocalypses. The
apostle may be daring, but the bishop must be timid. He would probably
have felt a scruple at sounding too far in advance certain problems
which are, in a manner, reserved for terrible great minds. There is a
sacred horror beneath the porches of the enigma; those gloomy openings
stand yawning there, but something tells you, you, a passer-by in life,
that you must not enter. Woe to him who penetrates thither!

Geniuses in the impenetrable depths of abstraction and pure speculation,
situated, so to speak, above all dogmas, propose their ideas to
God. Their prayer audaciously offers discussion. Their adoration
interrogates. This is direct religion, which is full of anxiety and
responsibility for him who attempts its steep cliffs.

Human meditation has no limits. At his own risk and peril, it analyzes
and digs deep into its own bedazzlement. One might almost say, that by
a sort of splendid reaction, it with it dazzles nature; the mysterious
world which surrounds us renders back what it has received; it is
probable that the contemplators are contemplated. However that may be,
there are on earth men who--are they men?--perceive distinctly at the
verge of the horizons of revery the heights of the absolute, and who
have the terrible vision of the infinite mountain. Monseigneur Welcome
was one of these men; Monseigneur Welcome was not a genius. He would
have feared those sublimities whence some very great men even, like
Swedenborg and Pascal, have slipped into insanity. Certainly, these
powerful reveries have their moral utility, and by these arduous paths
one approaches to ideal perfection. As for him, he took the path which
shortens,--the Gospel's.

He did not attempt to impart to his chasuble the folds of Elijah's
mantle; he projected no ray of future upon the dark groundswell of
events; he did not seek to condense in flame the light of things; he
had nothing of the prophet and nothing of the magician about him. This
humble soul loved, and that was all.

That he carried prayer to the pitch of a superhuman aspiration is
probable: but one can no more pray too much than one can love too much;
and if it is a heresy to pray beyond the texts, Saint Theresa and Saint
Jerome would be heretics.

He inclined towards all that groans and all that expiates. The universe
appeared to him like an immense malady; everywhere he felt fever,
everywhere he heard the sound of suffering, and, without seeking to
solve the enigma, he strove to dress the wound. The terrible spectacle
of created things developed tenderness in him; he was occupied only
in finding for himself, and in inspiring others with the best way to
compassionate and relieve. That which exists was for this good and rare
priest a permanent subject of sadness which sought consolation.

There are men who toil at extracting gold; he toiled at the extraction
of pity. Universal misery was his mine. The sadness which reigned
everywhere was but an excuse for unfailing kindness. Love each other; he
declared this to be complete, desired nothing further, and that was the
whole of his doctrine. One day, that man who believed himself to be a
"philosopher," the senator who has already been alluded to, said to the
Bishop: "Just survey the spectacle of the world: all war against
all; the strongest has the most wit. Your love each other is
nonsense."--"Well," replied Monseigneur Welcome, without contesting the
point, "if it is nonsense, the soul should shut itself up in it, as the
pearl in the oyster." Thus he shut himself up, he lived there, he
was absolutely satisfied with it, leaving on one side the prodigious
questions which attract and terrify, the fathomless perspectives of
abstraction, the precipices of metaphysics--all those profundities
which converge, for the apostle in God, for the atheist in nothingness;
destiny, good and evil, the way of being against being, the conscience
of man, the thoughtful somnambulism of the animal, the transformation
in death, the recapitulation of existences which the tomb contains, the
incomprehensible grafting of successive loves on the persistent _I_,
the essence, the substance, the Nile, and the Ens, the soul, nature,
liberty, necessity; perpendicular problems, sinister obscurities, where
lean the gigantic archangels of the human mind; formidable abysses,
which Lucretius, Manou, Saint Paul, Dante, contemplate with eyes
flashing lightning, which seems by its steady gaze on the infinite to
cause stars to blaze forth there.

Monseigneur Bienvenu was simply a man who took note of the exterior of
mysterious questions without scrutinizing them, and without troubling
his own mind with them, and who cherished in his own soul a grave
respect for darkness.




BOOK SECOND--THE FALL




CHAPTER I--THE EVENING OF A DAY OF WALKING

Early in the month of October, 1815, about an hour before sunset, a
man who was travelling on foot entered the little town of D----The few
inhabitants who were at their windows or on their thresholds at the
moment stared at this traveller with a sort of uneasiness. It was
difficult to encounter a wayfarer of more wretched appearance. He was
a man of medium stature, thickset and robust, in the prime of life.
He might have been forty-six or forty-eight years old. A cap with a
drooping leather visor partly concealed his face, burned and tanned by
sun and wind, and dripping with perspiration. His shirt of coarse yellow
linen, fastened at the neck by a small silver anchor, permitted a view
of his hairy breast: he had a cravat twisted into a string; trousers of
blue drilling, worn and threadbare, white on one knee and torn on the
other; an old gray, tattered blouse, patched on one of the elbows with
a bit of green cloth sewed on with twine; a tightly packed soldier
knapsack, well buckled and perfectly new, on his back; an enormous,
knotty stick in his hand; iron-shod shoes on his stockingless feet; a
shaved head and a long beard.

The sweat, the heat, the journey on foot, the dust, added I know not
what sordid quality to this dilapidated whole. His hair was closely cut,
yet bristling, for it had begun to grow a little, and did not seem to
have been cut for some time.

No one knew him. He was evidently only a chance passer-by. Whence came
he? From the south; from the seashore, perhaps, for he made his entrance
into D---- by the same street which, seven months previously, had
witnessed the passage of the Emperor Napoleon on his way from Cannes
to Paris. This man must have been walking all day. He seemed very much
fatigued. Some women of the ancient market town which is situated below
the city had seen him pause beneath the trees of the boulevard Gassendi,
and drink at the fountain which stands at the end of the promenade. He
must have been very thirsty: for the children who followed him saw him
stop again for a drink, two hundred paces further on, at the fountain in
the market-place.

On arriving at the corner of the Rue Poichevert, he turned to the left,
and directed his steps toward the town-hall. He entered, then came out
a quarter of an hour later. A gendarme was seated near the door, on the
stone bench which General Drouot had mounted on the 4th of March to read
to the frightened throng of the inhabitants of D---- the proclamation
of the Gulf Juan. The man pulled off his cap and humbly saluted the
gendarme.

The gendarme, without replying to his salute, stared attentively at him,
followed him for a while with his eyes, and then entered the town-hall.

There then existed at D---- a fine inn at the sign of the Cross of
Colbas. This inn had for a landlord a certain Jacquin Labarre, a man
of consideration in the town on account of his relationship to another
Labarre, who kept the inn of the Three Dauphins in Grenoble, and had
served in the Guides. At the time of the Emperor's landing, many rumors
had circulated throughout the country with regard to this inn of the
Three Dauphins. It was said that General Bertrand, disguised as a
carter, had made frequent trips thither in the month of January, and
that he had distributed crosses of honor to the soldiers and handfuls
of gold to the citizens. The truth is, that when the Emperor entered
Grenoble he had refused to install himself at the hotel of the
prefecture; he had thanked the mayor, saying, "I am going to the house
of a brave man of my acquaintance"; and he had betaken himself to the
Three Dauphins. This glory of the Labarre of the Three Dauphins was
reflected upon the Labarre of the Cross of Colbas, at a distance of five
and twenty leagues. It was said of him in the town, "That is the cousin
of the man of Grenoble."

The man bent his steps towards this inn, which was the best in the
country-side. He entered the kitchen, which opened on a level with the
street. All the stoves were lighted; a huge fire blazed gayly in the
fireplace. The host, who was also the chief cook, was going from one
stew-pan to another, very busily superintending an excellent dinner
designed for the wagoners, whose loud talking, conversation, and
laughter were audible from an adjoining apartment. Any one who has
travelled knows that there is no one who indulges in better cheer than
wagoners. A fat marmot, flanked by white partridges and heather-cocks,
was turning on a long spit before the fire; on the stove, two huge carps
from Lake Lauzet and a trout from Lake Alloz were cooking.

The host, hearing the door open and seeing a newcomer enter, said,
without raising his eyes from his stoves:--

"What do you wish, sir?"

"Food and lodging," said the man.

"Nothing easier," replied the host. At that moment he turned his head,
took in the traveller's appearance with a single glance, and added, "By
paying for it."

The man drew a large leather purse from the pocket of his blouse, and
answered, "I have money."

"In that case, we are at your service," said the host.

The man put his purse back in his pocket, removed his knapsack from
his back, put it on the ground near the door, retained his stick in his
hand, and seated himself on a low stool close to the fire. D---- is in
the mountains. The evenings are cold there in October.

But as the host went back and forth, he scrutinized the traveller.

"Will dinner be ready soon?" said the man.

"Immediately," replied the landlord.

While the newcomer was warming himself before the fire, with his back
turned, the worthy host, Jacquin Labarre, drew a pencil from his pocket,
then tore off the corner of an old newspaper which was lying on a small
table near the window. On the white margin he wrote a line or two,
folded it without sealing, and then intrusted this scrap of paper to
a child who seemed to serve him in the capacity both of scullion and
lackey. The landlord whispered a word in the scullion's ear, and the
child set off on a run in the direction of the town-hall.

The traveller saw nothing of all this.

Once more he inquired, "Will dinner be ready soon?"

"Immediately," responded the host.

The child returned. He brought back the paper. The host unfolded it
eagerly, like a person who is expecting a reply. He seemed to read it
attentively, then tossed his head, and remained thoughtful for a moment.
Then he took a step in the direction of the traveller, who appeared to
be immersed in reflections which were not very serene.

"I cannot receive you, sir," said he.

The man half rose.

"What! Are you afraid that I will not pay you? Do you want me to pay you
in advance? I have money, I tell you."

"It is not that."

"What then?"

"You have money--"

"Yes," said the man.

"And I," said the host, "have no room."

The man resumed tranquilly, "Put me in the stable."

"I cannot."

"Why?"

"The horses take up all the space."

"Very well!" retorted the man; "a corner of the loft then, a truss of
straw. We will see about that after dinner."

"I cannot give you any dinner."

This declaration, made in a measured but firm tone, struck the stranger
as grave. He rose.

"Ah! bah! But I am dying of hunger. I have been walking since sunrise. I
have travelled twelve leagues. I pay. I wish to eat."

"I have nothing," said the landlord.

The man burst out laughing, and turned towards the fireplace and the
stoves: "Nothing! and all that?"

"All that is engaged."

"By whom?"

"By messieurs the wagoners."

"How many are there of them?"

"Twelve."

"There is enough food there for twenty."

"They have engaged the whole of it and paid for it in advance."

The man seated himself again, and said, without raising his voice, "I am
at an inn; I am hungry, and I shall remain."

Then the host bent down to his ear, and said in a tone which made him
start, "Go away!"

At that moment the traveller was bending forward and thrusting some
brands into the fire with the iron-shod tip of his staff; he turned
quickly round, and as he opened his mouth to reply, the host gazed
steadily at him and added, still in a low voice: "Stop! there's enough
of that sort of talk. Do you want me to tell you your name? Your name is
Jean Valjean. Now do you want me to tell you who you are? When I saw you
come in I suspected something; I sent to the town-hall, and this was the
reply that was sent to me. Can you read?"

So saying, he held out to the stranger, fully unfolded, the paper which
had just travelled from the inn to the town-hall, and from the town-hall
to the inn. The man cast a glance upon it. The landlord resumed after a
pause.

"I am in the habit of being polite to every one. Go away!"

The man dropped his head, picked up the knapsack which he had deposited
on the ground, and took his departure.

He chose the principal street. He walked straight on at a venture,
keeping close to the houses like a sad and humiliated man. He did not
turn round a single time. Had he done so, he would have seen the host
of the Cross of Colbas standing on his threshold, surrounded by all
the guests of his inn, and all the passers-by in the street, talking
vivaciously, and pointing him out with his finger; and, from the glances
of terror and distrust cast by the group, he might have divined that his
arrival would speedily become an event for the whole town.

He saw nothing of all this. People who are crushed do not look behind
them. They know but too well the evil fate which follows them.

Thus he proceeded for some time, walking on without ceasing, traversing
at random streets of which he knew nothing, forgetful of his fatigue,
as is often the case when a man is sad. All at once he felt the pangs
of hunger sharply. Night was drawing near. He glanced about him, to see
whether he could not discover some shelter.

The fine hostelry was closed to him; he was seeking some very humble
public house, some hovel, however lowly.

Just then a light flashed up at the end of the streets; a pine branch
suspended from a cross-beam of iron was outlined against the white sky
of the twilight. He proceeded thither.

It proved to be, in fact, a public house. The public house which is in
the Rue de Chaffaut.

The wayfarer halted for a moment, and peeped through the window into the
interior of the low-studded room of the public house, illuminated by a
small lamp on a table and by a large fire on the hearth. Some men were
engaged in drinking there. The landlord was warming himself. An iron
pot, suspended from a crane, bubbled over the flame.

The entrance to this public house, which is also a sort of an inn, is by
two doors. One opens on the street, the other upon a small yard filled
with manure. The traveller dare not enter by the street door. He slipped
into the yard, halted again, then raised the latch timidly and opened
the door.

"Who goes there?" said the master.

"Some one who wants supper and bed."

"Good. We furnish supper and bed here."

He entered. All the men who were drinking turned round. The lamp
illuminated him on one side, the firelight on the other. They examined
him for some time while he was taking off his knapsack.

The host said to him, "There is the fire. The supper is cooking in the
pot. Come and warm yourself, comrade."

He approached and seated himself near the hearth. He stretched out his
feet, which were exhausted with fatigue, to the fire; a fine odor was
emitted by the pot. All that could be distinguished of his face, beneath
his cap, which was well pulled down, assumed a vague appearance
of comfort, mingled with that other poignant aspect which habitual
suffering bestows.

It was, moreover, a firm, energetic, and melancholy profile. This
physiognomy was strangely composed; it began by seeming humble, and
ended by seeming severe. The eye shone beneath its lashes like a fire
beneath brushwood.

One of the men seated at the table, however, was a fishmonger who,
before entering the public house of the Rue de Chaffaut, had been to
stable his horse at Labarre's. It chanced that he had that very morning
encountered this unprepossessing stranger on the road between Bras
d'Asse and--I have forgotten the name. I think it was Escoublon. Now,
when he met him, the man, who then seemed already extremely weary, had
requested him to take him on his crupper; to which the fishmonger had
made no reply except by redoubling his gait. This fishmonger had been
a member half an hour previously of the group which surrounded Jacquin
Labarre, and had himself related his disagreeable encounter of the
morning to the people at the Cross of Colbas. From where he sat he made
an imperceptible sign to the tavern-keeper. The tavern-keeper went to
him. They exchanged a few words in a low tone. The man had again become
absorbed in his reflections.

The tavern-keeper returned to the fireplace, laid his hand abruptly on
the shoulder of the man, and said to him:--

"You are going to get out of here."

The stranger turned round and replied gently, "Ah! You know?--"

"Yes."

"I was sent away from the other inn."

"And you are to be turned out of this one."

"Where would you have me go?"

"Elsewhere."

The man took his stick and his knapsack and departed.

As he went out, some children who had followed him from the Cross of
Colbas, and who seemed to be lying in wait for him, threw stones at him.
He retraced his steps in anger, and threatened them with his stick: the
children dispersed like a flock of birds.

He passed before the prison. At the door hung an iron chain attached to
a bell. He rang.

The wicket opened.

"Turnkey," said he, removing his cap politely, "will you have the
kindness to admit me, and give me a lodging for the night?"

A voice replied:--

"The prison is not an inn. Get yourself arrested, and you will be
admitted."

The wicket closed again.

He entered a little street in which there were many gardens. Some of
them are enclosed only by hedges, which lends a cheerful aspect to the
street. In the midst of these gardens and hedges he caught sight of a
small house of a single story, the window of which was lighted up. He
peered through the pane as he had done at the public house. Within was a
large whitewashed room, with a bed draped in printed cotton stuff, and
a cradle in one corner, a few wooden chairs, and a double-barrelled gun
hanging on the wall. A table was spread in the centre of the room. A
copper lamp illuminated the tablecloth of coarse white linen, the pewter
jug shining like silver, and filled with wine, and the brown, smoking
soup-tureen. At this table sat a man of about forty, with a merry and
open countenance, who was dandling a little child on his knees. Close by
a very young woman was nursing another child. The father was laughing,
the child was laughing, the mother was smiling.

The stranger paused a moment in revery before this tender and calming
spectacle. What was taking place within him? He alone could have
told. It is probable that he thought that this joyous house would be
hospitable, and that, in a place where he beheld so much happiness, he
would find perhaps a little pity.

He tapped on the pane with a very small and feeble knock.

They did not hear him.

He tapped again.

He heard the woman say, "It seems to me, husband, that some one is
knocking."

"No," replied the husband.

He tapped a third time.

The husband rose, took the lamp, and went to the door, which he opened.

He was a man of lofty stature, half peasant, half artisan. He wore a
huge leather apron, which reached to his left shoulder, and which a
hammer, a red handkerchief, a powder-horn, and all sorts of objects
which were upheld by the girdle, as in a pocket, caused to bulge out. He
carried his head thrown backwards; his shirt, widely opened and turned
back, displayed his bull neck, white and bare. He had thick eyelashes,
enormous black whiskers, prominent eyes, the lower part of his face
like a snout; and besides all this, that air of being on his own ground,
which is indescribable.

"Pardon me, sir," said the wayfarer, "Could you, in consideration of
payment, give me a plate of soup and a corner of that shed yonder in the
garden, in which to sleep? Tell me; can you? For money?"

"Who are you?" demanded the master of the house.

The man replied: "I have just come from Puy-Moisson. I have walked all
day long. I have travelled twelve leagues. Can you?--if I pay?"

"I would not refuse," said the peasant, "to lodge any respectable man
who would pay me. But why do you not go to the inn?"

"There is no room."

"Bah! Impossible. This is neither a fair nor a market day. Have you been
to Labarre?"

"Yes."

"Well?"

The traveller replied with embarrassment: "I do not know. He did not
receive me."

"Have you been to What's-his-name's, in the Rue Chaffaut?"

The stranger's embarrassment increased; he stammered, "He did not
receive me either."

The peasant's countenance assumed an expression of distrust; he surveyed
the newcomer from head to feet, and suddenly exclaimed, with a sort of
shudder:--

"Are you the man?--"

He cast a fresh glance upon the stranger, took three steps backwards,
placed the lamp on the table, and took his gun down from the wall.

Meanwhile, at the words, Are you the man? the woman had risen, had
clasped her two children in her arms, and had taken refuge precipitately
behind her husband, staring in terror at the stranger, with her bosom
uncovered, and with frightened eyes, as she murmured in a low tone,
"Tso-maraude."[1]

All this took place in less time than it requires to picture it to
one's self. After having scrutinized the man for several moments, as one
scrutinizes a viper, the master of the house returned to the door and
said:--

"Clear out!"

"For pity's sake, a glass of water," said the man.

"A shot from my gun!" said the peasant.

Then he closed the door violently, and the man heard him shoot two large
bolts. A moment later, the window-shutter was closed, and the sound of a
bar of iron which was placed against it was audible outside.

Night continued to fall. A cold wind from the Alps was blowing. By the
light of the expiring day the stranger perceived, in one of the gardens
which bordered the street, a sort of hut, which seemed to him to be
built of sods. He climbed over the wooden fence resolutely, and found
himself in the garden. He approached the hut; its door consisted of a
very low and narrow aperture, and it resembled those buildings which
road-laborers construct for themselves along the roads. He thought
without doubt, that it was, in fact, the dwelling of a road-laborer; he
was suffering from cold and hunger, but this was, at least, a shelter
from the cold. This sort of dwelling is not usually occupied at night.
He threw himself flat on his face, and crawled into the hut. It was warm
there, and he found a tolerably good bed of straw. He lay, for a moment,
stretched out on this bed, without the power to make a movement, so
fatigued was he. Then, as the knapsack on his back was in his way, and
as it furnished, moreover, a pillow ready to his hand, he set about
unbuckling one of the straps. At that moment, a ferocious growl became
audible. He raised his eyes. The head of an enormous dog was outlined in
the darkness at the entrance of the hut.

It was a dog's kennel.

He was himself vigorous and formidable; he armed himself with his staff,
made a shield of his knapsack, and made his way out of the kennel in the
best way he could, not without enlarging the rents in his rags.

He left the garden in the same manner, but backwards, being obliged,
in order to keep the dog respectful, to have recourse to that manoeuvre
with his stick which masters in that sort of fencing designate as la
rose couverte.

When he had, not without difficulty, repassed the fence, and found
himself once more in the street, alone, without refuge, without shelter,
without a roof over his head, chased even from that bed of straw and
from that miserable kennel, he dropped rather than seated himself on a
stone, and it appears that a passer-by heard him exclaim, "I am not even
a dog!"

He soon rose again and resumed his march. He went out of the town,
hoping to find some tree or haystack in the fields which would afford
him shelter.

He walked thus for some time, with his head still drooping. When he felt
himself far from every human habitation, he raised his eyes and gazed
searchingly about him. He was in a field. Before him was one of those
low hills covered with close-cut stubble, which, after the harvest,
resemble shaved heads.

The horizon was perfectly black. This was not alone the obscurity of
night; it was caused by very low-hanging clouds which seemed to rest
upon the hill itself, and which were mounting and filling the whole
sky. Meanwhile, as the moon was about to rise, and as there was still
floating in the zenith a remnant of the brightness of twilight, these
clouds formed at the summit of the sky a sort of whitish arch, whence a
gleam of light fell upon the earth.

The earth was thus better lighted than the sky, which produces a
particularly sinister effect, and the hill, whose contour was poor and
mean, was outlined vague and wan against the gloomy horizon. The whole
effect was hideous, petty, lugubrious, and narrow.

There was nothing in the field or on the hill except a deformed tree,
which writhed and shivered a few paces distant from the wayfarer.

This man was evidently very far from having those delicate habits of
intelligence and spirit which render one sensible to the mysterious
aspects of things; nevertheless, there was something in that sky,
in that hill, in that plain, in that tree, which was so profoundly
desolate, that after a moment of immobility and revery he turned back
abruptly. There are instants when nature seems hostile.

He retraced his steps; the gates of D---- were closed. D----, which had
sustained sieges during the wars of religion, was still surrounded
in 1815 by ancient walls flanked by square towers which have been
demolished since. He passed through a breach and entered the town again.

It might have been eight o'clock in the evening. As he was not
acquainted with the streets, he recommenced his walk at random.

In this way he came to the prefecture, then to the seminary. As he
passed through the Cathedral Square, he shook his fist at the church.

At the corner of this square there is a printing establishment. It is
there that the proclamations of the Emperor and of the Imperial Guard
to the army, brought from the Island of Elba and dictated by Napoleon
himself, were printed for the first time.

Worn out with fatigue, and no longer entertaining any hope, he lay down
on a stone bench which stands at the doorway of this printing office.

At that moment an old woman came out of the church. She saw the man
stretched out in the shadow. "What are you doing there, my friend?" said
she.

He answered harshly and angrily: "As you see, my good woman, I am
sleeping." The good woman, who was well worthy the name, in fact, was
the Marquise de R----

"On this bench?" she went on.

"I have had a mattress of wood for nineteen years," said the man;
"to-day I have a mattress of stone."

"You have been a soldier?"

"Yes, my good woman, a soldier."

"Why do you not go to the inn?"

"Because I have no money."

"Alas!" said Madame de R----, "I have only four sous in my purse."

"Give it to me all the same."

The man took the four sous. Madame de R---- continued: "You cannot
obtain lodgings in an inn for so small a sum. But have you tried? It is
impossible for you to pass the night thus. You are cold and hungry, no
doubt. Some one might have given you a lodging out of charity."

"I have knocked at all doors."

"Well?"

"I have been driven away everywhere."

The "good woman" touched the man's arm, and pointed out to him on the
other side of the street a small, low house, which stood beside the
Bishop's palace.

"You have knocked at all doors?"

"Yes."

"Have you knocked at that one?"

"No."

"Knock there."




CHAPTER II--PRUDENCE COUNSELLED TO WISDOM.

That evening, the Bishop of D----, after his promenade through the town,
remained shut up rather late in his room. He was busy over a great work
on Duties, which was never completed, unfortunately. He was carefully
compiling everything that the Fathers and the doctors have said on this
important subject. His book was divided into two parts: firstly, the
duties of all; secondly, the duties of each individual, according to the
class to which he belongs. The duties of all are the great duties. There
are four of these. Saint Matthew points them out: duties towards God
(Matt. vi.); duties towards one's self (Matt. v. 29, 30); duties towards
one's neighbor (Matt. vii. 12); duties towards animals (Matt. vi. 20,
25). As for the other duties the Bishop found them pointed out and
prescribed elsewhere: to sovereigns and subjects, in the Epistle to the
Romans; to magistrates, to wives, to mothers, to young men, by Saint
Peter; to husbands, fathers, children and servants, in the Epistle
to the Ephesians; to the faithful, in the Epistle to the Hebrews; to
virgins, in the Epistle to the Corinthians. Out of these precepts he was
laboriously constructing a harmonious whole, which he desired to present
to souls.

At eight o'clock he was still at work, writing with a good deal of
inconvenience upon little squares of paper, with a big book open on his
knees, when Madame Magloire entered, according to her wont, to get the
silver-ware from the cupboard near his bed. A moment later, the Bishop,
knowing that the table was set, and that his sister was probably
waiting for him, shut his book, rose from his table, and entered the
dining-room.

The dining-room was an oblong apartment, with a fireplace, which had a
door opening on the street (as we have said), and a window opening on
the garden.

Madame Magloire was, in fact, just putting the last touches to the
table.

As she performed this service, she was conversing with Mademoiselle
Baptistine.

A lamp stood on the table; the table was near the fireplace. A wood fire
was burning there.

One can easily picture to one's self these two women, both of whom
were over sixty years of age. Madame Magloire small, plump, vivacious;
Mademoiselle Baptistine gentle, slender, frail, somewhat taller than her
brother, dressed in a gown of puce-colored silk, of the fashion of 1806,
which she had purchased at that date in Paris, and which had lasted
ever since. To borrow vulgar phrases, which possess the merit of giving
utterance in a single word to an idea which a whole page would hardly
suffice to express, Madame Magloire had the air of a peasant, and
Mademoiselle Baptistine that of a lady. Madame Magloire wore a white
quilted cap, a gold Jeannette cross on a velvet ribbon upon her neck,
the only bit of feminine jewelry that there was in the house, a very
white fichu puffing out from a gown of coarse black woollen stuff, with
large, short sleeves, an apron of cotton cloth in red and green checks,
knotted round the waist with a green ribbon, with a stomacher of the
same attached by two pins at the upper corners, coarse shoes on her
feet, and yellow stockings, like the women of Marseilles. Mademoiselle
Baptistine's gown was cut on the patterns of 1806, with a short waist,
a narrow, sheath-like skirt, puffed sleeves, with flaps and buttons.
She concealed her gray hair under a frizzed wig known as the baby wig.
Madame Magloire had an intelligent, vivacious, and kindly air; the two
corners of her mouth unequally raised, and her upper lip, which was
larger than the lower, imparted to her a rather crabbed and imperious
look. So long as Monseigneur held his peace, she talked to him
resolutely with a mixture of respect and freedom; but as soon as
Monseigneur began to speak, as we have seen, she obeyed passively like
her mistress. Mademoiselle Baptistine did not even speak. She confined
herself to obeying and pleasing him. She had never been pretty, even
when she was young; she had large, blue, prominent eyes, and a long
arched nose; but her whole visage, her whole person, breathed forth an
ineffable goodness, as we stated in the beginning. She had always been
predestined to gentleness; but faith, charity, hope, those three virtues
which mildly warm the soul, had gradually elevated that gentleness to
sanctity. Nature had made her a lamb, religion had made her an angel.
Poor sainted virgin! Sweet memory which has vanished!

Mademoiselle Baptistine has so often narrated what passed at the
episcopal residence that evening, that there are many people now living
who still recall the most minute details.

At the moment when the Bishop entered, Madame Magloire was talking with
considerable vivacity. She was haranguing Mademoiselle Baptistine on
a subject which was familiar to her and to which the Bishop was also
accustomed. The question concerned the lock upon the entrance door.

It appears that while procuring some provisions for supper, Madame
Magloire had heard things in divers places. People had spoken of a
prowler of evil appearance; a suspicious vagabond had arrived who must
be somewhere about the town, and those who should take it into their
heads to return home late that night might be subjected to unpleasant
encounters. The police was very badly organized, moreover, because there
was no love lost between the Prefect and the Mayor, who sought to injure
each other by making things happen. It behooved wise people to play the
part of their own police, and to guard themselves well, and care must be
taken to duly close, bar and barricade their houses, and to fasten the
doors well.

Madame Magloire emphasized these last words; but the Bishop had just
come from his room, where it was rather cold. He seated himself in front
of the fire, and warmed himself, and then fell to thinking of other
things. He did not take up the remark dropped with design by Madame
Magloire. She repeated it. Then Mademoiselle Baptistine, desirous of
satisfying Madame Magloire without displeasing her brother, ventured to
say timidly:--

"Did you hear what Madame Magloire is saying, brother?"

"I have heard something of it in a vague way," replied the Bishop. Then
half-turning in his chair, placing his hands on his knees, and raising
towards the old servant woman his cordial face, which so easily grew
joyous, and which was illuminated from below by the firelight,--"Come,
what is the matter? What is the matter? Are we in any great danger?"

Then Madame Magloire began the whole story afresh, exaggerating it a
little without being aware of the fact. It appeared that a Bohemian, a
bare-footed vagabond, a sort of dangerous mendicant, was at that moment
in the town. He had presented himself at Jacquin Labarre's to obtain
lodgings, but the latter had not been willing to take him in. He had
been seen to arrive by the way of the boulevard Gassendi and roam about
the streets in the gloaming. A gallows-bird with a terrible face.

"Really!" said the Bishop.

This willingness to interrogate encouraged Madame Magloire; it seemed
to her to indicate that the Bishop was on the point of becoming alarmed;
she pursued triumphantly:--

"Yes, Monseigneur. That is how it is. There will be some sort of
catastrophe in this town to-night. Every one says so. And withal, the
police is so badly regulated" (a useful repetition). "The idea of living
in a mountainous country, and not even having lights in the streets at
night! One goes out. Black as ovens, indeed! And I say, Monseigneur, and
Mademoiselle there says with me--"

"I," interrupted his sister, "say nothing. What my brother does is well
done."

Madame Magloire continued as though there had been no protest:--

"We say that this house is not safe at all; that if Monseigneur will
permit, I will go and tell Paulin Musebois, the locksmith, to come and
replace the ancient locks on the doors; we have them, and it is only the
work of a moment; for I say that nothing is more terrible than a
door which can be opened from the outside with a latch by the first
passer-by; and I say that we need bolts, Monseigneur, if only for this
night; moreover, Monseigneur has the habit of always saying 'come in';
and besides, even in the middle of the night, O mon Dieu! there is no
need to ask permission."

At that moment there came a tolerably violent knock on the door.

"Come in," said the Bishop.




CHAPTER III--THE HEROISM OF PASSIVE OBEDIENCE.

The door opened.

It opened wide with a rapid movement, as though some one had given it an
energetic and resolute push.

A man entered.

We already know the man. It was the wayfarer whom we have seen wandering
about in search of shelter.

He entered, advanced a step, and halted, leaving the door open behind
him. He had his knapsack on his shoulders, his cudgel in his hand, a
rough, audacious, weary, and violent expression in his eyes. The fire on
the hearth lighted him up. He was hideous. It was a sinister apparition.

Madame Magloire had not even the strength to utter a cry. She trembled,
and stood with her mouth wide open.

Mademoiselle Baptistine turned round, beheld the man entering, and half
started up in terror; then, turning her head by degrees towards the
fireplace again, she began to observe her brother, and her face became
once more profoundly calm and serene.

The Bishop fixed a tranquil eye on the man.

As he opened his mouth, doubtless to ask the new-comer what he desired,
the man rested both hands on his staff, directed his gaze at the old man
and the two women, and without waiting for the Bishop to speak, he said,
in a loud voice:--

"See here. My name is Jean Valjean. I am a convict from the galleys.
I have passed nineteen years in the galleys. I was liberated four days
ago, and am on my way to Pontarlier, which is my destination. I have
been walking for four days since I left Toulon. I have travelled a dozen
leagues to-day on foot. This evening, when I arrived in these parts, I
went to an inn, and they turned me out, because of my yellow passport,
which I had shown at the town-hall. I had to do it. I went to an inn.
They said to me, 'Be off,' at both places. No one would take me. I
went to the prison; the jailer would not admit me. I went into a dog's
kennel; the dog bit me and chased me off, as though he had been a man.
One would have said that he knew who I was. I went into the fields,
intending to sleep in the open air, beneath the stars. There were no
stars. I thought it was going to rain, and I re-entered the town, to
seek the recess of a doorway. Yonder, in the square, I meant to sleep
on a stone bench. A good woman pointed out your house to me, and said
to me, 'Knock there!' I have knocked. What is this place? Do you keep
an inn? I have money--savings. One hundred and nine francs fifteen sous,
which I earned in the galleys by my labor, in the course of nineteen
years. I will pay. What is that to me? I have money. I am very weary;
twelve leagues on foot; I am very hungry. Are you willing that I should
remain?"

"Madame Magloire," said the Bishop, "you will set another place."

The man advanced three paces, and approached the lamp which was on
the table. "Stop," he resumed, as though he had not quite understood;
"that's not it. Did you hear? I am a galley-slave; a convict. I come
from the galleys." He drew from his pocket a large sheet of yellow
paper, which he unfolded. "Here's my passport. Yellow, as you see. This
serves to expel me from every place where I go. Will you read it? I know
how to read. I learned in the galleys. There is a school there for those
who choose to learn. Hold, this is what they put on this passport: 'Jean
Valjean, discharged convict, native of'--that is nothing to you--'has
been nineteen years in the galleys: five years for house-breaking
and burglary; fourteen years for having attempted to escape on four
occasions. He is a very dangerous man.' There! Every one has cast me
out. Are you willing to receive me? Is this an inn? Will you give me
something to eat and a bed? Have you a stable?"

"Madame Magloire," said the Bishop, "you will put white sheets on the
bed in the alcove." We have already explained the character of the two
women's obedience.

Madame Magloire retired to execute these orders.

The Bishop turned to the man.

"Sit down, sir, and warm yourself. We are going to sup in a few moments,
and your bed will be prepared while you are supping."

At this point the man suddenly comprehended. The expression of his face,
up to that time sombre and harsh, bore the imprint of stupefaction,
of doubt, of joy, and became extraordinary. He began stammering like a
crazy man:--

"Really? What! You will keep me? You do not drive me forth? A convict!
You call me sir! You do not address me as thou? 'Get out of here, you
dog!' is what people always say to me. I felt sure that you would expel
me, so I told you at once who I am. Oh, what a good woman that was who
directed me hither! I am going to sup! A bed with a mattress and sheets,
like the rest of the world! a bed! It is nineteen years since I have
slept in a bed! You actually do not want me to go! You are good
people. Besides, I have money. I will pay well. Pardon me, monsieur the
inn-keeper, but what is your name? I will pay anything you ask. You are
a fine man. You are an inn-keeper, are you not?"

"I am," replied the Bishop, "a priest who lives here."

"A priest!" said the man. "Oh, what a fine priest! Then you are not
going to demand any money of me? You are the cure, are you not? the cure
of this big church? Well! I am a fool, truly! I had not perceived your
skull-cap."

As he spoke, he deposited his knapsack and his cudgel in a corner,
replaced his passport in his pocket, and seated himself. Mademoiselle
Baptistine gazed mildly at him. He continued:

"You are humane, Monsieur le Cure; you have not scorned me. A good
priest is a very good thing. Then you do not require me to pay?"

"No," said the Bishop; "keep your money. How much have you? Did you not
tell me one hundred and nine francs?"

"And fifteen sous," added the man.

"One hundred and nine francs fifteen sous. And how long did it take you
to earn that?"

"Nineteen years."

"Nineteen years!"

The Bishop sighed deeply.

The man continued: "I have still the whole of my money. In four days I
have spent only twenty-five sous, which I earned by helping unload some
wagons at Grasse. Since you are an abbe, I will tell you that we had a
chaplain in the galleys. And one day I saw a bishop there. Monseigneur
is what they call him. He was the Bishop of Majore at Marseilles. He is
the cure who rules over the other cures, you understand. Pardon me,
I say that very badly; but it is such a far-off thing to me! You
understand what we are! He said mass in the middle of the galleys, on an
altar. He had a pointed thing, made of gold, on his head; it glittered
in the bright light of midday. We were all ranged in lines on the three
sides, with cannons with lighted matches facing us. We could not see
very well. He spoke; but he was too far off, and we did not hear. That
is what a bishop is like."

While he was speaking, the Bishop had gone and shut the door, which had
remained wide open.

Madame Magloire returned. She brought a silver fork and spoon, which she
placed on the table.

"Madame Magloire," said the Bishop, "place those things as near the fire
as possible." And turning to his guest: "The night wind is harsh on the
Alps. You must be cold, sir."

Each time that he uttered the word sir, in his voice which was so gently
grave and polished, the man's face lighted up. Monsieur to a convict is
like a glass of water to one of the shipwrecked of the Medusa. Ignominy
thirsts for consideration.

"This lamp gives a very bad light," said the Bishop.

Madame Magloire understood him, and went to get the two silver
candlesticks from the chimney-piece in Monseigneur's bed-chamber, and
placed them, lighted, on the table.

"Monsieur le Cure," said the man, "you are good; you do not despise me.
You receive me into your house. You light your candles for me. Yet I
have not concealed from you whence I come and that I am an unfortunate
man."

The Bishop, who was sitting close to him, gently touched his hand. "You
could not help telling me who you were. This is not my house; it is
the house of Jesus Christ. This door does not demand of him who enters
whether he has a name, but whether he has a grief. You suffer, you are
hungry and thirsty; you are welcome. And do not thank me; do not say
that I receive you in my house. No one is at home here, except the man
who needs a refuge. I say to you, who are passing by, that you are much
more at home here than I am myself. Everything here is yours. What need
have I to know your name? Besides, before you told me you had one which
I knew."

The man opened his eyes in astonishment.

"Really? You knew what I was called?"

"Yes," replied the Bishop, "you are called my brother."

"Stop, Monsieur le Cure," exclaimed the man. "I was very hungry when
I entered here; but you are so good, that I no longer know what has
happened to me."

The Bishop looked at him, and said,--

"You have suffered much?"

"Oh, the red coat, the ball on the ankle, a plank to sleep on, heat,
cold, toil, the convicts, the thrashings, the double chain for nothing,
the cell for one word; even sick and in bed, still the chain! Dogs, dogs
are happier! Nineteen years! I am forty-six. Now there is the yellow
passport. That is what it is like."

"Yes," resumed the Bishop, "you have come from a very sad place.
Listen. There will be more joy in heaven over the tear-bathed face of a
repentant sinner than over the white robes of a hundred just men. If you
emerge from that sad place with thoughts of hatred and of wrath against
mankind, you are deserving of pity; if you emerge with thoughts of
good-will and of peace, you are more worthy than any one of us."

In the meantime, Madame Magloire had served supper: soup, made with
water, oil, bread, and salt; a little bacon, a bit of mutton, figs, a
fresh cheese, and a large loaf of rye bread. She had, of her own accord,
added to the Bishop's ordinary fare a bottle of his old Mauves wine.

The Bishop's face at once assumed that expression of gayety which is
peculiar to hospitable natures. "To table!" he cried vivaciously. As was
his custom when a stranger supped with him, he made the man sit on his
right. Mademoiselle Baptistine, perfectly peaceable and natural, took
her seat at his left.

The Bishop asked a blessing; then helped the soup himself, according to
his custom. The man began to eat with avidity.

All at once the Bishop said: "It strikes me there is something missing
on this table."

Madame Magloire had, in fact, only placed the three sets of forks and
spoons which were absolutely necessary. Now, it was the usage of the
house, when the Bishop had any one to supper, to lay out the whole
six sets of silver on the table-cloth--an innocent ostentation. This
graceful semblance of luxury was a kind of child's play, which was full
of charm in that gentle and severe household, which raised poverty into
dignity.

Madame Magloire understood the remark, went out without saying a word,
and a moment later the three sets of silver forks and spoons demanded by
the Bishop were glittering upon the cloth, symmetrically arranged before
the three persons seated at the table.




CHAPTER IV--DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER.

Now, in order to convey an idea of what passed at that table, we cannot
do better than to transcribe here a passage from one of Mademoiselle
Baptistine's letters to Madame Boischevron, wherein the conversation
between the convict and the Bishop is described with ingenious
minuteness.


". . . This man paid no attention to any one. He ate with the voracity
of a starving man. However, after supper he said:

"'Monsieur le Cure of the good God, all this is far too good for me; but
I must say that the carters who would not allow me to eat with them keep
a better table than you do.'

"Between ourselves, the remark rather shocked me. My brother replied:--

"'They are more fatigued than I.'

"'No,' returned the man, 'they have more money. You are poor; I see that
plainly. You cannot be even a curate. Are you really a cure? Ah, if the
good God were but just, you certainly ought to be a cure!'

"'The good God is more than just,' said my brother.

"A moment later he added:--

"'Monsieur Jean Valjean, is it to Pontarlier that you are going?'

"'With my road marked out for me.'

"I think that is what the man said. Then he went on:--

"'I must be on my way by daybreak to-morrow. Travelling is hard. If the
nights are cold, the days are hot.'

"'You are going to a good country,' said my brother. 'During the
Revolution my family was ruined. I took refuge in Franche-Comte at
first, and there I lived for some time by the toil of my hands. My will
was good. I found plenty to occupy me. One has only to choose. There are
paper mills, tanneries, distilleries, oil factories, watch factories
on a large scale, steel mills, copper works, twenty iron foundries at
least, four of which, situated at Lods, at Chatillon, at Audincourt, and
at Beure, are tolerably large.'

"I think I am not mistaken in saying that those are the names which my
brother mentioned. Then he interrupted himself and addressed me:--

"'Have we not some relatives in those parts, my dear sister?'

"I replied,--

"'We did have some; among others, M. de Lucenet, who was captain of the
gates at Pontarlier under the old regime.'

"'Yes,' resumed my brother; 'but in '93, one had no longer any
relatives, one had only one's arms. I worked. They have, in the
country of Pontarlier, whither you are going, Monsieur Valjean, a
truly patriarchal and truly charming industry, my sister. It is their
cheese-dairies, which they call fruitieres.'

"Then my brother, while urging the man to eat, explained to him, with
great minuteness, what these fruitieres of Pontarlier were; that they
were divided into two classes: the big barns which belong to the rich,
and where there are forty or fifty cows which produce from seven to
eight thousand cheeses each summer, and the associated fruitieres, which
belong to the poor; these are the peasants of mid-mountain, who hold
their cows in common, and share the proceeds. 'They engage the services
of a cheese-maker, whom they call the grurin; the grurin receives the
milk of the associates three times a day, and marks the quantity on
a double tally. It is towards the end of April that the work of the
cheese-dairies begins; it is towards the middle of June that the
cheese-makers drive their cows to the mountains.'

"The man recovered his animation as he ate. My brother made him drink
that good Mauves wine, which he does not drink himself, because he says
that wine is expensive. My brother imparted all these details with that
easy gayety of his with which you are acquainted, interspersing his
words with graceful attentions to me. He recurred frequently to that
comfortable trade of grurin, as though he wished the man to understand,
without advising him directly and harshly, that this would afford him
a refuge. One thing struck me. This man was what I have told you. Well,
neither during supper, nor during the entire evening, did my brother
utter a single word, with the exception of a few words about Jesus when
he entered, which could remind the man of what he was, nor of what my
brother was. To all appearances, it was an occasion for preaching him
a little sermon, and of impressing the Bishop on the convict, so that a
mark of the passage might remain behind. This might have appeared to any
one else who had this, unfortunate man in his hands to afford a chance
to nourish his soul as well as his body, and to bestow upon him
some reproach, seasoned with moralizing and advice, or a little
commiseration, with an exhortation to conduct himself better in the
future. My brother did not even ask him from what country he came,
nor what was his history. For in his history there is a fault, and my
brother seemed to avoid everything which could remind him of it. To such
a point did he carry it, that at one time, when my brother was speaking
of the mountaineers of Pontarlier, who exercise a gentle labor near
heaven, and who, he added, are happy because they are innocent, he
stopped short, fearing lest in this remark there might have escaped him
something which might wound the man. By dint of reflection, I think
I have comprehended what was passing in my brother's heart. He was
thinking, no doubt, that this man, whose name is Jean Valjean, had his
misfortune only too vividly present in his mind; that the best thing
was to divert him from it, and to make him believe, if only momentarily,
that he was a person like any other, by treating him just in his
ordinary way. Is not this indeed, to understand charity well? Is there
not, dear Madame, something truly evangelical in this delicacy which
abstains from sermon, from moralizing, from allusions? and is not the
truest pity, when a man has a sore point, not to touch it at all? It has
seemed to me that this might have been my brother's private thought. In
any case, what I can say is that, if he entertained all these ideas, he
gave no sign of them; from beginning to end, even to me he was the same
as he is every evening, and he supped with this Jean Valjean with the
same air and in the same manner in which he would have supped with M.
Gedeon le Provost, or with the curate of the parish.

"Towards the end, when he had reached the figs, there came a knock at
the door. It was Mother Gerbaud, with her little one in her arms. My
brother kissed the child on the brow, and borrowed fifteen sous which I
had about me to give to Mother Gerbaud. The man was not paying much
heed to anything then. He was no longer talking, and he seemed very much
fatigued. After poor old Gerbaud had taken her departure, my brother
said grace; then he turned to the man and said to him, 'You must be
in great need of your bed.' Madame Magloire cleared the table very
promptly. I understood that we must retire, in order to allow this
traveller to go to sleep, and we both went up stairs. Nevertheless, I
sent Madame Magloire down a moment later, to carry to the man's bed a
goat skin from the Black Forest, which was in my room. The nights are
frigid, and that keeps one warm. It is a pity that this skin is old; all
the hair is falling out. My brother bought it while he was in Germany,
at Tottlingen, near the sources of the Danube, as well as the little
ivory-handled knife which I use at table.

"Madame Magloire returned immediately. We said our prayers in the
drawing-room, where we hang up the linen, and then we each retired to
our own chambers, without saying a word to each other."




CHAPTER V--TRANQUILLITY

After bidding his sister good night, Monseigneur Bienvenu took one of
the two silver candlesticks from the table, handed the other to his
guest, and said to him,--

"Monsieur, I will conduct you to your room."

The man followed him.

As might have been observed from what has been said above, the house was
so arranged that in order to pass into the oratory where the alcove was
situated, or to get out of it, it was necessary to traverse the Bishop's
bedroom.

At the moment when he was crossing this apartment, Madame Magloire was
putting away the silverware in the cupboard near the head of the bed.
This was her last care every evening before she went to bed.

The Bishop installed his guest in the alcove. A fresh white bed had been
prepared there. The man set the candle down on a small table.

"Well," said the Bishop, "may you pass a good night. To-morrow morning,
before you set out, you shall drink a cup of warm milk from our cows."

"Thanks, Monsieur l'Abbe," said the man.

Hardly had he pronounced these words full of peace, when all of a
sudden, and without transition, he made a strange movement, which would
have frozen the two sainted women with horror, had they witnessed it.
Even at this day it is difficult for us to explain what inspired him at
that moment. Did he intend to convey a warning or to throw out a menace?
Was he simply obeying a sort of instinctive impulse which was obscure
even to himself? He turned abruptly to the old man, folded his arms, and
bending upon his host a savage gaze, he exclaimed in a hoarse voice:--

"Ah! really! You lodge me in your house, close to yourself like this?"

He broke off, and added with a laugh in which there lurked something
monstrous:--

"Have you really reflected well? How do you know that I have not been an
assassin?"

The Bishop replied:--

"That is the concern of the good God."

Then gravely, and moving his lips like one who is praying or talking
to himself, he raised two fingers of his right hand and bestowed his
benediction on the man, who did not bow, and without turning his head or
looking behind him, he returned to his bedroom.

When the alcove was in use, a large serge curtain drawn from wall to
wall concealed the altar. The Bishop knelt before this curtain as he
passed and said a brief prayer. A moment later he was in his garden,
walking, meditating, contemplating, his heart and soul wholly absorbed
in those grand and mysterious things which God shows at night to the
eyes which remain open.

As for the man, he was actually so fatigued that he did not even profit
by the nice white sheets. Snuffing out his candle with his nostrils
after the manner of convicts, he dropped, all dressed as he was, upon
the bed, where he immediately fell into a profound sleep.

Midnight struck as the Bishop returned from his garden to his apartment.

A few minutes later all were asleep in the little house.




CHAPTER VI--JEAN VALJEAN

Towards the middle of the night Jean Valjean woke.

Jean Valjean came from a poor peasant family of Brie. He had not learned
to read in his childhood. When he reached man's estate, he became a
tree-pruner at Faverolles. His mother was named Jeanne Mathieu; his
father was called Jean Valjean or Vlajean, probably a sobriquet, and a
contraction of viola Jean, "here's Jean."

Jean Valjean was of that thoughtful but not gloomy disposition which
constitutes the peculiarity of affectionate natures. On the whole,
however, there was something decidedly sluggish and insignificant about
Jean Valjean in appearance, at least. He had lost his father and mother
at a very early age. His mother had died of a milk fever, which had not
been properly attended to. His father, a tree-pruner, like himself, had
been killed by a fall from a tree. All that remained to Jean Valjean
was a sister older than himself,--a widow with seven children, boys and
girls. This sister had brought up Jean Valjean, and so long as she had a
husband she lodged and fed her young brother.

The husband died. The eldest of the seven children was eight years old.
The youngest, one.

Jean Valjean had just attained his twenty-fifth year. He took the
father's place, and, in his turn, supported the sister who had brought
him up. This was done simply as a duty and even a little churlishly
on the part of Jean Valjean. Thus his youth had been spent in rude and
ill-paid toil. He had never known a "kind woman friend" in his native
parts. He had not had the time to fall in love.

He returned at night weary, and ate his broth without uttering a word.
His sister, mother Jeanne, often took the best part of his repast from
his bowl while he was eating,--a bit of meat, a slice of bacon, the
heart of the cabbage,--to give to one of her children. As he went on
eating, with his head bent over the table and almost into his soup, his
long hair falling about his bowl and concealing his eyes, he had the air
of perceiving nothing and allowing it. There was at Faverolles, not
far from the Valjean thatched cottage, on the other side of the lane,
a farmer's wife named Marie-Claude; the Valjean children, habitually
famished, sometimes went to borrow from Marie-Claude a pint of milk, in
their mother's name, which they drank behind a hedge or in some alley
corner, snatching the jug from each other so hastily that the little
girls spilled it on their aprons and down their necks. If their mother
had known of this marauding, she would have punished the delinquents
severely. Jean Valjean gruffly and grumblingly paid Marie-Claude for
the pint of milk behind their mother's back, and the children were not
punished.

In pruning season he earned eighteen sous a day; then he hired out as
a hay-maker, as laborer, as neat-herd on a farm, as a drudge. He did
whatever he could. His sister worked also but what could she do with
seven little children? It was a sad group enveloped in misery, which was
being gradually annihilated. A very hard winter came. Jean had no work.
The family had no bread. No bread literally. Seven children!

One Sunday evening, Maubert Isabeau, the baker on the Church Square at
Faverolles, was preparing to go to bed, when he heard a violent blow on
the grated front of his shop. He arrived in time to see an arm passed
through a hole made by a blow from a fist, through the grating and the
glass. The arm seized a loaf of bread and carried it off. Isabeau ran
out in haste; the robber fled at the full speed of his legs. Isabeau ran
after him and stopped him. The thief had flung away the loaf, but his
arm was still bleeding. It was Jean Valjean.

This took place in 1795. Jean Valjean was taken before the tribunals
of the time for theft and breaking and entering an inhabited house at
night. He had a gun which he used better than any one else in the world,
he was a bit of a poacher, and this injured his case. There exists a
legitimate prejudice against poachers. The poacher, like the smuggler,
smacks too strongly of the brigand. Nevertheless, we will remark
cursorily, there is still an abyss between these races of men and the
hideous assassin of the towns. The poacher lives in the forest, the
smuggler lives in the mountains or on the sea. The cities make ferocious
men because they make corrupt men. The mountain, the sea, the forest,
make savage men; they develop the fierce side, but often without
destroying the humane side.

Jean Valjean was pronounced guilty. The terms of the Code were explicit.
There occur formidable hours in our civilization; there are moments when
the penal laws decree a shipwreck. What an ominous minute is that in
which society draws back and consummates the irreparable abandonment
of a sentient being! Jean Valjean was condemned to five years in the
galleys.

On the 22d of April, 1796, the victory of Montenotte, won by the
general-in-chief of the army of Italy, whom the message of the Directory
to the Five Hundred, of the 2d of Floreal, year IV., calls Buona-Parte,
was announced in Paris; on that same day a great gang of galley-slaves
was put in chains at Bicetre. Jean Valjean formed a part of that gang.
An old turnkey of the prison, who is now nearly eighty years old, still
recalls perfectly that unfortunate wretch who was chained to the end of
the fourth line, in the north angle of the courtyard. He was seated on
the ground like the others. He did not seem to comprehend his position,
except that it was horrible. It is probable that he, also, was
disentangling from amid the vague ideas of a poor man, ignorant of
everything, something excessive. While the bolt of his iron collar was
being riveted behind his head with heavy blows from the hammer, he wept,
his tears stifled him, they impeded his speech; he only managed to
say from time to time, "I was a tree-pruner at Faverolles." Then still
sobbing, he raised his right hand and lowered it gradually seven times,
as though he were touching in succession seven heads of unequal heights,
and from this gesture it was divined that the thing which he had done,
whatever it was, he had done for the sake of clothing and nourishing
seven little children.

He set out for Toulon. He arrived there, after a journey of twenty-seven
days, on a cart, with a chain on his neck. At Toulon he was clothed in
the red cassock. All that had constituted his life, even to his name,
was effaced; he was no longer even Jean Valjean; he was number 24,601.
What became of his sister? What became of the seven children? Who
troubled himself about that? What becomes of the handful of leaves from
the young tree which is sawed off at the root?

It is always the same story. These poor living beings, these creatures
of God, henceforth without support, without guide, without refuge,
wandered away at random,--who even knows?--each in his own direction
perhaps, and little by little buried themselves in that cold mist which
engulfs solitary destinies; gloomy shades, into which disappear in
succession so many unlucky heads, in the sombre march of the human race.
They quitted the country. The clock-tower of what had been their village
forgot them; the boundary line of what had been their field forgot them;
after a few years' residence in the galleys, Jean Valjean himself forgot
them. In that heart, where there had been a wound, there was a scar.
That is all. Only once, during all the time which he spent at Toulon,
did he hear his sister mentioned. This happened, I think, towards
the end of the fourth year of his captivity. I know not through what
channels the news reached him. Some one who had known them in their
own country had seen his sister. She was in Paris. She lived in a poor
street Rear Saint-Sulpice, in the Rue du Gindre. She had with her only
one child, a little boy, the youngest. Where were the other six? Perhaps
she did not know herself. Every morning she went to a printing office,
No. 3 Rue du Sabot, where she was a folder and stitcher. She was obliged
to be there at six o'clock in the morning--long before daylight in
winter. In the same building with the printing office there was a
school, and to this school she took her little boy, who was seven years
old. But as she entered the printing office at six, and the school only
opened at seven, the child had to wait in the courtyard, for the school
to open, for an hour--one hour of a winter night in the open air! They
would not allow the child to come into the printing office, because he
was in the way, they said. When the workmen passed in the morning, they
beheld this poor little being seated on the pavement, overcome with
drowsiness, and often fast asleep in the shadow, crouched down and
doubled up over his basket. When it rained, an old woman, the portress,
took pity on him; she took him into her den, where there was a pallet, a
spinning-wheel, and two wooden chairs, and the little one slumbered in a
corner, pressing himself close to the cat that he might suffer less from
cold. At seven o'clock the school opened, and he entered. That is what
was told to Jean Valjean.

They talked to him about it for one day; it was a moment, a flash,
as though a window had suddenly been opened upon the destiny of those
things whom he had loved; then all closed again. He heard nothing more
forever. Nothing from them ever reached him again; he never beheld
them; he never met them again; and in the continuation of this mournful
history they will not be met with any more.

Towards the end of this fourth year Jean Valjean's turn to escape
arrived. His comrades assisted him, as is the custom in that sad place.
He escaped. He wandered for two days in the fields at liberty, if being
at liberty is to be hunted, to turn the head every instant, to quake at
the slightest noise, to be afraid of everything,--of a smoking roof,
of a passing man, of a barking dog, of a galloping horse, of a striking
clock, of the day because one can see, of the night because one cannot
see, of the highway, of the path, of a bush, of sleep. On the evening
of the second day he was captured. He had neither eaten nor slept for
thirty-six hours. The maritime tribunal condemned him, for this crime,
to a prolongation of his term for three years, which made eight years.
In the sixth year his turn to escape occurred again; he availed himself
of it, but could not accomplish his flight fully. He was missing at
roll-call. The cannon were fired, and at night the patrol found him
hidden under the keel of a vessel in process of construction; he
resisted the galley guards who seized him. Escape and rebellion. This
case, provided for by a special code, was punished by an addition of
five years, two of them in the double chain. Thirteen years. In the
tenth year his turn came round again; he again profited by it; he
succeeded no better. Three years for this fresh attempt. Sixteen years.
Finally, I think it was during his thirteenth year, he made a last
attempt, and only succeeded in getting retaken at the end of four
hours of absence. Three years for those four hours. Nineteen years. In
October, 1815, he was released; he had entered there in 1796, for having
broken a pane of glass and taken a loaf of bread.

Room for a brief parenthesis. This is the second time, during his
studies on the penal question and damnation by law, that the author of
this book has come across the theft of a loaf of bread as the point of
departure for the disaster of a destiny. Claude Gueux had stolen a loaf;
Jean Valjean had stolen a loaf. English statistics prove the fact that
four thefts out of five in London have hunger for their immediate cause.

Jean Valjean had entered the galleys sobbing and shuddering; he emerged
impassive. He had entered in despair; he emerged gloomy.

What had taken place in that soul?




CHAPTER VII--THE INTERIOR OF DESPAIR


Let us try to say it.

It is necessary that society should look at these things, because it is
itself which creates them.

He was, as we have said, an ignorant man, but he was not a fool. The
light of nature was ignited in him. Unhappiness, which also possesses a
clearness of vision of its own, augmented the small amount of daylight
which existed in this mind. Beneath the cudgel, beneath the chain, in
the cell, in hardship, beneath the burning sun of the galleys, upon the
plank bed of the convict, he withdrew into his own consciousness and
meditated.

He constituted himself the tribunal.

He began by putting himself on trial.

He recognized the fact that he was not an innocent man unjustly
punished. He admitted that he had committed an extreme and blameworthy
act; that that loaf of bread would probably not have been refused to
him had he asked for it; that, in any case, it would have been better to
wait until he could get it through compassion or through work; that
it is not an unanswerable argument to say, "Can one wait when one is
hungry?" That, in the first place, it is very rare for any one to die of
hunger, literally; and next, that, fortunately or unfortunately, man
is so constituted that he can suffer long and much, both morally and
physically, without dying; that it is therefore necessary to have
patience; that that would even have been better for those poor little
children; that it had been an act of madness for him, a miserable,
unfortunate wretch, to take society at large violently by the collar,
and to imagine that one can escape from misery through theft; that that
is in any case a poor door through which to escape from misery through
which infamy enters; in short, that he was in the wrong.

Then he asked himself--

Whether he had been the only one in fault in his fatal history. Whether
it was not a serious thing, that he, a laborer, out of work, that he, an
industrious man, should have lacked bread. And whether, the fault once
committed and confessed, the chastisement had not been ferocious and
disproportioned. Whether there had not been more abuse on the part of
the law, in respect to the penalty, than there had been on the part
of the culprit in respect to his fault. Whether there had not been an
excess of weights in one balance of the scale, in the one which contains
expiation. Whether the over-weight of the penalty was not equivalent
to the annihilation of the crime, and did not result in reversing the
situation, of replacing the fault of the delinquent by the fault of the
repression, of converting the guilty man into the victim, and the debtor
into the creditor, and of ranging the law definitely on the side of the
man who had violated it.

Whether this penalty, complicated by successive aggravations for
attempts at escape, had not ended in becoming a sort of outrage
perpetrated by the stronger upon the feebler, a crime of society against
the individual, a crime which was being committed afresh every day, a
crime which had lasted nineteen years.

He asked himself whether human society could have the right to force its
members to suffer equally in one case for its own unreasonable lack
of foresight, and in the other case for its pitiless foresight; and to
seize a poor man forever between a defect and an excess, a default of
work and an excess of punishment.

Whether it was not outrageous for society to treat thus precisely those
of its members who were the least well endowed in the division of goods
made by chance, and consequently the most deserving of consideration.

These questions put and answered, he judged society and condemned it.

He condemned it to his hatred.

He made it responsible for the fate which he was suffering, and he said
to himself that it might be that one day he should not hesitate to call
it to account. He declared to himself that there was no equilibrium
between the harm which he had caused and the harm which was being done
to him; he finally arrived at the conclusion that his punishment was
not, in truth, unjust, but that it most assuredly was iniquitous.

Anger may be both foolish and absurd; one can be irritated wrongfully;
one is exasperated only when there is some show of right on one's side
at bottom. Jean Valjean felt himself exasperated.

And besides, human society had done him nothing but harm; he had never
seen anything of it save that angry face which it calls Justice, and
which it shows to those whom it strikes. Men had only touched him to
bruise him. Every contact with them had been a blow. Never, since
his infancy, since the days of his mother, of his sister, had he ever
encountered a friendly word and a kindly glance. From suffering to
suffering, he had gradually arrived at the conviction that life is a
war; and that in this war he was the conquered. He had no other weapon
than his hate. He resolved to whet it in the galleys and to bear it away
with him when he departed.

There was at Toulon a school for the convicts, kept by the Ignorantin
friars, where the most necessary branches were taught to those of the
unfortunate men who had a mind for them. He was of the number who had
a mind. He went to school at the age of forty, and learned to read,
to write, to cipher. He felt that to fortify his intelligence was to
fortify his hate. In certain cases, education and enlightenment can
serve to eke out evil.

This is a sad thing to say; after having judged society, which had
caused his unhappiness, he judged Providence, which had made society,
and he condemned it also.

Thus during nineteen years of torture and slavery, this soul mounted and
at the same time fell. Light entered it on one side, and darkness on the
other.

Jean Valjean had not, as we have seen, an evil nature. He was still good
when he arrived at the galleys. He there condemned society, and felt
that he was becoming wicked; he there condemned Providence, and was
conscious that he was becoming impious.

It is difficult not to indulge in meditation at this point.

Does human nature thus change utterly and from top to bottom? Can the
man created good by God be rendered wicked by man? Can the soul be
completely made over by fate, and become evil, fate being evil? Can
the heart become misshapen and contract incurable deformities and
infirmities under the oppression of a disproportionate unhappiness,
as the vertebral column beneath too low a vault? Is there not in every
human soul, was there not in the soul of Jean Valjean in particular, a
first spark, a divine element, incorruptible in this world, immortal in
the other, which good can develop, fan, ignite, and make to glow with
splendor, and which evil can never wholly extinguish?

Grave and obscure questions, to the last of which every physiologist
would probably have responded no, and that without hesitation, had
he beheld at Toulon, during the hours of repose, which were for Jean
Valjean hours of revery, this gloomy galley-slave, seated with folded
arms upon the bar of some capstan, with the end of his chain thrust into
his pocket to prevent its dragging, serious, silent, and thoughtful,
a pariah of the laws which regarded the man with wrath, condemned by
civilization, and regarding heaven with severity.

Certainly,--and we make no attempt to dissimulate the fact,--the
observing physiologist would have beheld an irremediable misery; he
would, perchance, have pitied this sick man, of the law's making; but
he would not have even essayed any treatment; he would have turned aside
his gaze from the caverns of which he would have caught a glimpse within
this soul, and, like Dante at the portals of hell, he would have effaced
from this existence the word which the finger of God has, nevertheless,
inscribed upon the brow of every man,--hope.

Was this state of his soul, which we have attempted to analyze, as
perfectly clear to Jean Valjean as we have tried to render it for
those who read us? Did Jean Valjean distinctly perceive, after their
formation, and had he seen distinctly during the process of their
formation, all the elements of which his moral misery was composed? Had
this rough and unlettered man gathered a perfectly clear perception of
the succession of ideas through which he had, by degrees, mounted and
descended to the lugubrious aspects which had, for so many years, formed
the inner horizon of his spirit? Was he conscious of all that passed
within him, and of all that was working there? That is something
which we do not presume to state; it is something which we do not even
believe. There was too much ignorance in Jean Valjean, even after his
misfortune, to prevent much vagueness from still lingering there. At
times he did not rightly know himself what he felt. Jean Valjean was in
the shadows; he suffered in the shadows; he hated in the shadows; one
might have said that he hated in advance of himself. He dwelt habitually
in this shadow, feeling his way like a blind man and a dreamer. Only, at
intervals, there suddenly came to him, from without and from within, an
access of wrath, a surcharge of suffering, a livid and rapid flash which
illuminated his whole soul, and caused to appear abruptly all around
him, in front, behind, amid the gleams of a frightful light, the hideous
precipices and the sombre perspective of his destiny.

The flash passed, the night closed in again; and where was he? He no
longer knew. The peculiarity of pains of this nature, in which
that which is pitiless--that is to say, that which is
brutalizing--predominates, is to transform a man, little by little, by
a sort of stupid transfiguration, into a wild beast; sometimes into a
ferocious beast.

Jean Valjean's successive and obstinate attempts at escape would alone
suffice to prove this strange working of the law upon the human soul.
Jean Valjean would have renewed these attempts, utterly useless and
foolish as they were, as often as the opportunity had presented itself,
without reflecting for an instant on the result, nor on the experiences
which he had already gone through. He escaped impetuously, like the wolf
who finds his cage open. Instinct said to him, "Flee!" Reason would have
said, "Remain!" But in the presence of so violent a temptation, reason
vanished; nothing remained but instinct. The beast alone acted. When
he was recaptured, the fresh severities inflicted on him only served to
render him still more wild.

One detail, which we must not omit, is that he possessed a physical
strength which was not approached by a single one of the denizens of the
galleys. At work, at paying out a cable or winding up a capstan, Jean
Valjean was worth four men. He sometimes lifted and sustained enormous
weights on his back; and when the occasion demanded it, he replaced that
implement which is called a jack-screw, and was formerly called orgueil
[pride], whence, we may remark in passing, is derived the name of the
Rue Montorgueil, near the Halles [Fishmarket] in Paris. His comrades had
nicknamed him Jean the Jack-screw. Once, when they were repairing the
balcony of the town-hall at Toulon, one of those admirable caryatids of
Puget, which support the balcony, became loosened, and was on the point
of falling. Jean Valjean, who was present, supported the caryatid with
his shoulder, and gave the workmen time to arrive.

His suppleness even exceeded his strength. Certain convicts who were
forever dreaming of escape, ended by making a veritable science of force
and skill combined. It is the science of muscles. An entire system of
mysterious statics is daily practised by prisoners, men who are forever
envious of the flies and birds. To climb a vertical surface, and to find
points of support where hardly a projection was visible, was play to
Jean Valjean. An angle of the wall being given, with the tension of his
back and legs, with his elbows and his heels fitted into the unevenness
of the stone, he raised himself as if by magic to the third story. He
sometimes mounted thus even to the roof of the galley prison.

He spoke but little. He laughed not at all. An excessive emotion was
required to wring from him, once or twice a year, that lugubrious laugh
of the convict, which is like the echo of the laugh of a demon. To all
appearance, he seemed to be occupied in the constant contemplation of
something terrible.

He was absorbed, in fact.

Athwart the unhealthy perceptions of an incomplete nature and a crushed
intelligence, he was confusedly conscious that some monstrous thing was
resting on him. In that obscure and wan shadow within which he crawled,
each time that he turned his neck and essayed to raise his glance,
he perceived with terror, mingled with rage, a sort of frightful
accumulation of things, collecting and mounting above him, beyond the
range of his vision,--laws, prejudices, men, and deeds,--whose outlines
escaped him, whose mass terrified him, and which was nothing else than
that prodigious pyramid which we call civilization. He distinguished,
here and there in that swarming and formless mass, now near him, now
afar off and on inaccessible table-lands, some group, some detail,
vividly illuminated; here the galley-sergeant and his cudgel; there the
gendarme and his sword; yonder the mitred archbishop; away at the top,
like a sort of sun, the Emperor, crowned and dazzling. It seemed to him
that these distant splendors, far from dissipating his night, rendered
it more funereal and more black. All this--laws, prejudices, deeds, men,
things--went and came above him, over his head, in accordance with the
complicated and mysterious movement which God imparts to civilization,
walking over him and crushing him with I know not what peacefulness
in its cruelty and inexorability in its indifference. Souls which have
fallen to the bottom of all possible misfortune, unhappy men lost in the
lowest of those limbos at which no one any longer looks, the reproved of
the law, feel the whole weight of this human society, so formidable for
him who is without, so frightful for him who is beneath, resting upon
their heads.

In this situation Jean Valjean meditated; and what could be the nature
of his meditation?

If the grain of millet beneath the millstone had thoughts, it would,
doubtless, think that same thing which Jean Valjean thought.

All these things, realities full of spectres, phantasmagories full of
realities, had eventually created for him a sort of interior state which
is almost indescribable.

At times, amid his convict toil, he paused. He fell to thinking. His
reason, at one and the same time riper and more troubled than of yore,
rose in revolt. Everything which had happened to him seemed to him
absurd; everything that surrounded him seemed to him impossible. He said
to himself, "It is a dream." He gazed at the galley-sergeant standing a
few paces from him; the galley-sergeant seemed a phantom to him. All of
a sudden the phantom dealt him a blow with his cudgel.

Visible nature hardly existed for him. It would almost be true to say
that there existed for Jean Valjean neither sun, nor fine summer days,
nor radiant sky, nor fresh April dawns. I know not what vent-hole
daylight habitually illumined his soul.

To sum up, in conclusion, that which can be summed up and translated
into positive results in all that we have just pointed out, we will
confine ourselves to the statement that, in the course of nineteen
years, Jean Valjean, the inoffensive tree-pruner of Faverolles, the
formidable convict of Toulon, had become capable, thanks to the manner
in which the galleys had moulded him, of two sorts of evil action:
firstly, of evil action which was rapid, unpremeditated, dashing,
entirely instinctive, in the nature of reprisals for the evil which
he had undergone; secondly, of evil action which was serious, grave,
consciously argued out and premeditated, with the false ideas which
such a misfortune can furnish. His deliberate deeds passed through
three successive phases, which natures of a certain stamp can alone
traverse,--reasoning, will, perseverance. He had for moving causes his
habitual wrath, bitterness of soul, a profound sense of indignities
suffered, the reaction even against the good, the innocent, and the
just, if there are any such. The point of departure, like the point
of arrival, for all his thoughts, was hatred of human law; that hatred
which, if it be not arrested in its development by some providential
incident, becomes, within a given time, the hatred of society, then
the hatred of the human race, then the hatred of creation, and which
manifests itself by a vague, incessant, and brutal desire to do harm to
some living being, no matter whom. It will be perceived that it was
not without reason that Jean Valjean's passport described him as a very
dangerous man.

From year to year this soul had dried away slowly, but with fatal
sureness. When the heart is dry, the eye is dry. On his departure from
the galleys it had been nineteen years since he had shed a tear.




CHAPTER VIII--BILLOWS AND SHADOWS


A man overboard!

What matters it? The vessel does not halt. The wind blows. That sombre
ship has a path which it is forced to pursue. It passes on.

The man disappears, then reappears; he plunges, he rises again to the
surface; he calls, he stretches out his arms; he is not heard. The
vessel, trembling under the hurricane, is wholly absorbed in its own
workings; the passengers and sailors do not even see the drowning man;
his miserable head is but a speck amid the immensity of the waves. He
gives vent to desperate cries from out of the depths. What a spectre is
that retreating sail! He gazes and gazes at it frantically. It retreats,
it grows dim, it diminishes in size. He was there but just now, he was
one of the crew, he went and came along the deck with the rest, he had
his part of breath and of sunlight, he was a living man. Now, what has
taken place? He has slipped, he has fallen; all is at an end.

He is in the tremendous sea. Under foot he has nothing but what flees
and crumbles. The billows, torn and lashed by the wind, encompass him
hideously; the tossings of the abyss bear him away; all the tongues of
water dash over his head; a populace of waves spits upon him; confused
openings half devour him; every time that he sinks, he catches glimpses
of precipices filled with night; frightful and unknown vegetations seize
him, knot about his feet, draw him to them; he is conscious that he is
becoming an abyss, that he forms part of the foam; the waves toss him
from one to another; he drinks in the bitterness; the cowardly ocean
attacks him furiously, to drown him; the enormity plays with his agony.
It seems as though all that water were hate.

Nevertheless, he struggles.

He tries to defend himself; he tries to sustain himself; he makes
an effort; he swims. He, his petty strength all exhausted instantly,
combats the inexhaustible.

Where, then, is the ship? Yonder. Barely visible in the pale shadows of
the horizon.

The wind blows in gusts; all the foam overwhelms him. He raises his eyes
and beholds only the lividness of the clouds. He witnesses, amid his
death-pangs, the immense madness of the sea. He is tortured by this
madness; he hears noises strange to man, which seem to come from beyond
the limits of the earth, and from one knows not what frightful region
beyond.

There are birds in the clouds, just as there are angels above human
distresses; but what can they do for him? They sing and fly and float,
and he, he rattles in the death agony.

He feels himself buried in those two infinities, the ocean and the sky,
at one and the same time: the one is a tomb; the other is a shroud.

Night descends; he has been swimming for hours; his strength is
exhausted; that ship, that distant thing in which there were men, has
vanished; he is alone in the formidable twilight gulf; he sinks, he
stiffens himself, he twists himself; he feels under him the monstrous
billows of the invisible; he shouts.

There are no more men. Where is God?

He shouts. Help! Help! He still shouts on.

Nothing on the horizon; nothing in heaven.

He implores the expanse, the waves, the seaweed, the reef; they are
deaf. He beseeches the tempest; the imperturbable tempest obeys only the
infinite.

Around him darkness, fog, solitude, the stormy and nonsentient tumult,
the undefined curling of those wild waters. In him horror and fatigue.
Beneath him the depths. Not a point of support. He thinks of the gloomy
adventures of the corpse in the limitless shadow. The bottomless cold
paralyzes him. His hands contract convulsively; they close, and grasp
nothingness. Winds, clouds, whirlwinds, gusts, useless stars! What is
to be done? The desperate man gives up; he is weary, he chooses the
alternative of death; he resists not; he lets himself go; he abandons
his grip; and then he tosses forevermore in the lugubrious dreary depths
of engulfment.

Oh, implacable march of human societies! Oh, losses of men and of
souls on the way! Ocean into which falls all that the law lets slip!
Disastrous absence of help! Oh, moral death!

The sea is the inexorable social night into which the penal laws fling
their condemned. The sea is the immensity of wretchedness.

The soul, going down stream in this gulf, may become a corpse. Who shall
resuscitate it?




CHAPTER IX--NEW TROUBLES

When the hour came for him to take his departure from the galleys, when
Jean Valjean heard in his ear the strange words, Thou art free! the
moment seemed improbable and unprecedented; a ray of vivid light, a ray
of the true light of the living, suddenly penetrated within him. But it
was not long before this ray paled. Jean Valjean had been dazzled by
the idea of liberty. He had believed in a new life. He very speedily
perceived what sort of liberty it is to which a yellow passport is
provided.

And this was encompassed with much bitterness. He had calculated that
his earnings, during his sojourn in the galleys, ought to amount to
a hundred and seventy-one francs. It is but just to add that he had
forgotten to include in his calculations the forced repose of Sundays
and festival days during nineteen years, which entailed a diminution
of about eighty francs. At all events, his hoard had been reduced by
various local levies to the sum of one hundred and nine francs fifteen
sous, which had been counted out to him on his departure. He had
understood nothing of this, and had thought himself wronged. Let us say
the word--robbed.

On the day following his liberation, he saw, at Grasse, in front of
an orange-flower distillery, some men engaged in unloading bales. He
offered his services. Business was pressing; they were accepted. He set
to work. He was intelligent, robust, adroit; he did his best; the master
seemed pleased. While he was at work, a gendarme passed, observed
him, and demanded his papers. It was necessary to show him the yellow
passport. That done, Jean Valjean resumed his labor. A little while
before he had questioned one of the workmen as to the amount which they
earned each day at this occupation; he had been told thirty sous. When
evening arrived, as he was forced to set out again on the following day,
he presented himself to the owner of the distillery and requested to be
paid. The owner did not utter a word, but handed him fifteen sous. He
objected. He was told, "That is enough for thee." He persisted. The
master looked him straight between the eyes, and said to him "Beware of
the prison."

There, again, he considered that he had been robbed.

Society, the State, by diminishing his hoard, had robbed him wholesale.
Now it was the individual who was robbing him at retail.

Liberation is not deliverance. One gets free from the galleys, but not
from the sentence.

That is what happened to him at Grasse. We have seen in what manner he
was received at D----




CHAPTER X--THE MAN AROUSED

As the Cathedral clock struck two in the morning, Jean Valjean awoke.

What woke him was that his bed was too good. It was nearly twenty years
since he had slept in a bed, and, although he had not undressed, the
sensation was too novel not to disturb his slumbers.

He had slept more than four hours. His fatigue had passed away. He was
accustomed not to devote many hours to repose.

He opened his eyes and stared into the gloom which surrounded him; then
he closed them again, with the intention of going to sleep once more.

When many varied sensations have agitated the day, when various matters
preoccupy the mind, one falls asleep once, but not a second time.
Sleep comes more easily than it returns. This is what happened to Jean
Valjean. He could not get to sleep again, and he fell to thinking.

He was at one of those moments when the thoughts which one has in one's
mind are troubled. There was a sort of dark confusion in his brain. His
memories of the olden time and of the immediate present floated there
pell-mell and mingled confusedly, losing their proper forms, becoming
disproportionately large, then suddenly disappearing, as in a muddy and
perturbed pool. Many thoughts occurred to him; but there was one which
kept constantly presenting itself afresh, and which drove away all
others. We will mention this thought at once: he had observed the six
sets of silver forks and spoons and the ladle which Madame Magloire had
placed on the table.

Those six sets of silver haunted him.--They were there.--A few paces
distant.--Just as he was traversing the adjoining room to reach the
one in which he then was, the old servant-woman had been in the act
of placing them in a little cupboard near the head of the bed.--He had
taken careful note of this cupboard.--On the right, as you entered from
the dining-room.--They were solid.--And old silver.--From the ladle one
could get at least two hundred francs.--Double what he had earned in
nineteen years.--It is true that he would have earned more if "the
administration had not robbed him."

His mind wavered for a whole hour in fluctuations with which there was
certainly mingled some struggle. Three o'clock struck. He opened his
eyes again, drew himself up abruptly into a sitting posture, stretched
out his arm and felt of his knapsack, which he had thrown down on a
corner of the alcove; then he hung his legs over the edge of the bed,
and placed his feet on the floor, and thus found himself, almost without
knowing it, seated on his bed.

He remained for a time thoughtfully in this attitude, which would have
been suggestive of something sinister for any one who had seen him
thus in the dark, the only person awake in that house where all were
sleeping. All of a sudden he stooped down, removed his shoes and placed
them softly on the mat beside the bed; then he resumed his thoughtful
attitude, and became motionless once more.

Throughout this hideous meditation, the thoughts which we have above
indicated moved incessantly through his brain; entered, withdrew,
re-entered, and in a manner oppressed him; and then he thought, also,
without knowing why, and with the mechanical persistence of revery, of
a convict named Brevet, whom he had known in the galleys, and whose
trousers had been upheld by a single suspender of knitted cotton. The
checkered pattern of that suspender recurred incessantly to his mind.

He remained in this situation, and would have so remained indefinitely,
even until daybreak, had not the clock struck one--the half or quarter
hour. It seemed to him that that stroke said to him, "Come on!"

He rose to his feet, hesitated still another moment, and listened; all
was quiet in the house; then he walked straight ahead, with short steps,
to the window, of which he caught a glimpse. The night was not very
dark; there was a full moon, across which coursed large clouds driven by
the wind. This created, outdoors, alternate shadow and gleams of light,
eclipses, then bright openings of the clouds; and indoors a sort of
twilight. This twilight, sufficient to enable a person to see his way,
intermittent on account of the clouds, resembled the sort of livid light
which falls through an air-hole in a cellar, before which the passersby
come and go. On arriving at the window, Jean Valjean examined it. It had
no grating; it opened in the garden and was fastened, according to the
fashion of the country, only by a small pin. He opened it; but as a
rush of cold and piercing air penetrated the room abruptly, he closed
it again immediately. He scrutinized the garden with that attentive gaze
which studies rather than looks. The garden was enclosed by a tolerably
low white wall, easy to climb. Far away, at the extremity, he perceived
tops of trees, spaced at regular intervals, which indicated that the
wall separated the garden from an avenue or lane planted with trees.

Having taken this survey, he executed a movement like that of a man who
has made up his mind, strode to his alcove, grasped his knapsack, opened
it, fumbled in it, pulled out of it something which he placed on the
bed, put his shoes into one of his pockets, shut the whole thing up
again, threw the knapsack on his shoulders, put on his cap, drew the
visor down over his eyes, felt for his cudgel, went and placed it in the
angle of the window; then returned to the bed, and resolutely seized the
object which he had deposited there. It resembled a short bar of
iron, pointed like a pike at one end. It would have been difficult to
distinguish in that darkness for what employment that bit of iron could
have been designed. Perhaps it was a lever; possibly it was a club.

In the daytime it would have been possible to recognize it as nothing
more than a miner's candlestick. Convicts were, at that period,
sometimes employed in quarrying stone from the lofty hills which environ
Toulon, and it was not rare for them to have miners' tools at their
command. These miners' candlesticks are of massive iron, terminated at
the lower extremity by a point, by means of which they are stuck into
the rock.

He took the candlestick in his right hand; holding his breath and trying
to deaden the sound of his tread, he directed his steps to the door of
the adjoining room, occupied by the Bishop, as we already know.

On arriving at this door, he found it ajar. The Bishop had not closed
it.




CHAPTER XI--WHAT HE DOES

Jean Valjean listened. Not a sound.

He gave the door a push.

He pushed it gently with the tip of his finger, lightly, with the
furtive and uneasy gentleness of a cat which is desirous of entering.

The door yielded to this pressure, and made an imperceptible and silent
movement, which enlarged the opening a little.

He waited a moment; then gave the door a second and a bolder push.

It continued to yield in silence. The opening was now large enough to
allow him to pass. But near the door there stood a little table, which
formed an embarrassing angle with it, and barred the entrance.

Jean Valjean recognized the difficulty. It was necessary, at any cost,
to enlarge the aperture still further.

He decided on his course of action, and gave the door a third push, more
energetic than the two preceding. This time a badly oiled hinge suddenly
emitted amid the silence a hoarse and prolonged cry.

Jean Valjean shuddered. The noise of the hinge rang in his ears with
something of the piercing and formidable sound of the trump of the Day
of Judgment.

In the fantastic exaggerations of the first moment he almost imagined
that that hinge had just become animated, and had suddenly assumed a
terrible life, and that it was barking like a dog to arouse every one,
and warn and to wake those who were asleep. He halted, shuddering,
bewildered, and fell back from the tips of his toes upon his heels. He
heard the arteries in his temples beating like two forge hammers, and
it seemed to him that his breath issued from his breast with the roar
of the wind issuing from a cavern. It seemed impossible to him that the
horrible clamor of that irritated hinge should not have disturbed the
entire household, like the shock of an earthquake; the door, pushed by
him, had taken the alarm, and had shouted; the old man would rise at
once; the two old women would shriek out; people would come to their
assistance; in less than a quarter of an hour the town would be in an
uproar, and the gendarmerie on hand. For a moment he thought himself
lost.

He remained where he was, petrified like the statue of salt, not daring
to make a movement. Several minutes elapsed. The door had fallen wide
open. He ventured to peep into the next room. Nothing had stirred there.
He lent an ear. Nothing was moving in the house. The noise made by the
rusty hinge had not awakened any one.

This first danger was past; but there still reigned a frightful tumult
within him. Nevertheless, he did not retreat. Even when he had thought
himself lost, he had not drawn back. His only thought now was to finish
as soon as possible. He took a step and entered the room.

This room was in a state of perfect calm. Here and there vague and
confused forms were distinguishable, which in the daylight were papers
scattered on a table, open folios, volumes piled upon a stool, an
arm-chair heaped with clothing, a prie-Dieu, and which at that hour
were only shadowy corners and whitish spots. Jean Valjean advanced with
precaution, taking care not to knock against the furniture. He could
hear, at the extremity of the room, the even and tranquil breathing of
the sleeping Bishop.

He suddenly came to a halt. He was near the bed. He had arrived there
sooner than he had thought for.

Nature sometimes mingles her effects and her spectacles with our actions
with sombre and intelligent appropriateness, as though she desired to
make us reflect. For the last half-hour a large cloud had covered the
heavens. At the moment when Jean Valjean paused in front of the bed,
this cloud parted, as though on purpose, and a ray of light, traversing
the long window, suddenly illuminated the Bishop's pale face. He was
sleeping peacefully. He lay in his bed almost completely dressed, on
account of the cold of the Basses-Alps, in a garment of brown wool,
which covered his arms to the wrists. His head was thrown back on the
pillow, in the careless attitude of repose; his hand, adorned with the
pastoral ring, and whence had fallen so many good deeds and so many
holy actions, was hanging over the edge of the bed. His whole face
was illumined with a vague expression of satisfaction, of hope, and of
felicity. It was more than a smile, and almost a radiance. He bore upon
his brow the indescribable reflection of a light which was invisible.
The soul of the just contemplates in sleep a mysterious heaven.

A reflection of that heaven rested on the Bishop.

It was, at the same time, a luminous transparency, for that heaven was
within him. That heaven was his conscience.

[Illustration: The Fall  1b2-10-the-fall]

At the moment when the ray of moonlight superposed itself, so to speak,
upon that inward radiance, the sleeping Bishop seemed as in a glory. It
remained, however, gentle and veiled in an ineffable half-light. That
moon in the sky, that slumbering nature, that garden without a quiver,
that house which was so calm, the hour, the moment, the silence, added
some solemn and unspeakable quality to the venerable repose of this man,
and enveloped in a sort of serene and majestic aureole that white
hair, those closed eyes, that face in which all was hope and all was
confidence, that head of an old man, and that slumber of an infant.

There was something almost divine in this man, who was thus august,
without being himself aware of it.

Jean Valjean was in the shadow, and stood motionless, with his iron
candlestick in his hand, frightened by this luminous old man. Never had
he beheld anything like this. This confidence terrified him. The
moral world has no grander spectacle than this: a troubled and
uneasy conscience, which has arrived on the brink of an evil action,
contemplating the slumber of the just.

That slumber in that isolation, and with a neighbor like himself, had
about it something sublime, of which he was vaguely but imperiously
conscious.

No one could have told what was passing within him, not even himself. In
order to attempt to form an idea of it, it is necessary to think of the
most violent of things in the presence of the most gentle. Even on
his visage it would have been impossible to distinguish anything with
certainty. It was a sort of haggard astonishment. He gazed at it, and
that was all. But what was his thought? It would have been impossible to
divine it. What was evident was, that he was touched and astounded. But
what was the nature of this emotion?

His eye never quitted the old man. The only thing which was clearly
to be inferred from his attitude and his physiognomy was a strange
indecision. One would have said that he was hesitating between the two
abysses,--the one in which one loses one's self and that in which one
saves one's self. He seemed prepared to crush that skull or to kiss that
hand.

At the expiration of a few minutes his left arm rose slowly towards
his brow, and he took off his cap; then his arm fell back with the same
deliberation, and Jean Valjean fell to meditating once more, his cap in
his left hand, his club in his right hand, his hair bristling all over
his savage head.

The Bishop continued to sleep in profound peace beneath that terrifying
gaze.

The gleam of the moon rendered confusedly visible the crucifix over the
chimney-piece, which seemed to be extending its arms to both of them,
with a benediction for one and pardon for the other.

Suddenly Jean Valjean replaced his cap on his brow; then stepped rapidly
past the bed, without glancing at the Bishop, straight to the cupboard,
which he saw near the head; he raised his iron candlestick as though to
force the lock; the key was there; he opened it; the first thing which
presented itself to him was the basket of silverware; he seized it,
traversed the chamber with long strides, without taking any precautions
and without troubling himself about the noise, gained the door,
re-entered the oratory, opened the window, seized his cudgel, bestrode
the window-sill of the ground-floor, put the silver into his knapsack,
threw away the basket, crossed the garden, leaped over the wall like a
tiger, and fled.




CHAPTER XII--THE BISHOP WORKS

The next morning at sunrise Monseigneur Bienvenu was strolling in his
garden. Madame Magloire ran up to him in utter consternation.

"Monseigneur, Monseigneur!" she exclaimed, "does your Grace know where
the basket of silver is?"

"Yes," replied the Bishop.

"Jesus the Lord be blessed!" she resumed; "I did not know what had
become of it."

The Bishop had just picked up the basket in a flower-bed. He presented
it to Madame Magloire.

"Here it is."

"Well!" said she. "Nothing in it! And the silver?"

"Ah," returned the Bishop, "so it is the silver which troubles you? I
don't know where it is."

"Great, good God! It is stolen! That man who was here last night has
stolen it."

In a twinkling, with all the vivacity of an alert old woman, Madame
Magloire had rushed to the oratory, entered the alcove, and returned
to the Bishop. The Bishop had just bent down, and was sighing as he
examined a plant of cochlearia des Guillons, which the basket had broken
as it fell across the bed. He rose up at Madame Magloire's cry.

"Monseigneur, the man is gone! The silver has been stolen!"

As she uttered this exclamation, her eyes fell upon a corner of the
garden, where traces of the wall having been scaled were visible. The
coping of the wall had been torn away.

"Stay! yonder is the way he went. He jumped over into Cochefilet Lane.
Ah, the abomination! He has stolen our silver!"

The Bishop remained silent for a moment; then he raised his grave eyes,
and said gently to Madame Magloire:--

"And, in the first place, was that silver ours?"

Madame Magloire was speechless. Another silence ensued; then the Bishop
went on:--

"Madame Magloire, I have for a long time detained that silver
wrongfully. It belonged to the poor. Who was that man? A poor man,
evidently."

"Alas! Jesus!" returned Madame Magloire. "It is not for my sake, nor for
Mademoiselle's. It makes no difference to us. But it is for the sake of
Monseigneur. What is Monseigneur to eat with now?"

The Bishop gazed at her with an air of amazement.

"Ah, come! Are there no such things as pewter forks and spoons?"

Madame Magloire shrugged her shoulders.

"Pewter has an odor."

"Iron forks and spoons, then."

Madame Magloire made an expressive grimace.

"Iron has a taste."

"Very well," said the Bishop; "wooden ones then."

A few moments later he was breakfasting at the very table at which
Jean Valjean had sat on the previous evening. As he ate his breakfast,
Monseigneur Welcome remarked gayly to his sister, who said nothing, and
to Madame Magloire, who was grumbling under her breath, that one really
does not need either fork or spoon, even of wood, in order to dip a bit
of bread in a cup of milk.

"A pretty idea, truly," said Madame Magloire to herself, as she went and
came, "to take in a man like that! and to lodge him close to one's self!
And how fortunate that he did nothing but steal! Ah, mon Dieu! it makes
one shudder to think of it!"

As the brother and sister were about to rise from the table, there came
a knock at the door.

"Come in," said the Bishop.

The door opened. A singular and violent group made its appearance on the
threshold. Three men were holding a fourth man by the collar. The three
men were gendarmes; the other was Jean Valjean.

A brigadier of gendarmes, who seemed to be in command of the group, was
standing near the door. He entered and advanced to the Bishop, making a
military salute.

"Monseigneur--" said he.

At this word, Jean Valjean, who was dejected and seemed overwhelmed,
raised his head with an air of stupefaction.

"Monseigneur!" he murmured. "So he is not the cure?"

"Silence!" said the gendarme. "He is Monseigneur the Bishop."

In the meantime, Monseigneur Bienvenu had advanced as quickly as his
great age permitted.

"Ah! here you are!" he exclaimed, looking at Jean Valjean. "I am glad to
see you. Well, but how is this? I gave you the candlesticks too, which
are of silver like the rest, and for which you can certainly get two
hundred francs. Why did you not carry them away with your forks and
spoons?"

Jean Valjean opened his eyes wide, and stared at the venerable Bishop
with an expression which no human tongue can render any account of.

"Monseigneur," said the brigadier of gendarmes, "so what this man said
is true, then? We came across him. He was walking like a man who is
running away. We stopped him to look into the matter. He had this
silver--"

"And he told you," interposed the Bishop with a smile, "that it had been
given to him by a kind old fellow of a priest with whom he had passed
the night? I see how the matter stands. And you have brought him back
here? It is a mistake."

"In that case," replied the brigadier, "we can let him go?"

"Certainly," replied the Bishop.

The gendarmes released Jean Valjean, who recoiled.

"Is it true that I am to be released?" he said, in an almost
inarticulate voice, and as though he were talking in his sleep.

"Yes, thou art released; dost thou not understand?" said one of the
gendarmes.

"My friend," resumed the Bishop, "before you go, here are your
candlesticks. Take them."

He stepped to the chimney-piece, took the two silver candlesticks, and
brought them to Jean Valjean. The two women looked on without uttering
a word, without a gesture, without a look which could disconcert the
Bishop.

Jean Valjean was trembling in every limb. He took the two candlesticks
mechanically, and with a bewildered air.

"Now," said the Bishop, "go in peace. By the way, when you return, my
friend, it is not necessary to pass through the garden. You can always
enter and depart through the street door. It is never fastened with
anything but a latch, either by day or by night."

Then, turning to the gendarmes:--

"You may retire, gentlemen."

The gendarmes retired.

Jean Valjean was like a man on the point of fainting.

The Bishop drew near to him, and said in a low voice:--

"Do not forget, never forget, that you have promised to use this money
in becoming an honest man."

Jean Valjean, who had no recollection of ever having promised anything,
remained speechless. The Bishop had emphasized the words when he uttered
them. He resumed with solemnity:--

"Jean Valjean, my brother, you no longer belong to evil, but to good. It
is your soul that I buy from you; I withdraw it from black thoughts and
the spirit of perdition, and I give it to God."




CHAPTER XIII--LITTLE GERVAIS

Jean Valjean left the town as though he were fleeing from it. He set out
at a very hasty pace through the fields, taking whatever roads and paths
presented themselves to him, without perceiving that he was incessantly
retracing his steps. He wandered thus the whole morning, without having
eaten anything and without feeling hungry. He was the prey of a throng
of novel sensations. He was conscious of a sort of rage; he did not
know against whom it was directed. He could not have told whether he was
touched or humiliated. There came over him at moments a strange emotion
which he resisted and to which he opposed the hardness acquired during
the last twenty years of his life. This state of mind fatigued him.
He perceived with dismay that the sort of frightful calm which the
injustice of his misfortune had conferred upon him was giving way within
him. He asked himself what would replace this. At times he would have
actually preferred to be in prison with the gendarmes, and that things
should not have happened in this way; it would have agitated him less.
Although the season was tolerably far advanced, there were still a few
late flowers in the hedge-rows here and there, whose odor as he passed
through them in his march recalled to him memories of his childhood.
These memories were almost intolerable to him, it was so long since they
had recurred to him.

Unutterable thoughts assembled within him in this manner all day long.

As the sun declined to its setting, casting long shadows athwart the
soil from every pebble, Jean Valjean sat down behind a bush upon a large
ruddy plain, which was absolutely deserted. There was nothing on the
horizon except the Alps. Not even the spire of a distant village. Jean
Valjean might have been three leagues distant from D---- A path which
intersected the plain passed a few paces from the bush.

In the middle of this meditation, which would have contributed not
a little to render his rags terrifying to any one who might have
encountered him, a joyous sound became audible.

He turned his head and saw a little Savoyard, about ten years of age,
coming up the path and singing, his hurdy-gurdy on his hip, and his
marmot-box on his back.

One of those gay and gentle children, who go from land to land affording
a view of their knees through the holes in their trousers.

Without stopping his song, the lad halted in his march from time to
time, and played at knuckle-bones with some coins which he had in his
hand--his whole fortune, probably.

Among this money there was one forty-sou piece.

The child halted beside the bush, without perceiving Jean Valjean, and
tossed up his handful of sous, which, up to that time, he had caught
with a good deal of adroitness on the back of his hand.

This time the forty-sou piece escaped him, and went rolling towards the
brushwood until it reached Jean Valjean.

Jean Valjean set his foot upon it.

In the meantime, the child had looked after his coin and had caught
sight of him.

He showed no astonishment, but walked straight up to the man.

The spot was absolutely solitary. As far as the eye could see there was
not a person on the plain or on the path. The only sound was the tiny,
feeble cries of a flock of birds of passage, which was traversing the
heavens at an immense height. The child was standing with his back to
the sun, which cast threads of gold in his hair and empurpled with its
blood-red gleam the savage face of Jean Valjean.

"Sir," said the little Savoyard, with that childish confidence which is
composed of ignorance and innocence, "my money."

"What is your name?" said Jean Valjean.

"Little Gervais, sir."

"Go away," said Jean Valjean.

"Sir," resumed the child, "give me back my money."

Jean Valjean dropped his head, and made no reply.

The child began again, "My money, sir."

Jean Valjean's eyes remained fixed on the earth.

"My piece of money!" cried the child, "my white piece! my silver!"

It seemed as though Jean Valjean did not hear him. The child grasped him
by the collar of his blouse and shook him. At the same time he made an
effort to displace the big iron-shod shoe which rested on his treasure.

"I want my piece of money! my piece of forty sous!"

The child wept. Jean Valjean raised his head. He still remained seated.
His eyes were troubled. He gazed at the child, in a sort of amazement,
then he stretched out his hand towards his cudgel and cried in a
terrible voice, "Who's there?"

"I, sir," replied the child. "Little Gervais! I! Give me back my forty
sous, if you please! Take your foot away, sir, if you please!"

Then irritated, though he was so small, and becoming almost menacing:--

"Come now, will you take your foot away? Take your foot away, or we'll
see!"

"Ah! It's still you!" said Jean Valjean, and rising abruptly to his
feet, his foot still resting on the silver piece, he added:--

"Will you take yourself off!"

The frightened child looked at him, then began to tremble from head to
foot, and after a few moments of stupor he set out, running at the top
of his speed, without daring to turn his neck or to utter a cry.

Nevertheless, lack of breath forced him to halt after a certain
distance, and Jean Valjean heard him sobbing, in the midst of his own
revery.

At the end of a few moments the child had disappeared.

The sun had set.

The shadows were descending around Jean Valjean. He had eaten nothing
all day; it is probable that he was feverish.

He had remained standing and had not changed his attitude after the
child's flight. The breath heaved his chest at long and irregular
intervals. His gaze, fixed ten or twelve paces in front of him, seemed
to be scrutinizing with profound attention the shape of an ancient
fragment of blue earthenware which had fallen in the grass. All at once
he shivered; he had just begun to feel the chill of evening.

He settled his cap more firmly on his brow, sought mechanically to
cross and button his blouse, advanced a step and stopped to pick up his
cudgel.

At that moment he caught sight of the forty-sou piece, which his foot
had half ground into the earth, and which was shining among the pebbles.
It was as though he had received a galvanic shock. "What is this?"
he muttered between his teeth. He recoiled three paces, then halted,
without being able to detach his gaze from the spot which his foot had
trodden but an instant before, as though the thing which lay glittering
there in the gloom had been an open eye riveted upon him.

At the expiration of a few moments he darted convulsively towards the
silver coin, seized it, and straightened himself up again and began to
gaze afar off over the plain, at the same time casting his eyes towards
all points of the horizon, as he stood there erect and shivering, like a
terrified wild animal which is seeking refuge.

He saw nothing. Night was falling, the plain was cold and vague, great
banks of violet haze were rising in the gleam of the twilight.

He said, "Ah!" and set out rapidly in the direction in which the child
had disappeared. After about thirty paces he paused, looked about him
and saw nothing.

Then he shouted with all his might:--

"Little Gervais! Little Gervais!"

He paused and waited.

There was no reply.

The landscape was gloomy and deserted. He was encompassed by space.
There was nothing around him but an obscurity in which his gaze was
lost, and a silence which engulfed his voice.

An icy north wind was blowing, and imparted to things around him a
sort of lugubrious life. The bushes shook their thin little arms with
incredible fury. One would have said that they were threatening and
pursuing some one.

He set out on his march again, then he began to run; and from time to
time he halted and shouted into that solitude, with a voice which was
the most formidable and the most disconsolate that it was possible to
hear, "Little Gervais! Little Gervais!"

Assuredly, if the child had heard him, he would have been alarmed and
would have taken good care not to show himself. But the child was no
doubt already far away.

He encountered a priest on horseback. He stepped up to him and said:--

"Monsieur le Cure, have you seen a child pass?"

"No," said the priest.

"One named Little Gervais?"

"I have seen no one."

He drew two five-franc pieces from his money-bag and handed them to the
priest.

"Monsieur le Cure, this is for your poor people. Monsieur le Cure, he
was a little lad, about ten years old, with a marmot, I think, and a
hurdy-gurdy. One of those Savoyards, you know?"

"I have not seen him."

"Little Gervais? There are no villages here? Can you tell me?"

"If he is like what you say, my friend, he is a little stranger. Such
persons pass through these parts. We know nothing of them."

Jean Valjean seized two more coins of five francs each with violence,
and gave them to the priest.

"For your poor," he said.

Then he added, wildly:--

"Monsieur l'Abbe, have me arrested. I am a thief."

The priest put spurs to his horse and fled in haste, much alarmed.

Jean Valjean set out on a run, in the direction which he had first
taken.

In this way he traversed a tolerably long distance, gazing, calling,
shouting, but he met no one. Two or three times he ran across the plain
towards something which conveyed to him the effect of a human being
reclining or crouching down; it turned out to be nothing but brushwood
or rocks nearly on a level with the earth. At length, at a spot where
three paths intersected each other, he stopped. The moon had risen. He
sent his gaze into the distance and shouted for the last time, "Little
Gervais! Little Gervais! Little Gervais!" His shout died away in the
mist, without even awakening an echo. He murmured yet once more, "Little
Gervais!" but in a feeble and almost inarticulate voice. It was his last
effort; his legs gave way abruptly under him, as though an invisible
power had suddenly overwhelmed him with the weight of his evil
conscience; he fell exhausted, on a large stone, his fists clenched in
his hair and his face on his knees, and he cried, "I am a wretch!"

Then his heart burst, and he began to cry. It was the first time that he
had wept in nineteen years.

When Jean Valjean left the Bishop's house, he was, as we have seen,
quite thrown out of everything that had been his thought hitherto. He
could not yield to the evidence of what was going on within him. He
hardened himself against the angelic action and the gentle words of the
old man. "You have promised me to become an honest man. I buy your soul.
I take it away from the spirit of perversity; I give it to the good
God."

This recurred to his mind unceasingly. To this celestial kindness
he opposed pride, which is the fortress of evil within us. He was
indistinctly conscious that the pardon of this priest was the greatest
assault and the most formidable attack which had moved him yet; that his
obduracy was finally settled if he resisted this clemency; that if he
yielded, he should be obliged to renounce that hatred with which the
actions of other men had filled his soul through so many years, and
which pleased him; that this time it was necessary to conquer or to be
conquered; and that a struggle, a colossal and final struggle, had been
begun between his viciousness and the goodness of that man.

In the presence of these lights, he proceeded like a man who is
intoxicated. As he walked thus with haggard eyes, did he have a distinct
perception of what might result to him from his adventure at D----? Did
he understand all those mysterious murmurs which warn or importune the
spirit at certain moments of life? Did a voice whisper in his ear that
he had just passed the solemn hour of his destiny; that there no longer
remained a middle course for him; that if he were not henceforth the
best of men, he would be the worst; that it behooved him now, so to
speak, to mount higher than the Bishop, or fall lower than the convict;
that if he wished to become good be must become an angel; that if he
wished to remain evil, he must become a monster?

Here, again, some questions must be put, which we have already put
to ourselves elsewhere: did he catch some shadow of all this in his
thought, in a confused way? Misfortune certainly, as we have said, does
form the education of the intelligence; nevertheless, it is doubtful
whether Jean Valjean was in a condition to disentangle all that we have
here indicated. If these ideas occurred to him, he but caught glimpses
of, rather than saw them, and they only succeeded in throwing him into
an unutterable and almost painful state of emotion. On emerging from
that black and deformed thing which is called the galleys, the Bishop
had hurt his soul, as too vivid a light would have hurt his eyes on
emerging from the dark. The future life, the possible life which offered
itself to him henceforth, all pure and radiant, filled him with tremors
and anxiety. He no longer knew where he really was. Like an owl, who
should suddenly see the sun rise, the convict had been dazzled and
blinded, as it were, by virtue.

That which was certain, that which he did not doubt, was that he was no
longer the same man, that everything about him was changed, that it was
no longer in his power to make it as though the Bishop had not spoken to
him and had not touched him.

In this state of mind he had encountered little Gervais, and had robbed
him of his forty sous. Why? He certainly could not have explained it;
was this the last effect and the supreme effort, as it were, of the
evil thoughts which he had brought away from the galleys,--a remnant of
impulse, a result of what is called in statics, acquired force? It
was that, and it was also, perhaps, even less than that. Let us say it
simply, it was not he who stole; it was not the man; it was the beast,
who, by habit and instinct, had simply placed his foot upon that money,
while the intelligence was struggling amid so many novel and hitherto
unheard-of thoughts besetting it.

When intelligence re-awakened and beheld that action of the brute, Jean
Valjean recoiled with anguish and uttered a cry of terror.

[Illustration: Awakened  1b2-11-awakened]

It was because,--strange phenomenon, and one which was possible only
in the situation in which he found himself,--in stealing the money from
that child, he had done a thing of which he was no longer capable.

However that may be, this last evil action had a decisive effect on
him; it abruptly traversed that chaos which he bore in his mind, and
dispersed it, placed on one side the thick obscurity, and on the other
the light, and acted on his soul, in the state in which it then was, as
certain chemical reagents act upon a troubled mixture by precipitating
one element and clarifying the other.

First of all, even before examining himself and reflecting, all
bewildered, like one who seeks to save himself, he tried to find the
child in order to return his money to him; then, when he recognized the
fact that this was impossible, he halted in despair. At the moment when
he exclaimed "I am a wretch!" he had just perceived what he was, and he
was already separated from himself to such a degree, that he seemed to
himself to be no longer anything more than a phantom, and as if he had,
there before him, in flesh and blood, the hideous galley-convict, Jean
Valjean, cudgel in hand, his blouse on his hips, his knapsack filled
with stolen objects on his back, with his resolute and gloomy visage,
with his thoughts filled with abominable projects.

Excess of unhappiness had, as we have remarked, made him in some sort
a visionary. This, then, was in the nature of a vision. He actually saw
that Jean Valjean, that sinister face, before him. He had almost reached
the point of asking himself who that man was, and he was horrified by
him.

His brain was going through one of those violent and yet perfectly calm
moments in which revery is so profound that it absorbs reality. One no
longer beholds the object which one has before one, and one sees, as
though apart from one's self, the figures which one has in one's own
mind.

Thus he contemplated himself, so to speak, face to face, and at the same
time, athwart this hallucination, he perceived in a mysterious depth a
sort of light which he at first took for a torch. On scrutinizing
this light which appeared to his conscience with more attention, he
recognized the fact that it possessed a human form and that this torch
was the Bishop.

His conscience weighed in turn these two men thus placed before it,--the
Bishop and Jean Valjean. Nothing less than the first was required to
soften the second. By one of those singular effects, which are peculiar
to this sort of ecstasies, in proportion as his revery continued, as the
Bishop grew great and resplendent in his eyes, so did Jean Valjean grow
less and vanish. After a certain time he was no longer anything more
than a shade. All at once he disappeared. The Bishop alone remained; he
filled the whole soul of this wretched man with a magnificent radiance.

Jean Valjean wept for a long time. He wept burning tears, he sobbed with
more weakness than a woman, with more fright than a child.

As he wept, daylight penetrated more and more clearly into his soul; an
extraordinary light; a light at once ravishing and terrible. His past
life, his first fault, his long expiation, his external brutishness, his
internal hardness, his dismissal to liberty, rejoicing in manifold plans
of vengeance, what had happened to him at the Bishop's, the last thing
that he had done, that theft of forty sous from a child, a crime all the
more cowardly, and all the more monstrous since it had come after the
Bishop's pardon,--all this recurred to his mind and appeared clearly
to him, but with a clearness which he had never hitherto witnessed.
He examined his life, and it seemed horrible to him; his soul, and it
seemed frightful to him. In the meantime a gentle light rested over this
life and this soul. It seemed to him that he beheld Satan by the light
of Paradise.

How many hours did he weep thus? What did he do after he had wept?
Whither did he go! No one ever knew. The only thing which seems to be
authenticated is that that same night the carrier who served Grenoble at
that epoch, and who arrived at D---- about three o'clock in the morning,
saw, as he traversed the street in which the Bishop's residence was
situated, a man in the attitude of prayer, kneeling on the pavement in
the shadow, in front of the door of Monseigneur Welcome.




BOOK THIRD.--IN THE YEAR 1817




CHAPTER I--THE YEAR 1817


1817 is the year which Louis XVIII., with a certain royal assurance
which was not wanting in pride, entitled the twenty-second of his reign.
It is the year in which M. Bruguiere de Sorsum was celebrated. All the
hairdressers' shops, hoping for powder and the return of the royal bird,
were besmeared with azure and decked with fleurs-de-lys. It was the
candid time at which Count Lynch sat every Sunday as church-warden in
the church-warden's pew of Saint-Germain-des-Pres, in his costume of a
peer of France, with his red ribbon and his long nose and the majesty
of profile peculiar to a man who has performed a brilliant action.
The brilliant action performed by M. Lynch was this: being mayor of
Bordeaux, on the 12th of March, 1814, he had surrendered the city a
little too promptly to M. the Duke d'Angouleme. Hence his peerage. In
1817 fashion swallowed up little boys of from four to six years of
age in vast caps of morocco leather with ear-tabs resembling Esquimaux
mitres. The French army was dressed in white, after the mode of the
Austrian; the regiments were called legions; instead of numbers they
bore the names of departments; Napoleon was at St. Helena; and since
England refused him green cloth, he was having his old coats turned.
In 1817 Pelligrini sang; Mademoiselle Bigottini danced; Potier reigned;
Odry did not yet exist. Madame Saqui had succeeded to Forioso. There
were still Prussians in France. M. Delalot was a personage. Legitimacy
had just asserted itself by cutting off the hand, then the head, of
Pleignier, of Carbonneau, and of Tolleron. The Prince de Talleyrand,
grand chamberlain, and the Abbe Louis, appointed minister of finance,
laughed as they looked at each other, with the laugh of the two augurs;
both of them had celebrated, on the 14th of July, 1790, the mass of
federation in the Champ de Mars; Talleyrand had said it as bishop, Louis
had served it in the capacity of deacon. In 1817, in the side-alleys
of this same Champ de Mars, two great cylinders of wood might have
been seen lying in the rain, rotting amid the grass, painted blue, with
traces of eagles and bees, from which the gilding was falling. These
were the columns which two years before had upheld the Emperor's
platform in the Champ de Mai. They were blackened here and there with
the scorches of the bivouac of Austrians encamped near Gros-Caillou. Two
or three of these columns had disappeared in these bivouac fires, and
had warmed the large hands of the Imperial troops. The Field of May had
this remarkable point: that it had been held in the month of June and in
the Field of March (Mars). In this year, 1817, two things were popular:
the Voltaire-Touquet and the snuff-box a la Charter. The most recent
Parisian sensation was the crime of Dautun, who had thrown his brother's
head into the fountain of the Flower-Market.

They had begun to feel anxious at the Naval Department, on account of
the lack of news from that fatal frigate, The Medusa, which was destined
to cover Chaumareix with infamy and Gericault with glory. Colonel Selves
was going to Egypt to become Soliman-Pasha. The palace of Thermes, in
the Rue de La Harpe, served as a shop for a cooper. On the platform of
the octagonal tower of the Hotel de Cluny, the little shed of boards,
which had served as an observatory to Messier, the naval astronomer
under Louis XVI., was still to be seen. The Duchesse de Duras read to
three or four friends her unpublished Ourika, in her boudoir furnished
by X. in sky-blue satin. The N's were scratched off the Louvre. The
bridge of Austerlitz had abdicated, and was entitled the bridge of the
King's Garden [du Jardin du Roi], a double enigma, which disguised the
bridge of Austerlitz and the Jardin des Plantes at one stroke. Louis
XVIII., much preoccupied while annotating Horace with the corner of his
finger-nail, heroes who have become emperors, and makers of wooden shoes
who have become dauphins, had two anxieties,--Napoleon and Mathurin
Bruneau. The French Academy had given for its prize subject, The
Happiness procured through Study. M. Bellart was officially eloquent.
In his shadow could be seen germinating that future advocate-general of
Broe, dedicated to the sarcasms of Paul-Louis Courier. There was a false
Chateaubriand, named Marchangy, in the interim, until there should be a
false Marchangy, named d'Arlincourt. Claire d'Albe and Malek-Adel were
masterpieces; Madame Cottin was proclaimed the chief writer of the
epoch. The Institute had the academician, Napoleon Bonaparte, stricken
from its list of members. A royal ordinance erected Angouleme into a
naval school; for the Duc d'Angouleme, being lord high admiral, it was
evident that the city of Angouleme had all the qualities of a seaport;
otherwise the monarchical principle would have received a wound. In
the Council of Ministers the question was agitated whether vignettes
representing slack-rope performances, which adorned Franconi's
advertising posters, and which attracted throngs of street urchins,
should be tolerated. M. Paer, the author of Agnese, a good sort of
fellow, with a square face and a wart on his cheek, directed the little
private concerts of the Marquise de Sasenaye in the Rue Ville l'Eveque.
All the young girls were singing the Hermit of Saint-Avelle, with words
by Edmond Geraud. The Yellow Dwarf was transferred into Mirror. The Cafe
Lemblin stood up for the Emperor, against the Cafe Valois, which upheld
the Bourbons. The Duc de Berri, already surveyed from the shadow by
Louvel, had just been married to a princess of Sicily. Madame de Stael
had died a year previously. The body-guard hissed Mademoiselle Mars.
The grand newspapers were all very small. Their form was restricted,
but their liberty was great. The Constitutionnel was constitutional.
La Minerve called Chateaubriand Chateaubriant. That made the good
middle-class people laugh heartily at the expense of the great writer.
In journals which sold themselves, prostituted journalists, insulted the
exiles of 1815. David had no longer any talent, Arnault had no longer
any wit, Carnot was no longer honest, Soult had won no battles; it is
true that Napoleon had no longer any genius. No one is ignorant of the
fact that letters sent to an exile by post very rarely reached him, as
the police made it their religious duty to intercept them. This is no
new fact; Descartes complained of it in his exile. Now David, having, in
a Belgian publication, shown some displeasure at not receiving letters
which had been written to him, it struck the royalist journals as
amusing; and they derided the prescribed man well on this occasion. What
separated two men more than an abyss was to say, the regicides, or
to say the voters; to say the enemies, or to say the allies; to say
Napoleon, or to say Buonaparte. All sensible people were agreed that the
era of revolution had been closed forever by King Louis XVIII., surnamed
"The Immortal Author of the Charter." On the platform of the Pont-Neuf,
the word Redivivus was carved on the pedestal that awaited the statue of
Henry IV. M. Piet, in the Rue Therese, No. 4, was making the rough draft
of his privy assembly to consolidate the monarchy. The leaders of the
Right said at grave conjunctures, "We must write to Bacot." MM. Canuel,
O'Mahoney, and De Chappedelaine were preparing the sketch, to some
extent with Monsieur's approval, of what was to become later on "The
Conspiracy of the Bord de l'Eau"--of the waterside. L'Epingle Noire was
already plotting in his own quarter. Delaverderie was conferring with
Trogoff. M. Decazes, who was liberal to a degree, reigned. Chateaubriand
stood every morning at his window at No. 27 Rue Saint-Dominique, clad in
footed trousers, and slippers, with a madras kerchief knotted over his
gray hair, with his eyes fixed on a mirror, a complete set of dentist's
instruments spread out before him, cleaning his teeth, which were
charming, while he dictated The Monarchy according to the Charter to
M. Pilorge, his secretary. Criticism, assuming an authoritative tone,
preferred Lafon to Talma. M. de Feletez signed himself A.; M. Hoffmann
signed himself Z. Charles Nodier wrote Therese Aubert. Divorce was
abolished. Lyceums called themselves colleges. The collegians, decorated
on the collar with a golden fleur-de-lys, fought each other apropos of
the King of Rome. The counter-police of the chateau had denounced to her
Royal Highness Madame, the portrait, everywhere exhibited, of M. the
Duc d'Orleans, who made a better appearance in his uniform of a
colonel-general of hussars than M. the Duc de Berri, in his uniform of
colonel-general of dragoons--a serious inconvenience. The city of
Paris was having the dome of the Invalides regilded at its own expense.
Serious men asked themselves what M. de Trinquelague would do on such or
such an occasion; M. Clausel de Montals differed on divers points
from M. Clausel de Coussergues; M. de Salaberry was not satisfied. The
comedian Picard, who belonged to the Academy, which the comedian Moliere
had not been able to do, had The Two Philiberts played at the Odeon,
upon whose pediment the removal of the letters still allowed THEATRE OF
THE EMPRESS to be plainly read. People took part for or against Cugnet
de Montarlot. Fabvier was factious; Bavoux was revolutionary. The
Liberal, Pelicier, published an edition of Voltaire, with the following
title: Works of Voltaire, of the French Academy. "That will attract
purchasers," said the ingenious editor. The general opinion was that M.
Charles Loyson would be the genius of the century; envy was beginning to
gnaw at him--a sign of glory; and this verse was composed on him:--

     "Even when Loyson steals, one feels that he has paws."

As Cardinal Fesch refused to resign, M. de Pins, Archbishop of Amasie,
administered the diocese of Lyons. The quarrel over the valley of Dappes
was begun between Switzerland and France by a memoir from Captain,
afterwards General Dufour. Saint-Simon, ignored, was erecting his
sublime dream. There was a celebrated Fourier at the Academy of Science,
whom posterity has forgotten; and in some garret an obscure Fourier,
whom the future will recall. Lord Byron was beginning to make his mark;
a note to a poem by Millevoye introduced him to France in these terms:
a certain Lord Baron. David d'Angers was trying to work in marble. The
Abbe Caron was speaking, in terms of praise, to a private gathering of
seminarists in the blind alley of Feuillantines, of an unknown priest,
named Felicite-Robert, who, at a latter date, became Lamennais. A thing
which smoked and clattered on the Seine with the noise of a swimming dog
went and came beneath the windows of the Tuileries, from the Pont Royal
to the Pont Louis XV.; it was a piece of mechanism which was not
good for much; a sort of plaything, the idle dream of a dream-ridden
inventor; an utopia--a steamboat. The Parisians stared indifferently at
this useless thing. M. de Vaublanc, the reformer of the Institute by
a coup d'etat, the distinguished author of numerous academicians,
ordinances, and batches of members, after having created them, could
not succeed in becoming one himself. The Faubourg Saint-Germain and the
pavilion de Marsan wished to have M. Delaveau for prefect of police, on
account of his piety. Dupuytren and Recamier entered into a quarrel in
the amphitheatre of the School of Medicine, and threatened each other
with their fists on the subject of the divinity of Jesus Christ. Cuvier,
with one eye on Genesis and the other on nature, tried to please bigoted
reaction by reconciling fossils with texts and by making mastodons
flatter Moses.

M. Francois de Neufchateau, the praiseworthy cultivator of the memory
of Parmentier, made a thousand efforts to have pomme de terre [potato]
pronounced parmentiere, and succeeded therein not at all. The Abbe
Gregoire, ex-bishop, ex-conventionary, ex-senator, had passed, in the
royalist polemics, to the state of "Infamous Gregoire." The locution of
which we have made use--passed to the state of--has been condemned as a
neologism by M. Royer Collard. Under the third arch of the Pont de Jena,
the new stone with which, the two years previously, the mining aperture
made by Blucher to blow up the bridge had been stopped up, was still
recognizable on account of its whiteness. Justice summoned to its bar a
man who, on seeing the Comte d'Artois enter Notre Dame, had said aloud:
"Sapristi! I regret the time when I saw Bonaparte and Talma enter the
Bel Sauvage, arm in arm." A seditious utterance. Six months in prison.
Traitors showed themselves unbuttoned; men who had gone over to the
enemy on the eve of battle made no secret of their recompense, and
strutted immodestly in the light of day, in the cynicism of riches and
dignities; deserters from Ligny and Quatre-Bras, in the brazenness of
their well-paid turpitude, exhibited their devotion to the monarchy in
the most barefaced manner.

This is what floats up confusedly, pell-mell, for the year 1817, and is
now forgotten. History neglects nearly all these particulars, and cannot
do otherwise; the infinity would overwhelm it. Nevertheless, these
details, which are wrongly called trivial,--there are no trivial facts
in humanity, nor little leaves in vegetation,--are useful. It is of
the physiognomy of the years that the physiognomy of the centuries is
composed. In this year of 1817 four young Parisians arranged "a fine
farce."




CHAPTER II--A DOUBLE QUARTETTE


These Parisians came, one from Toulouse, another from Limoges, the third
from Cahors, and the fourth from Montauban; but they were students; and
when one says student, one says Parisian: to study in Paris is to be
born in Paris.

These young men were insignificant; every one has seen such faces; four
specimens of humanity taken at random; neither good nor bad, neither
wise nor ignorant, neither geniuses nor fools; handsome, with that
charming April which is called twenty years. They were four Oscars; for,
at that epoch, Arthurs did not yet exist. Burn for him the perfumes of
Araby! exclaimed romance. Oscar advances. Oscar, I shall behold him!
People had just emerged from Ossian; elegance was Scandinavian and
Caledonian; the pure English style was only to prevail later, and
the first of the Arthurs, Wellington, had but just won the battle of
Waterloo.

These Oscars bore the names, one of Felix Tholomyes, of Toulouse; the
second, Listolier, of Cahors; the next, Fameuil, of Limoges; the last,
Blachevelle, of Montauban. Naturally, each of them had his mistress.
Blachevelle loved Favourite, so named because she had been in England;
Listolier adored Dahlia, who had taken for her nickname the name of a
flower; Fameuil idolized Zephine, an abridgment of Josephine; Tholomyes
had Fantine, called the Blonde, because of her beautiful, sunny hair.

Favourite, Dahlia, Zephine, and Fantine were four ravishing young women,
perfumed and radiant, still a little like working-women, and not yet
entirely divorced from their needles; somewhat disturbed by intrigues,
but still retaining on their faces something of the serenity of toil,
and in their souls that flower of honesty which survives the first fall
in woman. One of the four was called the young, because she was
the youngest of them, and one was called the old; the old one was
twenty-three. Not to conceal anything, the three first were more
experienced, more heedless, and more emancipated into the tumult of life
than Fantine the Blonde, who was still in her first illusions.

Dahlia, Zephine, and especially Favourite, could not have said as much.
There had already been more than one episode in their romance, though
hardly begun; and the lover who had borne the name of Adolph in the
first chapter had turned out to be Alphonse in the second, and Gustave
in the third. Poverty and coquetry are two fatal counsellors; one scolds
and the other flatters, and the beautiful daughters of the people have
both of them whispering in their ear, each on its own side. These badly
guarded souls listen. Hence the falls which they accomplish, and the
stones which are thrown at them. They are overwhelmed with splendor of
all that is immaculate and inaccessible. Alas! what if the Jungfrau were
hungry?

Favourite having been in England, was admired by Dahlia and Zephine. She
had had an establishment of her own very early in life. Her father was
an old unmarried professor of mathematics, a brutal man and a braggart,
who went out to give lessons in spite of his age. This professor, when
he was a young man, had one day seen a chambermaid's gown catch on
a fender; he had fallen in love in consequence of this accident. The
result had been Favourite. She met her father from time to time, and he
bowed to her. One morning an old woman with the air of a devotee,
had entered her apartments, and had said to her, "You do not know me,
Mamemoiselle?" "No." "I am your mother." Then the old woman opened the
sideboard, and ate and drank, had a mattress which she owned brought in,
and installed herself. This cross and pious old mother never spoke to
Favourite, remained hours without uttering a word, breakfasted, dined,
and supped for four, and went down to the porter's quarters for company,
where she spoke ill of her daughter.

It was having rosy nails that were too pretty which had drawn Dahlia to
Listolier, to others perhaps, to idleness. How could she make such nails
work? She who wishes to remain virtuous must not have pity on her hands.
As for Zephine, she had conquered Fameuil by her roguish and caressing
little way of saying "Yes, sir."

The young men were comrades; the young girls were friends. Such loves
are always accompanied by such friendships.

Goodness and philosophy are two distinct things; the proof of this
is that, after making all due allowances for these little irregular
households, Favourite, Zephine, and Dahlia were philosophical young
women, while Fantine was a good girl.

Good! some one will exclaim; and Tholomyes? Solomon would reply that
love forms a part of wisdom. We will confine ourselves to saying that
the love of Fantine was a first love, a sole love, a faithful love.

She alone, of all the four, was not called "thou" by a single one of
them.

Fantine was one of those beings who blossom, so to speak, from the dregs
of the people. Though she had emerged from the most unfathomable depths
of social shadow, she bore on her brow the sign of the anonymous and the
unknown. She was born at M. sur M. Of what parents? Who can say? She had
never known father or mother. She was called Fantine. Why Fantine? She
had never borne any other name. At the epoch of her birth the Directory
still existed. She had no family name; she had no family; no baptismal
name; the Church no longer existed. She bore the name which pleased
the first random passer-by, who had encountered her, when a very small
child, running bare-legged in the street. She received the name as she
received the water from the clouds upon her brow when it rained. She was
called little Fantine. No one knew more than that. This human creature
had entered life in just this way. At the age of ten, Fantine quitted
the town and went to service with some farmers in the neighborhood. At
fifteen she came to Paris "to seek her fortune." Fantine was beautiful,
and remained pure as long as she could. She was a lovely blonde, with
fine teeth. She had gold and pearls for her dowry; but her gold was on
her head, and her pearls were in her mouth.

She worked for her living; then, still for the sake of her living,--for
the heart, also, has its hunger,--she loved.

She loved Tholomyes.

An amour for him; passion for her. The streets of the Latin quarter,
filled with throngs of students and grisettes, saw the beginning of
their dream. Fantine had long evaded Tholomyes in the mazes of the hill
of the Pantheon, where so many adventurers twine and untwine, but in
such a way as constantly to encounter him again. There is a way of
avoiding which resembles seeking. In short, the eclogue took place.

Blachevelle, Listolier, and Fameuil formed a sort of group of which
Tholomyes was the head. It was he who possessed the wit.

Tholomyes was the antique old student; he was rich; he had an income of
four thousand francs; four thousand francs! a splendid scandal on
Mount Sainte-Genevieve. Tholomyes was a fast man of thirty, and badly
preserved. He was wrinkled and toothless, and he had the beginning of a
bald spot, of which he himself said with sadness, the skull at thirty,
the knee at forty. His digestion was mediocre, and he had been attacked
by a watering in one eye. But in proportion as his youth disappeared,
gayety was kindled; he replaced his teeth with buffooneries, his hair
with mirth, his health with irony, his weeping eye laughed incessantly.
He was dilapidated but still in flower. His youth, which was packing
up for departure long before its time, beat a retreat in good order,
bursting with laughter, and no one saw anything but fire. He had had a
piece rejected at the Vaudeville. He made a few verses now and then. In
addition to this he doubted everything to the last degree, which is a
vast force in the eyes of the weak. Being thus ironical and bald, he
was the leader. Iron is an English word. Is it possible that irony is
derived from it?

One day Tholomyes took the three others aside, with the gesture of an
oracle, and said to them:--

"Fantine, Dahlia, Zephine, and Favourite have been teasing us for nearly
a year to give them a surprise. We have promised them solemnly that we
would. They are forever talking about it to us, to me in particular,
just as the old women in Naples cry to Saint Januarius, 'Faccia
gialluta, fa o miracolo, Yellow face, perform thy miracle,' so our
beauties say to me incessantly, 'Tholomyes, when will you bring forth
your surprise?' At the same time our parents keep writing to us.
Pressure on both sides. The moment has arrived, it seems to me; let us
discuss the question."

Thereupon, Tholomyes lowered his voice and articulated something so
mirthful, that a vast and enthusiastic grin broke out upon the four
mouths simultaneously, and Blachevelle exclaimed, "That is an idea."

A smoky tap-room presented itself; they entered, and the remainder of
their confidential colloquy was lost in shadow.

The result of these shades was a dazzling pleasure party which took
place on the following Sunday, the four young men inviting the four
young girls.




CHAPTER III--FOUR AND FOUR

It is hard nowadays to picture to one's self what a pleasure-trip of
students and grisettes to the country was like, forty-five years ago.
The suburbs of Paris are no longer the same; the physiognomy of what
may be called circumparisian life has changed completely in the last
half-century; where there was the cuckoo, there is the railway car;
where there was a tender-boat, there is now the steamboat; people speak
of Fecamp nowadays as they spoke of Saint-Cloud in those days. The Paris
of 1862 is a city which has France for its outskirts.

The four couples conscientiously went through with all the country
follies possible at that time. The vacation was beginning, and it was a
warm, bright, summer day. On the preceding day, Favourite, the only one
who knew how to write, had written the following to Tholomyes in the
name of the four: "It is a good hour to emerge from happiness." That
is why they rose at five o'clock in the morning. Then they went to
Saint-Cloud by the coach, looked at the dry cascade and exclaimed, "This
must be very beautiful when there is water!" They breakfasted at the
Tete-Noir, where Castaing had not yet been; they treated themselves to a
game of ring-throwing under the quincunx of trees of the grand fountain;
they ascended Diogenes' lantern, they gambled for macaroons at the
roulette establishment of the Pont de Sevres, picked bouquets at
Pateaux, bought reed-pipes at Neuilly, ate apple tarts everywhere, and
were perfectly happy.

The young girls rustled and chatted like warblers escaped from their
cage. It was a perfect delirium. From time to time they bestowed little
taps on the young men. Matutinal intoxication of life! adorable years!
the wings of the dragonfly quiver. Oh, whoever you may be, do you not
remember? Have you rambled through the brushwood, holding aside the
branches, on account of the charming head which is coming on behind you?
Have you slid, laughing, down a slope all wet with rain, with a beloved
woman holding your hand, and crying, "Ah, my new boots! what a state
they are in!"

Let us say at once that that merry obstacle, a shower, was lacking in
the case of this good-humored party, although Favourite had said as they
set out, with a magisterial and maternal tone, "The slugs are crawling
in the paths,--a sign of rain, children."

All four were madly pretty. A good old classic poet, then famous, a good
fellow who had an Eleonore, M. le Chevalier de Labouisse, as he strolled
that day beneath the chestnut-trees of Saint-Cloud, saw them pass about
ten o'clock in the morning, and exclaimed, "There is one too many of
them," as he thought of the Graces. Favourite, Blachevelle's friend, the
one aged three and twenty, the old one, ran on in front under the great
green boughs, jumped the ditches, stalked distractedly over bushes, and
presided over this merry-making with the spirit of a young female faun.
Zephine and Dahlia, whom chance had made beautiful in such a way that
they set each off when they were together, and completed each other,
never left each other, more from an instinct of coquetry than from
friendship, and clinging to each other, they assumed English poses; the
first keepsakes had just made their appearance, melancholy was dawning
for women, as later on, Byronism dawned for men; and the hair of the
tender sex began to droop dolefully. Zephine and Dahlia had their hair
dressed in rolls. Listolier and Fameuil, who were engaged in discussing
their professors, explained to Fantine the difference that existed
between M. Delvincourt and M. Blondeau.

Blachevelle seemed to have been created expressly to carry Favourite's
single-bordered, imitation India shawl of Ternaux's manufacture, on his
arm on Sundays.

Tholomyes followed, dominating the group. He was very gay, but one felt
the force of government in him; there was dictation in his joviality;
his principal ornament was a pair of trousers of elephant-leg pattern of
nankeen, with straps of braided copper wire; he carried a stout rattan
worth two hundred francs in his hand, and, as he treated himself to
everything, a strange thing called a cigar in his mouth. Nothing was
sacred to him; he smoked.

"That Tholomyes is astounding!" said the others, with veneration. "What
trousers! What energy!"

As for Fantine, she was a joy to behold. Her splendid teeth had
evidently received an office from God,--laughter. She preferred to carry
her little hat of sewed straw, with its long white strings, in her hand
rather than on her head. Her thick blond hair, which was inclined to
wave, and which easily uncoiled, and which it was necessary to fasten
up incessantly, seemed made for the flight of Galatea under the
willows. Her rosy lips babbled enchantingly. The corners of her mouth
voluptuously turned up, as in the antique masks of Erigone, had an
air of encouraging the audacious; but her long, shadowy lashes drooped
discreetly over the jollity of the lower part of the face as though to
call a halt. There was something indescribably harmonious and striking
about her entire dress. She wore a gown of mauve barege, little reddish
brown buskins, whose ribbons traced an X on her fine, white, open-worked
stockings, and that sort of muslin spencer, a Marseilles invention,
whose name, canezou, a corruption of the words quinze aout, pronounced
after the fashion of the Canebiere, signifies fine weather, heat, and
midday. The three others, less timid, as we have already said,
wore low-necked dresses without disguise, which in summer, beneath
flower-adorned hats, are very graceful and enticing; but by the side
of these audacious outfits, blond Fantine's canezou, with its
transparencies, its indiscretion, and its reticence, concealing and
displaying at one and the same time, seemed an alluring godsend of
decency, and the famous Court of Love, presided over by the Vicomtesse
de Cette, with the sea-green eyes, would, perhaps, have awarded the
prize for coquetry to this canezou, in the contest for the prize of
modesty. The most ingenious is, at times, the wisest. This does happen.

Brilliant of face, delicate of profile, with eyes of a deep blue, heavy
lids, feet arched and small, wrists and ankles admirably formed, a white
skin which, here and there allowed the azure branching of the veins to
be seen, joy, a cheek that was young and fresh, the robust throat of the
Juno of AEgina, a strong and supple nape of the neck, shoulders modelled
as though by Coustou, with a voluptuous dimple in the middle, visible
through the muslin; a gayety cooled by dreaminess; sculptural and
exquisite--such was Fantine; and beneath these feminine adornments and
these ribbons one could divine a statue, and in that statue a soul.

Fantine was beautiful, without being too conscious of it. Those rare
dreamers, mysterious priests of the beautiful who silently confront
everything with perfection, would have caught a glimpse in this little
working-woman, through the transparency of her Parisian grace, of the
ancient sacred euphony. This daughter of the shadows was thoroughbred.
She was beautiful in the two ways--style and rhythm. Style is the form
of the ideal; rhythm is its movement.

We have said that Fantine was joy; she was also modesty.

To an observer who studied her attentively, that which breathed from
her athwart all the intoxication of her age, the season, and her
love affair, was an invincible expression of reserve and modesty. She
remained a little astonished. This chaste astonishment is the shade
of difference which separates Psyche from Venus. Fantine had the long,
white, fine fingers of the vestal virgin who stirs the ashes of the
sacred fire with a golden pin. Although she would have refused nothing
to Tholomyes, as we shall have more than ample opportunity to see, her
face in repose was supremely virginal; a sort of serious and almost
austere dignity suddenly overwhelmed her at certain times, and there
was nothing more singular and disturbing than to see gayety become so
suddenly extinct there, and meditation succeed to cheerfulness without
any transition state. This sudden and sometimes severely accentuated
gravity resembled the disdain of a goddess. Her brow, her nose, her
chin, presented that equilibrium of outline which is quite distinct
from equilibrium of proportion, and from which harmony of countenance
results; in the very characteristic interval which separates the base
of the nose from the upper lip, she had that imperceptible and charming
fold, a mysterious sign of chastity, which makes Barberousse fall in
love with a Diana found in the treasures of Iconia.

Love is a fault; so be it. Fantine was innocence floating high over
fault.




CHAPTER IV--THOLOMYES IS SO MERRY THAT HE SINGS A SPANISH DITTY


That day was composed of dawn, from one end to the other. All nature
seemed to be having a holiday, and to be laughing. The flower-beds of
Saint-Cloud perfumed the air; the breath of the Seine rustled the
leaves vaguely; the branches gesticulated in the wind, bees pillaged the
jasmines; a whole bohemia of butterflies swooped down upon the yarrow,
the clover, and the sterile oats; in the august park of the King of
France there was a pack of vagabonds, the birds.

The four merry couples, mingled with the sun, the fields, the flowers,
the trees, were resplendent.

And in this community of Paradise, talking, singing, running, dancing,
chasing butterflies, plucking convolvulus, wetting their pink, open-work
stockings in the tall grass, fresh, wild, without malice, all received,
to some extent, the kisses of all, with the exception of Fantine,
who was hedged about with that vague resistance of hers composed of
dreaminess and wildness, and who was in love. "You always have a queer
look about you," said Favourite to her.

Such things are joys. These passages of happy couples are a profound
appeal to life and nature, and make a caress and light spring forth from
everything. There was once a fairy who created the fields and forests
expressly for those in love,--in that eternal hedge-school of lovers,
which is forever beginning anew, and which will last as long as there
are hedges and scholars. Hence the popularity of spring among thinkers.
The patrician and the knife-grinder, the duke and the peer, the limb
of the law, the courtiers and townspeople, as they used to say in olden
times, all are subjects of this fairy. They laugh and hunt, and there
is in the air the brilliance of an apotheosis--what a transfiguration
effected by love! Notaries' clerks are gods. And the little cries,
the pursuits through the grass, the waists embraced on the fly, those
jargons which are melodies, those adorations which burst forth in the
manner of pronouncing a syllable, those cherries torn from one mouth by
another,--all this blazes forth and takes its place among the celestial
glories. Beautiful women waste themselves sweetly. They think that this
will never come to an end. Philosophers, poets, painters, observe these
ecstasies and know not what to make of it, so greatly are they dazzled
by it. The departure for Cythera! exclaims Watteau; Lancret, the painter
of plebeians, contemplates his bourgeois, who have flitted away into the
azure sky; Diderot stretches out his arms to all these love idyls, and
d'Urfe mingles druids with them.

After breakfast the four couples went to what was then called the King's
Square to see a newly arrived plant from India, whose name escapes our
memory at this moment, and which, at that epoch, was attracting all
Paris to Saint-Cloud. It was an odd and charming shrub with a long stem,
whose numerous branches, bristling and leafless and as fine as threads,
were covered with a million tiny white rosettes; this gave the shrub the
air of a head of hair studded with flowers. There was always an admiring
crowd about it.

After viewing the shrub, Tholomyes exclaimed, "I offer you asses!" and
having agreed upon a price with the owner of the asses, they returned
by way of Vanvres and Issy. At Issy an incident occurred. The truly
national park, at that time owned by Bourguin the contractor, happened
to be wide open. They passed the gates, visited the manikin anchorite in
his grotto, tried the mysterious little effects of the famous cabinet
of mirrors, the wanton trap worthy of a satyr become a millionaire or of
Turcaret metamorphosed into a Priapus. They had stoutly shaken the swing
attached to the two chestnut-trees celebrated by the Abbe de Bernis.
As he swung these beauties, one after the other, producing folds in the
fluttering skirts which Greuze would have found to his taste, amid peals
of laughter, the Toulousan Tholomyes, who was somewhat of a Spaniard,
Toulouse being the cousin of Tolosa, sang, to a melancholy chant, the
old ballad gallega, probably inspired by some lovely maid dashing in
full flight upon a rope between two trees:--

      "Soy de Badajoz,        "Badajoz is my home,
       Amor me llama,          And Love is my name;
       Toda mi alma,           To my eyes in flame,
       Es en mi ojos,          All my soul doth come;
       Porque ensenas,         For instruction meet
       A tuas piernas.         I receive at thy feet"


Fantine alone refused to swing.

"I don't like to have people put on airs like that," muttered Favourite,
with a good deal of acrimony.

After leaving the asses there was a fresh delight; they crossed the
Seine in a boat, and proceeding from Passy on foot they reached the
barrier of l'Etoile. They had been up since five o'clock that morning,
as the reader will remember; but bah! there is no such thing as fatigue
on Sunday, said Favourite; on Sunday fatigue does not work.

About three o'clock the four couples, frightened at their happiness,
were sliding down the Russian mountains, a singular edifice which then
occupied the heights of Beaujon, and whose undulating line was visible
above the trees of the Champs Elysees.

From time to time Favourite exclaimed:--

"And the surprise? I claim the surprise."

"Patience," replied Tholomyes.




CHAPTER V--AT BOMBARDA'S

The Russian mountains having been exhausted, they began to think about
dinner; and the radiant party of eight, somewhat weary at last, became
stranded in Bombarda's public house, a branch establishment which had
been set up in the Champs-Elysees by that famous restaurant-keeper,
Bombarda, whose sign could then be seen in the Rue de Rivoli, near
Delorme Alley.

A large but ugly room, with an alcove and a bed at the end (they had
been obliged to put up with this accommodation in view of the Sunday
crowd); two windows whence they could survey beyond the elms, the quay
and the river; a magnificent August sunlight lightly touching the panes;
two tables; upon one of them a triumphant mountain of bouquets, mingled
with the hats of men and women; at the other the four couples seated
round a merry confusion of platters, dishes, glasses, and bottles; jugs
of beer mingled with flasks of wine; very little order on the table,
some disorder beneath it;

               "They made beneath the table
     A noise, a clatter of the feet that was abominable,"

says Moliere.

This was the state which the shepherd idyl, begun at five o'clock in
the morning, had reached at half-past four in the afternoon. The sun was
setting; their appetites were satisfied.

The Champs-Elysees, filled with sunshine and with people, were nothing
but light and dust, the two things of which glory is composed. The
horses of Marly, those neighing marbles, were prancing in a cloud
of gold. Carriages were going and coming. A squadron of magnificent
body-guards, with their clarions at their head, were descending the
Avenue de Neuilly; the white flag, showing faintly rosy in the setting
sun, floated over the dome of the Tuileries. The Place de la Concorde,
which had become the Place Louis XV. once more, was choked with happy
promenaders. Many wore the silver fleur-de-lys suspended from the
white-watered ribbon, which had not yet wholly disappeared from
button-holes in the year 1817. Here and there choruses of little girls
threw to the winds, amid the passersby, who formed into circles and
applauded, the then celebrated Bourbon air, which was destined to strike
the Hundred Days with lightning, and which had for its refrain:--

               "Rendez-nous notre pere de Gand,
                    Rendez-nous notre pere."

               "Give us back our father from Ghent,
                    Give us back our father."


Groups of dwellers in the suburbs, in Sunday array, sometimes even
decorated with the fleur-de-lys, like the bourgeois, scattered over the
large square and the Marigny square, were playing at rings and revolving
on the wooden horses; others were engaged in drinking; some journeyman
printers had on paper caps; their laughter was audible. Every thing
was radiant. It was a time of undisputed peace and profound royalist
security; it was the epoch when a special and private report of Chief
of Police Angeles to the King, on the subject of the suburbs of Paris,
terminated with these lines:--

"Taking all things into consideration, Sire, there is nothing to be
feared from these people. They are as heedless and as indolent as cats.
The populace is restless in the provinces; it is not in Paris. These are
very pretty men, Sire. It would take all of two of them to make one
of your grenadiers. There is nothing to be feared on the part of the
populace of Paris the capital. It is remarkable that the stature of
this population should have diminished in the last fifty years; and
the populace of the suburbs is still more puny than at the time of the
Revolution. It is not dangerous. In short, it is an amiable rabble."

Prefects of the police do not deem it possible that a cat can transform
itself into a lion; that does happen, however, and in that lies the
miracle wrought by the populace of Paris. Moreover, the cat so despised
by Count Angles possessed the esteem of the republics of old. In their
eyes it was liberty incarnate; and as though to serve as pendant to
the Minerva Aptera of the Piraeus, there stood on the public square in
Corinth the colossal bronze figure of a cat. The ingenuous police of the
Restoration beheld the populace of Paris in too "rose-colored" a light;
it is not so much of "an amiable rabble" as it is thought. The Parisian
is to the Frenchman what the Athenian was to the Greek: no one sleeps
more soundly than he, no one is more frankly frivolous and lazy than
he, no one can better assume the air of forgetfulness; let him not be
trusted nevertheless; he is ready for any sort of cool deed; but when
there is glory at the end of it, he is worthy of admiration in every
sort of fury. Give him a pike, he will produce the 10th of August; give
him a gun, you will have Austerlitz. He is Napoleon's stay and Danton's
resource. Is it a question of country, he enlists; is it a question of
liberty, he tears up the pavements. Beware! his hair filled with wrath,
is epic; his blouse drapes itself like the folds of a chlamys. Take
care! he will make of the first Rue Grenetat which comes to hand Caudine
Forks. When the hour strikes, this man of the faubourgs will grow in
stature; this little man will arise, and his gaze will be terrible, and
his breath will become a tempest, and there will issue forth from that
slender chest enough wind to disarrange the folds of the Alps. It is,
thanks to the suburban man of Paris, that the Revolution, mixed with
arms, conquers Europe. He sings; it is his delight. Proportion his song
to his nature, and you will see! As long as he has for refrain nothing
but la Carmagnole, he only overthrows Louis XVI.; make him sing the
Marseillaise, and he will free the world.

This note jotted down on the margin of Angles' report, we will return to
our four couples. The dinner, as we have said, was drawing to its close.




CHAPTER VI--A CHAPTER IN WHICH THEY ADORE EACH OTHER

Chat at table, the chat of love; it is as impossible to reproduce one as
the other; the chat of love is a cloud; the chat at table is smoke.

Fameuil and Dahlia were humming. Tholomyes was drinking. Zephine was
laughing, Fantine smiling, Listolier blowing a wooden trumpet which he
had purchased at Saint-Cloud.

Favourite gazed tenderly at Blachevelle and said:--

"Blachevelle, I adore you."

This called forth a question from Blachevelle:--

"What would you do, Favourite, if I were to cease to love you?"

"I!" cried Favourite. "Ah! Do not say that even in jest! If you were
to cease to love me, I would spring after you, I would scratch you,
I should rend you, I would throw you into the water, I would have you
arrested."

Blachevelle smiled with the voluptuous self-conceit of a man who is
tickled in his self-love. Favourite resumed:--

"Yes, I would scream to the police! Ah! I should not restrain myself,
not at all! Rabble!"

Blachevelle threw himself back in his chair, in an ecstasy, and closed
both eyes proudly.

Dahlia, as she ate, said in a low voice to Favourite, amid the uproar:--

"So you really idolize him deeply, that Blachevelle of yours?"

"I? I detest him," replied Favourite in the same tone, seizing her fork
again. "He is avaricious. I love the little fellow opposite me in my
house. He is very nice, that young man; do you know him? One can see
that he is an actor by profession. I love actors. As soon as he comes
in, his mother says to him: 'Ah! mon Dieu! my peace of mind is gone.
There he goes with his shouting. But, my dear, you are splitting my
head!' So he goes up to rat-ridden garrets, to black holes, as high as
he can mount, and there he sets to singing, declaiming, how do I know
what? so that he can be heard down stairs! He earns twenty sous a day at
an attorney's by penning quibbles. He is the son of a former precentor
of Saint-Jacques-du-Haut-Pas. Ah! he is very nice. He idolizes me so,
that one day when he saw me making batter for some pancakes, he said to
me: 'Mamselle, make your gloves into fritters, and I will eat them.' It
is only artists who can say such things as that. Ah! he is very nice.
I am in a fair way to go out of my head over that little fellow. Never
mind; I tell Blachevelle that I adore him--how I lie! Hey! How I do
lie!"

Favourite paused, and then went on:--

"I am sad, you see, Dahlia. It has done nothing but rain all summer; the
wind irritates me; the wind does not abate. Blachevelle is very stingy;
there are hardly any green peas in the market; one does not know what to
eat. I have the spleen, as the English say, butter is so dear! and then
you see it is horrible, here we are dining in a room with a bed in it,
and that disgusts me with life."




CHAPTER VII--THE WISDOM OF THOLOMYES

In the meantime, while some sang, the rest talked together tumultuously
all at once; it was no longer anything but noise. Tholomyes intervened.

"Let us not talk at random nor too fast," he exclaimed. "Let us reflect,
if we wish to be brilliant. Too much improvisation empties the mind in
a stupid way. Running beer gathers no froth. No haste, gentlemen. Let us
mingle majesty with the feast. Let us eat with meditation; let us make
haste slowly. Let us not hurry. Consider the springtime; if it makes
haste, it is done for; that is to say, it gets frozen. Excess of zeal
ruins peach-trees and apricot-trees. Excess of zeal kills the grace and
the mirth of good dinners. No zeal, gentlemen! Grimod de la Reyniere
agrees with Talleyrand."

A hollow sound of rebellion rumbled through the group.

"Leave us in peace, Tholomyes," said Blachevelle.

"Down with the tyrant!" said Fameuil.

"Bombarda, Bombance, and Bambochel!" cried Listolier.

"Sunday exists," resumed Fameuil.

"We are sober," added Listolier.

"Tholomyes," remarked Blachevelle, "contemplate my calmness [mon
calme]."

"You are the Marquis of that," retorted Tholomyes.

This mediocre play upon words produced the effect of a stone in a pool.
The Marquis de Montcalm was at that time a celebrated royalist. All the
frogs held their peace.

"Friends," cried Tholomyes, with the accent of a man who had recovered
his empire, "Come to yourselves. This pun which has fallen from the
skies must not be received with too much stupor. Everything which falls
in that way is not necessarily worthy of enthusiasm and respect. The pun
is the dung of the mind which soars. The jest falls, no matter where;
and the mind after producing a piece of stupidity plunges into the azure
depths. A whitish speck flattened against the rock does not prevent the
condor from soaring aloft. Far be it from me to insult the pun! I honor
it in proportion to its merits; nothing more. All the most august, the
most sublime, the most charming of humanity, and perhaps outside of
humanity, have made puns. Jesus Christ made a pun on St. Peter, Moses on
Isaac, AEschylus on Polynices, Cleopatra on Octavius. And observe that
Cleopatra's pun preceded the battle of Actium, and that had it not been
for it, no one would have remembered the city of Toryne, a Greek name
which signifies a ladle. That once conceded, I return to my exhortation.
I repeat, brothers, I repeat, no zeal, no hubbub, no excess; even in
witticisms, gayety, jollities, or plays on words. Listen to me. I have
the prudence of Amphiaraus and the baldness of Caesar. There must be a
limit, even to rebuses. Est modus in rebus.

"There must be a limit, even to dinners. You are fond of apple
turnovers, ladies; do not indulge in them to excess. Even in the matter
of turnovers, good sense and art are requisite. Gluttony chastises the
glutton, Gula punit Gulax. Indigestion is charged by the good God with
preaching morality to stomachs. And remember this: each one of our
passions, even love, has a stomach which must not be filled too full. In
all things the word finis must be written in good season; self-control
must be exercised when the matter becomes urgent; the bolt must be drawn
on appetite; one must set one's own fantasy to the violin, and carry
one's self to the post. The sage is the man who knows how, at a given
moment, to effect his own arrest. Have some confidence in me, for I
have succeeded to some extent in my study of the law, according to
the verdict of my examinations, for I know the difference between the
question put and the question pending, for I have sustained a thesis in
Latin upon the manner in which torture was administered at Rome at the
epoch when Munatius Demens was quaestor of the Parricide; because I
am going to be a doctor, apparently it does not follow that it is
absolutely necessary that I should be an imbecile. I recommend you to
moderation in your desires. It is true that my name is Felix Tholomyes;
I speak well. Happy is he who, when the hour strikes, takes a heroic
resolve, and abdicates like Sylla or Origenes."

Favourite listened with profound attention.

"Felix," said she, "what a pretty word! I love that name. It is Latin;
it means prosper."

Tholomyes went on:--

"Quirites, gentlemen, caballeros, my friends. Do you wish never to feel
the prick, to do without the nuptial bed, and to brave love? Nothing
more simple. Here is the receipt: lemonade, excessive exercise, hard
labor; work yourself to death, drag blocks, sleep not, hold vigil,
gorge yourself with nitrous beverages, and potions of nymphaeas; drink
emulsions of poppies and agnus castus; season this with a strict diet,
starve yourself, and add thereto cold baths, girdles of herbs, the
application of a plate of lead, lotions made with the subacetate of
lead, and fomentations of oxycrat."

"I prefer a woman," said Listolier.

"Woman," resumed Tholomyes; "distrust her. Woe to him who yields himself
to the unstable heart of woman! Woman is perfidious and disingenuous.
She detests the serpent from professional jealousy. The serpent is the
shop over the way."

"Tholomyes!" cried Blachevelle, "you are drunk!"

"Pardieu," said Tholomyes.

"Then be gay," resumed Blachevelle.

"I agree to that," responded Tholomyes.

And, refilling his glass, he rose.

"Glory to wine! Nunc te, Bacche, canam! Pardon me ladies; that is
Spanish. And the proof of it, senoras, is this: like people, like cask.
The arrobe of Castile contains sixteen litres; the cantaro of Alicante,
twelve; the almude of the Canaries, twenty-five; the cuartin of the
Balearic Isles, twenty-six; the boot of Tzar Peter, thirty. Long
live that Tzar who was great, and long live his boot, which was still
greater! Ladies, take the advice of a friend; make a mistake in your
neighbor if you see fit. The property of love is to err. A love
affair is not made to crouch down and brutalize itself like an English
serving-maid who has callouses on her knees from scrubbing. It is not
made for that; it errs gayly, our gentle love. It has been said, error
is human; I say, error is love. Ladies, I idolize you all. O Zephine, O
Josephine, face more than irregular, you would be charming were you not
all askew. You have the air of a pretty face upon which some one has
sat down by mistake. As for Favourite, O nymphs and muses! one day
when Blachevelle was crossing the gutter in the Rue Guerin-Boisseau,
he espied a beautiful girl with white stockings well drawn up, which
displayed her legs. This prologue pleased him, and Blachevelle fell
in love. The one he loved was Favourite. O Favourite, thou hast Ionian
lips. There was a Greek painter named Euphorion, who was surnamed the
painter of the lips. That Greek alone would have been worthy to paint
thy mouth. Listen! before thee, there was never a creature worthy of the
name. Thou wert made to receive the apple like Venus, or to eat it like
Eve; beauty begins with thee. I have just referred to Eve; it is thou
who hast created her. Thou deservest the letters-patent of the beautiful
woman. O Favourite, I cease to address you as 'thou,' because I pass
from poetry to prose. You were speaking of my name a little while ago.
That touched me; but let us, whoever we may be, distrust names. They may
delude us. I am called Felix, and I am not happy. Words are liars. Let
us not blindly accept the indications which they afford us. It would be
a mistake to write to Liege [2] for corks, and to Pau for gloves. Miss
Dahlia, were I in your place, I would call myself Rosa. A flower should
smell sweet, and woman should have wit. I say nothing of Fantine; she
is a dreamer, a musing, thoughtful, pensive person; she is a phantom
possessed of the form of a nymph and the modesty of a nun, who has
strayed into the life of a grisette, but who takes refuge in illusions,
and who sings and prays and gazes into the azure without very well
knowing what she sees or what she is doing, and who, with her eyes fixed
on heaven, wanders in a garden where there are more birds than are in
existence. O Fantine, know this: I, Tholomyes, I am all illusion; but
she does not even hear me, that blond maid of Chimeras! as for the rest,
everything about her is freshness, suavity, youth, sweet morning light.
O Fantine, maid worthy of being called Marguerite or Pearl, you are a
woman from the beauteous Orient. Ladies, a second piece of advice: do
not marry; marriage is a graft; it takes well or ill; avoid that risk.
But bah! what am I saying? I am wasting my words. Girls are incurable
on the subject of marriage, and all that we wise men can say will not
prevent the waistcoat-makers and the shoe-stitchers from dreaming
of husbands studded with diamonds. Well, so be it; but, my beauties,
remember this, you eat too much sugar. You have but one fault, O woman,
and that is nibbling sugar. O nibbling sex, your pretty little white
teeth adore sugar. Now, heed me well, sugar is a salt. All salts are
withering. Sugar is the most desiccating of all salts; it sucks the
liquids of the blood through the veins; hence the coagulation, and then
the solidification of the blood; hence tubercles in the lungs, hence
death. That is why diabetes borders on consumption. Then, do not crunch
sugar, and you will live. I turn to the men: gentlemen, make conquest,
rob each other of your well-beloved without remorse. Chassez across.
In love there are no friends. Everywhere where there is a pretty woman
hostility is open. No quarter, war to the death! a pretty woman is a
casus belli; a pretty woman is flagrant misdemeanor. All the invasions
of history have been determined by petticoats. Woman is man's right.
Romulus carried off the Sabines; William carried off the Saxon women;
Caesar carried off the Roman women. The man who is not loved soars like
a vulture over the mistresses of other men; and for my own part, to all
those unfortunate men who are widowers, I throw the sublime proclamation
of Bonaparte to the army of Italy: "Soldiers, you are in need of
everything; the enemy has it."

Tholomyes paused.

"Take breath, Tholomyes," said Blachevelle.

At the same moment Blachevelle, supported by Listolier and Fameuil,
struck up to a plaintive air, one of those studio songs composed of
the first words which come to hand, rhymed richly and not at all, as
destitute of sense as the gesture of the tree and the sound of the wind,
which have their birth in the vapor of pipes, and are dissipated and
take their flight with them. This is the couplet by which the group
replied to Tholomyes' harangue:--


           "The father turkey-cocks so grave
            Some money to an agent gave,
            That master good Clermont-Tonnerre
            Might be made pope on Saint Johns' day fair.
            But this good Clermont could not be
            Made pope, because no priest was he;
            And then their agent, whose wrath burned,
            With all their money back returned."


This was not calculated to calm Tholomyes' improvisation; he emptied his
glass, filled, refilled it, and began again:--

"Down with wisdom! Forget all that I have said. Let us be neither prudes
nor prudent men nor prudhommes. I propose a toast to mirth; be merry.
Let us complete our course of law by folly and eating! Indigestion and
the digest. Let Justinian be the male, and Feasting, the female! Joy in
the depths! Live, O creation! The world is a great diamond. I am happy.
The birds are astonishing. What a festival everywhere! The nightingale
is a gratuitous Elleviou. Summer, I salute thee! O Luxembourg! O
Georgics of the Rue Madame, and of the Allee de l'Observatoire! O
pensive infantry soldiers! O all those charming nurses who, while they
guard the children, amuse themselves! The pampas of America would please
me if I had not the arcades of the Odeon. My soul flits away into the
virgin forests and to the savannas. All is beautiful. The flies buzz in
the sun. The sun has sneezed out the humming bird. Embrace me, Fantine!"

He made a mistake and embraced Favourite.




CHAPTER VIII--THE DEATH OF A HORSE


"The dinners are better at Edon's than at Bombarda's," exclaimed
Zephine.

"I prefer Bombarda to Edon," declared Blachevelle. "There is more
luxury. It is more Asiatic. Look at the room downstairs; there are
mirrors [glaces] on the walls."

"I prefer them [glaces, ices] on my plate," said Favourite.

Blachevelle persisted:--

"Look at the knives. The handles are of silver at Bombarda's and of bone
at Edon's. Now, silver is more valuable than bone."

"Except for those who have a silver chin," observed Tholomyes.

He was looking at the dome of the Invalides, which was visible from
Bombarda's windows.

A pause ensued.

"Tholomyes," exclaimed Fameuil, "Listolier and I were having a
discussion just now."

"A discussion is a good thing," replied Tholomyes; "a quarrel is
better."

"We were disputing about philosophy."

"Well?"

"Which do you prefer, Descartes or Spinoza?"

"Desaugiers," said Tholomyes.

This decree pronounced, he took a drink, and went on:--

"I consent to live. All is not at an end on earth since we can still
talk nonsense. For that I return thanks to the immortal gods. We lie.
One lies, but one laughs. One affirms, but one doubts. The unexpected
bursts forth from the syllogism. That is fine. There are still human
beings here below who know how to open and close the surprise box of the
paradox merrily. This, ladies, which you are drinking with so tranquil
an air is Madeira wine, you must know, from the vineyard of Coural das
Freiras, which is three hundred and seventeen fathoms above the level of
the sea. Attention while you drink! three hundred and seventeen fathoms!
and Monsieur Bombarda, the magnificent eating-house keeper, gives you
those three hundred and seventeen fathoms for four francs and fifty
centimes."

Again Fameuil interrupted him:--

"Tholomyes, your opinions fix the law. Who is your favorite author?"

"Ber--"

"Quin?"

"No; Choux."

And Tholomyes continued:--

"Honor to Bombarda! He would equal Munophis of Elephanta if he could but
get me an Indian dancing-girl, and Thygelion of Chaeronea if he could
bring me a Greek courtesan; for, oh, ladies! there were Bombardas in
Greece and in Egypt. Apuleius tells us of them. Alas! always the same,
and nothing new; nothing more unpublished by the creator in creation!
Nil sub sole novum, says Solomon; amor omnibus idem, says Virgil; and
Carabine mounts with Carabin into the bark at Saint-Cloud, as Aspasia
embarked with Pericles upon the fleet at Samos. One last word. Do you
know what Aspasia was, ladies? Although she lived at an epoch when women
had, as yet, no soul, she was a soul; a soul of a rosy and purple
hue, more ardent hued than fire, fresher than the dawn. Aspasia was
a creature in whom two extremes of womanhood met; she was the goddess
prostitute; Socrates plus Manon Lescaut. Aspasia was created in case a
mistress should be needed for Prometheus."

Tholomyes, once started, would have found some difficulty in stopping,
had not a horse fallen down upon the quay just at that moment. The
shock caused the cart and the orator to come to a dead halt. It was a
Beauceron mare, old and thin, and one fit for the knacker, which was
dragging a very heavy cart. On arriving in front of Bombarda's, the
worn-out, exhausted beast had refused to proceed any further. This
incident attracted a crowd. Hardly had the cursing and indignant carter
had time to utter with proper energy the sacramental word, Matin (the
jade), backed up with a pitiless cut of the whip, when the jade fell,
never to rise again. On hearing the hubbub made by the passersby,
Tholomyes' merry auditors turned their heads, and Tholomyes took
advantage of the opportunity to bring his allocution to a close with
this melancholy strophe:--

      "Elle etait de ce monde ou coucous et carrosses [3]
          Ont le meme destin;
      Et, rosse, elle a vecu ce que vivant les rosses,
          L'espace d'un matin!"


"Poor horse!" sighed Fantine.

And Dahlia exclaimed:--

"There is Fantine on the point of crying over horses. How can one be
such a pitiful fool as that!"

At that moment Favourite, folding her arms and throwing her head back,
looked resolutely at Tholomyes and said:--

"Come, now! the surprise?"

"Exactly. The moment has arrived," replied Tholomyes. "Gentlemen,
the hour for giving these ladies a surprise has struck. Wait for us a
moment, ladies."

"It begins with a kiss," said Blachevelle.

"On the brow," added Tholomyes.

Each gravely bestowed a kiss on his mistress's brow; then all four filed
out through the door, with their fingers on their lips.

Favourite clapped her hands on their departure.

"It is beginning to be amusing already," said she.

"Don't be too long," murmured Fantine; "we are waiting for you."




CHAPTER IX--A MERRY END TO MIRTH

When the young girls were left alone, they leaned two by two on the
window-sills, chatting, craning out their heads, and talking from one
window to the other.

They saw the young men emerge from the Cafe Bombarda arm in arm. The
latter turned round, made signs to them, smiled, and disappeared in
that dusty Sunday throng which makes a weekly invasion into the
Champs-Elysees.

"Don't be long!" cried Fantine.

"What are they going to bring us?" said Zephine.

"It will certainly be something pretty," said Dahlia.

"For my part," said Favourite, "I want it to be of gold."

Their attention was soon distracted by the movements on the shore of the
lake, which they could see through the branches of the large trees, and
which diverted them greatly.

It was the hour for the departure of the mail-coaches and diligences.
Nearly all the stage-coaches for the south and west passed through the
Champs-Elysees. The majority followed the quay and went through the
Passy Barrier. From moment to moment, some huge vehicle, painted yellow
and black, heavily loaded, noisily harnessed, rendered shapeless
by trunks, tarpaulins, and valises, full of heads which immediately
disappeared, rushed through the crowd with all the sparks of a forge,
with dust for smoke, and an air of fury, grinding the pavements,
changing all the paving-stones into steels. This uproar delighted the
young girls. Favourite exclaimed:--

"What a row! One would say that it was a pile of chains flying away."

It chanced that one of these vehicles, which they could only see with
difficulty through the thick elms, halted for a moment, then set out
again at a gallop. This surprised Fantine.

"That's odd!" said she. "I thought the diligence never stopped."

Favourite shrugged her shoulders.

"This Fantine is surprising. I am coming to take a look at her out of
curiosity. She is dazzled by the simplest things. Suppose a case: I am
a traveller; I say to the diligence, 'I will go on in advance; you shall
pick me up on the quay as you pass.' The diligence passes, sees me,
halts, and takes me. That is done every day. You do not know life, my
dear."

In this manner a certain time elapsed. All at once Favourite made a
movement, like a person who is just waking up.

"Well," said she, "and the surprise?"

"Yes, by the way," joined in Dahlia, "the famous surprise?"

"They are a very long time about it!" said Fantine.

As Fantine concluded this sigh, the waiter who had served them at dinner
entered. He held in his hand something which resembled a letter.

"What is that?" demanded Favourite.

The waiter replied:--

"It is a paper that those gentlemen left for these ladies."

"Why did you not bring it at once?"

"Because," said the waiter, "the gentlemen ordered me not to deliver it
to the ladies for an hour."

Favourite snatched the paper from the waiter's hand. It was, in fact, a
letter.

"Stop!" said she; "there is no address; but this is what is written on
it--"

                 "THIS IS THE SURPRISE."

She tore the letter open hastily, opened it, and read [she knew how to
read]:--

"OUR BELOVED:--

"You must know that we have parents. Parents--you do not know much about
such things. They are called fathers and mothers by the civil code,
which is puerile and honest. Now, these parents groan, these old folks
implore us, these good men and these good women call us prodigal sons;
they desire our return, and offer to kill calves for us. Being virtuous,
we obey them. At the hour when you read this, five fiery horses will
be bearing us to our papas and mammas. We are pulling up our stakes, as
Bossuet says. We are going; we are gone. We flee in the arms of Lafitte
and on the wings of Caillard. The Toulouse diligence tears us from
the abyss, and the abyss is you, O our little beauties! We return to
society, to duty, to respectability, at full trot, at the rate of three
leagues an hour. It is necessary for the good of the country that we
should be, like the rest of the world, prefects, fathers of families,
rural police, and councillors of state. Venerate us. We are sacrificing
ourselves. Mourn for us in haste, and replace us with speed. If this
letter lacerates you, do the same by it. Adieu.

"For the space of nearly two years we have made you happy. We bear you
no grudge for that.                                 "Signed:
                                            BLACHEVELLE.
                                            FAMUEIL.
                                            LISTOLIER.
                                            FELIX THOLOMYES.

"Postscriptum. The dinner is paid for."


The four young women looked at each other.

Favourite was the first to break the silence.

"Well!" she exclaimed, "it's a very pretty farce, all the same."

"It is very droll," said Zephine.

"That must have been Blachevelle's idea," resumed Favourite. "It makes
me in love with him. No sooner is he gone than he is loved. This is an
adventure, indeed."

"No," said Dahlia; "it was one of Tholomyes' ideas. That is evident.

"In that case," retorted Favourite, "death to Blachevelle, and long live
Tholomyes!"

"Long live Tholomyes!" exclaimed Dahlia and Zephine.

And they burst out laughing.

Fantine laughed with the rest.

An hour later, when she had returned to her room, she wept. It was
her first love affair, as we have said; she had given herself to this
Tholomyes as to a husband, and the poor girl had a child.




BOOK FOURTH.--TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON'S POWER




CHAPTER I--ONE MOTHER MEETS ANOTHER MOTHER

There was, at Montfermeil, near Paris, during the first quarter of this
century, a sort of cook-shop which no longer exists. This cook-shop was
kept by some people named Thenardier, husband and wife. It was situated
in Boulanger Lane. Over the door there was a board nailed flat against
the wall. Upon this board was painted something which resembled a
man carrying another man on his back, the latter wearing the big gilt
epaulettes of a general, with large silver stars; red spots represented
blood; the rest of the picture consisted of smoke, and probably
represented a battle. Below ran this inscription: AT THE SIGN OF
SERGEANT OF WATERLOO (Au Sargent de Waterloo).

Nothing is more common than a cart or a truck at the door of a hostelry.
Nevertheless, the vehicle, or, to speak more accurately, the fragment of
a vehicle, which encumbered the street in front of the cook-shop of the
Sergeant of Waterloo, one evening in the spring of 1818, would certainly
have attracted, by its mass, the attention of any painter who had passed
that way.

It was the fore-carriage of one of those trucks which are used in wooded
tracts of country, and which serve to transport thick planks and the
trunks of trees. This fore-carriage was composed of a massive iron
axle-tree with a pivot, into which was fitted a heavy shaft, and
which was supported by two huge wheels. The whole thing was compact,
overwhelming, and misshapen. It seemed like the gun-carriage of an
enormous cannon. The ruts of the road had bestowed on the wheels, the
fellies, the hub, the axle, and the shaft, a layer of mud, a hideous
yellowish daubing hue, tolerably like that with which people are fond
of ornamenting cathedrals. The wood was disappearing under mud, and the
iron beneath rust. Under the axle-tree hung, like drapery, a huge chain,
worthy of some Goliath of a convict. This chain suggested, not the
beams, which it was its office to transport, but the mastodons and
mammoths which it might have served to harness; it had the air of the
galleys, but of cyclopean and superhuman galleys, and it seemed to have
been detached from some monster. Homer would have bound Polyphemus with
it, and Shakespeare, Caliban.

Why was that fore-carriage of a truck in that place in the street? In
the first place, to encumber the street; next, in order that it might
finish the process of rusting. There is a throng of institutions in the
old social order, which one comes across in this fashion as one walks
about outdoors, and which have no other reasons for existence than the
above.

The centre of the chain swung very near the ground in the middle, and in
the loop, as in the rope of a swing, there were seated and grouped, on
that particular evening, in exquisite interlacement, two little girls;
one about two years and a half old, the other, eighteen months; the
younger in the arms of the other. A handkerchief, cleverly knotted about
them, prevented their falling out. A mother had caught sight of that
frightful chain, and had said, "Come! there's a plaything for my
children."

The two children, who were dressed prettily and with some elegance, were
radiant with pleasure; one would have said that they were two roses amid
old iron; their eyes were a triumph; their fresh cheeks were full of
laughter. One had chestnut hair; the other, brown. Their innocent faces
were two delighted surprises; a blossoming shrub which grew near wafted
to the passers-by perfumes which seemed to emanate from them; the child
of eighteen months displayed her pretty little bare stomach with the
chaste indecency of childhood. Above and around these two delicate
heads, all made of happiness and steeped in light, the gigantic
fore-carriage, black with rust, almost terrible, all entangled in curves
and wild angles, rose in a vault, like the entrance of a cavern. A few
paces apart, crouching down upon the threshold of the hostelry, the
mother, not a very prepossessing woman, by the way, though touching
at that moment, was swinging the two children by means of a long cord,
watching them carefully, for fear of accidents, with that animal and
celestial expression which is peculiar to maternity. At every backward
and forward swing the hideous links emitted a strident sound, which
resembled a cry of rage; the little girls were in ecstasies; the setting
sun mingled in this joy, and nothing could be more charming than this
caprice of chance which had made of a chain of Titans the swing of
cherubim.

As she rocked her little ones, the mother hummed in a discordant voice a
romance then celebrated:--


                 "It must be, said a warrior."


Her song, and the contemplation of her daughters, prevented her hearing
and seeing what was going on in the street.

In the meantime, some one had approached her, as she was beginning the
first couplet of the romance, and suddenly she heard a voice saying very
near her ear:--

"You have two beautiful children there, Madame."


                 "To the fair and tender Imogene--"


replied the mother, continuing her romance; then she turned her head.

A woman stood before her, a few paces distant. This woman also had a
child, which she carried in her arms.

She was carrying, in addition, a large carpet-bag, which seemed very
heavy.

This woman's child was one of the most divine creatures that it is
possible to behold. It was a girl, two or three years of age. She could
have entered into competition with the two other little ones, so far as
the coquetry of her dress was concerned; she wore a cap of fine linen,
ribbons on her bodice, and Valenciennes lace on her cap. The folds of
her skirt were raised so as to permit a view of her white, firm, and
dimpled leg. She was admirably rosy and healthy. The little beauty
inspired a desire to take a bite from the apples of her cheeks. Of her
eyes nothing could be known, except that they must be very large, and
that they had magnificent lashes. She was asleep.

She slept with that slumber of absolute confidence peculiar to her
age. The arms of mothers are made of tenderness; in them children sleep
profoundly.

As for the mother, her appearance was sad and poverty-stricken. She
was dressed like a working-woman who is inclined to turn into a peasant
again. She was young. Was she handsome? Perhaps; but in that attire it
was not apparent. Her hair, a golden lock of which had escaped, seemed
very thick, but was severely concealed beneath an ugly, tight, close,
nun-like cap, tied under the chin. A smile displays beautiful teeth when
one has them; but she did not smile. Her eyes did not seem to have been
dry for a very long time. She was pale; she had a very weary and rather
sickly appearance. She gazed upon her daughter asleep in her arms with
the air peculiar to a mother who has nursed her own child. A large blue
handkerchief, such as the Invalides use, was folded into a fichu, and
concealed her figure clumsily. Her hands were sunburnt and all dotted
with freckles, her forefinger was hardened and lacerated with the
needle; she wore a cloak of coarse brown woollen stuff, a linen gown,
and coarse shoes. It was Fantine.

It was Fantine, but difficult to recognize. Nevertheless, on
scrutinizing her attentively, it was evident that she still retained
her beauty. A melancholy fold, which resembled the beginning of irony,
wrinkled her right cheek. As for her toilette, that aerial toilette of
muslin and ribbons, which seemed made of mirth, of folly, and of music,
full of bells, and perfumed with lilacs had vanished like that beautiful
and dazzling hoar-frost which is mistaken for diamonds in the sunlight;
it melts and leaves the branch quite black.

Ten months had elapsed since the "pretty farce."

What had taken place during those ten months? It can be divined.

After abandonment, straightened circumstances. Fantine had immediately
lost sight of Favourite, Zephine and Dahlia; the bond once broken on the
side of the men, it was loosed between the women; they would have been
greatly astonished had any one told them a fortnight later, that they
had been friends; there no longer existed any reason for such a thing.
Fantine had remained alone. The father of her child gone,--alas! such
ruptures are irrevocable,--she found herself absolutely isolated, minus
the habit of work and plus the taste for pleasure. Drawn away by her
liaison with Tholomyes to disdain the pretty trade which she knew, she
had neglected to keep her market open; it was now closed to her. She had
no resource. Fantine barely knew how to read, and did not know how to
write; in her childhood she had only been taught to sign her name;
she had a public letter-writer indite an epistle to Tholomyes, then a
second, then a third. Tholomyes replied to none of them. Fantine heard
the gossips say, as they looked at her child: "Who takes those children
seriously! One only shrugs one's shoulders over such children!" Then she
thought of Tholomyes, who had shrugged his shoulders over his child,
and who did not take that innocent being seriously; and her heart grew
gloomy toward that man. But what was she to do? She no longer knew to
whom to apply. She had committed a fault, but the foundation of her
nature, as will be remembered, was modesty and virtue. She was vaguely
conscious that she was on the verge of falling into distress, and of
gliding into a worse state. Courage was necessary; she possessed it, and
held herself firm. The idea of returning to her native town of M. sur
M. occurred to her. There, some one might possibly know her and give her
work; yes, but it would be necessary to conceal her fault. In a confused
way she perceived the necessity of a separation which would be more
painful than the first one. Her heart contracted, but she took her
resolution. Fantine, as we shall see, had the fierce bravery of life.
She had already valiantly renounced finery, had dressed herself in
linen, and had put all her silks, all her ornaments, all her ribbons,
and all her laces on her daughter, the only vanity which was left to
her, and a holy one it was. She sold all that she had, which produced
for her two hundred francs; her little debts paid, she had only about
eighty francs left. At the age of twenty-two, on a beautiful spring
morning, she quitted Paris, bearing her child on her back. Any one who
had seen these two pass would have had pity on them. This woman had,
in all the world, nothing but her child, and the child had, in all the
world, no one but this woman. Fantine had nursed her child, and this had
tired her chest, and she coughed a little.

We shall have no further occasion to speak of M. Felix Tholomyes. Let us
confine ourselves to saying, that, twenty years later, under King Louis
Philippe, he was a great provincial lawyer, wealthy and influential, a
wise elector, and a very severe juryman; he was still a man of pleasure.

Towards the middle of the day, after having, from time to time, for the
sake of resting herself, travelled, for three or four sous a league, in
what was then known as the Petites Voitures des Environs de Paris, the
"little suburban coach service," Fantine found herself at Montfermeil,
in the alley Boulanger.

As she passed the Thenardier hostelry, the two little girls, blissful
in the monster swing, had dazzled her in a manner, and she had halted in
front of that vision of joy.

Charms exist. These two little girls were a charm to this mother.

She gazed at them in much emotion. The presence of angels is an
announcement of Paradise. She thought that, above this inn, she beheld
the mysterious HERE of Providence. These two little creatures were
evidently happy. She gazed at them, she admired them, in such emotion
that at the moment when their mother was recovering her breath between
two couplets of her song, she could not refrain from addressing to her
the remark which we have just read:--

"You have two pretty children, Madame."

The most ferocious creatures are disarmed by caresses bestowed on their
young.

The mother raised her head and thanked her, and bade the wayfarer
sit down on the bench at the door, she herself being seated on the
threshold. The two women began to chat.

"My name is Madame Thenardier," said the mother of the two little girls.
"We keep this inn."

Then, her mind still running on her romance, she resumed humming between
her teeth:--

                 "It must be so; I am a knight,
                  And I am off to Palestine."


This Madame Thenardier was a sandy-complexioned woman, thin and
angular--the type of the soldier's wife in all its unpleasantness; and
what was odd, with a languishing air, which she owed to her perusal
of romances. She was a simpering, but masculine creature. Old romances
produce that effect when rubbed against the imagination of cook-shop
woman. She was still young; she was barely thirty. If this crouching
woman had stood upright, her lofty stature and her frame of a
perambulating colossus suitable for fairs, might have frightened the
traveller at the outset, troubled her confidence, and disturbed what
caused what we have to relate to vanish. A person who is seated instead
of standing erect--destinies hang upon such a thing as that.

The traveller told her story, with slight modifications.

That she was a working-woman; that her husband was dead; that her
work in Paris had failed her, and that she was on her way to seek it
elsewhere, in her own native parts; that she had left Paris that morning
on foot; that, as she was carrying her child, and felt fatigued, she had
got into the Villemomble coach when she met it; that from Villemomble
she had come to Montfermeil on foot; that the little one had walked a
little, but not much, because she was so young, and that she had been
obliged to take her up, and the jewel had fallen asleep.

At this word she bestowed on her daughter a passionate kiss, which woke
her. The child opened her eyes, great blue eyes like her mother's, and
looked at--what? Nothing; with that serious and sometimes severe air of
little children, which is a mystery of their luminous innocence in
the presence of our twilight of virtue. One would say that they feel
themselves to be angels, and that they know us to be men. Then the child
began to laugh; and although the mother held fast to her, she slipped to
the ground with the unconquerable energy of a little being which wished
to run. All at once she caught sight of the two others in the swing,
stopped short, and put out her tongue, in sign of admiration.

Mother Thenardier released her daughters, made them descend from the
swing, and said:--

"Now amuse yourselves, all three of you."

Children become acquainted quickly at that age, and at the expiration
of a minute the little Thenardiers were playing with the new-comer at
making holes in the ground, which was an immense pleasure.

The new-comer was very gay; the goodness of the mother is written in the
gayety of the child; she had seized a scrap of wood which served her
for a shovel, and energetically dug a cavity big enough for a fly. The
grave-digger's business becomes a subject for laughter when performed by
a child.

The two women pursued their chat.

"What is your little one's name?"

"Cosette."

For Cosette, read Euphrasie. The child's name was Euphrasie. But out
of Euphrasie the mother had made Cosette by that sweet and graceful
instinct of mothers and of the populace which changes Josepha into
Pepita, and Francoise into Sillette. It is a sort of derivative which
disarranges and disconcerts the whole science of etymologists. We have
known a grandmother who succeeded in turning Theodore into Gnon.

"How old is she?"

"She is going on three."

"That is the age of my eldest."

In the meantime, the three little girls were grouped in an attitude of
profound anxiety and blissfulness; an event had happened; a big worm
had emerged from the ground, and they were afraid; and they were in
ecstasies over it.

Their radiant brows touched each other; one would have said that there
were three heads in one aureole.

"How easily children get acquainted at once!" exclaimed Mother
Thenardier; "one would swear that they were three sisters!"

This remark was probably the spark which the other mother had been
waiting for. She seized the Thenardier's hand, looked at her fixedly,
and said:--

"Will you keep my child for me?"

The Thenardier made one of those movements of surprise which signify
neither assent nor refusal.

Cosette's mother continued:--

"You see, I cannot take my daughter to the country. My work will not
permit it. With a child one can find no situation. People are ridiculous
in the country. It was the good God who caused me to pass your inn. When
I caught sight of your little ones, so pretty, so clean, and so happy,
it overwhelmed me. I said: 'Here is a good mother. That is just the
thing; that will make three sisters.' And then, it will not be long
before I return. Will you keep my child for me?"

"I must see about it," replied the Thenardier.

"I will give you six francs a month."

Here a man's voice called from the depths of the cook-shop:--

"Not for less than seven francs. And six months paid in advance."

"Six times seven makes forty-two," said the Thenardier.

"I will give it," said the mother.

"And fifteen francs in addition for preliminary expenses," added the
man's voice.

"Total, fifty-seven francs," said Madame Thenardier. And she hummed
vaguely, with these figures:--

                 "It must be, said a warrior."


"I will pay it," said the mother. "I have eighty francs. I shall have
enough left to reach the country, by travelling on foot. I shall
earn money there, and as soon as I have a little I will return for my
darling."

The man's voice resumed:--

"The little one has an outfit?"

"That is my husband," said the Thenardier.

"Of course she has an outfit, the poor treasure.--I understood perfectly
that it was your husband.--And a beautiful outfit, too! a senseless
outfit, everything by the dozen, and silk gowns like a lady. It is here,
in my carpet-bag."

"You must hand it over," struck in the man's voice again.

"Of course I shall give it to you," said the mother. "It would be very
queer if I were to leave my daughter quite naked!"

The master's face appeared.

"That's good," said he.

The bargain was concluded. The mother passed the night at the inn, gave
up her money and left her child, fastened her carpet-bag once more, now
reduced in volume by the removal of the outfit, and light henceforth
and set out on the following morning, intending to return soon. People
arrange such departures tranquilly; but they are despairs!

A neighbor of the Thenardiers met this mother as she was setting out,
and came back with the remark:--

"I have just seen a woman crying in the street so that it was enough to
rend your heart."

When Cosette's mother had taken her departure, the man said to the
woman:--

"That will serve to pay my note for one hundred and ten francs which
falls due to-morrow; I lacked fifty francs. Do you know that I should
have had a bailiff and a protest after me? You played the mouse-trap
nicely with your young ones."

"Without suspecting it," said the woman.




CHAPTER II--FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES

The mouse which had been caught was a pitiful specimen; but the cat
rejoices even over a lean mouse.

Who were these Thenardiers?

Let us say a word or two of them now. We will complete the sketch later
on.

These beings belonged to that bastard class composed of coarse people
who have been successful, and of intelligent people who have descended
in the scale, which is between the class called "middle" and the class
denominated as "inferior," and which combines some of the defects of the
second with nearly all the vices of the first, without possessing
the generous impulse of the workingman nor the honest order of the
bourgeois.

They were of those dwarfed natures which, if a dull fire chances to warm
them up, easily become monstrous. There was in the woman a substratum
of the brute, and in the man the material for a blackguard. Both were
susceptible, in the highest degree, of the sort of hideous progress
which is accomplished in the direction of evil. There exist crab-like
souls which are continually retreating towards the darkness,
retrograding in life rather than advancing, employing experience to
augment their deformity, growing incessantly worse, and becoming more
and more impregnated with an ever-augmenting blackness. This man and
woman possessed such souls.

Thenardier, in particular, was troublesome for a physiognomist. One can
only look at some men to distrust them; for one feels that they are
dark in both directions. They are uneasy in the rear and threatening
in front. There is something of the unknown about them. One can no more
answer for what they have done than for what they will do. The shadow
which they bear in their glance denounces them. From merely hearing them
utter a word or seeing them make a gesture, one obtains a glimpse of
sombre secrets in their past and of sombre mysteries in their future.

This Thenardier, if he himself was to be believed, had been a soldier--a
sergeant, he said. He had probably been through the campaign of 1815,
and had even conducted himself with tolerable valor, it would seem. We
shall see later on how much truth there was in this. The sign of his
hostelry was in allusion to one of his feats of arms. He had painted it
himself; for he knew how to do a little of everything, and badly.

It was at the epoch when the ancient classical romance which, after
having been Clelie, was no longer anything but Lodoiska, still noble,
but ever more and more vulgar, having fallen from Mademoiselle de
Scuderi to Madame Bournon-Malarme, and from Madame de Lafayette to
Madame Barthelemy-Hadot, was setting the loving hearts of the portresses
of Paris aflame, and even ravaging the suburbs to some extent. Madame
Thenardier was just intelligent enough to read this sort of books. She
lived on them. In them she drowned what brains she possessed. This had
given her, when very young, and even a little later, a sort of pensive
attitude towards her husband, a scamp of a certain depth, a ruffian
lettered to the extent of the grammar, coarse and fine at one and the
same time, but, so far as sentimentalism was concerned, given to the
perusal of Pigault-Lebrun, and "in what concerns the sex," as he said
in his jargon--a downright, unmitigated lout. His wife was twelve or
fifteen years younger than he was. Later on, when her hair, arranged in
a romantically drooping fashion, began to grow gray, when the Magaera
began to be developed from the Pamela, the female Thenardier was nothing
but a coarse, vicious woman, who had dabbled in stupid romances. Now,
one cannot read nonsense with impunity. The result was that her eldest
daughter was named Eponine; as for the younger, the poor little thing
came near being called Gulnare; I know not to what diversion, effected
by a romance of Ducray-Dumenil, she owed the fact that she merely bore
the name of Azelma.

However, we will remark by the way, everything was not ridiculous and
superficial in that curious epoch to which we are alluding, and which
may be designated as the anarchy of baptismal names. By the side of
this romantic element which we have just indicated there is the social
symptom. It is not rare for the neatherd's boy nowadays to bear the name
of Arthur, Alfred, or Alphonse, and for the vicomte--if there are
still any vicomtes--to be called Thomas, Pierre, or Jacques. This
displacement, which places the "elegant" name on the plebeian and the
rustic name on the aristocrat, is nothing else than an eddy of equality.
The irresistible penetration of the new inspiration is there as
everywhere else. Beneath this apparent discord there is a great and a
profound thing,--the French Revolution.




CHAPTER III--THE LARK

It is not all in all sufficient to be wicked in order to prosper. The
cook-shop was in a bad way.

Thanks to the traveller's fifty-seven francs, Thenardier had been able
to avoid a protest and to honor his signature. On the following month
they were again in need of money. The woman took Cosette's outfit to
Paris, and pawned it at the pawnbroker's for sixty francs. As soon
as that sum was spent, the Thenardiers grew accustomed to look on the
little girl merely as a child whom they were caring for out of charity;
and they treated her accordingly. As she had no longer any clothes, they
dressed her in the cast-off petticoats and chemises of the Thenardier
brats; that is to say, in rags. They fed her on what all the rest
had left--a little better than the dog, a little worse than the cat.
Moreover, the cat and the dog were her habitual table-companions;
Cosette ate with them under the table, from a wooden bowl similar to
theirs.

The mother, who had established herself, as we shall see later on, at M.
sur M., wrote, or, more correctly, caused to be written, a letter every
month, that she might have news of her child. The Thenardiers replied
invariably, "Cosette is doing wonderfully well."

At the expiration of the first six months the mother sent seven francs
for the seventh month, and continued her remittances with tolerable
regularity from month to month. The year was not completed when
Thenardier said: "A fine favor she is doing us, in sooth! What does she
expect us to do with her seven francs?" and he wrote to demand twelve
francs. The mother, whom they had persuaded into the belief that her
child was happy, "and was coming on well," submitted, and forwarded the
twelve francs.

Certain natures cannot love on the one hand without hating on the other.
Mother Thenardier loved her two daughters passionately, which caused her
to hate the stranger.

It is sad to think that the love of a mother can possess villainous
aspects. Little as was the space occupied by Cosette, it seemed to
her as though it were taken from her own, and that that little child
diminished the air which her daughters breathed. This woman, like many
women of her sort, had a load of caresses and a burden of blows and
injuries to dispense each day. If she had not had Cosette, it is certain
that her daughters, idolized as they were, would have received the whole
of it; but the stranger did them the service to divert the blows to
herself. Her daughters received nothing but caresses. Cosette could not
make a motion which did not draw down upon her head a heavy shower of
violent blows and unmerited chastisement. The sweet, feeble being, who
should not have understood anything of this world or of God, incessantly
punished, scolded, ill-used, beaten, and seeing beside her two little
creatures like herself, who lived in a ray of dawn!

Madame Thenardier was vicious with Cosette. Eponine and Azelma were
vicious. Children at that age are only copies of their mother. The size
is smaller; that is all.

A year passed; then another.

People in the village said:--

"Those Thenardiers are good people. They are not rich, and yet they are
bringing up a poor child who was abandoned on their hands!"

They thought that Cosette's mother had forgotten her.

In the meanwhile, Thenardier, having learned, it is impossible to say by
what obscure means, that the child was probably a bastard, and that the
mother could not acknowledge it, exacted fifteen francs a month, saying
that "the creature" was growing and "eating," and threatening to send
her away. "Let her not bother me," he exclaimed, "or I'll fire her brat
right into the middle of her secrets. I must have an increase." The
mother paid the fifteen francs.

From year to year the child grew, and so did her wretchedness.

As long as Cosette was little, she was the scape-goat of the two other
children; as soon as she began to develop a little, that is to say,
before she was even five years old, she became the servant of the
household.

Five years old! the reader will say; that is not probable. Alas! it is
true. Social suffering begins at all ages. Have we not recently seen the
trial of a man named Dumollard, an orphan turned bandit, who, from the
age of five, as the official documents state, being alone in the world,
"worked for his living and stole"?

Cosette was made to run on errands, to sweep the rooms, the courtyard,
the street, to wash the dishes, to even carry burdens. The Thenardiers
considered themselves all the more authorized to behave in this manner,
since the mother, who was still at M. sur M., had become irregular in
her payments. Some months she was in arrears.

If this mother had returned to Montfermeil at the end of these three
years, she would not have recognized her child. Cosette, so pretty and
rosy on her arrival in that house, was now thin and pale. She had an
indescribably uneasy look. "The sly creature," said the Thenardiers.

Injustice had made her peevish, and misery had made her ugly. Nothing
remained to her except her beautiful eyes, which inspired pain, because,
large as they were, it seemed as though one beheld in them a still
larger amount of sadness.

It was a heart-breaking thing to see this poor child, not yet six years
old, shivering in the winter in her old rags of linen, full of holes,
sweeping the street before daylight, with an enormous broom in her tiny
red hands, and a tear in her great eyes.

[Illustration: Cossette Sweeping  1b4-1-cossette-sweeping]

She was called the Lark in the neighborhood. The populace, who are fond
of these figures of speech, had taken a fancy to bestow this name on
this trembling, frightened, and shivering little creature, no bigger
than a bird, who was awake every morning before any one else in the
house or the village, and was always in the street or the fields before
daybreak.

Only the little lark never sang.




BOOK FIFTH.--THE DESCENT.




CHAPTER I--THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS

And in the meantime, what had become of that mother who according to
the people at Montfermeil, seemed to have abandoned her child? Where was
she? What was she doing?

After leaving her little Cosette with the Thenardiers, she had continued
her journey, and had reached M. sur M.

This, it will be remembered, was in 1818.

Fantine had quitted her province ten years before. M. sur M. had changed
its aspect. While Fantine had been slowly descending from wretchedness
to wretchedness, her native town had prospered.

About two years previously one of those industrial facts which are the
grand events of small districts had taken place.

This detail is important, and we regard it as useful to develop it at
length; we should almost say, to underline it.

From time immemorial, M. sur M. had had for its special industry the
imitation of English jet and the black glass trinkets of Germany. This
industry had always vegetated, on account of the high price of the raw
material, which reacted on the manufacture. At the moment when Fantine
returned to M. sur M., an unheard-of transformation had taken place
in the production of "black goods." Towards the close of 1815 a man,
a stranger, had established himself in the town, and had been inspired
with the idea of substituting, in this manufacture, gum-lac for resin,
and, for bracelets in particular, slides of sheet-iron simply laid
together, for slides of soldered sheet-iron.

This very small change had effected a revolution.

This very small change had, in fact, prodigiously reduced the cost of
the raw material, which had rendered it possible in the first place, to
raise the price of manufacture, a benefit to the country; in the second
place, to improve the workmanship, an advantage to the consumer; in the
third place, to sell at a lower price, while trebling the profit, which
was a benefit to the manufacturer.

Thus three results ensued from one idea.

In less than three years the inventor of this process had become rich,
which is good, and had made every one about him rich, which is better.
He was a stranger in the Department. Of his origin, nothing was known;
of the beginning of his career, very little. It was rumored that he had
come to town with very little money, a few hundred francs at the most.

It was from this slender capital, enlisted in the service of an
ingenious idea, developed by method and thought, that he had drawn his
own fortune, and the fortune of the whole countryside.

On his arrival at M. sur M. he had only the garments, the appearance,
and the language of a workingman.

It appears that on the very day when he made his obscure entry into
the little town of M. sur M., just at nightfall, on a December evening,
knapsack on back and thorn club in hand, a large fire had broken out
in the town-hall. This man had rushed into the flames and saved, at the
risk of his own life, two children who belonged to the captain of the
gendarmerie; this is why they had forgotten to ask him for his passport.
Afterwards they had learned his name. He was called Father Madeleine.




CHAPTER II--MADELEINE

He was a man about fifty years of age, who had a preoccupied air, and
who was good. That was all that could be said about him.

Thanks to the rapid progress of the industry which he had so admirably
re-constructed, M. sur M. had become a rather important centre of trade.
Spain, which consumes a good deal of black jet, made enormous purchases
there each year. M. sur M. almost rivalled London and Berlin in this
branch of commerce. Father Madeleine's profits were such, that at the
end of the second year he was able to erect a large factory, in which
there were two vast workrooms, one for the men, and the other for women.
Any one who was hungry could present himself there, and was sure of
finding employment and bread. Father Madeleine required of the men good
will, of the women pure morals, and of all, probity. He had separated
the work-rooms in order to separate the sexes, and so that the women and
girls might remain discreet. On this point he was inflexible. It was the
only thing in which he was in a manner intolerant. He was all the more
firmly set on this severity, since M. sur M., being a garrison town,
opportunities for corruption abounded. However, his coming had been a
boon, and his presence was a godsend. Before Father Madeleine's arrival,
everything had languished in the country; now everything lived with
a healthy life of toil. A strong circulation warmed everything and
penetrated everywhere. Slack seasons and wretchedness were unknown.
There was no pocket so obscure that it had not a little money in it; no
dwelling so lowly that there was not some little joy within it.

Father Madeleine gave employment to every one. He exacted but one thing:
Be an honest man. Be an honest woman.

As we have said, in the midst of this activity of which he was the cause
and the pivot, Father Madeleine made his fortune; but a singular thing
in a simple man of business, it did not seem as though that were his
chief care. He appeared to be thinking much of others, and little of
himself. In 1820 he was known to have a sum of six hundred and thirty
thousand francs lodged in his name with Laffitte; but before reserving
these six hundred and thirty thousand francs, he had spent more than a
million for the town and its poor.

The hospital was badly endowed; he founded six beds there. M. sur M. is
divided into the upper and the lower town. The lower town, in which he
lived, had but one school, a miserable hovel, which was falling to ruin:
he constructed two, one for girls, the other for boys. He allotted a
salary from his own funds to the two instructors, a salary twice as
large as their meagre official salary, and one day he said to some one
who expressed surprise, "The two prime functionaries of the state are
the nurse and the schoolmaster." He created at his own expense an infant
school, a thing then almost unknown in France, and a fund for aiding old
and infirm workmen. As his factory was a centre, a new quarter, in which
there were a good many indigent families, rose rapidly around him; he
established there a free dispensary.

At first, when they watched his beginnings, the good souls said, "He's
a jolly fellow who means to get rich." When they saw him enriching
the country before he enriched himself, the good souls said, "He is
an ambitious man." This seemed all the more probable since the man was
religious, and even practised his religion to a certain degree, a thing
which was very favorably viewed at that epoch. He went regularly to
low mass every Sunday. The local deputy, who nosed out all rivalry
everywhere, soon began to grow uneasy over this religion. This deputy
had been a member of the legislative body of the Empire, and shared the
religious ideas of a father of the Oratoire, known under the name
of Fouche, Duc d'Otrante, whose creature and friend he had been. He
indulged in gentle raillery at God with closed doors. But when he beheld
the wealthy manufacturer Madeleine going to low mass at seven o'clock,
he perceived in him a possible candidate, and resolved to outdo him; he
took a Jesuit confessor, and went to high mass and to vespers. Ambition
was at that time, in the direct acceptation of the word, a race to the
steeple. The poor profited by this terror as well as the good God, for
the honorable deputy also founded two beds in the hospital, which made
twelve.

Nevertheless, in 1819 a rumor one morning circulated through the town
to the effect that, on the representations of the prefect and in
consideration of the services rendered by him to the country, Father
Madeleine was to be appointed by the King, mayor of M. sur M. Those who
had pronounced this new-comer to be "an ambitious fellow," seized with
delight on this opportunity which all men desire, to exclaim, "There!
what did we say!" All M. sur M. was in an uproar. The rumor was well
founded. Several days later the appointment appeared in the Moniteur. On
the following day Father Madeleine refused.

In this same year of 1819 the products of the new process invented by
Madeleine figured in the industrial exhibition; when the jury made their
report, the King appointed the inventor a chevalier of the Legion of
Honor. A fresh excitement in the little town. Well, so it was the cross
that he wanted! Father Madeleine refused the cross.

Decidedly this man was an enigma. The good souls got out of their
predicament by saying, "After all, he is some sort of an adventurer."

We have seen that the country owed much to him; the poor owed him
everything; he was so useful and he was so gentle that people had been
obliged to honor and respect him. His workmen, in particular, adored
him, and he endured this adoration with a sort of melancholy gravity.
When he was known to be rich, "people in society" bowed to him, and
he received invitations in the town; he was called, in town, Monsieur
Madeleine; his workmen and the children continued to call him Father
Madeleine, and that was what was most adapted to make him smile. In
proportion as he mounted, throve, invitations rained down upon him.
"Society" claimed him for its own. The prim little drawing-rooms on
M. sur M., which, of course, had at first been closed to the artisan,
opened both leaves of their folding-doors to the millionnaire. They made
a thousand advances to him. He refused.

This time the good gossips had no trouble. "He is an ignorant man, of
no education. No one knows where he came from. He would not know how to
behave in society. It has not been absolutely proved that he knows how
to read."

When they saw him making money, they said, "He is a man of business."
When they saw him scattering his money about, they said, "He is an
ambitious man." When he was seen to decline honors, they said, "He is
an adventurer." When they saw him repulse society, they said, "He is a
brute."

In 1820, five years after his arrival in M. sur M., the services which
he had rendered to the district were so dazzling, the opinion of
the whole country round about was so unanimous, that the King again
appointed him mayor of the town. He again declined; but the prefect
resisted his refusal, all the notabilities of the place came to implore
him, the people in the street besought him; the urging was so vigorous
that he ended by accepting. It was noticed that the thing which seemed
chiefly to bring him to a decision was the almost irritated apostrophe
addressed to him by an old woman of the people, who called to him from
her threshold, in an angry way: "A good mayor is a useful thing. Is he
drawing back before the good which he can do?"

This was the third phase of his ascent. Father Madeleine had become
Monsieur Madeleine. Monsieur Madeleine became Monsieur le Maire.




CHAPTER III--SUMS DEPOSITED WITH LAFFITTE

On the other hand, he remained as simple as on the first day. He had
gray hair, a serious eye, the sunburned complexion of a laborer, the
thoughtful visage of a philosopher. He habitually wore a hat with a
wide brim, and a long coat of coarse cloth, buttoned to the chin. He
fulfilled his duties as mayor; but, with that exception, he lived in
solitude. He spoke to but few people. He avoided polite attentions;
he escaped quickly; he smiled to relieve himself of the necessity of
talking; he gave, in order to get rid of the necessity for smiling, The
women said of him, "What a good-natured bear!" His pleasure consisted in
strolling in the fields.

He always took his meals alone, with an open book before him, which he
read. He had a well-selected little library. He loved books; books
are cold but safe friends. In proportion as leisure came to him with
fortune, he seemed to take advantage of it to cultivate his mind. It had
been observed that, ever since his arrival at M. sur M.. his language
had grown more polished, more choice, and more gentle with every passing
year. He liked to carry a gun with him on his strolls, but he rarely
made use of it. When he did happen to do so, his shooting was something
so infallible as to inspire terror. He never killed an inoffensive
animal. He never shot at a little bird.

Although he was no longer young, it was thought that he was still
prodigiously strong. He offered his assistance to any one who was in
need of it, lifted a horse, released a wheel clogged in the mud, or
stopped a runaway bull by the horns. He always had his pockets full
of money when he went out; but they were empty on his return. When he
passed through a village, the ragged brats ran joyously after him, and
surrounded him like a swarm of gnats.

It was thought that he must, in the past, have lived a country life,
since he knew all sorts of useful secrets, which he taught to the
peasants. He taught them how to destroy scurf on wheat, by sprinkling it
and the granary and inundating the cracks in the floor with a solution
of common salt; and how to chase away weevils by hanging up orviot in
bloom everywhere, on the walls and the ceilings, among the grass and in
the houses.

He had "recipes" for exterminating from a field, blight, tares, foxtail,
and all parasitic growths which destroy the wheat. He defended a rabbit
warren against rats, simply by the odor of a guinea-pig which he placed
in it.

One day he saw some country people busily engaged in pulling up nettles;
he examined the plants, which were uprooted and already dried, and said:
"They are dead. Nevertheless, it would be a good thing to know how to
make use of them. When the nettle is young, the leaf makes an excellent
vegetable; when it is older, it has filaments and fibres like hemp and
flax. Nettle cloth is as good as linen cloth. Chopped up, nettles are
good for poultry; pounded, they are good for horned cattle. The seed of
the nettle, mixed with fodder, gives gloss to the hair of animals; the
root, mixed with salt, produces a beautiful yellow coloring-matter.
Moreover, it is an excellent hay, which can be cut twice. And what is
required for the nettle? A little soil, no care, no culture. Only the
seed falls as it is ripe, and it is difficult to collect it. That
is all. With the exercise of a little care, the nettle could be made
useful; it is neglected and it becomes hurtful. It is exterminated. How
many men resemble the nettle!" He added, after a pause: "Remember this,
my friends: there are no such things as bad plants or bad men. There are
only bad cultivators."

The children loved him because he knew how to make charming little
trifles of straw and cocoanuts.

When he saw the door of a church hung in black, he entered: he sought
out funerals as other men seek christenings. Widowhood and the grief of
others attracted him, because of his great gentleness; he mingled with
the friends clad in mourning, with families dressed in black, with
the priests groaning around a coffin. He seemed to like to give to his
thoughts for text these funereal psalmodies filled with the vision of
the other world. With his eyes fixed on heaven, he listened with a
sort of aspiration towards all the mysteries of the infinite, those sad
voices which sing on the verge of the obscure abyss of death.

He performed a multitude of good actions, concealing his agency in them
as a man conceals himself because of evil actions. He penetrated houses
privately, at night; he ascended staircases furtively. A poor wretch
on returning to his attic would find that his door had been opened,
sometimes even forced, during his absence. The poor man made a clamor
over it: some malefactor had been there! He entered, and the first
thing he beheld was a piece of gold lying forgotten on some piece of
furniture. The "malefactor" who had been there was Father Madeleine.

He was affable and sad. The people said: "There is a rich man who has
not a haughty air. There is a happy man who has not a contented air."

Some people maintained that he was a mysterious person, and that no
one ever entered his chamber, which was a regular anchorite's cell,
furnished with winged hour-glasses and enlivened by cross-bones and
skulls of dead men! This was much talked of, so that one of the elegant
and malicious young women of M. sur M. came to him one day, and asked:
"Monsieur le Maire, pray show us your chamber. It is said to be a
grotto." He smiled, and introduced them instantly into this "grotto."
They were well punished for their curiosity. The room was very simply
furnished in mahogany, which was rather ugly, like all furniture of
that sort, and hung with paper worth twelve sous. They could see nothing
remarkable about it, except two candlesticks of antique pattern which
stood on the chimney-piece and appeared to be silver, "for they were
hall-marked," an observation full of the type of wit of petty towns.

Nevertheless, people continued to say that no one ever got into the
room, and that it was a hermit's cave, a mysterious retreat, a hole, a
tomb.

It was also whispered about that he had "immense" sums deposited with
Laffitte, with this peculiar feature, that they were always at his
immediate disposal, so that, it was added, M. Madeleine could make his
appearance at Laffitte's any morning, sign a receipt, and carry off his
two or three millions in ten minutes. In reality, "these two or three
millions" were reducible, as we have said, to six hundred and thirty or
forty thousand francs.




CHAPTER IV--M. MADELEINE IN MOURNING

At the beginning of 1820 the newspapers announced the death of M.
Myriel, Bishop of D----, surnamed "Monseigneur Bienvenu," who had died
in the odor of sanctity at the age of eighty-two.

The Bishop of D---- to supply here a detail which the papers
omitted--had been blind for many years before his death, and content to
be blind, as his sister was beside him.

Let us remark by the way, that to be blind and to be loved, is, in fact,
one of the most strangely exquisite forms of happiness upon this earth,
where nothing is complete. To have continually at one's side a woman, a
daughter, a sister, a charming being, who is there because you need her
and because she cannot do without you; to know that we are indispensable
to a person who is necessary to us; to be able to incessantly measure
one's affection by the amount of her presence which she bestows on us,
and to say to ourselves, "Since she consecrates the whole of her time
to me, it is because I possess the whole of her heart"; to behold her
thought in lieu of her face; to be able to verify the fidelity of one
being amid the eclipse of the world; to regard the rustle of a gown
as the sound of wings; to hear her come and go, retire, speak, return,
sing, and to think that one is the centre of these steps, of this
speech; to manifest at each instant one's personal attraction; to feel
one's self all the more powerful because of one's infirmity; to become
in one's obscurity, and through one's obscurity, the star around which
this angel gravitates,--few felicities equal this. The supreme happiness
of life consists in the conviction that one is loved; loved for
one's own sake--let us say rather, loved in spite of one's self; this
conviction the blind man possesses. To be served in distress is to be
caressed. Does he lack anything? No. One does not lose the sight when
one has love. And what love! A love wholly constituted of virtue! There
is no blindness where there is certainty. Soul seeks soul, gropingly,
and finds it. And this soul, found and tested, is a woman. A hand
sustains you; it is hers: a mouth lightly touches your brow; it is her
mouth: you hear a breath very near you; it is hers. To have everything
of her, from her worship to her pity, never to be left, to have that
sweet weakness aiding you, to lean upon that immovable reed, to
touch Providence with one's hands, and to be able to take it in
one's arms,--God made tangible,--what bliss! The heart, that obscure,
celestial flower, undergoes a mysterious blossoming. One would not
exchange that shadow for all brightness! The angel soul is there,
uninterruptedly there; if she departs, it is but to return again; she
vanishes like a dream, and reappears like reality. One feels warmth
approaching, and behold! she is there. One overflows with serenity, with
gayety, with ecstasy; one is a radiance amid the night. And there are
a thousand little cares. Nothings, which are enormous in that void. The
most ineffable accents of the feminine voice employed to lull you, and
supplying the vanished universe to you. One is caressed with the soul.
One sees nothing, but one feels that one is adored. It is a paradise of
shadows.

It was from this paradise that Monseigneur Welcome had passed to the
other.

The announcement of his death was reprinted by the local journal of M.
sur M. On the following day, M. Madeleine appeared clad wholly in black,
and with crape on his hat.

This mourning was noticed in the town, and commented on. It seemed
to throw a light on M. Madeleine's origin. It was concluded that some
relationship existed between him and the venerable Bishop. "He has gone
into mourning for the Bishop of D----" said the drawing-rooms; this
raised M. Madeleine's credit greatly, and procured for him, instantly
and at one blow, a certain consideration in the noble world of M. sur
M. The microscopic Faubourg Saint-Germain of the place meditated raising
the quarantine against M. Madeleine, the probable relative of a bishop.
M. Madeleine perceived the advancement which he had obtained, by the
more numerous courtesies of the old women and the more plentiful smiles
of the young ones. One evening, a ruler in that petty great world, who
was curious by right of seniority, ventured to ask him, "M. le Maire is
doubtless a cousin of the late Bishop of D----?"

He said, "No, Madame."

"But," resumed the dowager, "you are wearing mourning for him."

He replied, "It is because I was a servant in his family in my youth."

Another thing which was remarked, was, that every time that he
encountered in the town a young Savoyard who was roaming about the
country and seeking chimneys to sweep, the mayor had him summoned,
inquired his name, and gave him money. The little Savoyards told each
other about it: a great many of them passed that way.




CHAPTER V--VAGUE FLASHES ON THE HORIZON

Little by little, and in the course of time, all this opposition
subsided. There had at first been exercised against M. Madeleine,
in virtue of a sort of law which all those who rise must submit to,
blackening and calumnies; then they grew to be nothing more than
ill-nature, then merely malicious remarks, then even this entirely
disappeared; respect became complete, unanimous, cordial, and towards
1821 the moment arrived when the word "Monsieur le Maire" was pronounced
at M. sur M. with almost the same accent as "Monseigneur the Bishop"
had been pronounced in D---- in 1815. People came from a distance of ten
leagues around to consult M. Madeleine. He put an end to differences,
he prevented lawsuits, he reconciled enemies. Every one took him for the
judge, and with good reason. It seemed as though he had for a soul the
book of the natural law. It was like an epidemic of veneration, which in
the course of six or seven years gradually took possession of the whole
district.

One single man in the town, in the arrondissement, absolutely escaped
this contagion, and, whatever Father Madeleine did, remained his
opponent as though a sort of incorruptible and imperturbable instinct
kept him on the alert and uneasy. It seems, in fact, as though there
existed in certain men a veritable bestial instinct, though pure and
upright, like all instincts, which creates antipathies and sympathies,
which fatally separates one nature from another nature, which does not
hesitate, which feels no disquiet, which does not hold its peace,
and which never belies itself, clear in its obscurity, infallible,
imperious, intractable, stubborn to all counsels of the intelligence
and to all the dissolvents of reason, and which, in whatever manner
destinies are arranged, secretly warns the man-dog of the presence of
the man-cat, and the man-fox of the presence of the man-lion.

It frequently happened that when M. Madeleine was passing along a
street, calm, affectionate, surrounded by the blessings of all, a man of
lofty stature, clad in an iron-gray frock-coat, armed with a heavy
cane, and wearing a battered hat, turned round abruptly behind him, and
followed him with his eyes until he disappeared, with folded arms and
a slow shake of the head, and his upper lip raised in company with
his lower to his nose, a sort of significant grimace which might be
translated by: "What is that man, after all? I certainly have seen him
somewhere. In any case, I am not his dupe."

This person, grave with a gravity which was almost menacing, was one
of those men who, even when only seen by a rapid glimpse, arrest the
spectator's attention.

His name was Javert, and he belonged to the police.

At M. sur M. he exercised the unpleasant but useful functions of an
inspector. He had not seen Madeleine's beginnings. Javert owed the post
which he occupied to the protection of M. Chabouillet, the secretary of
the Minister of State, Comte Angeles, then prefect of police at Paris.
When Javert arrived at M. sur M. the fortune of the great manufacturer
was already made, and Father Madeleine had become Monsieur Madeleine.

Certain police officers have a peculiar physiognomy, which is
complicated with an air of baseness mingled with an air of authority.
Javert possessed this physiognomy minus the baseness.

It is our conviction that if souls were visible to the eyes, we should
be able to see distinctly that strange thing that each one individual
of the human race corresponds to some one of the species of the animal
creation; and we could easily recognize this truth, hardly perceived
by the thinker, that from the oyster to the eagle, from the pig to the
tiger, all animals exist in man, and that each one of them is in a man.
Sometimes even several of them at a time.

Animals are nothing else than the figures of our virtues and our vices,
straying before our eyes, the visible phantoms of our souls. God shows
them to us in order to induce us to reflect. Only since animals are mere
shadows, God has not made them capable of education in the full sense
of the word; what is the use? On the contrary, our souls being realities
and having a goal which is appropriate to them, God has bestowed on
them intelligence; that is to say, the possibility of education. Social
education, when well done, can always draw from a soul, of whatever sort
it may be, the utility which it contains.

This, be it said, is of course from the restricted point of view of the
terrestrial life which is apparent, and without prejudging the profound
question of the anterior or ulterior personality of the beings which are
not man. The visible _I_ in nowise authorizes the thinker to deny the
latent _I_. Having made this reservation, let us pass on.

Now, if the reader will admit, for a moment, with us, that in every man
there is one of the animal species of creation, it will be easy for us
to say what there was in Police Officer Javert.

The peasants of Asturias are convinced that in every litter of wolves
there is one dog, which is killed by the mother because, otherwise, as
he grew up, he would devour the other little ones.

Give to this dog-son of a wolf a human face, and the result will be
Javert.

Javert had been born in prison, of a fortune-teller, whose husband was
in the galleys. As he grew up, he thought that he was outside the pale
of society, and he despaired of ever re-entering it. He observed that
society unpardoningly excludes two classes of men,--those who attack
it and those who guard it; he had no choice except between these
two classes; at the same time, he was conscious of an indescribable
foundation of rigidity, regularity, and probity, complicated with an
inexpressible hatred for the race of bohemians whence he was sprung. He
entered the police; he succeeded there. At forty years of age he was an
inspector.

During his youth he had been employed in the convict establishments of
the South.

Before proceeding further, let us come to an understanding as to the
words, "human face," which we have just applied to Javert.

The human face of Javert consisted of a flat nose, with two deep
nostrils, towards which enormous whiskers ascended on his cheeks. One
felt ill at ease when he saw these two forests and these two caverns
for the first time. When Javert laughed,--and his laugh was rare and
terrible,--his thin lips parted and revealed to view not only his teeth,
but his gums, and around his nose there formed a flattened and savage
fold, as on the muzzle of a wild beast. Javert, serious, was a watchdog;
when he laughed, he was a tiger. As for the rest, he had very little
skull and a great deal of jaw; his hair concealed his forehead and
fell over his eyebrows; between his eyes there was a permanent, central
frown, like an imprint of wrath; his gaze was obscure; his mouth pursed
up and terrible; his air that of ferocious command.

This man was composed of two very simple and two very good sentiments,
comparatively; but he rendered them almost bad, by dint of exaggerating
them,--respect for authority, hatred of rebellion; and in his eyes,
murder, robbery, all crimes, are only forms of rebellion. He enveloped
in a blind and profound faith every one who had a function in the state,
from the prime minister to the rural policeman. He covered with scorn,
aversion, and disgust every one who had once crossed the legal threshold
of evil. He was absolute, and admitted no exceptions. On the one hand,
he said, "The functionary can make no mistake; the magistrate is never
the wrong." On the other hand, he said, "These men are irremediably
lost. Nothing good can come from them." He fully shared the opinion of
those extreme minds which attribute to human law I know not what power
of making, or, if the reader will have it so, of authenticating, demons,
and who place a Styx at the base of society. He was stoical, serious,
austere; a melancholy dreamer, humble and haughty, like fanatics. His
glance was like a gimlet, cold and piercing. His whole life hung on
these two words: watchfulness and supervision. He had introduced a
straight line into what is the most crooked thing in the world;
he possessed the conscience of his usefulness, the religion of his
functions, and he was a spy as other men are priests. Woe to the man
who fell into his hands! He would have arrested his own father, if
the latter had escaped from the galleys, and would have denounced his
mother, if she had broken her ban. And he would have done it with that
sort of inward satisfaction which is conferred by virtue. And, withal,
a life of privation, isolation, abnegation, chastity, with never
a diversion. It was implacable duty; the police understood, as the
Spartans understood Sparta, a pitiless lying in wait, a ferocious
honesty, a marble informer, Brutus in Vidocq.

Javert's whole person was expressive of the man who spies and who
withdraws himself from observation. The mystical school of Joseph de
Maistre, which at that epoch seasoned with lofty cosmogony those things
which were called the ultra newspapers, would not have failed to declare
that Javert was a symbol. His brow was not visible; it disappeared
beneath his hat: his eyes were not visible, since they were lost under
his eyebrows: his chin was not visible, for it was plunged in his
cravat: his hands were not visible; they were drawn up in his sleeves:
and his cane was not visible; he carried it under his coat. But when the
occasion presented itself, there was suddenly seen to emerge from all
this shadow, as from an ambuscade, a narrow and angular forehead, a
baleful glance, a threatening chin, enormous hands, and a monstrous
cudgel.

In his leisure moments, which were far from frequent, he read, although
he hated books; this caused him to be not wholly illiterate. This could
be recognized by some emphasis in his speech.

As we have said, he had no vices. When he was pleased with himself,
he permitted himself a pinch of snuff. Therein lay his connection with
humanity.

The reader will have no difficulty in understanding that Javert was the
terror of that whole class which the annual statistics of the Ministry
of Justice designates under the rubric, Vagrants. The name of Javert
routed them by its mere utterance; the face of Javert petrified them at
sight.

Such was this formidable man.

Javert was like an eye constantly fixed on M. Madeleine. An eye full of
suspicion and conjecture. M. Madeleine had finally perceived the fact;
but it seemed to be of no importance to him. He did not even put a
question to Javert; he neither sought nor avoided him; he bore that
embarrassing and almost oppressive gaze without appearing to notice it.
He treated Javert with ease and courtesy, as he did all the rest of the
world.

It was divined, from some words which escaped Javert, that he had
secretly investigated, with that curiosity which belongs to the race,
and into which there enters as much instinct as will, all the anterior
traces which Father Madeleine might have left elsewhere. He seemed to
know, and he sometimes said in covert words, that some one had gleaned
certain information in a certain district about a family which had
disappeared. Once he chanced to say, as he was talking to himself, "I
think I have him!" Then he remained pensive for three days, and uttered
not a word. It seemed that the thread which he thought he held had
broken.

Moreover, and this furnishes the necessary corrective for the too
absolute sense which certain words might present, there can be nothing
really infallible in a human creature, and the peculiarity of instinct
is that it can become confused, thrown off the track, and defeated.
Otherwise, it would be superior to intelligence, and the beast would be
found to be provided with a better light than man.

Javert was evidently somewhat disconcerted by the perfect naturalness
and tranquillity of M. Madeleine.

One day, nevertheless, his strange manner appeared to produce an
impression on M. Madeleine. It was on the following occasion.




CHAPTER VI--FATHER FAUCHELEVENT

One morning M. Madeleine was passing through an unpaved alley of M. sur
M.; he heard a noise, and saw a group some distance away. He approached.
An old man named Father Fauchelevent had just fallen beneath his cart,
his horse having tumbled down.

This Fauchelevent was one of the few enemies whom M. Madeleine had at
that time. When Madeleine arrived in the neighborhood, Fauchelevent, an
ex-notary and a peasant who was almost educated, had a business which
was beginning to be in a bad way. Fauchelevent had seen this simple
workman grow rich, while he, a lawyer, was being ruined. This had filled
him with jealousy, and he had done all he could, on every occasion,
to injure Madeleine. Then bankruptcy had come; and as the old man had
nothing left but a cart and a horse, and neither family nor children, he
had turned carter.

The horse had two broken legs and could not rise. The old man was caught
in the wheels. The fall had been so unlucky that the whole weight of the
vehicle rested on his breast. The cart was quite heavily laden. Father
Fauchelevent was rattling in the throat in the most lamentable manner.
They had tried, but in vain, to drag him out. An unmethodical effort,
aid awkwardly given, a wrong shake, might kill him. It was impossible to
disengage him otherwise than by lifting the vehicle off of him.
Javert, who had come up at the moment of the accident, had sent for a
jack-screw.

M. Madeleine arrived. People stood aside respectfully.

"Help!" cried old Fauchelevent. "Who will be good and save the old man?"

M. Madeleine turned towards those present:--

"Is there a jack-screw to be had?"

"One has been sent for," answered the peasant.

"How long will it take to get it?"

"They have gone for the nearest, to Flachot's place, where there is a
farrier; but it makes no difference; it will take a good quarter of an
hour."

"A quarter of an hour!" exclaimed Madeleine.

It had rained on the preceding night; the soil was soaked.

The cart was sinking deeper into the earth every moment, and crushing
the old carter's breast more and more. It was evident that his ribs
would be broken in five minutes more.

"It is impossible to wait another quarter of an hour," said Madeleine to
the peasants, who were staring at him.

"We must!"

"But it will be too late then! Don't you see that the cart is sinking?"

"Well!"

"Listen," resumed Madeleine; "there is still room enough under the cart
to allow a man to crawl beneath it and raise it with his back. Only half
a minute, and the poor man can be taken out. Is there any one here who
has stout loins and heart? There are five louis d'or to be earned!"

Not a man in the group stirred.

"Ten louis," said Madeleine.

The persons present dropped their eyes. One of them muttered: "A man
would need to be devilish strong. And then he runs the risk of getting
crushed!"

"Come," began Madeleine again, "twenty louis."

The same silence.

"It is not the will which is lacking," said a voice.

M. Madeleine turned round, and recognized Javert. He had not noticed him
on his arrival.

Javert went on:--

"It is strength. One would have to be a terrible man to do such a thing
as lift a cart like that on his back."

Then, gazing fixedly at M. Madeleine, he went on, emphasizing every word
that he uttered:--

"Monsieur Madeleine, I have never known but one man capable of doing
what you ask."

Madeleine shuddered.

Javert added, with an air of indifference, but without removing his eyes
from Madeleine:--

"He was a convict."

"Ah!" said Madeleine.

"In the galleys at Toulon."

Madeleine turned pale.

Meanwhile, the cart continued to sink slowly. Father Fauchelevent
rattled in the throat, and shrieked:--

"I am strangling! My ribs are breaking! a screw! something! Ah!"

Madeleine glanced about him.

"Is there, then, no one who wishes to earn twenty louis and save the
life of this poor old man?"

No one stirred. Javert resumed:--

"I have never known but one man who could take the place of a screw, and
he was that convict."

"Ah! It is crushing me!" cried the old man.

Madeleine raised his head, met Javert's falcon eye still fixed upon
him, looked at the motionless peasants, and smiled sadly. Then, without
saying a word, he fell on his knees, and before the crowd had even had
time to utter a cry, he was underneath the vehicle.

A terrible moment of expectation and silence ensued.

They beheld Madeleine, almost flat on his stomach beneath that terrible
weight, make two vain efforts to bring his knees and his elbows
together. They shouted to him, "Father Madeleine, come out!" Old
Fauchelevent himself said to him, "Monsieur Madeleine, go away! You see
that I am fated to die! Leave me! You will get yourself crushed also!"
Madeleine made no reply.

All the spectators were panting. The wheels had continued to sink, and
it had become almost impossible for Madeleine to make his way from under
the vehicle.

Suddenly the enormous mass was seen to quiver, the cart rose slowly, the
wheels half emerged from the ruts. They heard a stifled voice crying,
"Make haste! Help!" It was Madeleine, who had just made a final effort.

They rushed forwards. The devotion of a single man had given force and
courage to all. The cart was raised by twenty arms. Old Fauchelevent was
saved.

Madeleine rose. He was pale, though dripping with perspiration. His
clothes were torn and covered with mud. All wept. The old man kissed
his knees and called him the good God. As for him, he bore upon
his countenance an indescribable expression of happy and celestial
suffering, and he fixed his tranquil eye on Javert, who was still
staring at him.




CHAPTER VII--FAUCHELEVENT BECOMES A GARDENER IN PARIS


Fauchelevent had dislocated his kneepan in his fall. Father Madeleine
had him conveyed to an infirmary which he had established for his
workmen in the factory building itself, and which was served by two
sisters of charity. On the following morning the old man found a
thousand-franc bank-note on his night-stand, with these words in Father
Madeleine's writing: "I purchase your horse and cart." The cart was
broken, and the horse was dead. Fauchelevent recovered, but his knee
remained stiff. M. Madeleine, on the recommendation of the sisters of
charity and of his priest, got the good man a place as gardener in a
female convent in the Rue Saint-Antoine in Paris.

Some time afterwards, M. Madeleine was appointed mayor. The first time
that Javert beheld M. Madeleine clothed in the scarf which gave him
authority over the town, he felt the sort of shudder which a watch-dog
might experience on smelling a wolf in his master's clothes. From
that time forth he avoided him as much as he possibly could. When the
requirements of the service imperatively demanded it, and he could
not do otherwise than meet the mayor, he addressed him with profound
respect.

This prosperity created at M. sur M. by Father Madeleine had, besides
the visible signs which we have mentioned, another symptom which was
none the less significant for not being visible. This never deceives.
When the population suffers, when work is lacking, when there is no
commerce, the tax-payer resists imposts through penury, he exhausts and
oversteps his respite, and the state expends a great deal of money in
the charges for compelling and collection. When work is abundant, when
the country is rich and happy, the taxes are paid easily and cost the
state nothing. It may be said, that there is one infallible thermometer
of the public misery and riches,--the cost of collecting the taxes.
In the course of seven years the expense of collecting the taxes had
diminished three-fourths in the arrondissement of M. sur M., and this
led to this arrondissement being frequently cited from all the rest by
M. de Villele, then Minister of Finance.

Such was the condition of the country when Fantine returned thither. No
one remembered her. Fortunately, the door of M. Madeleine's factory was
like the face of a friend. She presented herself there, and was admitted
to the women's workroom. The trade was entirely new to Fantine; she
could not be very skilful at it, and she therefore earned but little by
her day's work; but it was sufficient; the problem was solved; she was
earning her living.




CHAPTER VIII--MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY

When Fantine saw that she was making her living, she felt joyful for a
moment. To live honestly by her own labor, what mercy from heaven! The
taste for work had really returned to her. She bought a looking-glass,
took pleasure in surveying in it her youth, her beautiful hair, her fine
teeth; she forgot many things; she thought only of Cosette and of the
possible future, and was almost happy. She hired a little room and
furnished on credit on the strength of her future work--a lingering
trace of her improvident ways. As she was not able to say that she was
married she took good care, as we have seen, not to mention her little
girl.

At first, as the reader has seen, she paid the Thenardiers promptly. As
she only knew how to sign her name, she was obliged to write through a
public letter-writer.

She wrote often, and this was noticed. It began to be said in an
undertone, in the women's workroom, that Fantine "wrote letters" and
that "she had ways about her."

There is no one for spying on people's actions like those who are
not concerned in them. Why does that gentleman never come except at
nightfall? Why does Mr. So-and-So never hang his key on its nail on
Tuesday? Why does he always take the narrow streets? Why does Madame
always descend from her hackney-coach before reaching her house? Why
does she send out to purchase six sheets of note paper, when she has a
"whole stationer's shop full of it?" etc. There exist beings who, for
the sake of obtaining the key to these enigmas, which are, moreover, of
no consequence whatever to them, spend more money, waste more time,
take more trouble, than would be required for ten good actions, and
that gratuitously, for their own pleasure, without receiving any other
payment for their curiosity than curiosity. They will follow up such and
such a man or woman for whole days; they will do sentry duty for hours
at a time on the corners of the streets, under alley-way doors at night,
in cold and rain; they will bribe errand-porters, they will make the
drivers of hackney-coaches and lackeys tipsy, buy a waiting-maid, suborn
a porter. Why? For no reason. A pure passion for seeing, knowing,
and penetrating into things. A pure itch for talking. And often
these secrets once known, these mysteries made public, these enigmas
illuminated by the light of day, bring on catastrophies, duels,
failures, the ruin of families, and broken lives, to the great joy
of those who have "found out everything," without any interest in the
matter, and by pure instinct. A sad thing.

Certain persons are malicious solely through a necessity for talking.
Their conversation, the chat of the drawing-room, gossip of the
anteroom, is like those chimneys which consume wood rapidly; they need
a great amount of combustibles; and their combustibles are furnished by
their neighbors.

So Fantine was watched.

In addition, many a one was jealous of her golden hair and of her white
teeth.

It was remarked that in the workroom she often turned aside, in the
midst of the rest, to wipe away a tear. These were the moments when she
was thinking of her child; perhaps, also, of the man whom she had loved.

Breaking the gloomy bonds of the past is a mournful task.

It was observed that she wrote twice a month at least, and that she
paid the carriage on the letter. They managed to obtain the address:
Monsieur, Monsieur Thenardier, inn-keeper at Montfermeil. The public
writer, a good old man who could not fill his stomach with red wine
without emptying his pocket of secrets, was made to talk in the
wine-shop. In short, it was discovered that Fantine had a child. "She
must be a pretty sort of a woman." An old gossip was found, who made the
trip to Montfermeil, talked to the Thenardiers, and said on her return:
"For my five and thirty francs I have freed my mind. I have seen the
child."

The gossip who did this thing was a gorgon named Madame Victurnien, the
guardian and door-keeper of every one's virtue. Madame Victurnien was
fifty-six, and re-enforced the mask of ugliness with the mask of age.
A quavering voice, a whimsical mind. This old dame had once been
young--astonishing fact! In her youth, in '93, she had married a
monk who had fled from his cloister in a red cap, and passed from
the Bernardines to the Jacobins. She was dry, rough, peevish, sharp,
captious, almost venomous; all this in memory of her monk, whose widow
she was, and who had ruled over her masterfully and bent her to his
will. She was a nettle in which the rustle of the cassock was visible.
At the Restoration she had turned bigot, and that with so much energy
that the priests had forgiven her her monk. She had a small property,
which she bequeathed with much ostentation to a religious community.
She was in high favor at the episcopal palace of Arras. So this Madame
Victurnien went to Montfermeil, and returned with the remark, "I have
seen the child."

All this took time. Fantine had been at the factory for more than a
year, when, one morning, the superintendent of the workroom handed her
fifty francs from the mayor, told her that she was no longer employed
in the shop, and requested her, in the mayor's name, to leave the
neighborhood.

This was the very month when the Thenardiers, after having demanded
twelve francs instead of six, had just exacted fifteen francs instead of
twelve.

Fantine was overwhelmed. She could not leave the neighborhood; she was
in debt for her rent and furniture. Fifty francs was not sufficient
to cancel this debt. She stammered a few supplicating words. The
superintendent ordered her to leave the shop on the instant. Besides,
Fantine was only a moderately good workwoman. Overcome with shame, even
more than with despair, she quitted the shop, and returned to her room.
So her fault was now known to every one.

She no longer felt strong enough to say a word. She was advised to
see the mayor; she did not dare. The mayor had given her fifty francs
because he was good, and had dismissed her because he was just. She
bowed before the decision.




CHAPTER IX--MADAME VICTURNIEN'S SUCCESS

So the monk's widow was good for something.

But M. Madeleine had heard nothing of all this. Life is full of just
such combinations of events. M. Madeleine was in the habit of almost
never entering the women's workroom.

At the head of this room he had placed an elderly spinster, whom
the priest had provided for him, and he had full confidence in this
superintendent,--a truly respectable person, firm, equitable, upright,
full of the charity which consists in giving, but not having in the same
degree that charity which consists in understanding and in forgiving.
M. Madeleine relied wholly on her. The best men are often obliged
to delegate their authority. It was with this full power, and the
conviction that she was doing right, that the superintendent had
instituted the suit, judged, condemned, and executed Fantine.

As regards the fifty francs, she had given them from a fund which M.
Madeleine had intrusted to her for charitable purposes, and for giving
assistance to the workwomen, and of which she rendered no account.

Fantine tried to obtain a situation as a servant in the neighborhood;
she went from house to house. No one would have her. She could not
leave town. The second-hand dealer, to whom she was in debt for her
furniture--and what furniture!--said to her, "If you leave, I will have
you arrested as a thief." The householder, whom she owed for her rent,
said to her, "You are young and pretty; you can pay." She divided the
fifty francs between the landlord and the furniture-dealer, returned to
the latter three-quarters of his goods, kept only necessaries, and found
herself without work, without a trade, with nothing but her bed, and
still about fifty francs in debt.

She began to make coarse shirts for soldiers of the garrison, and earned
twelve sous a day. Her daughter cost her ten. It was at this point that
she began to pay the Thenardiers irregularly.

However, the old woman who lighted her candle for her when she returned
at night, taught her the art of living in misery. Back of living on
little, there is the living on nothing. These are the two chambers; the
first is dark, the second is black.

Fantine learned how to live without fire entirely in the winter; how to
give up a bird which eats a half a farthing's worth of millet every
two days; how to make a coverlet of one's petticoat, and a petticoat of
one's coverlet; how to save one's candle, by taking one's meals by
the light of the opposite window. No one knows all that certain feeble
creatures, who have grown old in privation and honesty, can get out of
a sou. It ends by being a talent. Fantine acquired this sublime talent,
and regained a little courage.

At this epoch she said to a neighbor, "Bah! I say to myself, by only
sleeping five hours, and working all the rest of the time at my sewing,
I shall always manage to nearly earn my bread. And, then, when one is
sad, one eats less. Well, sufferings, uneasiness, a little bread on one
hand, trouble on the other,--all this will support me."

It would have been a great happiness to have her little girl with her in
this distress. She thought of having her come. But what then! Make her
share her own destitution! And then, she was in debt to the Thenardiers!
How could she pay them? And the journey! How pay for that?

The old woman who had given her lessons in what may be called the life
of indigence, was a sainted spinster named Marguerite, who was pious
with a true piety, poor and charitable towards the poor, and even
towards the rich, knowing how to write just sufficiently to sign herself
Marguerite, and believing in God, which is science.

There are many such virtuous people in this lower world; some day they
will be in the world above. This life has a morrow.

At first, Fantine had been so ashamed that she had not dared to go out.

When she was in the street, she divined that people turned round behind
her, and pointed at her; every one stared at her and no one greeted her;
the cold and bitter scorn of the passers-by penetrated her very flesh
and soul like a north wind.

It seems as though an unfortunate woman were utterly bare beneath the
sarcasm and the curiosity of all in small towns. In Paris, at least, no
one knows you, and this obscurity is a garment. Oh! how she would have
liked to betake herself to Paris! Impossible!

She was obliged to accustom herself to disrepute, as she had accustomed
herself to indigence. Gradually she decided on her course. At the
expiration of two or three months she shook off her shame, and began to
go about as though there were nothing the matter. "It is all the same to
me," she said.

She went and came, bearing her head well up, with a bitter smile, and
was conscious that she was becoming brazen-faced.

Madame Victurnien sometimes saw her passing, from her window, noticed
the distress of "that creature" who, "thanks to her," had been "put back
in her proper place," and congratulated herself. The happiness of the
evil-minded is black.

Excess of toil wore out Fantine, and the little dry cough which troubled
her increased. She sometimes said to her neighbor, Marguerite, "Just
feel how hot my hands are!"

Nevertheless, when she combed her beautiful hair in the morning with
an old broken comb, and it flowed about her like floss silk, she
experienced a moment of happy coquetry.




CHAPTER X--RESULT OF THE SUCCESS

She had been dismissed towards the end of the winter; the summer passed,
but winter came again. Short days, less work. Winter: no warmth,
no light, no noonday, the evening joining on to the morning, fogs,
twilight; the window is gray; it is impossible to see clearly at it. The
sky is but a vent-hole. The whole day is a cavern. The sun has the air
of a beggar. A frightful season! Winter changes the water of heaven and
the heart of man into a stone. Her creditors harrassed her.

Fantine earned too little. Her debts had increased. The Thenardiers, who
were not promptly paid, wrote to her constantly letters whose contents
drove her to despair, and whose carriage ruined her. One day they wrote
to her that her little Cosette was entirely naked in that cold weather,
that she needed a woollen skirt, and that her mother must send at least
ten francs for this. She received the letter, and crushed it in her
hands all day long. That evening she went into a barber's shop at the
corner of the street, and pulled out her comb. Her admirable golden hair
fell to her knees.

"What splendid hair!" exclaimed the barber.

"How much will you give me for it?" said she.

"Ten francs."

"Cut it off."

She purchased a knitted petticoat and sent it to the Thenardiers. This
petticoat made the Thenardiers furious. It was the money that they
wanted. They gave the petticoat to Eponine. The poor Lark continued to
shiver.

Fantine thought: "My child is no longer cold. I have clothed her with my
hair." She put on little round caps which concealed her shorn head, and
in which she was still pretty.

Dark thoughts held possession of Fantine's heart.

When she saw that she could no longer dress her hair, she began to hate
every one about her. She had long shared the universal veneration for
Father Madeleine; yet, by dint of repeating to herself that it was he
who had discharged her, that he was the cause of her unhappiness, she
came to hate him also, and most of all. When she passed the factory in
working hours, when the workpeople were at the door, she affected to
laugh and sing.

An old workwoman who once saw her laughing and singing in this fashion
said, "There's a girl who will come to a bad end."

She took a lover, the first who offered, a man whom she did not love,
out of bravado and with rage in her heart. He was a miserable scamp,
a sort of mendicant musician, a lazy beggar, who beat her, and who
abandoned her as she had taken him, in disgust.

She adored her child.

The lower she descended, the darker everything grew about her, the more
radiant shone that little angel at the bottom of her heart. She said,
"When I get rich, I will have my Cosette with me;" and she laughed. Her
cough did not leave her, and she had sweats on her back.

One day she received from the Thenardiers a letter couched in the
following terms: "Cosette is ill with a malady which is going the rounds
of the neighborhood. A miliary fever, they call it. Expensive drugs are
required. This is ruining us, and we can no longer pay for them. If you
do not send us forty francs before the week is out, the little one will
be dead."

She burst out laughing, and said to her old neighbor: "Ah! they are
good! Forty francs! the idea! That makes two napoleons! Where do they
think I am to get them? These peasants are stupid, truly."

Nevertheless she went to a dormer window in the staircase and read the
letter once more. Then she descended the stairs and emerged, running and
leaping and still laughing.

Some one met her and said to her, "What makes you so gay?"

She replied: "A fine piece of stupidity that some country people have
written to me. They demand forty francs of me. So much for you, you
peasants!"

As she crossed the square, she saw a great many people collected around
a carriage of eccentric shape, upon the top of which stood a man dressed
in red, who was holding forth. He was a quack dentist on his rounds,
who was offering to the public full sets of teeth, opiates, powders and
elixirs.

Fantine mingled in the group, and began to laugh with the rest at
the harangue, which contained slang for the populace and jargon for
respectable people. The tooth-puller espied the lovely, laughing girl,
and suddenly exclaimed: "You have beautiful teeth, you girl there, who
are laughing; if you want to sell me your palettes, I will give you a
gold napoleon apiece for them."

"What are my palettes?" asked Fantine.

"The palettes," replied the dental professor, "are the front teeth, the
two upper ones."

"How horrible!" exclaimed Fantine.

"Two napoleons!" grumbled a toothless old woman who was present. "Here's
a lucky girl!"

Fantine fled and stopped her ears that she might not hear the hoarse
voice of the man shouting to her: "Reflect, my beauty! two napoleons;
they may prove of service. If your heart bids you, come this evening to
the inn of the Tillac d'Argent; you will find me there."

Fantine returned home. She was furious, and related the occurrence to
her good neighbor Marguerite: "Can you understand such a thing? Is he
not an abominable man? How can they allow such people to go about the
country! Pull out my two front teeth! Why, I should be horrible! My hair
will grow again, but my teeth! Ah! what a monster of a man! I should
prefer to throw myself head first on the pavement from the fifth story!
He told me that he should be at the Tillac d'Argent this evening."

"And what did he offer?" asked Marguerite.

"Two napoleons."

"That makes forty francs."

"Yes," said Fantine; "that makes forty francs."

She remained thoughtful, and began her work. At the expiration of a
quarter of an hour she left her sewing and went to read the Thenardiers'
letter once more on the staircase.

On her return, she said to Marguerite, who was at work beside her:--

"What is a miliary fever? Do you know?"

"Yes," answered the old spinster; "it is a disease."

"Does it require many drugs?"

"Oh! terrible drugs."

"How does one get it?"

"It is a malady that one gets without knowing how."

"Then it attacks children?"

"Children in particular."

"Do people die of it?"

"They may," said Marguerite.

Fantine left the room and went to read her letter once more on the
staircase.

That evening she went out, and was seen to turn her steps in the
direction of the Rue de Paris, where the inns are situated.

The next morning, when Marguerite entered Fantine's room before
daylight,--for they always worked together, and in this manner used only
one candle for the two,--she found Fantine seated on her bed, pale and
frozen. She had not lain down. Her cap had fallen on her knees.
Her candle had burned all night, and was almost entirely consumed.
Marguerite halted on the threshold, petrified at this tremendous
wastefulness, and exclaimed:--

"Lord! the candle is all burned out! Something has happened."

Then she looked at Fantine, who turned toward her her head bereft of its
hair.

Fantine had grown ten years older since the preceding night.

"Jesus!" said Marguerite, "what is the matter with you, Fantine?"

"Nothing," replied Fantine. "Quite the contrary. My child will not die
of that frightful malady, for lack of succor. I am content."

So saying, she pointed out to the spinster two napoleons which were
glittering on the table.

"Ah! Jesus God!" cried Marguerite. "Why, it is a fortune! Where did you
get those louis d'or?"

"I got them," replied Fantine.

At the same time she smiled. The candle illuminated her countenance. It
was a bloody smile. A reddish saliva soiled the corners of her lips, and
she had a black hole in her mouth.

The two teeth had been extracted.

She sent the forty francs to Montfermeil.

After all it was a ruse of the Thenardiers to obtain money. Cosette was
not ill.

Fantine threw her mirror out of the window. She had long since quitted
her cell on the second floor for an attic with only a latch to fasten
it, next the roof; one of those attics whose extremity forms an angle
with the floor, and knocks you on the head every instant. The poor
occupant can reach the end of his chamber as he can the end of his
destiny, only by bending over more and more.

She had no longer a bed; a rag which she called her coverlet, a mattress
on the floor, and a seatless chair still remained. A little rosebush
which she had, had dried up, forgotten, in one corner. In the other
corner was a butter-pot to hold water, which froze in winter, and in
which the various levels of the water remained long marked by these
circles of ice. She had lost her shame; she lost her coquetry. A final
sign. She went out, with dirty caps. Whether from lack of time or from
indifference, she no longer mended her linen. As the heels wore out,
she dragged her stockings down into her shoes. This was evident from the
perpendicular wrinkles. She patched her bodice, which was old and worn
out, with scraps of calico which tore at the slightest movement. The
people to whom she was indebted made "scenes" and gave her no peace.
She found them in the street, she found them again on her staircase. She
passed many a night weeping and thinking. Her eyes were very bright,
and she felt a steady pain in her shoulder towards the top of the
left shoulder-blade. She coughed a great deal. She deeply hated Father
Madeleine, but made no complaint. She sewed seventeen hours a day; but
a contractor for the work of prisons, who made the prisoners work at a
discount, suddenly made prices fall, which reduced the daily earnings
of working-women to nine sous. Seventeen hours of toil, and nine sous a
day! Her creditors were more pitiless than ever. The second-hand dealer,
who had taken back nearly all his furniture, said to her incessantly,
"When will you pay me, you hussy?" What did they want of her, good God!
She felt that she was being hunted, and something of the wild beast
developed in her. About the same time, Thenardier wrote to her that he
had waited with decidedly too much amiability and that he must have a
hundred francs at once; otherwise he would turn little Cosette out of
doors, convalescent as she was from her heavy illness, into the cold and
the streets, and that she might do what she liked with herself, and die
if she chose. "A hundred francs," thought Fantine. "But in what trade
can one earn a hundred sous a day?"

"Come!" said she, "let us sell what is left."

The unfortunate girl became a woman of the town.




CHAPTER XI--CHRISTUS NOS LIBERAVIT

What is this history of Fantine? It is society purchasing a slave.

From whom? From misery.

From hunger, cold, isolation, destitution. A dolorous bargain. A soul
for a morsel of bread. Misery offers; society accepts.

The sacred law of Jesus Christ governs our civilization, but it does
not, as yet, permeate it; it is said that slavery has disappeared from
European civilization. This is a mistake. It still exists; but it weighs
only upon the woman, and it is called prostitution.

It weighs upon the woman, that is to say, upon grace, weakness, beauty,
maternity. This is not one of the least of man's disgraces.

At the point in this melancholy drama which we have now reached, nothing
is left to Fantine of that which she had formerly been.

She has become marble in becoming mire. Whoever touches her feels cold.
She passes; she endures you; she ignores you; she is the severe and
dishonored figure. Life and the social order have said their last word
for her. All has happened to her that will happen to her. She has
felt everything, borne everything, experienced everything, suffered
everything, lost everything, mourned everything. She is resigned, with
that resignation which resembles indifference, as death resembles sleep.
She no longer avoids anything. Let all the clouds fall upon her, and all
the ocean sweep over her! What matters it to her? She is a sponge that
is soaked.

At least, she believes it to be so; but it is an error to imagine that
fate can be exhausted, and that one has reached the bottom of anything
whatever.

Alas! What are all these fates, driven on pell-mell? Whither are they
going? Why are they thus?

He who knows that sees the whole of the shadow.

He is alone. His name is God.




CHAPTER XII--M. BAMATABOIS'S INACTIVITY

There is in all small towns, and there was at M. sur M. in particular,
a class of young men who nibble away an income of fifteen hundred
francs with the same air with which their prototypes devour two hundred
thousand francs a year in Paris. These are beings of the great neuter
species: impotent men, parasites, cyphers, who have a little land, a
little folly, a little wit; who would be rustics in a drawing-room, and
who think themselves gentlemen in the dram-shop; who say, "My fields,
my peasants, my woods"; who hiss actresses at the theatre to prove that
they are persons of taste; quarrel with the officers of the garrison
to prove that they are men of war; hunt, smoke, yawn, drink, smell of
tobacco, play billiards, stare at travellers as they descend from the
diligence, live at the cafe, dine at the inn, have a dog which eats the
bones under the table, and a mistress who eats the dishes on the table;
who stick at a sou, exaggerate the fashions, admire tragedy, despise
women, wear out their old boots, copy London through Paris, and Paris
through the medium of Pont-A-Mousson, grow old as dullards, never work,
serve no use, and do no great harm.

M. Felix Tholomyes, had he remained in his own province and never beheld
Paris, would have been one of these men.

If they were richer, one would say, "They are dandies;" if they were
poorer, one would say, "They are idlers." They are simply men without
employment. Among these unemployed there are bores, the bored, dreamers,
and some knaves.

At that period a dandy was composed of a tall collar, a big cravat, a
watch with trinkets, three vests of different colors, worn one on top of
the other--the red and blue inside; of a short-waisted olive coat, with
a codfish tail, a double row of silver buttons set close to each other
and running up to the shoulder; and a pair of trousers of a lighter
shade of olive, ornamented on the two seams with an indefinite, but
always uneven, number of lines, varying from one to eleven--a limit
which was never exceeded. Add to this, high shoes with little irons
on the heels, a tall hat with a narrow brim, hair worn in a tuft, an
enormous cane, and conversation set off by puns of Potier. Over all,
spurs and a mustache. At that epoch mustaches indicated the bourgeois,
and spurs the pedestrian.

The provincial dandy wore the longest of spurs and the fiercest of
mustaches.

It was the period of the conflict of the republics of South America with
the King of Spain, of Bolivar against Morillo. Narrow-brimmed hats were
royalist, and were called morillos; liberals wore hats with wide brims,
which were called bolivars.

Eight or ten months, then, after that which is related in the preceding
pages, towards the first of January, 1823, on a snowy evening, one of
these dandies, one of these unemployed, a "right thinker," for he wore
a morillo, and was, moreover, warmly enveloped in one of those large
cloaks which completed the fashionable costume in cold weather, was
amusing himself by tormenting a creature who was prowling about in a
ball-dress, with neck uncovered and flowers in her hair, in front of
the officers' cafe. This dandy was smoking, for he was decidedly
fashionable.

Each time that the woman passed in front of him, he bestowed on her,
together with a puff from his cigar, some apostrophe which he considered
witty and mirthful, such as, "How ugly you are!--Will you get out of my
sight?--You have no teeth!" etc., etc. This gentleman was known as M.
Bamatabois. The woman, a melancholy, decorated spectre which went and
came through the snow, made him no reply, did not even glance at him,
and nevertheless continued her promenade in silence, and with a sombre
regularity, which brought her every five minutes within reach of this
sarcasm, like the condemned soldier who returns under the rods. The
small effect which he produced no doubt piqued the lounger; and taking
advantage of a moment when her back was turned, he crept up behind her
with the gait of a wolf, and stifling his laugh, bent down, picked up a
handful of snow from the pavement, and thrust it abruptly into her back,
between her bare shoulders. The woman uttered a roar, whirled round,
gave a leap like a panther, and hurled herself upon the man, burying her
nails in his face, with the most frightful words which could fall from
the guard-room into the gutter. These insults, poured forth in a voice
roughened by brandy, did, indeed, proceed in hideous wise from a mouth
which lacked its two front teeth. It was Fantine.

At the noise thus produced, the officers ran out in throngs from the
cafe, passers-by collected, and a large and merry circle, hooting and
applauding, was formed around this whirlwind composed of two beings,
whom there was some difficulty in recognizing as a man and a woman: the
man struggling, his hat on the ground; the woman striking out with feet
and fists, bareheaded, howling, minus hair and teeth, livid with wrath,
horrible.

Suddenly a man of lofty stature emerged vivaciously from the crowd,
seized the woman by her satin bodice, which was covered with mud, and
said to her, "Follow me!"

The woman raised her head; her furious voice suddenly died away. Her
eyes were glassy; she turned pale instead of livid, and she trembled
with a quiver of terror. She had recognized Javert.

The dandy took advantage of the incident to make his escape.




CHAPTER XIII--THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE
MUNICIPAL POLICE

Javert thrust aside the spectators, broke the circle, and set out
with long strides towards the police station, which is situated at the
extremity of the square, dragging the wretched woman after him. She
yielded mechanically. Neither he nor she uttered a word. The cloud of
spectators followed, jesting, in a paroxysm of delight. Supreme misery
an occasion for obscenity.

On arriving at the police station, which was a low room, warmed by a
stove, with a glazed and grated door opening on the street, and guarded
by a detachment, Javert opened the door, entered with Fantine, and shut
the door behind him, to the great disappointment of the curious, who
raised themselves on tiptoe, and craned their necks in front of the
thick glass of the station-house, in their effort to see. Curiosity is a
sort of gluttony. To see is to devour.

On entering, Fantine fell down in a corner, motionless and mute,
crouching down like a terrified dog.

The sergeant of the guard brought a lighted candle to the table. Javert
seated himself, drew a sheet of stamped paper from his pocket, and began
to write.

This class of women is consigned by our laws entirely to the discretion
of the police. The latter do what they please, punish them, as seems
good to them, and confiscate at their will those two sorry things which
they entitle their industry and their liberty. Javert was impassive; his
grave face betrayed no emotion whatever. Nevertheless, he was seriously
and deeply preoccupied. It was one of those moments when he was
exercising without control, but subject to all the scruples of a severe
conscience, his redoubtable discretionary power. At that moment he was
conscious that his police agent's stool was a tribunal. He was entering
judgment. He judged and condemned. He summoned all the ideas which could
possibly exist in his mind, around the great thing which he was doing.
The more he examined the deed of this woman, the more shocked he felt.
It was evident that he had just witnessed the commission of a crime.
He had just beheld, yonder, in the street, society, in the person of a
freeholder and an elector, insulted and attacked by a creature who was
outside all pales. A prostitute had made an attempt on the life of a
citizen. He had seen that, he, Javert. He wrote in silence.

When he had finished he signed the paper, folded it, and said to the
sergeant of the guard, as he handed it to him, "Take three men and
conduct this creature to jail."

Then, turning to Fantine, "You are to have six months of it." The
unhappy woman shuddered.

"Six months! six months of prison!" she exclaimed. "Six months in which
to earn seven sous a day! But what will become of Cosette? My daughter!
my daughter! But I still owe the Thenardiers over a hundred francs; do
you know that, Monsieur Inspector?"

She dragged herself across the damp floor, among the muddy boots of all
those men, without rising, with clasped hands, and taking great strides
on her knees.

"Monsieur Javert," said she, "I beseech your mercy. I assure you that
I was not in the wrong. If you had seen the beginning, you would have
seen. I swear to you by the good God that I was not to blame! That
gentleman, the bourgeois, whom I do not know, put snow in my back. Has
any one the right to put snow down our backs when we are walking along
peaceably, and doing no harm to any one? I am rather ill, as you see.
And then, he had been saying impertinent things to me for a long time:
'You are ugly! you have no teeth!' I know well that I have no longer
those teeth. I did nothing; I said to myself, 'The gentleman is amusing
himself.' I was honest with him; I did not speak to him. It was at that
moment that he put the snow down my back. Monsieur Javert, good Monsieur
Inspector! is there not some person here who saw it and can tell you
that this is quite true? Perhaps I did wrong to get angry. You know that
one is not master of one's self at the first moment. One gives way to
vivacity; and then, when some one puts something cold down your
back just when you are not expecting it! I did wrong to spoil that
gentleman's hat. Why did he go away? I would ask his pardon. Oh, my God!
It makes no difference to me whether I ask his pardon. Do me the favor
to-day, for this once, Monsieur Javert. Hold! you do not know that in
prison one can earn only seven sous a day; it is not the government's
fault, but seven sous is one's earnings; and just fancy, I must pay
one hundred francs, or my little girl will be sent to me. Oh, my God!
I cannot have her with me. What I do is so vile! Oh, my Cosette! Oh, my
little angel of the Holy Virgin! what will become of her, poor creature?
I will tell you: it is the Thenardiers, inn-keepers, peasants; and such
people are unreasonable. They want money. Don't put me in prison! You
see, there is a little girl who will be turned out into the street to
get along as best she may, in the very heart of the winter; and you must
have pity on such a being, my good Monsieur Javert. If she were older,
she might earn her living; but it cannot be done at that age. I am not a
bad woman at bottom. It is not cowardliness and gluttony that have made
me what I am. If I have drunk brandy, it was out of misery. I do not
love it; but it benumbs the senses. When I was happy, it was only
necessary to glance into my closets, and it would have been evident that
I was not a coquettish and untidy woman. I had linen, a great deal of
linen. Have pity on me, Monsieur Javert!"

She spoke thus, rent in twain, shaken with sobs, blinded with tears,
her neck bare, wringing her hands, and coughing with a dry, short cough,
stammering softly with a voice of agony. Great sorrow is a divine and
terrible ray, which transfigures the unhappy. At that moment Fantine had
become beautiful once more. From time to time she paused, and tenderly
kissed the police agent's coat. She would have softened a heart of
granite; but a heart of wood cannot be softened.

"Come!" said Javert, "I have heard you out. Have you entirely finished?
You will get six months. Now march! The Eternal Father in person could
do nothing more."

At these solemn words, "the Eternal Father in person could do nothing
more," she understood that her fate was sealed. She sank down,
murmuring, "Mercy!"

Javert turned his back.

The soldiers seized her by the arms.

A few moments earlier a man had entered, but no one had paid any heed
to him. He shut the door, leaned his back against it, and listened to
Fantine's despairing supplications.

At the instant when the soldiers laid their hands upon the unfortunate
woman, who would not rise, he emerged from the shadow, and said:--

"One moment, if you please."

Javert raised his eyes and recognized M. Madeleine. He removed his hat,
and, saluting him with a sort of aggrieved awkwardness:--

"Excuse me, Mr. Mayor--"

The words "Mr. Mayor" produced a curious effect upon Fantine. She rose
to her feet with one bound, like a spectre springing from the earth,
thrust aside the soldiers with both arms, walked straight up to M.
Madeleine before any one could prevent her, and gazing intently at him,
with a bewildered air, she cried:--

"Ah! so it is you who are M. le Maire!"

Then she burst into a laugh, and spit in his face.

M. Madeleine wiped his face, and said:--

"Inspector Javert, set this woman at liberty."

Javert felt that he was on the verge of going mad. He experienced at
that moment, blow upon blow and almost simultaneously, the most violent
emotions which he had ever undergone in all his life. To see a woman of
the town spit in the mayor's face was a thing so monstrous that, in his
most daring flights of fancy, he would have regarded it as a sacrilege
to believe it possible. On the other hand, at the very bottom of his
thought, he made a hideous comparison as to what this woman was, and as
to what this mayor might be; and then he, with horror, caught a glimpse
of I know not what simple explanation of this prodigious attack. But
when he beheld that mayor, that magistrate, calmly wipe his face and
say, "Set this woman at liberty," he underwent a sort of intoxication
of amazement; thought and word failed him equally; the sum total of
possible astonishment had been exceeded in his case. He remained mute.

The words had produced no less strange an effect on Fantine. She raised
her bare arm, and clung to the damper of the stove, like a person who
is reeling. Nevertheless, she glanced about her, and began to speak in a
low voice, as though talking to herself:--

"At liberty! I am to be allowed to go! I am not to go to prison for six
months! Who said that? It is not possible that any one could have said
that. I did not hear aright. It cannot have been that monster of a
mayor! Was it you, my good Monsieur Javert, who said that I was to be
set free? Oh, see here! I will tell you about it, and you will let me
go. That monster of a mayor, that old blackguard of a mayor, is the
cause of all. Just imagine, Monsieur Javert, he turned me out! all
because of a pack of rascally women, who gossip in the workroom. If that
is not a horror, what is? To dismiss a poor girl who is doing her
work honestly! Then I could no longer earn enough, and all this misery
followed. In the first place, there is one improvement which these
gentlemen of the police ought to make, and that is, to prevent prison
contractors from wronging poor people. I will explain it to you, you
see: you are earning twelve sous at shirt-making, the price falls to
nine sous; and it is not enough to live on. Then one has to become
whatever one can. As for me, I had my little Cosette, and I was actually
forced to become a bad woman. Now you understand how it is that that
blackguard of a mayor caused all the mischief. After that I stamped on
that gentleman's hat in front of the officers' cafe; but he had spoiled
my whole dress with snow. We women have but one silk dress for evening
wear. You see that I did not do wrong deliberately--truly, Monsieur
Javert; and everywhere I behold women who are far more wicked than I,
and who are much happier. O Monsieur Javert! it was you who gave orders
that I am to be set free, was it not? Make inquiries, speak to my
landlord; I am paying my rent now; they will tell you that I am
perfectly honest. Ah! my God! I beg your pardon; I have unintentionally
touched the damper of the stove, and it has made it smoke."

M. Madeleine listened to her with profound attention. While she was
speaking, he fumbled in his waistcoat, drew out his purse and opened
it. It was empty. He put it back in his pocket. He said to Fantine, "How
much did you say that you owed?"

Fantine, who was looking at Javert only, turned towards him:--

"Was I speaking to you?"

Then, addressing the soldiers:--

"Say, you fellows, did you see how I spit in his face? Ah! you old
wretch of a mayor, you came here to frighten me, but I'm not afraid of
you. I am afraid of Monsieur Javert. I am afraid of my good Monsieur
Javert!"

So saying, she turned to the inspector again:--

"And yet, you see, Mr. Inspector, it is necessary to be just. I
understand that you are just, Mr. Inspector; in fact, it is perfectly
simple: a man amuses himself by putting snow down a woman's back, and
that makes the officers laugh; one must divert themselves in some way;
and we--well, we are here for them to amuse themselves with, of course!
And then, you, you come; you are certainly obliged to preserve order,
you lead off the woman who is in the wrong; but on reflection, since you
are a good man, you say that I am to be set at liberty; it is for
the sake of the little one, for six months in prison would prevent my
supporting my child. 'Only, don't do it again, you hussy!' Oh! I won't
do it again, Monsieur Javert! They may do whatever they please to me
now; I will not stir. But to-day, you see, I cried because it hurt me.
I was not expecting that snow from the gentleman at all; and then as I
told you, I am not well; I have a cough; I seem to have a burning ball
in my stomach, and the doctor tells me, 'Take care of yourself.' Here,
feel, give me your hand; don't be afraid--it is here."

She no longer wept, her voice was caressing; she placed Javert's coarse
hand on her delicate, white throat and looked smilingly at him.

All at once she rapidly adjusted her disordered garments, dropped the
folds of her skirt, which had been pushed up as she dragged herself
along, almost to the height of her knee, and stepped towards the door,
saying to the soldiers in a low voice, and with a friendly nod:--

"Children, Monsieur l'Inspecteur has said that I am to be released, and
I am going."

She laid her hand on the latch of the door. One step more and she would
be in the street.

Javert up to that moment had remained erect, motionless, with his eyes
fixed on the ground, cast athwart this scene like some displaced statue,
which is waiting to be put away somewhere.

The sound of the latch roused him. He raised his head with an expression
of sovereign authority, an expression all the more alarming in
proportion as the authority rests on a low level, ferocious in the wild
beast, atrocious in the man of no estate.

"Sergeant!" he cried, "don't you see that that jade is walking off! Who
bade you let her go?"

"I," said Madeleine.

Fantine trembled at the sound of Javert's voice, and let go of the latch
as a thief relinquishes the article which he has stolen. At the sound
of Madeleine's voice she turned around, and from that moment forth she
uttered no word, nor dared so much as to breathe freely, but her glance
strayed from Madeleine to Javert, and from Javert to Madeleine in turn,
according to which was speaking.

It was evident that Javert must have been exasperated beyond measure
before he would permit himself to apostrophize the sergeant as he
had done, after the mayor's suggestion that Fantine should be set at
liberty. Had he reached the point of forgetting the mayor's presence?
Had he finally declared to himself that it was impossible that any
"authority" should have given such an order, and that the mayor must
certainly have said one thing by mistake for another, without intending
it? Or, in view of the enormities of which he had been a witness for the
past two hours, did he say to himself, that it was necessary to recur to
supreme resolutions, that it was indispensable that the small should
be made great, that the police spy should transform himself into a
magistrate, that the policeman should become a dispenser of justice, and
that, in this prodigious extremity, order, law, morality, government,
society in its entirety, was personified in him, Javert?

However that may be, when M. Madeleine uttered that word, _I_, as we
have just heard, Police Inspector Javert was seen to turn toward the
mayor, pale, cold, with blue lips, and a look of despair, his whole body
agitated by an imperceptible quiver and an unprecedented occurrence, and
say to him, with downcast eyes but a firm voice:--

"Mr. Mayor, that cannot be."

"Why not?" said M. Madeleine.

"This miserable woman has insulted a citizen."

"Inspector Javert," replied the mayor, in a calm and conciliating tone,
"listen. You are an honest man, and I feel no hesitation in explaining
matters to you. Here is the true state of the case: I was passing
through the square just as you were leading this woman away; there were
still groups of people standing about, and I made inquiries and learned
everything; it was the townsman who was in the wrong and who should have
been arrested by properly conducted police."

Javert retorted:--

"This wretch has just insulted Monsieur le Maire."

"That concerns me," said M. Madeleine. "My own insult belongs to me, I
think. I can do what I please about it."

"I beg Monsieur le Maire's pardon. The insult is not to him but to the
law."

"Inspector Javert," replied M. Madeleine, "the highest law is
conscience. I have heard this woman; I know what I am doing."

"And I, Mr. Mayor, do not know what I see."

"Then content yourself with obeying."

"I am obeying my duty. My duty demands that this woman shall serve six
months in prison."

M. Madeleine replied gently:--

"Heed this well; she will not serve a single day."

At this decisive word, Javert ventured to fix a searching look on the
mayor and to say, but in a tone of voice that was still profoundly
respectful:--

"I am sorry to oppose Monsieur le Maire; it is for the first time in my
life, but he will permit me to remark that I am within the bounds of my
authority. I confine myself, since Monsieur le Maire desires it, to the
question of the gentleman. I was present. This woman flung herself
on Monsieur Bamatabnois, who is an elector and the proprietor of that
handsome house with a balcony, which forms the corner of the esplanade,
three stories high and entirely of cut stone. Such things as there are
in the world! In any case, Monsieur le Maire, this is a question of
police regulations in the streets, and concerns me, and I shall detain
this woman Fantine."

Then M. Madeleine folded his arms, and said in a severe voice which no
one in the town had heard hitherto:--

"The matter to which you refer is one connected with the municipal
police. According to the terms of articles nine, eleven, fifteen, and
sixty-six of the code of criminal examination, I am the judge. I order
that this woman shall be set at liberty."

Javert ventured to make a final effort.

"But, Mr. Mayor--"

"I refer you to article eighty-one of the law of the 13th of December,
1799, in regard to arbitrary detention."

"Monsieur le Maire, permit me--"

"Not another word."

"But--"

"Leave the room," said M. Madeleine.

Javert received the blow erect, full in the face, in his breast, like
a Russian soldier. He bowed to the very earth before the mayor and left
the room.

Fantine stood aside from the door and stared at him in amazement as he
passed.

Nevertheless, she also was the prey to a strange confusion. She had just
seen herself a subject of dispute between two opposing powers. She had
seen two men who held in their hands her liberty, her life, her soul,
her child, in combat before her very eyes; one of these men was drawing
her towards darkness, the other was leading her back towards the light.
In this conflict, viewed through the exaggerations of terror, these two
men had appeared to her like two giants; the one spoke like her demon,
the other like her good angel. The angel had conquered the demon, and,
strange to say, that which made her shudder from head to foot was
the fact that this angel, this liberator, was the very man whom she
abhorred, that mayor whom she had so long regarded as the author of all
her woes, that Madeleine! And at the very moment when she had insulted
him in so hideous a fashion, he had saved her! Had she, then, been
mistaken? Must she change her whole soul? She did not know; she
trembled. She listened in bewilderment, she looked on in affright, and
at every word uttered by M. Madeleine she felt the frightful shades of
hatred crumble and melt within her, and something warm and ineffable,
indescribable, which was both joy, confidence and love, dawn in her
heart.

When Javert had taken his departure, M. Madeleine turned to her and said
to her in a deliberate voice, like a serious man who does not wish to
weep and who finds some difficulty in speaking:--

"I have heard you. I knew nothing about what you have mentioned. I
believe that it is true, and I feel that it is true. I was even ignorant
of the fact that you had left my shop. Why did you not apply to me? But
here; I will pay your debts, I will send for your child, or you shall go
to her. You shall live here, in Paris, or where you please. I undertake
the care of your child and yourself. You shall not work any longer if
you do not like. I will give all the money you require. You shall be
honest and happy once more. And listen! I declare to you that if all
is as you say,--and I do not doubt it,--you have never ceased to be
virtuous and holy in the sight of God. Oh! poor woman."

This was more than Fantine could bear. To have Cosette! To leave this
life of infamy. To live free, rich, happy, respectable with Cosette; to
see all these realities of paradise blossom of a sudden in the midst of
her misery. She stared stupidly at this man who was talking to her, and
could only give vent to two or three sobs, "Oh! Oh! Oh!"

Her limbs gave way beneath her, she knelt in front of M. Madeleine, and
before he could prevent her he felt her grasp his hand and press her
lips to it.

Then she fainted.




BOOK SIXTH.--JAVERT




CHAPTER I--THE BEGINNING OF REPOSE


M. Madeleine had Fantine removed to that infirmary which he had
established in his own house. He confided her to the sisters, who put
her to bed. A burning fever had come on. She passed a part of the night
in delirium and raving. At length, however, she fell asleep.

On the morrow, towards midday, Fantine awoke. She heard some one
breathing close to her bed; she drew aside the curtain and saw M.
Madeleine standing there and looking at something over her head. His
gaze was full of pity, anguish, and supplication. She followed its
direction, and saw that it was fixed on a crucifix which was nailed to
the wall.

Thenceforth, M. Madeleine was transfigured in Fantine's eyes. He seemed
to her to be clothed in light. He was absorbed in a sort of prayer. She
gazed at him for a long time without daring to interrupt him. At last
she said timidly:--

"What are you doing?"

M. Madeleine had been there for an hour. He had been waiting for Fantine
to awake. He took her hand, felt of her pulse, and replied:--

"How do you feel?"

"Well, I have slept," she replied; "I think that I am better, It is
nothing."

He answered, responding to the first question which she had put to him
as though he had just heard it:--

"I was praying to the martyr there on high."

And he added in his own mind, "For the martyr here below."

M. Madeleine had passed the night and the morning in making inquiries.
He knew all now. He knew Fantine's history in all its heart-rending
details. He went on:--

"You have suffered much, poor mother. Oh! do not complain; you now have
the dowry of the elect. It is thus that men are transformed into angels.
It is not their fault they do not know how to go to work otherwise.
You see this hell from which you have just emerged is the first form of
heaven. It was necessary to begin there."

He sighed deeply. But she smiled on him with that sublime smile in which
two teeth were lacking.

That same night, Javert wrote a letter. The next morning be posted it
himself at the office of M. sur M. It was addressed to Paris, and the
superscription ran: To Monsieur Chabouillet, Secretary of Monsieur le
Prefet of Police. As the affair in the station-house had been bruited
about, the post-mistress and some other persons who saw the letter
before it was sent off, and who recognized Javert's handwriting on the
cover, thought that he was sending in his resignation.

M. Madeleine made haste to write to the Thenardiers. Fantine owed
them one hundred and twenty francs. He sent them three hundred francs,
telling them to pay themselves from that sum, and to fetch the child
instantly to M. sur M., where her sick mother required her presence.

This dazzled Thenardier. "The devil!" said the man to his wife; "don't
let's allow the child to go. This lark is going to turn into a milch
cow. I see through it. Some ninny has taken a fancy to the mother."

He replied with a very well drawn-up bill for five hundred and some odd
francs. In this memorandum two indisputable items figured up over three
hundred francs,--one for the doctor, the other for the apothecary
who had attended and physicked Eponine and Azelma through two long
illnesses. Cosette, as we have already said, had not been ill. It was
only a question of a trifling substitution of names. At the foot of the
memorandum Thenardier wrote, Received on account, three hundred francs.

M. Madeleine immediately sent three hundred francs more, and wrote,
"Make haste to bring Cosette."

"Christi!" said Thenardier, "let's not give up the child."

In the meantime, Fantine did not recover. She still remained in the
infirmary.

The sisters had at first only received and nursed "that woman" with
repugnance. Those who have seen the bas-reliefs of Rheims will recall
the inflation of the lower lip of the wise virgins as they survey the
foolish virgins. The ancient scorn of the vestals for the ambubajae is
one of the most profound instincts of feminine dignity; the sisters
felt it with the double force contributed by religion. But in a few days
Fantine disarmed them. She said all kinds of humble and gentle things,
and the mother in her provoked tenderness. One day the sisters heard
her say amid her fever: "I have been a sinner; but when I have my child
beside me, it will be a sign that God has pardoned me. While I was
leading a bad life, I should not have liked to have my Cosette with me;
I could not have borne her sad, astonished eyes. It was for her sake
that I did evil, and that is why God pardons me. I shall feel the
benediction of the good God when Cosette is here. I shall gaze at her;
it will do me good to see that innocent creature. She knows nothing at
all. She is an angel, you see, my sisters. At that age the wings have
not fallen off."

M. Madeleine went to see her twice a day, and each time she asked him:--

"Shall I see my Cosette soon?"

He answered:--

"To-morrow, perhaps. She may arrive at any moment. I am expecting her."

And the mother's pale face grew radiant.

"Oh!" she said, "how happy I am going to be!"

We have just said that she did not recover her health. On the contrary,
her condition seemed to become more grave from week to week. That
handful of snow applied to her bare skin between her shoulder-blades had
brought about a sudden suppression of perspiration, as a consequence of
which the malady which had been smouldering within her for many years
was violently developed at last. At that time people were beginning to
follow the fine Laennec's fine suggestions in the study and treatment of
chest maladies. The doctor sounded Fantine's chest and shook his head.

M. Madeleine said to the doctor:--

"Well?"

"Has she not a child which she desires to see?" said the doctor.

"Yes."

"Well! Make haste and get it here!"

M. Madeleine shuddered.

Fantine inquired:--

"What did the doctor say?"

M. Madeleine forced himself to smile.

"He said that your child was to be brought speedily. That that would
restore your health."

"Oh!" she rejoined, "he is right! But what do those Thenardiers mean
by keeping my Cosette from me! Oh! she is coming. At last I behold
happiness close beside me!"

In the meantime Thenardier did not "let go of the child," and gave a
hundred insufficient reasons for it. Cosette was not quite well enough
to take a journey in the winter. And then, there still remained some
petty but pressing debts in the neighborhood, and they were collecting
the bills for them, etc., etc.

"I shall send some one to fetch Cosette!" said Father Madeleine. "If
necessary, I will go myself."

He wrote the following letter to Fantine's dictation, and made her sign
it:--

 "MONSIEUR THENARDIER:--
          You will deliver Cosette to this person.
          You will be paid for all the little things.
          I have the honor to salute you with respect.
                                                  "FANTINE."


In the meantime a serious incident occurred. Carve as we will the
mysterious block of which our life is made, the black vein of destiny
constantly reappears in it.




CHAPTER II--HOW JEAN MAY BECOME CHAMP


One morning M. Madeleine was in his study, occupied in arranging in
advance some pressing matters connected with the mayor's office, in case
he should decide to take the trip to Montfermeil, when he was informed
that Police Inspector Javert was desirous of speaking with him.
Madeleine could not refrain from a disagreeable impression on hearing
this name. Javert had avoided him more than ever since the affair of the
police-station, and M. Madeleine had not seen him.

"Admit him," he said.

Javert entered.

M. Madeleine had retained his seat near the fire, pen in hand, his eyes
fixed on the docket which he was turning over and annotating, and which
contained the trials of the commission on highways for the infraction of
police regulations. He did not disturb himself on Javert's account. He
could not help thinking of poor Fantine, and it suited him to be glacial
in his manner.

Javert bestowed a respectful salute on the mayor, whose back was turned
to him. The mayor did not look at him, but went on annotating this
docket.

Javert advanced two or three paces into the study, and halted, without
breaking the silence.

If any physiognomist who had been familiar with Javert, and who had
made a lengthy study of this savage in the service of civilization,
this singular composite of the Roman, the Spartan, the monk, and the
corporal, this spy who was incapable of a lie, this unspotted police
agent--if any physiognomist had known his secret and long-cherished
aversion for M. Madeleine, his conflict with the mayor on the subject of
Fantine, and had examined Javert at that moment, he would have said to
himself, "What has taken place?" It was evident to any one acquainted
with that clear, upright, sincere, honest, austere, and ferocious
conscience, that Javert had but just gone through some great interior
struggle. Javert had nothing in his soul which he had not also in his
countenance. Like violent people in general, he was subject to abrupt
changes of opinion. His physiognomy had never been more peculiar and
startling. On entering he bowed to M. Madeleine with a look in which
there was neither rancor, anger, nor distrust; he halted a few paces in
the rear of the mayor's arm-chair, and there he stood, perfectly erect,
in an attitude almost of discipline, with the cold, ingenuous roughness
of a man who has never been gentle and who has always been patient; he
waited without uttering a word, without making a movement, in genuine
humility and tranquil resignation, calm, serious, hat in hand, with
eyes cast down, and an expression which was half-way between that of a
soldier in the presence of his officer and a criminal in the presence
of his judge, until it should please the mayor to turn round. All the
sentiments as well as all the memories which one might have attributed
to him had disappeared. That face, as impenetrable and simple as
granite, no longer bore any trace of anything but a melancholy
depression. His whole person breathed lowliness and firmness and an
indescribable courageous despondency.

At last the mayor laid down his pen and turned half round.

"Well! What is it? What is the matter, Javert?"

Javert remained silent for an instant as though collecting his ideas,
then raised his voice with a sort of sad solemnity, which did not,
however, preclude simplicity.

"This is the matter, Mr. Mayor; a culpable act has been committed."

"What act?"

"An inferior agent of the authorities has failed in respect, and in the
gravest manner, towards a magistrate. I have come to bring the fact to
your knowledge, as it is my duty to do."

"Who is the agent?" asked M. Madeleine.

"I," said Javert.

"You?"

"I."

"And who is the magistrate who has reason to complain of the agent?"

"You, Mr. Mayor."

M. Madeleine sat erect in his arm-chair. Javert went on, with a severe
air and his eyes still cast down.

"Mr. Mayor, I have come to request you to instigate the authorities to
dismiss me."

M. Madeleine opened his mouth in amazement. Javert interrupted him:--

"You will say that I might have handed in my resignation, but that does
not suffice. Handing in one's resignation is honorable. I have failed in
my duty; I ought to be punished; I must be turned out."

And after a pause he added:--

"Mr. Mayor, you were severe with me the other day, and unjustly. Be so
to-day, with justice."

"Come, now! Why?" exclaimed M. Madeleine. "What nonsense is this?
What is the meaning of this? What culpable act have you been guilty of
towards me? What have you done to me? What are your wrongs with regard
to me? You accuse yourself; you wish to be superseded--"

"Turned out," said Javert.

"Turned out; so it be, then. That is well. I do not understand."

"You shall understand, Mr. Mayor."

Javert sighed from the very bottom of his chest, and resumed, still
coldly and sadly:--

"Mr. Mayor, six weeks ago, in consequence of the scene over that woman,
I was furious, and I informed against you."

"Informed against me!"

"At the Prefecture of Police in Paris."

M. Madeleine, who was not in the habit of laughing much oftener than
Javert himself, burst out laughing now:--

"As a mayor who had encroached on the province of the police?"

"As an ex-convict."

The mayor turned livid.

Javert, who had not raised his eyes, went on:--

"I thought it was so. I had had an idea for a long time; a resemblance;
inquiries which you had caused to be made at Faverolles; the strength
of your loins; the adventure with old Fauchelevant; your skill in
marksmanship; your leg, which you drag a little;--I hardly know what
all,--absurdities! But, at all events, I took you for a certain Jean
Valjean."

"A certain--What did you say the name was?"

"Jean Valjean. He was a convict whom I was in the habit of seeing twenty
years ago, when I was adjutant-guard of convicts at Toulon. On leaving
the galleys, this Jean Valjean, as it appears, robbed a bishop; then he
committed another theft, accompanied with violence, on a public highway
on the person of a little Savoyard. He disappeared eight years ago, no
one knows how, and he has been sought, I fancied. In short, I did this
thing! Wrath impelled me; I denounced you at the Prefecture!"

M. Madeleine, who had taken up the docket again several moments before
this, resumed with an air of perfect indifference:--

"And what reply did you receive?"

"That I was mad."

"Well?"

"Well, they were right."

"It is lucky that you recognize the fact."

"I am forced to do so, since the real Jean Valjean has been found."

The sheet of paper which M. Madeleine was holding dropped from his
hand; he raised his head, gazed fixedly at Javert, and said with his
indescribable accent:--

"Ah!"

Javert continued:--

"This is the way it is, Mr. Mayor. It seems that there was in the
neighborhood near Ailly-le-Haut-Clocher an old fellow who was called
Father Champmathieu. He was a very wretched creature. No one paid any
attention to him. No one knows what such people subsist on. Lately, last
autumn, Father Champmathieu was arrested for the theft of some cider
apples from--Well, no matter, a theft had been committed, a wall scaled,
branches of trees broken. My Champmathieu was arrested. He still had
the branch of apple-tree in his hand. The scamp is locked up. Up to
this point it was merely an affair of a misdemeanor. But here is where
Providence intervened.

"The jail being in a bad condition, the examining magistrate finds it
convenient to transfer Champmathieu to Arras, where the departmental
prison is situated. In this prison at Arras there is an ex-convict named
Brevet, who is detained for I know not what, and who has been appointed
turnkey of the house, because of good behavior. Mr. Mayor, no sooner had
Champmathieu arrived than Brevet exclaims: 'Eh! Why, I know that man!
He is a fagot![4] Take a good look at me, my good man! You are Jean
Valjean!' 'Jean Valjean! who's Jean Valjean?' Champmathieu feigns
astonishment. 'Don't play the innocent dodge,' says Brevet. 'You are
Jean Valjean! You have been in the galleys of Toulon; it was twenty
years ago; we were there together.' Champmathieu denies it. Parbleu! You
understand. The case is investigated. The thing was well ventilated for
me. This is what they discovered: This Champmathieu had been, thirty
years ago, a pruner of trees in various localities, notably at
Faverolles. There all trace of him was lost. A long time afterwards he
was seen again in Auvergne; then in Paris, where he is said to have been
a wheelwright, and to have had a daughter, who was a laundress; but that
has not been proved. Now, before going to the galleys for theft, what
was Jean Valjean? A pruner of trees. Where? At Faverolles. Another fact.
This Valjean's Christian name was Jean, and his mother's surname was
Mathieu. What more natural to suppose than that, on emerging from the
galleys, he should have taken his mother's name for the purpose of
concealing himself, and have called himself Jean Mathieu? He goes to
Auvergne. The local pronunciation turns Jean into Chan--he is called
Chan Mathieu. Our man offers no opposition, and behold him transformed
into Champmathieu. You follow me, do you not? Inquiries were made at
Faverolles. The family of Jean Valjean is no longer there. It is not
known where they have gone. You know that among those classes a family
often disappears. Search was made, and nothing was found. When such
people are not mud, they are dust. And then, as the beginning of the
story dates thirty years back, there is no longer any one at Faverolles
who knew Jean Valjean. Inquiries were made at Toulon. Besides Brevet,
there are only two convicts in existence who have seen Jean Valjean;
they are Cochepaille and Chenildieu, and are sentenced for life.
They are taken from the galleys and confronted with the pretended
Champmathieu. They do not hesitate; he is Jean Valjean for them as well
as for Brevet. The same age,--he is fifty-four,--the same height, the
same air, the same man; in short, it is he. It was precisely at this
moment that I forwarded my denunciation to the Prefecture in Paris. I
was told that I had lost my reason, and that Jean Valjean is at Arras,
in the power of the authorities. You can imagine whether this surprised
me, when I thought that I had that same Jean Valjean here. I write to
the examining judge; he sends for me; Champmathieu is conducted to me--"

"Well?" interposed M. Madeleine.

Javert replied, his face incorruptible, and as melancholy as ever:--

"Mr. Mayor, the truth is the truth. I am sorry; but that man is Jean
Valjean. I recognized him also."

M. Madeleine resumed in, a very low voice:--

"You are sure?"

Javert began to laugh, with that mournful laugh which comes from
profound conviction.

"O! Sure!"

He stood there thoughtfully for a moment, mechanically taking pinches of
powdered wood for blotting ink from the wooden bowl which stood on the
table, and he added:--

"And even now that I have seen the real Jean Valjean, I do not see how I
could have thought otherwise. I beg your pardon, Mr. Mayor."

Javert, as he addressed these grave and supplicating words to the man,
who six weeks before had humiliated him in the presence of the whole
station-house, and bade him "leave the room,"--Javert, that haughty man,
was unconsciously full of simplicity and dignity,--M. Madeleine made no
other reply to his prayer than the abrupt question:--

"And what does this man say?"

"Ah! Indeed, Mr. Mayor, it's a bad business. If he is Jean Valjean, he
has his previous conviction against him. To climb a wall, to break a
branch, to purloin apples, is a mischievous trick in a child; for a
man it is a misdemeanor; for a convict it is a crime. Robbing
and housebreaking--it is all there. It is no longer a question of
correctional police; it is a matter for the Court of Assizes. It is no
longer a matter of a few days in prison; it is the galleys for life. And
then, there is the affair with the little Savoyard, who will return, I
hope. The deuce! there is plenty to dispute in the matter, is there not?
Yes, for any one but Jean Valjean. But Jean Valjean is a sly dog. That
is the way I recognized him. Any other man would have felt that things
were getting hot for him; he would struggle, he would cry out--the
kettle sings before the fire; he would not be Jean Valjean, et
cetera. But he has not the appearance of understanding; he says, 'I am
Champmathieu, and I won't depart from that!' He has an astonished air,
he pretends to be stupid; it is far better. Oh! the rogue is clever! But
it makes no difference. The proofs are there. He has been recognized by
four persons; the old scamp will be condemned. The case has been taken
to the Assizes at Arras. I shall go there to give my testimony. I have
been summoned."

M. Madeleine had turned to his desk again, and taken up his docket, and
was turning over the leaves tranquilly, reading and writing by turns,
like a busy man. He turned to Javert:--

"That will do, Javert. In truth, all these details interest me but
little. We are wasting our time, and we have pressing business on hand.
Javert, you will betake yourself at once to the house of the woman
Buseaupied, who sells herbs at the corner of the Rue Saint-Saulve. You
will tell her that she must enter her complaint against carter Pierre
Chesnelong. The man is a brute, who came near crushing this woman and
her child. He must be punished. You will then go to M. Charcellay,
Rue Montre-de-Champigny. He complained that there is a gutter on the
adjoining house which discharges rain-water on his premises, and is
undermining the foundations of his house. After that, you will verify
the infractions of police regulations which have been reported to me in
the Rue Guibourg, at Widow Doris's, and Rue du Garraud-Blanc, at Madame
Renee le Bosse's, and you will prepare documents. But I am giving you a
great deal of work. Are you not to be absent? Did you not tell me that
you were going to Arras on that matter in a week or ten days?"

"Sooner than that, Mr. Mayor."

"On what day, then?"

"Why, I thought that I had said to Monsieur le Maire that the case was
to be tried to-morrow, and that I am to set out by diligence to-night."

M. Madeleine made an imperceptible movement.

"And how long will the case last?"

"One day, at the most. The judgment will be pronounced to-morrow evening
at latest. But I shall not wait for the sentence, which is certain; I
shall return here as soon as my deposition has been taken."

"That is well," said M. Madeleine.

And he dismissed Javert with a wave of the hand.

Javert did not withdraw.

"Excuse me, Mr. Mayor," said he.

"What is it now?" demanded M. Madeleine.

"Mr. Mayor, there is still something of which I must remind you."

"What is it?"

"That I must be dismissed."

M. Madeleine rose.

"Javert, you are a man of honor, and I esteem you. You exaggerate your
fault. Moreover, this is an offence which concerns me. Javert, you
deserve promotion instead of degradation. I wish you to retain your
post."

Javert gazed at M. Madeleine with his candid eyes, in whose depths his
not very enlightened but pure and rigid conscience seemed visible, and
said in a tranquil voice:--

"Mr. Mayor, I cannot grant you that."

"I repeat," replied M. Madeleine, "that the matter concerns me."

But Javert, heeding his own thought only, continued:--

"So far as exaggeration is concerned, I am not exaggerating. This is the
way I reason: I have suspected you unjustly. That is nothing. It is our
right to cherish suspicion, although suspicion directed above ourselves
is an abuse. But without proofs, in a fit of rage, with the object
of wreaking my vengeance, I have denounced you as a convict, you, a
respectable man, a mayor, a magistrate! That is serious, very serious. I
have insulted authority in your person, I, an agent of the authorities!
If one of my subordinates had done what I have done, I should have
declared him unworthy of the service, and have expelled him. Well? Stop,
Mr. Mayor; one word more. I have often been severe in the course of my
life towards others. That is just. I have done well. Now, if I were not
severe towards myself, all the justice that I have done would become
injustice. Ought I to spare myself more than others? No! What! I should
be good for nothing but to chastise others, and not myself! Why, I
should be a blackguard! Those who say, 'That blackguard of a Javert!'
would be in the right. Mr. Mayor, I do not desire that you should treat
me kindly; your kindness roused sufficient bad blood in me when it was
directed to others. I want none of it for myself. The kindness which
consists in upholding a woman of the town against a citizen, the police
agent against the mayor, the man who is down against the man who is
up in the world, is what I call false kindness. That is the sort of
kindness which disorganizes society. Good God! it is very easy to be
kind; the difficulty lies in being just. Come! if you had been what I
thought you, I should not have been kind to you, not I! You would have
seen! Mr. Mayor, I must treat myself as I would treat any other man.
When I have subdued malefactors, when I have proceeded with vigor
against rascals, I have often said to myself, 'If you flinch, if I ever
catch you in fault, you may rest at your ease!' I have flinched, I
have caught myself in a fault. So much the worse! Come, discharged,
cashiered, expelled! That is well. I have arms. I will till the soil; it
makes no difference to me. Mr. Mayor, the good of the service demands an
example. I simply require the discharge of Inspector Javert."

All this was uttered in a proud, humble, despairing, yet convinced tone,
which lent indescribable grandeur to this singular, honest man.

"We shall see," said M. Madeleine.

And he offered him his hand.

Javert recoiled, and said in a wild voice:--

"Excuse me, Mr. Mayor, but this must not be. A mayor does not offer his
hand to a police spy."

He added between his teeth:--

"A police spy, yes; from the moment when I have misused the police. I am
no more than a police spy."

Then he bowed profoundly, and directed his steps towards the door.

There he wheeled round, and with eyes still downcast:--

"Mr. Mayor," he said, "I shall continue to serve until I am superseded."

He withdrew. M. Madeleine remained thoughtfully listening to the firm,
sure step, which died away on the pavement of the corridor.




BOOK SEVENTH.--THE CHAMPMATHIEU AFFAIR




CHAPTER I--SISTER SIMPLICE

The incidents the reader is about to peruse were not all known at M. sur
M. But the small portion of them which became known left such a memory
in that town that a serious gap would exist in this book if we did
not narrate them in their most minute details. Among these details the
reader will encounter two or three improbable circumstances, which we
preserve out of respect for the truth.

On the afternoon following the visit of Javert, M. Madeleine went to see
Fantine according to his wont.

Before entering Fantine's room, he had Sister Simplice summoned.

The two nuns who performed the services of nurse in the infirmary,
Lazariste ladies, like all sisters of charity, bore the names of Sister
Perpetue and Sister Simplice.

Sister Perpetue was an ordinary villager, a sister of charity in a
coarse style, who had entered the service of God as one enters any other
service. She was a nun as other women are cooks. This type is not
so very rare. The monastic orders gladly accept this heavy peasant
earthenware, which is easily fashioned into a Capuchin or an Ursuline.
These rustics are utilized for the rough work of devotion. The
transition from a drover to a Carmelite is not in the least violent;
the one turns into the other without much effort; the fund of ignorance
common to the village and the cloister is a preparation ready at hand,
and places the boor at once on the same footing as the monk: a little
more amplitude in the smock, and it becomes a frock. Sister Perpetue
was a robust nun from Marines near Pontoise, who chattered her patois,
droned, grumbled, sugared the potion according to the bigotry or the
hypocrisy of the invalid, treated her patients abruptly, roughly, was
crabbed with the dying, almost flung God in their faces, stoned their
death agony with prayers mumbled in a rage; was bold, honest, and ruddy.

Sister Simplice was white, with a waxen pallor. Beside Sister Perpetue,
she was the taper beside the candle. Vincent de Paul has divinely traced
the features of the Sister of Charity in these admirable words, in which
he mingles as much freedom as servitude: "They shall have for their
convent only the house of the sick; for cell only a hired room; for
chapel only their parish church; for cloister only the streets of the
town and the wards of the hospitals; for enclosure only obedience; for
gratings only the fear of God; for veil only modesty." This ideal was
realized in the living person of Sister Simplice: she had never been
young, and it seemed as though she would never grow old. No one could
have told Sister Simplice's age. She was a person--we dare not say a
woman--who was gentle, austere, well-bred, cold, and who had never lied.
She was so gentle that she appeared fragile; but she was more solid than
granite. She touched the unhappy with fingers that were charmingly pure
and fine. There was, so to speak, silence in her speech; she said just
what was necessary, and she possessed a tone of voice which would
have equally edified a confessional or enchanted a drawing-room. This
delicacy accommodated itself to the serge gown, finding in this harsh
contact a continual reminder of heaven and of God. Let us emphasize
one detail. Never to have lied, never to have said, for any interest
whatever, even in indifference, any single thing which was not the
truth, the sacred truth, was Sister Simplice's distinctive trait; it was
the accent of her virtue. She was almost renowned in the congregation
for this imperturbable veracity. The Abbe Sicard speaks of Sister
Simplice in a letter to the deaf-mute Massieu. However pure and sincere
we may be, we all bear upon our candor the crack of the little, innocent
lie. She did not. Little lie, innocent lie--does such a thing exist? To
lie is the absolute form of evil. To lie a little is not possible: he
who lies, lies the whole lie. To lie is the very face of the demon.
Satan has two names; he is called Satan and Lying. That is what she
thought; and as she thought, so she did. The result was the whiteness
which we have mentioned--a whiteness which covered even her lips and her
eyes with radiance. Her smile was white, her glance was white. There was
not a single spider's web, not a grain of dust, on the glass window of
that conscience. On entering the order of Saint Vincent de Paul, she had
taken the name of Simplice by special choice. Simplice of Sicily, as we
know, is the saint who preferred to allow both her breasts to be torn
off rather than to say that she had been born at Segesta when she had
been born at Syracuse--a lie which would have saved her. This patron
saint suited this soul.

Sister Simplice, on her entrance into the order, had had two faults
which she had gradually corrected: she had a taste for dainties, and she
liked to receive letters. She never read anything but a book of prayers
printed in Latin, in coarse type. She did not understand Latin, but she
understood the book.

This pious woman had conceived an affection for Fantine, probably
feeling a latent virtue there, and she had devoted herself almost
exclusively to her care.

M. Madeleine took Sister Simplice apart and recommended Fantine to her
in a singular tone, which the sister recalled later on.

On leaving the sister, he approached Fantine.

Fantine awaited M. Madeleine's appearance every day as one awaits a ray
of warmth and joy. She said to the sisters, "I only live when Monsieur
le Maire is here."

She had a great deal of fever that day. As soon as she saw M. Madeleine
she asked him:--

"And Cosette?"

He replied with a smile:--

"Soon."

M. Madeleine was the same as usual with Fantine. Only he remained an
hour instead of half an hour, to Fantine's great delight. He urged every
one repeatedly not to allow the invalid to want for anything. It was
noticed that there was a moment when his countenance became very sombre.
But this was explained when it became known that the doctor had bent
down to his ear and said to him, "She is losing ground fast."

Then he returned to the town-hall, and the clerk observed him
attentively examining a road map of France which hung in his study. He
wrote a few figures on a bit of paper with a pencil.




CHAPTER II--THE PERSPICACITY OF MASTER SCAUFFLAIRE

From the town-hall he betook himself to the extremity of the town, to a
Fleming named Master Scaufflaer, French Scaufflaire, who let out "horses
and cabriolets as desired."

In order to reach this Scaufflaire, the shortest way was to take the
little-frequented street in which was situated the parsonage of the
parish in which M. Madeleine resided. The cure was, it was said, a
worthy, respectable, and sensible man. At the moment when M. Madeleine
arrived in front of the parsonage there was but one passer-by in the
street, and this person noticed this: After the mayor had passed the
priest's house he halted, stood motionless, then turned about, and
retraced his steps to the door of the parsonage, which had an iron
knocker. He laid his hand quickly on the knocker and lifted it; then
he paused again and stopped short, as though in thought, and after
the lapse of a few seconds, instead of allowing the knocker to fall
abruptly, he placed it gently, and resumed his way with a sort of haste
which had not been apparent previously.

M. Madeleine found Master Scaufflaire at home, engaged in stitching a
harness over.

"Master Scaufflaire," he inquired, "have you a good horse?"

"Mr. Mayor," said the Fleming, "all my horses are good. What do you mean
by a good horse?"

"I mean a horse which can travel twenty leagues in a day."

"The deuce!" said the Fleming. "Twenty leagues!"

"Yes."

"Hitched to a cabriolet?"

"Yes."

"And how long can he rest at the end of his journey?"

"He must be able to set out again on the next day if necessary."

"To traverse the same road?"

"Yes."

"The deuce! the deuce! And it is twenty leagues?"

M. Madeleine drew from his pocket the paper on which he had pencilled
some figures. He showed it to the Fleming. The figures were 5, 6, 8 1/2.

"You see," he said, "total, nineteen and a half; as well say twenty
leagues."

"Mr. Mayor," returned the Fleming, "I have just what you want. My little
white horse--you may have seen him pass occasionally; he is a small
beast from Lower Boulonnais. He is full of fire. They wanted to make
a saddle-horse of him at first. Bah! He reared, he kicked, he laid
everybody flat on the ground. He was thought to be vicious, and no one
knew what to do with him. I bought him. I harnessed him to a carriage.
That is what he wanted, sir; he is as gentle as a girl; he goes like the
wind. Ah! indeed he must not be mounted. It does not suit his ideas to
be a saddle-horse. Every one has his ambition. 'Draw? Yes. Carry? No.'
We must suppose that is what he said to himself."

"And he will accomplish the trip?"

"Your twenty leagues all at a full trot, and in less than eight hours.
But here are the conditions."

"State them."

"In the first place, you will give him half an hour's breathing spell
midway of the road; he will eat; and some one must be by while he is
eating to prevent the stable boy of the inn from stealing his oats; for
I have noticed that in inns the oats are more often drunk by the stable
men than eaten by the horses."

"Some one will be by."

"In the second place--is the cabriolet for Monsieur le Maire?"

"Yes."

"Does Monsieur le Maire know how to drive?"

"Yes."

"Well, Monsieur le Maire will travel alone and without baggage, in order
not to overload the horse?"

"Agreed."

"But as Monsieur le Maire will have no one with him, he will be obliged
to take the trouble himself of seeing that the oats are not stolen."

"That is understood."

"I am to have thirty francs a day. The days of rest to be paid for
also--not a farthing less; and the beast's food to be at Monsieur le
Maire's expense."

M. Madeleine drew three napoleons from his purse and laid them on the
table.

"Here is the pay for two days in advance."

"Fourthly, for such a journey a cabriolet would be too heavy, and would
fatigue the horse. Monsieur le Maire must consent to travel in a little
tilbury that I own."

"I consent to that."

"It is light, but it has no cover."

"That makes no difference to me."

"Has Monsieur le Maire reflected that we are in the middle of winter?"

M. Madeleine did not reply. The Fleming resumed:--

"That it is very cold?"

M. Madeleine preserved silence.

Master Scaufflaire continued:--

"That it may rain?"

M. Madeleine raised his head and said:--

"The tilbury and the horse will be in front of my door to-morrow morning
at half-past four o'clock."

"Of course, Monsieur le Maire," replied Scaufflaire; then, scratching a
speck in the wood of the table with his thumb-nail, he resumed with that
careless air which the Flemings understand so well how to mingle with
their shrewdness:--

"But this is what I am thinking of now: Monsieur le Maire has not told
me where he is going. Where is Monsieur le Maire going?"

He had been thinking of nothing else since the beginning of the
conversation, but he did not know why he had not dared to put the
question.

"Are your horse's forelegs good?" said M. Madeleine.

"Yes, Monsieur le Maire. You must hold him in a little when going down
hill. Are there many descends between here and the place whither you are
going?"

"Do not forget to be at my door at precisely half-past four o'clock
to-morrow morning," replied M. Madeleine; and he took his departure.

The Fleming remained "utterly stupid," as he himself said some time
afterwards.

The mayor had been gone two or three minutes when the door opened again;
it was the mayor once more.

He still wore the same impassive and preoccupied air.

"Monsieur Scaufflaire," said he, "at what sum do you estimate the value
of the horse and tilbury which you are to let to me,--the one bearing
the other?"

"The one dragging the other, Monsieur le Maire," said the Fleming, with
a broad smile.

"So be it. Well?"

"Does Monsieur le Maire wish to purchase them or me?"

"No; but I wish to guarantee you in any case. You shall give me back
the sum at my return. At what value do you estimate your horse and
cabriolet?"

"Five hundred francs, Monsieur le Maire."

"Here it is."

M. Madeleine laid a bank-bill on the table, then left the room; and this
time he did not return.

Master Scaufflaire experienced a frightful regret that he had not said a
thousand francs. Besides the horse and tilbury together were worth but a
hundred crowns.

The Fleming called his wife, and related the affair to her. "Where the
devil could Monsieur le Maire be going?" They held counsel together.
"He is going to Paris," said the wife. "I don't believe it," said the
husband.

M. Madeleine had forgotten the paper with the figures on it, and it lay
on the chimney-piece. The Fleming picked it up and studied it. "Five,
six, eight and a half? That must designate the posting relays." He
turned to his wife:--

"I have found out."

"What?"

"It is five leagues from here to Hesdin, six from Hesdin to Saint-Pol,
eight and a half from Saint-Pol to Arras. He is going to Arras."

Meanwhile, M. Madeleine had returned home. He had taken the longest way
to return from Master Scaufflaire's, as though the parsonage door had
been a temptation for him, and he had wished to avoid it. He ascended
to his room, and there he shut himself up, which was a very simple act,
since he liked to go to bed early. Nevertheless, the portress of the
factory, who was, at the same time, M. Madeleine's only servant, noticed
that the latter's light was extinguished at half-past eight, and she
mentioned it to the cashier when he came home, adding:--

"Is Monsieur le Maire ill? I thought he had a rather singular air."

This cashier occupied a room situated directly under M. Madeleine's
chamber. He paid no heed to the portress's words, but went to bed and
to sleep. Towards midnight he woke up with a start; in his sleep he had
heard a noise above his head. He listened; it was a footstep pacing back
and forth, as though some one were walking in the room above him. He
listened more attentively, and recognized M. Madeleine's step. This
struck him as strange; usually, there was no noise in M. Madeleine's
chamber until he rose in the morning. A moment later the cashier heard
a noise which resembled that of a cupboard being opened, and then shut
again; then a piece of furniture was disarranged; then a pause ensued;
then the step began again. The cashier sat up in bed, quite awake now,
and staring; and through his window-panes he saw the reddish gleam of a
lighted window reflected on the opposite wall; from the direction of the
rays, it could only come from the window of M. Madeleine's chamber. The
reflection wavered, as though it came rather from a fire which had
been lighted than from a candle. The shadow of the window-frame was not
shown, which indicated that the window was wide open. The fact that this
window was open in such cold weather was surprising. The cashier fell
asleep again. An hour or two later he waked again. The same step was
still passing slowly and regularly back and forth overhead.

The reflection was still visible on the wall, but now it was pale and
peaceful, like the reflection of a lamp or of a candle. The window was
still open.

This is what had taken place in M. Madeleine's room.




CHAPTER III--A TEMPEST IN A SKULL

The reader has, no doubt, already divined that M. Madeleine is no other
than Jean Valjean.

We have already gazed into the depths of this conscience; the moment has
now come when we must take another look into it. We do so not without
emotion and trepidation. There is nothing more terrible in existence
than this sort of contemplation. The eye of the spirit can nowhere find
more dazzling brilliance and more shadow than in man; it can fix itself
on no other thing which is more formidable, more complicated, more
mysterious, and more infinite. There is a spectacle more grand than the
sea; it is heaven: there is a spectacle more grand than heaven; it is
the inmost recesses of the soul.

To make the poem of the human conscience, were it only with reference to
a single man, were it only in connection with the basest of men, would
be to blend all epics into one superior and definitive epic. Conscience
is the chaos of chimeras, of lusts, and of temptations; the furnace of
dreams; the lair of ideas of which we are ashamed; it is the pandemonium
of sophisms; it is the battlefield of the passions. Penetrate, at
certain hours, past the livid face of a human being who is engaged
in reflection, and look behind, gaze into that soul, gaze into that
obscurity. There, beneath that external silence, battles of giants,
like those recorded in Homer, are in progress; skirmishes of dragons and
hydras and swarms of phantoms, as in Milton; visionary circles, as in
Dante. What a solemn thing is this infinity which every man bears within
him, and which he measures with despair against the caprices of his
brain and the actions of his life!

Alighieri one day met with a sinister-looking door, before which he
hesitated. Here is one before us, upon whose threshold we hesitate. Let
us enter, nevertheless.

We have but little to add to what the reader already knows of what had
happened to Jean Valjean after the adventure with Little Gervais. From
that moment forth he was, as we have seen, a totally different man. What
the Bishop had wished to make of him, that he carried out. It was more
than a transformation; it was a transfiguration.

He succeeded in disappearing, sold the Bishop's silver, reserving only
the candlesticks as a souvenir, crept from town to town, traversed
France, came to M. sur M., conceived the idea which we have mentioned,
accomplished what we have related, succeeded in rendering himself safe
from seizure and inaccessible, and, thenceforth, established at M. sur
M., happy in feeling his conscience saddened by the past and the first
half of his existence belied by the last, he lived in peace, reassured
and hopeful, having henceforth only two thoughts,--to conceal his name
and to sanctify his life; to escape men and to return to God.

These two thoughts were so closely intertwined in his mind that
they formed but a single one there; both were equally absorbing and
imperative and ruled his slightest actions. In general, they conspired
to regulate the conduct of his life; they turned him towards the gloom;
they rendered him kindly and simple; they counselled him to the same
things. Sometimes, however, they conflicted. In that case, as the reader
will remember, the man whom all the country of M. sur M. called M.
Madeleine did not hesitate to sacrifice the first to the second--his
security to his virtue. Thus, in spite of all his reserve and all his
prudence, he had preserved the Bishop's candlesticks, worn mourning for
him, summoned and interrogated all the little Savoyards who passed that
way, collected information regarding the families at Faverolles, and
saved old Fauchelevent's life, despite the disquieting insinuations of
Javert. It seemed, as we have already remarked, as though he thought,
following the example of all those who have been wise, holy, and just,
that his first duty was not towards himself.

At the same time, it must be confessed, nothing just like this had yet
presented itself.

Never had the two ideas which governed the unhappy man whose sufferings
we are narrating, engaged in so serious a struggle. He understood this
confusedly but profoundly at the very first words pronounced by Javert,
when the latter entered his study. At the moment when that name, which
he had buried beneath so many layers, was so strangely articulated,
he was struck with stupor, and as though intoxicated with the sinister
eccentricity of his destiny; and through this stupor he felt that
shudder which precedes great shocks. He bent like an oak at the approach
of a storm, like a soldier at the approach of an assault. He felt
shadows filled with thunders and lightnings descending upon his head.
As he listened to Javert, the first thought which occurred to him was to
go, to run and denounce himself, to take that Champmathieu out of prison
and place himself there; this was as painful and as poignant as an
incision in the living flesh. Then it passed away, and he said to
himself, "We will see! We will see!" He repressed this first, generous
instinct, and recoiled before heroism.

It would be beautiful, no doubt, after the Bishop's holy words, after
so many years of repentance and abnegation, in the midst of a penitence
admirably begun, if this man had not flinched for an instant, even in
the presence of so terrible a conjecture, but had continued to walk with
the same step towards this yawning precipice, at the bottom of which
lay heaven; that would have been beautiful; but it was not thus. We must
render an account of the things which went on in this soul, and we can
only tell what there was there. He was carried away, at first, by
the instinct of self-preservation; he rallied all his ideas in haste,
stifled his emotions, took into consideration Javert's presence, that
great danger, postponed all decision with the firmness of terror, shook
off thought as to what he had to do, and resumed his calmness as a
warrior picks up his buckler.

He remained in this state during the rest of the day, a whirlwind
within, a profound tranquillity without. He took no "preservative
measures," as they may be called. Everything was still confused, and
jostling together in his brain. His trouble was so great that he could
not perceive the form of a single idea distinctly, and he could have
told nothing about himself, except that he had received a great blow.

He repaired to Fantine's bed of suffering, as usual, and prolonged his
visit, through a kindly instinct, telling himself that he must behave
thus, and recommend her well to the sisters, in case he should be
obliged to be absent himself. He had a vague feeling that he might be
obliged to go to Arras; and without having the least in the world made
up his mind to this trip, he said to himself that being, as he was,
beyond the shadow of any suspicion, there could be nothing out of the
way in being a witness to what was to take place, and he engaged the
tilbury from Scaufflaire in order to be prepared in any event.

He dined with a good deal of appetite.

On returning to his room, he communed with himself.

He examined the situation, and found it unprecedented; so unprecedented
that in the midst of his revery he rose from his chair, moved by some
inexplicable impulse of anxiety, and bolted his door. He feared
lest something more should enter. He was barricading himself against
possibilities.

A moment later he extinguished his light; it embarrassed him.

It seemed to him as though he might be seen.

By whom?

Alas! That on which he desired to close the door had already entered;
that which he desired to blind was staring him in the face,--his
conscience.

His conscience; that is to say, God.

Nevertheless, he deluded himself at first; he had a feeling of security
and of solitude; the bolt once drawn, he thought himself impregnable;
the candle extinguished, he felt himself invisible. Then he took
possession of himself: he set his elbows on the table, leaned his head
on his hand, and began to meditate in the dark.

"Where do I stand? Am not I dreaming? What have I heard? Is it really
true that I have seen that Javert, and that he spoke to me in that
manner? Who can that Champmathieu be? So he resembles me! Is it
possible? When I reflect that yesterday I was so tranquil, and so far
from suspecting anything! What was I doing yesterday at this hour? What
is there in this incident? What will the end be? What is to be done?"

This was the torment in which he found himself. His brain had lost its
power of retaining ideas; they passed like waves, and he clutched his
brow in both hands to arrest them.

Nothing but anguish extricated itself from this tumult which overwhelmed
his will and his reason, and from which he sought to draw proof and
resolution.

His head was burning. He went to the window and threw it wide open.
There were no stars in the sky. He returned and seated himself at the
table.

The first hour passed in this manner.

Gradually, however, vague outlines began to take form and to fix
themselves in his meditation, and he was able to catch a glimpse with
precision of the reality,--not the whole situation, but some of
the details. He began by recognizing the fact that, critical and
extraordinary as was this situation, he was completely master of it.

This only caused an increase of his stupor.

Independently of the severe and religious aim which he had assigned to
his actions, all that he had made up to that day had been nothing but a
hole in which to bury his name. That which he had always feared most of
all in his hours of self-communion, during his sleepless nights, was to
ever hear that name pronounced; he had said to himself, that that would
be the end of all things for him; that on the day when that name made
its reappearance it would cause his new life to vanish from about
him, and--who knows?--perhaps even his new soul within him, also. He
shuddered at the very thought that this was possible. Assuredly, if any
one had said to him at such moments that the hour would come when that
name would ring in his ears, when the hideous words, Jean Valjean, would
suddenly emerge from the darkness and rise in front of him, when that
formidable light, capable of dissipating the mystery in which he had
enveloped himself, would suddenly blaze forth above his head, and that
that name would not menace him, that that light would but produce
an obscurity more dense, that this rent veil would but increase the
mystery, that this earthquake would solidify his edifice, that this
prodigious incident would have no other result, so far as he was
concerned, if so it seemed good to him, than that of rendering his
existence at once clearer and more impenetrable, and that, out of his
confrontation with the phantom of Jean Valjean, the good and worthy
citizen Monsieur Madeleine would emerge more honored, more peaceful, and
more respected than ever--if any one had told him that, he would have
tossed his head and regarded the words as those of a madman. Well, all
this was precisely what had just come to pass; all that accumulation of
impossibilities was a fact, and God had permitted these wild fancies to
become real things!

His revery continued to grow clearer. He came more and more to an
understanding of his position.

It seemed to him that he had but just waked up from some inexplicable
dream, and that he found himself slipping down a declivity in the middle
of the night, erect, shivering, holding back all in vain, on the very
brink of the abyss. He distinctly perceived in the darkness a stranger,
a man unknown to him, whom destiny had mistaken for him, and whom she
was thrusting into the gulf in his stead; in order that the gulf might
close once more, it was necessary that some one, himself or that other
man, should fall into it: he had only let things take their course.

The light became complete, and he acknowledged this to himself: That
his place was empty in the galleys; that do what he would, it was still
awaiting him; that the theft from little Gervais had led him back to it;
that this vacant place would await him, and draw him on until he filled
it; that this was inevitable and fatal; and then he said to himself,
"that, at this moment, he had a substitute; that it appeared that a
certain Champmathieu had that ill luck, and that, as regards himself,
being present in the galleys in the person of that Champmathieu, present
in society under the name of M. Madeleine, he had nothing more to fear,
provided that he did not prevent men from sealing over the head of
that Champmathieu this stone of infamy which, like the stone of the
sepulchre, falls once, never to rise again."

All this was so strange and so violent, that there suddenly took place
in him that indescribable movement, which no man feels more than two
or three times in the course of his life, a sort of convulsion of the
conscience which stirs up all that there is doubtful in the heart, which
is composed of irony, of joy, and of despair, and which may be called an
outburst of inward laughter.

He hastily relighted his candle.

"Well, what then?" he said to himself; "what am I afraid of? What is
there in all that for me to think about? I am safe; all is over. I had
but one partly open door through which my past might invade my life,
and behold that door is walled up forever! That Javert, who has been
annoying me so long; that terrible instinct which seemed to have divined
me, which had divined me--good God! and which followed me everywhere;
that frightful hunting-dog, always making a point at me, is thrown
off the scent, engaged elsewhere, absolutely turned from the trail:
henceforth he is satisfied; he will leave me in peace; he has his Jean
Valjean. Who knows? it is even probable that he will wish to leave town!
And all this has been brought about without any aid from me, and I count
for nothing in it! Ah! but where is the misfortune in this? Upon my
honor, people would think, to see me, that some catastrophe had happened
to me! After all, if it does bring harm to some one, that is not my
fault in the least: it is Providence which has done it all; it is
because it wishes it so to be, evidently. Have I the right to disarrange
what it has arranged? What do I ask now? Why should I meddle? It does
not concern me; what! I am not satisfied: but what more do I want? The
goal to which I have aspired for so many years, the dream of my nights,
the object of my prayers to Heaven,--security,--I have now attained; it
is God who wills it; I can do nothing against the will of God, and why
does God will it? In order that I may continue what I have begun, that I
may do good, that I may one day be a grand and encouraging example, that
it may be said at last, that a little happiness has been attached to
the penance which I have undergone, and to that virtue to which I have
returned. Really, I do not understand why I was afraid, a little while
ago, to enter the house of that good cure, and to ask his advice; this
is evidently what he would have said to me: It is settled; let things
take their course; let the good God do as he likes!"

Thus did he address himself in the depths of his own conscience, bending
over what may be called his own abyss; he rose from his chair, and began
to pace the room: "Come," said he, "let us think no more about it; my
resolve is taken!" but he felt no joy.

Quite the reverse.

One can no more prevent thought from recurring to an idea than one can
the sea from returning to the shore: the sailor calls it the tide; the
guilty man calls it remorse; God upheaves the soul as he does the ocean.

After the expiration of a few moments, do what he would, he resumed the
gloomy dialogue in which it was he who spoke and he who listened, saying
that which he would have preferred to ignore, and listened to that which
he would have preferred not to hear, yielding to that mysterious power
which said to him: "Think!" as it said to another condemned man, two
thousand years ago, "March on!"

Before proceeding further, and in order to make ourselves fully
understood, let us insist upon one necessary observation.

It is certain that people do talk to themselves; there is no living
being who has not done it. It may even be said that the word is never
a more magnificent mystery than when it goes from thought to conscience
within a man, and when it returns from conscience to thought; it is in
this sense only that the words so often employed in this chapter, he
said, he exclaimed, must be understood; one speaks to one's self, talks
to one's self, exclaims to one's self without breaking the external
silence; there is a great tumult; everything about us talks except the
mouth. The realities of the soul are none the less realities because
they are not visible and palpable.

So he asked himself where he stood. He interrogated himself upon that
"settled resolve." He confessed to himself that all that he had just
arranged in his mind was monstrous, that "to let things take their
course, to let the good God do as he liked," was simply horrible; to
allow this error of fate and of men to be carried out, not to hinder it,
to lend himself to it through his silence, to do nothing, in short,
was to do everything! that this was hypocritical baseness in the last
degree! that it was a base, cowardly, sneaking, abject, hideous crime!

For the first time in eight years, the wretched man had just tasted the
bitter savor of an evil thought and of an evil action.

He spit it out with disgust.

He continued to question himself. He asked himself severely what he had
meant by this, "My object is attained!" He declared to himself that
his life really had an object; but what object? To conceal his name?
To deceive the police? Was it for so petty a thing that he had done all
that he had done? Had he not another and a grand object, which was the
true one--to save, not his person, but his soul; to become honest and
good once more; to be a just man? Was it not that above all, that alone,
which he had always desired, which the Bishop had enjoined upon him--to
shut the door on his past? But he was not shutting it! great God! he was
re-opening it by committing an infamous action! He was becoming a thief
once more, and the most odious of thieves! He was robbing another of
his existence, his life, his peace, his place in the sunshine. He was
becoming an assassin. He was murdering, morally murdering, a wretched
man. He was inflicting on him that frightful living death, that death
beneath the open sky, which is called the galleys. On the other hand,
to surrender himself to save that man, struck down with so melancholy
an error, to resume his own name, to become once more, out of duty, the
convict Jean Valjean, that was, in truth, to achieve his resurrection,
and to close forever that hell whence he had just emerged; to fall back
there in appearance was to escape from it in reality. This must be
done! He had done nothing if he did not do all this; his whole life was
useless; all his penitence was wasted. There was no longer any need of
saying, "What is the use?" He felt that the Bishop was there, that the
Bishop was present all the more because he was dead, that the Bishop
was gazing fixedly at him, that henceforth Mayor Madeleine, with all his
virtues, would be abominable to him, and that the convict Jean Valjean
would be pure and admirable in his sight; that men beheld his mask, but
that the Bishop saw his face; that men saw his life, but that the Bishop
beheld his conscience. So he must go to Arras, deliver the false Jean
Valjean, and denounce the real one. Alas! that was the greatest of
sacrifices, the most poignant of victories, the last step to take; but
it must be done. Sad fate! he would enter into sanctity only in the eyes
of God when he returned to infamy in the eyes of men.

"Well," said he, "let us decide upon this; let us do our duty; let us
save this man." He uttered these words aloud, without perceiving that he
was speaking aloud.

He took his books, verified them, and put them in order. He flung in
the fire a bundle of bills which he had against petty and embarrassed
tradesmen. He wrote and sealed a letter, and on the envelope it might
have been read, had there been any one in his chamber at the moment,
To Monsieur Laffitte, Banker, Rue d'Artois, Paris. He drew from his
secretary a pocket-book which contained several bank-notes and the
passport of which he had made use that same year when he went to the
elections.

Any one who had seen him during the execution of these various acts,
into which there entered such grave thought, would have had no suspicion
of what was going on within him. Only occasionally did his lips move; at
other times he raised his head and fixed his gaze upon some point of the
wall, as though there existed at that point something which he wished to
elucidate or interrogate.

When he had finished the letter to M. Laffitte, he put it into his
pocket, together with the pocket-book, and began his walk once more.

His revery had not swerved from its course. He continued to see his duty
clearly, written in luminous letters, which flamed before his eyes and
changed its place as he altered the direction of his glance:--

"Go! Tell your name! Denounce yourself!"

In the same way he beheld, as though they had passed before him in
visible forms, the two ideas which had, up to that time, formed
the double rule of his soul,--the concealment of his name, the
sanctification of his life. For the first time they appeared to him as
absolutely distinct, and he perceived the distance which separated them.
He recognized the fact that one of these ideas was, necessarily, good,
while the other might become bad; that the first was self-devotion, and
that the other was personality; that the one said, my neighbor, and that
the other said, myself; that one emanated from the light, and the other
from darkness.

They were antagonistic. He saw them in conflict. In proportion as
he meditated, they grew before the eyes of his spirit. They had now
attained colossal statures, and it seemed to him that he beheld within
himself, in that infinity of which we were recently speaking, in the
midst of the darkness and the lights, a goddess and a giant contending.

He was filled with terror; but it seemed to him that the good thought
was getting the upper hand.

He felt that he was on the brink of the second decisive crisis of his
conscience and of his destiny; that the Bishop had marked the first
phase of his new life, and that Champmathieu marked the second. After
the grand crisis, the grand test.

But the fever, allayed for an instant, gradually resumed possession
of him. A thousand thoughts traversed his mind, but they continued to
fortify him in his resolution.

One moment he said to himself that he was, perhaps, taking the matter
too keenly; that, after all, this Champmathieu was not interesting, and
that he had actually been guilty of theft.

He answered himself: "If this man has, indeed, stolen a few apples, that
means a month in prison. It is a long way from that to the galleys. And
who knows? Did he steal? Has it been proved? The name of Jean Valjean
overwhelms him, and seems to dispense with proofs. Do not the attorneys
for the Crown always proceed in this manner? He is supposed to be a
thief because he is known to be a convict."

In another instant the thought had occurred to him that, when he
denounced himself, the heroism of his deed might, perhaps, be taken into
consideration, and his honest life for the last seven years, and what he
had done for the district, and that they would have mercy on him.

But this supposition vanished very quickly, and he smiled bitterly as he
remembered that the theft of the forty sous from little Gervais put him
in the position of a man guilty of a second offence after conviction,
that this affair would certainly come up, and, according to the precise
terms of the law, would render him liable to penal servitude for life.

He turned aside from all illusions, detached himself more and more from
earth, and sought strength and consolation elsewhere. He told himself
that he must do his duty; that perhaps he should not be more unhappy
after doing his duty than after having avoided it; that if he allowed
things to take their own course, if he remained at M. sur M., his
consideration, his good name, his good works, the deference and
veneration paid to him, his charity, his wealth, his popularity, his
virtue, would be seasoned with a crime. And what would be the taste of
all these holy things when bound up with this hideous thing? while, if
he accomplished his sacrifice, a celestial idea would be mingled with
the galleys, the post, the iron necklet, the green cap, unceasing toil,
and pitiless shame.

At length he told himself that it must be so, that his destiny was thus
allotted, that he had not authority to alter the arrangements made on
high, that, in any case, he must make his choice: virtue without and
abomination within, or holiness within and infamy without.

The stirring up of these lugubrious ideas did not cause his courage to
fail, but his brain grow weary. He began to think of other things, of
indifferent matters, in spite of himself.

The veins in his temples throbbed violently; he still paced to and fro;
midnight sounded first from the parish church, then from the town-hall;
he counted the twelve strokes of the two clocks, and compared the sounds
of the two bells; he recalled in this connection the fact that, a few
days previously, he had seen in an ironmonger's shop an ancient clock
for sale, upon which was written the name, Antoine-Albin de Romainville.

He was cold; he lighted a small fire; it did not occur to him to close
the window.

In the meantime he had relapsed into his stupor; he was obliged to make
a tolerably vigorous effort to recall what had been the subject of his
thoughts before midnight had struck; he finally succeeded in doing this.

"Ah! yes," he said to himself, "I had resolved to inform against
myself."

And then, all of a sudden, he thought of Fantine.

"Hold!" said he, "and what about that poor woman?"

Here a fresh crisis declared itself.

Fantine, by appearing thus abruptly in his revery, produced the effect
of an unexpected ray of light; it seemed to him as though everything
about him were undergoing a change of aspect: he exclaimed:--

"Ah! but I have hitherto considered no one but myself; it is proper for
me to hold my tongue or to denounce myself, to conceal my person or
to save my soul, to be a despicable and respected magistrate, or an
infamous and venerable convict; it is I, it is always I and nothing
but I: but, good God! all this is egotism; these are diverse forms
of egotism, but it is egotism all the same. What if I were to think a
little about others? The highest holiness is to think of others; come,
let us examine the matter. The _I_ excepted, the _I_ effaced, the _I_
forgotten, what would be the result of all this? What if I denounce
myself? I am arrested; this Champmathieu is released; I am put back in
the galleys; that is well--and what then? What is going on here? Ah!
here is a country, a town, here are factories, an industry, workers,
both men and women, aged grandsires, children, poor people! All this I
have created; all these I provide with their living; everywhere where
there is a smoking chimney, it is I who have placed the brand on the
hearth and meat in the pot; I have created ease, circulation, credit;
before me there was nothing; I have elevated, vivified, informed with
life, fecundated, stimulated, enriched the whole country-side; lacking
me, the soul is lacking; I take myself off, everything dies: and this
woman, who has suffered so much, who possesses so many merits in spite
of her fall; the cause of all whose misery I have unwittingly been! And
that child whom I meant to go in search of, whom I have promised to her
mother; do I not also owe something to this woman, in reparation for
the evil which I have done her? If I disappear, what happens? The mother
dies; the child becomes what it can; that is what will take place, if
I denounce myself. If I do not denounce myself? come, let us see how it
will be if I do not denounce myself."

After putting this question to himself, he paused; he seemed to undergo
a momentary hesitation and trepidation; but it did not last long, and he
answered himself calmly:--

"Well, this man is going to the galleys; it is true, but what the deuce!
he has stolen! There is no use in my saying that he has not been guilty
of theft, for he has! I remain here; I go on: in ten years I shall have
made ten millions; I scatter them over the country; I have nothing of
my own; what is that to me? It is not for myself that I am doing it;
the prosperity of all goes on augmenting; industries are aroused and
animated; factories and shops are multiplied; families, a hundred
families, a thousand families, are happy; the district becomes
populated; villages spring up where there were only farms before;
farms rise where there was nothing; wretchedness disappears, and
with wretchedness debauchery, prostitution, theft, murder; all vices
disappear, all crimes: and this poor mother rears her child; and behold
a whole country rich and honest! Ah! I was a fool! I was absurd!
what was that I was saying about denouncing myself? I really must pay
attention and not be precipitate about anything. What! because it would
have pleased me to play the grand and generous; this is melodrama, after
all; because I should have thought of no one but myself, the idea! for
the sake of saving from a punishment, a trifle exaggerated, perhaps,
but just at bottom, no one knows whom, a thief, a good-for-nothing,
evidently, a whole country-side must perish! a poor woman must die in
the hospital! a poor little girl must die in the street! like dogs; ah,
this is abominable! And without the mother even having seen her child
once more, almost without the child's having known her mother; and
all that for the sake of an old wretch of an apple-thief who, most
assuredly, has deserved the galleys for something else, if not for
that; fine scruples, indeed, which save a guilty man and sacrifice the
innocent, which save an old vagabond who has only a few years to live at
most, and who will not be more unhappy in the galleys than in his hovel,
and which sacrifice a whole population, mothers, wives, children. This
poor little Cosette who has no one in the world but me, and who is, no
doubt, blue with cold at this moment in the den of those Thenardiers;
those peoples are rascals; and I was going to neglect my duty towards
all these poor creatures; and I was going off to denounce myself; and I
was about to commit that unspeakable folly! Let us put it at the worst:
suppose that there is a wrong action on my part in this, and that my
conscience will reproach me for it some day, to accept, for the good of
others, these reproaches which weigh only on myself; this evil action
which compromises my soul alone; in that lies self-sacrifice; in that
alone there is virtue."

He rose and resumed his march; this time, he seemed to be content.

Diamonds are found only in the dark places of the earth; truths are
found only in the depths of thought. It seemed to him, that, after
having descended into these depths, after having long groped among the
darkest of these shadows, he had at last found one of these diamonds,
one of these truths, and that he now held it in his hand, and he was
dazzled as he gazed upon it.

"Yes," he thought, "this is right; I am on the right road; I have the
solution; I must end by holding fast to something; my resolve is taken;
let things take their course; let us no longer vacillate; let us no
longer hang back; this is for the interest of all, not for my own; I am
Madeleine, and Madeleine I remain. Woe to the man who is Jean Valjean!
I am no longer he; I do not know that man; I no longer know anything; it
turns out that some one is Jean Valjean at the present moment; let him
look out for himself; that does not concern me; it is a fatal name which
was floating abroad in the night; if it halts and descends on a head, so
much the worse for that head."

He looked into the little mirror which hung above his chimney-piece, and
said:--

"Hold! it has relieved me to come to a decision; I am quite another man
now."

He proceeded a few paces further, then he stopped short.

"Come!" he said, "I must not flinch before any of the consequences of
the resolution which I have once adopted; there are still threads which
attach me to that Jean Valjean; they must be broken; in this very room
there are objects which would betray me, dumb things which would bear
witness against me; it is settled; all these things must disappear."

He fumbled in his pocket, drew out his purse, opened it, and took out a
small key; he inserted the key in a lock whose aperture could hardly
be seen, so hidden was it in the most sombre tones of the design which
covered the wall-paper; a secret receptacle opened, a sort of
false cupboard constructed in the angle between the wall and the
chimney-piece; in this hiding-place there were some rags--a blue linen
blouse, an old pair of trousers, an old knapsack, and a huge thorn
cudgel shod with iron at both ends. Those who had seen Jean Valjean at
the epoch when he passed through D----in October, 1815, could easily
have recognized all the pieces of this miserable outfit.

He had preserved them as he had preserved the silver candlesticks, in
order to remind himself continually of his starting-point, but he
had concealed all that came from the galleys, and he had allowed the
candlesticks which came from the Bishop to be seen.

He cast a furtive glance towards the door, as though he feared that it
would open in spite of the bolt which fastened it; then, with a quick
and abrupt movement, he took the whole in his arms at once, without
bestowing so much as a glance on the things which he had so religiously
and so perilously preserved for so many years, and flung them all, rags,
cudgel, knapsack, into the fire.

[Illustration: Candlesticks Into the Fire  1b7-3-into-the-fire]

He closed the false cupboard again, and with redoubled precautions,
henceforth unnecessary, since it was now empty, he concealed the door
behind a heavy piece of furniture, which he pushed in front of it.

After the lapse of a few seconds, the room and the opposite wall were
lighted up with a fierce, red, tremulous glow. Everything was on fire;
the thorn cudgel snapped and threw out sparks to the middle of the
chamber.

As the knapsack was consumed, together with the hideous rags which it
contained, it revealed something which sparkled in the ashes. By bending
over, one could have readily recognized a coin,--no doubt the forty-sou
piece stolen from the little Savoyard.

He did not look at the fire, but paced back and forth with the same
step.

All at once his eye fell on the two silver candlesticks, which shone
vaguely on the chimney-piece, through the glow.

"Hold!" he thought; "the whole of Jean Valjean is still in them. They
must be destroyed also."

He seized the two candlesticks.

There was still fire enough to allow of their being put out of shape,
and converted into a sort of unrecognizable bar of metal.

He bent over the hearth and warmed himself for a moment. He felt a sense
of real comfort. "How good warmth is!" said he.

He stirred the live coals with one of the candlesticks.

A minute more, and they were both in the fire.

At that moment it seemed to him that he heard a voice within him
shouting: "Jean Valjean! Jean Valjean!"

His hair rose upright: he became like a man who is listening to some
terrible thing.

"Yes, that's it! finish!" said the voice. "Complete what you are about!
Destroy these candlesticks! Annihilate this souvenir! Forget the Bishop!
Forget everything! Destroy this Champmathieu, do! That is right! Applaud
yourself! So it is settled, resolved, fixed, agreed: here is an old man
who does not know what is wanted of him, who has, perhaps, done nothing,
an innocent man, whose whole misfortune lies in your name, upon whom
your name weighs like a crime, who is about to be taken for you, who
will be condemned, who will finish his days in abjectness and horror.
That is good! Be an honest man yourself; remain Monsieur le Maire;
remain honorable and honored; enrich the town; nourish the indigent;
rear the orphan; live happy, virtuous, and admired; and, during this
time, while you are here in the midst of joy and light, there will be a
man who will wear your red blouse, who will bear your name in ignominy,
and who will drag your chain in the galleys. Yes, it is well arranged
thus. Ah, wretch!"

The perspiration streamed from his brow. He fixed a haggard eye on the
candlesticks. But that within him which had spoken had not finished. The
voice continued:--

"Jean Valjean, there will be around you many voices, which will make a
great noise, which will talk very loud, and which will bless you, and
only one which no one will hear, and which will curse you in the dark.
Well! listen, infamous man! All those benedictions will fall back before
they reach heaven, and only the malediction will ascend to God."

This voice, feeble at first, and which had proceeded from the most
obscure depths of his conscience, had gradually become startling and
formidable, and he now heard it in his very ear. It seemed to him that
it had detached itself from him, and that it was now speaking outside
of him. He thought that he heard the last words so distinctly, that he
glanced around the room in a sort of terror.

"Is there any one here?" he demanded aloud, in utter bewilderment.

Then he resumed, with a laugh which resembled that of an idiot:--

"How stupid I am! There can be no one!"

There was some one; but the person who was there was of those whom the
human eye cannot see.

He placed the candlesticks on the chimney-piece.

Then he resumed his monotonous and lugubrious tramp, which troubled the
dreams of the sleeping man beneath him, and awoke him with a start.

This tramping to and fro soothed and at the same time intoxicated him.
It sometimes seems, on supreme occasions, as though people moved about
for the purpose of asking advice of everything that they may encounter
by change of place. After the lapse of a few minutes he no longer knew
his position.

He now recoiled in equal terror before both the resolutions at which he
had arrived in turn. The two ideas which counselled him appeared to him
equally fatal. What a fatality! What conjunction that that Champmathieu
should have been taken for him; to be overwhelmed by precisely the means
which Providence seemed to have employed, at first, to strengthen his
position!

There was a moment when he reflected on the future. Denounce himself,
great God! Deliver himself up! With immense despair he faced all that
he should be obliged to leave, all that he should be obliged to take up
once more. He should have to bid farewell to that existence which was so
good, so pure, so radiant, to the respect of all, to honor, to liberty.
He should never more stroll in the fields; he should never more hear the
birds sing in the month of May; he should never more bestow alms on the
little children; he should never more experience the sweetness of having
glances of gratitude and love fixed upon him; he should quit that house
which he had built, that little chamber! Everything seemed charming to
him at that moment. Never again should he read those books; never more
should he write on that little table of white wood; his old portress,
the only servant whom he kept, would never more bring him his coffee
in the morning. Great God! instead of that, the convict gang, the iron
necklet, the red waistcoat, the chain on his ankle, fatigue, the cell,
the camp bed all those horrors which he knew so well! At his age,
after having been what he was! If he were only young again! but to
be addressed in his old age as "thou" by any one who pleased; to
be searched by the convict-guard; to receive the galley-sergeant's
cudgellings; to wear iron-bound shoes on his bare feet; to have to
stretch out his leg night and morning to the hammer of the roundsman who
visits the gang; to submit to the curiosity of strangers, who would be
told: "That man yonder is the famous Jean Valjean, who was mayor of
M. sur M."; and at night, dripping with perspiration, overwhelmed with
lassitude, their green caps drawn over their eyes, to remount, two by
two, the ladder staircase of the galleys beneath the sergeant's whip.
Oh, what misery! Can destiny, then, be as malicious as an intelligent
being, and become as monstrous as the human heart?

And do what he would, he always fell back upon the heartrending dilemma
which lay at the foundation of his revery: "Should he remain in paradise
and become a demon? Should he return to hell and become an angel?"

What was to be done? Great God! what was to be done?

The torment from which he had escaped with so much difficulty was
unchained afresh within him. His ideas began to grow confused once
more; they assumed a kind of stupefied and mechanical quality which is
peculiar to despair. The name of Romainville recurred incessantly to his
mind, with the two verses of a song which he had heard in the past.
He thought that Romainville was a little grove near Paris, where young
lovers go to pluck lilacs in the month of April.

He wavered outwardly as well as inwardly. He walked like a little child
who is permitted to toddle alone.

At intervals, as he combated his lassitude, he made an effort to recover
the mastery of his mind. He tried to put to himself, for the last time,
and definitely, the problem over which he had, in a manner, fallen
prostrate with fatigue: Ought he to denounce himself? Ought he to hold
his peace? He could not manage to see anything distinctly. The vague
aspects of all the courses of reasoning which had been sketched out by
his meditations quivered and vanished, one after the other, into smoke.
He only felt that, to whatever course of action he made up his mind,
something in him must die, and that of necessity, and without his being
able to escape the fact; that he was entering a sepulchre on the
right hand as much as on the left; that he was passing through a death
agony,--the agony of his happiness, or the agony of his virtue.

Alas! all his resolution had again taken possession of him. He was no
further advanced than at the beginning.

Thus did this unhappy soul struggle in its anguish. Eighteen hundred
years before this unfortunate man, the mysterious Being in whom are
summed up all the sanctities and all the sufferings of humanity had also
long thrust aside with his hand, while the olive-trees quivered in
the wild wind of the infinite, the terrible cup which appeared to Him
dripping with darkness and overflowing with shadows in the depths all
studded with stars.




CHAPTER IV--FORMS ASSUMED BY SUFFERING DURING SLEEP

Three o'clock in the morning had just struck, and he had been walking
thus for five hours, almost uninterruptedly, when he at length allowed
himself to drop into his chair.

There he fell asleep and had a dream.

This dream, like the majority of dreams, bore no relation to the
situation, except by its painful and heart-rending character, but it
made an impression on him. This nightmare struck him so forcibly that he
wrote it down later on. It is one of the papers in his own handwriting
which he has bequeathed to us. We think that we have here reproduced the
thing in strict accordance with the text.

Of whatever nature this dream may be, the history of this night would
be incomplete if we were to omit it: it is the gloomy adventure of an
ailing soul.

Here it is. On the envelope we find this line inscribed, "The Dream I
had that Night."

"I was in a plain; a vast, gloomy plain, where there was no grass. It
did not seem to me to be daylight nor yet night.

"I was walking with my brother, the brother of my childish years,
the brother of whom, I must say, I never think, and whom I now hardly
remember.

"We were conversing and we met some passers-by. We were talking of a
neighbor of ours in former days, who had always worked with her window
open from the time when she came to live on the street. As we talked we
felt cold because of that open window.

"There were no trees in the plain. We saw a man passing close to us. He
was entirely nude, of the hue of ashes, and mounted on a horse which was
earth color. The man had no hair; we could see his skull and the veins
on it. In his hand he held a switch which was as supple as a vine-shoot
and as heavy as iron. This horseman passed and said nothing to us.

"My brother said to me, 'Let us take to the hollow road.'

"There existed a hollow way wherein one saw neither a single shrub nor
a spear of moss. Everything was dirt-colored, even the sky. After
proceeding a few paces, I received no reply when I spoke: I perceived
that my brother was no longer with me.

"I entered a village which I espied. I reflected that it must be
Romainville. (Why Romainville?)[5]

"The first street that I entered was deserted. I entered a second
street. Behind the angle formed by the two streets, a man was standing
erect against the wall. I said to this Man:--

"'What country is this? Where am I?' The man made no reply. I saw the
door of a house open, and I entered.

"The first chamber was deserted. I entered the second. Behind the door
of this chamber a man was standing erect against the wall. I inquired of
this man, 'Whose house is this? Where am I?' The man replied not.

"The house had a garden. I quitted the house and entered the garden.
The garden was deserted. Behind the first tree I found a man standing
upright. I said to this man, 'What garden is this? Where am I?' The man
did not answer.

"I strolled into the village, and perceived that it was a town. All
the streets were deserted, all the doors were open. Not a single living
being was passing in the streets, walking through the chambers or
strolling in the gardens. But behind each angle of the walls, behind
each door, behind each tree, stood a silent man. Only one was to be seen
at a time. These men watched me pass.

"I left the town and began to ramble about the fields.

"After the lapse of some time I turned back and saw a great crowd coming
up behind me. I recognized all the men whom I had seen in that town.
They had strange heads. They did not seem to be in a hurry, yet they
walked faster than I did. They made no noise as they walked. In an
instant this crowd had overtaken and surrounded me. The faces of these
men were earthen in hue.

"Then the first one whom I had seen and questioned on entering the town
said to me:--

"'Whither are you going! Do you not know that you have been dead this
long time?'

"I opened my mouth to reply, and I perceived that there was no one near
me."


He woke. He was icy cold. A wind which was chill like the breeze of dawn
was rattling the leaves of the window, which had been left open on their
hinges. The fire was out. The candle was nearing its end. It was still
black night.

He rose, he went to the window. There were no stars in the sky even yet.

From his window the yard of the house and the street were visible. A
sharp, harsh noise, which made him drop his eyes, resounded from the
earth.

Below him he perceived two red stars, whose rays lengthened and
shortened in a singular manner through the darkness.

As his thoughts were still half immersed in the mists of sleep, "Hold!"
said he, "there are no stars in the sky. They are on earth now."

But this confusion vanished; a second sound similar to the first roused
him thoroughly; he looked and recognized the fact that these two stars
were the lanterns of a carriage. By the light which they cast he was
able to distinguish the form of this vehicle. It was a tilbury harnessed
to a small white horse. The noise which he had heard was the trampling
of the horse's hoofs on the pavement.

"What vehicle is this?" he said to himself. "Who is coming here so early
in the morning?"

At that moment there came a light tap on the door of his chamber.

He shuddered from head to foot, and cried in a terrible voice:--

"Who is there?"

Some one said:--

"I, Monsieur le Maire."

He recognized the voice of the old woman who was his portress.

"Well!" he replied, "what is it?"

"Monsieur le Maire, it is just five o'clock in the morning."

"What is that to me?"

"The cabriolet is here, Monsieur le Maire."

"What cabriolet?"

"The tilbury."

"What tilbury?"

"Did not Monsieur le Maire order a tilbury?"

"No," said he.

"The coachman says that he has come for Monsieur le Maire."

"What coachman?"

"M. Scaufflaire's coachman."

"M. Scaufflaire?"

That name sent a shudder over him, as though a flash of lightning had
passed in front of his face.

"Ah! yes," he resumed; "M. Scaufflaire!"

If the old woman could have seen him at that moment, she would have been
frightened.

A tolerably long silence ensued. He examined the flame of the candle
with a stupid air, and from around the wick he took some of the burning
wax, which he rolled between his fingers. The old woman waited for him.
She even ventured to uplift her voice once more:--

"What am I to say, Monsieur le Maire?"

"Say that it is well, and that I am coming down."




CHAPTER V--HINDRANCES

The posting service from Arras to M. sur M. was still operated at this
period by small mail-wagons of the time of the Empire. These mail-wagons
were two-wheeled cabriolets, upholstered inside with fawn-colored
leather, hung on springs, and having but two seats, one for the postboy,
the other for the traveller. The wheels were armed with those long,
offensive axles which keep other vehicles at a distance, and which
may still be seen on the road in Germany. The despatch box, an immense
oblong coffer, was placed behind the vehicle and formed a part of it.
This coffer was painted black, and the cabriolet yellow.

These vehicles, which have no counterparts nowadays, had something
distorted and hunchbacked about them; and when one saw them passing in
the distance, and climbing up some road to the horizon, they resembled
the insects which are called, I think, termites, and which, though with
but little corselet, drag a great train behind them. But they travelled
at a very rapid rate. The post-wagon which set out from Arras at one
o'clock every night, after the mail from Paris had passed, arrived at M.
sur M. a little before five o'clock in the morning.

That night the wagon which was descending to M. sur M. by the Hesdin
road, collided at the corner of a street, just as it was entering the
town, with a little tilbury harnessed to a white horse, which was going
in the opposite direction, and in which there was but one person, a man
enveloped in a mantle. The wheel of the tilbury received quite a violent
shock. The postman shouted to the man to stop, but the traveller paid no
heed and pursued his road at full gallop.

"That man is in a devilish hurry!" said the postman.

The man thus hastening on was the one whom we have just seen struggling
in convulsions which are certainly deserving of pity.

Whither was he going? He could not have told. Why was he hastening?
He did not know. He was driving at random, straight ahead. Whither?
To Arras, no doubt; but he might have been going elsewhere as well.
At times he was conscious of it, and he shuddered. He plunged into the
night as into a gulf. Something urged him forward; something drew him
on. No one could have told what was taking place within him; every one
will understand it. What man is there who has not entered, at least once
in his life, into that obscure cavern of the unknown?

However, he had resolved on nothing, decided nothing, formed no plan,
done nothing. None of the actions of his conscience had been decisive.
He was, more than ever, as he had been at the first moment.

Why was he going to Arras?

He repeated what he had already said to himself when he had hired
Scaufflaire's cabriolet: that, whatever the result was to be, there was
no reason why he should not see with his own eyes, and judge of matters
for himself; that this was even prudent; that he must know what took
place; that no decision could be arrived at without having observed and
scrutinized; that one made mountains out of everything from a distance;
that, at any rate, when he should have seen that Champmathieu, some
wretch, his conscience would probably be greatly relieved to allow him
to go to the galleys in his stead; that Javert would indeed be there;
and that Brevet, that Chenildieu, that Cochepaille, old convicts who
had known him; but they certainly would not recognize him;--bah! what an
idea! that Javert was a hundred leagues from suspecting the truth; that
all conjectures and all suppositions were fixed on Champmathieu, and
that there is nothing so headstrong as suppositions and conjectures;
that accordingly there was no danger.

That it was, no doubt, a dark moment, but that he should emerge from it;
that, after all, he held his destiny, however bad it might be, in his
own hand; that he was master of it. He clung to this thought.

At bottom, to tell the whole truth, he would have preferred not to go to
Arras.

Nevertheless, he was going thither.

As he meditated, he whipped up his horse, which was proceeding at that
fine, regular, and even trot which accomplishes two leagues and a half
an hour.

In proportion as the cabriolet advanced, he felt something within him
draw back.

At daybreak he was in the open country; the town of M. sur M. lay far
behind him. He watched the horizon grow white; he stared at all the
chilly figures of a winter's dawn as they passed before his eyes,
but without seeing them. The morning has its spectres as well as the
evening. He did not see them; but without his being aware of it, and by
means of a sort of penetration which was almost physical, these black
silhouettes of trees and of hills added some gloomy and sinister quality
to the violent state of his soul.

Each time that he passed one of those isolated dwellings which sometimes
border on the highway, he said to himself, "And yet there are people
there within who are sleeping!"

The trot of the horse, the bells on the harness, the wheels on the road,
produced a gentle, monotonous noise. These things are charming when one
is joyous, and lugubrious when one is sad.

It was broad daylight when he arrived at Hesdin. He halted in front of
the inn, to allow the horse a breathing spell, and to have him given
some oats.

The horse belonged, as Scaufflaire had said, to that small race of the
Boulonnais, which has too much head, too much belly, and not enough neck
and shoulders, but which has a broad chest, a large crupper, thin, fine
legs, and solid hoofs--a homely, but a robust and healthy race. The
excellent beast had travelled five leagues in two hours, and had not a
drop of sweat on his loins.

He did not get out of the tilbury. The stableman who brought the oats
suddenly bent down and examined the left wheel.

"Are you going far in this condition?" said the man.

He replied, with an air of not having roused himself from his revery:--

"Why?"

"Have you come from a great distance?" went on the man.

"Five leagues."

"Ah!"

"Why do you say, 'Ah?'"

The man bent down once more, was silent for a moment, with his eyes
fixed on the wheel; then he rose erect and said:--

"Because, though this wheel has travelled five leagues, it certainly
will not travel another quarter of a league."

He sprang out of the tilbury.

"What is that you say, my friend?"

"I say that it is a miracle that you should have travelled five leagues
without you and your horse rolling into some ditch on the highway. Just
see here!"

The wheel really had suffered serious damage. The shock administered by
the mail-wagon had split two spokes and strained the hub, so that the
nut no longer held firm.

"My friend," he said to the stableman, "is there a wheelwright here?"

"Certainly, sir."

"Do me the service to go and fetch him."

"He is only a step from here. Hey! Master Bourgaillard!"

Master Bourgaillard, the wheelwright, was standing on his own threshold.
He came, examined the wheel and made a grimace like a surgeon when the
latter thinks a limb is broken.

"Can you repair this wheel immediately?"

"Yes, sir."

"When can I set out again?"

"To-morrow."

"To-morrow!"

"There is a long day's work on it. Are you in a hurry, sir?"

"In a very great hurry. I must set out again in an hour at the latest."

"Impossible, sir."

"I will pay whatever you ask."

"Impossible."

"Well, in two hours, then."

"Impossible to-day. Two new spokes and a hub must be made. Monsieur will
not be able to start before to-morrow morning."

"The matter cannot wait until to-morrow. What if you were to replace
this wheel instead of repairing it?"

"How so?"

"You are a wheelwright?"

"Certainly, sir."

"Have you not a wheel that you can sell me? Then I could start again at
once."

"A spare wheel?"

"Yes."

"I have no wheel on hand that would fit your cabriolet. Two wheels make
a pair. Two wheels cannot be put together hap-hazard."

"In that case, sell me a pair of wheels."

"Not all wheels fit all axles, sir."

"Try, nevertheless."

"It is useless, sir. I have nothing to sell but cart-wheels. We are but
a poor country here."

"Have you a cabriolet that you can let me have?"

The wheelwright had seen at the first glance that the tilbury was a
hired vehicle. He shrugged his shoulders.

"You treat the cabriolets that people let you so well! If I had one, I
would not let it to you!"

"Well, sell it to me, then."

"I have none."

"What! not even a spring-cart? I am not hard to please, as you see."

"We live in a poor country. There is, in truth," added the wheelwright,
"an old calash under the shed yonder, which belongs to a bourgeois of
the town, who gave it to me to take care of, and who only uses it on the
thirty-sixth of the month--never, that is to say. I might let that
to you, for what matters it to me? But the bourgeois must not see it
pass--and then, it is a calash; it would require two horses."

"I will take two post-horses."

"Where is Monsieur going?"

"To Arras."

"And Monsieur wishes to reach there to-day?"

"Yes, of course."

"By taking two post-horses?"

"Why not?"

"Does it make any difference whether Monsieur arrives at four o'clock
to-morrow morning?"

"Certainly not."

"There is one thing to be said about that, you see, by taking
post-horses--Monsieur has his passport?"

"Yes."

"Well, by taking post-horses, Monsieur cannot reach Arras before
to-morrow. We are on a cross-road. The relays are badly served, the
horses are in the fields. The season for ploughing is just beginning;
heavy teams are required, and horses are seized upon everywhere, from
the post as well as elsewhere. Monsieur will have to wait three or four
hours at the least at every relay. And, then, they drive at a walk.
There are many hills to ascend."

"Come then, I will go on horseback. Unharness the cabriolet. Some one
can surely sell me a saddle in the neighborhood."

"Without doubt. But will this horse bear the saddle?"

"That is true; you remind me of that; he will not bear it."

"Then--"

"But I can surely hire a horse in the village?"

"A horse to travel to Arras at one stretch?"

"Yes."

"That would require such a horse as does not exist in these parts. You
would have to buy it to begin with, because no one knows you. But you
will not find one for sale nor to let, for five hundred francs, or for a
thousand."

"What am I to do?"

"The best thing is to let me repair the wheel like an honest man, and
set out on your journey to-morrow."

"To-morrow will be too late."

"The deuce!"

"Is there not a mail-wagon which runs to Arras? When will it pass?"

"To-night. Both the posts pass at night; the one going as well as the
one coming."

"What! It will take you a day to mend this wheel?"

"A day, and a good long one."

"If you set two men to work?"

"If I set ten men to work."

"What if the spokes were to be tied together with ropes?"

"That could be done with the spokes, not with the hub; and the felly is
in a bad state, too."

"Is there any one in this village who lets out teams?"

"No."

"Is there another wheelwright?"

The stableman and the wheelwright replied in concert, with a toss of the
head.

"No."

He felt an immense joy.

It was evident that Providence was intervening. That it was it who had
broken the wheel of the tilbury and who was stopping him on the road.
He had not yielded to this sort of first summons; he had just made every
possible effort to continue the journey; he had loyally and scrupulously
exhausted all means; he had been deterred neither by the season, nor
fatigue, nor by the expense; he had nothing with which to reproach
himself. If he went no further, that was no fault of his. It did not
concern him further. It was no longer his fault. It was not the act of
his own conscience, but the act of Providence.

He breathed again. He breathed freely and to the full extent of his
lungs for the first time since Javert's visit. It seemed to him that the
hand of iron which had held his heart in its grasp for the last twenty
hours had just released him.

It seemed to him that God was for him now, and was manifesting Himself.

He said himself that he had done all he could, and that now he had
nothing to do but retrace his steps quietly.

If his conversation with the wheelwright had taken place in a chamber
of the inn, it would have had no witnesses, no one would have heard him,
things would have rested there, and it is probable that we should not
have had to relate any of the occurrences which the reader is about
to peruse; but this conversation had taken place in the street. Any
colloquy in the street inevitably attracts a crowd. There are always
people who ask nothing better than to become spectators. While he was
questioning the wheelwright, some people who were passing back and forth
halted around them. After listening for a few minutes, a young lad, to
whom no one had paid any heed, detached himself from the group and ran
off.

At the moment when the traveller, after the inward deliberation which we
have just described, resolved to retrace his steps, this child returned.
He was accompanied by an old woman.

"Monsieur," said the woman, "my boy tells me that you wish to hire a
cabriolet."

These simple words uttered by an old woman led by a child made the
perspiration trickle down his limbs. He thought that he beheld the hand
which had relaxed its grasp reappear in the darkness behind him, ready
to seize him once more.

He answered:--

"Yes, my good woman; I am in search of a cabriolet which I can hire."

And he hastened to add:--

"But there is none in the place."

"Certainly there is," said the old woman.

"Where?" interpolated the wheelwright.

"At my house," replied the old woman.

He shuddered. The fatal hand had grasped him again.

The old woman really had in her shed a sort of basket spring-cart.
The wheelwright and the stable-man, in despair at the prospect of the
traveller escaping their clutches, interfered.

"It was a frightful old trap; it rests flat on the axle; it is an actual
fact that the seats were suspended inside it by leather thongs; the rain
came into it; the wheels were rusted and eaten with moisture; it
would not go much further than the tilbury; a regular ramshackle old
stage-wagon; the gentleman would make a great mistake if he trusted
himself to it," etc., etc.

All this was true; but this trap, this ramshackle old vehicle, this
thing, whatever it was, ran on its two wheels and could go to Arras.

He paid what was asked, left the tilbury with the wheelwright to be
repaired, intending to reclaim it on his return, had the white horse
put to the cart, climbed into it, and resumed the road which he had been
travelling since morning.

At the moment when the cart moved off, he admitted that he had felt, a
moment previously, a certain joy in the thought that he should not
go whither he was now proceeding. He examined this joy with a sort of
wrath, and found it absurd. Why should he feel joy at turning back?
After all, he was taking this trip of his own free will. No one was
forcing him to it.

And assuredly nothing would happen except what he should choose.

As he left Hesdin, he heard a voice shouting to him: "Stop! Stop!" He
halted the cart with a vigorous movement which contained a feverish and
convulsive element resembling hope.

It was the old woman's little boy.

"Monsieur," said the latter, "it was I who got the cart for you."

"Well?"

"You have not given me anything."

He who gave to all so readily thought this demand exorbitant and almost
odious.

"Ah! it's you, you scamp?" said he; "you shall have nothing."

He whipped up his horse and set off at full speed.

He had lost a great deal of time at Hesdin. He wanted to make it good.
The little horse was courageous, and pulled for two; but it was the
month of February, there had been rain; the roads were bad. And then,
it was no longer the tilbury. The cart was very heavy, and in addition,
there were many ascents.

He took nearly four hours to go from Hesdin to Saint-Pol; four hours for
five leagues.

At Saint-Pol he had the horse unharnessed at the first inn he came to
and led to the stable; as he had promised Scaufflaire, he stood beside
the manger while the horse was eating; he thought of sad and confusing
things.

The inn-keeper's wife came to the stable.

"Does not Monsieur wish to breakfast?"

"Come, that is true; I even have a good appetite."

He followed the woman, who had a rosy, cheerful face; she led him to the
public room where there were tables covered with waxed cloth.

"Make haste!" said he; "I must start again; I am in a hurry."

A big Flemish servant-maid placed his knife and fork in all haste; he
looked at the girl with a sensation of comfort.

"That is what ailed me," he thought; "I had not breakfasted."

His breakfast was served; he seized the bread, took a mouthful, and then
slowly replaced it on the table, and did not touch it again.

A carter was eating at another table; he said to this man:--

"Why is their bread so bitter here?"

The carter was a German and did not understand him.

He returned to the stable and remained near the horse.

An hour later he had quitted Saint-Pol and was directing his course
towards Tinques, which is only five leagues from Arras.

What did he do during this journey? Of what was he thinking? As in the
morning, he watched the trees, the thatched roofs, the tilled fields
pass by, and the way in which the landscape, broken at every turn of the
road, vanished; this is a sort of contemplation which sometimes
suffices to the soul, and almost relieves it from thought. What is more
melancholy and more profound than to see a thousand objects for the
first and the last time? To travel is to be born and to die at every
instant; perhaps, in the vaguest region of his mind, he did make
comparisons between the shifting horizon and our human existence: all
the things of life are perpetually fleeing before us; the dark and
bright intervals are intermingled; after a dazzling moment, an eclipse;
we look, we hasten, we stretch out our hands to grasp what is passing;
each event is a turn in the road, and, all at once, we are old; we feel
a shock; all is black; we distinguish an obscure door; the gloomy
horse of life, which has been drawing us halts, and we see a veiled and
unknown person unharnessing amid the shadows.

Twilight was falling when the children who were coming out of school
beheld this traveller enter Tinques; it is true that the days were still
short; he did not halt at Tinques; as he emerged from the village, a
laborer, who was mending the road with stones, raised his head and said
to him:--

"That horse is very much fatigued."

The poor beast was, in fact, going at a walk.

"Are you going to Arras?" added the road-mender.

"Yes."

"If you go on at that rate you will not arrive very early."

He stopped his horse, and asked the laborer:--

"How far is it from here to Arras?"

"Nearly seven good leagues."

"How is that? the posting guide only says five leagues and a quarter."

"Ah!" returned the road-mender, "so you don't know that the road is
under repair? You will find it barred a quarter of an hour further on;
there is no way to proceed further."

"Really?"

"You will take the road on the left, leading to Carency; you will cross
the river; when you reach Camblin, you will turn to the right; that is
the road to Mont-Saint-Eloy which leads to Arras."

"But it is night, and I shall lose my way."

"You do not belong in these parts?"

"No."

"And, besides, it is all cross-roads; stop! sir," resumed the
road-mender; "shall I give you a piece of advice? your horse is tired;
return to Tinques; there is a good inn there; sleep there; you can reach
Arras to-morrow."

"I must be there this evening."

"That is different; but go to the inn all the same, and get an extra
horse; the stable-boy will guide you through the cross-roads."

He followed the road-mender's advice, retraced his steps, and, half an
hour later, he passed the same spot again, but this time at full speed,
with a good horse to aid; a stable-boy, who called himself a postilion,
was seated on the shaft of the cariole.

Still, he felt that he had lost time.

Night had fully come.

They turned into the cross-road; the way became frightfully bad; the
cart lurched from one rut to the other; he said to the postilion:--

"Keep at a trot, and you shall have a double fee."

In one of the jolts, the whiffle-tree broke.

"There's the whiffle-tree broken, sir," said the postilion; "I don't
know how to harness my horse now; this road is very bad at night; if
you wish to return and sleep at Tinques, we could be in Arras early
to-morrow morning."

He replied, "Have you a bit of rope and a knife?"

"Yes, sir."

He cut a branch from a tree and made a whiffle-tree of it.

This caused another loss of twenty minutes; but they set out again at a
gallop.

The plain was gloomy; low-hanging, black, crisp fogs crept over the
hills and wrenched themselves away like smoke: there were whitish gleams
in the clouds; a strong breeze which blew in from the sea produced a
sound in all quarters of the horizon, as of some one moving furniture;
everything that could be seen assumed attitudes of terror. How many
things shiver beneath these vast breaths of the night!

He was stiff with cold; he had eaten nothing since the night before;
he vaguely recalled his other nocturnal trip in the vast plain in
the neighborhood of D----, eight years previously, and it seemed but
yesterday.

The hour struck from a distant tower; he asked the boy:--

"What time is it?"

"Seven o'clock, sir; we shall reach Arras at eight; we have but three
leagues still to go."

At that moment, he for the first time indulged in this reflection,
thinking it odd the while that it had not occurred to him sooner: that
all this trouble which he was taking was, perhaps, useless; that he did
not know so much as the hour of the trial; that he should, at least,
have informed himself of that; that he was foolish to go thus straight
ahead without knowing whether he would be of any service or not; then
he sketched out some calculations in his mind: that, ordinarily, the
sittings of the Court of Assizes began at nine o'clock in the morning;
that it could not be a long affair; that the theft of the apples would
be very brief; that there would then remain only a question of identity,
four or five depositions, and very little for the lawyers to say; that
he should arrive after all was over.

The postilion whipped up the horses; they had crossed the river and left
Mont-Saint-Eloy behind them.

The night grew more profound.




CHAPTER VI--SISTER SIMPLICE PUT TO THE PROOF

But at that moment Fantine was joyous.

She had passed a very bad night; her cough was frightful; her fever
had doubled in intensity; she had had dreams: in the morning, when the
doctor paid his visit, she was delirious; he assumed an alarmed look,
and ordered that he should be informed as soon as M. Madeleine arrived.

All the morning she was melancholy, said but little, and laid plaits
in her sheets, murmuring the while, in a low voice, calculations
which seemed to be calculations of distances. Her eyes were hollow and
staring. They seemed almost extinguished at intervals, then lighted up
again and shone like stars. It seems as though, at the approach of a
certain dark hour, the light of heaven fills those who are quitting the
light of earth.

Each time that Sister Simplice asked her how she felt, she replied
invariably, "Well. I should like to see M. Madeleine."

Some months before this, at the moment when Fantine had just lost her
last modesty, her last shame, and her last joy, she was the shadow of
herself; now she was the spectre of herself. Physical suffering had
completed the work of moral suffering. This creature of five and twenty
had a wrinkled brow, flabby cheeks, pinched nostrils, teeth from which
the gums had receded, a leaden complexion, a bony neck, prominent
shoulder-blades, frail limbs, a clayey skin, and her golden hair was
growing out sprinkled with gray. Alas! how illness improvises old-age!

At mid-day the physician returned, gave some directions, inquired
whether the mayor had made his appearance at the infirmary, and shook
his head.

M. Madeleine usually came to see the invalid at three o'clock. As
exactness is kindness, he was exact.

About half-past two, Fantine began to be restless. In the course of
twenty minutes, she asked the nun more than ten times, "What time is it,
sister?"

Three o'clock struck. At the third stroke, Fantine sat up in bed; she
who could, in general, hardly turn over, joined her yellow, fleshless
hands in a sort of convulsive clasp, and the nun heard her utter one
of those profound sighs which seem to throw off dejection. Then Fantine
turned and looked at the door.

No one entered; the door did not open.

She remained thus for a quarter of an hour, her eyes riveted on the
door, motionless and apparently holding her breath. The sister dared not
speak to her. The clock struck a quarter past three. Fantine fell back
on her pillow.

She said nothing, but began to plait the sheets once more.

Half an hour passed, then an hour, no one came; every time the clock
struck, Fantine started up and looked towards the door, then fell back
again.

Her thought was clearly perceptible, but she uttered no name, she made
no complaint, she blamed no one. But she coughed in a melancholy way.
One would have said that something dark was descending upon her. She was
livid and her lips were blue. She smiled now and then.

Five o'clock struck. Then the sister heard her say, very low and gently,
"He is wrong not to come to-day, since I am going away to-morrow."

Sister Simplice herself was surprised at M. Madeleine's delay.

In the meantime, Fantine was staring at the tester of her bed. She
seemed to be endeavoring to recall something. All at once she began to
sing in a voice as feeble as a breath. The nun listened. This is what
Fantine was singing:--


          "Lovely things we will buy
           As we stroll the faubourgs through.
           Roses are pink, corn-flowers are blue,
           I love my love, corn-flowers are blue.


"Yestere'en the Virgin Mary came near my stove, in a broidered mantle
clad, and said to me, 'Here, hide 'neath my veil the child whom you
one day begged from me. Haste to the city, buy linen, buy a needle, buy
thread.'


          "Lovely things we will buy
           As we stroll the faubourgs through.


"Dear Holy Virgin, beside my stove I have set a cradle with ribbons
decked. God may give me his loveliest star; I prefer the child thou hast
granted me. 'Madame, what shall I do with this linen fine?'--'Make of it
clothes for thy new-born babe.'


          "Roses are pink and corn-flowers are blue,
           I love my love, and corn-flowers are blue.


"'Wash this linen.'--'Where?'--'In the stream. Make of it, soiling
not, spoiling not, a petticoat fair with its bodice fine, which I will
embroider and fill with flowers.'--'Madame, the child is no longer here;
what is to be done?'--'Then make of it a winding-sheet in which to bury
me.'


          "Lovely things we will buy
           As we stroll the faubourgs through,
           Roses are pink, corn-flowers are blue,
           I love my love, corn-flowers are blue."


This song was an old cradle romance with which she had, in former days,
lulled her little Cosette to sleep, and which had never recurred to her
mind in all the five years during which she had been parted from her
child. She sang it in so sad a voice, and to so sweet an air, that it
was enough to make any one, even a nun, weep. The sister, accustomed as
she was to austerities, felt a tear spring to her eyes.

The clock struck six. Fantine did not seem to hear it. She no longer
seemed to pay attention to anything about her.

Sister Simplice sent a serving-maid to inquire of the portress of the
factory, whether the mayor had returned, and if he would not come to the
infirmary soon. The girl returned in a few minutes.

Fantine was still motionless and seemed absorbed in her own thoughts.

The servant informed Sister Simplice in a very low tone, that the
mayor had set out that morning before six o'clock, in a little tilbury
harnessed to a white horse, cold as the weather was; that he had gone
alone, without even a driver; that no one knew what road he had taken;
that people said he had been seen to turn into the road to Arras; that
others asserted that they had met him on the road to Paris. That when he
went away he had been very gentle, as usual, and that he had merely told
the portress not to expect him that night.

While the two women were whispering together, with their backs turned
to Fantine's bed, the sister interrogating, the servant conjecturing,
Fantine, with the feverish vivacity of certain organic maladies, which
unite the free movements of health with the frightful emaciation of
death, had raised herself to her knees in bed, with her shrivelled hands
resting on the bolster, and her head thrust through the opening of the
curtains, and was listening. All at once she cried:--

"You are speaking of M. Madeleine! Why are you talking so low? What is
he doing? Why does he not come?"

Her voice was so abrupt and hoarse that the two women thought they heard
the voice of a man; they wheeled round in affright.

"Answer me!" cried Fantine.

The servant stammered:--

"The portress told me that he could not come to-day."

"Be calm, my child," said the sister; "lie down again."

Fantine, without changing her attitude, continued in a loud voice, and
with an accent that was both imperious and heart-rending:--

"He cannot come? Why not? You know the reason. You are whispering it to
each other there. I want to know it."

The servant-maid hastened to say in the nun's ear, "Say that he is busy
with the city council."

Sister Simplice blushed faintly, for it was a lie that the maid had
proposed to her.

On the other hand, it seemed to her that the mere communication of the
truth to the invalid would, without doubt, deal her a terrible blow, and
that this was a serious matter in Fantine's present state. Her flush
did not last long; the sister raised her calm, sad eyes to Fantine, and
said, "Monsieur le Maire has gone away."

Fantine raised herself and crouched on her heels in the bed: her eyes
sparkled; indescribable joy beamed from that melancholy face.

"Gone!" she cried; "he has gone to get Cosette."

Then she raised her arms to heaven, and her white face became ineffable;
her lips moved; she was praying in a low voice.

When her prayer was finished, "Sister," she said, "I am willing to lie
down again; I will do anything you wish; I was naughty just now; I beg
your pardon for having spoken so loud; it is very wrong to talk loudly;
I know that well, my good sister, but, you see, I am very happy: the
good God is good; M. Madeleine is good; just think! he has gone to
Montfermeil to get my little Cosette."

She lay down again, with the nun's assistance, helped the nun to arrange
her pillow, and kissed the little silver cross which she wore on her
neck, and which Sister Simplice had given her.

"My child," said the sister, "try to rest now, and do not talk any
more."

Fantine took the sister's hand in her moist hands, and the latter was
pained to feel that perspiration.

"He set out this morning for Paris; in fact, he need not even go through
Paris; Montfermeil is a little to the left as you come thence. Do you
remember how he said to me yesterday, when I spoke to him of Cosette,
Soon, soon? He wants to give me a surprise, you know! he made me sign a
letter so that she could be taken from the Thenardiers; they cannot
say anything, can they? they will give back Cosette, for they have been
paid; the authorities will not allow them to keep the child since they
have received their pay. Do not make signs to me that I must not talk,
sister! I am extremely happy; I am doing well; I am not ill at all any
more; I am going to see Cosette again; I am even quite hungry; it is
nearly five years since I saw her last; you cannot imagine how much
attached one gets to children, and then, she will be so pretty; you will
see! If you only knew what pretty little rosy fingers she had! In the
first place, she will have very beautiful hands; she had ridiculous
hands when she was only a year old; like this! she must be a big girl
now; she is seven years old; she is quite a young lady; I call her
Cosette, but her name is really Euphrasie. Stop! this morning I was
looking at the dust on the chimney-piece, and I had a sort of idea come
across me, like that, that I should see Cosette again soon. Mon Dieu!
how wrong it is not to see one's children for years! One ought to
reflect that life is not eternal. Oh, how good M. le Maire is to go! it
is very cold! it is true; he had on his cloak, at least? he will be
here to-morrow, will he not? to-morrow will be a festival day; to-morrow
morning, sister, you must remind me to put on my little cap that has
lace on it. What a place that Montfermeil is! I took that journey on
foot once; it was very long for me, but the diligences go very quickly!
he will be here to-morrow with Cosette: how far is it from here to
Montfermeil?"

The sister, who had no idea of distances, replied, "Oh, I think that he
will be here to-morrow."

"To-morrow! to-morrow!" said Fantine, "I shall see Cosette to-morrow!
you see, good sister of the good God, that I am no longer ill; I am mad;
I could dance if any one wished it."

A person who had seen her a quarter of an hour previously would not have
understood the change; she was all rosy now; she spoke in a lively and
natural voice; her whole face was one smile; now and then she talked,
she laughed softly; the joy of a mother is almost infantile.

"Well," resumed the nun, "now that you are happy, mind me, and do not
talk any more."

Fantine laid her head on her pillow and said in a low voice: "Yes,
lie down again; be good, for you are going to have your child; Sister
Simplice is right; every one here is right."

And then, without stirring, without even moving her head, she began to
stare all about her with wide-open eyes and a joyous air, and she said
nothing more.

The sister drew the curtains together again, hoping that she would
fall into a doze. Between seven and eight o'clock the doctor came; not
hearing any sound, he thought Fantine was asleep, entered softly, and
approached the bed on tiptoe; he opened the curtains a little, and, by
the light of the taper, he saw Fantine's big eyes gazing at him.

She said to him, "She will be allowed to sleep beside me in a little
bed, will she not, sir?"

The doctor thought that she was delirious. She added:--

"See! there is just room."

The doctor took Sister Simplice aside, and she explained matters to him;
that M. Madeleine was absent for a day or two, and that in their doubt
they had not thought it well to undeceive the invalid, who believed that
the mayor had gone to Montfermeil; that it was possible, after all, that
her guess was correct: the doctor approved.

He returned to Fantine's bed, and she went on:--

"You see, when she wakes up in the morning, I shall be able to say good
morning to her, poor kitten, and when I cannot sleep at night, I can
hear her asleep; her little gentle breathing will do me good."

"Give me your hand," said the doctor.

She stretched out her arm, and exclaimed with a laugh:--

"Ah, hold! in truth, you did not know it; I am cured; Cosette will
arrive to-morrow."

The doctor was surprised; she was better; the pressure on her chest
had decreased; her pulse had regained its strength; a sort of life had
suddenly supervened and reanimated this poor, worn-out creature.

"Doctor," she went on, "did the sister tell you that M. le Maire has
gone to get that mite of a child?"

The doctor recommended silence, and that all painful emotions should be
avoided; he prescribed an infusion of pure chinchona, and, in case the
fever should increase again during the night, a calming potion. As he
took his departure, he said to the sister:--

"She is doing better; if good luck willed that the mayor should
actually arrive to-morrow with the child, who knows? there are crises
so astounding; great joy has been known to arrest maladies; I know well
that this is an organic disease, and in an advanced state, but all those
things are such mysteries: we may be able to save her."




CHAPTER VII--THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR
DEPARTURE

It was nearly eight o'clock in the evening when the cart, which we
left on the road, entered the porte-cochere of the Hotel de la Poste in
Arras; the man whom we have been following up to this moment alighted
from it, responded with an abstracted air to the attentions of the
people of the inn, sent back the extra horse, and with his own hands
led the little white horse to the stable; then he opened the door of a
billiard-room which was situated on the ground floor, sat down there,
and leaned his elbows on a table; he had taken fourteen hours for
the journey which he had counted on making in six; he did himself the
justice to acknowledge that it was not his fault, but at bottom, he was
not sorry.

The landlady of the hotel entered.

"Does Monsieur wish a bed? Does Monsieur require supper?"

He made a sign of the head in the negative.

"The stableman says that Monsieur's horse is extremely fatigued."

Here he broke his silence.

"Will not the horse be in a condition to set out again to-morrow
morning?"

"Oh, Monsieur! he must rest for two days at least."

He inquired:--

"Is not the posting-station located here?"

"Yes, sir."

The hostess conducted him to the office; he showed his passport, and
inquired whether there was any way of returning that same night to M.
sur M. by the mail-wagon; the seat beside the post-boy chanced to be
vacant; he engaged it and paid for it. "Monsieur," said the clerk,
"do not fail to be here ready to start at precisely one o'clock in the
morning."

This done, he left the hotel and began to wander about the town.

He was not acquainted with Arras; the streets were dark, and he
walked on at random; but he seemed bent upon not asking the way of the
passers-by. He crossed the little river Crinchon, and found himself in a
labyrinth of narrow alleys where he lost his way. A citizen was passing
along with a lantern. After some hesitation, he decided to apply to this
man, not without having first glanced behind and in front of him, as
though he feared lest some one should hear the question which he was
about to put.

"Monsieur," said he, "where is the court-house, if you please."

"You do not belong in town, sir?" replied the bourgeois, who was an
oldish man; "well, follow me. I happen to be going in the direction of
the court-house, that is to say, in the direction of the hotel of the
prefecture; for the court-house is undergoing repairs just at this
moment, and the courts are holding their sittings provisionally in the
prefecture."

"Is it there that the Assizes are held?" he asked.

"Certainly, sir; you see, the prefecture of to-day was the bishop's
palace before the Revolution. M. de Conzie, who was bishop in '82, built
a grand hall there. It is in this grand hall that the court is held."

On the way, the bourgeois said to him:--

"If Monsieur desires to witness a case, it is rather late. The sittings
generally close at six o'clock."

When they arrived on the grand square, however, the man pointed out to
him four long windows all lighted up, in the front of a vast and gloomy
building.

"Upon my word, sir, you are in luck; you have arrived in season. Do you
see those four windows? That is the Court of Assizes. There is light
there, so they are not through. The matter must have been greatly
protracted, and they are holding an evening session. Do you take an
interest in this affair? Is it a criminal case? Are you a witness?"

He replied:--

"I have not come on any business; I only wish to speak to one of the
lawyers."

"That is different," said the bourgeois. "Stop, sir; here is the door
where the sentry stands. You have only to ascend the grand staircase."

He conformed to the bourgeois's directions, and a few minutes later he
was in a hall containing many people, and where groups, intermingled
with lawyers in their gowns, were whispering together here and there.

It is always a heart-breaking thing to see these congregations of men
robed in black, murmuring together in low voices, on the threshold of
the halls of justice. It is rare that charity and pity are the outcome
of these words. Condemnations pronounced in advance are more likely
to be the result. All these groups seem to the passing and thoughtful
observer so many sombre hives where buzzing spirits construct in concert
all sorts of dark edifices.

This spacious hall, illuminated by a single lamp, was the old hall of
the episcopal palace, and served as the large hall of the palace
of justice. A double-leaved door, which was closed at that moment,
separated it from the large apartment where the court was sitting.

The obscurity was such that he did not fear to accost the first lawyer
whom he met.

"What stage have they reached, sir?" he asked.

"It is finished," said the lawyer.

"Finished!"

This word was repeated in such accents that the lawyer turned round.

"Excuse me sir; perhaps you are a relative?"

"No; I know no one here. Has judgment been pronounced?"

"Of course. Nothing else was possible."

"To penal servitude?"

"For life."

He continued, in a voice so weak that it was barely audible:--

"Then his identity was established?"

"What identity?" replied the lawyer. "There was no identity to be
established. The matter was very simple. The woman had murdered her
child; the infanticide was proved; the jury threw out the question of
premeditation, and she was condemned for life."

"So it was a woman?" said he.

"Why, certainly. The Limosin woman. Of what are you speaking?"

"Nothing. But since it is all over, how comes it that the hall is still
lighted?"

"For another case, which was begun about two hours ago."

"What other case?"

"Oh! this one is a clear case also. It is about a sort of blackguard;
a man arrested for a second offence; a convict who has been guilty of
theft. I don't know his name exactly. There's a bandit's phiz for you!
I'd send him to the galleys on the strength of his face alone."

"Is there any way of getting into the court-room, sir?" said he.

"I really think that there is not. There is a great crowd. However,
the hearing has been suspended. Some people have gone out, and when the
hearing is resumed, you might make an effort."

"Where is the entrance?"

"Through yonder large door."

The lawyer left him. In the course of a few moments he had experienced,
almost simultaneously, almost intermingled with each other, all possible
emotions. The words of this indifferent spectator had, in turn, pierced
his heart like needles of ice and like blades of fire. When he saw that
nothing was settled, he breathed freely once more; but he could not have
told whether what he felt was pain or pleasure.

He drew near to many groups and listened to what they were saying. The
docket of the session was very heavy; the president had appointed
for the same day two short and simple cases. They had begun with the
infanticide, and now they had reached the convict, the old offender, the
"return horse." This man had stolen apples, but that did not appear to
be entirely proved; what had been proved was, that he had already been
in the galleys at Toulon. It was that which lent a bad aspect to
his case. However, the man's examination and the depositions of the
witnesses had been completed, but the lawyer's plea, and the speech
of the public prosecutor were still to come; it could not be
finished before midnight. The man would probably be condemned; the
attorney-general was very clever, and never missed his culprits; he was
a brilliant fellow who wrote verses.

An usher stood at the door communicating with the hall of the Assizes.
He inquired of this usher:--

"Will the door be opened soon, sir?"

"It will not be opened at all," replied the usher.

"What! It will not be opened when the hearing is resumed? Is not the
hearing suspended?"

"The hearing has just been begun again," replied the usher, "but the
door will not be opened again."

"Why?"

"Because the hall is full."

"What! There is not room for one more?"

"Not another one. The door is closed. No one can enter now."

The usher added after a pause: "There are, to tell the truth, two
or three extra places behind Monsieur le President, but Monsieur le
President only admits public functionaries to them."

So saying, the usher turned his back.

He retired with bowed head, traversed the antechamber, and slowly
descended the stairs, as though hesitating at every step. It is probable
that he was holding counsel with himself. The violent conflict which had
been going on within him since the preceding evening was not yet ended;
and every moment he encountered some new phase of it. On reaching the
landing-place, he leaned his back against the balusters and folded his
arms. All at once he opened his coat, drew out his pocket-book, took
from it a pencil, tore out a leaf, and upon that leaf he wrote rapidly,
by the light of the street lantern, this line: M. Madeleine, Mayor of M.
sur M.; then he ascended the stairs once more with great strides, made
his way through the crowd, walked straight up to the usher, handed him
the paper, and said in an authoritative manner:--

"Take this to Monsieur le President."

The usher took the paper, cast a glance upon it, and obeyed.




CHAPTER VIII--AN ENTRANCE BY FAVOR


Although he did not suspect the fact, the mayor of M. sur M. enjoyed
a sort of celebrity. For the space of seven years his reputation for
virtue had filled the whole of Bas Boulonnais; it had eventually passed
the confines of a small district and had been spread abroad through
two or three neighboring departments. Besides the service which he had
rendered to the chief town by resuscitating the black jet industry,
there was not one out of the hundred and forty communes of the
arrondissement of M. sur M. which was not indebted to him for some
benefit. He had even at need contrived to aid and multiply the
industries of other arrondissements. It was thus that he had, when
occasion offered, supported with his credit and his funds the linen
factory at Boulogne, the flax-spinning industry at Frevent, and the
hydraulic manufacture of cloth at Boubers-sur-Canche. Everywhere the
name of M. Madeleine was pronounced with veneration. Arras and Douai
envied the happy little town of M. sur M. its mayor.

The Councillor of the Royal Court of Douai, who was presiding over this
session of the Assizes at Arras, was acquainted, in common with the rest
of the world, with this name which was so profoundly and universally
honored. When the usher, discreetly opening the door which connected
the council-chamber with the court-room, bent over the back of the
President's arm-chair and handed him the paper on which was inscribed
the line which we have just perused, adding: "The gentleman desires to
be present at the trial," the President, with a quick and deferential
movement, seized a pen and wrote a few words at the bottom of the paper
and returned it to the usher, saying, "Admit him."

The unhappy man whose history we are relating had remained near the door
of the hall, in the same place and the same attitude in which the usher
had left him. In the midst of his revery he heard some one saying to
him, "Will Monsieur do me the honor to follow me?" It was the same usher
who had turned his back upon him but a moment previously, and who was
now bowing to the earth before him. At the same time, the usher handed
him the paper. He unfolded it, and as he chanced to be near the light,
he could read it.

"The President of the Court of Assizes presents his respects to M.
Madeleine."

He crushed the paper in his hand as though those words contained for him
a strange and bitter aftertaste.

He followed the usher.

A few minutes later he found himself alone in a sort of wainscoted
cabinet of severe aspect, lighted by two wax candles, placed upon a
table with a green cloth. The last words of the usher who had just
quitted him still rang in his ears: "Monsieur, you are now in the
council-chamber; you have only to turn the copper handle of yonder door,
and you will find yourself in the court-room, behind the President's
chair." These words were mingled in his thoughts with a vague memory of
narrow corridors and dark staircases which he had recently traversed.

The usher had left him alone. The supreme moment had arrived. He sought
to collect his faculties, but could not. It is chiefly at the moment
when there is the greatest need for attaching them to the painful
realities of life, that the threads of thought snap within the brain. He
was in the very place where the judges deliberated and condemned. With
stupid tranquillity he surveyed this peaceful and terrible apartment,
where so many lives had been broken, which was soon to ring with his
name, and which his fate was at that moment traversing. He stared at
the wall, then he looked at himself, wondering that it should be that
chamber and that it should be he.

He had eaten nothing for four and twenty hours; he was worn out by the
jolts of the cart, but he was not conscious of it. It seemed to him that
he felt nothing.

He approached a black frame which was suspended on the wall, and which
contained, under glass, an ancient autograph letter of Jean Nicolas
Pache, mayor of Paris and minister, and dated, through an error, no
doubt, the 9th of June, of the year II., and in which Pache forwarded to
the commune the list of ministers and deputies held in arrest by them.
Any spectator who had chanced to see him at that moment, and who had
watched him, would have imagined, doubtless, that this letter struck him
as very curious, for he did not take his eyes from it, and he read it
two or three times. He read it without paying any attention to it, and
unconsciously. He was thinking of Fantine and Cosette.

As he dreamed, he turned round, and his eyes fell upon the brass knob
of the door which separated him from the Court of Assizes. He had almost
forgotten that door. His glance, calm at first, paused there, remained
fixed on that brass handle, then grew terrified, and little by little
became impregnated with fear. Beads of perspiration burst forth among
his hair and trickled down upon his temples.

At a certain moment he made that indescribable gesture of a sort of
authority mingled with rebellion, which is intended to convey, and which
does so well convey, "Pardieu! who compels me to this?" Then he wheeled
briskly round, caught sight of the door through which he had entered in
front of him, went to it, opened it, and passed out. He was no longer
in that chamber; he was outside in a corridor, a long, narrow corridor,
broken by steps and gratings, making all sorts of angles, lighted
here and there by lanterns similar to the night taper of invalids, the
corridor through which he had approached. He breathed, he listened; not
a sound in front, not a sound behind him, and he fled as though pursued.

When he had turned many angles in this corridor, he still listened. The
same silence reigned, and there was the same darkness around him. He was
out of breath; he staggered; he leaned against the wall. The stone was
cold; the perspiration lay ice-cold on his brow; he straightened himself
up with a shiver.

Then, there alone in the darkness, trembling with cold and with
something else, too, perchance, he meditated.

He had meditated all night long; he had meditated all the day: he heard
within him but one voice, which said, "Alas!"

A quarter of an hour passed thus. At length he bowed his head, sighed
with agony, dropped his arms, and retraced his steps. He walked slowly,
and as though crushed. It seemed as though some one had overtaken him in
his flight and was leading him back.

He re-entered the council-chamber. The first thing he caught sight of
was the knob of the door. This knob, which was round and of polished
brass, shone like a terrible star for him. He gazed at it as a lamb
might gaze into the eye of a tiger.

He could not take his eyes from it. From time to time he advanced a step
and approached the door.

Had he listened, he would have heard the sound of the adjoining hall
like a sort of confused murmur; but he did not listen, and he did not
hear.

Suddenly, without himself knowing how it happened, he found himself near
the door; he grasped the knob convulsively; the door opened.

He was in the court-room.




CHAPTER IX--A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION

He advanced a pace, closed the door mechanically behind him, and
remained standing, contemplating what he saw.

It was a vast and badly lighted apartment, now full of uproar, now full
of silence, where all the apparatus of a criminal case, with its petty
and mournful gravity in the midst of the throng, was in process of
development.

At the one end of the hall, the one where he was, were judges, with
abstracted air, in threadbare robes, who were gnawing their nails or
closing their eyelids; at the other end, a ragged crowd; lawyers in
all sorts of attitudes; soldiers with hard but honest faces; ancient,
spotted woodwork, a dirty ceiling, tables covered with serge that was
yellow rather than green; doors blackened by handmarks; tap-room
lamps which emitted more smoke than light, suspended from nails in
the wainscot; on the tables candles in brass candlesticks; darkness,
ugliness, sadness; and from all this there was disengaged an austere and
august impression, for one there felt that grand human thing which is
called the law, and that grand divine thing which is called justice.

No one in all that throng paid any attention to him; all glances were
directed towards a single point, a wooden bench placed against a small
door, in the stretch of wall on the President's left; on this bench,
illuminated by several candles, sat a man between two gendarmes.

This man was the man.

He did not seek him; he saw him; his eyes went thither naturally, as
though they had known beforehand where that figure was.

He thought he was looking at himself, grown old; not absolutely the same
in face, of course, but exactly similar in attitude and aspect, with his
bristling hair, with that wild and uneasy eye, with that blouse, just as
it was on the day when he entered D----, full of hatred, concealing
his soul in that hideous mass of frightful thoughts which he had spent
nineteen years in collecting on the floor of the prison.

He said to himself with a shudder, "Good God! shall I become like that
again?"

This creature seemed to be at least sixty; there was something
indescribably coarse, stupid, and frightened about him.

At the sound made by the opening door, people had drawn aside to make
way for him; the President had turned his head, and, understanding that
the personage who had just entered was the mayor of M. sur M., he had
bowed to him; the attorney-general, who had seen M. Madeleine at M.
sur M., whither the duties of his office had called him more than once,
recognized him and saluted him also: he had hardly perceived it; he was
the victim of a sort of hallucination; he was watching.

Judges, clerks, gendarmes, a throng of cruelly curious heads, all these
he had already beheld once, in days gone by, twenty-seven years before;
he had encountered those fatal things once more; there they were; they
moved; they existed; it was no longer an effort of his memory, a mirage
of his thought; they were real gendarmes and real judges, a real
crowd, and real men of flesh and blood: it was all over; he beheld the
monstrous aspects of his past reappear and live once more around him,
with all that there is formidable in reality.

All this was yawning before him.

He was horrified by it; he shut his eyes, and exclaimed in the deepest
recesses of his soul, "Never!"

And by a tragic play of destiny which made all his ideas tremble, and
rendered him nearly mad, it was another self of his that was there! all
called that man who was being tried Jean Valjean.

Under his very eyes, unheard-of vision, he had a sort of representation
of the most horrible moment of his life, enacted by his spectre.

Everything was there; the apparatus was the same, the hour of the night,
the faces of the judges, of soldiers, and of spectators; all were the
same, only above the President's head there hung a crucifix, something
which the courts had lacked at the time of his condemnation: God had
been absent when he had been judged.

There was a chair behind him; he dropped into it, terrified at the
thought that he might be seen; when he was seated, he took advantage of
a pile of cardboard boxes, which stood on the judge's desk, to conceal
his face from the whole room; he could now see without being seen; he
had fully regained consciousness of the reality of things; gradually he
recovered; he attained that phase of composure where it is possible to
listen.

M. Bamatabois was one of the jurors.

He looked for Javert, but did not see him; the seat of the witnesses was
hidden from him by the clerk's table, and then, as we have just said,
the hall was sparely lighted.

At the moment of this entrance, the defendant's lawyer had just finished
his plea.

The attention of all was excited to the highest pitch; the affair had
lasted for three hours: for three hours that crowd had been watching a
strange man, a miserable specimen of humanity, either profoundly stupid
or profoundly subtle, gradually bending beneath the weight of a terrible
likeness. This man, as the reader already knows, was a vagabond who had
been found in a field carrying a branch laden with ripe apples, broken
in the orchard of a neighbor, called the Pierron orchard. Who was this
man? an examination had been made; witnesses had been heard, and they
were unanimous; light had abounded throughout the entire debate; the
accusation said: "We have in our grasp not only a marauder, a stealer
of fruit; we have here, in our hands, a bandit, an old offender who
has broken his ban, an ex-convict, a miscreant of the most dangerous
description, a malefactor named Jean Valjean, whom justice has long been
in search of, and who, eight years ago, on emerging from the galleys
at Toulon, committed a highway robbery, accompanied by violence, on the
person of a child, a Savoyard named Little Gervais; a crime provided
for by article 383 of the Penal Code, the right to try him for which
we reserve hereafter, when his identity shall have been judicially
established. He has just committed a fresh theft; it is a case of a
second offence; condemn him for the fresh deed; later on he will be
judged for the old crime." In the face of this accusation, in the face
of the unanimity of the witnesses, the accused appeared to be astonished
more than anything else; he made signs and gestures which were meant to
convey No, or else he stared at the ceiling: he spoke with difficulty,
replied with embarrassment, but his whole person, from head to foot, was
a denial; he was an idiot in the presence of all these minds ranged in
order of battle around him, and like a stranger in the midst of this
society which was seizing fast upon him; nevertheless, it was a question
of the most menacing future for him; the likeness increased every
moment, and the entire crowd surveyed, with more anxiety than he did
himself, that sentence freighted with calamity, which descended
ever closer over his head; there was even a glimpse of a possibility
afforded; besides the galleys, a possible death penalty, in case his
identity were established, and the affair of Little Gervais were to end
thereafter in condemnation. Who was this man? what was the nature of his
apathy? was it imbecility or craft? Did he understand too well, or did
he not understand at all? these were questions which divided the crowd,
and seemed to divide the jury; there was something both terrible and
puzzling in this case: the drama was not only melancholy; it was also
obscure.

The counsel for the defence had spoken tolerably well, in that
provincial tongue which has long constituted the eloquence of the bar,
and which was formerly employed by all advocates, at Paris as well as at
Romorantin or at Montbrison, and which to-day, having become classic, is
no longer spoken except by the official orators of magistracy, to whom
it is suited on account of its grave sonorousness and its majestic
stride; a tongue in which a husband is called a consort, and a woman
a spouse; Paris, the centre of art and civilization; the king,
the monarch; Monseigneur the Bishop, a sainted pontiff; the
district-attorney, the eloquent interpreter of public prosecution; the
arguments, the accents which we have just listened to; the age of Louis
XIV., the grand age; a theatre, the temple of Melpomene; the reigning
family, the august blood of our kings; a concert, a musical solemnity;
the General Commandant of the province, the illustrious warrior, who,
etc.; the pupils in the seminary, these tender levities; errors imputed
to newspapers, the imposture which distills its venom through the
columns of those organs; etc. The lawyer had, accordingly, begun with an
explanation as to the theft of the apples,--an awkward matter couched
in fine style; but Benigne Bossuet himself was obliged to allude to a
chicken in the midst of a funeral oration, and he extricated himself
from the situation in stately fashion. The lawyer established the fact
that the theft of the apples had not been circumstantially proved.
His client, whom he, in his character of counsel, persisted in calling
Champmathieu, had not been seen scaling that wall nor breaking that
branch by any one. He had been taken with that branch (which the lawyer
preferred to call a bough) in his possession; but he said that he had
found it broken off and lying on the ground, and had picked it up.
Where was there any proof to the contrary? No doubt that branch had been
broken off and concealed after the scaling of the wall, then thrown away
by the alarmed marauder; there was no doubt that there had been a
thief in the case. But what proof was there that that thief had been
Champmathieu? One thing only. His character as an ex-convict. The
lawyer did not deny that that character appeared to be, unhappily,
well attested; the accused had resided at Faverolles; the accused had
exercised the calling of a tree-pruner there; the name of Champmathieu
might well have had its origin in Jean Mathieu; all that was true,--in
short, four witnesses recognize Champmathieu, positively and without
hesitation, as that convict, Jean Valjean; to these signs, to this
testimony, the counsel could oppose nothing but the denial of his
client, the denial of an interested party; but supposing that he was
the convict Jean Valjean, did that prove that he was the thief of the
apples? that was a presumption at the most, not a proof. The prisoner,
it was true, and his counsel, "in good faith," was obliged to admit it,
had adopted "a bad system of defence." He obstinately denied everything,
the theft and his character of convict. An admission upon this last
point would certainly have been better, and would have won for him the
indulgence of his judges; the counsel had advised him to do this; but
the accused had obstinately refused, thinking, no doubt, that he would
save everything by admitting nothing. It was an error; but ought not the
paucity of this intelligence to be taken into consideration? This man
was visibly stupid. Long-continued wretchedness in the galleys, long
misery outside the galleys, had brutalized him, etc. He defended himself
badly; was that a reason for condemning him? As for the affair with
Little Gervais, the counsel need not discuss it; it did not enter into
the case. The lawyer wound up by beseeching the jury and the court, if
the identity of Jean Valjean appeared to them to be evident, to apply
to him the police penalties which are provided for a criminal who has
broken his ban, and not the frightful chastisement which descends upon
the convict guilty of a second offence.

The district-attorney answered the counsel for the defence. He was
violent and florid, as district-attorneys usually are.

He congratulated the counsel for the defence on his "loyalty," and
skilfully took advantage of this loyalty. He reached the accused through
all the concessions made by his lawyer. The advocate had seemed to admit
that the prisoner was Jean Valjean. He took note of this. So this man
was Jean Valjean. This point had been conceded to the accusation and
could no longer be disputed. Here, by means of a clever
autonomasia which went back to the sources and causes of crime, the
district-attorney thundered against the immorality of the romantic
school, then dawning under the name of the Satanic school, which
had been bestowed upon it by the critics of the Quotidienne and the
Oriflamme; he attributed, not without some probability, to the influence
of this perverse literature the crime of Champmathieu, or rather,
to speak more correctly, of Jean Valjean. Having exhausted these
considerations, he passed on to Jean Valjean himself. Who was this Jean
Valjean? Description of Jean Valjean: a monster spewed forth, etc.
The model for this sort of description is contained in the tale of
Theramene, which is not useful to tragedy, but which every day renders
great services to judicial eloquence. The audience and the jury
"shuddered." The description finished, the district-attorney resumed
with an oratorical turn calculated to raise the enthusiasm of the
journal of the prefecture to the highest pitch on the following day: And
it is such a man, etc., etc., etc., vagabond, beggar, without means of
existence, etc., etc., inured by his past life to culpable deeds, and
but little reformed by his sojourn in the galleys, as was proved by the
crime committed against Little Gervais, etc., etc.; it is such a man,
caught upon the highway in the very act of theft, a few paces from a
wall that had been scaled, still holding in his hand the object
stolen, who denies the crime, the theft, the climbing the wall; denies
everything; denies even his own identity! In addition to a hundred
other proofs, to which we will not recur, four witnesses recognize
him--Javert, the upright inspector of police; Javert, and three of
his former companions in infamy, the convicts Brevet, Chenildieu, and
Cochepaille. What does he offer in opposition to this overwhelming
unanimity? His denial. What obduracy! You will do justice, gentlemen
of the jury, etc., etc. While the district-attorney was speaking, the
accused listened to him open-mouthed, with a sort of amazement in which
some admiration was assuredly blended. He was evidently surprised that
a man could talk like that. From time to time, at those "energetic"
moments of the prosecutor's speech, when eloquence which cannot contain
itself overflows in a flood of withering epithets and envelops the
accused like a storm, he moved his head slowly from right to left and
from left to right in the sort of mute and melancholy protest with which
he had contented himself since the beginning of the argument. Two or
three times the spectators who were nearest to him heard him say in
a low voice, "That is what comes of not having asked M. Baloup." The
district-attorney directed the attention of the jury to this stupid
attitude, evidently deliberate, which denoted not imbecility, but craft,
skill, a habit of deceiving justice, and which set forth in all its
nakedness the "profound perversity" of this man. He ended by making
his reserves on the affair of Little Gervais and demanding a severe
sentence.

At that time, as the reader will remember, it was penal servitude for
life.

The counsel for the defence rose, began by complimenting Monsieur
l'Avocat-General on his "admirable speech," then replied as best he
could; but he weakened; the ground was evidently slipping away from
under his feet.




CHAPTER X--THE SYSTEM OF DENIALS

The moment for closing the debate had arrived. The President had the
accused stand up, and addressed to him the customary question, "Have you
anything to add to your defence?"

The man did not appear to understand, as he stood there, twisting in his
hands a terrible cap which he had.

The President repeated the question.

This time the man heard it. He seemed to understand. He made a motion
like a man who is just waking up, cast his eyes about him, stared at
the audience, the gendarmes, his counsel, the jury, the court, laid
his monstrous fist on the rim of woodwork in front of his bench,
took another look, and all at once, fixing his glance upon the
district-attorney, he began to speak. It was like an eruption.
It seemed, from the manner in which the words escaped from his
mouth,--incoherent, impetuous, pell-mell, tumbling over each other,--as
though they were all pressing forward to issue forth at once. He said:--

"This is what I have to say. That I have been a wheelwright in Paris,
and that it was with Monsieur Baloup. It is a hard trade. In the
wheelwright's trade one works always in the open air, in courtyards,
under sheds when the masters are good, never in closed workshops,
because space is required, you see. In winter one gets so cold that one
beats one's arms together to warm one's self; but the masters don't like
it; they say it wastes time. Handling iron when there is ice between
the paving-stones is hard work. That wears a man out quickly. One is old
while he is still quite young in that trade. At forty a man is done for.
I was fifty-three. I was in a bad state. And then, workmen are so mean!
When a man is no longer young, they call him nothing but an old bird,
old beast! I was not earning more than thirty sous a day. They paid me
as little as possible. The masters took advantage of my age--and then I
had my daughter, who was a laundress at the river. She earned a little
also. It sufficed for us two. She had trouble, also; all day long up to
her waist in a tub, in rain, in snow. When the wind cuts your face, when
it freezes, it is all the same; you must still wash. There are people
who have not much linen, and wait until late; if you do not wash, you
lose your custom. The planks are badly joined, and water drops on you
from everywhere; you have your petticoats all damp above and below. That
penetrates. She has also worked at the laundry of the Enfants-Rouges,
where the water comes through faucets. You are not in the tub there; you
wash at the faucet in front of you, and rinse in a basin behind you. As
it is enclosed, you are not so cold; but there is that hot steam, which
is terrible, and which ruins your eyes. She came home at seven o'clock
in the evening, and went to bed at once, she was so tired. Her husband
beat her. She is dead. We have not been very happy. She was a good girl,
who did not go to the ball, and who was very peaceable. I remember
one Shrove-Tuesday when she went to bed at eight o'clock. There, I am
telling the truth; you have only to ask. Ah, yes! how stupid I am! Paris
is a gulf. Who knows Father Champmathieu there? But M. Baloup does, I
tell you. Go see at M. Baloup's; and after all, I don't know what is
wanted of me."

The man ceased speaking, and remained standing. He had said these things
in a loud, rapid, hoarse voice, with a sort of irritated and savage
ingenuousness. Once he paused to salute some one in the crowd. The sort
of affirmations which he seemed to fling out before him at random came
like hiccoughs, and to each he added the gesture of a wood-cutter who is
splitting wood. When he had finished, the audience burst into a laugh.
He stared at the public, and, perceiving that they were laughing, and
not understanding why, he began to laugh himself.

It was inauspicious.

The President, an attentive and benevolent man, raised his voice.

He reminded "the gentlemen of the jury" that "the sieur Baloup, formerly
a master-wheelwright, with whom the accused stated that he had served,
had been summoned in vain. He had become bankrupt, and was not to be
found." Then turning to the accused, he enjoined him to listen to what
he was about to say, and added: "You are in a position where reflection
is necessary. The gravest presumptions rest upon you, and may induce
vital results. Prisoner, in your own interests, I summon you for the
last time to explain yourself clearly on two points. In the first place,
did you or did you not climb the wall of the Pierron orchard, break
the branch, and steal the apples; that is to say, commit the crime
of breaking in and theft? In the second place, are you the discharged
convict, Jean Valjean--yes or no?"

The prisoner shook his head with a capable air, like a man who has
thoroughly understood, and who knows what answer he is going to make. He
opened his mouth, turned towards the President, and said:--

"In the first place--"

Then he stared at his cap, stared at the ceiling, and held his peace.

"Prisoner," said the district-attorney, in a severe voice; "pay
attention. You are not answering anything that has been asked of you.
Your embarrassment condemns you. It is evident that your name is not
Champmathieu; that you are the convict, Jean Valjean, concealed first
under the name of Jean Mathieu, which was the name of his mother; that
you went to Auvergne; that you were born at Faverolles, where you were
a pruner of trees. It is evident that you have been guilty of entering,
and of the theft of ripe apples from the Pierron orchard. The gentlemen
of the jury will form their own opinion."

[Illustration: Father Champmathieu on Trial]

The prisoner had finally resumed his seat; he arose abruptly when the
district-attorney had finished, and exclaimed:--

"You are very wicked; that you are! This what I wanted to say; I could
not find words for it at first. I have stolen nothing. I am a man who
does not have something to eat every day. I was coming from Ailly; I
was walking through the country after a shower, which had made the whole
country yellow: even the ponds were overflowed, and nothing sprang from
the sand any more but the little blades of grass at the wayside. I
found a broken branch with apples on the ground; I picked up the branch
without knowing that it would get me into trouble. I have been in
prison, and they have been dragging me about for the last three months;
more than that I cannot say; people talk against me, they tell me,
'Answer!' The gendarme, who is a good fellow, nudges my elbow, and says
to me in a low voice, 'Come, answer!' I don't know how to explain; I
have no education; I am a poor man; that is where they wrong me, because
they do not see this. I have not stolen; I picked up from the ground
things that were lying there. You say, Jean Valjean, Jean Mathieu! I
don't know those persons; they are villagers. I worked for M. Baloup,
Boulevard de l'Hopital; my name is Champmathieu. You are very clever to
tell me where I was born; I don't know myself: it's not everybody
who has a house in which to come into the world; that would be too
convenient. I think that my father and mother were people who strolled
along the highways; I know nothing different. When I was a child,
they called me young fellow; now they call me old fellow; those are my
baptismal names; take that as you like. I have been in Auvergne; I have
been at Faverolles. Pardi. Well! can't a man have been in Auvergne, or
at Faverolles, without having been in the galleys? I tell you that I
have not stolen, and that I am Father Champmathieu; I have been with M.
Baloup; I have had a settled residence. You worry me with your nonsense,
there! Why is everybody pursuing me so furiously?"

The district-attorney had remained standing; he addressed the
President:--

"Monsieur le President, in view of the confused but exceedingly clever
denials of the prisoner, who would like to pass himself off as an idiot,
but who will not succeed in so doing,--we shall attend to that,--we
demand that it shall please you and that it shall please the court to
summon once more into this place the convicts Brevet, Cochepaille, and
Chenildieu, and Police-Inspector Javert, and question them for the last
time as to the identity of the prisoner with the convict Jean Valjean."

"I would remind the district-attorney," said the President, "that
Police-Inspector Javert, recalled by his duties to the capital of a
neighboring arrondissement, left the court-room and the town as soon as
he had made his deposition; we have accorded him permission, with the
consent of the district-attorney and of the counsel for the prisoner."

"That is true, Mr. President," responded the district-attorney. "In the
absence of sieur Javert, I think it my duty to remind the gentlemen of
the jury of what he said here a few hours ago. Javert is an estimable
man, who does honor by his rigorous and strict probity to inferior but
important functions. These are the terms of his deposition: 'I do not
even stand in need of circumstantial proofs and moral presumptions to
give the lie to the prisoner's denial. I recognize him perfectly. The
name of this man is not Champmathieu; he is an ex-convict named Jean
Valjean, and is very vicious and much to be feared. It is only with
extreme regret that he was released at the expiration of his term. He
underwent nineteen years of penal servitude for theft. He made five or
six attempts to escape. Besides the theft from Little Gervais, and from
the Pierron orchard, I suspect him of a theft committed in the house of
His Grace the late Bishop of D---- I often saw him at the time when I
was adjutant of the galley-guard at the prison in Toulon. I repeat that
I recognize him perfectly.'"

This extremely precise statement appeared to produce a vivid impression
on the public and on the jury. The district-attorney concluded by
insisting, that in default of Javert, the three witnesses Brevet,
Chenildieu, and Cochepaille should be heard once more and solemnly
interrogated.

The President transmitted the order to an usher, and, a moment later,
the door of the witnesses' room opened. The usher, accompanied by a
gendarme ready to lend him armed assistance, introduced the convict
Brevet. The audience was in suspense; and all breasts heaved as though
they had contained but one soul.

The ex-convict Brevet wore the black and gray waistcoat of the central
prisons. Brevet was a person sixty years of age, who had a sort of
business man's face, and the air of a rascal. The two sometimes go
together. In prison, whither fresh misdeeds had led him, he had become
something in the nature of a turnkey. He was a man of whom his superiors
said, "He tries to make himself of use." The chaplains bore good
testimony as to his religious habits. It must not be forgotten that this
passed under the Restoration.

"Brevet," said the President, "you have undergone an ignominious
sentence, and you cannot take an oath."

Brevet dropped his eyes.

"Nevertheless," continued the President, "even in the man whom the law
has degraded, there may remain, when the divine mercy permits it, a
sentiment of honor and of equity. It is to this sentiment that I
appeal at this decisive hour. If it still exists in you,--and I hope
it does,--reflect before replying to me: consider on the one hand, this
man, whom a word from you may ruin; on the other hand, justice, which a
word from you may enlighten. The instant is solemn; there is still time
to retract if you think you have been mistaken. Rise, prisoner. Brevet,
take a good look at the accused, recall your souvenirs, and tell us on
your soul and conscience, if you persist in recognizing this man as your
former companion in the galleys, Jean Valjean?"

Brevet looked at the prisoner, then turned towards the court.

"Yes, Mr. President, I was the first to recognize him, and I stick to
it; that man is Jean Valjean, who entered at Toulon in 1796, and left in
1815. I left a year later. He has the air of a brute now; but it must be
because age has brutalized him; he was sly at the galleys: I recognize
him positively."

"Take your seat," said the President. "Prisoner, remain standing."

Chenildieu was brought in, a prisoner for life, as was indicated by his
red cassock and his green cap. He was serving out his sentence at the
galleys of Toulon, whence he had been brought for this case. He was a
small man of about fifty, brisk, wrinkled, frail, yellow, brazen-faced,
feverish, who had a sort of sickly feebleness about all his limbs and
his whole person, and an immense force in his glance. His companions in
the galleys had nicknamed him I-deny-God (Je-nie Dieu, Chenildieu).

The President addressed him in nearly the same words which he had
used to Brevet. At the moment when he reminded him of his infamy which
deprived him of the right to take an oath, Chenildieu raised his
head and looked the crowd in the face. The President invited him to
reflection, and asked him as he had asked Brevet, if he persisted in
recognition of the prisoner.

Chenildieu burst out laughing.

"Pardieu, as if I didn't recognize him! We were attached to the same
chain for five years. So you are sulking, old fellow?"

"Go take your seat," said the President.

The usher brought in Cochepaille. He was another convict for life, who
had come from the galleys, and was dressed in red, like Chenildieu, was
a peasant from Lourdes, and a half-bear of the Pyrenees. He had guarded
the flocks among the mountains, and from a shepherd he had slipped into
a brigand. Cochepaille was no less savage and seemed even more stupid
than the prisoner. He was one of those wretched men whom nature has
sketched out for wild beasts, and on whom society puts the finishing
touches as convicts in the galleys.

The President tried to touch him with some grave and pathetic words,
and asked him, as he had asked the other two, if he persisted, without
hesitation or trouble, in recognizing the man who was standing before
him.

"He is Jean Valjean," said Cochepaille. "He was even called
Jean-the-Screw, because he was so strong."

Each of these affirmations from these three men, evidently sincere and
in good faith, had raised in the audience a murmur of bad augury for the
prisoner,--a murmur which increased and lasted longer each time that a
fresh declaration was added to the proceeding.

The prisoner had listened to them, with that astounded face which was,
according to the accusation, his principal means of defence; at the
first, the gendarmes, his neighbors, had heard him mutter between his
teeth: "Ah, well, he's a nice one!" after the second, he said, a little
louder, with an air that was almost that of satisfaction, "Good!" at the
third, he cried, "Famous!"

The President addressed him:--

"Have you heard, prisoner? What have you to say?"

He replied:--

"I say, 'Famous!'"

An uproar broke out among the audience, and was communicated to the
jury; it was evident that the man was lost.

"Ushers," said the President, "enforce silence! I am going to sum up the
arguments."

At that moment there was a movement just beside the President; a voice
was heard crying:--

"Brevet! Chenildieu! Cochepaille! look here!"

All who heard that voice were chilled, so lamentable and terrible was
it; all eyes were turned to the point whence it had proceeded. A man,
placed among the privileged spectators who were seated behind the
court, had just risen, had pushed open the half-door which separated the
tribunal from the audience, and was standing in the middle of the hall;
the President, the district-attorney, M. Bamatabois, twenty persons,
recognized him, and exclaimed in concert:--

"M. Madeleine!"




CHAPTER XI--CHAMPMATHIEU MORE AND MORE ASTONISHED

It was he, in fact. The clerk's lamp illumined his countenance. He held
his hat in his hand; there was no disorder in his clothing; his coat
was carefully buttoned; he was very pale, and he trembled slightly;
his hair, which had still been gray on his arrival in Arras, was now
entirely white: it had turned white during the hour he had sat there.

All heads were raised: the sensation was indescribable; there was
a momentary hesitation in the audience, the voice had been so
heart-rending; the man who stood there appeared so calm that they did
not understand at first. They asked themselves whether he had indeed
uttered that cry; they could not believe that that tranquil man had been
the one to give that terrible outcry.

This indecision only lasted a few seconds. Even before the President
and the district-attorney could utter a word, before the ushers and the
gendarmes could make a gesture, the man whom all still called, at that
moment, M. Madeleine, had advanced towards the witnesses Cochepaille,
Brevet, and Chenildieu.

"Do you not recognize me?" said he.

All three remained speechless, and indicated by a sign of the head that
they did not know him. Cochepaille, who was intimidated, made a military
salute. M. Madeleine turned towards the jury and the court, and said in
a gentle voice:--

"Gentlemen of the jury, order the prisoner to be released! Mr.
President, have me arrested. He is not the man whom you are in search
of; it is I: I am Jean Valjean."

Not a mouth breathed; the first commotion of astonishment had been
followed by a silence like that of the grave; those within the hall
experienced that sort of religious terror which seizes the masses when
something grand has been done.

In the meantime, the face of the President was stamped with sympathy and
sadness; he had exchanged a rapid sign with the district-attorney and a
few low-toned words with the assistant judges; he addressed the public,
and asked in accents which all understood:--

"Is there a physician present?"

The district-attorney took the word:--

"Gentlemen of the jury, the very strange and unexpected incident
which disturbs the audience inspires us, like yourselves, only with a
sentiment which it is unnecessary for us to express. You all know, by
reputation at least, the honorable M. Madeleine, mayor of M. sur M.;
if there is a physician in the audience, we join the President in
requesting him to attend to M. Madeleine, and to conduct him to his
home."

M. Madeleine did not allow the district-attorney to finish; he
interrupted him in accents full of suavity and authority. These are the
words which he uttered; here they are literally, as they were written
down, immediately after the trial by one of the witnesses to this scene,
and as they now ring in the ears of those who heard them nearly forty
years ago:--

"I thank you, Mr. District-Attorney, but I am not mad; you shall see;
you were on the point of committing a great error; release this man! I
am fulfilling a duty; I am that miserable criminal. I am the only one
here who sees the matter clearly, and I am telling you the truth. God,
who is on high, looks down on what I am doing at this moment, and that
suffices. You can take me, for here I am: but I have done my best; I
concealed myself under another name; I have become rich; I have become
a mayor; I have tried to re-enter the ranks of the honest. It seems that
that is not to be done. In short, there are many things which I cannot
tell. I will not narrate the story of my life to you; you will hear it
one of these days. I robbed Monseigneur the Bishop, it is true; it is
true that I robbed Little Gervais; they were right in telling you that
Jean Valjean was a very vicious wretch. Perhaps it was not altogether
his fault. Listen, honorable judges! a man who has been so greatly
humbled as I have has neither any remonstrances to make to Providence,
nor any advice to give to society; but, you see, the infamy from which I
have tried to escape is an injurious thing; the galleys make the convict
what he is; reflect upon that, if you please. Before going to the
galleys, I was a poor peasant, with very little intelligence, a sort
of idiot; the galleys wrought a change in me. I was stupid; I became
vicious: I was a block of wood; I became a firebrand. Later on,
indulgence and kindness saved me, as severity had ruined me. But, pardon
me, you cannot understand what I am saying. You will find at my house,
among the ashes in the fireplace, the forty-sou piece which I stole,
seven years ago, from little Gervais. I have nothing farther to add;
take me. Good God! the district-attorney shakes his head; you say, 'M.
Madeleine has gone mad!' you do not believe me! that is distressing. Do
not, at least, condemn this man! What! these men do not recognize me! I
wish Javert were here; he would recognize me."

Nothing can reproduce the sombre and kindly melancholy of tone which
accompanied these words.

He turned to the three convicts, and said:--

"Well, I recognize you; do you remember, Brevet?"

He paused, hesitated for an instant, and said:--

"Do you remember the knitted suspenders with a checked pattern which you
wore in the galleys?"

Brevet gave a start of surprise, and surveyed him from head to foot with
a frightened air. He continued:--

"Chenildieu, you who conferred on yourself the name of 'Jenie-Dieu,'
your whole right shoulder bears a deep burn, because you one day laid
your shoulder against the chafing-dish full of coals, in order to efface
the three letters T. F. P., which are still visible, nevertheless;
answer, is this true?"

"It is true," said Chenildieu.

He addressed himself to Cochepaille:--

"Cochepaille, you have, near the bend in your left arm, a date stamped
in blue letters with burnt powder; the date is that of the landing of
the Emperor at Cannes, March 1, 1815; pull up your sleeve!"

Cochepaille pushed up his sleeve; all eyes were focused on him and on
his bare arm.

A gendarme held a light close to it; there was the date.

The unhappy man turned to the spectators and the judges with a smile
which still rends the hearts of all who saw it whenever they think of
it. It was a smile of triumph; it was also a smile of despair.

"You see plainly," he said, "that I am Jean Valjean."

In that chamber there were no longer either judges, accusers, nor
gendarmes; there was nothing but staring eyes and sympathizing hearts.
No one recalled any longer the part that each might be called upon
to play; the district-attorney forgot he was there for the purpose of
prosecuting, the President that he was there to preside, the counsel for
the defence that he was there to defend. It was a striking circumstance
that no question was put, that no authority intervened. The peculiarity
of sublime spectacles is, that they capture all souls and turn witnesses
into spectators. No one, probably, could have explained what he felt;
no one, probably, said to himself that he was witnessing the splendid
outburst of a grand light: all felt themselves inwardly dazzled.

It was evident that they had Jean Valjean before their eyes. That was
clear. The appearance of this man had sufficed to suffuse with light
that matter which had been so obscure but a moment previously, without
any further explanation: the whole crowd, as by a sort of electric
revelation, understood instantly and at a single glance the simple
and magnificent history of a man who was delivering himself up so
that another man might not be condemned in his stead. The details, the
hesitations, little possible oppositions, were swallowed up in that vast
and luminous fact.

It was an impression which vanished speedily, but which was irresistible
at the moment.

"I do not wish to disturb the court further," resumed Jean Valjean. "I
shall withdraw, since you do not arrest me. I have many things to do.
The district-attorney knows who I am; he knows whither I am going; he
can have me arrested when he likes."

He directed his steps towards the door. Not a voice was raised, not an
arm extended to hinder him. All stood aside. At that moment there was
about him that divine something which causes multitudes to stand aside
and make way for a man. He traversed the crowd slowly. It was never
known who opened the door, but it is certain that he found the door open
when he reached it. On arriving there he turned round and said:--

"I am at your command, Mr. District-Attorney."

Then he addressed the audience:--

"All of you, all who are present--consider me worthy of pity, do you
not? Good God! When I think of what I was on the point of doing, I
consider that I am to be envied. Nevertheless, I should have preferred
not to have had this occur."

He withdrew, and the door closed behind him as it had opened, for those
who do certain sovereign things are always sure of being served by some
one in the crowd.

Less than an hour after this, the verdict of the jury freed the said
Champmathieu from all accusations; and Champmathieu, being at once
released, went off in a state of stupefaction, thinking that all men
were fools, and comprehending nothing of this vision.




BOOK EIGHTH.--A COUNTER-BLOW




CHAPTER I--IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR

The day had begun to dawn. Fantine had passed a sleepless and feverish
night, filled with happy visions; at daybreak she fell asleep. Sister
Simplice, who had been watching with her, availed herself of this
slumber to go and prepare a new potion of chinchona. The worthy sister
had been in the laboratory of the infirmary but a few moments, bending
over her drugs and phials, and scrutinizing things very closely, on
account of the dimness which the half-light of dawn spreads over all
objects. Suddenly she raised her head and uttered a faint shriek. M.
Madeleine stood before her; he had just entered silently.

"Is it you, Mr. Mayor?" she exclaimed.

He replied in a low voice:--

"How is that poor woman?"

"Not so bad just now; but we have been very uneasy."

She explained to him what had passed: that Fantine had been very ill the
day before, and that she was better now, because she thought that the
mayor had gone to Montfermeil to get her child. The sister dared not
question the mayor; but she perceived plainly from his air that he had
not come from there.

"All that is good," said he; "you were right not to undeceive her."

"Yes," responded the sister; "but now, Mr. Mayor, she will see you and
will not see her child. What shall we say to her?"

He reflected for a moment.

"God will inspire us," said he.

"But we cannot tell a lie," murmured the sister, half aloud.

It was broad daylight in the room. The light fell full on M. Madeleine's
face. The sister chanced to raise her eyes to it.

"Good God, sir!" she exclaimed; "what has happened to you? Your hair is
perfectly white!"

"White!" said he.

Sister Simplice had no mirror. She rummaged in a drawer, and pulled out
the little glass which the doctor of the infirmary used to see whether
a patient was dead and whether he no longer breathed. M. Madeleine took
the mirror, looked at his hair, and said:--

"Well!"

He uttered the word indifferently, and as though his mind were on
something else.

The sister felt chilled by something strange of which she caught a
glimpse in all this.

He inquired:--

"Can I see her?"

"Is not Monsieur le Maire going to have her child brought back to her?"
said the sister, hardly venturing to put the question.

"Of course; but it will take two or three days at least."

"If she were not to see Monsieur le Maire until that time," went on
the sister, timidly, "she would not know that Monsieur le Maire had
returned, and it would be easy to inspire her with patience; and when
the child arrived, she would naturally think Monsieur le Maire had just
come with the child. We should not have to enact a lie."

M. Madeleine seemed to reflect for a few moments; then he said with his
calm gravity:--

"No, sister, I must see her. I may, perhaps, be in haste."

The nun did not appear to notice this word "perhaps," which communicated
an obscure and singular sense to the words of the mayor's speech. She
replied, lowering her eyes and her voice respectfully:--

"In that case, she is asleep; but Monsieur le Maire may enter."

He made some remarks about a door which shut badly, and the noise of
which might awaken the sick woman; then he entered Fantine's chamber,
approached the bed and drew aside the curtains. She was asleep. Her
breath issued from her breast with that tragic sound which is peculiar
to those maladies, and which breaks the hearts of mothers when they are
watching through the night beside their sleeping child who is condemned
to death. But this painful respiration hardly troubled a sort of
ineffable serenity which overspread her countenance, and which
transfigured her in her sleep. Her pallor had become whiteness; her
cheeks were crimson; her long golden lashes, the only beauty of her
youth and her virginity which remained to her, palpitated, though they
remained closed and drooping. Her whole person was trembling with an
indescribable unfolding of wings, all ready to open wide and bear her
away, which could be felt as they rustled, though they could not be
seen. To see her thus, one would never have dreamed that she was
an invalid whose life was almost despaired of. She resembled rather
something on the point of soaring away than something on the point of
dying.

The branch trembles when a hand approaches it to pluck a flower, and
seems to both withdraw and to offer itself at one and the same time.
The human body has something of this tremor when the instant arrives in
which the mysterious fingers of Death are about to pluck the soul.

M. Madeleine remained for some time motionless beside that bed, gazing
in turn upon the sick woman and the crucifix, as he had done two months
before, on the day when he had come for the first time to see her
in that asylum. They were both still there in the same attitude--she
sleeping, he praying; only now, after the lapse of two months, her hair
was gray and his was white.

The sister had not entered with him. He stood beside the bed, with his
finger on his lips, as though there were some one in the chamber whom he
must enjoin to silence.

She opened her eyes, saw him, and said quietly, with a smile:--

"And Cosette?"




CHAPTER II--FANTINE HAPPY

She made no movement of either surprise or of joy; she was joy itself.
That simple question, "And Cosette?" was put with so profound a faith,
with so much certainty, with such a complete absence of disquiet and of
doubt, that he found not a word of reply. She continued:--

"I knew that you were there. I was asleep, but I saw you. I have seen
you for a long, long time. I have been following you with my eyes all
night long. You were in a glory, and you had around you all sorts of
celestial forms."

He raised his glance to the crucifix.

"But," she resumed, "tell me where Cosette is. Why did not you place her
on my bed against the moment of my waking?"

He made some mechanical reply which he was never afterwards able to
recall.

Fortunately, the doctor had been warned, and he now made his appearance.
He came to the aid of M. Madeleine.

"Calm yourself, my child," said the doctor; "your child is here."

Fantine's eyes beamed and filled her whole face with light. She clasped
her hands with an expression which contained all that is possible to
prayer in the way of violence and tenderness.

"Oh!" she exclaimed, "bring her to me!"

Touching illusion of a mother! Cosette was, for her, still the little
child who is carried.

"Not yet," said the doctor, "not just now. You still have some fever.
The sight of your child would agitate you and do you harm. You must be
cured first."

She interrupted him impetuously:--

"But I am cured! Oh, I tell you that I am cured! What an ass that doctor
is! The idea! I want to see my child!"

"You see," said the doctor, "how excited you become. So long as you are
in this state I shall oppose your having your child. It is not enough
to see her; it is necessary that you should live for her. When you are
reasonable, I will bring her to you myself."

The poor mother bowed her head.

"I beg your pardon, doctor, I really beg your pardon. Formerly I should
never have spoken as I have just done; so many misfortunes have happened
to me, that I sometimes do not know what I am saying. I understand you;
you fear the emotion. I will wait as long as you like, but I swear to
you that it would not have harmed me to see my daughter. I have been
seeing her; I have not taken my eyes from her since yesterday evening.
Do you know? If she were brought to me now, I should talk to her very
gently. That is all. Is it not quite natural that I should desire to see
my daughter, who has been brought to me expressly from Montfermeil? I
am not angry. I know well that I am about to be happy. All night long I
have seen white things, and persons who smiled at me. When Monsieur le
Docteur pleases, he shall bring me Cosette. I have no longer any fever;
I am well. I am perfectly conscious that there is nothing the matter
with me any more; but I am going to behave as though I were ill, and not
stir, to please these ladies here. When it is seen that I am very calm,
they will say, 'She must have her child.'"

M. Madeleine was sitting on a chair beside the bed. She turned towards
him; she was making a visible effort to be calm and "very good," as she
expressed it in the feebleness of illness which resembles infancy, in
order that, seeing her so peaceable, they might make no difficulty about
bringing Cosette to her. But while she controlled herself she could not
refrain from questioning M. Madeleine.

"Did you have a pleasant trip, Monsieur le Maire? Oh! how good you were
to go and get her for me! Only tell me how she is. Did she stand the
journey well? Alas! she will not recognize me. She must have forgotten
me by this time, poor darling! Children have no memories. They are like
birds. A child sees one thing to-day and another thing to-morrow, and
thinks of nothing any longer. And did she have white linen? Did those
Thenardiers keep her clean? How have they fed her? Oh! if you only knew
how I have suffered, putting such questions as that to myself during all
the time of my wretchedness. Now, it is all past. I am happy. Oh, how I
should like to see her! Do you think her pretty, Monsieur le Maire?
Is not my daughter beautiful? You must have been very cold in that
diligence! Could she not be brought for just one little instant? She
might be taken away directly afterwards. Tell me; you are the master; it
could be so if you chose!"

He took her hand. "Cosette is beautiful," he said, "Cosette is well.
You shall see her soon; but calm yourself; you are talking with too much
vivacity, and you are throwing your arms out from under the clothes, and
that makes you cough."

In fact, fits of coughing interrupted Fantine at nearly every word.

Fantine did not murmur; she feared that she had injured by her too
passionate lamentations the confidence which she was desirous of
inspiring, and she began to talk of indifferent things.

"Montfermeil is quite pretty, is it not? People go there on pleasure
parties in summer. Are the Thenardiers prosperous? There are not many
travellers in their parts. That inn of theirs is a sort of a cook-shop."

M. Madeleine was still holding her hand, and gazing at her with anxiety;
it was evident that he had come to tell her things before which his mind
now hesitated. The doctor, having finished his visit, retired. Sister
Simplice remained alone with them.

But in the midst of this pause Fantine exclaimed:--

"I hear her! mon Dieu, I hear her!"

She stretched out her arm to enjoin silence about her, held her breath,
and began to listen with rapture.

There was a child playing in the yard--the child of the portress or
of some work-woman. It was one of those accidents which are always
occurring, and which seem to form a part of the mysterious stage-setting
of mournful scenes. The child--a little girl--was going and coming,
running to warm herself, laughing, singing at the top of her voice.
Alas! in what are the plays of children not intermingled. It was this
little girl whom Fantine heard singing.

"Oh!" she resumed, "it is my Cosette! I recognize her voice."

The child retreated as it had come; the voice died away. Fantine
listened for a while longer, then her face clouded over, and M.
Madeleine heard her say, in a low voice: "How wicked that doctor is not
to allow me to see my daughter! That man has an evil countenance, that
he has."

But the smiling background of her thoughts came to the front again. She
continued to talk to herself, with her head resting on the pillow: "How
happy we are going to be! We shall have a little garden the very first
thing; M. Madeleine has promised it to me. My daughter will play in the
garden. She must know her letters by this time. I will make her spell.
She will run over the grass after butterflies. I will watch her. Then
she will take her first communion. Ah! when will she take her first
communion?"

She began to reckon on her fingers.

"One, two, three, four--she is seven years old. In five years she will
have a white veil, and openwork stockings; she will look like a little
woman. O my good sister, you do not know how foolish I become when I
think of my daughter's first communion!"

She began to laugh.

He had released Fantine's hand. He listened to her words as one listens
to the sighing of the breeze, with his eyes on the ground, his mind
absorbed in reflection which had no bottom. All at once she ceased
speaking, and this caused him to raise his head mechanically. Fantine
had become terrible.

She no longer spoke, she no longer breathed; she had raised herself to
a sitting posture, her thin shoulder emerged from her chemise; her face,
which had been radiant but a moment before, was ghastly, and she
seemed to have fixed her eyes, rendered large with terror, on something
alarming at the other extremity of the room.

"Good God!" he exclaimed; "what ails you, Fantine?"

She made no reply; she did not remove her eyes from the object which
she seemed to see. She removed one hand from his arm, and with the other
made him a sign to look behind him.

He turned, and beheld Javert.




CHAPTER III--JAVERT SATISFIED

This is what had taken place.

The half-hour after midnight had just struck when M. Madeleine quitted
the Hall of Assizes in Arras. He regained his inn just in time to set
out again by the mail-wagon, in which he had engaged his place. A little
before six o'clock in the morning he had arrived at M. sur M., and his
first care had been to post a letter to M. Laffitte, then to enter the
infirmary and see Fantine.

However, he had hardly quitted the audience hall of the Court of
Assizes, when the district-attorney, recovering from his first shock,
had taken the word to deplore the mad deed of the honorable mayor of
M. sur M., to declare that his convictions had not been in the least
modified by that curious incident, which would be explained thereafter,
and to demand, in the meantime, the condemnation of that Champmathieu,
who was evidently the real Jean Valjean. The district-attorney's
persistence was visibly at variance with the sentiments of every one, of
the public, of the court, and of the jury. The counsel for the defence
had some difficulty in refuting this harangue and in establishing that,
in consequence of the revelations of M. Madeleine, that is to say, of
the real Jean Valjean, the aspect of the matter had been thoroughly
altered, and that the jury had before their eyes now only an innocent
man. Thence the lawyer had drawn some epiphonemas, not very fresh,
unfortunately, upon judicial errors, etc., etc.; the President, in his
summing up, had joined the counsel for the defence, and in a few minutes
the jury had thrown Champmathieu out of the case.

Nevertheless, the district-attorney was bent on having a Jean Valjean;
and as he had no longer Champmathieu, he took Madeleine.

Immediately after Champmathieu had been set at liberty, the
district-attorney shut himself up with the President. They conferred "as
to the necessity of seizing the person of M. le Maire of M. sur M."
This phrase, in which there was a great deal of of, is the
district-attorney's, written with his own hand, on the minutes of his
report to the attorney-general. His first emotion having passed off, the
President did not offer many objections. Justice must, after all, take
its course. And then, when all was said, although the President was
a kindly and a tolerably intelligent man, he was, at the same time, a
devoted and almost an ardent royalist, and he had been shocked to hear
the Mayor of M. sur M. say the Emperor, and not Bonaparte, when alluding
to the landing at Cannes.

The order for his arrest was accordingly despatched. The
district-attorney forwarded it to M. sur M. by a special messenger, at
full speed, and entrusted its execution to Police Inspector Javert.

The reader knows that Javert had returned to M. sur M. immediately after
having given his deposition.

Javert was just getting out of bed when the messenger handed him the
order of arrest and the command to produce the prisoner.

The messenger himself was a very clever member of the police, who, in
two words, informed Javert of what had taken place at Arras. The order
of arrest, signed by the district-attorney, was couched in these words:
"Inspector Javert will apprehend the body of the Sieur Madeleine, mayor
of M. sur M., who, in this day's session of the court, was recognized as
the liberated convict, Jean Valjean."

Any one who did not know Javert, and who had chanced to see him at the
moment when he penetrated the antechamber of the infirmary, could have
divined nothing of what had taken place, and would have thought his air
the most ordinary in the world. He was cool, calm, grave, his gray
hair was perfectly smooth upon his temples, and he had just mounted
the stairs with his habitual deliberation. Any one who was thoroughly
acquainted with him, and who had examined him attentively at the moment,
would have shuddered. The buckle of his leather stock was under his
left ear instead of at the nape of his neck. This betrayed unwonted
agitation.

Javert was a complete character, who never had a wrinkle in his duty or
in his uniform; methodical with malefactors, rigid with the buttons of
his coat.

That he should have set the buckle of his stock awry, it was
indispensable that there should have taken place in him one of those
emotions which may be designated as internal earthquakes.

He had come in a simple way, had made a requisition on the neighboring
post for a corporal and four soldiers, had left the soldiers in the
courtyard, had had Fantine's room pointed out to him by the portress,
who was utterly unsuspicious, accustomed as she was to seeing armed men
inquiring for the mayor.

On arriving at Fantine's chamber, Javert turned the handle, pushed
the door open with the gentleness of a sick-nurse or a police spy, and
entered.

Properly speaking, he did not enter. He stood erect in the half-open
door, his hat on his head and his left hand thrust into his coat, which
was buttoned up to the chin. In the bend of his elbow the leaden head of
his enormous cane, which was hidden behind him, could be seen.

Thus he remained for nearly a minute, without his presence being
perceived. All at once Fantine raised her eyes, saw him, and made M.
Madeleine turn round.

The instant that Madeleine's glance encountered Javert's glance, Javert,
without stirring, without moving from his post, without approaching him,
became terrible. No human sentiment can be as terrible as joy.

It was the visage of a demon who has just found his damned soul.

The satisfaction of at last getting hold of Jean Valjean caused all that
was in his soul to appear in his countenance. The depths having been
stirred up, mounted to the surface. The humiliation of having, in
some slight degree, lost the scent, and of having indulged, for a few
moments, in an error with regard to Champmathieu, was effaced by pride
at having so well and accurately divined in the first place, and of
having for so long cherished a just instinct. Javert's content shone
forth in his sovereign attitude. The deformity of triumph overspread
that narrow brow. All the demonstrations of horror which a satisfied
face can afford were there.

Javert was in heaven at that moment. Without putting the thing clearly
to himself, but with a confused intuition of the necessity of his
presence and of his success, he, Javert, personified justice, light, and
truth in their celestial function of crushing out evil. Behind him and
around him, at an infinite distance, he had authority, reason, the case
judged, the legal conscience, the public prosecution, all the stars; he
was protecting order, he was causing the law to yield up its thunders,
he was avenging society, he was lending a helping hand to the absolute,
he was standing erect in the midst of a glory. There existed in his
victory a remnant of defiance and of combat. Erect, haughty, brilliant,
he flaunted abroad in open day the superhuman bestiality of a ferocious
archangel. The terrible shadow of the action which he was accomplishing
caused the vague flash of the social sword to be visible in his clenched
fist; happy and indignant, he held his heel upon crime, vice, rebellion,
perdition, hell; he was radiant, he exterminated, he smiled, and there
was an incontestable grandeur in this monstrous Saint Michael.

Javert, though frightful, had nothing ignoble about him.

Probity, sincerity, candor, conviction, the sense of duty, are things
which may become hideous when wrongly directed; but which, even when
hideous, remain grand: their majesty, the majesty peculiar to the human
conscience, clings to them in the midst of horror; they are virtues
which have one vice,--error. The honest, pitiless joy of a fanatic
in the full flood of his atrocity preserves a certain lugubriously
venerable radiance. Without himself suspecting the fact, Javert in his
formidable happiness was to be pitied, as is every ignorant man who
triumphs. Nothing could be so poignant and so terrible as this face,
wherein was displayed all that may be designated as the evil of the
good.




CHAPTER IV--AUTHORITY REASSERTS ITS RIGHTS

Fantine had not seen Javert since the day on which the mayor had torn
her from the man. Her ailing brain comprehended nothing, but the only
thing which she did not doubt was that he had come to get her. She could
not endure that terrible face; she felt her life quitting her; she hid
her face in both hands, and shrieked in her anguish:--

"Monsieur Madeleine, save me!"

Jean Valjean--we shall henceforth not speak of him otherwise--had risen.
He said to Fantine in the gentlest and calmest of voices:--

"Be at ease; it is not for you that he is come."

Then he addressed Javert, and said:--

"I know what you want."

Javert replied:--

"Be quick about it!"

There lay in the inflection of voice which accompanied these words
something indescribably fierce and frenzied. Javert did not say, "Be
quick about it!" he said "Bequiabouit."

No orthography can do justice to the accent with which it was uttered:
it was no longer a human word: it was a roar.

He did not proceed according to his custom, he did not enter into the
matter, he exhibited no warrant of arrest. In his eyes, Jean Valjean
was a sort of mysterious combatant, who was not to be laid hands upon,
a wrestler in the dark whom he had had in his grasp for the last five
years, without being able to throw him. This arrest was not a beginning,
but an end. He confined himself to saying, "Be quick about it!"

As he spoke thus, he did not advance a single step; he hurled at Jean
Valjean a glance which he threw out like a grappling-hook, and with
which he was accustomed to draw wretches violently to him.

It was this glance which Fantine had felt penetrating to the very marrow
of her bones two months previously.

At Javert's exclamation, Fantine opened her eyes once more. But the
mayor was there; what had she to fear?

Javert advanced to the middle of the room, and cried:--

"See here now! Art thou coming?"

The unhappy woman glanced about her. No one was present excepting the
nun and the mayor. To whom could that abject use of "thou" be addressed?
To her only. She shuddered.

Then she beheld a most unprecedented thing, a thing so unprecedented
that nothing equal to it had appeared to her even in the blackest
deliriums of fever.

She beheld Javert, the police spy, seize the mayor by the collar; she
saw the mayor bow his head. It seemed to her that the world was coming
to an end.

Javert had, in fact, grasped Jean Valjean by the collar.

"Monsieur le Maire!" shrieked Fantine.

Javert burst out laughing with that frightful laugh which displayed all
his gums.

"There is no longer any Monsieur le Maire here!"

Jean Valjean made no attempt to disengage the hand which grasped the
collar of his coat. He said:--

"Javert--"

Javert interrupted him: "Call me Mr. Inspector."

"Monsieur," said Jean Valjean, "I should like to say a word to you in
private."

"Aloud! Say it aloud!" replied Javert; "people are in the habit of
talking aloud to me."

Jean Valjean went on in a lower tone:--

"I have a request to make of you--"

"I tell you to speak loud."

"But you alone should hear it--"

"What difference does that make to me? I shall not listen."

Jean Valjean turned towards him and said very rapidly and in a very low
voice:--

"Grant me three days' grace! three days in which to go and fetch the
child of this unhappy woman. I will pay whatever is necessary. You shall
accompany me if you choose."

"You are making sport of me!" cried Javert. "Come now, I did not think
you such a fool! You ask me to give you three days in which to run away!
You say that it is for the purpose of fetching that creature's child!
Ah! Ah! That's good! That's really capital!"

Fantine was seized with a fit of trembling.

"My child!" she cried, "to go and fetch my child! She is not here,
then! Answer me, sister; where is Cosette? I want my child! Monsieur
Madeleine! Monsieur le Maire!"

Javert stamped his foot.

"And now there's the other one! Will you hold your tongue, you hussy?
It's a pretty sort of a place where convicts are magistrates, and where
women of the town are cared for like countesses! Ah! But we are going to
change all that; it is high time!"

He stared intently at Fantine, and added, once more taking into his
grasp Jean Valjean's cravat, shirt and collar:--

"I tell you that there is no Monsieur Madeleine and that there is no
Monsieur le Maire. There is a thief, a brigand, a convict named Jean
Valjean! And I have him in my grasp! That's what there is!"

Fantine raised herself in bed with a bound, supporting herself on her
stiffened arms and on both hands: she gazed at Jean Valjean, she gazed
at Javert, she gazed at the nun, she opened her mouth as though to
speak; a rattle proceeded from the depths of her throat, her teeth
chattered; she stretched out her arms in her agony, opening her hands
convulsively, and fumbling about her like a drowning person; then
suddenly fell back on her pillow.

Her head struck the head-board of the bed and fell forwards on her
breast, with gaping mouth and staring, sightless eyes.

She was dead.

Jean Valjean laid his hand upon the detaining hand of Javert, and opened
it as he would have opened the hand of a baby; then he said to Javert:--

"You have murdered that woman."

"Let's have an end of this!" shouted Javert, in a fury; "I am not here
to listen to argument. Let us economize all that; the guard is below;
march on instantly, or you'll get the thumb-screws!"

In the corner of the room stood an old iron bedstead, which was in a
decidedly decrepit state, and which served the sisters as a camp-bed
when they were watching with the sick. Jean Valjean stepped up to this
bed, in a twinkling wrenched off the head-piece, which was already in a
dilapidated condition, an easy matter to muscles like his, grasped the
principal rod like a bludgeon, and glanced at Javert. Javert retreated
towards the door. Jean Valjean, armed with his bar of iron, walked
slowly up to Fantine's couch. When he arrived there he turned and said
to Javert, in a voice that was barely audible:--

"I advise you not to disturb me at this moment."

One thing is certain, and that is, that Javert trembled.

It did occur to him to summon the guard, but Jean Valjean might avail
himself of that moment to effect his escape; so he remained, grasped
his cane by the small end, and leaned against the door-post, without
removing his eyes from Jean Valjean.

Jean Valjean rested his elbow on the knob at the head of the bed, and
his brow on his hand, and began to contemplate the motionless body of
Fantine, which lay extended there. He remained thus, mute, absorbed,
evidently with no further thought of anything connected with this life.
Upon his face and in his attitude there was nothing but inexpressible
pity. After a few moments of this meditation he bent towards Fantine,
and spoke to her in a low voice.

What did he say to her? What could this man, who was reproved, say to
that woman, who was dead? What words were those? No one on earth heard
them. Did the dead woman hear them? There are some touching illusions
which are, perhaps, sublime realities. The point as to which there
exists no doubt is, that Sister Simplice, the sole witness of the
incident, often said that at the moment that Jean Valjean whispered in
Fantine's ear, she distinctly beheld an ineffable smile dawn on those
pale lips, and in those dim eyes, filled with the amazement of the tomb.

Jean Valjean took Fantine's head in both his hands, and arranged it on
the pillow as a mother might have done for her child; then he tied the
string of her chemise, and smoothed her hair back under her cap. That
done, he closed her eyes.

Fantine's face seemed strangely illuminated at that moment.

Death, that signifies entrance into the great light.

Fantine's hand was hanging over the side of the bed. Jean Valjean knelt
down before that hand, lifted it gently, and kissed it.

Then he rose, and turned to Javert.

"Now," said he, "I am at your disposal."




CHAPTER V--A SUITABLE TOMB

Javert deposited Jean Valjean in the city prison.

The arrest of M. Madeleine occasioned a sensation, or rather, an
extraordinary commotion in M. sur M. We are sorry that we cannot conceal
the fact, that at the single word, "He was a convict," nearly every one
deserted him. In less than two hours all the good that he had done had
been forgotten, and he was nothing but a "convict from the galleys." It
is just to add that the details of what had taken place at Arras were
not yet known. All day long conversations like the following were to be
heard in all quarters of the town:--

"You don't know? He was a liberated convict!" "Who?" "The mayor." "Bah!
M. Madeleine?" "Yes." "Really?" "His name was not Madeleine at all; he
had a frightful name, Bejean, Bojean, Boujean." "Ah! Good God!" "He
has been arrested." "Arrested!" "In prison, in the city prison, while
waiting to be transferred." "Until he is transferred!" "He is to be
transferred!" "Where is he to be taken?" "He will be tried at the
Assizes for a highway robbery which he committed long ago." "Well! I
suspected as much. That man was too good, too perfect, too affected.
He refused the cross; he bestowed sous on all the little scamps he came
across. I always thought there was some evil history back of all that."

The "drawing-rooms" particularly abounded in remarks of this nature.

One old lady, a subscriber to the Drapeau Blanc, made the following
remark, the depth of which it is impossible to fathom:--

"I am not sorry. It will be a lesson to the Bonapartists!"

It was thus that the phantom which had been called M. Madeleine vanished
from M. sur M. Only three or four persons in all the town remained
faithful to his memory. The old portress who had served him was among
the number.

On the evening of that day the worthy old woman was sitting in her
lodge, still in a thorough fright, and absorbed in sad reflections.
The factory had been closed all day, the carriage gate was bolted, the
street was deserted. There was no one in the house but the two nuns,
Sister Perpetue and Sister Simplice, who were watching beside the body
of Fantine.

Towards the hour when M. Madeleine was accustomed to return home,
the good portress rose mechanically, took from a drawer the key of
M. Madeleine's chamber, and the flat candlestick which he used every
evening to go up to his quarters; then she hung the key on the nail
whence he was accustomed to take it, and set the candlestick on one
side, as though she was expecting him. Then she sat down again on her
chair, and became absorbed in thought once more. The poor, good old
woman had done all this without being conscious of it.

It was only at the expiration of two hours that she roused herself from
her revery, and exclaimed, "Hold! My good God Jesus! And I hung his key
on the nail!"

At that moment the small window in the lodge opened, a hand passed
through, seized the key and the candlestick, and lighted the taper at
the candle which was burning there.

The portress raised her eyes, and stood there with gaping mouth, and a
shriek which she confined to her throat.

She knew that hand, that arm, the sleeve of that coat.

It was M. Madeleine.

It was several seconds before she could speak; she had a seizure, as she
said herself, when she related the adventure afterwards.

"Good God, Monsieur le Maire," she cried at last, "I thought you were--"

She stopped; the conclusion of her sentence would have been lacking in
respect towards the beginning. Jean Valjean was still Monsieur le Maire
to her.

He finished her thought.

"In prison," said he. "I was there; I broke a bar of one of the windows;
I let myself drop from the top of a roof, and here I am. I am going up
to my room; go and find Sister Simplice for me. She is with that poor
woman, no doubt."

The old woman obeyed in all haste.

He gave her no orders; he was quite sure that she would guard him better
than he should guard himself.

No one ever found out how he had managed to get into the courtyard
without opening the big gates. He had, and always carried about him,
a pass-key which opened a little side-door; but he must have been
searched, and his latch-key must have been taken from him. This point
was never explained.

He ascended the staircase leading to his chamber. On arriving at the
top, he left his candle on the top step of his stairs, opened his door
with very little noise, went and closed his window and his shutters by
feeling, then returned for his candle and re-entered his room.

It was a useful precaution; it will be recollected that his window could
be seen from the street.

He cast a glance about him, at his table, at his chair, at his bed which
had not been disturbed for three days. No trace of the disorder of the
night before last remained. The portress had "done up" his room; only
she had picked out of the ashes and placed neatly on the table the two
iron ends of the cudgel and the forty-sou piece which had been blackened
by the fire.

He took a sheet of paper, on which he wrote: "These are the two tips of
my iron-shod cudgel and the forty-sou piece stolen from Little Gervais,
which I mentioned at the Court of Assizes," and he arranged this piece
of paper, the bits of iron, and the coin in such a way that they were
the first things to be seen on entering the room. From a cupboard he
pulled out one of his old shirts, which he tore in pieces. In the
strips of linen thus prepared he wrapped the two silver candlesticks. He
betrayed neither haste nor agitation; and while he was wrapping up the
Bishop's candlesticks, he nibbled at a piece of black bread. It was
probably the prison-bread which he had carried with him in his flight.

This was proved by the crumbs which were found on the floor of the room
when the authorities made an examination later on.

There came two taps at the door.

"Come in," said he.

It was Sister Simplice.

She was pale; her eyes were red; the candle which she carried trembled
in her hand. The peculiar feature of the violences of destiny is, that
however polished or cool we may be, they wring human nature from our
very bowels, and force it to reappear on the surface. The emotions of
that day had turned the nun into a woman once more. She had wept, and
she was trembling.

Jean Valjean had just finished writing a few lines on a paper, which he
handed to the nun, saying, "Sister, you will give this to Monsieur le
Cure."

The paper was not folded. She cast a glance upon it.

"You can read it," said he.

She read:--

"I beg Monsieur le Cure to keep an eye on all that I leave behind me. He
will be so good as to pay out of it the expenses of my trial, and of the
funeral of the woman who died yesterday. The rest is for the poor."

The sister tried to speak, but she only managed to stammer a few
inarticulate sounds. She succeeded in saying, however:--

"Does not Monsieur le Maire desire to take a last look at that poor,
unhappy woman?"

"No," said he; "I am pursued; it would only end in their arresting me in
that room, and that would disturb her."

He had hardly finished when a loud noise became audible on the
staircase. They heard a tumult of ascending footsteps, and the old
portress saying in her loudest and most piercing tones:--

"My good sir, I swear to you by the good God, that not a soul has
entered this house all day, nor all the evening, and that I have not
even left the door."

A man responded:--

"But there is a light in that room, nevertheless."

They recognized Javert's voice.

The chamber was so arranged that the door in opening masked the corner
of the wall on the right. Jean Valjean blew out the light and placed
himself in this angle. Sister Simplice fell on her knees near the table.

The door opened.

Javert entered.

The whispers of many men and the protestations of the portress were
audible in the corridor.

The nun did not raise her eyes. She was praying.

The candle was on the chimney-piece, and gave but very little light.

Javert caught sight of the nun and halted in amazement.

It will be remembered that the fundamental point in Javert, his element,
the very air he breathed, was veneration for all authority. This was
impregnable, and admitted of neither objection nor restriction. In his
eyes, of course, the ecclesiastical authority was the chief of all; he
was religious, superficial and correct on this point as on all others.
In his eyes, a priest was a mind, who never makes a mistake; a nun was a
creature who never sins; they were souls walled in from this world,
with a single door which never opened except to allow the truth to pass
through.

On perceiving the sister, his first movement was to retire.

But there was also another duty which bound him and impelled him
imperiously in the opposite direction. His second movement was to remain
and to venture on at least one question.

This was Sister Simplice, who had never told a lie in her life. Javert
knew it, and held her in special veneration in consequence.

"Sister," said he, "are you alone in this room?"

A terrible moment ensued, during which the poor portress felt as though
she should faint.

The sister raised her eyes and answered:--

"Yes."

"Then," resumed Javert, "you will excuse me if I persist; it is my duty;
you have not seen a certain person--a man--this evening? He has escaped;
we are in search of him--that Jean Valjean; you have not seen him?"

The sister replied:--

"No."

She lied. She had lied twice in succession, one after the other, without
hesitation, promptly, as a person does when sacrificing herself.

"Pardon me," said Javert, and he retired with a deep bow.

O sainted maid! you left this world many years ago; you have rejoined
your sisters, the virgins, and your brothers, the angels, in the light;
may this lie be counted to your credit in paradise!

The sister's affirmation was for Javert so decisive a thing that he did
not even observe the singularity of that candle which had but just been
extinguished, and which was still smoking on the table.

An hour later, a man, marching amid trees and mists, was rapidly
departing from M. sur M. in the direction of Paris. That man was Jean
Valjean. It has been established by the testimony of two or three
carters who met him, that he was carrying a bundle; that he was dressed
in a blouse. Where had he obtained that blouse? No one ever found out.
But an aged workman had died in the infirmary of the factory a few days
before, leaving behind him nothing but his blouse. Perhaps that was the
one.

One last word about Fantine.

We all have a mother,--the earth. Fantine was given back to that mother.

The cure thought that he was doing right, and perhaps he really was, in
reserving as much money as possible from what Jean Valjean had left for
the poor. Who was concerned, after all? A convict and a woman of the
town. That is why he had a very simple funeral for Fantine, and reduced
it to that strictly necessary form known as the pauper's grave.

So Fantine was buried in the free corner of the cemetery which belongs
to anybody and everybody, and where the poor are lost. Fortunately, God
knows where to find the soul again. Fantine was laid in the shade,
among the first bones that came to hand; she was subjected to the
promiscuousness of ashes. She was thrown into the public grave. Her
grave resembled her bed.


[THE END OF VOLUME I. "FANTINE"]


[Illustration: Frontispiece Volume Two  2frontispiece]

[Illustration: Titlepage Volume Two  2titlepage]





VOLUME II.--COSETTE




BOOK FIRST.--WATERLOO




CHAPTER I--WHAT IS MET WITH ON THE WAY FROM NIVELLES

Last year (1861), on a beautiful May morning, a traveller, the person
who is telling this story, was coming from Nivelles, and directing his
course towards La Hulpe. He was on foot. He was pursuing a broad paved
road, which undulated between two rows of trees, over the hills which
succeed each other, raise the road and let it fall again, and produce
something in the nature of enormous waves.

He had passed Lillois and Bois-Seigneur-Isaac. In the west he perceived
the slate-roofed tower of Braine-l'Alleud, which has the form of a
reversed vase. He had just left behind a wood upon an eminence; and
at the angle of the cross-road, by the side of a sort of mouldy gibbet
bearing the inscription Ancient Barrier No. 4, a public house, bearing
on its front this sign: At the Four Winds (Aux Quatre Vents). Echabeau,
Private Cafe.

A quarter of a league further on, he arrived at the bottom of a little
valley, where there is water which passes beneath an arch made through
the embankment of the road. The clump of sparsely planted but very green
trees, which fills the valley on one side of the road, is dispersed over
the meadows on the other, and disappears gracefully and as in order in
the direction of Braine-l'Alleud.

On the right, close to the road, was an inn, with a four-wheeled cart
at the door, a large bundle of hop-poles, a plough, a heap of dried
brushwood near a flourishing hedge, lime smoking in a square hole, and
a ladder suspended along an old penthouse with straw partitions. A young
girl was weeding in a field, where a huge yellow poster, probably of
some outside spectacle, such as a parish festival, was fluttering in
the wind. At one corner of the inn, beside a pool in which a flotilla
of ducks was navigating, a badly paved path plunged into the bushes. The
wayfarer struck into this.

After traversing a hundred paces, skirting a wall of the fifteenth
century, surmounted by a pointed gable, with bricks set in contrast, he
found himself before a large door of arched stone, with a rectilinear
impost, in the sombre style of Louis XIV., flanked by two flat
medallions. A severe facade rose above this door; a wall, perpendicular
to the facade, almost touched the door, and flanked it with an abrupt
right angle. In the meadow before the door lay three harrows, through
which, in disorder, grew all the flowers of May. The door was closed.
The two decrepit leaves which barred it were ornamented with an old
rusty knocker.

The sun was charming; the branches had that soft shivering of May,
which seems to proceed rather from the nests than from the wind. A brave
little bird, probably a lover, was carolling in a distracted manner in a
large tree.

The wayfarer bent over and examined a rather large circular excavation,
resembling the hollow of a sphere, in the stone on the left, at the foot
of the pier of the door.

At this moment the leaves of the door parted, and a peasant woman
emerged.

She saw the wayfarer, and perceived what he was looking at.

"It was a French cannon-ball which made that," she said to him. And she
added:--

"That which you see there, higher up in the door, near a nail, is the
hole of a big iron bullet as large as an egg. The bullet did not pierce
the wood."

"What is the name of this place?" inquired the wayfarer.

"Hougomont," said the peasant woman.

The traveller straightened himself up. He walked on a few paces, and
went off to look over the tops of the hedges. On the horizon through the
trees, he perceived a sort of little elevation, and on this elevation
something which at that distance resembled a lion.

He was on the battle-field of Waterloo.




CHAPTER II--HOUGOMONT

Hougomont,--this was a funereal spot, the beginning of the obstacle,
the first resistance, which that great wood-cutter of Europe, called
Napoleon, encountered at Waterloo, the first knot under the blows of his
axe.

It was a chateau; it is no longer anything but a farm. For the
antiquary, Hougomont is Hugomons. This manor was built by Hugo, Sire
of Somerel, the same who endowed the sixth chaplaincy of the Abbey of
Villiers.

The traveller pushed open the door, elbowed an ancient calash under the
porch, and entered the courtyard.

The first thing which struck him in this paddock was a door of the
sixteenth century, which here simulates an arcade, everything else
having fallen prostrate around it. A monumental aspect often has its
birth in ruin. In a wall near the arcade opens another arched door, of
the time of Henry IV., permitting a glimpse of the trees of an orchard;
beside this door, a manure-hole, some pickaxes, some shovels, some
carts, an old well, with its flagstone and its iron reel, a chicken
jumping, and a turkey spreading its tail, a chapel surmounted by a small
bell-tower, a blossoming pear-tree trained in espalier against the
wall of the chapel--behold the court, the conquest of which was one of
Napoleon's dreams. This corner of earth, could he but have seized
it, would, perhaps, have given him the world likewise. Chickens are
scattering its dust abroad with their beaks. A growl is audible; it is a
huge dog, who shows his teeth and replaces the English.

The English behaved admirably there. Cooke's four companies of guards
there held out for seven hours against the fury of an army.

Hougomont viewed on the map, as a geometrical plan, comprising buildings
and enclosures, presents a sort of irregular rectangle, one angle of
which is nicked out. It is this angle which contains the southern
door, guarded by this wall, which commands it only a gun's length away.
Hougomont has two doors,--the southern door, that of the chateau; and
the northern door, belonging to the farm. Napoleon sent his brother
Jerome against Hougomont; the divisions of Foy, Guilleminot, and Bachelu
hurled themselves against it; nearly the entire corps of Reille was
employed against it, and miscarried; Kellermann's balls were exhausted
on this heroic section of wall. Bauduin's brigade was not strong enough
to force Hougomont on the north, and the brigade of Soye could not do
more than effect the beginning of a breach on the south, but without
taking it.

The farm buildings border the courtyard on the south. A bit of the north
door, broken by the French, hangs suspended to the wall. It consists of
four planks nailed to two cross-beams, on which the scars of the attack
are visible.

The northern door, which was beaten in by the French, and which has had
a piece applied to it to replace the panel suspended on the wall, stands
half-open at the bottom of the paddock; it is cut squarely in the wall,
built of stone below, of brick above which closes in the courtyard on
the north. It is a simple door for carts, such as exist in all farms,
with the two large leaves made of rustic planks: beyond lie the meadows.
The dispute over this entrance was furious. For a long time, all sorts
of imprints of bloody hands were visible on the door-posts. It was there
that Bauduin was killed.

The storm of the combat still lingers in this courtyard; its horror is
visible there; the confusion of the fray was petrified there; it lives
and it dies there; it was only yesterday. The walls are in the death
agony, the stones fall; the breaches cry aloud; the holes are wounds;
the drooping, quivering trees seem to be making an effort to flee.

This courtyard was more built up in 1815 than it is to-day. Buildings
which have since been pulled down then formed redans and angles.

The English barricaded themselves there; the French made their way in,
but could not stand their ground. Beside the chapel, one wing of the
chateau, the only ruin now remaining of the manor of Hougomont, rises in
a crumbling state,--disembowelled, one might say. The chateau served
for a dungeon, the chapel for a block-house. There men exterminated each
other. The French, fired on from every point,--from behind the walls,
from the summits of the garrets, from the depths of the cellars, through
all the casements, through all the air-holes, through every crack in the
stones,--fetched fagots and set fire to walls and men; the reply to the
grape-shot was a conflagration.

In the ruined wing, through windows garnished with bars of iron, the
dismantled chambers of the main building of brick are visible; the
English guards were in ambush in these rooms; the spiral of the
staircase, cracked from the ground floor to the very roof, appears
like the inside of a broken shell. The staircase has two stories; the
English, besieged on the staircase, and massed on its upper steps, had
cut off the lower steps. These consisted of large slabs of blue stone,
which form a heap among the nettles. Half a score of steps still
cling to the wall; on the first is cut the figure of a trident. These
inaccessible steps are solid in their niches. All the rest resembles a
jaw which has been denuded of its teeth. There are two old trees there:
one is dead; the other is wounded at its base, and is clothed with
verdure in April. Since 1815 it has taken to growing through the
staircase.

A massacre took place in the chapel. The interior, which has recovered
its calm, is singular. The mass has not been said there since the
carnage. Nevertheless, the altar has been left there--an altar of
unpolished wood, placed against a background of roughhewn stone. Four
whitewashed walls, a door opposite the altar, two small arched windows;
over the door a large wooden crucifix, below the crucifix a square
air-hole stopped up with a bundle of hay; on the ground, in one corner,
an old window-frame with the glass all broken to pieces--such is the
chapel. Near the altar there is nailed up a wooden statue of Saint Anne,
of the fifteenth century; the head of the infant Jesus has been carried
off by a large ball. The French, who were masters of the chapel for a
moment, and were then dislodged, set fire to it. The flames filled this
building; it was a perfect furnace; the door was burned, the floor was
burned, the wooden Christ was not burned. The fire preyed upon his
feet, of which only the blackened stumps are now to be seen; then it
stopped,--a miracle, according to the assertion of the people of the
neighborhood. The infant Jesus, decapitated, was less fortunate than the
Christ.

The walls are covered with inscriptions. Near the feet of Christ this
name is to be read: Henquinez. Then these others: Conde de Rio Maior
Marques y Marquesa de Almagro (Habana). There are French names with
exclamation points,--a sign of wrath. The wall was freshly whitewashed
in 1849. The nations insulted each other there.

It was at the door of this chapel that the corpse was picked up which
held an axe in its hand; this corpse was Sub-Lieutenant Legros.

On emerging from the chapel, a well is visible on the left. There are
two in this courtyard. One inquires, Why is there no bucket and pulley
to this? It is because water is no longer drawn there. Why is water not
drawn there? Because it is full of skeletons.

The last person who drew water from the well was named Guillaume van
Kylsom. He was a peasant who lived at Hougomont, and was gardener there.
On the 18th of June, 1815, his family fled and concealed themselves in
the woods.

The forest surrounding the Abbey of Villiers sheltered these unfortunate
people who had been scattered abroad, for many days and nights. There
are at this day certain traces recognizable, such as old boles of burned
trees, which mark the site of these poor bivouacs trembling in the
depths of the thickets.

Guillaume van Kylsom remained at Hougomont, "to guard the chateau," and
concealed himself in the cellar. The English discovered him there.
They tore him from his hiding-place, and the combatants forced this
frightened man to serve them, by administering blows with the flats of
their swords. They were thirsty; this Guillaume brought them water. It
was from this well that he drew it. Many drank there their last draught.
This well where drank so many of the dead was destined to die itself.

After the engagement, they were in haste to bury the dead bodies. Death
has a fashion of harassing victory, and she causes the pest to follow
glory. The typhus is a concomitant of triumph. This well was deep, and
it was turned into a sepulchre. Three hundred dead bodies were cast into
it. With too much haste perhaps. Were they all dead? Legend says they
were not. It seems that on the night succeeding the interment, feeble
voices were heard calling from the well.

This well is isolated in the middle of the courtyard. Three walls, part
stone, part brick, and simulating a small, square tower, and folded like
the leaves of a screen, surround it on all sides. The fourth side is
open. It is there that the water was drawn. The wall at the bottom has
a sort of shapeless loophole, possibly the hole made by a shell. This
little tower had a platform, of which only the beams remain. The iron
supports of the well on the right form a cross. On leaning over, the
eye is lost in a deep cylinder of brick which is filled with a heaped-up
mass of shadows. The base of the walls all about the well is concealed
in a growth of nettles.

This well has not in front of it that large blue slab which forms the
table for all wells in Belgium. The slab has here been replaced by a
cross-beam, against which lean five or six shapeless fragments of knotty
and petrified wood which resemble huge bones. There is no longer either
pail, chain, or pulley; but there is still the stone basin which served
the overflow. The rain-water collects there, and from time to time a
bird of the neighboring forests comes thither to drink, and then flies
away. One house in this ruin, the farmhouse, is still inhabited. The
door of this house opens on the courtyard. Upon this door, beside a
pretty Gothic lock-plate, there is an iron handle with trefoils placed
slanting. At the moment when the Hanoverian lieutenant, Wilda, grasped
this handle in order to take refuge in the farm, a French sapper hewed
off his hand with an axe.

The family who occupy the house had for their grandfather Guillaume van
Kylsom, the old gardener, dead long since. A woman with gray hair said
to us: "I was there. I was three years old. My sister, who was older,
was terrified and wept. They carried us off to the woods. I went there
in my mother's arms. We glued our ears to the earth to hear. I imitated
the cannon, and went boum! boum!"

A door opening from the courtyard on the left led into the orchard, so
we were told. The orchard is terrible.

It is in three parts; one might almost say, in three acts. The first
part is a garden, the second is an orchard, the third is a wood. These
three parts have a common enclosure: on the side of the entrance, the
buildings of the chateau and the farm; on the left, a hedge; on the
right, a wall; and at the end, a wall. The wall on the right is of
brick, the wall at the bottom is of stone. One enters the garden first.
It slopes downwards, is planted with gooseberry bushes, choked with a
wild growth of vegetation, and terminated by a monumental terrace of cut
stone, with balustrade with a double curve.

It was a seignorial garden in the first French style which preceded Le
Notre; to-day it is ruins and briars. The pilasters are surmounted by
globes which resemble cannon-balls of stone. Forty-three balusters can
still be counted on their sockets; the rest lie prostrate in the grass.
Almost all bear scratches of bullets. One broken baluster is placed on
the pediment like a fractured leg.

It was in this garden, further down than the orchard, that six
light-infantry men of the 1st, having made their way thither, and being
unable to escape, hunted down and caught like bears in their dens,
accepted the combat with two Hanoverian companies, one of which was
armed with carbines. The Hanoverians lined this balustrade and fired
from above. The infantry men, replying from below, six against two
hundred, intrepid and with no shelter save the currant-bushes, took a
quarter of an hour to die.

One mounts a few steps and passes from the garden into the orchard,
properly speaking. There, within the limits of those few square fathoms,
fifteen hundred men fell in less than an hour. The wall seems ready
to renew the combat. Thirty-eight loopholes, pierced by the English at
irregular heights, are there still. In front of the sixth are placed two
English tombs of granite. There are loopholes only in the south wall, as
the principal attack came from that quarter. The wall is hidden on the
outside by a tall hedge; the French came up, thinking that they had to
deal only with a hedge, crossed it, and found the wall both an obstacle
and an ambuscade, with the English guards behind it, the thirty-eight
loopholes firing at once a shower of grape-shot and balls, and Soye's
brigade was broken against it. Thus Waterloo began.

Nevertheless, the orchard was taken. As they had no ladders, the French
scaled it with their nails. They fought hand to hand amid the trees.
All this grass has been soaked in blood. A battalion of Nassau, seven
hundred strong, was overwhelmed there. The outside of the wall, against
which Kellermann's two batteries were trained, is gnawed by grape-shot.

This orchard is sentient, like others, in the month of May. It has its
buttercups and its daisies; the grass is tall there; the cart-horses
browse there; cords of hair, on which linen is drying, traverse the
spaces between the trees and force the passer-by to bend his head; one
walks over this uncultivated land, and one's foot dives into mole-holes.
In the middle of the grass one observes an uprooted tree-bole which lies
there all verdant. Major Blackmann leaned against it to die. Beneath
a great tree in the neighborhood fell the German general, Duplat,
descended from a French family which fled on the revocation of the Edict
of Nantes. An aged and falling apple-tree leans far over to one side,
its wound dressed with a bandage of straw and of clayey loam. Nearly all
the apple-trees are falling with age. There is not one which has not
had its bullet or its biscayan.[6] The skeletons of dead trees abound in
this orchard. Crows fly through their branches, and at the end of it is
a wood full of violets.

Bauduin, killed, Foy wounded, conflagration, massacre, carnage, a
rivulet formed of English blood, French blood, German blood mingled
in fury, a well crammed with corpses, the regiment of Nassau and the
regiment of Brunswick destroyed, Duplat killed, Blackmann killed, the
English Guards mutilated, twenty French battalions, besides the forty
from Reille's corps, decimated, three thousand men in that hovel of
Hougomont alone cut down, slashed to pieces, shot, burned, with their
throats cut,--and all this so that a peasant can say to-day to the
traveller: Monsieur, give me three francs, and if you like, I will
explain to you the affair of Waterloo!




CHAPTER III--THE EIGHTEENTH OF JUNE, 1815

Let us turn back,--that is one of the story-teller's rights,--and put
ourselves once more in the year 1815, and even a little earlier than
the epoch when the action narrated in the first part of this book took
place.

If it had not rained in the night between the 17th and the 18th of
June, 1815, the fate of Europe would have been different. A few drops
of water, more or less, decided the downfall of Napoleon. All that
Providence required in order to make Waterloo the end of Austerlitz
was a little more rain, and a cloud traversing the sky out of season
sufficed to make a world crumble.

The battle of Waterloo could not be begun until half-past eleven
o'clock, and that gave Blucher time to come up. Why? Because the ground
was wet. The artillery had to wait until it became a little firmer
before they could manoeuvre.

Napoleon was an artillery officer, and felt the effects of this. The
foundation of this wonderful captain was the man who, in the report to
the Directory on Aboukir, said: Such a one of our balls killed six men.
All his plans of battle were arranged for projectiles. The key to his
victory was to make the artillery converge on one point. He treated the
strategy of the hostile general like a citadel, and made a breach in it.
He overwhelmed the weak point with grape-shot; he joined and dissolved
battles with cannon. There was something of the sharpshooter in his
genius. To beat in squares, to pulverize regiments, to break lines, to
crush and disperse masses,--for him everything lay in this, to
strike, strike, strike incessantly,--and he intrusted this task to the
cannon-ball. A redoubtable method, and one which, united with genius,
rendered this gloomy athlete of the pugilism of war invincible for the
space of fifteen years.

On the 18th of June, 1815, he relied all the more on his artillery,
because he had numbers on his side. Wellington had only one hundred and
fifty-nine mouths of fire; Napoleon had two hundred and forty.

Suppose the soil dry, and the artillery capable of moving, the action
would have begun at six o'clock in the morning. The battle would have
been won and ended at two o'clock, three hours before the change of
fortune in favor of the Prussians. What amount of blame attaches to
Napoleon for the loss of this battle? Is the shipwreck due to the pilot?

Was it the evident physical decline of Napoleon that complicated this
epoch by an inward diminution of force? Had the twenty years of war worn
out the blade as it had worn the scabbard, the soul as well as the body?
Did the veteran make himself disastrously felt in the leader? In a word,
was this genius, as many historians of note have thought, suffering from
an eclipse? Did he go into a frenzy in order to disguise his weakened
powers from himself? Did he begin to waver under the delusion of
a breath of adventure? Had he become--a grave matter in a
general--unconscious of peril? Is there an age, in this class of
material great men, who may be called the giants of action, when genius
grows short-sighted? Old age has no hold on the geniuses of the ideal;
for the Dantes and Michael Angelos to grow old is to grow in greatness;
is it to grow less for the Hannibals and the Bonapartes? Had Napoleon
lost the direct sense of victory? Had he reached the point where he
could no longer recognize the reef, could no longer divine the snare, no
longer discern the crumbling brink of abysses? Had he lost his power of
scenting out catastrophes? He who had in former days known all the
roads to triumph, and who, from the summit of his chariot of lightning,
pointed them out with a sovereign finger, had he now reached that
state of sinister amazement when he could lead his tumultuous legions
harnessed to it, to the precipice? Was he seized at the age of forty-six
with a supreme madness? Was that titanic charioteer of destiny no longer
anything more than an immense dare-devil?

We do not think so.

His plan of battle was, by the confession of all, a masterpiece. To
go straight to the centre of the Allies' line, to make a breach in the
enemy, to cut them in two, to drive the British half back on Hal,
and the Prussian half on Tongres, to make two shattered fragments of
Wellington and Blucher, to carry Mont-Saint-Jean, to seize Brussels,
to hurl the German into the Rhine, and the Englishman into the sea. All
this was contained in that battle, according to Napoleon. Afterwards
people would see.

Of course, we do not here pretend to furnish a history of the battle of
Waterloo; one of the scenes of the foundation of the story which we
are relating is connected with this battle, but this history is not our
subject; this history, moreover, has been finished, and finished in a
masterly manner, from one point of view by Napoleon, and from another
point of view by a whole pleiad of historians.[7]

As for us, we leave the historians at loggerheads; we are but a distant
witness, a passer-by on the plain, a seeker bending over that soil all
made of human flesh, taking appearances for realities, perchance; we
have no right to oppose, in the name of science, a collection of facts
which contain illusions, no doubt; we possess neither military practice
nor strategic ability which authorize a system; in our opinion, a chain
of accidents dominated the two leaders at Waterloo; and when it becomes
a question of destiny, that mysterious culprit, we judge like that
ingenious judge, the populace.




CHAPTER IV--A

Those persons who wish to gain a clear idea of the battle of Waterloo
have only to place, mentally, on the ground, a capital A. The left limb
of the A is the road to Nivelles, the right limb is the road to Genappe,
the tie of the A is the hollow road to Ohain from Braine-l'Alleud. The
top of the A is Mont-Saint-Jean, where Wellington is; the lower left tip
is Hougomont, where Reille is stationed with Jerome Bonaparte; the right
tip is the Belle-Alliance, where Napoleon was. At the centre of this
chord is the precise point where the final word of the battle was
pronounced. It was there that the lion has been placed, the involuntary
symbol of the supreme heroism of the Imperial Guard.

The triangle included in the top of the A, between the two limbs and the
tie, is the plateau of Mont-Saint-Jean. The dispute over this plateau
constituted the whole battle. The wings of the two armies extended to
the right and left of the two roads to Genappe and Nivelles; d'Erlon
facing Picton, Reille facing Hill.

Behind the tip of the A, behind the plateau of Mont-Saint-Jean, is the
forest of Soignes.

As for the plain itself, let the reader picture to himself a vast
undulating sweep of ground; each rise commands the next rise, and all
the undulations mount towards Mont-Saint-Jean, and there end in the
forest.

Two hostile troops on a field of battle are two wrestlers. It is a
question of seizing the opponent round the waist. The one seeks to trip
up the other. They clutch at everything: a bush is a point of support;
an angle of the wall offers them a rest to the shoulder; for the lack
of a hovel under whose cover they can draw up, a regiment yields its
ground; an unevenness in the ground, a chance turn in the landscape, a
cross-path encountered at the right moment, a grove, a ravine, can
stay the heel of that colossus which is called an army, and prevent its
retreat. He who quits the field is beaten; hence the necessity devolving
on the responsible leader, of examining the most insignificant clump of
trees, and of studying deeply the slightest relief in the ground.

The two generals had attentively studied the plain of Mont-Saint-Jean,
now called the plain of Waterloo. In the preceding year, Wellington,
with the sagacity of foresight, had examined it as the possible seat of
a great battle. Upon this spot, and for this duel, on the 18th of June,
Wellington had the good post, Napoleon the bad post. The English army
was stationed above, the French army below.

It is almost superfluous here to sketch the appearance of Napoleon on
horseback, glass in hand, upon the heights of Rossomme, at daybreak, on
June 18, 1815. All the world has seen him before we can show him.
That calm profile under the little three-cornered hat of the school of
Brienne, that green uniform, the white revers concealing the star of the
Legion of Honor, his great coat hiding his epaulets, the corner of red
ribbon peeping from beneath his vest, his leather trousers, the white
horse with the saddle-cloth of purple velvet bearing on the corners
crowned N's and eagles, Hessian boots over silk stockings, silver spurs,
the sword of Marengo,--that whole figure of the last of the Caesars is
present to all imaginations, saluted with acclamations by some, severely
regarded by others.

That figure stood for a long time wholly in the light; this arose from
a certain legendary dimness evolved by the majority of heroes, and which
always veils the truth for a longer or shorter time; but to-day history
and daylight have arrived.

That light called history is pitiless; it possesses this peculiar and
divine quality, that, pure light as it is, and precisely because it
is wholly light, it often casts a shadow in places where people had
hitherto beheld rays; from the same man it constructs two different
phantoms, and the one attacks the other and executes justice on it, and
the shadows of the despot contend with the brilliancy of the leader.
Hence arises a truer measure in the definitive judgments of nations.
Babylon violated lessens Alexander, Rome enchained lessens Caesar,
Jerusalem murdered lessens Titus, tyranny follows the tyrant. It is a
misfortune for a man to leave behind him the night which bears his form.




CHAPTER V--THE QUID OBSCURUM OF BATTLES

Every one is acquainted with the first phase of this battle; a beginning
which was troubled, uncertain, hesitating, menacing to both armies, but
still more so for the English than for the French.

It had rained all night, the earth had been cut up by the downpour, the
water had accumulated here and there in the hollows of the plain as if
in casks; at some points the gear of the artillery carriages was buried
up to the axles, the circingles of the horses were dripping with liquid
mud. If the wheat and rye trampled down by this cohort of transports
on the march had not filled in the ruts and strewn a litter beneath the
wheels, all movement, particularly in the valleys, in the direction of
Papelotte would have been impossible.

The affair began late. Napoleon, as we have already explained, was in
the habit of keeping all his artillery well in hand, like a pistol,
aiming it now at one point, now at another, of the battle; and it had
been his wish to wait until the horse batteries could move and gallop
freely. In order to do that it was necessary that the sun should come
out and dry the soil. But the sun did not make its appearance. It was
no longer the rendezvous of Austerlitz. When the first cannon was fired,
the English general, Colville, looked at his watch, and noted that it
was thirty-five minutes past eleven.

The action was begun furiously, with more fury, perhaps, than the
Emperor would have wished, by the left wing of the French resting on
Hougomont. At the same time Napoleon attacked the centre by hurling
Quiot's brigade on La Haie-Sainte, and Ney pushed forward the right
wing of the French against the left wing of the English, which rested on
Papelotte.

The attack on Hougomont was something of a feint; the plan was to draw
Wellington thither, and to make him swerve to the left. This plan would
have succeeded if the four companies of the English guards and the brave
Belgians of Perponcher's division had not held the position solidly, and
Wellington, instead of massing his troops there, could confine himself
to despatching thither, as reinforcements, only four more companies of
guards and one battalion from Brunswick.

The attack of the right wing of the French on Papelotte was calculated,
in fact, to overthrow the English left, to cut off the road to Brussels,
to bar the passage against possible Prussians, to force Mont-Saint-Jean,
to turn Wellington back on Hougomont, thence on Braine-l'Alleud, thence
on Hal; nothing easier. With the exception of a few incidents this
attack succeeded Papelotte was taken; La Haie-Sainte was carried.

A detail to be noted. There was in the English infantry, particularly
in Kempt's brigade, a great many raw recruits. These young soldiers were
valiant in the presence of our redoubtable infantry; their inexperience
extricated them intrepidly from the dilemma; they performed particularly
excellent service as skirmishers: the soldier skirmisher, left somewhat
to himself, becomes, so to speak, his own general. These recruits
displayed some of the French ingenuity and fury. This novice of an
infantry had dash. This displeased Wellington.

After the taking of La Haie-Sainte the battle wavered.

There is in this day an obscure interval, from mid-day to four o'clock;
the middle portion of this battle is almost indistinct, and participates
in the sombreness of the hand-to-hand conflict. Twilight reigns over it.
We perceive vast fluctuations in that fog, a dizzy mirage, paraphernalia
of war almost unknown to-day, pendant colbacks, floating sabre-taches,
cross-belts, cartridge-boxes for grenades, hussar dolmans, red boots
with a thousand wrinkles, heavy shakos garlanded with torsades, the
almost black infantry of Brunswick mingled with the scarlet infantry
of England, the English soldiers with great, white circular pads on the
slopes of their shoulders for epaulets, the Hanoverian light-horse with
their oblong casques of leather, with brass hands and red horse-tails,
the Scotch with their bare knees and plaids, the great white gaiters
of our grenadiers; pictures, not strategic lines--what Salvator Rosa
requires, not what is suited to the needs of Gribeauval.

A certain amount of tempest is always mingled with a battle. Quid
obscurum, quid divinum. Each historian traces, to some extent, the
particular feature which pleases him amid this pell-mell. Whatever may
be the combinations of the generals, the shock of armed masses has an
incalculable ebb. During the action the plans of the two leaders enter
into each other and become mutually thrown out of shape. Such a point of
the field of battle devours more combatants than such another, just as
more or less spongy soils soak up more or less quickly the water which
is poured on them. It becomes necessary to pour out more soldiers than
one would like; a series of expenditures which are the unforeseen. The
line of battle waves and undulates like a thread, the trails of blood
gush illogically, the fronts of the armies waver, the regiments
form capes and gulfs as they enter and withdraw; all these reefs are
continually moving in front of each other. Where the infantry stood the
artillery arrives, the cavalry rushes in where the artillery was, the
battalions are like smoke. There was something there; seek it. It has
disappeared; the open spots change place, the sombre folds advance and
retreat, a sort of wind from the sepulchre pushes forward, hurls back,
distends, and disperses these tragic multitudes. What is a fray? an
oscillation? The immobility of a mathematical plan expresses a minute,
not a day. In order to depict a battle, there is required one of those
powerful painters who have chaos in their brushes. Rembrandt is better
than Vandermeulen; Vandermeulen, exact at noon, lies at three o'clock.
Geometry is deceptive; the hurricane alone is trustworthy. That is what
confers on Folard the right to contradict Polybius. Let us add, that
there is a certain instant when the battle degenerates into a combat,
becomes specialized, and disperses into innumerable detailed feats,
which, to borrow the expression of Napoleon himself, "belong rather to
the biography of the regiments than to the history of the army." The
historian has, in this case, the evident right to sum up the whole. He
cannot do more than seize the principal outlines of the struggle, and
it is not given to any one narrator, however conscientious he may be,
to fix, absolutely, the form of that horrible cloud which is called a
battle.

This, which is true of all great armed encounters, is particularly
applicable to Waterloo.

Nevertheless, at a certain moment in the afternoon the battle came to a
point.




CHAPTER VI--FOUR O'CLOCK IN THE AFTERNOON

Towards four o'clock the condition of the English army was serious. The
Prince of Orange was in command of the centre, Hill of the right wing,
Picton of the left wing. The Prince of Orange, desperate and intrepid,
shouted to the Hollando-Belgians: "Nassau! Brunswick! Never retreat!"
Hill, having been weakened, had come up to the support of Wellington;
Picton was dead. At the very moment when the English had captured from
the French the flag of the 105th of the line, the French had killed the
English general, Picton, with a bullet through the head. The battle
had, for Wellington, two bases of action, Hougomont and La Haie-Sainte;
Hougomont still held out, but was on fire; La Haie-Sainte was taken. Of
the German battalion which defended it, only forty-two men survived; all
the officers, except five, were either dead or captured. Three thousand
combatants had been massacred in that barn. A sergeant of the English
Guards, the foremost boxer in England, reputed invulnerable by his
companions, had been killed there by a little French drummer-boy. Baring
had been dislodged, Alten put to the sword. Many flags had been lost,
one from Alten's division, and one from the battalion of Lunenburg,
carried by a prince of the house of Deux-Ponts. The Scotch Grays no
longer existed; Ponsonby's great dragoons had been hacked to pieces.
That valiant cavalry had bent beneath the lancers of Bro and beneath
the cuirassiers of Travers; out of twelve hundred horses, six
hundred remained; out of three lieutenant-colonels, two lay on the
earth,--Hamilton wounded, Mater slain. Ponsonby had fallen, riddled by
seven lance-thrusts. Gordon was dead. Marsh was dead. Two divisions, the
fifth and the sixth, had been annihilated.

Hougomont injured, La Haie-Sainte taken, there now existed but one
rallying-point, the centre. That point still held firm. Wellington
reinforced it. He summoned thither Hill, who was at Merle-Braine; he
summoned Chasse, who was at Braine-l'Alleud.

The centre of the English army, rather concave, very dense, and
very compact, was strongly posted. It occupied the plateau of
Mont-Saint-Jean, having behind it the village, and in front of it the
slope, which was tolerably steep then. It rested on that stout stone
dwelling which at that time belonged to the domain of Nivelles, and
which marks the intersection of the roads--a pile of the sixteenth
century, and so robust that the cannon-balls rebounded from it without
injuring it. All about the plateau the English had cut the hedges here
and there, made embrasures in the hawthorn-trees, thrust the throat of
a cannon between two branches, embattled the shrubs. There artillery was
ambushed in the brushwood. This punic labor, incontestably authorized
by war, which permits traps, was so well done, that Haxo, who had been
despatched by the Emperor at nine o'clock in the morning to reconnoitre
the enemy's batteries, had discovered nothing of it, and had returned
and reported to Napoleon that there were no obstacles except the two
barricades which barred the road to Nivelles and to Genappe. It was
at the season when the grain is tall; on the edge of the plateau a
battalion of Kempt's brigade, the 95th, armed with carabines, was
concealed in the tall wheat.

Thus assured and buttressed, the centre of the Anglo-Dutch army was well
posted. The peril of this position lay in the forest of Soignes,
then adjoining the field of battle, and intersected by the ponds of
Groenendael and Boitsfort. An army could not retreat thither without
dissolving; the regiments would have broken up immediately there.
The artillery would have been lost among the morasses. The retreat,
according to many a man versed in the art,--though it is disputed by
others,--would have been a disorganized flight.

To this centre, Wellington added one of Chasse's brigades taken from the
right wing, and one of Wincke's brigades taken from the left wing, plus
Clinton's division. To his English, to the regiments of Halkett, to
the brigades of Mitchell, to the guards of Maitland, he gave as
reinforcements and aids, the infantry of Brunswick, Nassau's contingent,
Kielmansegg's Hanoverians, and Ompteda's Germans. This placed twenty-six
battalions under his hand. The right wing, as Charras says, was thrown
back on the centre. An enormous battery was masked by sacks of earth at
the spot where there now stands what is called the "Museum of Waterloo."
Besides this, Wellington had, behind a rise in the ground, Somerset's
Dragoon Guards, fourteen hundred horse strong. It was the remaining half
of the justly celebrated English cavalry. Ponsonby destroyed, Somerset
remained.

The battery, which, if completed, would have been almost a redoubt, was
ranged behind a very low garden wall, backed up with a coating of bags
of sand and a large slope of earth. This work was not finished; there
had been no time to make a palisade for it.

Wellington, uneasy but impassive, was on horseback, and there remained
the whole day in the same attitude, a little in advance of the old mill
of Mont-Saint-Jean, which is still in existence, beneath an elm, which
an Englishman, an enthusiastic vandal, purchased later on for two
hundred francs, cut down, and carried off. Wellington was coldly heroic.
The bullets rained about him. His aide-de-camp, Gordon, fell at his
side. Lord Hill, pointing to a shell which had burst, said to him: "My
lord, what are your orders in case you are killed?" "To do like me,"
replied Wellington. To Clinton he said laconically, "To hold this spot
to the last man." The day was evidently turning out ill. Wellington
shouted to his old companions of Talavera, of Vittoria, of Salamanca:
"Boys, can retreat be thought of? Think of old England!"

Towards four o'clock, the English line drew back. Suddenly nothing
was visible on the crest of the plateau except the artillery and the
sharpshooters; the rest had disappeared: the regiments, dislodged by
the shells and the French bullets, retreated into the bottom, now
intersected by the back road of the farm of Mont-Saint-Jean; a
retrograde movement took place, the English front hid itself, Wellington
drew back. "The beginning of retreat!" cried Napoleon.




CHAPTER VII--NAPOLEON IN A GOOD HUMOR

The Emperor, though ill and discommoded on horseback by a local trouble,
had never been in a better humor than on that day. His impenetrability
had been smiling ever since the morning. On the 18th of June, that
profound soul masked by marble beamed blindly. The man who had been
gloomy at Austerlitz was gay at Waterloo. The greatest favorites of
destiny make mistakes. Our joys are composed of shadow. The supreme
smile is God's alone.

Ridet Caesar, Pompeius flebit, said the legionaries of the Fulminatrix
Legion. Pompey was not destined to weep on that occasion, but it is
certain that Caesar laughed. While exploring on horseback at one o'clock
on the preceding night, in storm and rain, in company with Bertrand, the
communes in the neighborhood of Rossomme, satisfied at the sight of the
long line of the English camp-fires illuminating the whole horizon from
Frischemont to Braine-l'Alleud, it had seemed to him that fate, to
whom he had assigned a day on the field of Waterloo, was exact to
the appointment; he stopped his horse, and remained for some time
motionless, gazing at the lightning and listening to the thunder;
and this fatalist was heard to cast into the darkness this mysterious
saying, "We are in accord." Napoleon was mistaken. They were no longer
in accord.

He took not a moment for sleep; every instant of that night was marked
by a joy for him. He traversed the line of the principal outposts,
halting here and there to talk to the sentinels. At half-past two, near
the wood of Hougomont, he heard the tread of a column on the march; he
thought at the moment that it was a retreat on the part of Wellington.
He said: "It is the rear-guard of the English getting under way for the
purpose of decamping. I will take prisoners the six thousand English who
have just arrived at Ostend." He conversed expansively; he regained the
animation which he had shown at his landing on the first of March, when
he pointed out to the Grand-Marshal the enthusiastic peasant of the Gulf
Juan, and cried, "Well, Bertrand, here is a reinforcement already!" On
the night of the 17th to the 18th of June he rallied Wellington. "That
little Englishman needs a lesson," said Napoleon. The rain redoubled in
violence; the thunder rolled while the Emperor was speaking.

At half-past three o'clock in the morning, he lost one illusion;
officers who had been despatched to reconnoitre announced to him that
the enemy was not making any movement. Nothing was stirring; not a
bivouac-fire had been extinguished; the English army was asleep. The
silence on earth was profound; the only noise was in the heavens.
At four o'clock, a peasant was brought in to him by the scouts; this
peasant had served as guide to a brigade of English cavalry, probably
Vivian's brigade, which was on its way to take up a position in the
village of Ohain, at the extreme left. At five o'clock, two Belgian
deserters reported to him that they had just quitted their regiment,
and that the English army was ready for battle. "So much the better!"
exclaimed Napoleon. "I prefer to overthrow them rather than to drive
them back."

In the morning he dismounted in the mud on the slope which forms an
angle with the Plancenoit road, had a kitchen table and a peasant's
chair brought to him from the farm of Rossomme, seated himself, with a
truss of straw for a carpet, and spread out on the table the chart
of the battle-field, saying to Soult as he did so, "A pretty
checker-board."

In consequence of the rains during the night, the transports of
provisions, embedded in the soft roads, had not been able to arrive by
morning; the soldiers had had no sleep; they were wet and fasting. This
did not prevent Napoleon from exclaiming cheerfully to Ney, "We have
ninety chances out of a hundred." At eight o'clock the Emperor's
breakfast was brought to him. He invited many generals to it. During
breakfast, it was said that Wellington had been to a ball two nights
before, in Brussels, at the Duchess of Richmond's; and Soult, a rough
man of war, with a face of an archbishop, said, "The ball takes place
to-day." The Emperor jested with Ney, who said, "Wellington will not be
so simple as to wait for Your Majesty." That was his way, however. "He
was fond of jesting," says Fleury de Chaboulon. "A merry humor was
at the foundation of his character," says Gourgaud. "He abounded in
pleasantries, which were more peculiar than witty," says Benjamin
Constant. These gayeties of a giant are worthy of insistence. It was
he who called his grenadiers "his grumblers"; he pinched their ears; he
pulled their mustaches. "The Emperor did nothing but play pranks on us,"
is the remark of one of them. During the mysterious trip from the island
of Elba to France, on the 27th of February, on the open sea, the French
brig of war, Le Zephyr, having encountered the brig L'Inconstant, on
which Napoleon was concealed, and having asked the news of Napoleon
from L'Inconstant, the Emperor, who still wore in his hat the white and
amaranthine cockade sown with bees, which he had adopted at the isle of
Elba, laughingly seized the speaking-trumpet, and answered for himself,
"The Emperor is well." A man who laughs like that is on familiar terms
with events. Napoleon indulged in many fits of this laughter during the
breakfast at Waterloo. After breakfast he meditated for a quarter of an
hour; then two generals seated themselves on the truss of straw, pen in
hand and their paper on their knees, and the Emperor dictated to them
the order of battle.

At nine o'clock, at the instant when the French army, ranged in echelons
and set in motion in five columns, had deployed--the divisions in two
lines, the artillery between the brigades, the music at their head; as
they beat the march, with rolls on the drums and the blasts of trumpets,
mighty, vast, joyous, a sea of casques, of sabres, and of bayonets on
the horizon, the Emperor was touched, and twice exclaimed, "Magnificent!
Magnificent!"

Between nine o'clock and half-past ten the whole army, incredible as it
may appear, had taken up its position and ranged itself in six lines,
forming, to repeat the Emperor's expression, "the figure of six V's."
A few moments after the formation of the battle-array, in the midst of
that profound silence, like that which heralds the beginning of a storm,
which precedes engagements, the Emperor tapped Haxo on the shoulder, as
he beheld the three batteries of twelve-pounders, detached by his orders
from the corps of Erlon, Reille, and Lobau, and destined to begin the
action by taking Mont-Saint-Jean, which was situated at the intersection
of the Nivelles and the Genappe roads, and said to him, "There are four
and twenty handsome maids, General."

Sure of the issue, he encouraged with a smile, as they passed before
him, the company of sappers of the first corps, which he had appointed
to barricade Mont-Saint-Jean as soon as the village should be carried.
All this serenity had been traversed by but a single word of haughty
pity; perceiving on his left, at a spot where there now stands a large
tomb, those admirable Scotch Grays, with their superb horses, massing
themselves, he said, "It is a pity."

Then he mounted his horse, advanced beyond Rossomme, and selected for
his post of observation a contracted elevation of turf to the right of
the road from Genappe to Brussels, which was his second station during
the battle. The third station, the one adopted at seven o'clock in the
evening, between La Belle-Alliance and La Haie-Sainte, is formidable;
it is a rather elevated knoll, which still exists, and behind which the
guard was massed on a slope of the plain. Around this knoll the balls
rebounded from the pavements of the road, up to Napoleon himself. As at
Brienne, he had over his head the shriek of the bullets and of the
heavy artillery. Mouldy cannon-balls, old sword-blades, and shapeless
projectiles, eaten up with rust, were picked up at the spot where his
horse' feet stood. Scabra rubigine. A few years ago, a shell of sixty
pounds, still charged, and with its fuse broken off level with the bomb,
was unearthed. It was at this last post that the Emperor said to his
guide, Lacoste, a hostile and terrified peasant, who was attached to the
saddle of a hussar, and who turned round at every discharge of canister
and tried to hide behind Napoleon: "Fool, it is shameful! You'll get
yourself killed with a ball in the back." He who writes these lines has
himself found, in the friable soil of this knoll, on turning over
the sand, the remains of the neck of a bomb, disintegrated, by the
oxidization of six and forty years, and old fragments of iron which
parted like elder-twigs between the fingers.

Every one is aware that the variously inclined undulations of the
plains, where the engagement between Napoleon and Wellington took place,
are no longer what they were on June 18, 1815. By taking from this
mournful field the wherewithal to make a monument to it, its real relief
has been taken away, and history, disconcerted, no longer finds her
bearings there. It has been disfigured for the sake of glorifying
it. Wellington, when he beheld Waterloo once more, two years later,
exclaimed, "They have altered my field of battle!" Where the great
pyramid of earth, surmounted by the lion, rises to-day, there was a
hillock which descended in an easy slope towards the Nivelles road, but
which was almost an escarpment on the side of the highway to Genappe.
The elevation of this escarpment can still be measured by the height of
the two knolls of the two great sepulchres which enclose the road from
Genappe to Brussels: one, the English tomb, is on the left; the other,
the German tomb, is on the right. There is no French tomb. The whole
of that plain is a sepulchre for France. Thanks to the thousands upon
thousands of cartloads of earth employed in the hillock one hundred and
fifty feet in height and half a mile in circumference, the plateau
of Mont-Saint-Jean is now accessible by an easy slope. On the day of
battle, particularly on the side of La Haie-Sainte, it was abrupt and
difficult of approach. The slope there is so steep that the English
cannon could not see the farm, situated in the bottom of the valley,
which was the centre of the combat. On the 18th of June, 1815, the rains
had still farther increased this acclivity, the mud complicated the
problem of the ascent, and the men not only slipped back, but stuck fast
in the mire. Along the crest of the plateau ran a sort of trench whose
presence it was impossible for the distant observer to divine.

What was this trench? Let us explain. Braine-l'Alleud is a Belgian
village; Ohain is another. These villages, both of them concealed in
curves of the landscape, are connected by a road about a league and a
half in length, which traverses the plain along its undulating level,
and often enters and buries itself in the hills like a furrow, which
makes a ravine of this road in some places. In 1815, as at the present
day, this road cut the crest of the plateau of Mont-Saint-Jean between
the two highways from Genappe and Nivelles; only, it is now on a level
with the plain; it was then a hollow way. Its two slopes have been
appropriated for the monumental hillock. This road was, and still is,
a trench throughout the greater portion of its course; a hollow trench,
sometimes a dozen feet in depth, and whose banks, being too steep,
crumbled away here and there, particularly in winter, under driving
rains. Accidents happened here. The road was so narrow at the
Braine-l'Alleud entrance that a passer-by was crushed by a cart, as is
proved by a stone cross which stands near the cemetery, and which gives
the name of the dead, Monsieur Bernard Debrye, Merchant of Brussels,
and the date of the accident, February, 1637.[8] It was so deep on
the table-land of Mont-Saint-Jean that a peasant, Mathieu Nicaise,
was crushed there, in 1783, by a slide from the slope, as is stated on
another stone cross, the top of which has disappeared in the process of
clearing the ground, but whose overturned pedestal is still visible on
the grassy slope to the left of the highway between La Haie-Sainte and
the farm of Mont-Saint-Jean.

On the day of battle, this hollow road whose existence was in no way
indicated, bordering the crest of Mont-Saint-Jean, a trench at the
summit of the escarpment, a rut concealed in the soil, was invisible;
that is to say, terrible.




CHAPTER VIII--THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE

So, on the morning of Waterloo, Napoleon was content.

He was right; the plan of battle conceived by him was, as we have seen,
really admirable.

The battle once begun, its very various changes,--the resistance of
Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the
disabling of Foy; the unexpected wall against which Soye's brigade was
shattered; Guilleminot's fatal heedlessness when he had neither petard
nor powder sacks; the miring of the batteries; the fifteen unescorted
pieces overwhelmed in a hollow way by Uxbridge; the small effect of the
bombs falling in the English lines, and there embedding themselves in
the rain-soaked soil, and only succeeding in producing volcanoes of mud,
so that the canister was turned into a splash; the uselessness of Pire's
demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons,
almost exterminated; the right wing of the English badly alarmed, the
left wing badly cut into; Ney's strange mistake in massing, instead of
echelonning the four divisions of the first corps; men delivered over to
grape-shot, arranged in ranks twenty-seven deep and with a frontage
of two hundred; the frightful holes made in these masses by the
cannon-balls; attacking columns disorganized; the side-battery suddenly
unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised;
Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the
Polytechnic School, wounded at the moment when he was beating in with an
axe the door of La Haie-Sainte under the downright fire of the English
barricade which barred the angle of the road from Genappe to Brussels;
Marcognet's division caught between the infantry and the cavalry, shot
down at the very muzzle of the guns amid the grain by Best and Pack, put
to the sword by Ponsonby; his battery of seven pieces spiked; the Prince
of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both
Frischemont and Smohain; the flag of the 105th taken, the flag of the
45th captured; that black Prussian hussar stopped by runners of the
flying column of three hundred light cavalry on the scout between Wavre
and Plancenoit; the alarming things that had been said by prisoners;
Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont
in less than an hour; eighteen hundred men overthrown in a still shorter
time about La Haie-Sainte,--all these stormy incidents passing like the
clouds of battle before Napoleon, had hardly troubled his gaze and
had not overshadowed that face of imperial certainty. Napoleon was
accustomed to gaze steadily at war; he never added up the heart-rending
details, cipher by cipher; ciphers mattered little to him, provided that
they furnished the total, victory; he was not alarmed if the beginnings
did go astray, since he thought himself the master and the possessor
at the end; he knew how to wait, supposing himself to be out of the
question, and he treated destiny as his equal: he seemed to say to fate,
Thou wilt not dare.

Composed half of light and half of shadow, Napoleon thought himself
protected in good and tolerated in evil. He had, or thought that he had,
a connivance, one might almost say a complicity, of events in his favor,
which was equivalent to the invulnerability of antiquity.

Nevertheless, when one has Beresina, Leipzig, and Fontainebleau behind
one, it seems as though one might distrust Waterloo. A mysterious frown
becomes perceptible in the depths of the heavens.

At the moment when Wellington retreated, Napoleon shuddered. He suddenly
beheld the table-land of Mont-Saint-Jean cleared, and the van of the
English army disappear. It was rallying, but hiding itself. The Emperor
half rose in his stirrups. The lightning of victory flashed from his
eyes.

Wellington, driven into a corner at the forest of Soignes and
destroyed--that was the definitive conquest of England by France; it was
Crecy, Poitiers, Malplaquet, and Ramillies avenged. The man of Marengo
was wiping out Agincourt.

So the Emperor, meditating on this terrible turn of fortune, swept his
glass for the last time over all the points of the field of battle. His
guard, standing behind him with grounded arms, watched him from below
with a sort of religion. He pondered; he examined the slopes, noted the
declivities, scrutinized the clumps of trees, the square of rye, the
path; he seemed to be counting each bush. He gazed with some intentness
at the English barricades of the two highways,--two large abatis of
trees, that on the road to Genappe above La Haie-Sainte, armed with two
cannon, the only ones out of all the English artillery which commanded
the extremity of the field of battle, and that on the road to Nivelles
where gleamed the Dutch bayonets of Chasse's brigade. Near this
barricade he observed the old chapel of Saint Nicholas, painted white,
which stands at the angle of the cross-road near Braine-l'Alleud; he
bent down and spoke in a low voice to the guide Lacoste. The guide made
a negative sign with his head, which was probably perfidious.

The Emperor straightened himself up and fell to thinking.

Wellington had drawn back.

All that remained to do was to complete this retreat by crushing him.

Napoleon turning round abruptly, despatched an express at full speed to
Paris to announce that the battle was won.

Napoleon was one of those geniuses from whom thunder darts.

He had just found his clap of thunder.

He gave orders to Milhaud's cuirassiers to carry the table-land of
Mont-Saint-Jean.




CHAPTER IX--THE UNEXPECTED

There were three thousand five hundred of them. They formed a front a
quarter of a league in extent. They were giant men, on colossal horses.
There were six and twenty squadrons of them; and they had behind them to
support them Lefebvre-Desnouettes's division,--the one hundred and six
picked gendarmes, the light cavalry of the Guard, eleven hundred and
ninety-seven men, and the lancers of the guard of eight hundred and
eighty lances. They wore casques without horse-tails, and cuirasses
of beaten iron, with horse-pistols in their holsters, and long
sabre-swords. That morning the whole army had admired them, when, at
nine o'clock, with braying of trumpets and all the music playing "Let us
watch o'er the Safety of the Empire," they had come in a solid column,
with one of their batteries on their flank, another in their centre, and
deployed in two ranks between the roads to Genappe and Frischemont,
and taken up their position for battle in that powerful second line,
so cleverly arranged by Napoleon, which, having on its extreme left
Kellermann's cuirassiers and on its extreme right Milhaud's cuirassiers,
had, so to speak, two wings of iron.

Aide-de-camp Bernard carried them the Emperor's orders. Ney drew his
sword and placed himself at their head. The enormous squadrons were set
in motion.

Then a formidable spectacle was seen.

All their cavalry, with upraised swords, standards and trumpets flung to
the breeze, formed in columns by divisions, descended, by a simultaneous
movement and like one man, with the precision of a brazen battering-ram
which is effecting a breach, the hill of La Belle Alliance, plunged into
the terrible depths in which so many men had already fallen, disappeared
there in the smoke, then emerging from that shadow, reappeared on the
other side of the valley, still compact and in close ranks, mounting at
a full trot, through a storm of grape-shot which burst upon them,
the terrible muddy slope of the table-land of Mont-Saint-Jean. They
ascended, grave, threatening, imperturbable; in the intervals between
the musketry and the artillery, their colossal trampling was audible.
Being two divisions, there were two columns of them; Wathier's division
held the right, Delort's division was on the left. It seemed as though
two immense adders of steel were to be seen crawling towards the crest
of the table-land. It traversed the battle like a prodigy.

Nothing like it had been seen since the taking of the great redoubt of
the Muskowa by the heavy cavalry; Murat was lacking here, but Ney was
again present. It seemed as though that mass had become a monster and
had but one soul. Each column undulated and swelled like the ring of a
polyp. They could be seen through a vast cloud of smoke which was rent
here and there. A confusion of helmets, of cries, of sabres, a stormy
heaving of the cruppers of horses amid the cannons and the flourish of
trumpets, a terrible and disciplined tumult; over all, the cuirasses
like the scales on the hydra.

These narrations seemed to belong to another age. Something parallel to
this vision appeared, no doubt, in the ancient Orphic epics, which told
of the centaurs, the old hippanthropes, those Titans with human
heads and equestrian chests who scaled Olympus at a gallop, horrible,
invulnerable, sublime--gods and beasts.

Odd numerical coincidence,--twenty-six battalions rode to meet
twenty-six battalions. Behind the crest of the plateau, in the shadow of
the masked battery, the English infantry, formed into thirteen squares,
two battalions to the square, in two lines, with seven in the first
line, six in the second, the stocks of their guns to their shoulders,
taking aim at that which was on the point of appearing, waited, calm,
mute, motionless. They did not see the cuirassiers, and the cuirassiers
did not see them. They listened to the rise of this flood of men. They
heard the swelling noise of three thousand horse, the alternate and
symmetrical tramp of their hoofs at full trot, the jingling of the
cuirasses, the clang of the sabres and a sort of grand and savage
breathing. There ensued a most terrible silence; then, all at once,
a long file of uplifted arms, brandishing sabres, appeared above the
crest, and casques, trumpets, and standards, and three thousand heads
with gray mustaches, shouting, "Vive l'Empereur!" All this cavalry
debouched on the plateau, and it was like the appearance of an
earthquake.

All at once, a tragic incident; on the English left, on our right, the
head of the column of cuirassiers reared up with a frightful clamor. On
arriving at the culminating point of the crest, ungovernable, utterly
given over to fury and their course of extermination of the squares and
cannon, the cuirassiers had just caught sight of a trench,--a trench
between them and the English. It was the hollow road of Ohain.

It was a terrible moment. The ravine was there, unexpected, yawning,
directly under the horses' feet, two fathoms deep between its double
slopes; the second file pushed the first into it, and the third pushed
on the second; the horses reared and fell backward, landed on their
haunches, slid down, all four feet in the air, crushing and overwhelming
the riders; and there being no means of retreat,--the whole column being
no longer anything more than a projectile,--the force which had been
acquired to crush the English crushed the French; the inexorable ravine
could only yield when filled; horses and riders rolled there pell-mell,
grinding each other, forming but one mass of flesh in this gulf: when
this trench was full of living men, the rest marched over them and
passed on. Almost a third of Dubois's brigade fell into that abyss.

This began the loss of the battle.

A local tradition, which evidently exaggerates matters, says that two
thousand horses and fifteen hundred men were buried in the hollow road
of Ohain. This figure probably comprises all the other corpses which
were flung into this ravine the day after the combat.

Let us note in passing that it was Dubois's sorely tried brigade which,
an hour previously, making a charge to one side, had captured the flag
of the Lunenburg battalion.

Napoleon, before giving the order for this charge of Milhaud's
cuirassiers, had scrutinized the ground, but had not been able to see
that hollow road, which did not even form a wrinkle on the surface of
the plateau. Warned, nevertheless, and put on the alert by the little
white chapel which marks its angle of junction with the Nivelles
highway, he had probably put a question as to the possibility of an
obstacle, to the guide Lacoste. The guide had answered No. We might
almost affirm that Napoleon's catastrophe originated in that sign of a
peasant's head.

Other fatalities were destined to arise.

Was it possible that Napoleon should have won that battle? We answer No.
Why? Because of Wellington? Because of Blucher? No. Because of God.

Bonaparte victor at Waterloo; that does not come within the law of the
nineteenth century. Another series of facts was in preparation, in which
there was no longer any room for Napoleon. The ill will of events had
declared itself long before.

It was time that this vast man should fall.

The excessive weight of this man in human destiny disturbed the balance.
This individual alone counted for more than a universal group. These
plethoras of all human vitality concentrated in a single head; the world
mounting to the brain of one man,--this would be mortal to civilization
were it to last. The moment had arrived for the incorruptible and
supreme equity to alter its plan. Probably the principles and the
elements, on which the regular gravitations of the moral, as of the
material, world depend, had complained. Smoking blood, over-filled
cemeteries, mothers in tears,--these are formidable pleaders. When
the earth is suffering from too heavy a burden, there are mysterious
groanings of the shades, to which the abyss lends an ear.

Napoleon had been denounced in the infinite and his fall had been
decided on.

He embarrassed God.

Waterloo is not a battle; it is a change of front on the part of the
Universe.




CHAPTER X--THE PLATEAU OF MONT-SAINT-JEAN

The battery was unmasked at the same moment with the ravine.

Sixty cannons and the thirteen squares darted lightning point-blank on
the cuirassiers. The intrepid General Delort made the military salute to
the English battery.

The whole of the flying artillery of the English had re-entered the
squares at a gallop. The cuirassiers had not had even the time for a
halt. The disaster of the hollow road had decimated, but not discouraged
them. They belonged to that class of men who, when diminished in number,
increase in courage.

Wathier's column alone had suffered in the disaster; Delort's column,
which Ney had deflected to the left, as though he had a presentiment of
an ambush, had arrived whole.

The cuirassiers hurled themselves on the English squares.

At full speed, with bridles loose, swords in their teeth pistols in
fist,--such was the attack.

There are moments in battles in which the soul hardens the man until
the soldier is changed into a statue, and when all this flesh turns into
granite. The English battalions, desperately assaulted, did not stir.

Then it was terrible.

All the faces of the English squares were attacked at once. A frenzied
whirl enveloped them. That cold infantry remained impassive. The first
rank knelt and received the cuirassiers on their bayonets, the second
ranks shot them down; behind the second rank the cannoneers charged
their guns, the front of the square parted, permitted the passage of
an eruption of grape-shot, and closed again. The cuirassiers replied
by crushing them. Their great horses reared, strode across the ranks,
leaped over the bayonets and fell, gigantic, in the midst of these four
living wells. The cannon-balls ploughed furrows in these cuirassiers;
the cuirassiers made breaches in the squares. Files of men disappeared,
ground to dust under the horses. The bayonets plunged into the bellies
of these centaurs; hence a hideousness of wounds which has probably
never been seen anywhere else. The squares, wasted by this mad cavalry,
closed up their ranks without flinching. Inexhaustible in the matter of
grape-shot, they created explosions in their assailants' midst. The form
of this combat was monstrous. These squares were no longer battalions,
they were craters; those cuirassiers were no longer cavalry, they were
a tempest. Each square was a volcano attacked by a cloud; lava contended
with lightning.

The square on the extreme right, the most exposed of all, being in the
air, was almost annihilated at the very first shock. lt was formed
of the 75th regiment of Highlanders. The bagpipe-player in the centre
dropped his melancholy eyes, filled with the reflections of the
forests and the lakes, in profound inattention, while men were being
exterminated around him, and seated on a drum, with his pibroch under
his arm, played the Highland airs. These Scotchmen died thinking of Ben
Lothian, as did the Greeks recalling Argos. The sword of a cuirassier,
which hewed down the bagpipes and the arm which bore it, put an end to
the song by killing the singer.

The cuirassiers, relatively few in number, and still further diminished
by the catastrophe of the ravine, had almost the whole English army
against them, but they multiplied themselves so that each man of them
was equal to ten. Nevertheless, some Hanoverian battalions yielded.
Wellington perceived it, and thought of his cavalry. Had Napoleon at
that same moment thought of his infantry, he would have won the battle.
This forgetfulness was his great and fatal mistake.

All at once, the cuirassiers, who had been the assailants, found
themselves assailed. The English cavalry was at their back. Before
them two squares, behind them Somerset; Somerset meant fourteen hundred
dragoons of the guard. On the right, Somerset had Dornberg with the
German light-horse, and on his left, Trip with the Belgian carabineers;
the cuirassiers attacked on the flank and in front, before and in the
rear, by infantry and cavalry, had to face all sides. What mattered it
to them? They were a whirlwind. Their valor was something indescribable.

In addition to this, they had behind them the battery, which was still
thundering. It was necessary that it should be so, or they could never
have been wounded in the back. One of their cuirasses, pierced on the
shoulder by a ball from a biscayan,[9] is in the collection of the
Waterloo Museum.

For such Frenchmen nothing less than such Englishmen was needed. It
was no longer a hand-to-hand conflict; it was a shadow, a fury, a dizzy
transport of souls and courage, a hurricane of lightning swords. In an
instant the fourteen hundred dragoon guards numbered only eight hundred.
Fuller, their lieutenant-colonel, fell dead. Ney rushed up with
the lancers and Lefebvre-Desnouettes's light-horse. The plateau
of Mont-Saint-Jean was captured, recaptured, captured again. The
cuirassiers quitted the cavalry to return to the infantry; or, to put
it more exactly, the whole of that formidable rout collared each other
without releasing the other. The squares still held firm.

There were a dozen assaults. Ney had four horses killed under him. Half
the cuirassiers remained on the plateau. This conflict lasted two hours.

The English army was profoundly shaken. There is no doubt that, had they
not been enfeebled in their first shock by the disaster of the hollow
road the cuirassiers would have overwhelmed the centre and decided the
victory. This extraordinary cavalry petrified Clinton, who had seen
Talavera and Badajoz. Wellington, three-quarters vanquished, admired
heroically. He said in an undertone, "Sublime!"

The cuirassiers annihilated seven squares out of thirteen, took or
spiked sixty pieces of ordnance, and captured from the English regiments
six flags, which three cuirassiers and three chasseurs of the Guard bore
to the Emperor, in front of the farm of La Belle Alliance.

Wellington's situation had grown worse. This strange battle was like a
duel between two raging, wounded men, each of whom, still fighting and
still resisting, is expending all his blood.

Which of the two will be the first to fall?

The conflict on the plateau continued.

What had become of the cuirassiers? No one could have told. One thing
is certain, that on the day after the battle, a cuirassier and his
horse were found dead among the woodwork of the scales for vehicles at
Mont-Saint-Jean, at the very point where the four roads from Nivelles,
Genappe, La Hulpe, and Brussels meet and intersect each other. This
horseman had pierced the English lines. One of the men who picked up the
body still lives at Mont-Saint-Jean. His name is Dehaze. He was eighteen
years old at that time.

Wellington felt that he was yielding. The crisis was at hand.

The cuirassiers had not succeeded, since the centre was not broken
through. As every one was in possession of the plateau, no one held it,
and in fact it remained, to a great extent, with the English. Wellington
held the village and the culminating plain; Ney had only the crest and
the slope. They seemed rooted in that fatal soil on both sides.

But the weakening of the English seemed irremediable. The bleeding
of that army was horrible. Kempt, on the left wing, demanded
reinforcements. "There are none," replied Wellington; "he must let
himself be killed!" Almost at that same moment, a singular coincidence
which paints the exhaustion of the two armies, Ney demanded infantry
from Napoleon, and Napoleon exclaimed, "Infantry! Where does he expect
me to get it? Does he think I can make it?"

Nevertheless, the English army was in the worse case of the two. The
furious onsets of those great squadrons with cuirasses of iron and
breasts of steel had ground the infantry to nothing. A few men clustered
round a flag marked the post of a regiment; such and such a battalion
was commanded only by a captain or a lieutenant; Alten's division,
already so roughly handled at La Haie-Sainte, was almost destroyed;
the intrepid Belgians of Van Kluze's brigade strewed the rye-fields
all along the Nivelles road; hardly anything was left of those Dutch
grenadiers, who, intermingled with Spaniards in our ranks in 1811,
fought against Wellington; and who, in 1815, rallied to the
English standard, fought against Napoleon. The loss in officers was
considerable. Lord Uxbridge, who had his leg buried on the following
day, had his knee shattered. If, on the French side, in that tussle
of the cuirassiers, Delort, l'Heritier, Colbert, Dnop, Travers, and
Blancard were disabled, on the side of the English there was Alten
wounded, Barne wounded, Delancey killed, Van Meeren killed, Ompteda
killed, the whole of Wellington's staff decimated, and England had the
worse of it in that bloody scale. The second regiment of foot-guards
had lost five lieutenant-colonels, four captains, and three ensigns;
the first battalion of the 30th infantry had lost 24 officers and 1,200
soldiers; the 79th Highlanders had lost 24 officers wounded, 18 officers
killed, 450 soldiers killed. The Hanoverian hussars of Cumberland, a
whole regiment, with Colonel Hacke at its head, who was destined to be
tried later on and cashiered, had turned bridle in the presence of the
fray, and had fled to the forest of Soignes, sowing defeat all the way
to Brussels. The transports, ammunition-wagons, the baggage-wagons, the
wagons filled with wounded, on perceiving that the French were gaining
ground and approaching the forest, rushed headlong thither. The Dutch,
mowed down by the French cavalry, cried, "Alarm!" From Vert-Coucou to
Groentendael, for a distance of nearly two leagues in the direction
of Brussels, according to the testimony of eye-witnesses who are still
alive, the roads were encumbered with fugitives. This panic was such
that it attacked the Prince de Conde at Mechlin, and Louis XVIII. at
Ghent. With the exception of the feeble reserve echelonned behind the
ambulance established at the farm of Mont-Saint-Jean, and of Vivian's
and Vandeleur's brigades, which flanked the left wing, Wellington had
no cavalry left. A number of batteries lay unhorsed. These facts are
attested by Siborne; and Pringle, exaggerating the disaster, goes so far
as to say that the Anglo-Dutch army was reduced to thirty-four thousand
men. The Iron Duke remained calm, but his lips blanched. Vincent, the
Austrian commissioner, Alava, the Spanish commissioner, who were present
at the battle in the English staff, thought the Duke lost. At five
o'clock Wellington drew out his watch, and he was heard to murmur these
sinister words, "Blucher, or night!"

It was at about that moment that a distant line of bayonets gleamed on
the heights in the direction of Frischemont.

Here comes the change of face in this giant drama.




CHAPTER XI--A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BULOW

The painful surprise of Napoleon is well known. Grouchy hoped for,
Blucher arriving. Death instead of life.

Fate has these turns; the throne of the world was expected; it was Saint
Helena that was seen.

If the little shepherd who served as guide to Bulow, Blucher's
lieutenant, had advised him to debouch from the forest above
Frischemont, instead of below Plancenoit, the form of the nineteenth
century might, perhaps, have been different. Napoleon would have won the
battle of Waterloo. By any other route than that below Plancenoit,
the Prussian army would have come out upon a ravine impassable for
artillery, and Bulow would not have arrived.

Now the Prussian general, Muffling, declares that one hour's delay, and
Blucher would not have found Wellington on his feet. "The battle was
lost."

It was time that Bulow should arrive, as will be seen. He had, moreover,
been very much delayed. He had bivouacked at Dion-le-Mont, and had set
out at daybreak; but the roads were impassable, and his divisions stuck
fast in the mire. The ruts were up to the hubs of the cannons. Moreover,
he had been obliged to pass the Dyle on the narrow bridge of Wavre;
the street leading to the bridge had been fired by the French, so
the caissons and ammunition-wagons could not pass between two rows of
burning houses, and had been obliged to wait until the conflagration was
extinguished. It was mid-day before Bulow's vanguard had been able to
reach Chapelle-Saint-Lambert.

Had the action been begun two hours earlier, it would have been over
at four o'clock, and Blucher would have fallen on the battle won by
Napoleon. Such are these immense risks proportioned to an infinite which
we cannot comprehend.

The Emperor had been the first, as early as mid-day, to descry with his
field-glass, on the extreme horizon, something which had attracted his
attention. He had said, "I see yonder a cloud, which seems to me to be
troops." Then he asked the Duc de Dalmatie, "Soult, what do you see in
the direction of Chapelle-Saint-Lambert?" The marshal, levelling his
glass, answered, "Four or five thousand men, Sire; evidently Grouchy."
But it remained motionless in the mist. All the glasses of the staff
had studied "the cloud" pointed out by the Emperor. Some said: "It is
trees." The truth is, that the cloud did not move. The Emperor detached
Domon's division of light cavalry to reconnoitre in that quarter.

Bulow had not moved, in fact. His vanguard was very feeble, and could
accomplish nothing. He was obliged to wait for the body of the army
corps, and he had received orders to concentrate his forces before
entering into line; but at five o'clock, perceiving Wellington's peril,
Blucher ordered Bulow to attack, and uttered these remarkable words: "We
must give air to the English army."

A little later, the divisions of Losthin, Hiller, Hacke, and Ryssel
deployed before Lobau's corps, the cavalry of Prince William of Prussia
debouched from the forest of Paris, Plancenoit was in flames, and the
Prussian cannon-balls began to rain even upon the ranks of the guard in
reserve behind Napoleon.




CHAPTER XII--THE GUARD

Every one knows the rest,--the irruption of a third army; the battle
broken to pieces; eighty-six mouths of fire thundering simultaneously;
Pirch the first coming up with Bulow; Zieten's cavalry led by Blucher
in person, the French driven back; Marcognet swept from the plateau of
Ohain; Durutte dislodged from Papelotte; Donzelot and Quiot retreating;
Lobau caught on the flank; a fresh battle precipitating itself on our
dismantled regiments at nightfall; the whole English line resuming the
offensive and thrust forward; the gigantic breach made in the French
army; the English grape-shot and the Prussian grape-shot aiding each
other; the extermination; disaster in front; disaster on the flank; the
Guard entering the line in the midst of this terrible crumbling of all
things.

Conscious that they were about to die, they shouted, "Vive l'Empereur!"
History records nothing more touching than that agony bursting forth in
acclamations.

The sky had been overcast all day long. All of a sudden, at that very
moment,--it was eight o'clock in the evening--the clouds on the horizon
parted, and allowed the grand and sinister glow of the setting sun to
pass through, athwart the elms on the Nivelles road. They had seen it
rise at Austerlitz.

Each battalion of the Guard was commanded by a general for this final
catastrophe. Friant, Michel, Roguet, Harlet, Mallet, Poret de Morvan,
were there. When the tall caps of the grenadiers of the Guard, with
their large plaques bearing the eagle appeared, symmetrical, in line,
tranquil, in the midst of that combat, the enemy felt a respect for
France; they thought they beheld twenty victories entering the field
of battle, with wings outspread, and those who were the conquerors,
believing themselves to be vanquished, retreated; but Wellington
shouted, "Up, Guards, and aim straight!" The red regiment of English
guards, lying flat behind the hedges, sprang up, a cloud of grape-shot
riddled the tricolored flag and whistled round our eagles; all hurled
themselves forwards, and the final carnage began. In the darkness, the
Imperial Guard felt the army losing ground around it, and in the vast
shock of the rout it heard the desperate flight which had taken the
place of the "Vive l'Empereur!" and, with flight behind it, it continued
to advance, more crushed, losing more men at every step that it took.
There were none who hesitated, no timid men in its ranks. The soldier in
that troop was as much of a hero as the general. Not a man was missing
in that suicide.

Ney, bewildered, great with all the grandeur of accepted death, offered
himself to all blows in that tempest. He had his fifth horse killed
under him there. Perspiring, his eyes aflame, foaming at the mouth, with
uniform unbuttoned, one of his epaulets half cut off by a sword-stroke
from a horseguard, his plaque with the great eagle dented by a bullet;
bleeding, bemired, magnificent, a broken sword in his hand, he said,
"Come and see how a Marshal of France dies on the field of battle!" But
in vain; he did not die. He was haggard and angry. At Drouet d'Erlon he
hurled this question, "Are you not going to get yourself killed?" In
the midst of all that artillery engaged in crushing a handful of men,
he shouted: "So there is nothing for me! Oh! I should like to have all
these English bullets enter my bowels!" Unhappy man, thou wert reserved
for French bullets!




CHAPTER XIII--THE CATASTROPHE

The rout behind the Guard was melancholy.

The army yielded suddenly on all sides at once,--Hougomont, La
Haie-Sainte, Papelotte, Plancenoit. The cry "Treachery!" was followed by
a cry of "Save yourselves who can!" An army which is disbanding is
like a thaw. All yields, splits, cracks, floats, rolls, falls, jostles,
hastens, is precipitated. The disintegration is unprecedented. Ney
borrows a horse, leaps upon it, and without hat, cravat, or sword,
places himself across the Brussels road, stopping both English and
French. He strives to detain the army, he recalls it to its duty, he
insults it, he clings to the rout. He is overwhelmed. The soldiers fly
from him, shouting, "Long live Marshal Ney!" Two of Durutte's regiments
go and come in affright as though tossed back and forth between the
swords of the Uhlans and the fusillade of the brigades of Kempt, Best,
Pack, and Rylandt; the worst of hand-to-hand conflicts is the defeat;
friends kill each other in order to escape; squadrons and battalions
break and disperse against each other, like the tremendous foam of
battle. Lobau at one extremity, and Reille at the other, are drawn into
the tide. In vain does Napoleon erect walls from what is left to him of
his Guard; in vain does he expend in a last effort his last serviceable
squadrons. Quiot retreats before Vivian, Kellermann before Vandeleur,
Lobau before Bulow, Morand before Pirch, Domon and Subervic before
Prince William of Prussia; Guyot, who led the Emperor's squadrons to the
charge, falls beneath the feet of the English dragoons. Napoleon gallops
past the line of fugitives, harangues, urges, threatens, entreats
them. All the mouths which in the morning had shouted, "Long live
the Emperor!" remain gaping; they hardly recognize him. The Prussian
cavalry, newly arrived, dashes forwards, flies, hews, slashes, kills,
exterminates. Horses lash out, the cannons flee; the soldiers of the
artillery-train unharness the caissons and use the horses to make their
escape; transports overturned, with all four wheels in the air, clog the
road and occasion massacres. Men are crushed, trampled down, others walk
over the dead and the living. Arms are lost. A dizzy multitude fills the
roads, the paths, the bridges, the plains, the hills, the valleys,
the woods, encumbered by this invasion of forty thousand men. Shouts
despair, knapsacks and guns flung among the rye, passages forced at
the point of the sword, no more comrades, no more officers, no more
generals, an inexpressible terror. Zieten putting France to the sword at
its leisure. Lions converted into goats. Such was the flight.

At Genappe, an effort was made to wheel about, to present a battle
front, to draw up in line. Lobau rallied three hundred men. The entrance
to the village was barricaded, but at the first volley of Prussian
canister, all took to flight again, and Lobau was taken. That volley of
grape-shot can be seen to-day imprinted on the ancient gable of a brick
building on the right of the road at a few minutes' distance before you
enter Genappe. The Prussians threw themselves into Genappe, furious, no
doubt, that they were not more entirely the conquerors. The pursuit was
stupendous. Blucher ordered extermination. Roguet had set the lugubrious
example of threatening with death any French grenadier who should bring
him a Prussian prisoner. Blucher outdid Roguet. Duhesme, the general
of the Young Guard, hemmed in at the doorway of an inn at Genappe,
surrendered his sword to a huzzar of death, who took the sword and slew
the prisoner. The victory was completed by the assassination of the
vanquished. Let us inflict punishment, since we are history: old
Blucher disgraced himself. This ferocity put the finishing touch to the
disaster. The desperate route traversed Genappe, traversed Quatre-Bras,
traversed Gosselies, traversed Frasnes, traversed Charleroi, traversed
Thuin, and only halted at the frontier. Alas! and who, then, was fleeing
in that manner? The Grand Army.

This vertigo, this terror, this downfall into ruin of the loftiest
bravery which ever astounded history,--is that causeless? No. The shadow
of an enormous right is projected athwart Waterloo. It is the day of
destiny. The force which is mightier than man produced that day. Hence
the terrified wrinkle of those brows; hence all those great souls
surrendering their swords. Those who had conquered Europe have fallen
prone on the earth, with nothing left to say nor to do, feeling the
present shadow of a terrible presence. Hoc erat in fatis. That day the
perspective of the human race underwent a change. Waterloo is the
hinge of the nineteenth century. The disappearance of the great man was
necessary to the advent of the great century. Some one, a person to whom
one replies not, took the responsibility on himself. The panic of heroes
can be explained. In the battle of Waterloo there is something more than
a cloud, there is something of the meteor. God has passed by.

At nightfall, in a meadow near Genappe, Bernard and Bertrand seized by
the skirt of his coat and detained a man, haggard, pensive, sinister,
gloomy, who, dragged to that point by the current of the rout, had just
dismounted, had passed the bridle of his horse over his arm, and with
wild eye was returning alone to Waterloo. It was Napoleon, the immense
somnambulist of this dream which had crumbled, essaying once more to
advance.




CHAPTER XIV--THE LAST SQUARE

Several squares of the Guard, motionless amid this stream of the defeat,
as rocks in running water, held their own until night. Night came,
death also; they awaited that double shadow, and, invincible, allowed
themselves to be enveloped therein. Each regiment, isolated from the
rest, and having no bond with the army, now shattered in every part,
died alone. They had taken up position for this final action, some on
the heights of Rossomme, others on the plain of Mont-Saint-Jean. There,
abandoned, vanquished, terrible, those gloomy squares endured their
death-throes in formidable fashion. Ulm, Wagram, Jena, Friedland, died
with them.

At twilight, towards nine o'clock in the evening, one of them was left
at the foot of the plateau of Mont-Saint-Jean. In that fatal valley,
at the foot of that declivity which the cuirassiers had ascended, now
inundated by the masses of the English, under the converging fires
of the victorious hostile cavalry, under a frightful density of
projectiles, this square fought on. It was commanded by an obscure
officer named Cambronne. At each discharge, the square diminished and
replied. It replied to the grape-shot with a fusillade, continually
contracting its four walls. The fugitives pausing breathless for a
moment in the distance, listened in the darkness to that gloomy and
ever-decreasing thunder.

When this legion had been reduced to a handful, when nothing was left
of their flag but a rag, when their guns, the bullets all gone, were no
longer anything but clubs, when the heap of corpses was larger than the
group of survivors, there reigned among the conquerors, around those men
dying so sublimely, a sort of sacred terror, and the English artillery,
taking breath, became silent. This furnished a sort of respite. These
combatants had around them something in the nature of a swarm of
spectres, silhouettes of men on horseback, the black profiles of cannon,
the white sky viewed through wheels and gun-carriages, the colossal
death's-head, which the heroes saw constantly through the smoke, in the
depths of the battle, advanced upon them and gazed at them. Through the
shades of twilight they could hear the pieces being loaded; the matches
all lighted, like the eyes of tigers at night, formed a circle round
their heads; all the lintstocks of the English batteries approached the
cannons, and then, with emotion, holding the supreme moment suspended
above these men, an English general, Colville according to some,
Maitland according to others, shouted to them, "Surrender, brave
Frenchmen!" Cambronne replied, "-----."

{EDITOR'S COMMENTARY: Another edition of this book has the word "Merde!"
in lieu of the ----- above.}




CHAPTER XV--CAMBRONNE

If any French reader object to having his susceptibilities offended, one
would have to refrain from repeating in his presence what is perhaps
the finest reply that a Frenchman ever made. This would enjoin us from
consigning something sublime to History.

At our own risk and peril, let us violate this injunction.

Now, then, among those giants there was one Titan,--Cambronne.

To make that reply and then perish, what could be grander? For being
willing to die is the same as to die; and it was not this man's fault if
he survived after he was shot.

The winner of the battle of Waterloo was not Napoleon, who was put to
flight; nor Wellington, giving way at four o'clock, in despair at five;
nor Blucher, who took no part in the engagement. The winner of Waterloo
was Cambronne.

To thunder forth such a reply at the lightning-flash that kills you is
to conquer!

Thus to answer the Catastrophe, thus to speak to Fate, to give this
pedestal to the future lion, to hurl such a challenge to the midnight
rainstorm, to the treacherous wall of Hougomont, to the sunken road of
Ohain, to Grouchy's delay, to Blucher's arrival, to be Irony itself in
the tomb, to act so as to stand upright though fallen, to drown in
two syllables the European coalition, to offer kings privies which
the Caesars once knew, to make the lowest of words the most lofty by
entwining with it the glory of France, insolently to end Waterloo with
Mardigras, to finish Leonidas with Rabellais, to set the crown on this
victory by a word impossible to speak, to lose the field and preserve
history, to have the laugh on your side after such a carnage,--this is
immense!

It was an insult such as a thunder-cloud might hurl! It reaches the
grandeur of AEschylus!

Cambronne's reply produces the effect of a violent break. 'Tis like the
breaking of a heart under a weight of scorn. 'Tis the overflow of agony
bursting forth. Who conquered? Wellington? No! Had it not been for
Blucher, he was lost. Was it Blucher? No! If Wellington had not begun,
Blucher could not have finished. This Cambronne, this man spending his
last hour, this unknown soldier, this infinitesimal of war, realizes
that here is a falsehood, a falsehood in a catastrophe, and so doubly
agonizing; and at the moment when his rage is bursting forth because of
it, he is offered this mockery,--life! How could he restrain himself?
Yonder are all the kings of Europe, the general's flushed with victory,
the Jupiter's darting thunderbolts; they have a hundred thousand
victorious soldiers, and back of the hundred thousand a million; their
cannon stand with yawning mouths, the match is lighted; they grind down
under their heels the Imperial guards, and the grand army; they have
just crushed Napoleon, and only Cambronne remains,--only this earthworm
is left to protest. He will protest. Then he seeks for the appropriate
word as one seeks for a sword. His mouth froths, and the froth is the
word. In face of this mean and mighty victory, in face of this victory
which counts none victorious, this desperate soldier stands erect. He
grants its overwhelming immensity, but he establishes its triviality;
and he does more than spit upon it. Borne down by numbers, by superior
force, by brute matter, he finds in his soul an expression: "Excrement!"
We repeat it,--to use that word, to do thus, to invent such an
expression, is to be the conqueror!

The spirit of mighty days at that portentous moment made its descent
on that unknown man. Cambronne invents the word for Waterloo as Rouget
invents the "Marseillaise," under the visitation of a breath from on
high. An emanation from the divine whirlwind leaps forth and comes
sweeping over these men, and they shake, and one of them sings the song
supreme, and the other utters the frightful cry.

This challenge of titanic scorn Cambronne hurls not only at Europe in
the name of the Empire,--that would be a trifle: he hurls it at the past
in the name of the Revolution. It is heard, and Cambronne is recognized
as possessed by the ancient spirit of the Titans. Danton seems to be
speaking! Kleber seems to be bellowing!

At that word from Cambronne, the English voice responded, "Fire!"
The batteries flamed, the hill trembled, from all those brazen mouths
belched a last terrible gush of grape-shot; a vast volume of smoke,
vaguely white in the light of the rising moon, rolled out, and when the
smoke dispersed, there was no longer anything there. That formidable
remnant had been annihilated; the Guard was dead. The four walls of the
living redoubt lay prone, and hardly was there discernible, here and
there, even a quiver in the bodies; it was thus that the French legions,
greater than the Roman legions, expired on Mont-Saint-Jean, on the soil
watered with rain and blood, amid the gloomy grain, on the spot where
nowadays Joseph, who drives the post-wagon from Nivelles, passes
whistling, and cheerfully whipping up his horse at four o'clock in the
morning.




CHAPTER XVI--QUOT LIBRAS IN DUCE?

The battle of Waterloo is an enigma. It is as obscure to those who won
it as to those who lost it. For Napoleon it was a panic;[10] Blucher
sees nothing in it but fire; Wellington understands nothing in regard
to it. Look at the reports. The bulletins are confused, the commentaries
involved. Some stammer, others lisp. Jomini divides the battle of
Waterloo into four moments; Muffling cuts it up into three changes;
Charras alone, though we hold another judgment than his on some points,
seized with his haughty glance the characteristic outlines of that
catastrophe of human genius in conflict with divine chance. All the
other historians suffer from being somewhat dazzled, and in this dazzled
state they fumble about. It was a day of lightning brilliancy; in fact,
a crumbling of the military monarchy which, to the vast stupefaction of
kings, drew all the kingdoms after it--the fall of force, the defeat of
war.

In this event, stamped with superhuman necessity, the part played by men
amounts to nothing.

If we take Waterloo from Wellington and Blucher, do we thereby deprive
England and Germany of anything? No. Neither that illustrious England
nor that august Germany enter into the problem of Waterloo. Thank
Heaven, nations are great, independently of the lugubrious feats of
the sword. Neither England, nor Germany, nor France is contained in
a scabbard. At this epoch when Waterloo is only a clashing of swords,
above Blucher, Germany has Schiller; above Wellington, England has
Byron. A vast dawn of ideas is the peculiarity of our century, and in
that aurora England and Germany have a magnificent radiance. They
are majestic because they think. The elevation of level which they
contribute to civilization is intrinsic with them; it proceeds from
themselves and not from an accident. The aggrandizement which they have
brought to the nineteenth century has not Waterloo as its source. It is
only barbarous peoples who undergo rapid growth after a victory. That is
the temporary vanity of torrents swelled by a storm. Civilized people,
especially in our day, are neither elevated nor abased by the good or
bad fortune of a captain. Their specific gravity in the human species
results from something more than a combat. Their honor, thank God! their
dignity, their intelligence, their genius, are not numbers which those
gamblers, heroes and conquerors, can put in the lottery of battles.
Often a battle is lost and progress is conquered. There is less glory
and more liberty. The drum holds its peace; reason takes the word. It is
a game in which he who loses wins. Let us, therefore, speak of Waterloo
coldly from both sides. Let us render to chance that which is due
to chance, and to God that which is due to God. What is Waterloo? A
victory? No. The winning number in the lottery.

The quine [11] won by Europe, paid by France.

It was not worth while to place a lion there.

Waterloo, moreover, is the strangest encounter in history. Napoleon and
Wellington. They are not enemies; they are opposites. Never did God,
who is fond of antitheses, make a more striking contrast, a more
extraordinary comparison. On one side, precision, foresight, geometry,
prudence, an assured retreat, reserves spared, with an obstinate
coolness, an imperturbable method, strategy, which takes advantage
of the ground, tactics, which preserve the equilibrium of battalions,
carnage, executed according to rule, war regulated, watch in hand,
nothing voluntarily left to chance, the ancient classic courage,
absolute regularity; on the other, intuition, divination, military
oddity, superhuman instinct, a flaming glance, an indescribable
something which gazes like an eagle, and which strikes like the
lightning, a prodigious art in disdainful impetuosity, all the mysteries
of a profound soul, associated with destiny; the stream, the plain, the
forest, the hill, summoned, and in a manner, forced to obey, the despot
going even so far as to tyrannize over the field of battle; faith in
a star mingled with strategic science, elevating but perturbing it.
Wellington was the Bareme of war; Napoleon was its Michael Angelo; and
on this occasion, genius was vanquished by calculation. On both sides
some one was awaited. It was the exact calculator who succeeded.
Napoleon was waiting for Grouchy; he did not come. Wellington expected
Blucher; he came.

Wellington is classic war taking its revenge. Bonaparte, at his dawning,
had encountered him in Italy, and beaten him superbly. The old owl had
fled before the young vulture. The old tactics had been not only struck
as by lightning, but disgraced. Who was that Corsican of six and twenty?
What signified that splendid ignoramus, who, with everything against
him, nothing in his favor, without provisions, without ammunition,
without cannon, without shoes, almost without an army, with a mere
handful of men against masses, hurled himself on Europe combined,
and absurdly won victories in the impossible? Whence had issued that
fulminating convict, who almost without taking breath, and with the same
set of combatants in hand, pulverized, one after the other, the five
armies of the emperor of Germany, upsetting Beaulieu on Alvinzi, Wurmser
on Beaulieu, Melas on Wurmser, Mack on Melas? Who was this novice in
war with the effrontery of a luminary? The academical military school
excommunicated him, and as it lost its footing; hence, the implacable
rancor of the old Caesarism against the new; of the regular sword
against the flaming sword; and of the exchequer against genius. On the
18th of June, 1815, that rancor had the last word. and beneath Lodi,
Montebello, Montenotte, Mantua, Arcola, it wrote: Waterloo. A triumph of
the mediocres which is sweet to the majority. Destiny consented to this
irony. In his decline, Napoleon found Wurmser, the younger, again in
front of him.

In fact, to get Wurmser, it sufficed to blanch the hair of Wellington.

Waterloo is a battle of the first order, won by a captain of the second.

That which must be admired in the battle of Waterloo, is England; the
English firmness, the English resolution, the English blood; the superb
thing about England there, no offence to her, was herself. It was not
her captain; it was her army.

Wellington, oddly ungrateful, declares in a letter to Lord Bathurst,
that his army, the army which fought on the 18th of June, 1815, was a
"detestable army." What does that sombre intermingling of bones buried
beneath the furrows of Waterloo think of that?

England has been too modest in the matter of Wellington. To make
Wellington so great is to belittle England. Wellington is nothing but
a hero like many another. Those Scotch Grays, those Horse Guards, those
regiments of Maitland and of Mitchell, that infantry of Pack and Kempt,
that cavalry of Ponsonby and Somerset, those Highlanders playing the
pibroch under the shower of grape-shot, those battalions of Rylandt,
those utterly raw recruits, who hardly knew how to handle a musket
holding their own against Essling's and Rivoli's old troops,--that is
what was grand. Wellington was tenacious; in that lay his merit, and we
are not seeking to lessen it: but the least of his foot-soldiers and of
his cavalry would have been as solid as he. The iron soldier is worth
as much as the Iron Duke. As for us, all our glorification goes to the
English soldier, to the English army, to the English people. If trophy
there be, it is to England that the trophy is due. The column of
Waterloo would be more just, if, instead of the figure of a man, it bore
on high the statue of a people.

But this great England will be angry at what we are saying here. She
still cherishes, after her own 1688 and our 1789, the feudal illusion.
She believes in heredity and hierarchy. This people, surpassed by none
in power and glory, regards itself as a nation, and not as a people. And
as a people, it willingly subordinates itself and takes a lord for its
head. As a workman, it allows itself to be disdained; as a soldier, it
allows itself to be flogged.

It will be remembered, that at the battle of Inkermann a sergeant who
had, it appears, saved the army, could not be mentioned by Lord Paglan,
as the English military hierarchy does not permit any hero below the
grade of an officer to be mentioned in the reports.

That which we admire above all, in an encounter of the nature of
Waterloo, is the marvellous cleverness of chance. A nocturnal rain, the
wall of Hougomont, the hollow road of Ohain, Grouchy deaf to the cannon,
Napoleon's guide deceiving him, Bulow's guide enlightening him,--the
whole of this cataclysm is wonderfully conducted.

On the whole, let us say it plainly, it was more of a massacre than of a
battle at Waterloo.

Of all pitched battles, Waterloo is the one which has the smallest front
for such a number of combatants. Napoleon three-quarters of a league;
Wellington, half a league; seventy-two thousand combatants on each side.
From this denseness the carnage arose.

The following calculation has been made, and the following proportion
established: Loss of men: at Austerlitz, French, fourteen per cent;
Russians, thirty per cent; Austrians, forty-four per cent. At Wagram,
French, thirteen per cent; Austrians, fourteen. At the Moskowa, French,
thirty-seven per cent; Russians, forty-four. At Bautzen, French,
thirteen per cent; Russians and Prussians, fourteen. At Waterloo,
French, fifty-six per cent; the Allies, thirty-one. Total for Waterloo,
forty-one per cent; one hundred and forty-four thousand combatants;
sixty thousand dead.

To-day the field of Waterloo has the calm which belongs to the earth,
the impassive support of man, and it resembles all plains.

At night, moreover, a sort of visionary mist arises from it; and if a
traveller strolls there, if he listens, if he watches, if he dreams
like Virgil in the fatal plains of Philippi, the hallucination of the
catastrophe takes possession of him. The frightful 18th of June lives
again; the false monumental hillock disappears, the lion vanishes in
air, the battle-field resumes its reality, lines of infantry undulate
over the plain, furious gallops traverse the horizon; the frightened
dreamer beholds the flash of sabres, the gleam of bayonets, the flare of
bombs, the tremendous interchange of thunders; he hears, as it were,
the death rattle in the depths of a tomb, the vague clamor of the battle
phantom; those shadows are grenadiers, those lights are cuirassiers;
that skeleton Napoleon, that other skeleton is Wellington; all this no
longer exists, and yet it clashes together and combats still; and the
ravines are empurpled, and the trees quiver, and there is fury even in
the clouds and in the shadows; all those terrible heights, Hougomont,
Mont-Saint-Jean, Frischemont, Papelotte, Plancenoit, appear confusedly
crowned with whirlwinds of spectres engaged in exterminating each other.




CHAPTER XVII--IS WATERLOO TO BE CONSIDERED GOOD?

There exists a very respectable liberal school which does not hate
Waterloo. We do not belong to it. To us, Waterloo is but the stupefied
date of liberty. That such an eagle should emerge from such an egg is
certainly unexpected.

If one places one's self at the culminating point of view of the
question, Waterloo is intentionally a counter-revolutionary victory. It
is Europe against France; it is Petersburg, Berlin, and Vienna against
Paris; it is the statu quo against the initiative; it is the 14th
of July, 1789, attacked through the 20th of March, 1815; it is the
monarchies clearing the decks in opposition to the indomitable French
rioting. The final extinction of that vast people which had been in
eruption for twenty-six years--such was the dream. The solidarity of the
Brunswicks, the Nassaus, the Romanoffs, the Hohenzollerns, the Hapsburgs
with the Bourbons. Waterloo bears divine right on its crupper. It is
true, that the Empire having been despotic, the kingdom by the natural
reaction of things, was forced to be liberal, and that a constitutional
order was the unwilling result of Waterloo, to the great regret of the
conquerors. It is because revolution cannot be really conquered, and
that being providential and absolutely fatal, it is always cropping
up afresh: before Waterloo, in Bonaparte overthrowing the old thrones;
after Waterloo, in Louis XVIII. granting and conforming to the charter.
Bonaparte places a postilion on the throne of Naples, and a sergeant
on the throne of Sweden, employing inequality to demonstrate equality;
Louis XVIII. at Saint-Ouen countersigns the declaration of the rights
of man. If you wish to gain an idea of what revolution is, call it
Progress; and if you wish to acquire an idea of the nature of progress,
call it To-morrow. To-morrow fulfils its work irresistibly, and it is
already fulfilling it to-day. It always reaches its goal strangely. It
employs Wellington to make of Foy, who was only a soldier, an orator.
Foy falls at Hougomont and rises again in the tribune. Thus does
progress proceed. There is no such thing as a bad tool for that workman.
It does not become disconcerted, but adjusts to its divine work the
man who has bestridden the Alps, and the good old tottering invalid
of Father Elysee. It makes use of the gouty man as well as of the
conqueror; of the conqueror without, of the gouty man within. Waterloo,
by cutting short the demolition of European thrones by the sword, had
no other effect than to cause the revolutionary work to be continued in
another direction. The slashers have finished; it was the turn of the
thinkers. The century that Waterloo was intended to arrest has pursued
its march. That sinister victory was vanquished by liberty.

In short, and incontestably, that which triumphed at Waterloo; that
which smiled in Wellington's rear; that which brought him all the
marshals' staffs of Europe, including, it is said, the staff of a
marshal of France; that which joyously trundled the barrows full of
bones to erect the knoll of the lion; that which triumphantly inscribed
on that pedestal the date "June 18, 1815"; that which encouraged
Blucher, as he put the flying army to the sword; that which, from the
heights of the plateau of Mont-Saint-Jean, hovered over France as over
its prey, was the counter-revolution. It was the counter-revolution
which murmured that infamous word "dismemberment." On arriving in Paris,
it beheld the crater close at hand; it felt those ashes which scorched
its feet, and it changed its mind; it returned to the stammer of a
charter.

Let us behold in Waterloo only that which is in Waterloo. Of intentional
liberty there is none. The counter-revolution was involuntarily liberal,
in the same manner as, by a corresponding phenomenon, Napoleon was
involuntarily revolutionary. On the 18th of June, 1815, the mounted
Robespierre was hurled from his saddle.




CHAPTER XVIII--A RECRUDESCENCE OF DIVINE RIGHT

End of the dictatorship. A whole European system crumbled away.

The Empire sank into a gloom which resembled that of the Roman world as
it expired. Again we behold the abyss, as in the days of the barbarians;
only the barbarism of 1815, which must be called by its pet name of the
counter-revolution, was not long breathed, soon fell to panting, and
halted short. The Empire was bewept,--let us acknowledge the fact,--and
bewept by heroic eyes. If glory lies in the sword converted into a
sceptre, the Empire had been glory in person. It had diffused over the
earth all the light which tyranny can give a sombre light. We will say
more; an obscure light. Compared to the true daylight, it is night. This
disappearance of night produces the effect of an eclipse.

Louis XVIII. re-entered Paris. The circling dances of the 8th of July
effaced the enthusiasms of the 20th of March. The Corsican became the
antithesis of the Bearnese. The flag on the dome of the Tuileries was
white. The exile reigned. Hartwell's pine table took its place in front
of the fleur-de-lys-strewn throne of Louis XIV. Bouvines and Fontenoy
were mentioned as though they had taken place on the preceding
day, Austerlitz having become antiquated. The altar and the throne
fraternized majestically. One of the most undisputed forms of the health
of society in the nineteenth century was established over France, and
over the continent. Europe adopted the white cockade. Trestaillon was
celebrated. The device non pluribus impar re-appeared on the stone rays
representing a sun upon the front of the barracks on the Quai d'Orsay.
Where there had been an Imperial Guard, there was now a red house. The
Arc du Carrousel, all laden with badly borne victories, thrown out
of its element among these novelties, a little ashamed, it may be, of
Marengo and Arcola, extricated itself from its predicament with the
statue of the Duc d'Angouleme. The cemetery of the Madeleine, a terrible
pauper's grave in 1793, was covered with jasper and marble, since the
bones of Louis XVI. and Marie Antoinette lay in that dust.

In the moat of Vincennes a sepulchral shaft sprang from the earth,
recalling the fact that the Duc d'Enghien had perished in the very
month when Napoleon was crowned. Pope Pius VII., who had performed the
coronation very near this death, tranquilly bestowed his blessing on the
fall as he had bestowed it on the elevation. At Schoenbrunn there was
a little shadow, aged four, whom it was seditious to call the King of
Rome. And these things took place, and the kings resumed their thrones,
and the master of Europe was put in a cage, and the old regime became
the new regime, and all the shadows and all the light of the earth
changed place, because, on the afternoon of a certain summer's day, a
shepherd said to a Prussian in the forest, "Go this way, and not that!"

This 1815 was a sort of lugubrious April. Ancient unhealthy and
poisonous realities were covered with new appearances. A lie wedded
1789; the right divine was masked under a charter; fictions became
constitutional; prejudices, superstitions and mental reservations, with
Article 14 in the heart, were varnished over with liberalism. It was the
serpent's change of skin.

Man had been rendered both greater and smaller by Napoleon. Under this
reign of splendid matter, the ideal had received the strange name of
ideology! It is a grave imprudence in a great man to turn the future
into derision. The populace, however, that food for cannon which is so
fond of the cannoneer, sought him with its glance. Where is he? What is
he doing? "Napoleon is dead," said a passer-by to a veteran of Marengo
and Waterloo. "He dead!" cried the soldier; "you don't know him."
Imagination distrusted this man, even when overthrown. The depths of
Europe were full of darkness after Waterloo. Something enormous remained
long empty through Napoleon's disappearance.

The kings placed themselves in this void. Ancient Europe profited by
it to undertake reforms. There was a Holy Alliance; Belle-Alliance,
Beautiful Alliance, the fatal field of Waterloo had said in advance.

In presence and in face of that antique Europe reconstructed, the
features of a new France were sketched out. The future, which the
Emperor had rallied, made its entry. On its brow it bore the star,
Liberty. The glowing eyes of all young generations were turned on it.
Singular fact! people were, at one and the same time, in love with
the future, Liberty, and the past, Napoleon. Defeat had rendered the
vanquished greater. Bonaparte fallen seemed more lofty than Napoleon
erect. Those who had triumphed were alarmed. England had him guarded by
Hudson Lowe, and France had him watched by Montchenu. His folded arms
became a source of uneasiness to thrones. Alexander called him "my
sleeplessness." This terror was the result of the quantity of
revolution which was contained in him. That is what explains and excuses
Bonapartist liberalism. This phantom caused the old world to tremble.
The kings reigned, but ill at their ease, with the rock of Saint Helena
on the horizon.

While Napoleon was passing through the death struggle at Longwood, the
sixty thousand men who had fallen on the field of Waterloo were quietly
rotting, and something of their peace was shed abroad over the world.
The Congress of Vienna made the treaties in 1815, and Europe called this
the Restoration.

This is what Waterloo was.

But what matters it to the Infinite? all that tempest, all that cloud,
that war, then that peace? All that darkness did not trouble for a
moment the light of that immense Eye before which a grub skipping from
one blade of grass to another equals the eagle soaring from belfry to
belfry on the towers of Notre Dame.




CHAPTER XIX--THE BATTLE-FIELD AT NIGHT

Let us return--it is a necessity in this book--to that fatal
battle-field.

On the 18th of June the moon was full. Its light favored Blucher's
ferocious pursuit, betrayed the traces of the fugitives, delivered
up that disastrous mass to the eager Prussian cavalry, and aided the
massacre. Such tragic favors of the night do occur sometimes during
catastrophes.

After the last cannon-shot had been fired, the plain of Mont-Saint-Jean
remained deserted.

The English occupied the encampment of the French; it is the usual sign
of victory to sleep in the bed of the vanquished. They established their
bivouac beyond Rossomme. The Prussians, let loose on the retreating
rout, pushed forward. Wellington went to the village of Waterloo to draw
up his report to Lord Bathurst.

If ever the sic vos non vobis was applicable, it certainly is to that
village of Waterloo. Waterloo took no part, and lay half a league from
the scene of action. Mont-Saint-Jean was cannonaded, Hougomont was
burned, La Haie-Sainte was taken by assault, Papelotte was burned,
Plancenoit was burned, La Belle-Alliance beheld the embrace of the two
conquerors; these names are hardly known, and Waterloo, which worked not
in the battle, bears off all the honor.

We are not of the number of those who flatter war; when the occasion
presents itself, we tell the truth about it. War has frightful beauties
which we have not concealed; it has also, we acknowledge, some hideous
features. One of the most surprising is the prompt stripping of the
bodies of the dead after the victory. The dawn which follows a battle
always rises on naked corpses.

Who does this? Who thus soils the triumph? What hideous, furtive hand is
that which is slipped into the pocket of victory? What pickpockets
are they who ply their trade in the rear of glory? Some
philosophers--Voltaire among the number--affirm that it is precisely
those persons have made the glory. It is the same men, they say; there
is no relief corps; those who are erect pillage those who are prone
on the earth. The hero of the day is the vampire of the night. One has
assuredly the right, after all, to strip a corpse a bit when one is the
author of that corpse. For our own part, we do not think so; it seems
to us impossible that the same hand should pluck laurels and purloin the
shoes from a dead man.

One thing is certain, which is, that generally after conquerors follow
thieves. But let us leave the soldier, especially the contemporary
soldier, out of the question.

Every army has a rear-guard, and it is that which must be blamed.
Bat-like creatures, half brigands and lackeys; all the sorts of
vespertillos that that twilight called war engenders; wearers of
uniforms, who take no part in the fighting; pretended invalids;
formidable limpers; interloping sutlers, trotting along in little carts,
sometimes accompanied by their wives, and stealing things which they
sell again; beggars offering themselves as guides to officers; soldiers'
servants; marauders; armies on the march in days gone by,--we are not
speaking of the present,--dragged all this behind them, so that in the
special language they are called "stragglers." No army, no nation,
was responsible for those beings; they spoke Italian and followed the
Germans, then spoke French and followed the English. It was by one of
these wretches, a Spanish straggler who spoke French, that the Marquis
of Fervacques, deceived by his Picard jargon, and taking him for one
of our own men, was traitorously slain and robbed on the battle-field
itself, in the course of the night which followed the victory of
Cerisoles. The rascal sprang from this marauding. The detestable maxim,
Live on the enemy! produced this leprosy, which a strict discipline
alone could heal. There are reputations which are deceptive; one does
not always know why certain generals, great in other directions, have
been so popular. Turenne was adored by his soldiers because he tolerated
pillage; evil permitted constitutes part of goodness. Turenne was so
good that he allowed the Palatinate to be delivered over to fire and
blood. The marauders in the train of an army were more or less in
number, according as the chief was more or less severe. Hoche and
Marceau had no stragglers; Wellington had few, and we do him the justice
to mention it.

Nevertheless, on the night from the 18th to the 19th of June, the dead
were robbed. Wellington was rigid; he gave orders that any one caught in
the act should be shot; but rapine is tenacious. The marauders stole in
one corner of the battlefield while others were being shot in another.

The moon was sinister over this plain.

Towards midnight, a man was prowling about, or rather, climbing in the
direction of the hollow road of Ohain. To all appearance he was one of
those whom we have just described,--neither English nor French, neither
peasant nor soldier, less a man than a ghoul attracted by the scent
of the dead bodies having theft for his victory, and come to rifle
Waterloo. He was clad in a blouse that was something like a great coat;
he was uneasy and audacious; he walked forwards and gazed behind him.
Who was this man? The night probably knew more of him than the day. He
had no sack, but evidently he had large pockets under his coat. From
time to time he halted, scrutinized the plain around him as though to
see whether he were observed, bent over abruptly, disturbed something
silent and motionless on the ground, then rose and fled. His sliding
motion, his attitudes, his mysterious and rapid gestures, caused him
to resemble those twilight larvae which haunt ruins, and which ancient
Norman legends call the Alleurs.

Certain nocturnal wading birds produce these silhouettes among the
marshes.

A glance capable of piercing all that mist deeply would have perceived
at some distance a sort of little sutler's wagon with a fluted wicker
hood, harnessed to a famished nag which was cropping the grass across
its bit as it halted, hidden, as it were, behind the hovel which adjoins
the highway to Nivelles, at the angle of the road from Mont-Saint-Jean
to Braine l'Alleud; and in the wagon, a sort of woman seated on coffers
and packages. Perhaps there was some connection between that wagon and
that prowler.

The darkness was serene. Not a cloud in the zenith. What matters it if
the earth be red! the moon remains white; these are the indifferences of
the sky. In the fields, branches of trees broken by grape-shot, but not
fallen, upheld by their bark, swayed gently in the breeze of night.
A breath, almost a respiration, moved the shrubbery. Quivers which
resembled the departure of souls ran through the grass.

In the distance the coming and going of patrols and the general rounds
of the English camp were audible.

Hougomont and La Haie-Sainte continued to burn, forming, one in the
west, the other in the east, two great flames which were joined by the
cordon of bivouac fires of the English, like a necklace of rubies
with two carbuncles at the extremities, as they extended in an immense
semicircle over the hills along the horizon.

We have described the catastrophe of the road of Ohain. The heart is
terrified at the thought of what that death must have been to so many
brave men.

If there is anything terrible, if there exists a reality which surpasses
dreams, it is this: to live, to see the sun; to be in full possession
of virile force; to possess health and joy; to laugh valiantly; to rush
towards a glory which one sees dazzling in front of one; to feel in
one's breast lungs which breathe, a heart which beats, a will which
reasons; to speak, think, hope, love; to have a mother, to have a wife,
to have children; to have the light--and all at once, in the space of a
shout, in less than a minute, to sink into an abyss; to fall, to
roll, to crush, to be crushed; to see ears of wheat, flowers, leaves,
branches; not to be able to catch hold of anything; to feel one's sword
useless, men beneath one, horses on top of one; to struggle in vain,
since one's bones have been broken by some kick in the darkness; to feel
a heel which makes one's eyes start from their sockets; to bite horses'
shoes in one's rage; to stifle, to yell, to writhe; to be beneath, and
to say to one's self, "But just a little while ago I was a living man!"

There, where that lamentable disaster had uttered its death-rattle,
all was silence now. The edges of the hollow road were encumbered with
horses and riders, inextricably heaped up. Terrible entanglement! There
was no longer any slope, for the corpses had levelled the road with the
plain, and reached the brim like a well-filled bushel of barley. A
heap of dead bodies in the upper part, a river of blood in the lower
part--such was that road on the evening of the 18th of June, 1815. The
blood ran even to the Nivelles highway, and there overflowed in a large
pool in front of the abatis of trees which barred the way, at a spot
which is still pointed out.

It will be remembered that it was at the opposite point, in the
direction of the Genappe road, that the destruction of the cuirassiers
had taken place. The thickness of the layer of bodies was proportioned
to the depth of the hollow road. Towards the middle, at the point
where it became level, where Delort's division had passed, the layer of
corpses was thinner.

The nocturnal prowler whom we have just shown to the reader was going
in that direction. He was searching that vast tomb. He gazed about. He
passed the dead in some sort of hideous review. He walked with his feet
in the blood.

All at once he paused.

A few paces in front of him, in the hollow road, at the point where
the pile of dead came to an end, an open hand, illumined by the moon,
projected from beneath that heap of men. That hand had on its finger
something sparkling, which was a ring of gold.

The man bent over, remained in a crouching attitude for a moment, and
when he rose there was no longer a ring on the hand.

He did not precisely rise; he remained in a stooping and frightened
attitude, with his back turned to the heap of dead, scanning the horizon
on his knees, with the whole upper portion of his body supported on his
two forefingers, which rested on the earth, and his head peering above
the edge of the hollow road. The jackal's four paws suit some actions.

Then coming to a decision, he rose to his feet.

At that moment, he gave a terrible start. He felt some one clutch him
from behind.

He wheeled round; it was the open hand, which had closed, and had seized
the skirt of his coat.

An honest man would have been terrified; this man burst into a laugh.

"Come," said he, "it's only a dead body. I prefer a spook to a
gendarme."

But the hand weakened and released him. Effort is quickly exhausted in
the grave.

"Well now," said the prowler, "is that dead fellow alive? Let's see."

He bent down again, fumbled among the heap, pushed aside everything that
was in his way, seized the hand, grasped the arm, freed the head, pulled
out the body, and a few moments later he was dragging the lifeless, or
at least the unconscious, man, through the shadows of hollow road. He
was a cuirassier, an officer, and even an officer of considerable rank;
a large gold epaulette peeped from beneath the cuirass; this officer
no longer possessed a helmet. A furious sword-cut had scarred his face,
where nothing was discernible but blood.

However, he did not appear to have any broken limbs, and, by some happy
chance, if that word is permissible here, the dead had been vaulted
above him in such a manner as to preserve him from being crushed. His
eyes were still closed.

On his cuirass he wore the silver cross of the Legion of Honor.

The prowler tore off this cross, which disappeared into one of the gulfs
which he had beneath his great coat.

Then he felt of the officer's fob, discovered a watch there, and took
possession of it. Next he searched his waistcoat, found a purse and
pocketed it.

When he had arrived at this stage of succor which he was administering
to this dying man, the officer opened his eyes.

"Thanks," he said feebly.

The abruptness of the movements of the man who was manipulating him, the
freshness of the night, the air which he could inhale freely, had roused
him from his lethargy.

The prowler made no reply. He raised his head. A sound of footsteps was
audible in the plain; some patrol was probably approaching.

The officer murmured, for the death agony was still in his voice:--

"Who won the battle?"

"The English," answered the prowler.

The officer went on:--

"Look in my pockets; you will find a watch and a purse. Take them."

It was already done.

The prowler executed the required feint, and said:--

"There is nothing there."

"I have been robbed," said the officer; "I am sorry for that. You should
have had them."

The steps of the patrol became more and more distinct.

"Some one is coming," said the prowler, with the movement of a man who
is taking his departure.

The officer raised his arm feebly, and detained him.

"You have saved my life. Who are you?"

The prowler answered rapidly, and in a low voice:--

"Like yourself, I belonged to the French army. I must leave you. If they
were to catch me, they would shoot me. I have saved your life. Now get
out of the scrape yourself."

"What is your rank?"

"Sergeant."

"What is your name?"

"Thenardier."

"I shall not forget that name," said the officer; "and do you remember
mine. My name is Pontmercy."




BOOK SECOND.--THE SHIP ORION




CHAPTER I--NUMBER 24,601 BECOMES NUMBER 9,430

Jean Valjean had been recaptured.

The reader will be grateful to us if we pass rapidly over the sad
details. We will confine ourselves to transcribing two paragraphs
published by the journals of that day, a few months after the surprising
events which had taken place at M. sur M.

These articles are rather summary. It must be remembered, that at that
epoch the Gazette des Tribunaux was not yet in existence.

We borrow the first from the Drapeau Blanc. It bears the date of July
25, 1823.


An arrondissement of the Pas de Calais has just been the theatre of an
event quite out of the ordinary course. A man, who was a stranger in the
Department, and who bore the name of M. Madeleine, had, thanks to the
new methods, resuscitated some years ago an ancient local industry, the
manufacture of jet and of black glass trinkets. He had made his fortune
in the business, and that of the arrondissement as well, we will admit.
He had been appointed mayor, in recognition of his services. The police
discovered that M. Madeleine was no other than an ex-convict who had
broken his ban, condemned in 1796 for theft, and named Jean Valjean.
Jean Valjean has been recommitted to prison. It appears that previous
to his arrest he had succeeded in withdrawing from the hands of M.
Laffitte, a sum of over half a million which he had lodged there, and
which he had, moreover, and by perfectly legitimate means, acquired in
his business. No one has been able to discover where Jean Valjean has
concealed this money since his return to prison at Toulon.


The second article, which enters a little more into detail, is an
extract from the Journal de Paris, of the same date.

A former convict, who had been liberated, named Jean Valjean, has just
appeared before the Court of Assizes of the Var, under circumstances
calculated to attract attention. This wretch had succeeded in escaping
the vigilance of the police, he had changed his name, and had succeeded
in getting himself appointed mayor of one of our small northern towns;
in this town he had established a considerable commerce. He has at last
been unmasked and arrested, thanks to the indefatigable zeal of the
public prosecutor. He had for his concubine a woman of the town, who
died of a shock at the moment of his arrest. This scoundrel, who is
endowed with Herculean strength, found means to escape; but three or
four days after his flight the police laid their hands on him once more,
in Paris itself, at the very moment when he was entering one of those
little vehicles which run between the capital and the village of
Montfermeil (Seine-et-Oise). He is said to have profited by this
interval of three or four days of liberty, to withdraw a considerable
sum deposited by him with one of our leading bankers. This sum has been
estimated at six or seven hundred thousand francs. If the indictment is
to be trusted, he has hidden it in some place known to himself alone,
and it has not been possible to lay hands on it. However that may be,
the said Jean Valjean has just been brought before the Assizes of the
Department of the Var as accused of highway robbery accompanied with
violence, about eight years ago, on the person of one of those honest
children who, as the patriarch of Ferney has said, in immortal verse,


          ". . . Arrive from Savoy every year,
           And who, with gentle hands, do clear
           Those long canals choked up with soot."


This bandit refused to defend himself. It was proved by the skilful and
eloquent representative of the public prosecutor, that the theft was
committed in complicity with others, and that Jean Valjean was a member
of a band of robbers in the south. Jean Valjean was pronounced guilty
and was condemned to the death penalty in consequence. This criminal
refused to lodge an appeal. The king, in his inexhaustible clemency, has
deigned to commute his penalty to that of penal servitude for life. Jean
Valjean was immediately taken to the prison at Toulon.


The reader has not forgotten that Jean Valjean had religious habits at
M. sur M. Some papers, among others the Constitutional, presented this
commutation as a triumph of the priestly party.

Jean Valjean changed his number in the galleys. He was called 9,430.

However, and we will mention it at once in order that we may not be
obliged to recur to the subject, the prosperity of M. sur M. vanished
with M. Madeleine; all that he had foreseen during his night of fever
and hesitation was realized; lacking him, there actually was a soul
lacking. After this fall, there took place at M. sur M. that egotistical
division of great existences which have fallen, that fatal dismemberment
of flourishing things which is accomplished every day, obscurely, in
the human community, and which history has noted only once, because it
occurred after the death of Alexander. Lieutenants are crowned kings;
superintendents improvise manufacturers out of themselves. Envious
rivalries arose. M. Madeleine's vast workshops were shut; his buildings
fell to ruin, his workmen were scattered. Some of them quitted the
country, others abandoned the trade. Thenceforth, everything was done
on a small scale, instead of on a grand scale; for lucre instead of
the general good. There was no longer a centre; everywhere there
was competition and animosity. M. Madeleine had reigned over all and
directed all. No sooner had he fallen, than each pulled things to
himself; the spirit of combat succeeded to the spirit of organization,
bitterness to cordiality, hatred of one another to the benevolence of
the founder towards all; the threads which M. Madeleine had set were
tangled and broken, the methods were adulterated, the products were
debased, confidence was killed; the market diminished, for lack of
orders; salaries were reduced, the workshops stood still, bankruptcy
arrived. And then there was nothing more for the poor. All had vanished.

The state itself perceived that some one had been crushed somewhere.
Less than four years after the judgment of the Court of Assizes
establishing the identity of Jean Valjean and M. Madeleine, for the
benefit of the galleys, the cost of collecting taxes had doubled in the
arrondissement of M. sur M.; and M. de Villele called attention to the
fact in the rostrum, in the month of February, 1827.




CHAPTER II--IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE
DEVIL'S COMPOSITION, POSSIBLY

Before proceeding further, it will be to the purpose to narrate in some
detail, a singular occurrence which took place at about the same epoch,
in Montfermeil, and which is not lacking in coincidence with certain
conjectures of the indictment.

There exists in the region of Montfermeil a very ancient superstition,
which is all the more curious and all the more precious, because
a popular superstition in the vicinity of Paris is like an aloe in
Siberia. We are among those who respect everything which is in the
nature of a rare plant. Here, then, is the superstition of Montfermeil:
it is thought that the devil, from time immemorial, has selected the
forest as a hiding-place for his treasures. Goodwives affirm that it is
no rarity to encounter at nightfall, in secluded nooks of the forest,
a black man with the air of a carter or a wood-chopper, wearing wooden
shoes, clad in trousers and a blouse of linen, and recognizable by the
fact, that, instead of a cap or hat, he has two immense horns on his
head. This ought, in fact, to render him recognizable. This man is
habitually engaged in digging a hole. There are three ways of profiting
by such an encounter. The first is to approach the man and speak to him.
Then it is seen that the man is simply a peasant, that he appears black
because it is nightfall; that he is not digging any hole whatever, but
is cutting grass for his cows, and that what had been taken for horns
is nothing but a dung-fork which he is carrying on his back, and whose
teeth, thanks to the perspective of evening, seemed to spring from his
head. The man returns home and dies within the week. The second way is
to watch him, to wait until he has dug his hole, until he has filled it
and has gone away; then to run with great speed to the trench, to
open it once more and to seize the "treasure" which the black man
has necessarily placed there. In this case one dies within the month.
Finally, the last method is not to speak to the black man, not to look
at him, and to flee at the best speed of one's legs. One then dies
within the year.

As all three methods are attended with their special inconveniences, the
second, which at all events, presents some advantages, among others that
of possessing a treasure, if only for a month, is the one most generally
adopted. So bold men, who are tempted by every chance, have quite
frequently, as we are assured, opened the holes excavated by the black
man, and tried to rob the devil. The success of the operation appears
to be but moderate. At least, if the tradition is to be believed, and in
particular the two enigmatical lines in barbarous Latin, which an
evil Norman monk, a bit of a sorcerer, named Tryphon has left on
this subject. This Tryphon is buried at the Abbey of Saint-Georges de
Bocherville, near Rouen, and toads spawn on his grave.

Accordingly, enormous efforts are made. Such trenches are ordinarily
extremely deep; a man sweats, digs, toils all night--for it must be done
at night; he wets his shirt, burns out his candle, breaks his mattock,
and when he arrives at the bottom of the hole, when he lays his hand on
the "treasure," what does he find? What is the devil's treasure? A sou,
sometimes a crown-piece, a stone, a skeleton, a bleeding body, sometimes
a spectre folded in four like a sheet of paper in a portfolio,
sometimes nothing. This is what Tryphon's verses seem to announce to the
indiscreet and curious:--

          "Fodit, et in fossa thesauros condit opaca,
           As, nummas, lapides, cadaver, simulacra, nihilque."


It seems that in our day there is sometimes found a powder-horn with
bullets, sometimes an old pack of cards greasy and worn, which has
evidently served the devil. Tryphon does not record these two finds,
since Tryphon lived in the twelfth century, and since the devil does not
appear to have had the wit to invent powder before Roger Bacon's time,
and cards before the time of Charles VI.

Moreover, if one plays at cards, one is sure to lose all that one
possesses! and as for the powder in the horn, it possesses the property
of making your gun burst in your face.

Now, a very short time after the epoch when it seemed to the prosecuting
attorney that the liberated convict Jean Valjean during his flight of
several days had been prowling around Montfermeil, it was remarked in
that village that a certain old road-laborer, named Boulatruelle, had
"peculiar ways" in the forest. People thereabouts thought they knew that
this Boulatruelle had been in the galleys. He was subjected to
certain police supervision, and, as he could find work nowhere, the
administration employed him at reduced rates as a road-mender on the
cross-road from Gagny to Lagny.

This Boulatruelle was a man who was viewed with disfavor by the
inhabitants of the district as too respectful, too humble, too prompt in
removing his cap to every one, and trembling and smiling in the presence
of the gendarmes,--probably affiliated to robber bands, they said;
suspected of lying in ambush at verge of copses at nightfall. The only
thing in his favor was that he was a drunkard.

This is what people thought they had noticed:--

Of late, Boulatruelle had taken to quitting his task of stone-breaking
and care of the road at a very early hour, and to betaking himself to
the forest with his pickaxe. He was encountered towards evening in
the most deserted clearings, in the wildest thickets; and he had the
appearance of being in search of something, and sometimes he was digging
holes. The goodwives who passed took him at first for Beelzebub; then
they recognized Boulatruelle, and were not in the least reassured
thereby. These encounters seemed to cause Boulatruelle a lively
displeasure. It was evident that he sought to hide, and that there was
some mystery in what he was doing.

It was said in the village: "It is clear that the devil has appeared.
Boulatruelle has seen him, and is on the search. In sooth, he is cunning
enough to pocket Lucifer's hoard."

The Voltairians added, "Will Boulatruelle catch the devil, or will the
devil catch Boulatruelle?" The old women made a great many signs of the
cross.

In the meantime, Boulatruelle's manoeuvres in the forest ceased; and he
resumed his regular occupation of roadmending; and people gossiped of
something else.

Some persons, however, were still curious, surmising that in all this
there was probably no fabulous treasure of the legends, but some
fine windfall of a more serious and palpable sort than the devil's
bank-bills, and that the road-mender had half discovered the secret. The
most "puzzled" were the school-master and Thenardier, the proprietor of
the tavern, who was everybody's friend, and had not disdained to ally
himself with Boulatruelle.

"He has been in the galleys," said Thenardier. "Eh! Good God! no one
knows who has been there or will be there."

One evening the schoolmaster affirmed that in former times the law would
have instituted an inquiry as to what Boulatruelle did in the forest,
and that the latter would have been forced to speak, and that he would
have been put to the torture in case of need, and that Boulatruelle
would not have resisted the water test, for example. "Let us put him to
the wine test," said Thenardier.

They made an effort, and got the old road-mender to drinking.
Boulatruelle drank an enormous amount, but said very little. He combined
with admirable art, and in masterly proportions, the thirst of a
gormandizer with the discretion of a judge. Nevertheless, by dint of
returning to the charge and of comparing and putting together the few
obscure words which he did allow to escape him, this is what Thenardier
and the schoolmaster imagined that they had made out:--

One morning, when Boulatruelle was on his way to his work, at daybreak,
he had been surprised to see, at a nook of the forest in the underbrush,
a shovel and a pickaxe, concealed, as one might say.

However, he might have supposed that they were probably the shovel and
pick of Father Six-Fours, the water-carrier, and would have thought no
more about it. But, on the evening of that day, he saw, without being
seen himself, as he was hidden by a large tree, "a person who did not
belong in those parts, and whom he, Boulatruelle, knew well," directing
his steps towards the densest part of the wood. Translation by
Thenardier: A comrade of the galleys. Boulatruelle obstinately refused
to reveal his name. This person carried a package--something square,
like a large box or a small trunk. Surprise on the part of Boulatruelle.
However, it was only after the expiration of seven or eight minutes that
the idea of following that "person" had occurred to him. But it was too
late; the person was already in the thicket, night had descended, and
Boulatruelle had not been able to catch up with him. Then he had
adopted the course of watching for him at the edge of the woods. "It was
moonlight." Two or three hours later, Boulatruelle had seen this person
emerge from the brushwood, carrying no longer the coffer, but a shovel
and pick. Boulatruelle had allowed the person to pass, and had not
dreamed of accosting him, because he said to himself that the other man
was three times as strong as he was, and armed with a pickaxe, and that
he would probably knock him over the head on recognizing him, and on
perceiving that he was recognized. Touching effusion of two old comrades
on meeting again. But the shovel and pick had served as a ray of light
to Boulatruelle; he had hastened to the thicket in the morning, and had
found neither shovel nor pick. From this he had drawn the inference that
this person, once in the forest, had dug a hole with his pick, buried
the coffer, and reclosed the hole with his shovel. Now, the coffer was
too small to contain a body; therefore it contained money. Hence his
researches. Boulatruelle had explored, sounded, searched the entire
forest and the thicket, and had dug wherever the earth appeared to him
to have been recently turned up. In vain.

He had "ferreted out" nothing. No one in Montfermeil thought any more
about it. There were only a few brave gossips, who said, "You may be
certain that the mender on the Gagny road did not take all that trouble
for nothing; he was sure that the devil had come."




CHAPTER III--THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY
MANIPULATION TO BE THUS BROKEN WITH A BLOW FROM A HAMMER

Towards the end of October, in that same year, 1823, the inhabitants of
Toulon beheld the entry into their port, after heavy weather, and for
the purpose of repairing some damages, of the ship Orion, which was
employed later at Brest as a school-ship, and which then formed a part
of the Mediterranean squadron.

This vessel, battered as it was,--for the sea had handled it
roughly,--produced a fine effect as it entered the roads. It flew some
colors which procured for it the regulation salute of eleven guns, which
it returned, shot for shot; total, twenty-two. It has been calculated
that what with salvos, royal and military politenesses, courteous
exchanges of uproar, signals of etiquette, formalities of roadsteads and
citadels, sunrises and sunsets, saluted every day by all fortresses and
all ships of war, openings and closings of ports, etc., the civilized
world, discharged all over the earth, in the course of four and twenty
hours, one hundred and fifty thousand useless shots. At six francs the
shot, that comes to nine hundred thousand francs a day, three hundred
millions a year, which vanish in smoke. This is a mere detail. All this
time the poor were dying of hunger.

The year 1823 was what the Restoration called "the epoch of the Spanish
war."

This war contained many events in one, and a quantity of peculiarities.
A grand family affair for the house of Bourbon; the branch of France
succoring and protecting the branch of Madrid, that is to say,
performing an act devolving on the elder; an apparent return to our
national traditions, complicated by servitude and by subjection to the
cabinets of the North; M. le Duc d'Angouleme, surnamed by the liberal
sheets the hero of Andujar, compressing in a triumphal attitude that
was somewhat contradicted by his peaceable air, the ancient and very
powerful terrorism of the Holy Office at variance with the chimerical
terrorism of the liberals; the sansculottes resuscitated, to the great
terror of dowagers, under the name of descamisados; monarchy opposing an
obstacle to progress described as anarchy; the theories of '89 roughly
interrupted in the sap; a European halt, called to the French idea,
which was making the tour of the world; beside the son of France as
generalissimo, the Prince de Carignan, afterwards Charles Albert,
enrolling himself in that crusade of kings against people as a
volunteer, with grenadier epaulets of red worsted; the soldiers of the
Empire setting out on a fresh campaign, but aged, saddened, after eight
years of repose, and under the white cockade; the tricolored standard
waved abroad by a heroic handful of Frenchmen, as the white standard had
been thirty years earlier at Coblentz; monks mingled with our troops;
the spirit of liberty and of novelty brought to its senses by bayonets;
principles slaughtered by cannonades; France undoing by her arms that
which she had done by her mind; in addition to this, hostile leaders
sold, soldiers hesitating, cities besieged by millions; no military
perils, and yet possible explosions, as in every mine which is surprised
and invaded; but little bloodshed, little honor won, shame for some,
glory for no one. Such was this war, made by the princes descended from
Louis XIV., and conducted by generals who had been under Napoleon. Its
sad fate was to recall neither the grand war nor grand politics.

Some feats of arms were serious; the taking of the Trocadero, among
others, was a fine military action; but after all, we repeat, the
trumpets of this war give back a cracked sound, the whole effect was
suspicious; history approves of France for making a difficulty about
accepting this false triumph. It seemed evident that certain Spanish
officers charged with resistance yielded too easily; the idea of
corruption was connected with the victory; it appears as though generals
and not battles had been won, and the conquering soldier returned
humiliated. A debasing war, in short, in which the Bank of France could
be read in the folds of the flag.

Soldiers of the war of 1808, on whom Saragossa had fallen in formidable
ruin, frowned in 1823 at the easy surrender of citadels, and began to
regret Palafox. It is the nature of France to prefer to have Rostopchine
rather than Ballesteros in front of her.

From a still more serious point of view, and one which it is also proper
to insist upon here, this war, which wounded the military spirit
of France, enraged the democratic spirit. It was an enterprise of
inthralment. In that campaign, the object of the French soldier, the
son of democracy, was the conquest of a yoke for others. A hideous
contradiction. France is made to arouse the soul of nations, not to
stifle it. All the revolutions of Europe since 1792 are the French
Revolution: liberty darts rays from France. That is a solar fact. Blind
is he who will not see! It was Bonaparte who said it.

The war of 1823, an outrage on the generous Spanish nation, was then,
at the same time, an outrage on the French Revolution. It was France
who committed this monstrous violence; by foul means, for, with the
exception of wars of liberation, everything that armies do is by foul
means. The words passive obedience indicate this. An army is a strange
masterpiece of combination where force results from an enormous sum
of impotence. Thus is war, made by humanity against humanity, despite
humanity, explained.

As for the Bourbons, the war of 1823 was fatal to them. They took it for
a success. They did not perceive the danger that lies in having an idea
slain to order. They went astray, in their innocence, to such a degree
that they introduced the immense enfeeblement of a crime into their
establishment as an element of strength. The spirit of the ambush
entered into their politics. 1830 had its germ in 1823. The Spanish
campaign became in their counsels an argument for force and for
adventures by right Divine. France, having re-established elrey netto
in Spain, might well have re-established the absolute king at home. They
fell into the alarming error of taking the obedience of the soldier for
the consent of the nation. Such confidence is the ruin of thrones. It is
not permitted to fall asleep, either in the shadow of a machineel tree,
nor in the shadow of an army.

Let us return to the ship Orion.

During the operations of the army commanded by the prince generalissimo,
a squadron had been cruising in the Mediterranean. We have just stated
that the Orion belonged to this fleet, and that accidents of the sea had
brought it into port at Toulon.

The presence of a vessel of war in a port has something about it which
attracts and engages a crowd. It is because it is great, and the crowd
loves what is great.

A ship of the line is one of the most magnificent combinations of the
genius of man with the powers of nature.

A ship of the line is composed, at the same time, of the heaviest and
the lightest of possible matter, for it deals at one and the same time
with three forms of substance,--solid, liquid, and fluid,--and it must
do battle with all three. It has eleven claws of iron with which to
seize the granite on the bottom of the sea, and more wings and more
antennae than winged insects, to catch the wind in the clouds. Its
breath pours out through its hundred and twenty cannons as through
enormous trumpets, and replies proudly to the thunder. The ocean seeks
to lead it astray in the alarming sameness of its billows, but the
vessel has its soul, its compass, which counsels it and always shows it
the north. In the blackest nights, its lanterns supply the place of
the stars. Thus, against the wind, it has its cordage and its canvas;
against the water, wood; against the rocks, its iron, brass, and lead;
against the shadows, its light; against immensity, a needle.

If one wishes to form an idea of all those gigantic proportions which,
taken as a whole, constitute the ship of the line, one has only to enter
one of the six-story covered construction stocks, in the ports of Brest
or Toulon. The vessels in process of construction are under a bell-glass
there, as it were. This colossal beam is a yard; that great column of
wood which stretches out on the earth as far as the eye can reach is
the main-mast. Taking it from its root in the stocks to its tip in the
clouds, it is sixty fathoms long, and its diameter at its base is
three feet. The English main-mast rises to a height of two hundred and
seventeen feet above the water-line. The navy of our fathers employed
cables, ours employs chains. The simple pile of chains on a ship of a
hundred guns is four feet high, twenty feet in breadth, and eight
feet in depth. And how much wood is required to make this ship? Three
thousand cubic metres. It is a floating forest.

And moreover, let this be borne in mind, it is only a question here of
the military vessel of forty years ago, of the simple sailing-vessel;
steam, then in its infancy, has since added new miracles to that prodigy
which is called a war vessel. At the present time, for example, the
mixed vessel with a screw is a surprising machine, propelled by three
thousand square metres of canvas and by an engine of two thousand five
hundred horse-power.

Not to mention these new marvels, the ancient vessel of Christopher
Columbus and of De Ruyter is one of the masterpieces of man. It is as
inexhaustible in force as is the Infinite in gales; it stores up
the wind in its sails, it is precise in the immense vagueness of the
billows, it floats, and it reigns.

There comes an hour, nevertheless, when the gale breaks that sixty-foot
yard like a straw, when the wind bends that mast four hundred feet tall,
when that anchor, which weighs tens of thousands, is twisted in the jaws
of the waves like a fisherman's hook in the jaws of a pike, when those
monstrous cannons utter plaintive and futile roars, which the hurricane
bears forth into the void and into night, when all that power and all
that majesty are engulfed in a power and majesty which are superior.

Every time that immense force is displayed to culminate in an immense
feebleness it affords men food for thought, Hence in the ports curious
people abound around these marvellous machines of war and of navigation,
without being able to explain perfectly to themselves why. Every day,
accordingly, from morning until night, the quays, sluices, and the
jetties of the port of Toulon were covered with a multitude of idlers
and loungers, as they say in Paris, whose business consisted in staring
at the Orion.

The Orion was a ship that had been ailing for a long time; in the course
of its previous cruises thick layers of barnacles had collected on its
keel to such a degree as to deprive it of half its speed; it had gone
into the dry dock the year before this, in order to have the barnacles
scraped off, then it had put to sea again; but this cleaning had
affected the bolts of the keel: in the neighborhood of the Balearic
Isles the sides had been strained and had opened; and, as the plating
in those days was not of sheet iron, the vessel had sprung a leak.
A violent equinoctial gale had come up, which had first staved in
a grating and a porthole on the larboard side, and damaged the
foretop-gallant-shrouds; in consequence of these injuries, the Orion had
run back to Toulon.

It anchored near the Arsenal; it was fully equipped, and repairs were
begun. The hull had received no damage on the starboard, but some of the
planks had been unnailed here and there, according to custom, to permit
of air entering the hold.

One morning the crowd which was gazing at it witnessed an accident.

[Illustration: The Ship Orion, An Accident 2b2-1-the-ship-orion]

The crew was busy bending the sails; the topman, who had to take the
upper corner of the main-top-sail on the starboard, lost his balance;
he was seen to waver; the multitude thronging the Arsenal quay uttered a
cry; the man's head overbalanced his body; the man fell around the yard,
with his hands outstretched towards the abyss; on his way he seized the
footrope, first with one hand, then with the other, and remained hanging
from it: the sea lay below him at a dizzy depth; the shock of his fall
had imparted to the foot-rope a violent swinging motion; the man swayed
back and forth at the end of that rope, like a stone in a sling.

It was incurring a frightful risk to go to his assistance; not one
of the sailors, all fishermen of the coast, recently levied for the
service, dared to attempt it. In the meantime, the unfortunate topman
was losing his strength; his anguish could not be discerned on his face,
but his exhaustion was visible in every limb; his arms were contracted
in horrible twitchings; every effort which he made to re-ascend served
but to augment the oscillations of the foot-rope; he did not shout, for
fear of exhausting his strength. All were awaiting the minute when he
should release his hold on the rope, and, from instant to instant, heads
were turned aside that his fall might not be seen. There are moments
when a bit of rope, a pole, the branch of a tree, is life itself, and
it is a terrible thing to see a living being detach himself from it and
fall like a ripe fruit.

All at once a man was seen climbing into the rigging with the agility
of a tiger-cat; this man was dressed in red; he was a convict; he wore a
green cap; he was a life convict. On arriving on a level with the top, a
gust of wind carried away his cap, and allowed a perfectly white head to
be seen: he was not a young man.

A convict employed on board with a detachment from the galleys had, in
fact, at the very first instant, hastened to the officer of the watch,
and, in the midst of the consternation and the hesitation of the crew,
while all the sailors were trembling and drawing back, he had asked
the officer's permission to risk his life to save the topman; at an
affirmative sign from the officer he had broken the chain riveted to his
ankle with one blow of a hammer, then he had caught up a rope, and had
dashed into the rigging: no one noticed, at the instant, with what ease
that chain had been broken; it was only later on that the incident was
recalled.

In a twinkling he was on the yard; he paused for a few seconds and
appeared to be measuring it with his eye; these seconds, during which
the breeze swayed the topman at the extremity of a thread, seemed
centuries to those who were looking on. At last, the convict raised his
eyes to heaven and advanced a step: the crowd drew a long breath. He was
seen to run out along the yard: on arriving at the point, he fastened
the rope which he had brought to it, and allowed the other end to hang
down, then he began to descend the rope, hand over hand, and then,--and
the anguish was indescribable,--instead of one man suspended over the
gulf, there were two.

One would have said it was a spider coming to seize a fly, only here the
spider brought life, not death. Ten thousand glances were fastened on
this group; not a cry, not a word; the same tremor contracted every
brow; all mouths held their breath as though they feared to add the
slightest puff to the wind which was swaying the two unfortunate men.

In the meantime, the convict had succeeded in lowering himself to a
position near the sailor. It was high time; one minute more, and the
exhausted and despairing man would have allowed himself to fall into
the abyss. The convict had moored him securely with the cord to which
he clung with one hand, while he was working with the other. At last, he
was seen to climb back on the yard, and to drag the sailor up after him;
he held him there a moment to allow him to recover his strength, then he
grasped him in his arms and carried him, walking on the yard himself to
the cap, and from there to the main-top, where he left him in the hands
of his comrades.

At that moment the crowd broke into applause: old convict-sergeants
among them wept, and women embraced each other on the quay, and all
voices were heard to cry with a sort of tender rage, "Pardon for that
man!"

He, in the meantime, had immediately begun to make his descent to rejoin
his detachment. In order to reach them the more speedily, he dropped
into the rigging, and ran along one of the lower yards; all eyes were
following him. At a certain moment fear assailed them; whether it was
that he was fatigued, or that his head turned, they thought they saw him
hesitate and stagger. All at once the crowd uttered a loud shout: the
convict had fallen into the sea.

The fall was perilous. The frigate Algesiras was anchored alongside the
Orion, and the poor convict had fallen between the two vessels: it was
to be feared that he would slip under one or the other of them. Four men
flung themselves hastily into a boat; the crowd cheered them on;
anxiety again took possession of all souls; the man had not risen to
the surface; he had disappeared in the sea without leaving a ripple, as
though he had fallen into a cask of oil: they sounded, they dived. In
vain. The search was continued until the evening: they did not even find
the body.

On the following day the Toulon newspaper printed these lines:--

"Nov. 17, 1823. Yesterday, a convict belonging to the detachment on
board of the Orion, on his return from rendering assistance to a sailor,
fell into the sea and was drowned. The body has not yet been found; it
is supposed that it is entangled among the piles of the Arsenal point:
this man was committed under the number 9,430, and his name was Jean
Valjean."





BOOK THIRD.--ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN




CHAPTER I--THE WATER QUESTION AT MONTFERMEIL

Montfermeil is situated between Livry and Chelles, on the southern edge
of that lofty table-land which separates the Ourcq from the Marne. At
the present day it is a tolerably large town, ornamented all the year
through with plaster villas, and on Sundays with beaming bourgeois. In
1823 there were at Montfermeil neither so many white houses nor so
many well-satisfied citizens: it was only a village in the forest. Some
pleasure-houses of the last century were to be met with there, to be
sure, which were recognizable by their grand air, their balconies in
twisted iron, and their long windows, whose tiny panes cast all sorts
of varying shades of green on the white of the closed shutters; but
Montfermeil was none the less a village. Retired cloth-merchants and
rusticating attorneys had not discovered it as yet; it was a peaceful
and charming place, which was not on the road to anywhere: there people
lived, and cheaply, that peasant rustic life which is so bounteous and
so easy; only, water was rare there, on account of the elevation of the
plateau.

It was necessary to fetch it from a considerable distance; the end of
the village towards Gagny drew its water from the magnificent ponds
which exist in the woods there. The other end, which surrounds the
church and which lies in the direction of Chelles, found drinking-water
only at a little spring half-way down the slope, near the road to
Chelles, about a quarter of an hour from Montfermeil.

Thus each household found it hard work to keep supplied with water. The
large houses, the aristocracy, of which the Thenardier tavern formed a
part, paid half a farthing a bucketful to a man who made a business of
it, and who earned about eight sous a day in his enterprise of supplying
Montfermeil with water; but this good man only worked until seven
o'clock in the evening in summer, and five in winter; and night once
come and the shutters on the ground floor once closed, he who had no
water to drink went to fetch it for himself or did without it.

This constituted the terror of the poor creature whom the reader has
probably not forgotten,--little Cosette. It will be remembered that
Cosette was useful to the Thenardiers in two ways: they made the mother
pay them, and they made the child serve them. So when the mother ceased
to pay altogether, the reason for which we have read in preceding
chapters, the Thenardiers kept Cosette. She took the place of a servant
in their house. In this capacity she it was who ran to fetch water when
it was required. So the child, who was greatly terrified at the idea of
going to the spring at night, took great care that water should never be
lacking in the house.

Christmas of the year 1823 was particularly brilliant at Montfermeil.
The beginning of the winter had been mild; there had been neither snow
nor frost up to that time. Some mountebanks from Paris had obtained
permission of the mayor to erect their booths in the principal street of
the village, and a band of itinerant merchants, under protection of the
same tolerance, had constructed their stalls on the Church Square,
and even extended them into Boulanger Alley, where, as the reader will
perhaps remember, the Thenardiers' hostelry was situated. These people
filled the inns and drinking-shops, and communicated to that tranquil
little district a noisy and joyous life. In order to play the part of
a faithful historian, we ought even to add that, among the curiosities
displayed in the square, there was a menagerie, in which frightful
clowns, clad in rags and coming no one knew whence, exhibited to
the peasants of Montfermeil in 1823 one of those horrible Brazilian
vultures, such as our Royal Museum did not possess until 1845, and which
have a tricolored cockade for an eye. I believe that naturalists call
this bird Caracara Polyborus; it belongs to the order of the Apicides,
and to the family of the vultures. Some good old Bonapartist soldiers,
who had retired to the village, went to see this creature with great
devotion. The mountebanks gave out that the tricolored cockade was a
unique phenomenon made by God expressly for their menagerie.

On Christmas eve itself, a number of men, carters, and peddlers, were
seated at table, drinking and smoking around four or five candles in
the public room of Thenardier's hostelry. This room resembled all
drinking-shop rooms,--tables, pewter jugs, bottles, drinkers, smokers;
but little light and a great deal of noise. The date of the year 1823
was indicated, nevertheless, by two objects which were then fashionable
in the bourgeois class: to wit, a kaleidoscope and a lamp of ribbed tin.
The female Thenardier was attending to the supper, which was roasting in
front of a clear fire; her husband was drinking with his customers and
talking politics.

Besides political conversations which had for their principal subjects
the Spanish war and M. le Duc d'Angouleme, strictly local parentheses,
like the following, were audible amid the uproar:--

"About Nanterre and Suresnes the vines have flourished greatly. When
ten pieces were reckoned on there have been twelve. They have yielded a
great deal of juice under the press." "But the grapes cannot be ripe?"
"In those parts the grapes should not be ripe; the wine turns oily as
soon as spring comes." "Then it is very thin wine?" "There are wines
poorer even than these. The grapes must be gathered while green." Etc.

Or a miller would call out:--

"Are we responsible for what is in the sacks? We find in them a quantity
of small seed which we cannot sift out, and which we are obliged to send
through the mill-stones; there are tares, fennel, vetches, hempseed,
fox-tail, and a host of other weeds, not to mention pebbles, which
abound in certain wheat, especially in Breton wheat. I am not fond of
grinding Breton wheat, any more than long-sawyers like to saw beams with
nails in them. You can judge of the bad dust that makes in grinding. And
then people complain of the flour. They are in the wrong. The flour is
no fault of ours."

In a space between two windows a mower, who was seated at table with a
landed proprietor who was fixing on a price for some meadow work to be
performed in the spring, was saying:--

"It does no harm to have the grass wet. It cuts better. Dew is a good
thing, sir. It makes no difference with that grass. Your grass is young
and very hard to cut still. It's terribly tender. It yields before the
iron." Etc.

Cosette was in her usual place, seated on the cross-bar of the kitchen
table near the chimney. She was in rags; her bare feet were thrust into
wooden shoes, and by the firelight she was engaged in knitting woollen
stockings destined for the young Thenardiers. A very young kitten was
playing about among the chairs. Laughter and chatter were audible in
the adjoining room, from two fresh children's voices: it was Eponine and
Azelma.

In the chimney-corner a cat-o'-nine-tails was hanging on a nail.

At intervals the cry of a very young child, which was somewhere in the
house, rang through the noise of the dram-shop. It was a little boy
who had been born to the Thenardiers during one of the preceding
winters,--"she did not know why," she said, "the result of the
cold,"--and who was a little more than three years old. The mother had
nursed him, but she did not love him. When the persistent clamor of the
brat became too annoying, "Your son is squalling," Thenardier would
say; "do go and see what he wants." "Bah!" the mother would reply, "he
bothers me." And the neglected child continued to shriek in the dark.




CHAPTER II--TWO COMPLETE PORTRAITS

So far in this book the Thenardiers have been viewed only in profile;
the moment has arrived for making the circuit of this couple, and
considering it under all its aspects.

Thenardier had just passed his fiftieth birthday; Madame Thenardier was
approaching her forties, which is equivalent to fifty in a woman; so
that there existed a balance of age between husband and wife.

Our readers have possibly preserved some recollection of this Thenardier
woman, ever since her first appearance,--tall, blond, red, fat, angular,
square, enormous, and agile; she belonged, as we have said, to the
race of those colossal wild women, who contort themselves at fairs with
paving-stones hanging from their hair. She did everything about the
house,--made the beds, did the washing, the cooking, and everything
else. Cosette was her only servant; a mouse in the service of an
elephant. Everything trembled at the sound of her voice,--window panes,
furniture, and people. Her big face, dotted with red blotches,
presented the appearance of a skimmer. She had a beard. She was an ideal
market-porter dressed in woman's clothes. She swore splendidly; she
boasted of being able to crack a nut with one blow of her fist. Except
for the romances which she had read, and which made the affected lady
peep through the ogress at times, in a very queer way, the idea would
never have occurred to any one to say of her, "That is a woman."
This Thenardier female was like the product of a wench engrafted on a
fishwife. When one heard her speak, one said, "That is a gendarme"; when
one saw her drink, one said, "That is a carter"; when one saw her handle
Cosette, one said, "That is the hangman." One of her teeth projected
when her face was in repose.

Thenardier was a small, thin, pale, angular, bony, feeble man, who had
a sickly air and who was wonderfully healthy. His cunning began here;
he smiled habitually, by way of precaution, and was almost polite to
everybody, even to the beggar to whom he refused half a farthing. He had
the glance of a pole-cat and the bearing of a man of letters. He greatly
resembled the portraits of the Abbe Delille. His coquetry consisted in
drinking with the carters. No one had ever succeeded in rendering him
drunk. He smoked a big pipe. He wore a blouse, and under his blouse an
old black coat. He made pretensions to literature and to materialism.
There were certain names which he often pronounced to support whatever
things he might be saying,--Voltaire, Raynal, Parny, and, singularly
enough, Saint Augustine. He declared that he had "a system." In
addition, he was a great swindler. A filousophe [philosophe], a
scientific thief. The species does exist. It will be remembered that he
pretended to have served in the army; he was in the habit of relating
with exuberance, how, being a sergeant in the 6th or the 9th light
something or other, at Waterloo, he had alone, and in the presence of a
squadron of death-dealing hussars, covered with his body and saved
from death, in the midst of the grape-shot, "a general, who had been
dangerously wounded." Thence arose for his wall the flaring sign, and
for his inn the name which it bore in the neighborhood, of "the cabaret
of the Sergeant of Waterloo." He was a liberal, a classic, and a
Bonapartist. He had subscribed for the Champ d'Asile. It was said in the
village that he had studied for the priesthood.

We believe that he had simply studied in Holland for an inn-keeper. This
rascal of composite order was, in all probability, some Fleming from
Lille, in Flanders, a Frenchman in Paris, a Belgian at Brussels, being
comfortably astride of both frontiers. As for his prowess at Waterloo,
the reader is already acquainted with that. It will be perceived that
he exaggerated it a trifle. Ebb and flow, wandering, adventure, was
the leven of his existence; a tattered conscience entails a fragmentary
life, and, apparently at the stormy epoch of June 18, 1815, Thenardier
belonged to that variety of marauding sutlers of which we have spoken,
beating about the country, selling to some, stealing from others, and
travelling like a family man, with wife and children, in a rickety
cart, in the rear of troops on the march, with an instinct for always
attaching himself to the victorious army. This campaign ended, and
having, as he said, "some quibus," he had come to Montfermeil and set up
an inn there.

This quibus, composed of purses and watches, of gold rings and silver
crosses, gathered in harvest-time in furrows sown with corpses, did
not amount to a large total, and did not carry this sutler turned
eating-house-keeper very far.

Thenardier had that peculiar rectilinear something about his gestures
which, accompanied by an oath, recalls the barracks, and by a sign
of the cross, the seminary. He was a fine talker. He allowed it to be
thought that he was an educated man. Nevertheless, the schoolmaster had
noticed that he pronounced improperly.[12]

He composed the travellers' tariff card in a superior manner, but
practised eyes sometimes spied out orthographical errors in it.
Thenardier was cunning, greedy, slothful, and clever. He did not disdain
his servants, which caused his wife to dispense with them. This giantess
was jealous. It seemed to her that that thin and yellow little man must
be an object coveted by all.

Thenardier, who was, above all, an astute and well-balanced man, was a
scamp of a temperate sort. This is the worst species; hypocrisy enters
into it.

It is not that Thenardier was not, on occasion, capable of wrath to
quite the same degree as his wife; but this was very rare, and at such
times, since he was enraged with the human race in general, as he bore
within him a deep furnace of hatred. And since he was one of those
people who are continually avenging their wrongs, who accuse everything
that passes before them of everything which has befallen them, and who
are always ready to cast upon the first person who comes to hand, as a
legitimate grievance, the sum total of the deceptions, the bankruptcies,
and the calamities of their lives,--when all this leaven was stirred up
in him and boiled forth from his mouth and eyes, he was terrible. Woe to
the person who came under his wrath at such a time!

In addition to his other qualities, Thenardier was attentive and
penetrating, silent or talkative, according to circumstances, and always
highly intelligent. He had something of the look of sailors, who are
accustomed to screw up their eyes to gaze through marine glasses.
Thenardier was a statesman.

Every new-comer who entered the tavern said, on catching sight of Madame
Thenardier, "There is the master of the house." A mistake. She was not
even the mistress. The husband was both master and mistress. She worked;
he created. He directed everything by a sort of invisible and constant
magnetic action. A word was sufficient for him, sometimes a sign; the
mastodon obeyed. Thenardier was a sort of special and sovereign being in
Madame Thenardier's eyes, though she did not thoroughly realize it.
She was possessed of virtues after her own kind; if she had ever had a
disagreement as to any detail with "Monsieur Thenardier,"--which was
an inadmissible hypothesis, by the way,--she would not have blamed
her husband in public on any subject whatever. She would never have
committed "before strangers" that mistake so often committed by women,
and which is called in parliamentary language, "exposing the crown."
Although their concord had only evil as its result, there was
contemplation in Madame Thenardier's submission to her husband. That
mountain of noise and of flesh moved under the little finger of that
frail despot. Viewed on its dwarfed and grotesque side, this was that
grand and universal thing, the adoration of mind by matter; for certain
ugly features have a cause in the very depths of eternal beauty. There
was an unknown quantity about Thenardier; hence the absolute empire
of the man over that woman. At certain moments she beheld him like a
lighted candle; at others she felt him like a claw.

This woman was a formidable creature who loved no one except her
children, and who did not fear any one except her husband. She was a
mother because she was mammiferous. But her maternity stopped short with
her daughters, and, as we shall see, did not extend to boys. The man had
but one thought,--how to enrich himself.

He did not succeed in this. A theatre worthy of this great talent was
lacking. Thenardier was ruining himself at Montfermeil, if ruin is
possible to zero; in Switzerland or in the Pyrenees this penniless scamp
would have become a millionaire; but an inn-keeper must browse where
fate has hitched him.

It will be understood that the word inn-keeper is here employed in a
restricted sense, and does not extend to an entire class.

In this same year, 1823, Thenardier was burdened with about fifteen
hundred francs' worth of petty debts, and this rendered him anxious.

Whatever may have been the obstinate injustice of destiny in this case,
Thenardier was one of those men who understand best, with the most
profundity and in the most modern fashion, that thing which is a virtue
among barbarous peoples and an object of merchandise among civilized
peoples,--hospitality. Besides, he was an admirable poacher, and quoted
for his skill in shooting. He had a certain cold and tranquil laugh,
which was particularly dangerous.

His theories as a landlord sometimes burst forth in lightning flashes.
He had professional aphorisms, which he inserted into his wife's mind.
"The duty of the inn-keeper," he said to her one day, violently, and in
a low voice, "is to sell to the first comer, stews, repose, light, fire,
dirty sheets, a servant, lice, and a smile; to stop passers-by, to empty
small purses, and to honestly lighten heavy ones; to shelter travelling
families respectfully: to shave the man, to pluck the woman, to pick
the child clean; to quote the window open, the window shut, the
chimney-corner, the arm-chair, the chair, the ottoman, the stool, the
feather-bed, the mattress and the truss of straw; to know how much
the shadow uses up the mirror, and to put a price on it; and, by five
hundred thousand devils, to make the traveller pay for everything, even
for the flies which his dog eats!"

This man and this woman were ruse and rage wedded--a hideous and
terrible team.

While the husband pondered and combined, Madame Thenardier thought not
of absent creditors, took no heed of yesterday nor of to-morrow, and
lived in a fit of anger, all in a minute.

Such were these two beings. Cosette was between them, subjected to their
double pressure, like a creature who is at the same time being ground up
in a mill and pulled to pieces with pincers. The man and the woman each
had a different method: Cosette was overwhelmed with blows--this was the
woman's; she went barefooted in winter--that was the man's doing.

Cosette ran up stairs and down, washed, swept, rubbed, dusted, ran,
fluttered about, panted, moved heavy articles, and weak as she was,
did the coarse work. There was no mercy for her; a fierce mistress and
venomous master. The Thenardier hostelry was like a spider's web, in
which Cosette had been caught, and where she lay trembling. The ideal
of oppression was realized by this sinister household. It was something
like the fly serving the spiders.

The poor child passively held her peace.

What takes place within these souls when they have but just quitted God,
find themselves thus, at the very dawn of life, very small and in the
midst of men all naked!




CHAPTER III--MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER

Four new travellers had arrived.

Cosette was meditating sadly; for, although she was only eight years
old, she had already suffered so much that she reflected with the
lugubrious air of an old woman. Her eye was black in consequence of a
blow from Madame Thenardier's fist, which caused the latter to remark
from time to time, "How ugly she is with her fist-blow on her eye!"

Cosette was thinking that it was dark, very dark, that the pitchers and
caraffes in the chambers of the travellers who had arrived must have
been filled and that there was no more water in the cistern.

She was somewhat reassured because no one in the Thenardier
establishment drank much water. Thirsty people were never lacking there;
but their thirst was of the sort which applies to the jug rather than to
the pitcher. Any one who had asked for a glass of water among all those
glasses of wine would have appeared a savage to all these men. But there
came a moment when the child trembled; Madame Thenardier raised the
cover of a stew-pan which was boiling on the stove, then seized a glass
and briskly approached the cistern. She turned the faucet; the child
had raised her head and was following all the woman's movements. A thin
stream of water trickled from the faucet, and half filled the glass.
"Well," said she, "there is no more water!" A momentary silence ensued.
The child did not breathe.

"Bah!" resumed Madame Thenardier, examining the half-filled glass, "this
will be enough."

Cosette applied herself to her work once more, but for a quarter of an
hour she felt her heart leaping in her bosom like a big snow-flake.

She counted the minutes that passed in this manner, and wished it were
the next morning.

From time to time one of the drinkers looked into the street, and
exclaimed, "It's as black as an oven!" or, "One must needs be a cat
to go about the streets without a lantern at this hour!" And Cosette
trembled.

All at once one of the pedlers who lodged in the hostelry entered, and
said in a harsh voice:--

"My horse has not been watered."

"Yes, it has," said Madame Thenardier.

"I tell you that it has not," retorted the pedler.

Cosette had emerged from under the table.

"Oh, yes, sir!" said she, "the horse has had a drink; he drank out of a
bucket, a whole bucketful, and it was I who took the water to him, and I
spoke to him."

It was not true; Cosette lied.

"There's a brat as big as my fist who tells lies as big as the house,"
exclaimed the pedler. "I tell you that he has not been watered, you
little jade! He has a way of blowing when he has had no water, which I
know well."

Cosette persisted, and added in a voice rendered hoarse with anguish,
and which was hardly audible:--

"And he drank heartily."

"Come," said the pedler, in a rage, "this won't do at all, let my horse
be watered, and let that be the end of it!"

Cosette crept under the table again.

"In truth, that is fair!" said Madame Thenardier, "if the beast has not
been watered, it must be."

Then glancing about her:--

"Well, now! Where's that other beast?"

She bent down and discovered Cosette cowering at the other end of the
table, almost under the drinkers' feet.

"Are you coming?" shrieked Madame Thenardier.

Cosette crawled out of the sort of hole in which she had hidden herself.
The Thenardier resumed:--

"Mademoiselle Dog-lack-name, go and water that horse."

"But, Madame," said Cosette, feebly, "there is no water."

The Thenardier threw the street door wide open:--

"Well, go and get some, then!"

Cosette dropped her head, and went for an empty bucket which stood near
the chimney-corner.

This bucket was bigger than she was, and the child could have set down
in it at her ease.

The Thenardier returned to her stove, and tasted what was in the
stewpan, with a wooden spoon, grumbling the while:--

"There's plenty in the spring. There never was such a malicious creature
as that. I think I should have done better to strain my onions."

Then she rummaged in a drawer which contained sous, pepper, and
shallots.

"See here, Mam'selle Toad," she added, "on your way back, you will get a
big loaf from the baker. Here's a fifteen-sou piece."

Cosette had a little pocket on one side of her apron; she took the coin
without saying a word, and put it in that pocket.

Then she stood motionless, bucket in hand, the open door before her. She
seemed to be waiting for some one to come to her rescue.

"Get along with you!" screamed the Thenardier.

Cosette went out. The door closed behind her.




CHAPTER IV--ENTRANCE ON THE SCENE OF A DOLL

The line of open-air booths starting at the church, extended, as the
reader will remember, as far as the hostelry of the Thenardiers. These
booths were all illuminated, because the citizens would soon pass on
their way to the midnight mass, with candles burning in paper funnels,
which, as the schoolmaster, then seated at the table at the Thenardiers'
observed, produced "a magical effect." In compensation, not a star was
visible in the sky.

The last of these stalls, established precisely opposite the
Thenardiers' door, was a toy-shop all glittering with tinsel, glass,
and magnificent objects of tin. In the first row, and far forwards, the
merchant had placed on a background of white napkins, an immense doll,
nearly two feet high, who was dressed in a robe of pink crepe, with gold
wheat-ears on her head, which had real hair and enamel eyes. All that
day, this marvel had been displayed to the wonderment of all passers-by
under ten years of age, without a mother being found in Montfermeil
sufficiently rich or sufficiently extravagant to give it to her child.
Eponine and Azelma had passed hours in contemplating it, and Cosette
herself had ventured to cast a glance at it, on the sly, it is true.

At the moment when Cosette emerged, bucket in hand, melancholy and
overcome as she was, she could not refrain from lifting her eyes to
that wonderful doll, towards the lady, as she called it. The poor child
paused in amazement. She had not yet beheld that doll close to. The
whole shop seemed a palace to her: the doll was not a doll; it was a
vision. It was joy, splendor, riches, happiness, which appeared in
a sort of chimerical halo to that unhappy little being so profoundly
engulfed in gloomy and chilly misery. With the sad and innocent sagacity
of childhood, Cosette measured the abyss which separated her from
that doll. She said to herself that one must be a queen, or at least a
princess, to have a "thing" like that. She gazed at that beautiful pink
dress, that beautiful smooth hair, and she thought, "How happy that doll
must be!" She could not take her eyes from that fantastic stall. The
more she looked, the more dazzled she grew. She thought she was gazing
at paradise. There were other dolls behind the large one, which seemed
to her to be fairies and genii. The merchant, who was pacing back and
forth in front of his shop, produced on her somewhat the effect of being
the Eternal Father.

In this adoration she forgot everything, even the errand with which she
was charged.

All at once the Thenardier's coarse voice recalled her to reality:
"What, you silly jade! you have not gone? Wait! I'll give it to you! I
want to know what you are doing there! Get along, you little monster!"

The Thenardier had cast a glance into the street, and had caught sight
of Cosette in her ecstasy.

Cosette fled, dragging her pail, and taking the longest strides of which
she was capable.




CHAPTER V--THE LITTLE ONE ALL ALONE

As the Thenardier hostelry was in that part of the village which is
near the church, it was to the spring in the forest in the direction of
Chelles that Cosette was obliged to go for her water.

She did not glance at the display of a single other merchant. So long
as she was in Boulanger Lane and in the neighborhood of the church, the
lighted stalls illuminated the road; but soon the last light from the
last stall vanished. The poor child found herself in the dark. She
plunged into it. Only, as a certain emotion overcame her, she made as
much motion as possible with the handle of the bucket as she walked
along. This made a noise which afforded her company.

The further she went, the denser the darkness became. There was no one
in the streets. However, she did encounter a woman, who turned around
on seeing her, and stood still, muttering between her teeth: "Where can
that child be going? Is it a werewolf child?" Then the woman recognized
Cosette. "Well," said she, "it's the Lark!"

In this manner Cosette traversed the labyrinth of tortuous and deserted
streets which terminate in the village of Montfermeil on the side of
Chelles. So long as she had the houses or even the walls only on both
sides of her path, she proceeded with tolerable boldness. From time
to time she caught the flicker of a candle through the crack of a
shutter--this was light and life; there were people there, and it
reassured her. But in proportion as she advanced, her pace slackened
mechanically, as it were. When she had passed the corner of the last
house, Cosette paused. It had been hard to advance further than the last
stall; it became impossible to proceed further than the last house. She
set her bucket on the ground, thrust her hand into her hair, and
began slowly to scratch her head,--a gesture peculiar to children when
terrified and undecided what to do. It was no longer Montfermeil; it
was the open fields. Black and desert space was before her. She gazed in
despair at that darkness, where there was no longer any one, where there
were beasts, where there were spectres, possibly. She took a good
look, and heard the beasts walking on the grass, and she distinctly saw
spectres moving in the trees. Then she seized her bucket again; fear had
lent her audacity. "Bah!" said she; "I will tell him that there was no
more water!" And she resolutely re-entered Montfermeil.

Hardly had she gone a hundred paces when she paused and began to scratch
her head again. Now it was the Thenardier who appeared to her, with her
hideous, hyena mouth, and wrath flashing in her eyes. The child cast a
melancholy glance before her and behind her. What was she to do? What
was to become of her? Where was she to go? In front of her was the
spectre of the Thenardier; behind her all the phantoms of the night
and of the forest. It was before the Thenardier that she recoiled. She
resumed her path to the spring, and began to run. She emerged from
the village, she entered the forest at a run, no longer looking at or
listening to anything. She only paused in her course when her breath
failed her; but she did not halt in her advance. She went straight
before her in desperation.

As she ran she felt like crying.

The nocturnal quivering of the forest surrounded her completely.

She no longer thought, she no longer saw. The immensity of night was
facing this tiny creature. On the one hand, all shadow; on the other, an
atom.

It was only seven or eight minutes' walk from the edge of the woods to
the spring. Cosette knew the way, through having gone over it many times
in daylight. Strange to say, she did not get lost. A remnant of instinct
guided her vaguely. But she did not turn her eyes either to right or to
left, for fear of seeing things in the branches and in the brushwood. In
this manner she reached the spring.

It was a narrow, natural basin, hollowed out by the water in a clayey
soil, about two feet deep, surrounded with moss and with those tall,
crimped grasses which are called Henry IV.'s frills, and paved with
several large stones. A brook ran out of it, with a tranquil little
noise.

Cosette did not take time to breathe. It was very dark, but she was in
the habit of coming to this spring. She felt with her left hand in the
dark for a young oak which leaned over the spring, and which usually
served to support her, found one of its branches, clung to it, bent
down, and plunged the bucket in the water. She was in a state of such
violent excitement that her strength was trebled. While thus bent over,
she did not notice that the pocket of her apron had emptied itself into
the spring. The fifteen-sou piece fell into the water. Cosette neither
saw nor heard it fall. She drew out the bucket nearly full, and set it
on the grass.

That done, she perceived that she was worn out with fatigue. She would
have liked to set out again at once, but the effort required to fill the
bucket had been such that she found it impossible to take a step. She
was forced to sit down. She dropped on the grass, and remained crouching
there.

She shut her eyes; then she opened them again, without knowing why, but
because she could not do otherwise. The agitated water in the bucket
beside her was describing circles which resembled tin serpents.

Overhead the sky was covered with vast black clouds, which were like
masses of smoke. The tragic mask of shadow seemed to bend vaguely over
the child.

Jupiter was setting in the depths.

The child stared with bewildered eyes at this great star, with which she
was unfamiliar, and which terrified her. The planet was, in fact, very
near the horizon and was traversing a dense layer of mist which imparted
to it a horrible ruddy hue. The mist, gloomily empurpled, magnified the
star. One would have called it a luminous wound.

A cold wind was blowing from the plain. The forest was dark, not a leaf
was moving; there were none of the vague, fresh gleams of summertide.
Great boughs uplifted themselves in frightful wise. Slender and
misshapen bushes whistled in the clearings. The tall grasses undulated
like eels under the north wind. The nettles seemed to twist long arms
furnished with claws in search of prey. Some bits of dry heather, tossed
by the breeze, flew rapidly by, and had the air of fleeing in terror
before something which was coming after. On all sides there were
lugubrious stretches.

The darkness was bewildering. Man requires light. Whoever buries himself
in the opposite of day feels his heart contract. When the eye sees
black, the heart sees trouble. In an eclipse in the night, in the sooty
opacity, there is anxiety even for the stoutest of hearts. No one walks
alone in the forest at night without trembling. Shadows and trees--two
formidable densities. A chimerical reality appears in the indistinct
depths. The inconceivable is outlined a few paces distant from you with
a spectral clearness. One beholds floating, either in space or in one's
own brain, one knows not what vague and intangible thing, like the
dreams of sleeping flowers. There are fierce attitudes on the horizon.
One inhales the effluvia of the great black void. One is afraid to
glance behind him, yet desirous of doing so. The cavities of night,
things grown haggard, taciturn profiles which vanish when one advances,
obscure dishevelments, irritated tufts, livid pools, the lugubrious
reflected in the funereal, the sepulchral immensity of silence, unknown
but possible beings, bendings of mysterious branches, alarming torsos of
trees, long handfuls of quivering plants,--against all this one has no
protection. There is no hardihood which does not shudder and which does
not feel the vicinity of anguish. One is conscious of something hideous,
as though one's soul were becoming amalgamated with the darkness. This
penetration of the shadows is indescribably sinister in the case of a
child.

Forests are apocalypses, and the beating of the wings of a tiny soul
produces a sound of agony beneath their monstrous vault.

Without understanding her sensations, Cosette was conscious that she was
seized upon by that black enormity of nature; it was no longer terror
alone which was gaining possession of her; it was something more
terrible even than terror; she shivered. There are no words to express
the strangeness of that shiver which chilled her to the very bottom of
her heart; her eye grew wild; she thought she felt that she should not
be able to refrain from returning there at the same hour on the morrow.

Then, by a sort of instinct, she began to count aloud, one, two, three,
four, and so on up to ten, in order to escape from that singular state
which she did not understand, but which terrified her, and, when she had
finished, she began again; this restored her to a true perception of
the things about her. Her hands, which she had wet in drawing the water,
felt cold; she rose; her terror, a natural and unconquerable terror, had
returned: she had but one thought now,--to flee at full speed through
the forest, across the fields to the houses, to the windows, to the
lighted candles. Her glance fell upon the water which stood before her;
such was the fright which the Thenardier inspired in her, that she dared
not flee without that bucket of water: she seized the handle with both
hands; she could hardly lift the pail.

In this manner she advanced a dozen paces, but the bucket was full; it
was heavy; she was forced to set it on the ground once more. She took
breath for an instant, then lifted the handle of the bucket again, and
resumed her march, proceeding a little further this time, but again she
was obliged to pause. After some seconds of repose she set out again.
She walked bent forward, with drooping head, like an old woman; the
weight of the bucket strained and stiffened her thin arms. The iron
handle completed the benumbing and freezing of her wet and tiny hands;
she was forced to halt from time to time, and each time that she did so,
the cold water which splashed from the pail fell on her bare legs. This
took place in the depths of a forest, at night, in winter, far from all
human sight; she was a child of eight: no one but God saw that sad thing
at the moment.

And her mother, no doubt, alas!

For there are things that make the dead open their eyes in their graves.

She panted with a sort of painful rattle; sobs contracted her throat,
but she dared not weep, so afraid was she of the Thenardier, even at a
distance: it was her custom to imagine the Thenardier always present.

However, she could not make much headway in that manner, and she went
on very slowly. In spite of diminishing the length of her stops, and
of walking as long as possible between them, she reflected with anguish
that it would take her more than an hour to return to Montfermeil in
this manner, and that the Thenardier would beat her. This anguish was
mingled with her terror at being alone in the woods at night; she was
worn out with fatigue, and had not yet emerged from the forest. On
arriving near an old chestnut-tree with which she was acquainted, made
a last halt, longer than the rest, in order that she might get well
rested; then she summoned up all her strength, picked up her bucket
again, and courageously resumed her march, but the poor little desperate
creature could not refrain from crying, "O my God! my God!"

At that moment she suddenly became conscious that her bucket no longer
weighed anything at all: a hand, which seemed to her enormous, had just
seized the handle, and lifted it vigorously. She raised her head. A
large black form, straight and erect, was walking beside her through the
darkness; it was a man who had come up behind her, and whose approach
she had not heard. This man, without uttering a word, had seized the
handle of the bucket which she was carrying.

There are instincts for all the encounters of life.

The child was not afraid.




CHAPTER VI--WHICH POSSIBLY PROVES BOULATRUELLE'S INTELLIGENCE

On the afternoon of that same Christmas Day, 1823, a man had walked
for rather a long time in the most deserted part of the Boulevard de
l'Hopital in Paris. This man had the air of a person who is seeking
lodgings, and he seemed to halt, by preference, at the most modest
houses on that dilapidated border of the faubourg Saint-Marceau.

We shall see further on that this man had, in fact, hired a chamber in
that isolated quarter.

This man, in his attire, as in all his person, realized the type of what
may be called the well-bred mendicant,--extreme wretchedness combined
with extreme cleanliness. This is a very rare mixture which inspires
intelligent hearts with that double respect which one feels for the man
who is very poor, and for the man who is very worthy. He wore a very
old and very well brushed round hat; a coarse coat, worn perfectly
threadbare, of an ochre yellow, a color that was not in the least
eccentric at that epoch; a large waistcoat with pockets of a venerable
cut; black breeches, worn gray at the knee, stockings of black worsted;
and thick shoes with copper buckles. He would have been pronounced a
preceptor in some good family, returned from the emigration. He would
have been taken for more than sixty years of age, from his perfectly
white hair, his wrinkled brow, his livid lips, and his countenance,
where everything breathed depression and weariness of life. Judging from
his firm tread, from the singular vigor which stamped all his movements,
he would have hardly been thought fifty. The wrinkles on his brow were
well placed, and would have disposed in his favor any one who observed
him attentively. His lip contracted with a strange fold which seemed
severe, and which was humble. There was in the depth of his glance an
indescribable melancholy serenity. In his left hand he carried a little
bundle tied up in a handkerchief; in his right he leaned on a sort of a
cudgel, cut from some hedge. This stick had been carefully trimmed, and
had an air that was not too threatening; the most had been made of its
knots, and it had received a coral-like head, made from red wax: it was
a cudgel, and it seemed to be a cane.

There are but few passers-by on that boulevard, particularly in the
winter. The man seemed to avoid them rather than to seek them, but this
without any affectation.

At that epoch, King Louis XVIII. went nearly every day to Choisy-le-Roi:
it was one of his favorite excursions. Towards two o'clock, almost
invariably, the royal carriage and cavalcade was seen to pass at full
speed along the Boulevard de l'Hopital.

This served in lieu of a watch or clock to the poor women of the quarter
who said, "It is two o'clock; there he is returning to the Tuileries."

And some rushed forward, and others drew up in line, for a passing king
always creates a tumult; besides, the appearance and disappearance of
Louis XVIII. produced a certain effect in the streets of Paris. It was
rapid but majestic. This impotent king had a taste for a fast gallop;
as he was not able to walk, he wished to run: that cripple would gladly
have had himself drawn by the lightning. He passed, pacific and severe,
in the midst of naked swords. His massive coach, all covered with
gilding, with great branches of lilies painted on the panels, thundered
noisily along. There was hardly time to cast a glance upon it. In the
rear angle on the right there was visible on tufted cushions of white
satin a large, firm, and ruddy face, a brow freshly powdered a l'oiseau
royal, a proud, hard, crafty eye, the smile of an educated man, two
great epaulets with bullion fringe floating over a bourgeois coat, the
Golden Fleece, the cross of Saint Louis, the cross of the Legion of
Honor, the silver plaque of the Saint-Esprit, a huge belly, and a wide
blue ribbon: it was the king. Outside of Paris, he held his hat decked
with white ostrich plumes on his knees enwrapped in high English
gaiters; when he re-entered the city, he put on his hat and saluted
rarely; he stared coldly at the people, and they returned it in kind.
When he appeared for the first time in the Saint-Marceau quarter,
the whole success which he produced is contained in this remark of an
inhabitant of the faubourg to his comrade, "That big fellow yonder is
the government."

This infallible passage of the king at the same hour was, therefore, the
daily event of the Boulevard de l'Hopital.

The promenader in the yellow coat evidently did not belong in the
quarter, and probably did not belong in Paris, for he was ignorant as to
this detail. When, at two o'clock, the royal carriage, surrounded by a
squadron of the body-guard all covered with silver lace, debouched
on the boulevard, after having made the turn of the Salpetriere, he
appeared surprised and almost alarmed. There was no one but himself in
this cross-lane. He drew up hastily behind the corner of the wall of an
enclosure, though this did not prevent M. le Duc de Havre from spying
him out.

M. le Duc de Havre, as captain of the guard on duty that day, was seated
in the carriage, opposite the king. He said to his Majesty, "Yonder
is an evil-looking man." Members of the police, who were clearing the
king's route, took equal note of him: one of them received an order to
follow him. But the man plunged into the deserted little streets of the
faubourg, and as twilight was beginning to fall, the agent lost trace of
him, as is stated in a report addressed that same evening to M. le Comte
d'Angles, Minister of State, Prefect of Police.

When the man in the yellow coat had thrown the agent off his track,
he redoubled his pace, not without turning round many a time to assure
himself that he was not being followed. At a quarter-past four, that is
to say, when night was fully come, he passed in front of the theatre
of the Porte Saint-Martin, where The Two Convicts was being played that
day. This poster, illuminated by the theatre lanterns, struck him; for,
although he was walking rapidly, he halted to read it. An instant later
he was in the blind alley of La Planchette, and he entered the Plat
d'Etain [the Pewter Platter], where the office of the coach for Lagny
was then situated. This coach set out at half-past four. The horses were
harnessed, and the travellers, summoned by the coachman, were hastily
climbing the lofty iron ladder of the vehicle.

The man inquired:--

"Have you a place?"

"Only one--beside me on the box," said the coachman.

"I will take it."

"Climb up."

Nevertheless, before setting out, the coachman cast a glance at the
traveller's shabby dress, at the diminutive size of his bundle, and made
him pay his fare.

"Are you going as far as Lagny?" demanded the coachman.

"Yes," said the man.

The traveller paid to Lagny.

They started. When they had passed the barrier, the coachman tried
to enter into conversation, but the traveller only replied in
monosyllables. The coachman took to whistling and swearing at his
horses.

The coachman wrapped himself up in his cloak. It was cold. The man
did not appear to be thinking of that. Thus they passed Gournay and
Neuilly-sur-Marne.

Towards six o'clock in the evening they reached Chelles. The coachman
drew up in front of the carters' inn installed in the ancient buildings
of the Royal Abbey, to give his horses a breathing spell.

"I get down here," said the man.

He took his bundle and his cudgel and jumped down from the vehicle.

An instant later he had disappeared.

He did not enter the inn.

When the coach set out for Lagny a few minutes later, it did not
encounter him in the principal street of Chelles.

The coachman turned to the inside travellers.

"There," said he, "is a man who does not belong here, for I do not know
him. He had not the air of owning a sou, but he does not consider money;
he pays to Lagny, and he goes only as far as Chelles. It is night; all
the houses are shut; he does not enter the inn, and he is not to be
found. So he has dived through the earth."

The man had not plunged into the earth, but he had gone with great
strides through the dark, down the principal street of Chelles, then he
had turned to the right before reaching the church, into the cross-road
leading to Montfermeil, like a person who was acquainted with the
country and had been there before.

He followed this road rapidly. At the spot where it is intersected by
the ancient tree-bordered road which runs from Gagny to Lagny, he heard
people coming. He concealed himself precipitately in a ditch, and there
waited until the passers-by were at a distance. The precaution was
nearly superfluous, however; for, as we have already said, it was a very
dark December night. Not more than two or three stars were visible in
the sky.

It is at this point that the ascent of the hill begins. The man did not
return to the road to Montfermeil; he struck across the fields to the
right, and entered the forest with long strides.

Once in the forest he slackened his pace, and began a careful
examination of all the trees, advancing, step by step, as though seeking
and following a mysterious road known to himself alone. There came a
moment when he appeared to lose himself, and he paused in indecision. At
last he arrived, by dint of feeling his way inch by inch, at a clearing
where there was a great heap of whitish stones. He stepped up briskly to
these stones, and examined them attentively through the mists of night,
as though he were passing them in review. A large tree, covered with
those excrescences which are the warts of vegetation, stood a few paces
distant from the pile of stones. He went up to this tree and passed
his hand over the bark of the trunk, as though seeking to recognize and
count all the warts.

Opposite this tree, which was an ash, there was a chestnut-tree,
suffering from a peeling of the bark, to which a band of zinc had been
nailed by way of dressing. He raised himself on tiptoe and touched this
band of zinc.

Then he trod about for awhile on the ground comprised in the space
between the tree and the heap of stones, like a person who is trying to
assure himself that the soil has not recently been disturbed.

That done, he took his bearings, and resumed his march through the
forest.

It was the man who had just met Cosette.

As he walked through the thicket in the direction of Montfermeil, he had
espied that tiny shadow moving with a groan, depositing a burden on
the ground, then taking it up and setting out again. He drew near, and
perceived that it was a very young child, laden with an enormous bucket
of water. Then he approached the child, and silently grasped the handle
of the bucket.




CHAPTER VII--COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK

Cosette, as we have said, was not frightened.

The man accosted her. He spoke in a voice that was grave and almost
bass.

"My child, what you are carrying is very heavy for you."

Cosette raised her head and replied:--

"Yes, sir."

"Give it to me," said the man; "I will carry it for you."

Cosette let go of the bucket-handle. The man walked along beside her.

"It really is very heavy," he muttered between his teeth. Then he
added:--

"How old are you, little one?"

"Eight, sir."

"And have you come from far like this?"

"From the spring in the forest."

"Are you going far?"

"A good quarter of an hour's walk from here."

The man said nothing for a moment; then he remarked abruptly:--

"So you have no mother."

"I don't know," answered the child.

Before the man had time to speak again, she added:--

"I don't think so. Other people have mothers. I have none."

And after a silence she went on:--

"I think that I never had any."

The man halted; he set the bucket on the ground, bent down and placed
both hands on the child's shoulders, making an effort to look at her and
to see her face in the dark.

Cosette's thin and sickly face was vaguely outlined by the livid light
in the sky.

"What is your name?" said the man.

"Cosette."

The man seemed to have received an electric shock. He looked at her once
more; then he removed his hands from Cosette's shoulders, seized the
bucket, and set out again.

After a moment he inquired:--

"Where do you live, little one?"

"At Montfermeil, if you know where that is."

"That is where we are going?"

"Yes, sir."

He paused; then began again:--

"Who sent you at such an hour to get water in the forest?"

"It was Madame Thenardier."

The man resumed, in a voice which he strove to render indifferent, but
in which there was, nevertheless, a singular tremor:--

"What does your Madame Thenardier do?"

"She is my mistress," said the child. "She keeps the inn."

"The inn?" said the man. "Well, I am going to lodge there to-night. Show
me the way."

"We are on the way there," said the child.

The man walked tolerably fast. Cosette followed him without difficulty.
She no longer felt any fatigue. From time to time she raised her eyes
towards the man, with a sort of tranquillity and an indescribable
confidence. She had never been taught to turn to Providence and to pray;
nevertheless, she felt within her something which resembled hope and
joy, and which mounted towards heaven.

Several minutes elapsed. The man resumed:--

"Is there no servant in Madame Thenardier's house?"

"No, sir."

"Are you alone there?"

"Yes, sir."

Another pause ensued. Cosette lifted up her voice:--

"That is to say, there are two little girls."

"What little girls?"

"Ponine and Zelma."

This was the way the child simplified the romantic names so dear to the
female Thenardier.

"Who are Ponine and Zelma?"

"They are Madame Thenardier's young ladies; her daughters, as you would
say."

"And what do those girls do?"

"Oh!" said the child, "they have beautiful dolls; things with gold in
them, all full of affairs. They play; they amuse themselves."

"All day long?"

"Yes, sir."

"And you?"

"I? I work."

"All day long?"

The child raised her great eyes, in which hung a tear, which was not
visible because of the darkness, and replied gently:--

"Yes, sir."

After an interval of silence she went on:--

"Sometimes, when I have finished my work and they let me, I amuse
myself, too."

"How do you amuse yourself?"

"In the best way I can. They let me alone; but I have not many
playthings. Ponine and Zelma will not let me play with their dolls. I
have only a little lead sword, no longer than that."

The child held up her tiny finger.

"And it will not cut?"

"Yes, sir," said the child; "it cuts salad and the heads of flies."

They reached the village. Cosette guided the stranger through the
streets. They passed the bakeshop, but Cosette did not think of the
bread which she had been ordered to fetch. The man had ceased to ply her
with questions, and now preserved a gloomy silence.

When they had left the church behind them, the man, on perceiving all
the open-air booths, asked Cosette:--

"So there is a fair going on here?"

"No, sir; it is Christmas."

As they approached the tavern, Cosette timidly touched his arm:--

"Monsieur?"

"What, my child?"

"We are quite near the house."

"Well?"

"Will you let me take my bucket now?"

"Why?"

"If Madame sees that some one has carried it for me, she will beat me."

The man handed her the bucket. An instant later they were at the tavern
door.




CHAPTER VIII--THE UNPLEASANTNESS OF RECEIVING INTO ONE'S HOUSE A POOR
MAN WHO MAY BE A RICH MAN


Cosette could not refrain from casting a sidelong glance at the big
doll, which was still displayed at the toy-merchant's; then she knocked.
The door opened. The Thenardier appeared with a candle in her hand.


"Ah! so it's you, you little wretch! good mercy, but you've taken your
time! The hussy has been amusing herself!"

"Madame," said Cosette, trembling all over, "here's a gentleman who
wants a lodging."

The Thenardier speedily replaced her gruff air by her amiable grimace,
a change of aspect common to tavern-keepers, and eagerly sought the
new-comer with her eyes.

"This is the gentleman?" said she.

"Yes, Madame," replied the man, raising his hand to his hat.

Wealthy travellers are not so polite. This gesture, and an inspection
of the stranger's costume and baggage, which the Thenardier passed in
review with one glance, caused the amiable grimace to vanish, and the
gruff mien to reappear. She resumed dryly:--

"Enter, my good man."

The "good man" entered. The Thenardier cast a second glance at him, paid
particular attention to his frock-coat, which was absolutely threadbare,
and to his hat, which was a little battered, and, tossing her head,
wrinkling her nose, and screwing up her eyes, she consulted her husband,
who was still drinking with the carters. The husband replied by that
imperceptible movement of the forefinger, which, backed up by an
inflation of the lips, signifies in such cases: A regular beggar.
Thereupon, the Thenardier exclaimed:--

"Ah! see here, my good man; I am very sorry, but I have no room left."

"Put me where you like," said the man; "in the attic, in the stable. I
will pay as though I occupied a room."

"Forty sous."

"Forty sous; agreed."

"Very well, then!"

"Forty sous!" said a carter, in a low tone, to the Thenardier woman;
"why, the charge is only twenty sous!"

"It is forty in his case," retorted the Thenardier, in the same tone. "I
don't lodge poor folks for less."

"That's true," added her husband, gently; "it ruins a house to have such
people in it."

In the meantime, the man, laying his bundle and his cudgel on a bench,
had seated himself at a table, on which Cosette made haste to place a
bottle of wine and a glass. The merchant who had demanded the bucket of
water took it to his horse himself. Cosette resumed her place under the
kitchen table, and her knitting.

The man, who had barely moistened his lips in the wine which he had
poured out for himself, observed the child with peculiar attention.

Cosette was ugly. If she had been happy, she might have been pretty. We
have already given a sketch of that sombre little figure. Cosette was
thin and pale; she was nearly eight years old, but she seemed to be
hardly six. Her large eyes, sunken in a sort of shadow, were almost put
out with weeping. The corners of her mouth had that curve of habitual
anguish which is seen in condemned persons and desperately sick people.
Her hands were, as her mother had divined, "ruined with chilblains." The
fire which illuminated her at that moment brought into relief all the
angles of her bones, and rendered her thinness frightfully apparent.
As she was always shivering, she had acquired the habit of pressing her
knees one against the other. Her entire clothing was but a rag which
would have inspired pity in summer, and which inspired horror in winter.
All she had on was hole-ridden linen, not a scrap of woollen. Her skin
was visible here and there and everywhere black and blue spots could be
descried, which marked the places where the Thenardier woman had touched
her. Her naked legs were thin and red. The hollows in her neck were
enough to make one weep. This child's whole person, her mien, her
attitude, the sound of her voice, the intervals which she allowed to
elapse between one word and the next, her glance, her silence, her
slightest gesture, expressed and betrayed one sole idea,--fear.

Fear was diffused all over her; she was covered with it, so to speak;
fear drew her elbows close to her hips, withdrew her heels under her
petticoat, made her occupy as little space as possible, allowed her only
the breath that was absolutely necessary, and had become what might be
called the habit of her body, admitting of no possible variation except
an increase. In the depths of her eyes there was an astonished nook
where terror lurked.

Her fear was such, that on her arrival, wet as she was, Cosette did not
dare to approach the fire and dry herself, but sat silently down to her
work again.

The expression in the glance of that child of eight years was habitually
so gloomy, and at times so tragic, that it seemed at certain moments as
though she were on the verge of becoming an idiot or a demon.

As we have stated, she had never known what it is to pray; she had never
set foot in a church. "Have I the time?" said the Thenardier.

The man in the yellow coat never took his eyes from Cosette.

All at once, the Thenardier exclaimed:--

"By the way, where's that bread?"

Cosette, according to her custom whenever the Thenardier uplifted her
voice, emerged with great haste from beneath the table.

She had completely forgotten the bread. She had recourse to the
expedient of children who live in a constant state of fear. She lied.

"Madame, the baker's shop was shut."

"You should have knocked."

"I did knock, Madame."

"Well?"

"He did not open the door."

"I'll find out to-morrow whether that is true," said the Thenardier;
"and if you are telling me a lie, I'll lead you a pretty dance. In the
meantime, give me back my fifteen-sou piece."

Cosette plunged her hand into the pocket of her apron, and turned green.
The fifteen-sou piece was not there.

"Ah, come now," said Madame Thenardier, "did you hear me?"

Cosette turned her pocket inside out; there was nothing in it. What
could have become of that money? The unhappy little creature could not
find a word to say. She was petrified.

"Have you lost that fifteen-sou piece?" screamed the Thenardier,
hoarsely, "or do you want to rob me of it?"

At the same time, she stretched out her arm towards the
cat-o'-nine-tails which hung on a nail in the chimney-corner.

This formidable gesture restored to Cosette sufficient strength to
shriek:--

"Mercy, Madame, Madame! I will not do so any more!"

The Thenardier took down the whip.

In the meantime, the man in the yellow coat had been fumbling in the fob
of his waistcoat, without any one having noticed his movements. Besides,
the other travellers were drinking or playing cards, and were not paying
attention to anything.

Cosette contracted herself into a ball, with anguish, within the angle
of the chimney, endeavoring to gather up and conceal her poor half-nude
limbs. The Thenardier raised her arm.

"Pardon me, Madame," said the man, "but just now I caught sight of
something which had fallen from this little one's apron pocket, and
rolled aside. Perhaps this is it."

At the same time he bent down and seemed to be searching on the floor
for a moment.

"Exactly; here it is," he went on, straightening himself up.

And he held out a silver coin to the Thenardier.

"Yes, that's it," said she.

It was not it, for it was a twenty-sou piece; but the Thenardier found
it to her advantage. She put the coin in her pocket, and confined
herself to casting a fierce glance at the child, accompanied with the
remark, "Don't let this ever happen again!"

Cosette returned to what the Thenardier called "her kennel," and her
large eyes, which were riveted on the traveller, began to take on an
expression such as they had never worn before. Thus far it was only an
innocent amazement, but a sort of stupefied confidence was mingled with
it.

"By the way, would you like some supper?" the Thenardier inquired of the
traveller.

He made no reply. He appeared to be absorbed in thought.

"What sort of a man is that?" she muttered between her teeth. "He's some
frightfully poor wretch. He hasn't a sou to pay for a supper. Will he
even pay me for his lodging? It's very lucky, all the same, that it did
not occur to him to steal the money that was on the floor."

In the meantime, a door had opened, and Eponine and Azelma entered.

They were two really pretty little girls, more bourgeois than peasant
in looks, and very charming; the one with shining chestnut tresses,
the other with long black braids hanging down her back, both vivacious,
neat, plump, rosy, and healthy, and a delight to the eye. They were
warmly clad, but with so much maternal art that the thickness of the
stuffs did not detract from the coquetry of arrangement. There was a
hint of winter, though the springtime was not wholly effaced. Light
emanated from these two little beings. Besides this, they were on the
throne. In their toilettes, in their gayety, in the noise which they
made, there was sovereignty. When they entered, the Thenardier said to
them in a grumbling tone which was full of adoration, "Ah! there you
are, you children!"

Then drawing them, one after the other to her knees, smoothing their
hair, tying their ribbons afresh, and then releasing them with
that gentle manner of shaking off which is peculiar to mothers, she
exclaimed, "What frights they are!"

They went and seated themselves in the chimney-corner. They had a doll,
which they turned over and over on their knees with all sorts of joyous
chatter. From time to time Cosette raised her eyes from her knitting,
and watched their play with a melancholy air.

Eponine and Azelma did not look at Cosette. She was the same as a dog
to them. These three little girls did not yet reckon up four and twenty
years between them, but they already represented the whole society of
man; envy on the one side, disdain on the other.

The doll of the Thenardier sisters was very much faded, very old, and
much broken; but it seemed none the less admirable to Cosette, who had
never had a doll in her life, a real doll, to make use of the expression
which all children will understand.

All at once, the Thenardier, who had been going back and forth in the
room, perceived that Cosette's mind was distracted, and that, instead of
working, she was paying attention to the little ones at their play.

"Ah! I've caught you at it!" she cried. "So that's the way you work!
I'll make you work to the tune of the whip; that I will."

The stranger turned to the Thenardier, without quitting his chair.

"Bah, Madame," he said, with an almost timid air, "let her play!"

Such a wish expressed by a traveller who had eaten a slice of mutton and
had drunk a couple of bottles of wine with his supper, and who had not
the air of being frightfully poor, would have been equivalent to an
order. But that a man with such a hat should permit himself such a
desire, and that a man with such a coat should permit himself to have a
will, was something which Madame Thenardier did not intend to tolerate.
She retorted with acrimony:--

"She must work, since she eats. I don't feed her to do nothing."

"What is she making?" went on the stranger, in a gentle voice which
contrasted strangely with his beggarly garments and his porter's
shoulders.

The Thenardier deigned to reply:--

"Stockings, if you please. Stockings for my little girls, who have none,
so to speak, and who are absolutely barefoot just now."

The man looked at Cosette's poor little red feet, and continued:--

"When will she have finished this pair of stockings?"

"She has at least three or four good days' work on them still, the lazy
creature!"

"And how much will that pair of stockings be worth when she has finished
them?"

The Thenardier cast a glance of disdain on him.

"Thirty sous at least."

"Will you sell them for five francs?" went on the man.

"Good heavens!" exclaimed a carter who was listening, with a loud laugh;
"five francs! the deuce, I should think so! five balls!"

Thenardier thought it time to strike in.

"Yes, sir; if such is your fancy, you will be allowed to have that pair
of stockings for five francs. We can refuse nothing to travellers."

"You must pay on the spot," said the Thenardier, in her curt and
peremptory fashion.

"I will buy that pair of stockings," replied the man, "and," he added,
drawing a five-franc piece from his pocket, and laying it on the table,
"I will pay for them."

Then he turned to Cosette.

"Now I own your work; play, my child."

The carter was so much touched by the five-franc piece, that he
abandoned his glass and hastened up.

"But it's true!" he cried, examining it. "A real hind wheel! and not
counterfeit!"

Thenardier approached and silently put the coin in his pocket.

The Thenardier had no reply to make. She bit her lips, and her face
assumed an expression of hatred.

In the meantime, Cosette was trembling. She ventured to ask:--

"Is it true, Madame? May I play?"

"Play!" said the Thenardier, in a terrible voice.

"Thanks, Madame," said Cosette.

And while her mouth thanked the Thenardier, her whole little soul
thanked the traveller.

Thenardier had resumed his drinking; his wife whispered in his ear:--

"Who can this yellow man be?"

"I have seen millionaires with coats like that," replied Thenardier, in
a sovereign manner.

Cosette had dropped her knitting, but had not left her seat. Cosette
always moved as little as possible. She picked up some old rags and her
little lead sword from a box behind her.

Eponine and Azelma paid no attention to what was going on. They had just
executed a very important operation; they had just got hold of the
cat. They had thrown their doll on the ground, and Eponine, who was
the elder, was swathing the little cat, in spite of its mewing and its
contortions, in a quantity of clothes and red and blue scraps. While
performing this serious and difficult work she was saying to her sister
in that sweet and adorable language of children, whose grace, like the
splendor of the butterfly's wing, vanishes when one essays to fix it
fast.

"You see, sister, this doll is more amusing than the other. She twists,
she cries, she is warm. See, sister, let us play with her. She shall be
my little girl. I will be a lady. I will come to see you, and you shall
look at her. Gradually, you will perceive her whiskers, and that will
surprise you. And then you will see her ears, and then you will see her
tail and it will amaze you. And you will say to me, 'Ah! Mon Dieu!' and
I will say to you: 'Yes, Madame, it is my little girl. Little girls are
made like that just at present.'"

Azelma listened admiringly to Eponine.

In the meantime, the drinkers had begun to sing an obscene song, and
to laugh at it until the ceiling shook. Thenardier accompanied and
encouraged them.

As birds make nests out of everything, so children make a doll out of
anything which comes to hand. While Eponine and Azelma were bundling up
the cat, Cosette, on her side, had dressed up her sword. That done, she
laid it in her arms, and sang to it softly, to lull it to sleep.

The doll is one of the most imperious needs and, at the same time, one
of the most charming instincts of feminine childhood. To care for, to
clothe, to deck, to dress, to undress, to redress, to teach, scold a
little, to rock, to dandle, to lull to sleep, to imagine that something
is some one,--therein lies the whole woman's future. While dreaming and
chattering, making tiny outfits, and baby clothes, while sewing little
gowns, and corsages and bodices, the child grows into a young girl, the
young girl into a big girl, the big girl into a woman. The first child
is the continuation of the last doll.

A little girl without a doll is almost as unhappy, and quite as
impossible, as a woman without children.

So Cosette had made herself a doll out of the sword.

Madame Thenardier approached the yellow man; "My husband is right," she
thought; "perhaps it is M. Laffitte; there are such queer rich men!"

She came and set her elbows on the table.

"Monsieur," said she. At this word, Monsieur, the man turned; up to that
time, the Thenardier had addressed him only as brave homme or bonhomme.

"You see, sir," she pursued, assuming a sweetish air that was even more
repulsive to behold than her fierce mien, "I am willing that the child
should play; I do not oppose it, but it is good for once, because you
are generous. You see, she has nothing; she must needs work."

"Then this child is not yours?" demanded the man.

"Oh! mon Dieu! no, sir! she is a little beggar whom we have taken in
through charity; a sort of imbecile child. She must have water on the
brain; she has a large head, as you see. We do what we can for her, for
we are not rich; we have written in vain to her native place, and have
received no reply these six months. It must be that her mother is dead."

"Ah!" said the man, and fell into his revery once more.

"Her mother didn't amount to much," added the Thenardier; "she abandoned
her child."

During the whole of this conversation Cosette, as though warned by some
instinct that she was under discussion, had not taken her eyes from the
Thenardier's face; she listened vaguely; she caught a few words here and
there.

Meanwhile, the drinkers, all three-quarters intoxicated, were repeating
their unclean refrain with redoubled gayety; it was a highly spiced and
wanton song, in which the Virgin and the infant Jesus were introduced.
The Thenardier went off to take part in the shouts of laughter. Cosette,
from her post under the table, gazed at the fire, which was reflected
from her fixed eyes. She had begun to rock the sort of baby which she
had made, and, as she rocked it, she sang in a low voice, "My mother is
dead! my mother is dead! my mother is dead!"

On being urged afresh by the hostess, the yellow man, "the millionaire,"
consented at last to take supper.

"What does Monsieur wish?"

"Bread and cheese," said the man.

"Decidedly, he is a beggar" thought Madame Thenardier.

The drunken men were still singing their song, and the child under the
table was singing hers.

All at once, Cosette paused; she had just turned round and caught sight
of the little Thenardiers' doll, which they had abandoned for the cat
and had left on the floor a few paces from the kitchen table.

Then she dropped the swaddled sword, which only half met her needs, and
cast her eyes slowly round the room. Madame Thenardier was whispering to
her husband and counting over some money; Ponine and Zelma were playing
with the cat; the travellers were eating or drinking or singing; not
a glance was fixed on her. She had not a moment to lose; she crept out
from under the table on her hands and knees, made sure once more that no
one was watching her; then she slipped quickly up to the doll and seized
it. An instant later she was in her place again, seated motionless, and
only turned so as to cast a shadow on the doll which she held in her
arms. The happiness of playing with a doll was so rare for her that it
contained all the violence of voluptuousness.

No one had seen her, except the traveller, who was slowly devouring his
meagre supper.

This joy lasted about a quarter of an hour.

But with all the precautions that Cosette had taken she did not perceive
that one of the doll's legs stuck out and that the fire on the hearth
lighted it up very vividly. That pink and shining foot, projecting from
the shadow, suddenly struck the eye of Azelma, who said to Eponine,
"Look! sister."

The two little girls paused in stupefaction; Cosette had dared to take
their doll!

Eponine rose, and, without releasing the cat, she ran to her mother, and
began to tug at her skirt.

"Let me alone!" said her mother; "what do you want?"

"Mother," said the child, "look there!"

And she pointed to Cosette.

Cosette, absorbed in the ecstasies of possession, no longer saw or heard
anything.

Madame Thenardier's countenance assumed that peculiar expression which
is composed of the terrible mingled with the trifles of life, and which
has caused this style of woman to be named megaeras.

On this occasion, wounded pride exasperated her wrath still further.
Cosette had overstepped all bounds; Cosette had laid violent hands on
the doll belonging to "these young ladies." A czarina who should see
a muzhik trying on her imperial son's blue ribbon would wear no other
face.

She shrieked in a voice rendered hoarse with indignation:--

"Cosette!"

Cosette started as though the earth had trembled beneath her; she turned
round.

"Cosette!" repeated the Thenardier.

Cosette took the doll and laid it gently on the floor with a sort of
veneration, mingled with despair; then, without taking her eyes from
it, she clasped her hands, and, what is terrible to relate of a child
of that age, she wrung them; then--not one of the emotions of the day,
neither the trip to the forest, nor the weight of the bucket of water,
nor the loss of the money, nor the sight of the whip, nor even the sad
words which she had heard Madame Thenardier utter had been able to wring
this from her--she wept; she burst out sobbing.

Meanwhile, the traveller had risen to his feet.

"What is the matter?" he said to the Thenardier.

"Don't you see?" said the Thenardier, pointing to the corpus delicti
which lay at Cosette's feet.

"Well, what of it?" resumed the man.

"That beggar," replied the Thenardier, "has permitted herself to touch
the children's doll!"

"All this noise for that!" said the man; "well, what if she did play
with that doll?"

"She touched it with her dirty hands!" pursued the Thenardier, "with her
frightful hands!"

Here Cosette redoubled her sobs.

"Will you stop your noise?" screamed the Thenardier.

The man went straight to the street door, opened it, and stepped out.

As soon as he had gone, the Thenardier profited by his absence to give
Cosette a hearty kick under the table, which made the child utter loud
cries.

The door opened again, the man re-appeared; he carried in both hands the
fabulous doll which we have mentioned, and which all the village brats
had been staring at ever since the morning, and he set it upright in
front of Cosette, saying:--

"Here; this is for you."

It must be supposed that in the course of the hour and more which he had
spent there he had taken confused notice through his revery of that
toy shop, lighted up by fire-pots and candles so splendidly that it was
visible like an illumination through the window of the drinking-shop.

Cosette raised her eyes; she gazed at the man approaching her with that
doll as she might have gazed at the sun; she heard the unprecedented
words, "It is for you"; she stared at him; she stared at the doll; then
she slowly retreated, and hid herself at the extreme end, under the
table in a corner of the wall.

She no longer cried; she no longer wept; she had the appearance of no
longer daring to breathe.

The Thenardier, Eponine, and Azelma were like statues also; the very
drinkers had paused; a solemn silence reigned through the whole room.

Madame Thenardier, petrified and mute, recommenced her conjectures: "Who
is that old fellow? Is he a poor man? Is he a millionaire? Perhaps he is
both; that is to say, a thief."

The face of the male Thenardier presented that expressive fold which
accentuates the human countenance whenever the dominant instinct appears
there in all its bestial force. The tavern-keeper stared alternately at
the doll and at the traveller; he seemed to be scenting out the man, as
he would have scented out a bag of money. This did not last longer than
the space of a flash of lightning. He stepped up to his wife and said to
her in a low voice:--

"That machine costs at least thirty francs. No nonsense. Down on your
belly before that man!"

Gross natures have this in common with naive natures, that they possess
no transition state.

"Well, Cosette," said the Thenardier, in a voice that strove to be
sweet, and which was composed of the bitter honey of malicious women,
"aren't you going to take your doll?"

Cosette ventured to emerge from her hole.

"The gentleman has given you a doll, my little Cosette," said
Thenardier, with a caressing air. "Take it; it is yours."

Cosette gazed at the marvellous doll in a sort of terror. Her face was
still flooded with tears, but her eyes began to fill, like the sky at
daybreak, with strange beams of joy. What she felt at that moment was
a little like what she would have felt if she had been abruptly told,
"Little one, you are the Queen of France."

It seemed to her that if she touched that doll, lightning would dart
from it.

This was true, up to a certain point, for she said to herself that the
Thenardier would scold and beat her.

Nevertheless, the attraction carried the day. She ended by drawing near
and murmuring timidly as she turned towards Madame Thenardier:--

"May I, Madame?"

No words can render that air, at once despairing, terrified, and
ecstatic.

"Pardi!" cried the Thenardier, "it is yours. The gentleman has given it
to you."

"Truly, sir?" said Cosette. "Is it true? Is the 'lady' mine?"

The stranger's eyes seemed to be full of tears. He appeared to have
reached that point of emotion where a man does not speak for fear lest
he should weep. He nodded to Cosette, and placed the "lady's" hand in
her tiny hand.

Cosette hastily withdrew her hand, as though that of the "lady" scorched
her, and began to stare at the floor. We are forced to add that at that
moment she stuck out her tongue immoderately. All at once she wheeled
round and seized the doll in a transport.

"I shall call her Catherine," she said.

It was an odd moment when Cosette's rags met and clasped the ribbons and
fresh pink muslins of the doll.

"Madame," she resumed, "may I put her on a chair?"

"Yes, my child," replied the Thenardier.

It was now the turn of Eponine and Azelma to gaze at Cosette with envy.

Cosette placed Catherine on a chair, then seated herself on the floor
in front of her, and remained motionless, without uttering a word, in an
attitude of contemplation.

"Play, Cosette," said the stranger.

"Oh! I am playing," returned the child.

This stranger, this unknown individual, who had the air of a visit which
Providence was making on Cosette, was the person whom the Thenardier
hated worse than any one in the world at that moment. However, it was
necessary to control herself. Habituated as she was to dissimulation
through endeavoring to copy her husband in all his actions, these
emotions were more than she could endure. She made haste to send her
daughters to bed, then she asked the man's permission to send Cosette
off also; "for she has worked hard all day," she added with a maternal
air. Cosette went off to bed, carrying Catherine in her arms.

From time to time the Thenardier went to the other end of the room where
her husband was, to relieve her soul, as she said. She exchanged with
her husband words which were all the more furious because she dared not
utter them aloud.

"Old beast! What has he got in his belly, to come and upset us in this
manner! To want that little monster to play! to give away forty-franc
dolls to a jade that I would sell for forty sous, so I would! A little
more and he will be saying Your Majesty to her, as though to the Duchess
de Berry! Is there any sense in it? Is he mad, then, that mysterious old
fellow?"

"Why! it is perfectly simple," replied Thenardier, "if that amuses him!
It amuses you to have the little one work; it amuses him to have her
play. He's all right. A traveller can do what he pleases when he pays
for it. If the old fellow is a philanthropist, what is that to you? If
he is an imbecile, it does not concern you. What are you worrying for,
so long as he has money?"

The language of a master, and the reasoning of an innkeeper, neither of
which admitted of any reply.

The man had placed his elbows on the table, and resumed his thoughtful
attitude. All the other travellers, both pedlers and carters, had
withdrawn a little, and had ceased singing. They were staring at him
from a distance, with a sort of respectful awe. This poorly dressed
man, who drew "hind-wheels" from his pocket with so much ease, and
who lavished gigantic dolls on dirty little brats in wooden shoes, was
certainly a magnificent fellow, and one to be feared.

Many hours passed. The midnight mass was over, the chimes had ceased,
the drinkers had taken their departure, the drinking-shop was closed,
the public room was deserted, the fire extinct, the stranger still
remained in the same place and the same attitude. From time to time he
changed the elbow on which he leaned. That was all; but he had not said
a word since Cosette had left the room.

The Thenardiers alone, out of politeness and curiosity, had remained in
the room.

"Is he going to pass the night in that fashion?" grumbled the
Thenardier. When two o'clock in the morning struck, she declared herself
vanquished, and said to her husband, "I'm going to bed. Do as you like."
Her husband seated himself at a table in the corner, lighted a candle,
and began to read the Courrier Francais.

A good hour passed thus. The worthy inn-keeper had perused the Courrier
Francais at least three times, from the date of the number to the
printer's name. The stranger did not stir.

Thenardier fidgeted, coughed, spit, blew his nose, and creaked his
chair. Not a movement on the man's part. "Is he asleep?" thought
Thenardier. The man was not asleep, but nothing could arouse him.

At last Thenardier took off his cap, stepped gently up to him, and
ventured to say:--

"Is not Monsieur going to his repose?"

Not going to bed would have seemed to him excessive and familiar. To
repose smacked of luxury and respect. These words possess the mysterious
and admirable property of swelling the bill on the following day. A
chamber where one sleeps costs twenty sous; a chamber in which one
reposes costs twenty francs.

"Well!" said the stranger, "you are right. Where is your stable?"

"Sir!" exclaimed Thenardier, with a smile, "I will conduct you, sir."

He took the candle; the man picked up his bundle and cudgel, and
Thenardier conducted him to a chamber on the first floor, which was of
rare splendor, all furnished in mahogany, with a low bedstead, curtained
with red calico.

"What is this?" said the traveller.

"It is really our bridal chamber," said the tavern-keeper. "My wife and
I occupy another. This is only entered three or four times a year."

"I should have liked the stable quite as well," said the man, abruptly.

Thenardier pretended not to hear this unamiable remark.

He lighted two perfectly fresh wax candles which figured on the
chimney-piece. A very good fire was flickering on the hearth.

On the chimney-piece, under a glass globe, stood a woman's head-dress in
silver wire and orange flowers.

"And what is this?" resumed the stranger.

"That, sir," said Thenardier, "is my wife's wedding bonnet."

The traveller surveyed the object with a glance which seemed to say,
"There really was a time, then, when that monster was a maiden?"

Thenardier lied, however. When he had leased this paltry building for
the purpose of converting it into a tavern, he had found this chamber
decorated in just this manner, and had purchased the furniture and
obtained the orange flowers at second hand, with the idea that this
would cast a graceful shadow on "his spouse," and would result in what
the English call respectability for his house.

When the traveller turned round, the host had disappeared. Thenardier
had withdrawn discreetly, without venturing to wish him a good night,
as he did not wish to treat with disrespectful cordiality a man whom he
proposed to fleece royally the following morning.

The inn-keeper retired to his room. His wife was in bed, but she was not
asleep. When she heard her husband's step she turned over and said to
him:--

"Do you know, I'm going to turn Cosette out of doors to-morrow."

Thenardier replied coldly:--

"How you do go on!"

They exchanged no further words, and a few moments later their candle
was extinguished.

As for the traveller, he had deposited his cudgel and his bundle in a
corner. The landlord once gone, he threw himself into an arm-chair and
remained for some time buried in thought. Then he removed his shoes,
took one of the two candles, blew out the other, opened the door, and
quitted the room, gazing about him like a person who is in search of
something. He traversed a corridor and came upon a staircase. There he
heard a very faint and gentle sound like the breathing of a child. He
followed this sound, and came to a sort of triangular recess built under
the staircase, or rather formed by the staircase itself. This recess was
nothing else than the space under the steps. There, in the midst of all
sorts of old papers and potsherds, among dust and spiders' webs, was a
bed--if one can call by the name of bed a straw pallet so full of holes
as to display the straw, and a coverlet so tattered as to show the
pallet. No sheets. This was placed on the floor.

In this bed Cosette was sleeping.

The man approached and gazed down upon her.

Cosette was in a profound sleep; she was fully dressed. In the winter
she did not undress, in order that she might not be so cold.

Against her breast was pressed the doll, whose large eyes, wide open,
glittered in the dark. From time to time she gave vent to a deep sigh as
though she were on the point of waking, and she strained the doll almost
convulsively in her arms. Beside her bed there was only one of her
wooden shoes.

A door which stood open near Cosette's pallet permitted a view of a
rather large, dark room. The stranger stepped into it. At the further
extremity, through a glass door, he saw two small, very white beds.
They belonged to Eponine and Azelma. Behind these beds, and half hidden,
stood an uncurtained wicker cradle, in which the little boy who had
cried all the evening lay asleep.

The stranger conjectured that this chamber connected with that of the
Thenardier pair. He was on the point of retreating when his eye fell
upon the fireplace--one of those vast tavern chimneys where there is
always so little fire when there is any fire at all, and which are
so cold to look at. There was no fire in this one, there was not even
ashes; but there was something which attracted the stranger's gaze,
nevertheless. It was two tiny children's shoes, coquettish in shape
and unequal in size. The traveller recalled the graceful and immemorial
custom in accordance with which children place their shoes in the
chimney on Christmas eve, there to await in the darkness some sparkling
gift from their good fairy. Eponine and Azelma had taken care not to
omit this, and each of them had set one of her shoes on the hearth.

The traveller bent over them.

The fairy, that is to say, their mother, had already paid her visit, and
in each he saw a brand-new and shining ten-sou piece.

The man straightened himself up, and was on the point of withdrawing,
when far in, in the darkest corner of the hearth, he caught sight
of another object. He looked at it, and recognized a wooden shoe, a
frightful shoe of the coarsest description, half dilapidated and all
covered with ashes and dried mud. It was Cosette's sabot. Cosette, with
that touching trust of childhood, which can always be deceived yet never
discouraged, had placed her shoe on the hearth-stone also.

Hope in a child who has never known anything but despair is a sweet and
touching thing.

There was nothing in this wooden shoe.

The stranger fumbled in his waistcoat, bent over and placed a louis d'or
in Cosette's shoe.

Then he regained his own chamber with the stealthy tread of a wolf.




CHAPTER IX--THENARDIER AND HIS MANOEUVRES

On the following morning, two hours at least before day-break,
Thenardier, seated beside a candle in the public room of the tavern, pen
in hand, was making out the bill for the traveller with the yellow coat.

His wife, standing beside him, and half bent over him, was following
him with her eyes. They exchanged not a word. On the one hand, there was
profound meditation, on the other, the religious admiration with which
one watches the birth and development of a marvel of the human mind. A
noise was audible in the house; it was the Lark sweeping the stairs.

After the lapse of a good quarter of an hour, and some erasures,
Thenardier produced the following masterpiece:--

          BILL OF THE GENTLEMAN IN No. 1.

  Supper . . . . . . . . . . . . . . .     3 francs.
  Chamber  . . . . . . . . . . . . . .    10   "
  Candle . . . . . . . . . . . . . . .     5   "
  Fire . . . . . . . . . . . . . . . .     4   "
  Service  . . . . . . . . . . . . . .     1   "
                                          ----------
                     Total . . . . . .    23 francs.


Service was written servisse.

"Twenty-three francs!" cried the woman, with an enthusiasm which was
mingled with some hesitation.

Like all great artists, Thenardier was dissatisfied.

"Peuh!" he exclaimed.

It was the accent of Castlereagh auditing France's bill at the Congress
of Vienna.

"Monsieur Thenardier, you are right; he certainly owes that," murmured
the wife, who was thinking of the doll bestowed on Cosette in the
presence of her daughters. "It is just, but it is too much. He will not
pay it."

Thenardier laughed coldly, as usual, and said:--

"He will pay."

This laugh was the supreme assertion of certainty and authority. That
which was asserted in this manner must needs be so. His wife did not
insist.

She set about arranging the table; her husband paced the room. A moment
later he added:--

"I owe full fifteen hundred francs!"

He went and seated himself in the chimney-corner, meditating, with his
feet among the warm ashes.

"Ah! by the way," resumed his wife, "you don't forget that I'm going to
turn Cosette out of doors to-day? The monster! She breaks my heart with
that doll of hers! I'd rather marry Louis XVIII. than keep her another
day in the house!"

Thenardier lighted his pipe, and replied between two puffs:--

"You will hand that bill to the man."

Then he went out.

Hardly had he left the room when the traveller entered.

Thenardier instantly reappeared behind him and remained motionless in
the half-open door, visible only to his wife.

The yellow man carried his bundle and his cudgel in his hand.

"Up so early?" said Madame Thenardier; "is Monsieur leaving us already?"

As she spoke thus, she was twisting the bill about in her hands with an
embarrassed air, and making creases in it with her nails. Her hard
face presented a shade which was not habitual with it,--timidity and
scruples.

To present such a bill to a man who had so completely the air "of a poor
wretch" seemed difficult to her.

The traveller appeared to be preoccupied and absent-minded. He
replied:--

"Yes, Madame, I am going."

"So Monsieur has no business in Montfermeil?"

"No, I was passing through. That is all. What do I owe you, Madame," he
added.

The Thenardier silently handed him the folded bill.

The man unfolded the paper and glanced at it; but his thoughts were
evidently elsewhere.

"Madame," he resumed, "is business good here in Montfermeil?"

"So so, Monsieur," replied the Thenardier, stupefied at not witnessing
another sort of explosion.

She continued, in a dreary and lamentable tone:--

"Oh! Monsieur, times are so hard! and then, we have so few bourgeois in
the neighborhood! All the people are poor, you see. If we had not, now
and then, some rich and generous travellers like Monsieur, we should
not get along at all. We have so many expenses. Just see, that child is
costing us our very eyes."

"What child?"

"Why, the little one, you know! Cosette--the Lark, as she is called
hereabouts!"

"Ah!" said the man.

She went on:--

"How stupid these peasants are with their nicknames! She has more the
air of a bat than of a lark. You see, sir, we do not ask charity, and we
cannot bestow it. We earn nothing and we have to pay out a great deal.
The license, the imposts, the door and window tax, the hundredths!
Monsieur is aware that the government demands a terrible deal of money.
And then, I have my daughters. I have no need to bring up other people's
children."

The man resumed, in that voice which he strove to render indifferent,
and in which there lingered a tremor:--

"What if one were to rid you of her?"

"Who? Cosette?"

"Yes."

The landlady's red and violent face brightened up hideously.

"Ah! sir, my dear sir, take her, keep her, lead her off, carry her
away, sugar her, stuff her with truffles, drink her, eat her, and the
blessings of the good holy Virgin and of all the saints of paradise be
upon you!"

"Agreed."

"Really! You will take her away?"

"I will take her away."

"Immediately?"

"Immediately. Call the child."

"Cosette!" screamed the Thenardier.

"In the meantime," pursued the man, "I will pay you what I owe you. How
much is it?"

He cast a glance on the bill, and could not restrain a start of
surprise:--

"Twenty-three francs!"

He looked at the landlady, and repeated:--

"Twenty-three francs?"

There was in the enunciation of these words, thus repeated, an accent
between an exclamation and an interrogation point.

The Thenardier had had time to prepare herself for the shock. She
replied, with assurance:--

"Good gracious, yes, sir, it is twenty-three francs."

The stranger laid five five-franc pieces on the table.

"Go and get the child," said he.

At that moment Thenardier advanced to the middle of the room, and
said:--

"Monsieur owes twenty-six sous."

"Twenty-six sous!" exclaimed his wife.

"Twenty sous for the chamber," resumed Thenardier, coldly, "and six sous
for his supper. As for the child, I must discuss that matter a little
with the gentleman. Leave us, wife."

Madame Thenardier was dazzled as with the shock caused by unexpected
lightning flashes of talent. She was conscious that a great actor was
making his entrance on the stage, uttered not a word in reply, and left
the room.

As soon as they were alone, Thenardier offered the traveller a chair.
The traveller seated himself; Thenardier remained standing, and his face
assumed a singular expression of good-fellowship and simplicity.

"Sir," said he, "what I have to say to you is this, that I adore that
child."

The stranger gazed intently at him.

"What child?"

Thenardier continued:--

"How strange it is, one grows attached. What money is that? Take back
your hundred-sou piece. I adore the child."

"Whom do you mean?" demanded the stranger.

"Eh! our little Cosette! Are you not intending to take her away from
us? Well, I speak frankly; as true as you are an honest man, I will not
consent to it. I shall miss that child. I saw her first when she was a
tiny thing. It is true that she costs us money; it is true that she has
her faults; it is true that we are not rich; it is true that I have paid
out over four hundred francs for drugs for just one of her illnesses!
But one must do something for the good God's sake. She has neither
father nor mother. I have brought her up. I have bread enough for
her and for myself. In truth, I think a great deal of that child. You
understand, one conceives an affection for a person; I am a good sort
of a beast, I am; I do not reason; I love that little girl; my wife is
quick-tempered, but she loves her also. You see, she is just the same as
our own child. I want to keep her to babble about the house."

The stranger kept his eye intently fixed on Thenardier. The latter
continued:--

"Excuse me, sir, but one does not give away one's child to a passer-by,
like that. I am right, am I not? Still, I don't say--you are rich; you
have the air of a very good man,--if it were for her happiness. But one
must find out that. You understand: suppose that I were to let her go
and to sacrifice myself, I should like to know what becomes of her; I
should not wish to lose sight of her; I should like to know with whom
she is living, so that I could go to see her from time to time; so that
she may know that her good foster-father is alive, that he is watching
over her. In short, there are things which are not possible. I do not
even know your name. If you were to take her away, I should say: 'Well,
and the Lark, what has become of her?' One must, at least, see some
petty scrap of paper, some trifle in the way of a passport, you know!"

The stranger, still surveying him with that gaze which penetrates, as
the saying goes, to the very depths of the conscience, replied in a
grave, firm voice:--

"Monsieur Thenardier, one does not require a passport to travel five
leagues from Paris. If I take Cosette away, I shall take her away, and
that is the end of the matter. You will not know my name, you will not
know my residence, you will not know where she is; and my intention is
that she shall never set eyes on you again so long as she lives. I break
the thread which binds her foot, and she departs. Does that suit you?
Yes or no?"

Since geniuses, like demons, recognize the presence of a superior God by
certain signs, Thenardier comprehended that he had to deal with a very
strong person. It was like an intuition; he comprehended it with his
clear and sagacious promptitude. While drinking with the carters,
smoking, and singing coarse songs on the preceding evening, he had
devoted the whole of the time to observing the stranger, watching him
like a cat, and studying him like a mathematician. He had watched him,
both on his own account, for the pleasure of the thing, and through
instinct, and had spied upon him as though he had been paid for so
doing. Not a movement, not a gesture, on the part of the man in the
yellow great-coat had escaped him. Even before the stranger had so
clearly manifested his interest in Cosette, Thenardier had divined his
purpose. He had caught the old man's deep glances returning constantly
to the child. Who was this man? Why this interest? Why this hideous
costume, when he had so much money in his purse? Questions which he put
to himself without being able to solve them, and which irritated him. He
had pondered it all night long. He could not be Cosette's father. Was he
her grandfather? Then why not make himself known at once? When one has
a right, one asserts it. This man evidently had no right over Cosette.
What was it, then? Thenardier lost himself in conjectures. He caught
glimpses of everything, but he saw nothing. Be that as it may, on
entering into conversation with the man, sure that there was some secret
in the case, that the latter had some interest in remaining in the
shadow, he felt himself strong; when he perceived from the stranger's
clear and firm retort, that this mysterious personage was mysterious in
so simple a way, he became conscious that he was weak. He had expected
nothing of the sort. His conjectures were put to the rout. He rallied
his ideas. He weighed everything in the space of a second. Thenardier
was one of those men who take in a situation at a glance. He decided
that the moment had arrived for proceeding straightforward, and quickly
at that. He did as great leaders do at the decisive moment, which they
know that they alone recognize; he abruptly unmasked his batteries.

"Sir," said he, "I am in need of fifteen hundred francs."

The stranger took from his side pocket an old pocketbook of black
leather, opened it, drew out three bank-bills, which he laid on the
table. Then he placed his large thumb on the notes and said to the
inn-keeper:--

"Go and fetch Cosette."

While this was taking place, what had Cosette been doing?

On waking up, Cosette had run to get her shoe. In it she had found the
gold piece. It was not a Napoleon; it was one of those perfectly new
twenty-franc pieces of the Restoration, on whose effigy the little
Prussian queue had replaced the laurel wreath. Cosette was dazzled. Her
destiny began to intoxicate her. She did not know what a gold piece was;
she had never seen one; she hid it quickly in her pocket, as though
she had stolen it. Still, she felt that it really was hers; she guessed
whence her gift had come, but the joy which she experienced was full of
fear. She was happy; above all she was stupefied. Such magnificent and
beautiful things did not appear real. The doll frightened her, the
gold piece frightened her. She trembled vaguely in the presence of this
magnificence. The stranger alone did not frighten her. On the contrary,
he reassured her. Ever since the preceding evening, amid all her
amazement, even in her sleep, she had been thinking in her little
childish mind of that man who seemed to be so poor and so sad, and who
was so rich and so kind. Everything had changed for her since she had
met that good man in the forest. Cosette, less happy than the most
insignificant swallow of heaven, had never known what it was to take
refuge under a mother's shadow and under a wing. For the last five
years, that is to say, as far back as her memory ran, the poor child had
shivered and trembled. She had always been exposed completely naked
to the sharp wind of adversity; now it seemed to her she was clothed.
Formerly her soul had seemed cold, now it was warm. Cosette was no
longer afraid of the Thenardier. She was no longer alone; there was some
one there.

She hastily set about her regular morning duties. That louis, which she
had about her, in the very apron pocket whence the fifteen-sou piece had
fallen on the night before, distracted her thoughts. She dared not touch
it, but she spent five minutes in gazing at it, with her tongue hanging
out, if the truth must be told. As she swept the staircase, she paused,
remained standing there motionless, forgetful of her broom and of the
entire universe, occupied in gazing at that star which was blazing at
the bottom of her pocket.

It was during one of these periods of contemplation that the Thenardier
joined her. She had gone in search of Cosette at her husband's orders.
What was quite unprecedented, she neither struck her nor said an
insulting word to her.

"Cosette," she said, almost gently, "come immediately."

An instant later Cosette entered the public room.

The stranger took up the bundle which he had brought and untied it. This
bundle contained a little woollen gown, an apron, a fustian bodice, a
kerchief, a petticoat, woollen stockings, shoes--a complete outfit for a
girl of seven years. All was black.

"My child," said the man, "take these, and go and dress yourself
quickly."

Daylight was appearing when those of the inhabitants of Montfermeil who
had begun to open their doors beheld a poorly clad old man leading a
little girl dressed in mourning, and carrying a pink doll in her arms,
pass along the road to Paris. They were going in the direction of Livry.

It was our man and Cosette.

No one knew the man; as Cosette was no longer in rags, many did not
recognize her. Cosette was going away. With whom? She did not know.
Whither? She knew not. All that she understood was that she was leaving
the Thenardier tavern behind her. No one had thought of bidding her
farewell, nor had she thought of taking leave of any one. She was
leaving that hated and hating house.

Poor, gentle creature, whose heart had been repressed up to that hour!

Cosette walked along gravely, with her large eyes wide open, and gazing
at the sky. She had put her louis in the pocket of her new apron. From
time to time, she bent down and glanced at it; then she looked at the
good man. She felt something as though she were beside the good God.




CHAPTER X--HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE

Madame Thenardier had allowed her husband to have his own way, as was
her wont. She had expected great results. When the man and Cosette had
taken their departure, Thenardier allowed a full quarter of an hour
to elapse; then he took her aside and showed her the fifteen hundred
francs.

"Is that all?" said she.

It was the first time since they had set up housekeeping that she had
dared to criticise one of the master's acts.

The blow told.

"You are right, in sooth," said he; "I am a fool. Give me my hat."

He folded up the three bank-bills, thrust them into his pocket, and ran
out in all haste; but he made a mistake and turned to the right first.
Some neighbors, of whom he made inquiries, put him on the track again;
the Lark and the man had been seen going in the direction of Livry. He
followed these hints, walking with great strides, and talking to himself
the while:--

"That man is evidently a million dressed in yellow, and I am an animal.
First he gave twenty sous, then five francs, then fifty francs, then
fifteen hundred francs, all with equal readiness. He would have given
fifteen thousand francs. But I shall overtake him."

And then, that bundle of clothes prepared beforehand for the child; all
that was singular; many mysteries lay concealed under it. One does not
let mysteries out of one's hand when one has once grasped them. The
secrets of the wealthy are sponges of gold; one must know how to subject
them to pressure. All these thoughts whirled through his brain. "I am an
animal," said he.

When one leaves Montfermeil and reaches the turn which the road takes
that runs to Livry, it can be seen stretching out before one to a great
distance across the plateau. On arriving there, he calculated that he
ought to be able to see the old man and the child. He looked as far as
his vision reached, and saw nothing. He made fresh inquiries, but he had
wasted time. Some passers-by informed him that the man and child of whom
he was in search had gone towards the forest in the direction of Gagny.
He hastened in that direction.

They were far in advance of him; but a child walks slowly, and he walked
fast; and then, he was well acquainted with the country.

All at once he paused and dealt himself a blow on his forehead like a
man who has forgotten some essential point and who is ready to retrace
his steps.

"I ought to have taken my gun," said he to himself.

Thenardier was one of those double natures which sometimes pass through
our midst without our being aware of the fact, and who disappear without
our finding them out, because destiny has only exhibited one side of
them. It is the fate of many men to live thus half submerged. In a
calm and even situation, Thenardier possessed all that is required to
make--we will not say to be--what people have agreed to call an honest
trader, a good bourgeois. At the same time certain circumstances being
given, certain shocks arriving to bring his under-nature to the surface,
he had all the requisites for a blackguard. He was a shopkeeper in
whom there was some taint of the monster. Satan must have occasionally
crouched down in some corner of the hovel in which Thenardier dwelt, and
have fallen a-dreaming in the presence of this hideous masterpiece.

After a momentary hesitation:--

"Bah!" he thought; "they will have time to make their escape."

And he pursued his road, walking rapidly straight ahead, and with almost
an air of certainty, with the sagacity of a fox scenting a covey of
partridges.

In truth, when he had passed the ponds and had traversed in an oblique
direction the large clearing which lies on the right of the Avenue de
Bellevue, and reached that turf alley which nearly makes the circuit of
the hill, and covers the arch of the ancient aqueduct of the Abbey of
Chelles, he caught sight, over the top of the brushwood, of the hat on
which he had already erected so many conjectures; it was that man's hat.
The brushwood was not high. Thenardier recognized the fact that the man
and Cosette were sitting there. The child could not be seen on account
of her small size, but the head of her doll was visible.

Thenardier was not mistaken. The man was sitting there, and letting
Cosette get somewhat rested. The inn-keeper walked round the brushwood
and presented himself abruptly to the eyes of those whom he was in
search of.

"Pardon, excuse me, sir," he said, quite breathless, "but here are your
fifteen hundred francs."

So saying, he handed the stranger the three bank-bills.

The man raised his eyes.

"What is the meaning of this?"

Thenardier replied respectfully:--

"It means, sir, that I shall take back Cosette."

Cosette shuddered, and pressed close to the old man.

He replied, gazing to the very bottom of Thenardier's eyes the while,
and enunciating every syllable distinctly:--

"You are go-ing to take back Co-sette?"

"Yes, sir, I am. I will tell you; I have considered the matter. In fact,
I have not the right to give her to you. I am an honest man, you see;
this child does not belong to me; she belongs to her mother. It was her
mother who confided her to me; I can only resign her to her mother. You
will say to me, 'But her mother is dead.' Good; in that case I can only
give the child up to the person who shall bring me a writing, signed by
her mother, to the effect that I am to hand the child over to the person
therein mentioned; that is clear."

The man, without making any reply, fumbled in his pocket, and Thenardier
beheld the pocket-book of bank-bills make its appearance once more.

The tavern-keeper shivered with joy.

"Good!" thought he; "let us hold firm; he is going to bribe me!"

Before opening the pocket-book, the traveller cast a glance about him:
the spot was absolutely deserted; there was not a soul either in the
woods or in the valley. The man opened his pocket-book once more and
drew from it, not the handful of bills which Thenardier expected, but a
simple little paper, which he unfolded and presented fully open to the
inn-keeper, saying:--

"You are right; read!"

Thenardier took the paper and read:--

                              "M. SUR M., March 25, 1823.

 "MONSIEUR THENARDIER:--

               You will deliver Cosette to this person.
               You will be paid for all the little things.
               I have the honor to salute you with respect,
                                                  FANTINE."

"You know that signature?" resumed the man.

It certainly was Fantine's signature; Thenardier recognized it.

There was no reply to make; he experienced two violent vexations, the
vexation of renouncing the bribery which he had hoped for, and the
vexation of being beaten; the man added:--

"You may keep this paper as your receipt."

Thenardier retreated in tolerably good order.

"This signature is fairly well imitated," he growled between his teeth;
"however, let it go!"

Then he essayed a desperate effort.

"It is well, sir," he said, "since you are the person, but I must be
paid for all those little things. A great deal is owing to me."

The man rose to his feet, filliping the dust from his thread-bare
sleeve:--

"Monsieur Thenardier, in January last, the mother reckoned that she owed
you one hundred and twenty francs. In February, you sent her a bill of
five hundred francs; you received three hundred francs at the end of
February, and three hundred francs at the beginning of March. Since then
nine months have elapsed, at fifteen francs a month, the price agreed
upon, which makes one hundred and thirty-five francs. You had received
one hundred francs too much; that makes thirty-five still owing you. I
have just given you fifteen hundred francs."

Thenardier's sensations were those of the wolf at the moment when he
feels himself nipped and seized by the steel jaw of the trap.

"Who is this devil of a man?" he thought.

He did what the wolf does: he shook himself. Audacity had succeeded with
him once.

"Monsieur-I-don't-know-your-name," he said resolutely, and this time
casting aside all respectful ceremony, "I shall take back Cosette if you
do not give me a thousand crowns."

The stranger said tranquilly:--

"Come, Cosette."

He took Cosette by his left hand, and with his right he picked up his
cudgel, which was lying on the ground.

Thenardier noted the enormous size of the cudgel and the solitude of the
spot.

The man plunged into the forest with the child, leaving the inn-keeper
motionless and speechless.

While they were walking away, Thenardier scrutinized his huge shoulders,
which were a little rounded, and his great fists.

Then, bringing his eyes back to his own person, they fell upon his
feeble arms and his thin hands. "I really must have been exceedingly
stupid not to have thought to bring my gun," he said to himself, "since
I was going hunting!"

However, the inn-keeper did not give up.

"I want to know where he is going," said he, and he set out to follow
them at a distance. Two things were left on his hands, an irony in
the shape of the paper signed Fantine, and a consolation, the fifteen
hundred francs.

The man led Cosette off in the direction of Livry and Bondy. He walked
slowly, with drooping head, in an attitude of reflection and sadness.
The winter had thinned out the forest, so that Thenardier did not lose
them from sight, although he kept at a good distance. The man turned
round from time to time, and looked to see if he was being followed.
All at once he caught sight of Thenardier. He plunged suddenly into
the brushwood with Cosette, where they could both hide themselves. "The
deuce!" said Thenardier, and he redoubled his pace.

The thickness of the undergrowth forced him to draw nearer to them. When
the man had reached the densest part of the thicket, he wheeled
round. It was in vain that Thenardier sought to conceal himself in the
branches; he could not prevent the man seeing him. The man cast upon him
an uneasy glance, then elevated his head and continued his course. The
inn-keeper set out again in pursuit. Thus they continued for two or
three hundred paces. All at once the man turned round once more; he saw
the inn-keeper. This time he gazed at him with so sombre an air that
Thenardier decided that it was "useless" to proceed further. Thenardier
retraced his steps.




CHAPTER XI--NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY

Jean Valjean was not dead.

When he fell into the sea, or rather, when he threw himself into it, he
was not ironed, as we have seen. He swam under water until he reached a
vessel at anchor, to which a boat was moored. He found means of hiding
himself in this boat until night. At night he swam off again, and
reached the shore a little way from Cape Brun. There, as he did not lack
money, he procured clothing. A small country-house in the neighborhood
of Balaguier was at that time the dressing-room of escaped convicts,--a
lucrative specialty. Then Jean Valjean, like all the sorry fugitives
who are seeking to evade the vigilance of the law and social fatality,
pursued an obscure and undulating itinerary. He found his first
refuge at Pradeaux, near Beausset. Then he directed his course towards
Grand-Villard, near Briancon, in the Hautes-Alpes. It was a fumbling and
uneasy flight,--a mole's track, whose branchings are untraceable. Later
on, some trace of his passage into Ain, in the territory of Civrieux,
was discovered; in the Pyrenees, at Accons; at the spot called
Grange-de-Doumec, near the market of Chavailles, and in the environs of
Perigueux at Brunies, canton of La Chapelle-Gonaguet. He reached Paris.
We have just seen him at Montfermeil.

His first care on arriving in Paris had been to buy mourning clothes
for a little girl of from seven to eight years of age; then to procure
a lodging. That done, he had betaken himself to Montfermeil. It will
be remembered that already, during his preceding escape, he had made a
mysterious trip thither, or somewhere in that neighborhood, of which the
law had gathered an inkling.

However, he was thought to be dead, and this still further increased the
obscurity which had gathered about him. At Paris, one of the journals
which chronicled the fact fell into his hands. He felt reassured and
almost at peace, as though he had really been dead.

On the evening of the day when Jean Valjean rescued Cosette from the
claws of the Thenardiers, he returned to Paris. He re-entered it at
nightfall, with the child, by way of the Barrier Monceaux. There
he entered a cabriolet, which took him to the esplanade of the
Observatoire. There he got out, paid the coachman, took Cosette by
the hand, and together they directed their steps through the
darkness,--through the deserted streets which adjoin the Ourcine and the
Glaciere, towards the Boulevard de l'Hopital.

The day had been strange and filled with emotions for Cosette. They
had eaten some bread and cheese purchased in isolated taverns, behind
hedges; they had changed carriages frequently; they had travelled short
distances on foot. She made no complaint, but she was weary, and Jean
Valjean perceived it by the way she dragged more and more on his hand
as she walked. He took her on his back. Cosette, without letting go
of Catherine, laid her head on Jean Valjean's shoulder, and there fell
asleep.




BOOK FOURTH.--THE GORBEAU HOVEL

[Illustration: The Gorbeau Hovel  2b3-10-gorbeau-house]




CHAPTER I--MASTER GORBEAU

Forty years ago, a rambler who had ventured into that unknown country of
the Salpetriere, and who had mounted to the Barriere d'Italie by way
of the boulevard, reached a point where it might be said that Paris
disappeared. It was no longer solitude, for there were passers-by; it
was not the country, for there were houses and streets; it was not the
city, for the streets had ruts like highways, and the grass grew in
them; it was not a village, the houses were too lofty. What was it,
then? It was an inhabited spot where there was no one; it was a desert
place where there was some one; it was a boulevard of the great city, a
street of Paris; more wild at night than the forest, more gloomy by day
than a cemetery.

It was the old quarter of the Marche-aux-Chevaux.

The rambler, if he risked himself outside the four decrepit walls of
this Marche-aux-Chevaux; if he consented even to pass beyond the Rue du
Petit-Banquier, after leaving on his right a garden protected by high
walls; then a field in which tan-bark mills rose like gigantic beaver
huts; then an enclosure encumbered with timber, with a heap of stumps,
sawdust, and shavings, on which stood a large dog, barking; then a long,
low, utterly dilapidated wall, with a little black door in mourning,
laden with mosses, which were covered with flowers in the spring; then,
in the most deserted spot, a frightful and decrepit building, on which
ran the inscription in large letters: POST NO BILLS,--this daring
rambler would have reached little known latitudes at the corner of the
Rue des Vignes-Saint-Marcel. There, near a factory, and between two
garden walls, there could be seen, at that epoch, a mean building,
which, at the first glance, seemed as small as a thatched hovel, and
which was, in reality, as large as a cathedral. It presented its side
and gable to the public road; hence its apparent diminutiveness. Nearly
the whole of the house was hidden. Only the door and one window could be
seen.

This hovel was only one story high.

The first detail that struck the observer was, that the door could never
have been anything but the door of a hovel, while the window, if it
had been carved out of dressed stone instead of being in rough masonry,
might have been the lattice of a lordly mansion.

The door was nothing but a collection of worm-eaten planks roughly bound
together by cross-beams which resembled roughly hewn logs. It
opened directly on a steep staircase of lofty steps, muddy, chalky,
plaster-stained, dusty steps, of the same width as itself, which
could be seen from the street, running straight up like a ladder and
disappearing in the darkness between two walls. The top of the shapeless
bay into which this door shut was masked by a narrow scantling in the
centre of which a triangular hole had been sawed, which served both as
wicket and air-hole when the door was closed. On the inside of the
door the figures 52 had been traced with a couple of strokes of a brush
dipped in ink, and above the scantling the same hand had daubed the
number 50, so that one hesitated. Where was one? Above the door it said,
"Number 50"; the inside replied, "no, Number 52." No one knows what
dust-colored figures were suspended like draperies from the triangular
opening.

The window was large, sufficiently elevated, garnished with Venetian
blinds, and with a frame in large square panes; only these large panes
were suffering from various wounds, which were both concealed and
betrayed by an ingenious paper bandage. And the blinds, dislocated and
unpasted, threatened passers-by rather than screened the occupants.
The horizontal slats were missing here and there and had been naively
replaced with boards nailed on perpendicularly; so that what began as
a blind ended as a shutter. This door with an unclean, and this window
with an honest though dilapidated air, thus beheld on the same house,
produced the effect of two incomplete beggars walking side by side,
with different miens beneath the same rags, the one having always been a
mendicant, and the other having once been a gentleman.

The staircase led to a very vast edifice which resembled a shed which
had been converted into a house. This edifice had, for its intestinal
tube, a long corridor, on which opened to right and left sorts of
compartments of varied dimensions which were inhabitable under stress
of circumstances, and rather more like stalls than cells. These chambers
received their light from the vague waste grounds in the neighborhood.

All this was dark, disagreeable, wan, melancholy, sepulchral; traversed
according as the crevices lay in the roof or in the door, by cold rays
or by icy winds. An interesting and picturesque peculiarity of this sort
of dwelling is the enormous size of the spiders.

To the left of the entrance door, on the boulevard side, at about the
height of a man from the ground, a small window which had been walled up
formed a square niche full of stones which the children had thrown there
as they passed by.

A portion of this building has recently been demolished. From what still
remains of it one can form a judgment as to what it was in former days.
As a whole, it was not over a hundred years old. A hundred years is
youth in a church and age in a house. It seems as though man's lodging
partook of his ephemeral character, and God's house of his eternity.

The postmen called the house Number 50-52; but it was known in the
neighborhood as the Gorbeau house.

Let us explain whence this appellation was derived.

Collectors of petty details, who become herbalists of anecdotes, and
prick slippery dates into their memories with a pin, know that there
was in Paris, during the last century, about 1770, two attorneys at the
Chatelet named, one Corbeau (Raven), the other Renard (Fox). The two
names had been forestalled by La Fontaine. The opportunity was too fine
for the lawyers; they made the most of it. A parody was immediately
put in circulation in the galleries of the court-house, in verses that
limped a little:--


          Maitre Corbeau, sur un dossier perche,[13]
               Tenait dans son bee une saisie executoire;
          Maitre Renard, par l'odeur alleche,
               Lui fit a peu pres cette histoire:
                    He! bonjour.  Etc.


The two honest practitioners, embarrassed by the jests, and finding the
bearing of their heads interfered with by the shouts of laughter which
followed them, resolved to get rid of their names, and hit upon the
expedient of applying to the king.

Their petition was presented to Louis XV. on the same day when the
Papal Nuncio, on the one hand, and the Cardinal de la Roche-Aymon on the
other, both devoutly kneeling, were each engaged in putting on, in his
Majesty's presence, a slipper on the bare feet of Madame du Barry, who
had just got out of bed. The king, who was laughing, continued to laugh,
passed gayly from the two bishops to the two lawyers, and bestowed on
these limbs of the law their former names, or nearly so. By the kings
command, Maitre Corbeau was permitted to add a tail to his initial
letter and to call himself Gorbeau. Maitre Renard was less lucky; all he
obtained was leave to place a P in front of his R, and to call himself
Prenard; so that the second name bore almost as much resemblance as the
first.

Now, according to local tradition, this Maitre Gorbeau had been the
proprietor of the building numbered 50-52 on the Boulevard de l'Hopital.
He was even the author of the monumental window.

Hence the edifice bore the name of the Gorbeau house.

Opposite this house, among the trees of the boulevard, rose a great elm
which was three-quarters dead; almost directly facing it opens the Rue
de la Barriere des Gobelins, a street then without houses, unpaved,
planted with unhealthy trees, which was green or muddy according to the
season, and which ended squarely in the exterior wall of Paris. An odor
of copperas issued in puffs from the roofs of the neighboring factory.

The barrier was close at hand. In 1823 the city wall was still in
existence.

This barrier itself evoked gloomy fancies in the mind. It was the
road to Bicetre. It was through it that, under the Empire and the
Restoration, prisoners condemned to death re-entered Paris on the day
of their execution. It was there, that, about 1829, was committed that
mysterious assassination, called "The assassination of the Fontainebleau
barrier," whose authors justice was never able to discover; a melancholy
problem which has never been elucidated, a frightful enigma which has
never been unriddled. Take a few steps, and you come upon that fatal Rue
Croulebarbe, where Ulbach stabbed the goat-girl of Ivry to the sound of
thunder, as in the melodramas. A few paces more, and you arrive at the
abominable pollarded elms of the Barriere Saint-Jacques, that expedient
of the philanthropist to conceal the scaffold, that miserable and
shameful Place de Grove of a shop-keeping and bourgeois society, which
recoiled before the death penalty, neither daring to abolish it with
grandeur, nor to uphold it with authority.

Leaving aside this Place Saint-Jacques, which was, as it were,
predestined, and which has always been horrible, probably the most
mournful spot on that mournful boulevard, seven and thirty years ago,
was the spot which even to-day is so unattractive, where stood the
building Number 50-52.

Bourgeois houses only began to spring up there twenty-five years later.
The place was unpleasant. In addition to the gloomy thoughts which
assailed one there, one was conscious of being between the Salpetriere,
a glimpse of whose dome could be seen, and Bicetre, whose outskirts one
was fairly touching; that is to say, between the madness of women and
the madness of men. As far as the eye could see, one could perceive
nothing but the abattoirs, the city wall, and the fronts of a few
factories, resembling barracks or monasteries; everywhere about stood
hovels, rubbish, ancient walls blackened like cerecloths, new white
walls like winding-sheets; everywhere parallel rows of trees, buildings
erected on a line, flat constructions, long, cold rows, and the
melancholy sadness of right angles. Not an unevenness of the ground,
not a caprice in the architecture, not a fold. The ensemble was glacial,
regular, hideous. Nothing oppresses the heart like symmetry. It is
because symmetry is ennui, and ennui is at the very foundation of grief.
Despair yawns. Something more terrible than a hell where one suffers
may be imagined, and that is a hell where one is bored. If such a hell
existed, that bit of the Boulevard de l'Hopital might have formed the
entrance to it.

Nevertheless, at nightfall, at the moment when the daylight is
vanishing, especially in winter, at the hour when the twilight breeze
tears from the elms their last russet leaves, when the darkness is deep
and starless, or when the moon and the wind are making openings in the
clouds and losing themselves in the shadows, this boulevard suddenly
becomes frightful. The black lines sink inwards and are lost in the
shades, like morsels of the infinite. The passer-by cannot refrain from
recalling the innumerable traditions of the place which are connected
with the gibbet. The solitude of this spot, where so many crimes have
been committed, had something terrible about it. One almost had a
presentiment of meeting with traps in that darkness; all the confused
forms of the darkness seemed suspicious, and the long, hollow square, of
which one caught a glimpse between each tree, seemed graves: by day it
was ugly; in the evening melancholy; by night it was sinister.

In summer, at twilight, one saw, here and there, a few old women seated
at the foot of the elm, on benches mouldy with rain. These good old
women were fond of begging.

However, this quarter, which had a superannuated rather than an antique
air, was tending even then to transformation. Even at that time any one
who was desirous of seeing it had to make haste. Each day some detail of
the whole effect was disappearing. For the last twenty years the station
of the Orleans railway has stood beside the old faubourg and distracted
it, as it does to-day. Wherever it is placed on the borders of a
capital, a railway station is the death of a suburb and the birth of a
city. It seems as though, around these great centres of the movements of
a people, the earth, full of germs, trembled and yawned, to engulf the
ancient dwellings of men and to allow new ones to spring forth, at the
rattle of these powerful machines, at the breath of these monstrous
horses of civilization which devour coal and vomit fire. The old houses
crumble and new ones rise.

Since the Orleans railway has invaded the region of the Salpetriere,
the ancient, narrow streets which adjoin the moats Saint-Victor and the
Jardin des Plantes tremble, as they are violently traversed three or
four times each day by those currents of coach fiacres and omnibuses
which, in a given time, crowd back the houses to the right and the left;
for there are things which are odd when said that are rigorously exact;
and just as it is true to say that in large cities the sun makes the
southern fronts of houses to vegetate and grow, it is certain that the
frequent passage of vehicles enlarges streets. The symptoms of a new
life are evident. In this old provincial quarter, in the wildest nooks,
the pavement shows itself, the sidewalks begin to crawl and to grow
longer, even where there are as yet no pedestrians. One morning,--a
memorable morning in July, 1845,--black pots of bitumen were seen
smoking there; on that day it might be said that civilization had
arrived in the Rue de l'Ourcine, and that Paris had entered the suburb
of Saint-Marceau.




CHAPTER II--A NEST FOR OWL AND A WARBLER

It was in front of this Gorbeau house that Jean Valjean halted. Like
wild birds, he had chosen this desert place to construct his nest.

He fumbled in his waistcoat pocket, drew out a sort of a pass-key,
opened the door, entered, closed it again carefully, and ascended the
staircase, still carrying Cosette.

At the top of the stairs he drew from his pocket another key, with
which he opened another door. The chamber which he entered, and which
he closed again instantly, was a kind of moderately spacious attic,
furnished with a mattress laid on the floor, a table, and several
chairs; a stove in which a fire was burning, and whose embers were
visible, stood in one corner. A lantern on the boulevard cast a vague
light into this poor room. At the extreme end there was a dressing-room
with a folding bed; Jean Valjean carried the child to this bed and laid
her down there without waking her.

He struck a match and lighted a candle. All this was prepared beforehand
on the table, and, as he had done on the previous evening, he began
to scrutinize Cosette's face with a gaze full of ecstasy, in which the
expression of kindness and tenderness almost amounted to aberration. The
little girl, with that tranquil confidence which belongs only to extreme
strength and extreme weakness, had fallen asleep without knowing with
whom she was, and continued to sleep without knowing where she was.

Jean Valjean bent down and kissed that child's hand.

Nine months before he had kissed the hand of the mother, who had also
just fallen asleep.

The same sad, piercing, religious sentiment filled his heart.

He knelt beside Cosette's bed.

lt was broad daylight, and the child still slept. A wan ray of the
December sun penetrated the window of the attic and lay upon the
ceiling in long threads of light and shade. All at once a heavily laden
carrier's cart, which was passing along the boulevard, shook the frail
bed, like a clap of thunder, and made it quiver from top to bottom.

"Yes, madame!" cried Cosette, waking with a start, "here I am! here I
am!"

And she sprang out of bed, her eyes still half shut with the heaviness
of sleep, extending her arms towards the corner of the wall.

"Ah! mon Dieu, my broom!" said she.

She opened her eyes wide now, and beheld the smiling countenance of Jean
Valjean.

"Ah! so it is true!" said the child. "Good morning, Monsieur."

Children accept joy and happiness instantly and familiarly, being
themselves by nature joy and happiness.

Cosette caught sight of Catherine at the foot of her bed, and took
possession of her, and, as she played, she put a hundred questions to
Jean Valjean. Where was she? Was Paris very large? Was Madame Thenardier
very far away? Was she to go back? etc., etc. All at once she exclaimed,
"How pretty it is here!"

It was a frightful hole, but she felt free.

"Must I sweep?" she resumed at last.

"Play!" said Jean Valjean.

The day passed thus. Cosette, without troubling herself to understand
anything, was inexpressibly happy with that doll and that kind man.




CHAPTER III--TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE

On the following morning, at daybreak, Jean Valjean was still by
Cosette's bedside; he watched there motionless, waiting for her to wake.

Some new thing had come into his soul.

Jean Valjean had never loved anything; for twenty-five years he had been
alone in the world. He had never been father, lover, husband, friend. In
the prison he had been vicious, gloomy, chaste, ignorant, and shy.
The heart of that ex-convict was full of virginity. His sister and his
sister's children had left him only a vague and far-off memory which
had finally almost completely vanished; he had made every effort to
find them, and not having been able to find them, he had forgotten them.
Human nature is made thus; the other tender emotions of his youth, if he
had ever had any, had fallen into an abyss.

When he saw Cosette, when he had taken possession of her, carried her
off, and delivered her, he felt his heart moved within him.

All the passion and affection within him awoke, and rushed towards that
child. He approached the bed, where she lay sleeping, and trembled with
joy. He suffered all the pangs of a mother, and he knew not what it
meant; for that great and singular movement of a heart which begins to
love is a very obscure and a very sweet thing.

Poor old man, with a perfectly new heart!

Only, as he was five and fifty, and Cosette eight years of age, all that
might have been love in the whole course of his life flowed together
into a sort of ineffable light.

It was the second white apparition which he had encountered. The Bishop
had caused the dawn of virtue to rise on his horizon; Cosette caused the
dawn of love to rise.

The early days passed in this dazzled state.

Cosette, on her side, had also, unknown to herself, become another
being, poor little thing! She was so little when her mother left her,
that she no longer remembered her. Like all children, who resemble young
shoots of the vine, which cling to everything, she had tried to love;
she had not succeeded. All had repulsed her,--the Thenardiers, their
children, other children. She had loved the dog, and he had died, after
which nothing and nobody would have anything to do with her. It is a sad
thing to say, and we have already intimated it, that, at eight years of
age, her heart was cold. It was not her fault; it was not the faculty
of loving that she lacked; alas! it was the possibility. Thus, from the
very first day, all her sentient and thinking powers loved this kind
man. She felt that which she had never felt before--a sensation of
expansion.

The man no longer produced on her the effect of being old or poor; she
thought Jean Valjean handsome, just as she thought the hovel pretty.

These are the effects of the dawn, of childhood, of joy. The novelty of
the earth and of life counts for something here. Nothing is so charming
as the coloring reflection of happiness on a garret. We all have in our
past a delightful garret.

Nature, a difference of fifty years, had set a profound gulf between
Jean Valjean and Cosette; destiny filled in this gulf. Destiny suddenly
united and wedded with its irresistible power these two uprooted
existences, differing in age, alike in sorrow. One, in fact, completed
the other. Cosette's instinct sought a father, as Jean Valjean's
instinct sought a child. To meet was to find each other. At the
mysterious moment when their hands touched, they were welded together.
When these two souls perceived each other, they recognized each other as
necessary to each other, and embraced each other closely.

Taking the words in their most comprehensive and absolute sense, we
may say that, separated from every one by the walls of the tomb, Jean
Valjean was the widower, and Cosette was the orphan: this situation
caused Jean Valjean to become Cosette's father after a celestial
fashion.

And in truth, the mysterious impression produced on Cosette in the
depths of the forest of Chelles by the hand of Jean Valjean grasping
hers in the dark was not an illusion, but a reality. The entrance of
that man into the destiny of that child had been the advent of God.

Moreover, Jean Valjean had chosen his refuge well. There he seemed
perfectly secure.

The chamber with a dressing-room, which he occupied with Cosette, was
the one whose window opened on the boulevard. This being the only window
in the house, no neighbors' glances were to be feared from across the
way or at the side.

The ground-floor of Number 50-52, a sort of dilapidated penthouse,
served as a wagon-house for market-gardeners, and no communication
existed between it and the first story. It was separated by the
flooring, which had neither traps nor stairs, and which formed the
diaphragm of the building, as it were. The first story contained, as we
have said, numerous chambers and several attics, only one of which
was occupied by the old woman who took charge of Jean Valjean's
housekeeping; all the rest was uninhabited.

It was this old woman, ornamented with the name of the principal lodger,
and in reality intrusted with the functions of portress, who had let
him the lodging on Christmas eve. He had represented himself to her as a
gentleman of means who had been ruined by Spanish bonds, who was coming
there to live with his little daughter. He had paid her six months in
advance, and had commissioned the old woman to furnish the chamber and
dressing-room, as we have seen. It was this good woman who had lighted
the fire in the stove, and prepared everything on the evening of their
arrival.

Week followed week; these two beings led a happy life in that hovel.

Cosette laughed, chattered, and sang from daybreak. Children have their
morning song as well as birds.

It sometimes happened that Jean Valjean clasped her tiny red hand, all
cracked with chilblains, and kissed it. The poor child, who was used
to being beaten, did not know the meaning of this, and ran away in
confusion.

At times she became serious and stared at her little black gown. Cosette
was no longer in rags; she was in mourning. She had emerged from misery,
and she was entering into life.

Jean Valjean had undertaken to teach her to read. Sometimes, as he made
the child spell, he remembered that it was with the idea of doing evil
that he had learned to read in prison. This idea had ended in teaching a
child to read. Then the ex-convict smiled with the pensive smile of the
angels.

He felt in it a premeditation from on high, the will of some one who
was not man, and he became absorbed in revery. Good thoughts have their
abysses as well as evil ones.

To teach Cosette to read, and to let her play, this constituted nearly
the whole of Jean Valjean's existence. And then he talked of her mother,
and he made her pray.

She called him father, and knew no other name for him.

He passed hours in watching her dressing and undressing her doll, and in
listening to her prattle. Life, henceforth, appeared to him to be full
of interest; men seemed to him good and just; he no longer reproached
any one in thought; he saw no reason why he should not live to be a very
old man, now that this child loved him. He saw a whole future stretching
out before him, illuminated by Cosette as by a charming light. The best
of us are not exempt from egotistical thoughts. At times, he reflected
with a sort of joy that she would be ugly.

This is only a personal opinion; but, to utter our whole thought, at the
point where Jean Valjean had arrived when he began to love Cosette, it
is by no means clear to us that he did not need this encouragement in
order that he might persevere in well-doing. He had just viewed the
malice of men and the misery of society under a new aspect--incomplete
aspects, which unfortunately only exhibited one side of the truth,
the fate of woman as summed up in Fantine, and public authority as
personified in Javert. He had returned to prison, this time for having
done right; he had quaffed fresh bitterness; disgust and lassitude were
overpowering him; even the memory of the Bishop probably suffered
a temporary eclipse, though sure to reappear later on luminous and
triumphant; but, after all, that sacred memory was growing dim.
Who knows whether Jean Valjean had not been on the eve of growing
discouraged and of falling once more? He loved and grew strong again.
Alas! he walked with no less indecision than Cosette. He protected her,
and she strengthened him. Thanks to him, she could walk through life;
thanks to her, he could continue in virtue. He was that child's stay,
and she was his prop. Oh, unfathomable and divine mystery of the
balances of destiny!




CHAPTER IV--THE REMARKS OF THE PRINCIPAL TENANT

Jean Valjean was prudent enough never to go out by day. Every evening,
at twilight, he walked for an hour or two, sometimes alone, often with
Cosette, seeking the most deserted side alleys of the boulevard, and
entering churches at nightfall. He liked to go to Saint-Medard, which is
the nearest church. When he did not take Cosette with him, she remained
with the old woman; but the child's delight was to go out with the good
man. She preferred an hour with him to all her rapturous tete-a-tetes
with Catherine. He held her hand as they walked, and said sweet things
to her.

It turned out that Cosette was a very gay little person.

The old woman attended to the housekeeping and cooking and went to
market.

They lived soberly, always having a little fire, but like people in
very moderate circumstances. Jean Valjean had made no alterations in
the furniture as it was the first day; he had merely had the glass door
leading to Cosette's dressing-room replaced by a solid door.

He still wore his yellow coat, his black breeches, and his old hat.
In the street, he was taken for a poor man. It sometimes happened that
kind-hearted women turned back to bestow a sou on him. Jean Valjean
accepted the sou with a deep bow. It also happened occasionally that he
encountered some poor wretch asking alms; then he looked behind him
to make sure that no one was observing him, stealthily approached the
unfortunate man, put a piece of money into his hand, often a silver
coin, and walked rapidly away. This had its disadvantages. He began
to be known in the neighborhood under the name of the beggar who gives
alms.

The old principal lodger, a cross-looking creature, who was
thoroughly permeated, so far as her neighbors were concerned, with the
inquisitiveness peculiar to envious persons, scrutinized Jean Valjean
a great deal, without his suspecting the fact. She was a little deaf,
which rendered her talkative. There remained to her from her past, two
teeth,--one above, the other below,--which she was continually knocking
against each other. She had questioned Cosette, who had not been able
to tell her anything, since she knew nothing herself except that she had
come from Montfermeil. One morning, this spy saw Jean Valjean, with
an air which struck the old gossip as peculiar, entering one of the
uninhabited compartments of the hovel. She followed him with the step
of an old cat, and was able to observe him without being seen, through a
crack in the door, which was directly opposite him. Jean Valjean had his
back turned towards this door, by way of greater security, no doubt. The
old woman saw him fumble in his pocket and draw thence a case, scissors,
and thread; then he began to rip the lining of one of the skirts of his
coat, and from the opening he took a bit of yellowish paper, which he
unfolded. The old woman recognized, with terror, the fact that it was
a bank-bill for a thousand francs. It was the second or third only that
she had seen in the course of her existence. She fled in alarm.

A moment later, Jean Valjean accosted her, and asked her to go and
get this thousand-franc bill changed for him, adding that it was his
quarterly income, which he had received the day before. "Where?" thought
the old woman. "He did not go out until six o'clock in the evening, and
the government bank certainly is not open at that hour." The old
woman went to get the bill changed, and mentioned her surmises. That
thousand-franc note, commented on and multiplied, produced a vast
amount of terrified discussion among the gossips of the Rue des Vignes
Saint-Marcel.

A few days later, it chanced that Jean Valjean was sawing some wood, in
his shirt-sleeves, in the corridor. The old woman was in the chamber,
putting things in order. She was alone. Cosette was occupied in admiring
the wood as it was sawed. The old woman caught sight of the coat hanging
on a nail, and examined it. The lining had been sewed up again. The good
woman felt of it carefully, and thought she observed in the skirts and
revers thicknesses of paper. More thousand-franc bank-bills, no doubt!

She also noticed that there were all sorts of things in the pockets.
Not only the needles, thread, and scissors which she had seen, but a big
pocket-book, a very large knife, and--a suspicious circumstance--several
wigs of various colors. Each pocket of this coat had the air of being in
a manner provided against unexpected accidents.

Thus the inhabitants of the house reached the last days of winter.




CHAPTER V--A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT

Near Saint-Medard's church there was a poor man who was in the habit of
crouching on the brink of a public well which had been condemned, and
on whom Jean Valjean was fond of bestowing charity. He never passed this
man without giving him a few sous. Sometimes he spoke to him. Those who
envied this mendicant said that he belonged to the police. He was an
ex-beadle of seventy-five, who was constantly mumbling his prayers.

One evening, as Jean Valjean was passing by, when he had not Cosette
with him, he saw the beggar in his usual place, beneath the lantern
which had just been lighted. The man seemed engaged in prayer, according
to his custom, and was much bent over. Jean Valjean stepped up to him
and placed his customary alms in his hand. The mendicant raised his
eyes suddenly, stared intently at Jean Valjean, then dropped his head
quickly. This movement was like a flash of lightning. Jean Valjean was
seized with a shudder. It seemed to him that he had just caught sight,
by the light of the street lantern, not of the placid and beaming
visage of the old beadle, but of a well-known and startling face. He
experienced the same impression that one would have on finding one's
self, all of a sudden, face to face, in the dark, with a tiger. He
recoiled, terrified, petrified, daring neither to breathe, to speak,
to remain, nor to flee, staring at the beggar who had dropped his head,
which was enveloped in a rag, and no longer appeared to know that he
was there. At this strange moment, an instinct--possibly the mysterious
instinct of self-preservation,--restrained Jean Valjean from uttering a
word. The beggar had the same figure, the same rags, the same appearance
as he had every day. "Bah!" said Jean Valjean, "I am mad! I am dreaming!
Impossible!" And he returned profoundly troubled.

He hardly dared to confess, even to himself, that the face which he
thought he had seen was the face of Javert.

That night, on thinking the matter over, he regretted not having
questioned the man, in order to force him to raise his head a second
time.

On the following day, at nightfall, he went back. The beggar was at his
post. "Good day, my good man," said Jean Valjean, resolutely, handing
him a sou. The beggar raised his head, and replied in a whining voice,
"Thanks, my good sir." It was unmistakably the ex-beadle.

Jean Valjean felt completely reassured. He began to laugh. "How the
deuce could I have thought that I saw Javert there?" he thought. "Am I
going to lose my eyesight now?" And he thought no more about it.

A few days afterwards,--it might have been at eight o'clock in the
evening,--he was in his room, and engaged in making Cosette spell aloud,
when he heard the house door open and then shut again. This struck him
as singular. The old woman, who was the only inhabitant of the house
except himself, always went to bed at nightfall, so that she might not
burn out her candles. Jean Valjean made a sign to Cosette to be quiet.
He heard some one ascending the stairs. It might possibly be the old
woman, who might have fallen ill and have been out to the apothecary's.
Jean Valjean listened.

The step was heavy, and sounded like that of a man; but the old woman
wore stout shoes, and there is nothing which so strongly resembles the
step of a man as that of an old woman. Nevertheless, Jean Valjean blew
out his candle.

He had sent Cosette to bed, saying to her in a low voice, "Get into bed
very softly"; and as he kissed her brow, the steps paused.

Jean Valjean remained silent, motionless, with his back towards the
door, seated on the chair from which he had not stirred, and holding his
breath in the dark.

After the expiration of a rather long interval, he turned round, as he
heard nothing more, and, as he raised his eyes towards the door of his
chamber, he saw a light through the keyhole. This light formed a sort
of sinister star in the blackness of the door and the wall. There was
evidently some one there, who was holding a candle in his hand and
listening.

Several minutes elapsed thus, and the light retreated. But he heard no
sound of footsteps, which seemed to indicate that the person who had
been listening at the door had removed his shoes.

Jean Valjean threw himself, all dressed as he was, on his bed, and could
not close his eyes all night.

At daybreak, just as he was falling into a doze through fatigue, he was
awakened by the creaking of a door which opened on some attic at the
end of the corridor, then he heard the same masculine footstep which had
ascended the stairs on the preceding evening. The step was approaching.
He sprang off the bed and applied his eye to the keyhole, which was
tolerably large, hoping to see the person who had made his way by night
into the house and had listened at his door, as he passed. It was a
man, in fact, who passed, this time without pausing, in front of Jean
Valjean's chamber. The corridor was too dark to allow of the person's
face being distinguished; but when the man reached the staircase, a
ray of light from without made it stand out like a silhouette, and Jean
Valjean had a complete view of his back. The man was of lofty stature,
clad in a long frock-coat, with a cudgel under his arm. The formidable
neck and shoulders belonged to Javert.

Jean Valjean might have attempted to catch another glimpse of him
through his window opening on the boulevard, but he would have been
obliged to open the window: he dared not.

It was evident that this man had entered with a key, and like himself.
Who had given him that key? What was the meaning of this?

When the old woman came to do the work, at seven o'clock in the morning,
Jean Valjean cast a penetrating glance on her, but he did not question
her. The good woman appeared as usual.

As she swept up she remarked to him:--

"Possibly Monsieur may have heard some one come in last night?"

At that age, and on that boulevard, eight o'clock in the evening was the
dead of the night.

"That is true, by the way," he replied, in the most natural tone
possible. "Who was it?"

"It was a new lodger who has come into the house," said the old woman.

"And what is his name?"

"I don't know exactly; Dumont, or Daumont, or some name of that sort."

"And who is this Monsieur Dumont?"

The old woman gazed at him with her little polecat eyes, and answered:--

"A gentleman of property, like yourself."

Perhaps she had no ulterior meaning. Jean Valjean thought he perceived
one.

When the old woman had taken her departure, he did up a hundred francs
which he had in a cupboard, into a roll, and put it in his pocket. In
spite of all the precautions which he took in this operation so that he
might not be heard rattling silver, a hundred-sou piece escaped from his
hands and rolled noisily on the floor.

When darkness came on, he descended and carefully scrutinized both sides
of the boulevard. He saw no one. The boulevard appeared to be absolutely
deserted. It is true that a person can conceal himself behind trees.

He went up stairs again.

"Come." he said to Cosette.

He took her by the hand, and they both went out.




BOOK FIFTH.--FOR A BLACK HUNT, A MUTE PACK




CHAPTER I--THE ZIGZAGS OF STRATEGY

An observation here becomes necessary, in view of the pages which the
reader is about to peruse, and of others which will be met with further
on.

The author of this book, who regrets the necessity of mentioning
himself, has been absent from Paris for many years. Paris has been
transformed since he quitted it. A new city has arisen, which is, after
a fashion, unknown to him. There is no need for him to say that he loves
Paris: Paris is his mind's natal city. In consequence of demolitions and
reconstructions, the Paris of his youth, that Paris which he bore away
religiously in his memory, is now a Paris of days gone by. He must
be permitted to speak of that Paris as though it still existed. It is
possible that when the author conducts his readers to a spot and says,
"In such a street there stands such and such a house," neither street
nor house will any longer exist in that locality. Readers may verify
the facts if they care to take the trouble. For his own part, he is
unacquainted with the new Paris, and he writes with the old Paris before
his eyes in an illusion which is precious to him. It is a delight to him
to dream that there still lingers behind him something of that which he
beheld when he was in his own country, and that all has not vanished.
So long as you go and come in your native land, you imagine that those
streets are a matter of indifference to you; that those windows,
those roofs, and those doors are nothing to you; that those walls are
strangers to you; that those trees are merely the first encountered
haphazard; that those houses, which you do not enter, are useless to
you; that the pavements which you tread are merely stones. Later on,
when you are no longer there, you perceive that the streets are dear to
you; that you miss those roofs, those doors; and that those walls are
necessary to you, those trees are well beloved by you; that you entered
those houses which you never entered, every day, and that you have left
a part of your heart, of your blood, of your soul, in those pavements.
All those places which you no longer behold, which you may never
behold again, perchance, and whose memory you have cherished, take on
a melancholy charm, recur to your mind with the melancholy of an
apparition, make the holy land visible to you, and are, so to speak,
the very form of France, and you love them; and you call them up as they
are, as they were, and you persist in this, and you will submit to no
change: for you are attached to the figure of your fatherland as to the
face of your mother.

May we, then, be permitted to speak of the past in the present? That
said, we beg the reader to take note of it, and we continue.

Jean Valjean instantly quitted the boulevard and plunged into the
streets, taking the most intricate lines which he could devise,
returning on his track at times, to make sure that he was not being
followed.

[Illustration: The Black Hunt  2b5-1-black-hunt]

This manoeuvre is peculiar to the hunted stag. On soil where an
imprint of the track may be left, this manoeuvre possesses, among other
advantages, that of deceiving the huntsmen and the dogs, by throwing
them on the wrong scent. In venery this is called false re-imbushment.

The moon was full that night. Jean Valjean was not sorry for this. The
moon, still very close to the horizon, cast great masses of light and
shadow in the streets. Jean Valjean could glide along close to the
houses on the dark side, and yet keep watch on the light side. He did
not, perhaps, take sufficiently into consideration the fact that the
dark side escaped him. Still, in the deserted lanes which lie near the
Rue Poliveau, he thought he felt certain that no one was following him.

Cosette walked on without asking any questions. The sufferings of the
first six years of her life had instilled something passive into her
nature. Moreover,--and this is a remark to which we shall frequently
have occasion to recur,--she had grown used, without being herself
aware of it, to the peculiarities of this good man and to the freaks of
destiny. And then she was with him, and she felt safe.

Jean Valjean knew no more where he was going than did Cosette. He
trusted in God, as she trusted in him. It seemed as though he also were
clinging to the hand of some one greater than himself; he thought he
felt a being leading him, though invisible. However, he had no settled
idea, no plan, no project. He was not even absolutely sure that it was
Javert, and then it might have been Javert, without Javert knowing that
he was Jean Valjean. Was not he disguised? Was not he believed to be
dead? Still, queer things had been going on for several days. He wanted
no more of them. He was determined not to return to the Gorbeau house.
Like the wild animal chased from its lair, he was seeking a hole in
which he might hide until he could find one where he might dwell.

Jean Valjean described many and varied labyrinths in the Mouffetard
quarter, which was already asleep, as though the discipline of the
Middle Ages and the yoke of the curfew still existed; he combined in
various manners, with cunning strategy, the Rue Censier and the Rue
Copeau, the Rue du Battoir-Saint-Victor and the Rue du Puits l'Ermite.
There are lodging houses in this locality, but he did not even enter
one, finding nothing which suited him. He had no doubt that if any one
had chanced to be upon his track, they would have lost it.

As eleven o'clock struck from Saint-Etienne-du-Mont, he was traversing
the Rue de Pontoise, in front of the office of the commissary of police,
situated at No. 14. A few moments later, the instinct of which we have
spoken above made him turn round. At that moment he saw distinctly,
thanks to the commissary's lantern, which betrayed them, three men
who were following him closely, pass, one after the other, under that
lantern, on the dark side of the street. One of the three entered the
alley leading to the commissary's house. The one who marched at their
head struck him as decidedly suspicious.

"Come, child," he said to Cosette; and he made haste to quit the Rue
Pontoise.

He took a circuit, turned into the Passage des Patriarches, which was
closed on account of the hour, strode along the Rue de l'Epee-de-Bois
and the Rue de l'Arbalete, and plunged into the Rue des Postes.

At that time there was a square formed by the intersection of
streets, where the College Rollin stands to-day, and where the Rue
Neuve-Sainte-Genevieve turns off.

It is understood, of course, that the Rue Neuve-Sainte-Genevieve is an
old street, and that a posting-chaise does not pass through the Rue des
Postes once in ten years. In the thirteenth century this Rue des Postes
was inhabited by potters, and its real name is Rue des Pots.

The moon cast a livid light into this open space. Jean Valjean went into
ambush in a doorway, calculating that if the men were still following
him, he could not fail to get a good look at them, as they traversed
this illuminated space.

In point of fact, three minutes had not elapsed when the men made their
appearance. There were four of them now. All were tall, dressed in long,
brown coats, with round hats, and huge cudgels in their hands. Their
great stature and their vast fists rendered them no less alarming
than did their sinister stride through the darkness. One would have
pronounced them four spectres disguised as bourgeois.

They halted in the middle of the space and formed a group, like men in
consultation. They had an air of indecision. The one who appeared to be
their leader turned round and pointed hastily with his right hand in the
direction which Jean Valjean had taken; another seemed to indicate the
contrary direction with considerable obstinacy. At the moment when the
first man wheeled round, the moon fell full in his face. Jean Valjean
recognized Javert perfectly.




CHAPTER II--IT IS LUCKY THAT THE PONT D'AUSTERLITZ BEARS CARRIAGES

Uncertainty was at an end for Jean Valjean: fortunately it still lasted
for the men. He took advantage of their hesitation. It was time lost for
them, but gained for him. He slipped from under the gate where he had
concealed himself, and went down the Rue des Postes, towards the region
of the Jardin des Plantes. Cosette was beginning to be tired. He took
her in his arms and carried her. There were no passers-by, and the
street lanterns had not been lighted on account of there being a moon.

He redoubled his pace.

In a few strides he had reached the Goblet potteries, on the front
of which the moonlight rendered distinctly legible the ancient
inscription:--

               De Goblet fils c'est ici la fabrique;[14]
               Venez choisir des cruches et des broos,
               Des pots a fleurs, des tuyaux, de la brique.
               A tout venant le Coeur vend des Carreaux.



He left behind him the Rue de la Clef, then the Fountain Saint-Victor,
skirted the Jardin des Plantes by the lower streets, and reached the
quay. There he turned round. The quay was deserted. The streets were
deserted. There was no one behind him. He drew a long breath.

He gained the Pont d'Austerlitz.

Tolls were still collected there at that epoch.

He presented himself at the toll office and handed over a sou.

"It is two sous," said the old soldier in charge of the bridge. "You are
carrying a child who can walk. Pay for two."

He paid, vexed that his passage should have aroused remark. Every flight
should be an imperceptible slipping away.

A heavy cart was crossing the Seine at the same time as himself, and on
its way, like him, to the right bank. This was of use to him. He could
traverse the bridge in the shadow of the cart.

Towards the middle of the Bridge, Cosette, whose feet were benumbed,
wanted to walk. He set her on the ground and took her hand again.

The bridge once crossed, he perceived some timber-yards on his right. He
directed his course thither. In order to reach them, it was necessary to
risk himself in a tolerably large unsheltered and illuminated space.
He did not hesitate. Those who were on his track had evidently lost the
scent, and Jean Valjean believed himself to be out of danger. Hunted,
yes; followed, no.

A little street, the Rue du Chemin-Vert-Saint-Antoine, opened out
between two timber-yards enclosed in walls. This street was dark and
narrow and seemed made expressly for him. Before entering it he cast a
glance behind him.

From the point where he stood he could see the whole extent of the Pont
d'Austerlitz.

Four shadows were just entering on the bridge.

These shadows had their backs turned to the Jardin des Plantes and were
on their way to the right bank.

These four shadows were the four men.

Jean Valjean shuddered like the wild beast which is recaptured.

One hope remained to him; it was, that the men had not, perhaps, stepped
on the bridge, and had not caught sight of him while he was crossing the
large illuminated space, holding Cosette by the hand.

In that case, by plunging into the little street before him, he
might escape, if he could reach the timber-yards, the marshes, the
market-gardens, the uninhabited ground which was not built upon.

It seemed to him that he might commit himself to that silent little
street. He entered it.




CHAPTER III--TO WIT, THE PLAN OF PARIS IN 1727

Three hundred paces further on, he arrived at a point where the street
forked. It separated into two streets, which ran in a slanting line, one
to the right, and the other to the left.

Jean Valjean had before him what resembled the two branches of a Y.
Which should he choose? He did not hesitate, but took the one on the
right.

Why?

Because that to the left ran towards a suburb, that is to say, towards
inhabited regions, and the right branch towards the open country, that
is to say, towards deserted regions.

However, they no longer walked very fast. Cosette's pace retarded Jean
Valjean's.

He took her up and carried her again. Cosette laid her head on the
shoulder of the good man and said not a word.

He turned round from time to time and looked behind him. He took care to
keep always on the dark side of the street. The street was straight
in his rear. The first two or three times that he turned round he saw
nothing; the silence was profound, and he continued his march somewhat
reassured. All at once, on turning round, he thought he perceived in the
portion of the street which he had just passed through, far off in the
obscurity, something which was moving.

He rushed forward precipitately rather than walked, hoping to find some
side-street, to make his escape through it, and thus to break his scent
once more.

He arrived at a wall.

This wall, however, did not absolutely prevent further progress; it was
a wall which bordered a transverse street, in which the one he had taken
ended.

Here again, he was obliged to come to a decision; should he go to the
right or to the left.

He glanced to the right. The fragmentary lane was prolonged between
buildings which were either sheds or barns, then ended at a blind alley.
The extremity of the cul-de-sac was distinctly visible,--a lofty white
wall.

He glanced to the left. On that side the lane was open, and about
two hundred paces further on, ran into a street of which it was the
affluent. On that side lay safety.

At the moment when Jean Valjean was meditating a turn to the left, in
an effort to reach the street which he saw at the end of the lane, he
perceived a sort of motionless, black statue at the corner of the lane
and the street towards which he was on the point of directing his steps.

It was some one, a man, who had evidently just been posted there, and
who was barring the passage and waiting.

Jean Valjean recoiled.

The point of Paris where Jean Valjean found himself, situated between
the Faubourg Saint-Antoine and la Rapee, is one of those which recent
improvements have transformed from top to bottom,--resulting in
disfigurement according to some, and in a transfiguration according to
others. The market-gardens, the timber-yards, and the old buildings
have been effaced. To-day, there are brand-new, wide streets, arenas,
circuses, hippodromes, railway stations, and a prison, Mazas, there;
progress, as the reader sees, with its antidote.

Half a century ago, in that ordinary, popular tongue, which is all
compounded of traditions, which persists in calling the Institut les
Quatre-Nations, and the Opera-Comique Feydeau, the precise spot
whither Jean Valjean had arrived was called le Petit Picpus. The
Porte Saint-Jacques, the Porte Paris, the Barriere des Sergents, the
Porcherons, la Galiote, les Celestins, les Capucins, le Mail, la Bourbe,
l'Arbre de Cracovie, la Petite-Pologne--these are the names of old Paris
which survive amid the new. The memory of the populace hovers over these
relics of the past.

Le Petit-Picpus, which, moreover, hardly ever had any existence, and
never was more than the outline of a quarter, had nearly the monkish
aspect of a Spanish town. The roads were not much paved; the streets
were not much built up. With the exception of the two or three streets,
of which we shall presently speak, all was wall and solitude there. Not
a shop, not a vehicle, hardly a candle lighted here and there in the
windows; all lights extinguished after ten o'clock. Gardens, convents,
timber-yards, marshes; occasional lowly dwellings and great walls as
high as the houses.

Such was this quarter in the last century. The Revolution snubbed
it soundly. The republican government demolished and cut through it.
Rubbish shoots were established there. Thirty years ago, this quarter
was disappearing under the erasing process of new buildings. To-day,
it has been utterly blotted out. The Petit-Picpus, of which no existing
plan has preserved a trace, is indicated with sufficient clearness
in the plan of 1727, published at Paris by Denis Thierry, Rue
Saint-Jacques, opposite the Rue du Platre; and at Lyons, by Jean Girin,
Rue Merciere, at the sign of Prudence. Petit-Picpus had, as
we have just mentioned, a Y of streets, formed by the Rue du
Chemin-Vert-Saint-Antoine, which spread out in two branches, taking on
the left the name of Little Picpus Street, and on the right the name of
the Rue Polonceau. The two limbs of the Y were connected at the apex
as by a bar; this bar was called Rue Droit-Mur. The Rue Polonceau ended
there; Rue Petit-Picpus passed on, and ascended towards the Lenoir
market. A person coming from the Seine reached the extremity of the Rue
Polonceau, and had on his right the Rue Droit-Mur, turning abruptly at a
right angle, in front of him the wall of that street, and on his right a
truncated prolongation of the Rue Droit-Mur, which had no issue and was
called the Cul-de-Sac Genrot.

It was here that Jean Valjean stood.

As we have just said, on catching sight of that black silhouette
standing on guard at the angle of the Rue Droit-Mur and the Rue
Petit-Picpus, he recoiled. There could be no doubt of it. That phantom
was lying in wait for him.

What was he to do?

The time for retreating was passed. That which he had perceived in
movement an instant before, in the distant darkness, was Javert and his
squad without a doubt. Javert was probably already at the commencement
of the street at whose end Jean Valjean stood. Javert, to all
appearances, was acquainted with this little labyrinth, and had taken
his precautions by sending one of his men to guard the exit. These
surmises, which so closely resembled proofs, whirled suddenly, like a
handful of dust caught up by an unexpected gust of wind, through Jean
Valjean's mournful brain. He examined the Cul-de-Sac Genrot; there he
was cut off. He examined the Rue Petit-Picpus; there stood a sentinel.
He saw that black form standing out in relief against the white
pavement, illuminated by the moon; to advance was to fall into this
man's hands; to retreat was to fling himself into Javert's arms. Jean
Valjean felt himself caught, as in a net, which was slowly contracting;
he gazed heavenward in despair.




CHAPTER IV--THE GROPINGS OF FLIGHT

In order to understand what follows, it is requisite to form an exact
idea of the Droit-Mur lane, and, in particular, of the angle which one
leaves on the left when one emerges from the Rue Polonceau into this
lane. Droit-Mur lane was almost entirely bordered on the right, as far
as the Rue Petit-Picpus, by houses of mean aspect; on the left by a
solitary building of severe outlines, composed of numerous parts which
grew gradually higher by a story or two as they approached the Rue
Petit-Picpus side; so that this building, which was very lofty on the
Rue Petit-Picpus side, was tolerably low on the side adjoining the Rue
Polonceau. There, at the angle of which we have spoken, it descended to
such a degree that it consisted of merely a wall. This wall did not abut
directly on the Street; it formed a deeply retreating niche, concealed
by its two corners from two observers who might have been, one in the
Rue Polonceau, the other in the Rue Droit-Mur.

Beginning with these angles of the niche, the wall extended along the
Rue Polonceau as far as a house which bore the number 49, and along the
Rue Droit-Mur, where the fragment was much shorter, as far as the gloomy
building which we have mentioned and whose gable it intersected, thus
forming another retreating angle in the street. This gable was sombre
of aspect; only one window was visible, or, to speak more correctly, two
shutters covered with a sheet of zinc and kept constantly closed.

The state of the places of which we are here giving a description is
rigorously exact, and will certainly awaken a very precise memory in the
mind of old inhabitants of the quarter.

The niche was entirely filled by a thing which resembled a colossal
and wretched door; it was a vast, formless assemblage of perpendicular
planks, the upper ones being broader than the lower, bound together by
long transverse strips of iron. At one side there was a carriage gate of
the ordinary dimensions, and which had evidently not been cut more than
fifty years previously.

A linden-tree showed its crest above the niche, and the wall was covered
with ivy on the side of the Rue Polonceau.

In the imminent peril in which Jean Valjean found himself, this sombre
building had about it a solitary and uninhabited look which tempted him.
He ran his eyes rapidly over it; he said to himself, that if he could
contrive to get inside it, he might save himself. First he conceived an
idea, then a hope.

In the central portion of the front of this building, on the Rue
Droit-Mur side, there were at all the windows of the different stories
ancient cistern pipes of lead. The various branches of the pipes which
led from one central pipe to all these little basins sketched out a sort
of tree on the front. These ramifications of pipes with their hundred
elbows imitated those old leafless vine-stocks which writhe over the
fronts of old farm-houses.

This odd espalier, with its branches of lead and iron, was the first
thing that struck Jean Valjean. He seated Cosette with her back against
a stone post, with an injunction to be silent, and ran to the spot where
the conduit touched the pavement. Perhaps there was some way of climbing
up by it and entering the house. But the pipe was dilapidated and past
service, and hardly hung to its fastenings. Moreover, all the windows
of this silent dwelling were grated with heavy iron bars, even the attic
windows in the roof. And then, the moon fell full upon that facade, and
the man who was watching at the corner of the street would have seen
Jean Valjean in the act of climbing. And finally, what was to be done
with Cosette? How was she to be drawn up to the top of a three-story
house?

He gave up all idea of climbing by means of the drain-pipe, and crawled
along the wall to get back into the Rue Polonceau.

When he reached the slant of the wall where he had left Cosette, he
noticed that no one could see him there. As we have just explained, he
was concealed from all eyes, no matter from which direction they were
approaching; besides this, he was in the shadow. Finally, there were
two doors; perhaps they might be forced. The wall above which he saw the
linden-tree and the ivy evidently abutted on a garden where he could, at
least, hide himself, although there were as yet no leaves on the trees,
and spend the remainder of the night.

Time was passing; he must act quickly.

He felt over the carriage door, and immediately recognized the fact that
it was impracticable outside and in.

He approached the other door with more hope; it was frightfully
decrepit; its very immensity rendered it less solid; the planks were
rotten; the iron bands--there were only three of them--were rusted. It
seemed as though it might be possible to pierce this worm-eaten barrier.

On examining it he found that the door was not a door; it had neither
hinges, cross-bars, lock, nor fissure in the middle; the iron bands
traversed it from side to side without any break. Through the crevices
in the planks he caught a view of unhewn slabs and blocks of stone
roughly cemented together, which passers-by might still have seen there
ten years ago. He was forced to acknowledge with consternation that this
apparent door was simply the wooden decoration of a building against
which it was placed. It was easy to tear off a plank; but then, one
found one's self face to face with a wall.




CHAPTER V--WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS

At that moment a heavy and measured sound began to be audible at some
distance. Jean Valjean risked a glance round the corner of the street.
Seven or eight soldiers, drawn up in a platoon, had just debouched
into the Rue Polonceau. He saw the gleam of their bayonets. They were
advancing towards him; these soldiers, at whose head he distinguished
Javert's tall figure, advanced slowly and cautiously. They halted
frequently; it was plain that they were searching all the nooks of the
walls and all the embrasures of the doors and alleys.

This was some patrol that Javert had encountered--there could be no
mistake as to this surmise--and whose aid he had demanded.

Javert's two acolytes were marching in their ranks.

At the rate at which they were marching, and in consideration of the
halts which they were making, it would take them about a quarter of
an hour to reach the spot where Jean Valjean stood. It was a frightful
moment. A few minutes only separated Jean Valjean from that terrible
precipice which yawned before him for the third time. And the galleys
now meant not only the galleys, but Cosette lost to him forever; that is
to say, a life resembling the interior of a tomb.

There was but one thing which was possible.

Jean Valjean had this peculiarity, that he carried, as one might say,
two beggar's pouches: in one he kept his saintly thoughts; in the other
the redoubtable talents of a convict. He rummaged in the one or the
other, according to circumstances.

Among his other resources, thanks to his numerous escapes from the
prison at Toulon, he was, as it will be remembered, a past master in the
incredible art of crawling up without ladder or climbing-irons, by sheer
muscular force, by leaning on the nape of his neck, his shoulders, his
hips, and his knees, by helping himself on the rare projections of the
stone, in the right angle of a wall, as high as the sixth story, if need
be; an art which has rendered so celebrated and so alarming that corner
of the wall of the Conciergerie of Paris by which Battemolle, condemned
to death, made his escape twenty years ago.

Jean Valjean measured with his eyes the wall above which he espied the
linden; it was about eighteen feet in height. The angle which it formed
with the gable of the large building was filled, at its lower extremity,
by a mass of masonry of a triangular shape, probably intended to
preserve that too convenient corner from the rubbish of those dirty
creatures called the passers-by. This practice of filling up corners of
the wall is much in use in Paris.

This mass was about five feet in height; the space above the summit of
this mass which it was necessary to climb was not more than fourteen
feet.

The wall was surmounted by a flat stone without a coping.

Cosette was the difficulty, for she did not know how to climb a wall.
Should he abandon her? Jean Valjean did not once think of that. It
was impossible to carry her. A man's whole strength is required to
successfully carry out these singular ascents. The least burden would
disturb his centre of gravity and pull him downwards.

A rope would have been required; Jean Valjean had none. Where was he to
get a rope at midnight, in the Rue Polonceau? Certainly, if Jean Valjean
had had a kingdom, he would have given it for a rope at that moment.

All extreme situations have their lightning flashes which sometimes
dazzle, sometimes illuminate us.

Jean Valjean's despairing glance fell on the street lantern-post of the
blind alley Genrot.

At that epoch there were no gas-jets in the streets of Paris. At
nightfall lanterns placed at regular distances were lighted; they were
ascended and descended by means of a rope, which traversed the street
from side to side, and was adjusted in a groove of the post. The pulley
over which this rope ran was fastened underneath the lantern in a little
iron box, the key to which was kept by the lamp-lighter, and the rope
itself was protected by a metal case.

Jean Valjean, with the energy of a supreme struggle, crossed the street
at one bound, entered the blind alley, broke the latch of the little box
with the point of his knife, and an instant later he was beside Cosette
once more. He had a rope. These gloomy inventors of expedients work
rapidly when they are fighting against fatality.

We have already explained that the lanterns had not been lighted that
night. The lantern in the Cul-de-Sac Genrot was thus naturally extinct,
like the rest; and one could pass directly under it without even
noticing that it was no longer in its place.

Nevertheless, the hour, the place, the darkness, Jean Valjean's
absorption, his singular gestures, his goings and comings, all had begun
to render Cosette uneasy. Any other child than she would have given vent
to loud shrieks long before. She contented herself with plucking Jean
Valjean by the skirt of his coat. They could hear the sound of the
patrol's approach ever more and more distinctly.

"Father," said she, in a very low voice, "I am afraid. Who is coming
yonder?"

"Hush!" replied the unhappy man; "it is Madame Thenardier."

Cosette shuddered. He added:--

"Say nothing. Don't interfere with me. If you cry out, if you weep, the
Thenardier is lying in wait for you. She is coming to take you back."

Then, without haste, but without making a useless movement, with firm
and curt precision, the more remarkable at a moment when the patrol and
Javert might come upon him at any moment, he undid his cravat, passed it
round Cosette's body under the armpits, taking care that it should not
hurt the child, fastened this cravat to one end of the rope, by means of
that knot which seafaring men call a "swallow knot," took the other end
of the rope in his teeth, pulled off his shoes and stockings, which
he threw over the wall, stepped upon the mass of masonry, and began
to raise himself in the angle of the wall and the gable with as much
solidity and certainty as though he had the rounds of a ladder under his
feet and elbows. Half a minute had not elapsed when he was resting on
his knees on the wall.

Cosette gazed at him in stupid amazement, without uttering a word. Jean
Valjean's injunction, and the name of Madame Thenardier, had chilled her
blood.

All at once she heard Jean Valjean's voice crying to her, though in a
very low tone:--

"Put your back against the wall."

She obeyed.

"Don't say a word, and don't be alarmed," went on Jean Valjean.

And she felt herself lifted from the ground.

Before she had time to recover herself, she was on the top of the wall.

Jean Valjean grasped her, put her on his back, took her two tiny hands
in his large left hand, lay down flat on his stomach and crawled along
on top of the wall as far as the cant. As he had guessed, there stood
a building whose roof started from the top of the wooden barricade and
descended to within a very short distance of the ground, with a gentle
slope which grazed the linden-tree. A lucky circumstance, for the wall
was much higher on this side than on the street side. Jean Valjean could
only see the ground at a great depth below him.

He had just reached the slope of the roof, and had not yet left the
crest of the wall, when a violent uproar announced the arrival of the
patrol. The thundering voice of Javert was audible:--

"Search the blind alley! The Rue Droit-Mur is guarded! so is the Rue
Petit-Picpus. I'll answer for it that he is in the blind alley."

The soldiers rushed into the Genrot alley.

Jean Valjean allowed himself to slide down the roof, still holding fast
to Cosette, reached the linden-tree, and leaped to the ground. Whether
from terror or courage, Cosette had not breathed a sound, though her
hands were a little abraded.




CHAPTER VI--THE BEGINNING OF AN ENIGMA

Jean Valjean found himself in a sort of garden which was very vast and
of singular aspect; one of those melancholy gardens which seem made to
be looked at in winter and at night. This garden was oblong in shape,
with an alley of large poplars at the further end, tolerably tall forest
trees in the corners, and an unshaded space in the centre, where could
be seen a very large, solitary tree, then several fruit-trees, gnarled
and bristling like bushes, beds of vegetables, a melon patch, whose
glass frames sparkled in the moonlight, and an old well. Here and
there stood stone benches which seemed black with moss. The alleys were
bordered with gloomy and very erect little shrubs. The grass had half
taken possession of them, and a green mould covered the rest.

Jean Valjean had beside him the building whose roof had served him as
a means of descent, a pile of fagots, and, behind the fagots, directly
against the wall, a stone statue, whose mutilated face was no longer
anything more than a shapeless mask which loomed vaguely through the
gloom.

The building was a sort of ruin, where dismantled chambers were
distinguishable, one of which, much encumbered, seemed to serve as a
shed.

The large building of the Rue Droit-Mur, which had a wing on the Rue
Petit-Picpus, turned two facades, at right angles, towards this garden.
These interior facades were even more tragic than the exterior. All
the windows were grated. Not a gleam of light was visible at any one of
them. The upper story had scuttles like prisons. One of those facades
cast its shadow on the other, which fell over the garden like an immense
black pall.

No other house was visible. The bottom of the garden was lost in mist
and darkness. Nevertheless, walls could be confusedly made out, which
intersected as though there were more cultivated land beyond, and the
low roofs of the Rue Polonceau.

Nothing more wild and solitary than this garden could be imagined. There
was no one in it, which was quite natural in view of the hour; but it
did not seem as though this spot were made for any one to walk in, even
in broad daylight.

Jean Valjean's first care had been to get hold of his shoes and put them
on again, then to step under the shed with Cosette. A man who is fleeing
never thinks himself sufficiently hidden. The child, whose thoughts were
still on the Thenardier, shared his instinct for withdrawing from sight
as much as possible.

Cosette trembled and pressed close to him. They heard the tumultuous
noise of the patrol searching the blind alley and the streets; the blows
of their gun-stocks against the stones; Javert's appeals to the police
spies whom he had posted, and his imprecations mingled with words which
could not be distinguished.

At the expiration of a quarter of an hour it seemed as though that
species of stormy roar were becoming more distant. Jean Valjean held his
breath.

He had laid his hand lightly on Cosette's mouth.

However, the solitude in which he stood was so strangely calm, that this
frightful uproar, close and furious as it was, did not disturb him by so
much as the shadow of a misgiving. It seemed as though those walls had
been built of the deaf stones of which the Scriptures speak.

All at once, in the midst of this profound calm, a fresh sound arose; a
sound as celestial, divine, ineffable, ravishing, as the other had been
horrible. It was a hymn which issued from the gloom, a dazzling burst
of prayer and harmony in the obscure and alarming silence of the night;
women's voices, but voices composed at one and the same time of the pure
accents of virgins and the innocent accents of children,--voices which
are not of the earth, and which resemble those that the newborn infant
still hears, and which the dying man hears already. This song proceeded
from the gloomy edifice which towered above the garden. At the moment
when the hubbub of demons retreated, one would have said that a choir of
angels was approaching through the gloom.

Cosette and Jean Valjean fell on their knees.

They knew not what it was, they knew not where they were; but both of
them, the man and the child, the penitent and the innocent, felt that
they must kneel.

These voices had this strange characteristic, that they did not prevent
the building from seeming to be deserted. It was a supernatural chant in
an uninhabited house.

While these voices were singing, Jean Valjean thought of nothing. He no
longer beheld the night; he beheld a blue sky. It seemed to him that he
felt those wings which we all have within us, unfolding.

The song died away. It may have lasted a long time. Jean Valjean could
not have told. Hours of ecstasy are never more than a moment.

All fell silent again. There was no longer anything in the street;
there was nothing in the garden. That which had menaced, that which had
reassured him,--all had vanished. The breeze swayed a few dry weeds
on the crest of the wall, and they gave out a faint, sweet, melancholy
sound.




CHAPTER VII--CONTINUATION OF THE ENIGMA

The night wind had risen, which indicated that it must be between one
and two o'clock in the morning. Poor Cosette said nothing. As she had
seated herself beside him and leaned her head against him, Jean Valjean
had fancied that she was asleep. He bent down and looked at her.
Cosette's eyes were wide open, and her thoughtful air pained Jean
Valjean.

She was still trembling.

"Are you sleepy?" said Jean Valjean.

"I am very cold," she replied.

A moment later she resumed:--

"Is she still there?"

"Who?" said Jean Valjean.

"Madame Thenardier."

Jean Valjean had already forgotten the means which he had employed to
make Cosette keep silent.

"Ah!" said he, "she is gone. You need fear nothing further."

The child sighed as though a load had been lifted from her breast.

The ground was damp, the shed open on all sides, the breeze grew more
keen every instant. The goodman took off his coat and wrapped it round
Cosette.

"Are you less cold now?" said he.

"Oh, yes, father."

"Well, wait for me a moment. I will soon be back."

He quitted the ruin and crept along the large building, seeking a better
shelter. He came across doors, but they were closed. There were bars at
all the windows of the ground floor.

Just after he had turned the inner angle of the edifice, he observed
that he was coming to some arched windows, where he perceived a light.
He stood on tiptoe and peeped through one of these windows. They all
opened on a tolerably vast hall, paved with large flagstones, cut up
by arcades and pillars, where only a tiny light and great shadows were
visible. The light came from a taper which was burning in one
corner. The apartment was deserted, and nothing was stirring in it.
Nevertheless, by dint of gazing intently he thought he perceived on the
ground something which appeared to be covered with a winding-sheet, and
which resembled a human form. This form was lying face downward, flat
on the pavement, with the arms extended in the form of a cross, in the
immobility of death. One would have said, judging from a sort of serpent
which undulated over the floor, that this sinister form had a rope round
its neck.

The whole chamber was bathed in that mist of places which are sparely
illuminated, which adds to horror.

Jean Valjean often said afterwards, that, although many funereal
spectres had crossed his path in life, he had never beheld anything more
blood-curdling and terrible than that enigmatical form accomplishing
some inexplicable mystery in that gloomy place, and beheld thus at
night. It was alarming to suppose that that thing was perhaps dead; and
still more alarming to think that it was perhaps alive.

He had the courage to plaster his face to the glass, and to watch
whether the thing would move. In spite of his remaining thus what seemed
to him a very long time, the outstretched form made no movement. All
at once he felt himself overpowered by an inexpressible terror, and he
fled. He began to run towards the shed, not daring to look behind him.
It seemed to him, that if he turned his head, he should see that form
following him with great strides and waving its arms.

He reached the ruin all out of breath. His knees were giving way beneath
him; the perspiration was pouring from him.

Where was he? Who could ever have imagined anything like that sort of
sepulchre in the midst of Paris! What was this strange house? An edifice
full of nocturnal mystery, calling to souls through the darkness with
the voice of angels, and when they came, offering them abruptly that
terrible vision; promising to open the radiant portals of heaven, and
then opening the horrible gates of the tomb! And it actually was an
edifice, a house, which bore a number on the street! It was not a dream!
He had to touch the stones to convince himself that such was the fact.

Cold, anxiety, uneasiness, the emotions of the night, had given him a
genuine fever, and all these ideas were clashing together in his brain.

He stepped up to Cosette. She was asleep.




CHAPTER VIII--THE ENIGMA BECOMES DOUBLY MYSTERIOUS

The child had laid her head on a stone and fallen asleep.

He sat down beside her and began to think. Little by little, as he gazed
at her, he grew calm and regained possession of his freedom of mind.

He clearly perceived this truth, the foundation of his life henceforth,
that so long as she was there, so long as he had her near him, he should
need nothing except for her, he should fear nothing except for her. He
was not even conscious that he was very cold, since he had taken off his
coat to cover her.

Nevertheless, athwart this revery into which he had fallen he had heard
for some time a peculiar noise. It was like the tinkling of a bell. This
sound proceeded from the garden. It could be heard distinctly though
faintly. It resembled the faint, vague music produced by the bells of
cattle at night in the pastures.

This noise made Valjean turn round.

He looked and saw that there was some one in the garden.

A being resembling a man was walking amid the bell-glasses of the melon
beds, rising, stooping, halting, with regular movements, as though he
were dragging or spreading out something on the ground. This person
appeared to limp.

Jean Valjean shuddered with the continual tremor of the unhappy. For
them everything is hostile and suspicious. They distrust the day
because it enables people to see them, and the night because it aids
in surprising them. A little while before he had shivered because the
garden was deserted, and now he shivered because there was some one
there.

He fell back from chimerical terrors to real terrors. He said to himself
that Javert and the spies had, perhaps, not taken their departure; that
they had, no doubt, left people on the watch in the street; that if this
man should discover him in the garden, he would cry out for help against
thieves and deliver him up. He took the sleeping Cosette gently in his
arms and carried her behind a heap of old furniture, which was out of
use, in the most remote corner of the shed. Cosette did not stir.

From that point he scrutinized the appearance of the being in the
melon patch. The strange thing about it was, that the sound of the bell
followed each of this man's movements. When the man approached, the
sound approached; when the man retreated, the sound retreated; if he
made any hasty gesture, a tremolo accompanied the gesture; when he
halted, the sound ceased. It appeared evident that the bell was attached
to that man; but what could that signify? Who was this man who had a
bell suspended about him like a ram or an ox?

As he put these questions to himself, he touched Cosette's hands. They
were icy cold.

"Ah! good God!" he cried.

He spoke to her in a low voice:--

"Cosette!"

She did not open her eyes.

He shook her vigorously.

She did not wake.

"Is she dead?" he said to himself, and sprang to his feet, quivering
from head to foot.

The most frightful thoughts rushed pell-mell through his mind. There
are moments when hideous surmises assail us like a cohort of furies, and
violently force the partitions of our brains. When those we love are in
question, our prudence invents every sort of madness. He remembered that
sleep in the open air on a cold night may be fatal.

Cosette was pale, and had fallen at full length on the ground at his
feet, without a movement.

He listened to her breathing: she still breathed, but with a respiration
which seemed to him weak and on the point of extinction.


How was he to warm her back to life? How was he to rouse her? All that
was not connected with this vanished from his thoughts. He rushed wildly
from the ruin.

It was absolutely necessary that Cosette should be in bed and beside a
fire in less than a quarter of an hour.




CHAPTER IX--THE MAN WITH THE BELL

He walked straight up to the man whom he saw in the garden. He had taken
in his hand the roll of silver which was in the pocket of his waistcoat.

The man's head was bent down, and he did not see him approaching. In a
few strides Jean Valjean stood beside him.

Jean Valjean accosted him with the cry:--

"One hundred francs!"

The man gave a start and raised his eyes.

"You can earn a hundred francs," went on Jean Valjean, "if you will
grant me shelter for this night."

The moon shone full upon Jean Valjean's terrified countenance.

"What! so it is you, Father Madeleine!" said the man.

That name, thus pronounced, at that obscure hour, in that unknown spot,
by that strange man, made Jean Valjean start back.

He had expected anything but that. The person who thus addressed him was
a bent and lame old man, dressed almost like a peasant, who wore on his
left knee a leather knee-cap, whence hung a moderately large bell. His
face, which was in the shadow, was not distinguishable.

However, the goodman had removed his cap, and exclaimed, trembling all
over:--

"Ah, good God! How come you here, Father Madeleine? Where did you enter?
Dieu-Jesus! Did you fall from heaven? There is no trouble about that:
if ever you do fall, it will be from there. And what a state you are in!
You have no cravat; you have no hat; you have no coat! Do you know, you
would have frightened any one who did not know you? No coat! Lord God!
Are the saints going mad nowadays? But how did you get in here?"

His words tumbled over each other. The goodman talked with a rustic
volubility, in which there was nothing alarming. All this was uttered
with a mixture of stupefaction and naive kindliness.

"Who are you? and what house is this?" demanded Jean Valjean.

"Ah! pardieu, this is too much!" exclaimed the old man. "I am the person
for whom you got the place here, and this house is the one where you had
me placed. What! You don't recognize me?"

"No," said Jean Valjean; "and how happens it that you know me?"

"You saved my life," said the man.

He turned. A ray of moonlight outlined his profile, and Jean Valjean
recognized old Fauchelevent.

"Ah!" said Jean Valjean, "so it is you? Yes, I recollect you."

"That is very lucky," said the old man, in a reproachful tone.

"And what are you doing here?" resumed Jean Valjean.

"Why, I am covering my melons, of course!"

In fact, at the moment when Jean Valjean accosted him, old Fauchelevent
held in his hand the end of a straw mat which he was occupied in
spreading over the melon bed. During the hour or thereabouts that he had
been in the garden he had already spread out a number of them. It was
this operation which had caused him to execute the peculiar movements
observed from the shed by Jean Valjean.

He continued:--

"I said to myself, 'The moon is bright: it is going to freeze. What if I
were to put my melons into their greatcoats?' And," he added, looking at
Jean Valjean with a broad smile,--"pardieu! you ought to have done the
same! But how do you come here?"

Jean Valjean, finding himself known to this man, at least only under the
name of Madeleine, thenceforth advanced only with caution. He multiplied
his questions. Strange to say, their roles seemed to be reversed. It was
he, the intruder, who interrogated.

"And what is this bell which you wear on your knee?"

"This," replied Fauchelevent, "is so that I may be avoided."

"What! so that you may be avoided?"

Old Fauchelevent winked with an indescribable air.

"Ah, goodness! there are only women in this house--many young girls. It
appears that I should be a dangerous person to meet. The bell gives them
warning. When I come, they go."

"What house is this?"

"Come, you know well enough."

"But I do not."

"Not when you got me the place here as gardener?"

"Answer me as though I knew nothing."

"Well, then, this is the Petit-Picpus convent."

Memories recurred to Jean Valjean. Chance, that is to say, Providence,
had cast him into precisely that convent in the Quartier Saint-Antoine
where old Fauchelevent, crippled by the fall from his cart, had been
admitted on his recommendation two years previously. He repeated, as
though talking to himself:--

"The Petit-Picpus convent."

"Exactly," returned old Fauchelevent. "But to come to the point, how the
deuce did you manage to get in here, you, Father Madeleine? No matter if
you are a saint; you are a man as well, and no man enters here."

"You certainly are here."

"There is no one but me."

"Still," said Jean Valjean, "I must stay here."

"Ah, good God!" cried Fauchelevent.

Jean Valjean drew near to the old man, and said to him in a grave
voice:--

"Father Fauchelevent, I saved your life."

"I was the first to recall it," returned Fauchelevent.

"Well, you can do to-day for me that which I did for you in the olden
days."

Fauchelevent took in his aged, trembling, and wrinkled hands Jean
Valjean's two robust hands, and stood for several minutes as though
incapable of speaking. At length he exclaimed:--

"Oh! that would be a blessing from the good God, if I could make you
some little return for that! Save your life! Monsieur le Maire, dispose
of the old man!"

A wonderful joy had transfigured this old man. His countenance seemed to
emit a ray of light.

"What do you wish me to do?" he resumed.

"That I will explain to you. You have a chamber?"

"I have an isolated hovel yonder, behind the ruins of the old convent,
in a corner which no one ever looks into. There are three rooms in it."

The hut was, in fact, so well hidden behind the ruins, and so cleverly
arranged to prevent it being seen, that Jean Valjean had not perceived
it.

"Good," said Jean Valjean. "Now I am going to ask two things of you."

"What are they, Mr. Mayor?"

"In the first place, you are not to tell any one what you know about me.
In the second, you are not to try to find out anything more."

"As you please. I know that you can do nothing that is not honest,
that you have always been a man after the good God's heart. And then,
moreover, you it was who placed me here. That concerns you. I am at your
service."

"That is settled then. Now, come with me. We will go and get the child."

"Ah!" said Fauchelevent, "so there is a child?"

He added not a word further, and followed Jean Valjean as a dog follows
his master.

Less than half an hour afterwards Cosette, who had grown rosy again
before the flame of a good fire, was lying asleep in the old gardener's
bed. Jean Valjean had put on his cravat and coat once more; his hat,
which he had flung over the wall, had been found and picked up. While
Jean Valjean was putting on his coat, Fauchelevent had removed the
bell and kneecap, which now hung on a nail beside a vintage basket that
adorned the wall. The two men were warming themselves with their elbows
resting on a table upon which Fauchelevent had placed a bit of cheese,
black bread, a bottle of wine, and two glasses, and the old man was
saying to Jean Valjean, as he laid his hand on the latter's knee:
"Ah! Father Madeleine! You did not recognize me immediately; you save
people's lives, and then you forget them! That is bad! But they remember
you! You are an ingrate!"




CHAPTER X--WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT

The events of which we have just beheld the reverse side, so to speak,
had come about in the simplest possible manner.

When Jean Valjean, on the evening of the very day when Javert had
arrested him beside Fantine's death-bed, had escaped from the town jail
of M. sur M., the police had supposed that he had betaken himself to
Paris. Paris is a maelstrom where everything is lost, and everything
disappears in this belly of the world, as in the belly of the sea. No
forest hides a man as does that crowd. Fugitives of every sort know
this. They go to Paris as to an abyss; there are gulfs which save. The
police know it also, and it is in Paris that they seek what they
have lost elsewhere. They sought the ex-mayor of M. sur M. Javert was
summoned to Paris to throw light on their researches. Javert had, in
fact, rendered powerful assistance in the recapture of Jean Valjean.
Javert's zeal and intelligence on that occasion had been remarked by
M. Chabouillet, secretary of the Prefecture under Comte Angles. M.
Chabouillet, who had, moreover, already been Javert's patron, had the
inspector of M. sur M. attached to the police force of Paris. There
Javert rendered himself useful in divers and, though the word may seem
strange for such services, honorable manners.

He no longer thought of Jean Valjean,--the wolf of to-day causes these
dogs who are always on the chase to forget the wolf of yesterday,--when,
in December, 1823, he read a newspaper, he who never read newspapers;
but Javert, a monarchical man, had a desire to know the particulars of
the triumphal entry of the "Prince Generalissimo" into Bayonne. Just as
he was finishing the article, which interested him; a name, the name of
Jean Valjean, attracted his attention at the bottom of a page. The paper
announced that the convict Jean Valjean was dead, and published the fact
in such formal terms that Javert did not doubt it. He confined himself
to the remark, "That's a good entry." Then he threw aside the paper, and
thought no more about it.

Some time afterwards, it chanced that a police report was transmitted
from the prefecture of the Seine-et-Oise to the prefecture of police in
Paris, concerning the abduction of a child, which had taken place, under
peculiar circumstances, as it was said, in the commune of Montfermeil.
A little girl of seven or eight years of age, the report said, who had
been intrusted by her mother to an inn-keeper of that neighborhood, had
been stolen by a stranger; this child answered to the name of Cosette,
and was the daughter of a girl named Fantine, who had died in the
hospital, it was not known where or when.

This report came under Javert's eye and set him to thinking.

The name of Fantine was well known to him. He remembered that Jean
Valjean had made him, Javert, burst into laughter, by asking him for a
respite of three days, for the purpose of going to fetch that creature's
child. He recalled the fact that Jean Valjean had been arrested in Paris
at the very moment when he was stepping into the coach for Montfermeil.
Some signs had made him suspect at the time that this was the second
occasion of his entering that coach, and that he had already, on the
previous day, made an excursion to the neighborhood of that village, for
he had not been seen in the village itself. What had he been intending
to do in that region of Montfermeil? It could not even be surmised.
Javert understood it now. Fantine's daughter was there. Jean Valjean was
going there in search of her. And now this child had been stolen by a
stranger! Who could that stranger be? Could it be Jean Valjean? But Jean
Valjean was dead. Javert, without saying anything to anybody, took the
coach from the Pewter Platter, Cul-de-Sac de la Planchette, and made a
trip to Montfermeil.

He expected to find a great deal of light on the subject there; he found
a great deal of obscurity.

For the first few days the Thenardiers had chattered in their rage. The
disappearance of the Lark had created a sensation in the village. He
immediately obtained numerous versions of the story, which ended in the
abduction of a child. Hence the police report. But their first vexation
having passed off, Thenardier, with his wonderful instinct, had
very quickly comprehended that it is never advisable to stir up the
prosecutor of the Crown, and that his complaints with regard to the
abduction of Cosette would have as their first result to fix upon
himself, and upon many dark affairs which he had on hand, the glittering
eye of justice. The last thing that owls desire is to have a candle
brought to them. And in the first place, how explain the fifteen hundred
francs which he had received? He turned squarely round, put a gag on
his wife's mouth, and feigned astonishment when the stolen child was
mentioned to him. He understood nothing about it; no doubt he had
grumbled for awhile at having that dear little creature "taken from him"
so hastily; he should have liked to keep her two or three days longer,
out of tenderness; but her "grandfather" had come for her in the most
natural way in the world. He added the "grandfather," which produced a
good effect. This was the story that Javert hit upon when he arrived at
Montfermeil. The grandfather caused Jean Valjean to vanish.

Nevertheless, Javert dropped a few questions, like plummets, into
Thenardier's history. "Who was that grandfather? and what was his name?"
Thenardier replied with simplicity: "He is a wealthy farmer. I saw his
passport. I think his name was M. Guillaume Lambert."

Lambert is a respectable and extremely reassuring name. Thereupon Javert
returned to Paris.

"Jean Valjean is certainly dead," said he, "and I am a ninny."

He had again begun to forget this history, when, in the course of
March, 1824, he heard of a singular personage who dwelt in the parish of
Saint-Medard and who had been surnamed "the mendicant who gives alms."
This person, the story ran, was a man of means, whose name no one knew
exactly, and who lived alone with a little girl of eight years, who
knew nothing about herself, save that she had come from Montfermeil.
Montfermeil! that name was always coming up, and it made Javert prick
up his ears. An old beggar police spy, an ex-beadle, to whom this person
had given alms, added a few more details. This gentleman of property was
very shy,--never coming out except in the evening, speaking to no one,
except, occasionally to the poor, and never allowing any one to approach
him. He wore a horrible old yellow frock-coat, which was worth many
millions, being all wadded with bank-bills. This piqued Javert's
curiosity in a decided manner. In order to get a close look at this
fantastic gentleman without alarming him, he borrowed the beadle's
outfit for a day, and the place where the old spy was in the habit of
crouching every evening, whining orisons through his nose, and playing
the spy under cover of prayer.

"The suspected individual" did indeed approach Javert thus disguised,
and bestow alms on him. At that moment Javert raised his head, and the
shock which Jean Valjean received on recognizing Javert was equal to the
one received by Javert when he thought he recognized Jean Valjean.

However, the darkness might have misled him; Jean Valjean's death was
official; Javert cherished very grave doubts; and when in doubt, Javert,
the man of scruples, never laid a finger on any one's collar.

He followed his man to the Gorbeau house, and got "the old woman" to
talking, which was no difficult matter. The old woman confirmed the fact
regarding the coat lined with millions, and narrated to him the episode
of the thousand-franc bill. She had seen it! She had handled it! Javert
hired a room; that evening he installed himself in it. He came and
listened at the mysterious lodger's door, hoping to catch the sound of
his voice, but Jean Valjean saw his candle through the key-hole, and
foiled the spy by keeping silent.

On the following day Jean Valjean decamped; but the noise made by the
fall of the five-franc piece was noticed by the old woman, who, hearing
the rattling of coin, suspected that he might be intending to leave, and
made haste to warn Javert. At night, when Jean Valjean came out, Javert
was waiting for him behind the trees of the boulevard with two men.

Javert had demanded assistance at the Prefecture, but he had not
mentioned the name of the individual whom he hoped to seize; that was
his secret, and he had kept it for three reasons: in the first place,
because the slightest indiscretion might put Jean Valjean on the alert;
next, because, to lay hands on an ex-convict who had made his escape
and was reputed dead, on a criminal whom justice had formerly classed
forever as among malefactors of the most dangerous sort, was a
magnificent success which the old members of the Parisian police would
assuredly not leave to a new-comer like Javert, and he was afraid of
being deprived of his convict; and lastly, because Javert, being an
artist, had a taste for the unforeseen. He hated those well-heralded
successes which are talked of long in advance and have had the bloom
brushed off. He preferred to elaborate his masterpieces in the dark and
to unveil them suddenly at the last.

Javert had followed Jean Valjean from tree to tree, then from corner
to corner of the street, and had not lost sight of him for a single
instant; even at the moments when Jean Valjean believed himself to
be the most secure Javert's eye had been on him. Why had not Javert
arrested Jean Valjean? Because he was still in doubt.

It must be remembered that at that epoch the police was not precisely
at its ease; the free press embarrassed it; several arbitrary arrests
denounced by the newspapers, had echoed even as far as the Chambers, and
had rendered the Prefecture timid. Interference with individual liberty
was a grave matter. The police agents were afraid of making a mistake;
the prefect laid the blame on them; a mistake meant dismissal. The
reader can imagine the effect which this brief paragraph, reproduced
by twenty newspapers, would have caused in Paris: "Yesterday, an aged
grandfather, with white hair, a respectable and well-to-do gentleman,
who was walking with his grandchild, aged eight, was arrested and
conducted to the agency of the Prefecture as an escaped convict!"

Let us repeat in addition that Javert had scruples of his own;
injunctions of his conscience were added to the injunctions of the
prefect. He was really in doubt.

Jean Valjean turned his back on him and walked in the dark.

Sadness, uneasiness, anxiety, depression, this fresh misfortune of being
forced to flee by night, to seek a chance refuge in Paris for Cosette
and himself, the necessity of regulating his pace to the pace of
the child--all this, without his being aware of it, had altered Jean
Valjean's walk, and impressed on his bearing such senility, that the
police themselves, incarnate in the person of Javert, might, and did in
fact, make a mistake. The impossibility of approaching too close, his
costume of an emigre preceptor, the declaration of Thenardier which made
a grandfather of him, and, finally, the belief in his death in prison,
added still further to the uncertainty which gathered thick in Javert's
mind.

For an instant it occurred to him to make an abrupt demand for his
papers; but if the man was not Jean Valjean, and if this man was not a
good, honest old fellow living on his income, he was probably some merry
blade deeply and cunningly implicated in the obscure web of Parisian
misdeeds, some chief of a dangerous band, who gave alms to conceal
his other talents, which was an old dodge. He had trusty fellows,
accomplices' retreats in case of emergencies, in which he would, no
doubt, take refuge. All these turns which he was making through the
streets seemed to indicate that he was not a simple and honest man. To
arrest him too hastily would be "to kill the hen that laid the golden
eggs." Where was the inconvenience in waiting? Javert was very sure that
he would not escape.

Thus he proceeded in a tolerably perplexed state of mind, putting to
himself a hundred questions about this enigmatical personage.

It was only quite late in the Rue de Pontoise, that, thanks to the
brilliant light thrown from a dram-shop, he decidedly recognized Jean
Valjean.

There are in this world two beings who give a profound start,--the
mother who recovers her child and the tiger who recovers his prey.
Javert gave that profound start.

As soon as he had positively recognized Jean Valjean, the formidable
convict, he perceived that there were only three of them, and he asked
for reinforcements at the police station of the Rue de Pontoise. One
puts on gloves before grasping a thorn cudgel.

This delay and the halt at the Carrefour Rollin to consult with his
agents came near causing him to lose the trail. He speedily divined,
however, that Jean Valjean would want to put the river between his
pursuers and himself. He bent his head and reflected like a blood-hound
who puts his nose to the ground to make sure that he is on the right
scent. Javert, with his powerful rectitude of instinct, went straight to
the bridge of Austerlitz. A word with the toll-keeper furnished him with
the information which he required: "Have you seen a man with a little
girl?" "I made him pay two sous," replied the toll-keeper. Javert
reached the bridge in season to see Jean Valjean traverse the small
illuminated spot on the other side of the water, leading Cosette by
the hand. He saw him enter the Rue du Chemin-Vert-Saint-Antoine; he
remembered the Cul-de-Sac Genrot arranged there like a trap, and of the
sole exit of the Rue Droit-Mur into the Rue Petit-Picpus. He made sure
of his back burrows, as huntsmen say; he hastily despatched one of his
agents, by a roundabout way, to guard that issue. A patrol which was
returning to the Arsenal post having passed him, he made a requisition
on it, and caused it to accompany him. In such games soldiers are aces.
Moreover, the principle is, that in order to get the best of a wild
boar, one must employ the science of venery and plenty of dogs. These
combinations having been effected, feeling that Jean Valjean was caught
between the blind alley Genrot on the right, his agent on the left, and
himself, Javert, in the rear, he took a pinch of snuff.

Then he began the game. He experienced one ecstatic and infernal moment;
he allowed his man to go on ahead, knowing that he had him safe, but
desirous of postponing the moment of arrest as long as possible, happy
at the thought that he was taken and yet at seeing him free, gloating
over him with his gaze, with that voluptuousness of the spider which
allows the fly to flutter, and of the cat which lets the mouse run.
Claws and talons possess a monstrous sensuality,--the obscure movements
of the creature imprisoned in their pincers. What a delight this
strangling is!

Javert was enjoying himself. The meshes of his net were stoutly knotted.
He was sure of success; all he had to do now was to close his hand.

Accompanied as he was, the very idea of resistance was impossible,
however vigorous, energetic, and desperate Jean Valjean might be.

[Illustration: Javert on the Hunt  2b5-10-javert-on-the-hunt]

Javert advanced slowly, sounding, searching on his way all the nooks of
the street like so many pockets of thieves.

When he reached the centre of the web he found the fly no longer there.

His exasperation can be imagined.

He interrogated his sentinel of the Rues Droit-Mur and Petit-Picpus;
that agent, who had remained imperturbably at his post, had not seen the
man pass.

It sometimes happens that a stag is lost head and horns; that is to
say, he escapes although he has the pack on his very heels, and then the
oldest huntsmen know not what to say. Duvivier, Ligniville, and Desprez
halt short. In a discomfiture of this sort, Artonge exclaims, "It was
not a stag, but a sorcerer." Javert would have liked to utter the same
cry.

His disappointment bordered for a moment on despair and rage.

It is certain that Napoleon made mistakes during the war with Russia,
that Alexander committed blunders in the war in India, that Caesar made
mistakes in the war in Africa, that Cyrus was at fault in the war
in Scythia, and that Javert blundered in this campaign against Jean
Valjean. He was wrong, perhaps, in hesitating in his recognition of the
exconvict. The first glance should have sufficed him. He was wrong in
not arresting him purely and simply in the old building; he was wrong
in not arresting him when he positively recognized him in the Rue de
Pontoise. He was wrong in taking counsel with his auxiliaries in the
full light of the moon in the Carrefour Rollin. Advice is certainly
useful; it is a good thing to know and to interrogate those of the dogs
who deserve confidence; but the hunter cannot be too cautious when he is
chasing uneasy animals like the wolf and the convict. Javert, by taking
too much thought as to how he should set the bloodhounds of the pack on
the trail, alarmed the beast by giving him wind of the dart, and so
made him run. Above all, he was wrong in that after he had picked up the
scent again on the bridge of Austerlitz, he played that formidable and
puerile game of keeping such a man at the end of a thread. He thought
himself stronger than he was, and believed that he could play at the
game of the mouse and the lion. At the same time, he reckoned himself
as too weak, when he judged it necessary to obtain reinforcement. Fatal
precaution, waste of precious time! Javert committed all these blunders,
and none the less was one of the cleverest and most correct spies that
ever existed. He was, in the full force of the term, what is called in
venery a knowing dog. But what is there that is perfect?

Great strategists have their eclipses.

The greatest follies are often composed, like the largest ropes, of
a multitude of strands. Take the cable thread by thread, take all the
petty determining motives separately, and you can break them one after
the other, and you say, "That is all there is of it!" Braid them, twist
them together; the result is enormous: it is Attila hesitating between
Marcian on the east and Valentinian on the west; it is Hannibal tarrying
at Capua; it is Danton falling asleep at Arcis-sur-Aube.

However that may be, even at the moment when he saw that Jean Valjean
had escaped him, Javert did not lose his head. Sure that the convict who
had broken his ban could not be far off, he established sentinels, he
organized traps and ambuscades, and beat the quarter all that night. The
first thing he saw was the disorder in the street lantern whose rope
had been cut. A precious sign which, however, led him astray, since it
caused him to turn all his researches in the direction of the Cul-de-Sac
Genrot. In this blind alley there were tolerably low walls which abutted
on gardens whose bounds adjoined the immense stretches of waste land.
Jean Valjean evidently must have fled in that direction. The fact is,
that had he penetrated a little further in the Cul-de-Sac Genrot, he
would probably have done so and have been lost. Javert explored these
gardens and these waste stretches as though he had been hunting for a
needle.

At daybreak he left two intelligent men on the outlook, and returned to
the Prefecture of Police, as much ashamed as a police spy who had been
captured by a robber might have been.




BOOK SIXTH.--LE PETIT-PICPUS




CHAPTER I--NUMBER 62 RUE PETIT-PICPUS

Nothing, half a century ago, more resembled every other carriage gate
than the carriage gate of Number 62 Rue Petit-Picpus. This entrance,
which usually stood ajar in the most inviting fashion, permitted a
view of two things, neither of which have anything very funereal about
them,--a courtyard surrounded by walls hung with vines, and the face
of a lounging porter. Above the wall, at the bottom of the court, tall
trees were visible. When a ray of sunlight enlivened the courtyard, when
a glass of wine cheered up the porter, it was difficult to pass Number
62 Little Picpus Street without carrying away a smiling impression of
it. Nevertheless, it was a sombre place of which one had had a glimpse.

The threshold smiled; the house prayed and wept.

If one succeeded in passing the porter, which was not easy,--which was
even nearly impossible for every one, for there was an open sesame!
which it was necessary to know,--if, the porter once passed, one entered
a little vestibule on the right, on which opened a staircase shut in
between two walls and so narrow that only one person could ascend it at
a time, if one did not allow one's self to be alarmed by a daubing of
canary yellow, with a dado of chocolate which clothed this staircase, if
one ventured to ascend it, one crossed a first landing, then a second,
and arrived on the first story at a corridor where the yellow wash and
the chocolate-hued plinth pursued one with a peaceable persistency.
Staircase and corridor were lighted by two beautiful windows. The
corridor took a turn and became dark. If one doubled this cape, one
arrived a few paces further on, in front of a door which was all the
more mysterious because it was not fastened. If one opened it, one
found one's self in a little chamber about six feet square, tiled,
well-scrubbed, clean, cold, and hung with nankin paper with green
flowers, at fifteen sous the roll. A white, dull light fell from a large
window, with tiny panes, on the left, which usurped the whole width
of the room. One gazed about, but saw no one; one listened, one heard
neither a footstep nor a human murmur. The walls were bare, the chamber
was not furnished; there was not even a chair.

One looked again, and beheld on the wall facing the door a quadrangular
hole, about a foot square, with a grating of interlacing iron bars,
black, knotted, solid, which formed squares--I had almost said
meshes--of less than an inch and a half in diagonal length. The little
green flowers of the nankin paper ran in a calm and orderly manner to
those iron bars, without being startled or thrown into confusion by
their funereal contact. Supposing that a living being had been so
wonderfully thin as to essay an entrance or an exit through the square
hole, this grating would have prevented it. It did not allow the passage
of the body, but it did allow the passage of the eyes; that is to
say, of the mind. This seems to have occurred to them, for it had been
re-enforced by a sheet of tin inserted in the wall a little in the rear,
and pierced with a thousand holes more microscopic than the holes of
a strainer. At the bottom of this plate, an aperture had been pierced
exactly similar to the orifice of a letter box. A bit of tape attached
to a bell-wire hung at the right of the grated opening.

If the tape was pulled, a bell rang, and one heard a voice very near at
hand, which made one start.

"Who is there?" the voice demanded.

It was a woman's voice, a gentle voice, so gentle that it was mournful.

Here, again, there was a magical word which it was necessary to know. If
one did not know it, the voice ceased, the wall became silent once more,
as though the terrified obscurity of the sepulchre had been on the other
side of it.

If one knew the password, the voice resumed, "Enter on the right."

One then perceived on the right, facing the window, a glass door
surmounted by a frame glazed and painted gray. On raising the latch and
crossing the threshold, one experienced precisely the same impression
as when one enters at the theatre into a grated baignoire, before the
grating is lowered and the chandelier is lighted. One was, in fact, in
a sort of theatre-box, narrow, furnished with two old chairs, and a
much-frayed straw matting, sparely illuminated by the vague light from
the glass door; a regular box, with its front just of a height to lean
upon, bearing a tablet of black wood. This box was grated, only
the grating of it was not of gilded wood, as at the opera; it was a
monstrous lattice of iron bars, hideously interlaced and riveted to the
wall by enormous fastenings which resembled clenched fists.

The first minutes passed; when one's eyes began to grow used to this
cellar-like half-twilight, one tried to pass the grating, but got no
further than six inches beyond it. There he encountered a barrier of
black shutters, re-enforced and fortified with transverse beams of wood
painted a gingerbread yellow. These shutters were divided into long,
narrow slats, and they masked the entire length of the grating. They
were always closed. At the expiration of a few moments one heard a voice
proceeding from behind these shutters, and saying:--

"I am here. What do you wish with me?"

It was a beloved, sometimes an adored, voice. No one was visible. Hardly
the sound of a breath was audible. It seemed as though it were a spirit
which had been evoked, that was speaking to you across the walls of the
tomb.

If one chanced to be within certain prescribed and very rare conditions,
the slat of one of the shutters opened opposite you; the evoked spirit
became an apparition. Behind the grating, behind the shutter, one
perceived so far as the grating permitted sight, a head, of which only
the mouth and the chin were visible; the rest was covered with a black
veil. One caught a glimpse of a black guimpe, and a form that was barely
defined, covered with a black shroud. That head spoke with you, but did
not look at you and never smiled at you.

The light which came from behind you was adjusted in such a manner that
you saw her in the white, and she saw you in the black. This light was
symbolical.

Nevertheless, your eyes plunged eagerly through that opening which
was made in that place shut off from all glances. A profound vagueness
enveloped that form clad in mourning. Your eyes searched that vagueness,
and sought to make out the surroundings of the apparition. At the
expiration of a very short time you discovered that you could see
nothing. What you beheld was night, emptiness, shadows, a wintry mist
mingled with a vapor from the tomb, a sort of terrible peace, a silence
from which you could gather nothing, not even sighs, a gloom in which
you could distinguish nothing, not even phantoms.

What you beheld was the interior of a cloister.

It was the interior of that severe and gloomy edifice which was called
the Convent of the Bernardines of the Perpetual Adoration. The box in
which you stood was the parlor. The first voice which had addressed you
was that of the portress who always sat motionless and silent, on the
other side of the wall, near the square opening, screened by the iron
grating and the plate with its thousand holes, as by a double visor.
The obscurity which bathed the grated box arose from the fact that the
parlor, which had a window on the side of the world, had none on the
side of the convent. Profane eyes must see nothing of that sacred place.

Nevertheless, there was something beyond that shadow; there was a light;
there was life in the midst of that death. Although this was the most
strictly walled of all convents, we shall endeavor to make our way into
it, and to take the reader in, and to say, without transgressing the
proper bounds, things which story-tellers have never seen, and have,
therefore, never described.




CHAPTER II--THE OBEDIENCE OF MARTIN VERGA

This convent, which in 1824 had already existed for many a long year in
the Rue Petit-Picpus, was a community of Bernardines of the obedience of
Martin Verga.

These Bernardines were attached, in consequence, not to Clairvaux, like
the Bernardine monks, but to Citeaux, like the Benedictine monks. In
other words, they were the subjects, not of Saint Bernard, but of Saint
Benoit.

Any one who has turned over old folios to any extent knows that Martin
Verga founded in 1425 a congregation of Bernardines-Benedictines,
with Salamanca for the head of the order, and Alcala as the branch
establishment.

This congregation had sent out branches throughout all the Catholic
countries of Europe.

There is nothing unusual in the Latin Church in these grafts of one
order on another. To mention only a single order of Saint-Benoit, which
is here in question: there are attached to this order, without counting
the obedience of Martin Verga, four congregations,--two in Italy,
Mont-Cassin and Sainte-Justine of Padua; two in France, Cluny and
Saint-Maur; and nine orders,--Vallombrosa, Granmont, the Celestins,
the Camaldules, the Carthusians, the Humilies, the Olivateurs, the
Silvestrins, and lastly, Citeaux; for Citeaux itself, a trunk for other
orders, is only an offshoot of Saint-Benoit. Citeaux dates from Saint
Robert, Abbe de Molesme, in the diocese of Langres, in 1098. Now it was
in 529 that the devil, having retired to the desert of Subiaco--he
was old--had he turned hermit?--was chased from the ancient temple of
Apollo, where he dwelt, by Saint-Benoit, then aged seventeen.

After the rule of the Carmelites, who go barefoot, wear a bit of willow
on their throats, and never sit down, the harshest rule is that of the
Bernardines-Benedictines of Martin Verga. They are clothed in black,
with a guimpe, which, in accordance with the express command of
Saint-Benoit, mounts to the chin. A robe of serge with large sleeves,
a large woollen veil, the guimpe which mounts to the chin cut square on
the breast, the band which descends over their brow to their eyes,--this
is their dress. All is black except the band, which is white. The
novices wear the same habit, but all in white. The professed nuns also
wear a rosary at their side.

The Bernardines-Benedictines of Martin Verga practise the Perpetual
Adoration, like the Benedictines called Ladies of the Holy Sacrament,
who, at the beginning of this century, had two houses in Paris,--one at
the Temple, the other in the Rue Neuve-Sainte-Genevieve. However, the
Bernardines-Benedictines of the Petit-Picpus, of whom we are speaking,
were a totally different order from the Ladies of the Holy Sacrament,
cloistered in the Rue Neuve-Sainte-Genevieve and at the Temple. There
were numerous differences in their rule; there were some in their
costume. The Bernardines-Benedictines of the Petit-Picpus wore the
black guimpe, and the Benedictines of the Holy Sacrament and of the
Rue Neuve-Sainte-Genevieve wore a white one, and had, besides, on their
breasts, a Holy Sacrament about three inches long, in silver gilt or
gilded copper. The nuns of the Petit-Picpus did not wear this Holy
Sacrament. The Perpetual Adoration, which was common to the house of
the Petit-Picpus and to the house of the Temple, leaves those two orders
perfectly distinct. Their only resemblance lies in this practice of the
Ladies of the Holy Sacrament and the Bernardines of Martin Verga, just
as there existed a similarity in the study and the glorification of
all the mysteries relating to the infancy, the life, and death of Jesus
Christ and the Virgin, between the two orders, which were, nevertheless,
widely separated, and on occasion even hostile. The Oratory of Italy,
established at Florence by Philip de Neri, and the Oratory of France,
established by Pierre de Berulle. The Oratory of France claimed the
precedence, since Philip de Neri was only a saint, while Berulle was a
cardinal.

Let us return to the harsh Spanish rule of Martin Verga.

The Bernardines-Benedictines of this obedience fast all the year
round, abstain from meat, fast in Lent and on many other days which are
peculiar to them, rise from their first sleep, from one to three o'clock
in the morning, to read their breviary and chant matins, sleep in all
seasons between serge sheets and on straw, make no use of the bath,
never light a fire, scourge themselves every Friday, observe the rule of
silence, speak to each other only during the recreation hours, which are
very brief, and wear drugget chemises for six months in the year, from
September 14th, which is the Exaltation of the Holy Cross, until Easter.
These six months are a modification: the rule says all the year, but
this drugget chemise, intolerable in the heat of summer, produced fevers
and nervous spasms. The use of it had to be restricted. Even with this
palliation, when the nuns put on this chemise on the 14th of September,
they suffer from fever for three or four days. Obedience, poverty,
chastity, perseverance in their seclusion,--these are their vows, which
the rule greatly aggravates.

The prioress is elected for three years by the mothers, who are called
meres vocales because they have a voice in the chapter. A prioress can
only be re-elected twice, which fixes the longest possible reign of a
prioress at nine years.

They never see the officiating priest, who is always hidden from them
by a serge curtain nine feet in height. During the sermon, when the
preacher is in the chapel, they drop their veils over their faces. They
must always speak low, walk with their eyes on the ground and their
heads bowed. One man only is allowed to enter the convent,--the
archbishop of the diocese.

There is really one other,--the gardener. But he is always an old man,
and, in order that he may always be alone in the garden, and that the
nuns may be warned to avoid him, a bell is attached to his knee.

Their submission to the prioress is absolute and passive. It is the
canonical subjection in the full force of its abnegation. As at the
voice of Christ, ut voci Christi, at a gesture, at the first sign,
ad nutum, ad primum signum, immediately, with cheerfulness, with
perseverance, with a certain blind obedience, prompte, hilariter,
perseveranter et caeca quadam obedientia, as the file in the hand of the
workman, quasi limam in manibus fabri, without power to read or to write
without express permission, legere vel scribere non addiscerit sine
expressa superioris licentia.

Each one of them in turn makes what they call reparation. The reparation
is the prayer for all the sins, for all the faults, for all the
dissensions, for all the violations, for all the iniquities, for all the
crimes committed on earth. For the space of twelve consecutive hours,
from four o'clock in the afternoon till four o'clock in the morning, or
from four o'clock in the morning until four o'clock in the afternoon,
the sister who is making reparation remains on her knees on the stone
before the Holy Sacrament, with hands clasped, a rope around her neck.
When her fatigue becomes unendurable, she prostrates herself flat on
her face against the earth, with her arms outstretched in the form of a
cross; this is her only relief. In this attitude she prays for all the
guilty in the universe. This is great to sublimity.

As this act is performed in front of a post on which burns a candle, it
is called without distinction, to make reparation or to be at the post.
The nuns even prefer, out of humility, this last expression, which
contains an idea of torture and abasement.

To make reparation is a function in which the whole soul is absorbed.
The sister at the post would not turn round were a thunderbolt to fall
directly behind her.

Besides this, there is always a sister kneeling before the Holy
Sacrament. This station lasts an hour. They relieve each other like
soldiers on guard. This is the Perpetual Adoration.

The prioresses and the mothers almost always bear names stamped with
peculiar solemnity, recalling, not the saints and martyrs, but moments
in the life of Jesus Christ: as Mother Nativity, Mother Conception,
Mother Presentation, Mother Passion. But the names of saints are not
interdicted.

When one sees them, one never sees anything but their mouths.

All their teeth are yellow. No tooth-brush ever entered that convent.
Brushing one's teeth is at the top of a ladder at whose bottom is the
loss of one's soul.

They never say my. They possess nothing of their own, and they must not
attach themselves to anything. They call everything our; thus: our veil,
our chaplet; if they were speaking of their chemise, they would say our
chemise. Sometimes they grow attached to some petty object,--to a book
of hours, a relic, a medal that has been blessed. As soon as they become
aware that they are growing attached to this object, they must give it
up. They recall the words of Saint Therese, to whom a great lady said,
as she was on the point of entering her order, "Permit me, mother, to
send for a Bible to which I am greatly attached." "Ah, you are attached
to something! In that case, do not enter our order!"

Every person whatever is forbidden to shut herself up, to have a place
of her own, a chamber. They live with their cells open. When they meet,
one says, "Blessed and adored be the most Holy Sacrament of the altar!"
The other responds, "Forever." The same ceremony when one taps at the
other's door. Hardly has she touched the door when a soft voice on the
other side is heard to say hastily, "Forever!" Like all practices, this
becomes mechanical by force of habit; and one sometimes says forever
before the other has had time to say the rather long sentence, "Praised
and adored be the most Holy Sacrament of the altar."

Among the Visitandines the one who enters says: "Ave Maria," and the one
whose cell is entered says, "Gratia plena." It is their way of saying
good day, which is in fact full of grace.

At each hour of the day three supplementary strokes sound from the
church bell of the convent. At this signal prioress, vocal mothers,
professed nuns, lay-sisters, novices, postulants, interrupt what they
are saying, what they are doing, or what they are thinking, and all say
in unison if it is five o'clock, for instance, "At five o'clock and at
all hours praised and adored be the most Holy Sacrament of the altar!"
If it is eight o'clock, "At eight o'clock and at all hours!" and so on,
according to the hour.

This custom, the object of which is to break the thread of thought
and to lead it back constantly to God, exists in many communities; the
formula alone varies. Thus at The Infant Jesus they say, "At this
hour and at every hour may the love of Jesus kindle my heart!" The
Bernardines-Benedictines of Martin Verga, cloistered fifty years ago at
Petit-Picpus, chant the offices to a solemn psalmody, a pure Gregorian
chant, and always with full voice during the whole course of the office.
Everywhere in the missal where an asterisk occurs they pause, and say in
a low voice, "Jesus-Marie-Joseph." For the office of the dead they adopt
a tone so low that the voices of women can hardly descend to such a
depth. The effect produced is striking and tragic.

The nuns of the Petit-Picpus had made a vault under their grand altar
for the burial of their community. The Government, as they say, does not
permit this vault to receive coffins so they leave the convent when they
die. This is an affliction to them, and causes them consternation as an
infraction of the rules.

They had obtained a mediocre consolation at best,--permission to be
interred at a special hour and in a special corner in the ancient
Vaugirard cemetery, which was made of land which had formerly belonged
to their community.

On Fridays the nuns hear high mass, vespers, and all the offices, as on
Sunday. They scrupulously observe in addition all the little festivals
unknown to people of the world, of which the Church of France was so
prodigal in the olden days, and of which it is still prodigal in Spain
and Italy. Their stations in the chapel are interminable. As for the
number and duration of their prayers we can convey no better idea of
them than by quoting the ingenuous remark of one of them: "The prayers
of the postulants are frightful, the prayers of the novices are still
worse, and the prayers of the professed nuns are still worse."

Once a week the chapter assembles: the prioress presides; the vocal
mothers assist. Each sister kneels in turn on the stones, and confesses
aloud, in the presence of all, the faults and sins which she has
committed during the week. The vocal mothers consult after each
confession and inflict the penance aloud.

Besides this confession in a loud tone, for which all faults in the
least serious are reserved, they have for their venial offences what
they call the coulpe. To make one's coulpe means to prostrate one's self
flat on one's face during the office in front of the prioress until
the latter, who is never called anything but our mother, notifies the
culprit by a slight tap of her foot against the wood of her stall that
she can rise. The coulpe or peccavi, is made for a very small matter--a
broken glass, a torn veil, an involuntary delay of a few seconds at an
office, a false note in church, etc.; this suffices, and the coulpe
is made. The coulpe is entirely spontaneous; it is the culpable person
herself (the word is etymologically in its place here) who judges
herself and inflicts it on herself. On festival days and Sundays four
mother precentors intone the offices before a large reading-desk with
four places. One day one of the mother precentors intoned a psalm
beginning with Ecce, and instead of Ecce she uttered aloud the three
notes do si sol; for this piece of absent-mindedness she underwent a
coulpe which lasted during the whole service: what rendered the fault
enormous was the fact that the chapter had laughed.

When a nun is summoned to the parlor, even were it the prioress herself,
she drops her veil, as will be remembered, so that only her mouth is
visible.

The prioress alone can hold communication with strangers. The others can
see only their immediate family, and that very rarely. If, by chance,
an outsider presents herself to see a nun, or one whom she has known and
loved in the outer world, a regular series of negotiations is required.
If it is a woman, the authorization may sometimes be granted; the nun
comes, and they talk to her through the shutters, which are opened only
for a mother or sister. It is unnecessary to say that permission is
always refused to men.

Such is the rule of Saint-Benoit, aggravated by Martin Verga.

These nuns are not gay, rosy, and fresh, as the daughters of other
orders often are. They are pale and grave. Between 1825 and 1830 three
of them went mad.




CHAPTER III--AUSTERITIES

One is a postulant for two years at least, often for four; a novice for
four. It is rare that the definitive vows can be pronounced
earlier than the age of twenty-three or twenty-four years. The
Bernardines-Benedictines of Martin Verga do not admit widows to their
order.

In their cells, they deliver themselves up to many unknown macerations,
of which they must never speak.

On the day when a novice makes her profession, she is dressed in her
handsomest attire, she is crowned with white roses, her hair is brushed
until it shines, and curled. Then she prostrates herself; a great black
veil is thrown over her, and the office for the dead is sung. Then the
nuns separate into two files; one file passes close to her, saying in
plaintive accents, "Our sister is dead"; and the other file responds in
a voice of ecstasy, "Our sister is alive in Jesus Christ!"

At the epoch when this story takes place, a boarding-school was attached
to the convent--a boarding-school for young girls of noble and
mostly wealthy families, among whom could be remarked Mademoiselle
de Saint-Aulaire and de Belissen, and an English girl bearing the
illustrious Catholic name of Talbot. These young girls, reared by these
nuns between four walls, grew up with a horror of the world and of the
age. One of them said to us one day, "The sight of the street pavement
made me shudder from head to foot." They were dressed in blue, with a
white cap and a Holy Spirit of silver gilt or of copper on their breast.
On certain grand festival days, particularly Saint Martha's day, they
were permitted, as a high favor and a supreme happiness, to dress
themselves as nuns and to carry out the offices and practice of
Saint-Benoit for a whole day. In the early days the nuns were in the
habit of lending them their black garments. This seemed profane, and
the prioress forbade it. Only the novices were permitted to lend. It is
remarkable that these performances, tolerated and encouraged, no doubt,
in the convent out of a secret spirit of proselytism and in order
to give these children a foretaste of the holy habit, were a genuine
happiness and a real recreation for the scholars. They simply amused
themselves with it. It was new; it gave them a change. Candid reasons
of childhood, which do not, however, succeed in making us worldlings
comprehend the felicity of holding a holy water sprinkler in one's hand
and standing for hours together singing hard enough for four in front of
a reading-desk.

The pupils conformed, with the exception of the austerities, to all the
practices of the convent. There was a certain young woman who entered
the world, and who after many years of married life had not succeeded in
breaking herself of the habit of saying in great haste whenever any
one knocked at her door, "forever!" Like the nuns, the pupils saw
their relatives only in the parlor. Their very mothers did not obtain
permission to embrace them. The following illustrates to what a degree
severity on that point was carried. One day a young girl received a
visit from her mother, who was accompanied by a little sister three
years of age. The young girl wept, for she wished greatly to embrace
her sister. Impossible. She begged that, at least, the child might be
permitted to pass her little hand through the bars so that she could
kiss it. This was almost indignantly refused.




CHAPTER IV--GAYETIES

None the less, these young girls filled this grave house with charming
souvenirs.

At certain hours childhood sparkled in that cloister. The recreation
hour struck. A door swung on its hinges. The birds said, "Good;
here come the children!" An irruption of youth inundated that garden
intersected with a cross like a shroud. Radiant faces, white foreheads,
innocent eyes, full of merry light, all sorts of auroras, were scattered
about amid these shadows. After the psalmodies, the bells, the peals,
and knells and offices, the sound of these little girls burst forth on a
sudden more sweetly than the noise of bees. The hive of joy was opened,
and each one brought her honey. They played, they called to each other,
they formed into groups, they ran about; pretty little white teeth
chattered in the corners; the veils superintended the laughs from a
distance, shades kept watch of the sunbeams, but what mattered it? Still
they beamed and laughed. Those four lugubrious walls had their moment
of dazzling brilliancy. They looked on, vaguely blanched with the
reflection of so much joy at this sweet swarming of the hives. It was
like a shower of roses falling athwart this house of mourning. The young
girls frolicked beneath the eyes of the nuns; the gaze of impeccability
does not embarrass innocence. Thanks to these children, there was,
among so many austere hours, one hour of ingenuousness. The little ones
skipped about; the elder ones danced. In this cloister play was mingled
with heaven. Nothing is so delightful and so august as all these fresh,
expanding young souls. Homer would have come thither to laugh with
Perrault; and there was in that black garden, youth, health, noise,
cries, giddiness, pleasure, happiness enough to smooth out the wrinkles
of all their ancestresses, those of the epic as well as those of the
fairy-tale, those of the throne as well as those of the thatched cottage
from Hecuba to la Mere-Grand.

In that house more than anywhere else, perhaps, arise those children's
sayings which are so graceful and which evoke a smile that is full of
thoughtfulness. It was between those four gloomy walls that a child of
five years exclaimed one day: "Mother! one of the big girls has just
told me that I have only nine years and ten months longer to remain
here. What happiness!"

It was here, too, that this memorable dialogue took place:--

A Vocal Mother. Why are you weeping, my child?

The child (aged six). I told Alix that I knew my French history. She
says that I do not know it, but I do.

Alix, the big girl (aged nine). No; she does not know it.

The Mother. How is that, my child?

Alix. She told me to open the book at random and to ask her any question
in the book, and she would answer it.

"Well?"

"She did not answer it."

"Let us see about it. What did you ask her?"

"I opened the book at random, as she proposed, and I put the first
question that I came across."

"And what was the question?"

"It was, 'What happened after that?'"

It was there that that profound remark was made anent a rather greedy
paroquet which belonged to a lady boarder:--

"How well bred! it eats the top of the slice of bread and butter just
like a person!"

It was on one of the flagstones of this cloister that there was once
picked up a confession which had been written out in advance, in order
that she might not forget it, by a sinner of seven years:--

"Father, I accuse myself of having been avaricious.

"Father, I accuse myself of having been an adulteress.

"Father, I accuse myself of having raised my eyes to the gentlemen."

It was on one of the turf benches of this garden that a rosy mouth six
years of age improvised the following tale, which was listened to by
blue eyes aged four and five years:--

"There were three little cocks who owned a country where there were
a great many flowers. They plucked the flowers and put them in their
pockets. After that they plucked the leaves and put them in their
playthings. There was a wolf in that country; there was a great deal of
forest; and the wolf was in the forest; and he ate the little cocks."

And this other poem:--

"There came a blow with a stick.

"It was Punchinello who bestowed it on the cat.

"It was not good for her; it hurt her.

"Then a lady put Punchinello in prison."

It was there that a little abandoned child, a foundling whom the convent
was bringing up out of charity, uttered this sweet and heart-breaking
saying. She heard the others talking of their mothers, and she murmured
in her corner:--

"As for me, my mother was not there when I was born!"

There was a stout portress who could always be seen hurrying through the
corridors with her bunch of keys, and whose name was Sister Agatha. The
big big girls--those over ten years of age--called her Agathocles.

The refectory, a large apartment of an oblong square form, which
received no light except through a vaulted cloister on a level with the
garden, was dark and damp, and, as the children say, full of beasts. All
the places round about furnished their contingent of insects.

Each of its four corners had received, in the language of the pupils,
a special and expressive name. There was Spider corner, Caterpillar
corner, Wood-louse corner, and Cricket corner.

Cricket corner was near the kitchen and was highly esteemed. It was not
so cold there as elsewhere. From the refectory the names had passed to
the boarding-school, and there served as in the old College Mazarin
to distinguish four nations. Every pupil belonged to one of these four
nations according to the corner of the refectory in which she sat at
meals. One day Monseigneur the Archbishop while making his pastoral
visit saw a pretty little rosy girl with beautiful golden hair enter the
class-room through which he was passing.

He inquired of another pupil, a charming brunette with rosy cheeks, who
stood near him:--

"Who is that?"

"She is a spider, Monseigneur."

"Bah! And that one yonder?"

"She is a cricket."

"And that one?"

"She is a caterpillar."

"Really! and yourself?"

"I am a wood-louse, Monseigneur."

Every house of this sort has its own peculiarities. At the beginning of
this century Ecouen was one of those strict and graceful places where
young girls pass their childhood in a shadow that is almost august. At
Ecouen, in order to take rank in the procession of the Holy Sacrament,
a distinction was made between virgins and florists. There were also the
"dais" and the "censors,"--the first who held the cords of the dais, and
the others who carried incense before the Holy Sacrament. The flowers
belonged by right to the florists. Four "virgins" walked in advance. On
the morning of that great day it was no rare thing to hear the question
put in the dormitory, "Who is a virgin?"

Madame Campan used to quote this saying of a "little one" of seven
years, to a "big girl" of sixteen, who took the head of the procession,
while she, the little one, remained at the rear, "You are a virgin, but
I am not."




CHAPTER V--DISTRACTIONS

Above the door of the refectory this prayer, which was called the white
Paternoster, and which possessed the property of bearing people straight
to paradise, was inscribed in large black letters:--

"Little white Paternoster, which God made, which God said, which God
placed in paradise. In the evening, when I went to bed, I found three
angels sitting on my bed, one at the foot, two at the head, the good
Virgin Mary in the middle, who told me to lie down without hesitation.
The good God is my father, the good Virgin is my mother, the three
apostles are my brothers, the three virgins are my sisters. The shirt in
which God was born envelopes my body; Saint Margaret's cross is written
on my breast. Madame the Virgin was walking through the meadows, weeping
for God, when she met M. Saint John. 'Monsieur Saint John, whence come
you?' 'I come from Ave Salus.' 'You have not seen the good God; where
is he?' 'He is on the tree of the Cross, his feet hanging, his hands
nailed, a little cap of white thorns on his head.' Whoever shall say
this thrice at eventide, thrice in the morning, shall win paradise at
the last."

In 1827 this characteristic orison had disappeared from the wall under
a triple coating of daubing paint. At the present time it is finally
disappearing from the memories of several who were young girls then, and
who are old women now.

A large crucifix fastened to the wall completed the decoration of this
refectory, whose only door, as we think we have mentioned, opened on the
garden. Two narrow tables, each flanked by two wooden benches, formed
two long parallel lines from one end to the other of the refectory.
The walls were white, the tables were black; these two mourning colors
constitute the only variety in convents. The meals were plain, and
the food of the children themselves severe. A single dish of meat and
vegetables combined, or salt fish--such was their luxury. This meagre
fare, which was reserved for the pupils alone, was, nevertheless, an
exception. The children ate in silence, under the eye of the mother
whose turn it was, who, if a fly took a notion to fly or to hum against
the rule, opened and shut a wooden book from time to time. This silence
was seasoned with the lives of the saints, read aloud from a little
pulpit with a desk, which was situated at the foot of the crucifix. The
reader was one of the big girls, in weekly turn. At regular distances,
on the bare tables, there were large, varnished bowls in which the
pupils washed their own silver cups and knives and forks, and into which
they sometimes threw some scrap of tough meat or spoiled fish; this was
punished. These bowls were called ronds d'eau. The child who broke the
silence "made a cross with her tongue." Where? On the ground. She licked
the pavement. The dust, that end of all joys, was charged with the
chastisement of those poor little rose-leaves which had been guilty of
chirping.

There was in the convent a book which has never been printed except as
a unique copy, and which it is forbidden to read. It is the rule of
Saint-Benoit. An arcanum which no profane eye must penetrate. Nemo
regulas, seu constitutiones nostras, externis communicabit.

The pupils one day succeeded in getting possession of this book, and set
to reading it with avidity, a reading which was often interrupted by
the fear of being caught, which caused them to close the volume
precipitately.

From the great danger thus incurred they derived but a very moderate
amount of pleasure. The most "interesting thing" they found were some
unintelligible pages about the sins of young boys.

They played in an alley of the garden bordered with a few shabby
fruit-trees. In spite of the extreme surveillance and the severity of
the punishments administered, when the wind had shaken the trees, they
sometimes succeeded in picking up a green apple or a spoiled apricot or
an inhabited pear on the sly. I will now cede the privilege of speech
to a letter which lies before me, a letter written five and twenty
years ago by an old pupil, now Madame la Duchesse de----one of the most
elegant women in Paris. I quote literally: "One hides one's pear or
one's apple as best one may. When one goes up stairs to put the veil on
the bed before supper, one stuffs them under one's pillow and at night
one eats them in bed, and when one cannot do that, one eats them in the
closet." That was one of their greatest luxuries.

Once--it was at the epoch of the visit from the archbishop to the
convent--one of the young girls, Mademoiselle Bouchard, who was
connected with the Montmorency family, laid a wager that she would ask
for a day's leave of absence--an enormity in so austere a community. The
wager was accepted, but not one of those who bet believed that she would
do it. When the moment came, as the archbishop was passing in front of
the pupils, Mademoiselle Bouchard, to the indescribable terror of her
companions, stepped out of the ranks, and said, "Monseigneur, a day's
leave of absence." Mademoiselle Bouchard was tall, blooming, with the
prettiest little rosy face in the world. M. de Quelen smiled and said,
"What, my dear child, a day's leave of absence! Three days if you like.
I grant you three days." The prioress could do nothing; the archbishop
had spoken. Horror of the convent, but joy of the pupil. The effect may
be imagined.

This stern cloister was not so well walled off, however, but that the
life of the passions of the outside world, drama, and even romance,
did not make their way in. To prove this, we will confine ourselves to
recording here and to briefly mentioning a real and incontestable fact,
which, however, bears no reference in itself to, and is not connected by
any thread whatever with the story which we are relating. We mention the
fact for the sake of completing the physiognomy of the convent in the
reader's mind.

About this time there was in the convent a mysterious person who was
not a nun, who was treated with great respect, and who was addressed as
Madame Albertine. Nothing was known about her, save that she was mad,
and that in the world she passed for dead. Beneath this history it
was said there lay the arrangements of fortune necessary for a great
marriage.

This woman, hardly thirty years of age, of dark complexion and tolerably
pretty, had a vague look in her large black eyes. Could she see? There
was some doubt about this. She glided rather than walked, she never
spoke; it was not quite known whether she breathed. Her nostrils were
livid and pinched as after yielding up their last sigh. To touch her
hand was like touching snow. She possessed a strange spectral grace.
Wherever she entered, people felt cold. One day a sister, on seeing her
pass, said to another sister, "She passes for a dead woman." "Perhaps
she is one," replied the other.

A hundred tales were told of Madame Albertine. This arose from the
eternal curiosity of the pupils. In the chapel there was a gallery
called L'OEil de Boeuf. It was in this gallery, which had only a
circular bay, an oeil de boeuf, that Madame Albertine listened to the
offices. She always occupied it alone because from this gallery, being
on the level of the first story, the preacher or the officiating priest
could be seen, which was interdicted to the nuns. One day the pulpit was
occupied by a young priest of high rank, M. Le Duc de Rohan, peer of
France, officer of the Red Musketeers in 1815 when he was Prince de
Leon, and who died afterward, in 1830, as cardinal and Archbishop of
Besancon. It was the first time that M. de Rohan had preached at the
Petit-Picpus convent. Madame Albertine usually preserved perfect
calmness and complete immobility during the sermons and services. That
day, as soon as she caught sight of M. de Rohan, she half rose, and
said, in a loud voice, amid the silence of the chapel, "Ah! Auguste!"
The whole community turned their heads in amazement, the preacher raised
his eyes, but Madame Albertine had relapsed into her immobility. A
breath from the outer world, a flash of life, had passed for an instant
across that cold and lifeless face and had then vanished, and the mad
woman had become a corpse again.

Those two words, however, had set every one in the convent who had the
privilege of speech to chattering. How many things were contained in
that "Ah! Auguste!" what revelations! M. de Rohan's name really was
Auguste. It was evident that Madame Albertine belonged to the very
highest society, since she knew M. de Rohan, and that her own rank there
was of the highest, since she spoke thus familiarly of so great a lord,
and that there existed between them some connection, of relationship,
perhaps, but a very close one in any case, since she knew his "pet
name."

Two very severe duchesses, Mesdames de Choiseul and de Serent, often
visited the community, whither they penetrated, no doubt, in virtue of
the privilege Magnates mulieres, and caused great consternation in the
boarding-school. When these two old ladies passed by, all the poor young
girls trembled and dropped their eyes.

Moreover, M. de Rohan, quite unknown to himself, was an object of
attention to the school-girls. At that epoch he had just been made,
while waiting for the episcopate, vicar-general of the Archbishop of
Paris. It was one of his habits to come tolerably often to celebrate the
offices in the chapel of the nuns of the Petit-Picpus. Not one of the
young recluses could see him, because of the serge curtain, but he had
a sweet and rather shrill voice, which they had come to know and to
distinguish. He had been a mousquetaire, and then, he was said to be
very coquettish, that his handsome brown hair was very well dressed in
a roll around his head, and that he had a broad girdle of magnificent
moire, and that his black cassock was of the most elegant cut in the
world. He held a great place in all these imaginations of sixteen years.

Not a sound from without made its way into the convent. But there was
one year when the sound of a flute penetrated thither. This was an
event, and the girls who were at school there at the time still recall
it.

It was a flute which was played in the neighborhood. This flute always
played the same air, an air which is very far away nowadays,--"My
Zetulbe, come reign o'er my soul,"--and it was heard two or three
times a day. The young girls passed hours in listening to it, the vocal
mothers were upset by it, brains were busy, punishments descended in
showers. This lasted for several months. The girls were all more or
less in love with the unknown musician. Each one dreamed that she was
Zetulbe. The sound of the flute proceeded from the direction of the Rue
Droit-Mur; and they would have given anything, compromised everything,
attempted anything for the sake of seeing, of catching a glance, if only
for a second, of the "young man" who played that flute so deliciously,
and who, no doubt, played on all these souls at the same time. There
were some who made their escape by a back door, and ascended to the
third story on the Rue Droit-Mur side, in order to attempt to catch a
glimpse through the gaps. Impossible! One even went so far as to thrust
her arm through the grating, and to wave her white handkerchief. Two
were still bolder. They found means to climb on a roof, and risked their
lives there, and succeeded at last in seeing "the young man." He was an
old emigre gentleman, blind and penniless, who was playing his flute in
his attic, in order to pass the time.




CHAPTER VI--THE LITTLE CONVENT

In this enclosure of the Petit-Picpus there were three perfectly
distinct buildings,--the Great Convent, inhabited by the nuns, the
Boarding-school, where the scholars were lodged; and lastly, what was
called the Little Convent. It was a building with a garden, in which
lived all sorts of aged nuns of various orders, the relics of cloisters
destroyed in the Revolution; a reunion of all the black, gray, and white
medleys of all communities and all possible varieties; what might be
called, if such a coupling of words is permissible, a sort of harlequin
convent.

When the Empire was established, all these poor old dispersed and exiled
women had been accorded permission to come and take shelter under the
wings of the Bernardines-Benedictines. The government paid them a small
pension, the ladies of the Petit-Picpus received them cordially. It was
a singular pell-mell. Each followed her own rule, Sometimes the pupils
of the boarding-school were allowed, as a great recreation, to pay them
a visit; the result is, that all those young memories have
retained among other souvenirs that of Mother Sainte-Bazile, Mother
Sainte-Scolastique, and Mother Jacob.

One of these refugees found herself almost at home. She was a nun of
Sainte-Aure, the only one of her order who had survived. The ancient
convent of the ladies of Sainte-Aure occupied, at the beginning of the
eighteenth century, this very house of the Petit-Picpus, which belonged
later to the Benedictines of Martin Verga. This holy woman, too poor to
wear the magnificent habit of her order, which was a white robe with
a scarlet scapulary, had piously put it on a little manikin, which she
exhibited with complacency and which she bequeathed to the house at
her death. In 1824, only one nun of this order remained; to-day, there
remains only a doll.

In addition to these worthy mothers, some old society women had obtained
permission of the prioress, like Madame Albertine, to retire into the
Little Convent. Among the number were Madame Beaufort d'Hautpoul and
Marquise Dufresne. Another was never known in the convent except by
the formidable noise which she made when she blew her nose. The pupils
called her Madame Vacarmini (hubbub).

About 1820 or 1821, Madame de Genlis, who was at that time editing a
little periodical publication called l'Intrepide, asked to be allowed
to enter the convent of the Petit-Picpus as lady resident. The Duc
d'Orleans recommended her. Uproar in the hive; the vocal-mothers were
all in a flutter; Madame de Genlis had made romances. But she declared
that she was the first to detest them, and then, she had reached her
fierce stage of devotion. With the aid of God, and of the Prince, she
entered. She departed at the end of six or eight months, alleging as a
reason, that there was no shade in the garden. The nuns were delighted.
Although very old, she still played the harp, and did it very well.

When she went away she left her mark in her cell. Madame de Genlis was
superstitious and a Latinist. These two words furnish a tolerably good
profile of her. A few years ago, there were still to be seen, pasted in
the inside of a little cupboard in her cell in which she locked up her
silverware and her jewels, these five lines in Latin, written with
her own hand in red ink on yellow paper, and which, in her opinion,
possessed the property of frightening away robbers:--


               Imparibus meritis pendent tria corpora ramis:[15]
               Dismas et Gesmas, media est divina potestas;
               Alta petit Dismas, infelix, infima, Gesmas;
               Nos et res nostras conservet summa potestas.
               Hos versus dicas, ne tu furto tua perdas.


These verses in sixth century Latin raise the question whether the
two thieves of Calvary were named, as is commonly believed, Dismas and
Gestas, or Dismas and Gesmas. This orthography might have confounded the
pretensions put forward in the last century by the Vicomte de Gestas, of
a descent from the wicked thief. However, the useful virtue attached to
these verses forms an article of faith in the order of the Hospitallers.

The church of the house, constructed in such a manner as to separate the
Great Convent from the Boarding-school like a veritable intrenchment,
was, of course, common to the Boarding-school, the Great Convent, and
the Little Convent. The public was even admitted by a sort of lazaretto
entrance on the street. But all was so arranged, that none of the
inhabitants of the cloister could see a face from the outside world.
Suppose a church whose choir is grasped in a gigantic hand, and
folded in such a manner as to form, not, as in ordinary churches, a
prolongation behind the altar, but a sort of hall, or obscure cellar, to
the right of the officiating priest; suppose this hall to be shut off by
a curtain seven feet in height, of which we have already spoken; in the
shadow of that curtain, pile up on wooden stalls the nuns in the choir
on the left, the school-girls on the right, the lay-sisters and the
novices at the bottom, and you will have some idea of the nuns of the
Petit-Picpus assisting at divine service. That cavern, which was called
the choir, communicated with the cloister by a lobby. The church was
lighted from the garden. When the nuns were present at services where
their rule enjoined silence, the public was warned of their presence
only by the folding seats of the stalls noisily rising and falling.




CHAPTER VII--SOME SILHOUETTES OF THIS DARKNESS

During the six years which separate 1819 from 1825, the prioress of the
Petit-Picpus was Mademoiselle de Blemeur, whose name, in religion,
was Mother Innocente. She came of the family of Marguerite de Blemeur,
author of Lives of the Saints of the Order of Saint-Benoit. She had
been re-elected. She was a woman about sixty years of age, short, thick,
"singing like a cracked pot," says the letter which we have already
quoted; an excellent woman, moreover, and the only merry one in the
whole convent, and for that reason adored. She was learned, erudite,
wise, competent, curiously proficient in history, crammed with Latin,
stuffed with Greek, full of Hebrew, and more of a Benedictine monk than
a Benedictine nun.

The sub-prioress was an old Spanish nun, Mother Cineres, who was almost
blind.

The most esteemed among the vocal mothers were Mother Sainte-Honorine;
the treasurer, Mother Sainte-Gertrude, the chief mistress of the
novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation,
the sacristan; Mother Saint-Augustin, the nurse, the only one in the
convent who was malicious; then Mother Sainte-Mechtilde (Mademoiselle
Gauvain), very young and with a beautiful voice; Mother des Anges
(Mademoiselle Drouet), who had been in the convent of the Filles-Dieu,
and in the convent du Tresor, between Gisors and Magny; Mother
Saint-Joseph (Mademoiselle de Cogolludo), Mother Sainte-Adelaide
(Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de
Cifuentes, who could not resist austerities), Mother Compassion
(Mademoiselle de la Miltiere, received at the age of sixty in defiance
of the rule, and very wealthy); Mother Providence (Mademoiselle de
Laudiniere), Mother Presentation (Mademoiselle de Siguenza), who was
prioress in 1847; and finally, Mother Sainte-Celigne (sister of the
sculptor Ceracchi), who went mad; Mother Sainte-Chantal (Mademoiselle de
Suzon), who went mad.

There was also, among the prettiest of them, a charming girl of three
and twenty, who was from the Isle de Bourbon, a descendant of the
Chevalier Roze, whose name had been Mademoiselle Roze, and who was
called Mother Assumption.

Mother Sainte-Mechtilde, intrusted with the singing and the choir, was
fond of making use of the pupils in this quarter. She usually took a
complete scale of them, that is to say, seven, from ten to sixteen years
of age, inclusive, of assorted voices and sizes, whom she made sing
standing, drawn up in a line, side by side, according to age, from the
smallest to the largest. This presented to the eye, something in the
nature of a reed-pipe of young girls, a sort of living Pan-pipe made of
angels.

Those of the lay-sisters whom the scholars loved most were Sister
Euphrasie, Sister Sainte-Marguerite, Sister Sainte-Marthe, who was in
her dotage, and Sister Sainte-Michel, whose long nose made them laugh.

All these women were gentle with the children. The nuns were severe only
towards themselves. No fire was lighted except in the school, and the
food was choice compared to that in the convent. Moreover, they lavished
a thousand cares on their scholars. Only, when a child passed near a nun
and addressed her, the nun never replied.

This rule of silence had had this effect, that throughout the whole
convent, speech had been withdrawn from human creatures, and bestowed
on inanimate objects. Now it was the church-bell which spoke, now it was
the gardener's bell. A very sonorous bell, placed beside the portress,
and which was audible throughout the house, indicated by its varied
peals, which formed a sort of acoustic telegraph, all the actions of
material life which were to be performed, and summoned to the parlor, in
case of need, such or such an inhabitant of the house. Each person
and each thing had its own peal. The prioress had one and one, the
sub-prioress one and two. Six-five announced lessons, so that the pupils
never said "to go to lessons," but "to go to six-five." Four-four was
Madame de Genlis's signal. It was very often heard. "C'est le diable
a quatre,"--it's the very deuce--said the uncharitable. Tennine strokes
announced a great event. It was the opening of the door of seclusion,
a frightful sheet of iron bristling with bolts which only turned on its
hinges in the presence of the archbishop.

With the exception of the archbishop and the gardener, no man entered
the convent, as we have already said. The schoolgirls saw two others:
one, the chaplain, the Abbe Banes, old and ugly, whom they were
permitted to contemplate in the choir, through a grating; the other the
drawing-master, M. Ansiaux, whom the letter, of which we have perused a
few lines, calls M. Anciot, and describes as a frightful old hunchback.

It will be seen that all these men were carefully chosen.

Such was this curious house.




CHAPTER VIII--POST CORDA LAPIDES

After having sketched its moral face, it will not prove unprofitable
to point out, in a few words, its material configuration. The reader
already has some idea of it.

The convent of the Petit-Picpus-Sainte-Antoine filled almost the whole
of the vast trapezium which resulted from the intersection of the Rue
Polonceau, the Rue Droit-Mur, the Rue Petit-Picpus, and the unused lane,
called Rue Aumarais on old plans. These four streets surrounded this
trapezium like a moat. The convent was composed of several buildings
and a garden. The principal building, taken in its entirety, was a
juxtaposition of hybrid constructions which, viewed from a bird's-eye
view, outlined, with considerable exactness, a gibbet laid flat on the
ground. The main arm of the gibbet occupied the whole of the fragment
of the Rue Droit-Mur comprised between the Rue Petit-Picpus and the Rue
Polonceau; the lesser arm was a lofty, gray, severe grated facade which
faced the Rue Petit-Picpus; the carriage entrance No. 62 marked its
extremity. Towards the centre of this facade was a low, arched door,
whitened with dust and ashes, where the spiders wove their webs,
and which was open only for an hour or two on Sundays, and on rare
occasions, when the coffin of a nun left the convent. This was the
public entrance of the church. The elbow of the gibbet was a square
hall which was used as the servants' hall, and which the nuns called the
buttery. In the main arm were the cells of the mothers, the sisters, and
the novices. In the lesser arm lay the kitchens, the refectory, backed
up by the cloisters and the church. Between the door No. 62 and the
corner of the closed lane Aumarais, was the school, which was not
visible from without. The remainder of the trapezium formed the garden,
which was much lower than the level of the Rue Polonceau, which caused
the walls to be very much higher on the inside than on the outside. The
garden, which was slightly arched, had in its centre, on the summit of
a hillock, a fine pointed and conical fir-tree, whence ran, as from
the peaked boss of a shield, four grand alleys, and, ranged by twos
in between the branchings of these, eight small ones, so that, if the
enclosure had been circular, the geometrical plan of the alleys would
have resembled a cross superposed on a wheel. As the alleys all ended
in the very irregular walls of the garden, they were of unequal length.
They were bordered with currant bushes. At the bottom, an alley of tall
poplars ran from the ruins of the old convent, which was at the angle of
the Rue Droit-Mur to the house of the Little Convent, which was at the
angle of the Aumarais lane. In front of the Little Convent was what was
called the little garden. To this whole, let the reader add a courtyard,
all sorts of varied angles formed by the interior buildings, prison
walls, the long black line of roofs which bordered the other side of the
Rue Polonceau for its sole perspective and neighborhood, and he will
be able to form for himself a complete image of what the house of the
Bernardines of the Petit-Picpus was forty years ago. This holy house
had been built on the precise site of a famous tennis-ground of the
fourteenth to the sixteenth century, which was called the "tennis-ground
of the eleven thousand devils."

All these streets, moreover, were more ancient than Paris. These names,
Droit-Mur and Aumarais, are very ancient; the streets which bear them
are very much more ancient still. Aumarais Lane was called Maugout Lane;
the Rue Droit-Mur was called the Rue des Eglantiers, for God opened
flowers before man cut stones.




CHAPTER IX--A CENTURY UNDER A GUIMPE

Since we are engaged in giving details as to what the convent of the
Petit-Picpus was in former times, and since we have ventured to open
a window on that discreet retreat, the reader will permit us one other
little digression, utterly foreign to this book, but characteristic and
useful, since it shows that the cloister even has its original figures.

In the Little Convent there was a centenarian who came from the Abbey
of Fontevrault. She had even been in society before the Revolution. She
talked a great deal of M. de Miromesnil, Keeper of the Seals under Louis
XVI. and of a Presidentess Duplat, with whom she had been very intimate.
It was her pleasure and her vanity to drag in these names on every
pretext. She told wonders of the Abbey of Fontevrault,--that it was like
a city, and that there were streets in the monastery.

She talked with a Picard accent which amused the pupils. Every year,
she solemnly renewed her vows, and at the moment of taking the oath, she
said to the priest, "Monseigneur Saint-Francois gave it to Monseigneur
Saint-Julien, Monseigneur Saint-Julien gave it to Monseigneur
Saint-Eusebius, Monseigneur Saint-Eusebius gave it to Monseigneur
Saint-Procopius, etc., etc.; and thus I give it to you, father." And the
school-girls would begin to laugh, not in their sleeves, but under
their veils; charming little stifled laughs which made the vocal mothers
frown.

On another occasion, the centenarian was telling stories. She said
that in her youth the Bernardine monks were every whit as good as the
mousquetaires. It was a century which spoke through her, but it was the
eighteenth century. She told about the custom of the four wines, which
existed before the Revolution in Champagne and Bourgogne. When a great
personage, a marshal of France, a prince, a duke, and a peer, traversed
a town in Burgundy or Champagne, the city fathers came out to harangue
him and presented him with four silver gondolas into which they
had poured four different sorts of wine. On the first goblet this
inscription could be read, monkey wine; on the second, lion wine; on the
third, sheep wine; on the fourth, hog wine. These four legends express
the four stages descended by the drunkard; the first, intoxication,
which enlivens; the second, that which irritates; the third, that which
dulls; and the fourth, that which brutalizes.

In a cupboard, under lock and key, she kept a mysterious object of which
she thought a great deal. The rule of Fontevrault did not forbid this.
She would not show this object to anyone. She shut herself up, which her
rule allowed her to do, and hid herself, every time that she desired to
contemplate it. If she heard a footstep in the corridor, she closed the
cupboard again as hastily as it was possible with her aged hands. As
soon as it was mentioned to her, she became silent, she who was so fond
of talking. The most curious were baffled by her silence and the most
tenacious by her obstinacy. Thus it furnished a subject of comment for
all those who were unoccupied or bored in the convent. What could that
treasure of the centenarian be, which was so precious and so secret?
Some holy book, no doubt? Some unique chaplet? Some authentic relic?
They lost themselves in conjectures. When the poor old woman died,
they rushed to her cupboard more hastily than was fitting, perhaps, and
opened it. They found the object beneath a triple linen cloth, like some
consecrated paten. It was a Faenza platter representing little Loves
flitting away pursued by apothecary lads armed with enormous syringes.
The chase abounds in grimaces and in comical postures. One of the
charming little Loves is already fairly spitted. He is resisting,
fluttering his tiny wings, and still making an effort to fly, but the
dancer is laughing with a satanical air. Moral: Love conquered by the
colic. This platter, which is very curious, and which had, possibly,
the honor of furnishing Moliere with an idea, was still in existence
in September, 1845; it was for sale by a bric-a-brac merchant in the
Boulevard Beaumarchais.

This good old woman would not receive any visits from outside because,
said she, the parlor is too gloomy.




CHAPTER X--ORIGIN OF THE PERPETUAL ADORATION

However, this almost sepulchral parlor, of which we have sought to
convey an idea, is a purely local trait which is not reproduced with the
same severity in other convents. At the convent of the Rue du Temple,
in particular, which belonged, in truth, to another order, the black
shutters were replaced by brown curtains, and the parlor itself was a
salon with a polished wood floor, whose windows were draped in white
muslin curtains and whose walls admitted all sorts of frames, a portrait
of a Benedictine nun with unveiled face, painted bouquets, and even the
head of a Turk.

It is in that garden of the Temple convent, that stood that famous
chestnut-tree which was renowned as the finest and the largest in
France, and which bore the reputation among the good people of the
eighteenth century of being the father of all the chestnut trees of the
realm.

As we have said, this convent of the Temple was occupied by Benedictines
of the Perpetual Adoration, Benedictines quite different from those who
depended on Citeaux. This order of the Perpetual Adoration is not very
ancient and does not go back more than two hundred years. In 1649 the
holy sacrament was profaned on two occasions a few days apart, in two
churches in Paris, at Saint-Sulpice and at Saint-Jean en Greve, a rare
and frightful sacrilege which set the whole town in an uproar. M. the
Prior and Vicar-General of Saint-Germain des Pres ordered a solemn
procession of all his clergy, in which the Pope's Nuncio officiated.
But this expiation did not satisfy two sainted women, Madame Courtin,
Marquise de Boucs, and the Comtesse de Chateauvieux. This outrage
committed on "the most holy sacrament of the altar," though but
temporary, would not depart from these holy souls, and it seemed to
them that it could only be extenuated by a "Perpetual Adoration" in some
female monastery. Both of them, one in 1652, the other in 1653, made
donations of notable sums to Mother Catherine de Bar, called of the Holy
Sacrament, a Benedictine nun, for the purpose of founding, to this pious
end, a monastery of the order of Saint-Benoit; the first permission for
this foundation was given to Mother Catherine de Bar by M. de Metz, Abbe
of Saint-Germain, "on condition that no woman could be received unless
she contributed three hundred livres income, which amounts to six
thousand livres, to the principal." After the Abbe of Saint-Germain, the
king accorded letters-patent; and all the rest, abbatial charter, and
royal letters, was confirmed in 1654 by the Chamber of Accounts and the
Parliament.

Such is the origin of the legal consecration of the establishment of the
Benedictines of the Perpetual Adoration of the Holy Sacrament at Paris.
Their first convent was "a new building" in the Rue Cassette, out of the
contributions of Mesdames de Boucs and de Chateauvieux.

This order, as it will be seen, was not to be confounded with
the Benedictine nuns of Citeaux. It mounted back to the Abbe of
Saint-Germain des Pres, in the same manner that the ladies of the Sacred
Heart go back to the general of the Jesuits, and the sisters of charity
to the general of the Lazarists.

It was also totally different from the Bernardines of the Petit-Picpus,
whose interior we have just shown. In 1657, Pope Alexander VII. had
authorized, by a special brief, the Bernardines of the Rue Petit-Picpus,
to practise the Perpetual Adoration like the Benedictine nuns of the
Holy Sacrament. But the two orders remained distinct none the less.




CHAPTER XI--END OF THE PETIT-PICPUS

At the beginning of the Restoration, the convent of the Petit-Picpus
was in its decay; this forms a part of the general death of the order,
which, after the eighteenth century, has been disappearing like all
the religious orders. Contemplation is, like prayer, one of humanity's
needs; but, like everything which the Revolution touched, it will be
transformed, and from being hostile to social progress, it will become
favorable to it.

The house of the Petit-Picpus was becoming rapidly depopulated. In 1840,
the Little Convent had disappeared, the school had disappeared. There
were no longer any old women, nor young girls; the first were dead, the
latter had taken their departure. Volaverunt.

The rule of the Perpetual Adoration is so rigid in its nature that it
alarms, vocations recoil before it, the order receives no recruits. In
1845, it still obtained lay-sisters here and there. But of professed
nuns, none at all. Forty years ago, the nuns numbered nearly a hundred;
fifteen years ago there were not more than twenty-eight of them. How
many are there to-day? In 1847, the prioress was young, a sign that
the circle of choice was restricted. She was not forty years old. In
proportion as the number diminishes, the fatigue increases, the service
of each becomes more painful; the moment could then be seen drawing near
when there would be but a dozen bent and aching shoulders to bear the
heavy rule of Saint-Benoit. The burden is implacable, and remains the
same for the few as for the many. It weighs down, it crushes. Thus they
die. At the period when the author of this book still lived in Paris,
two died. One was twenty-five years old, the other twenty-three. This
latter can say, like Julia Alpinula: "Hic jaceo. Vixi annos viginti et
tres." It is in consequence of this decay that the convent gave up the
education of girls.

We have not felt able to pass before this extraordinary house without
entering it, and without introducing the minds which accompany us, and
which are listening to our tale, to the profit of some, perchance, of
the melancholy history of Jean Valjean. We have penetrated into this
community, full of those old practices which seem so novel to-day. It
is the closed garden, hortus conclusus. We have spoken of this singular
place in detail, but with respect, in so far, at least, as detail and
respect are compatible. We do not understand all, but we insult nothing.
We are equally far removed from the hosanna of Joseph de Maistre, who
wound up by anointing the executioner, and from the sneer of Voltaire,
who even goes so far as to ridicule the cross.

An illogical act on Voltaire's part, we may remark, by the way; for
Voltaire would have defended Jesus as he defended Calas; and even
for those who deny superhuman incarnations, what does the crucifix
represent? The assassinated sage.

In this nineteenth century, the religious idea is undergoing a crisis.
People are unlearning certain things, and they do well, provided that,
while unlearning them they learn this: There is no vacuum in the human
heart. Certain demolitions take place, and it is well that they do, but
on condition that they are followed by reconstructions.

In the meantime, let us study things which are no more. It is necessary
to know them, if only for the purpose of avoiding them. The counterfeits
of the past assume false names, and gladly call themselves the future.
This spectre, this past, is given to falsifying its own passport. Let
us inform ourselves of the trap. Let us be on our guard. The past has a
visage, superstition, and a mask, hypocrisy. Let us denounce the visage
and let us tear off the mask.

As for convents, they present a complex problem,--a question of
civilization, which condemns them; a question of liberty, which protects
them.




BOOK SEVENTH.--PARENTHESIS




CHAPTER I--THE CONVENT AS AN ABSTRACT IDEA

This book is a drama, whose leading personage is the Infinite.

Man is the second.

Such being the case, and a convent having happened to be on our road, it
has been our duty to enter it. Why? Because the convent, which is common
to the Orient as well as to the Occident, to antiquity as well as to
modern times, to paganism, to Buddhism, to Mahometanism, as well as to
Christianity, is one of the optical apparatuses applied by man to the
Infinite.

This is not the place for enlarging disproportionately on certain
ideas; nevertheless, while absolutely maintaining our reserves, our
restrictions, and even our indignations, we must say that every time we
encounter man in the Infinite, either well or ill understood, we feel
ourselves overpowered with respect. There is, in the synagogue, in the
mosque, in the pagoda, in the wigwam, a hideous side which we execrate,
and a sublime side, which we adore. What a contemplation for the mind,
and what endless food for thought, is the reverberation of God upon the
human wall!




CHAPTER II--THE CONVENT AS AN HISTORICAL FACT

From the point of view of history, of reason, and of truth, monasticism
is condemned. Monasteries, when they abound in a nation, are clogs in
its circulation, cumbrous establishments, centres of idleness where
centres of labor should exist. Monastic communities are to the great
social community what the mistletoe is to the oak, what the wart is
to the human body. Their prosperity and their fatness mean the
impoverishment of the country. The monastic regime, good at the
beginning of civilization, useful in the reduction of the brutal by the
spiritual, is bad when peoples have reached their manhood. Moreover,
when it becomes relaxed, and when it enters into its period of disorder,
it becomes bad for the very reasons which rendered it salutary in its
period of purity, because it still continues to set the example.

Claustration has had its day. Cloisters, useful in the early education
of modern civilization, have embarrassed its growth, and are injurious
to its development. So far as institution and formation with relation
to man are concerned, monasteries, which were good in the tenth century,
questionable in the fifteenth, are detestable in the nineteenth. The
leprosy of monasticism has gnawed nearly to a skeleton two wonderful
nations, Italy and Spain; the one the light, the other the splendor of
Europe for centuries; and, at the present day, these two illustrious
peoples are but just beginning to convalesce, thanks to the healthy and
vigorous hygiene of 1789 alone.

The convent--the ancient female convent in particular, such as it still
presents itself on the threshold of this century, in Italy, in Austria,
in Spain--is one of the most sombre concretions of the Middle Ages. The
cloister, that cloister, is the point of intersection of horrors. The
Catholic cloister, properly speaking, is wholly filled with the black
radiance of death.

The Spanish convent is the most funereal of all. There rise, in
obscurity, beneath vaults filled with gloom, beneath domes vague with
shadow, massive altars of Babel, as high as cathedrals; there immense
white crucifixes hang from chains in the dark; there are extended, all
nude on the ebony, great Christs of ivory; more than bleeding,--bloody;
hideous and magnificent, with their elbows displaying the bones, their
knee-pans showing their integuments, their wounds showing their flesh,
crowned with silver thorns, nailed with nails of gold, with blood drops
of rubies on their brows, and diamond tears in their eyes. The diamonds
and rubies seem wet, and make veiled beings in the shadow below weep,
their sides bruised with the hair shirt and their iron-tipped scourges,
their breasts crushed with wicker hurdles, their knees excoriated with
prayer; women who think themselves wives, spectres who think themselves
seraphim. Do these women think? No. Have they any will? No. Do they
love? No. Do they live? No. Their nerves have turned to bone; their
bones have turned to stone. Their veil is of woven night. Their breath
under their veil resembles the indescribably tragic respiration of
death. The abbess, a spectre, sanctifies them and terrifies them.
The immaculate one is there, and very fierce. Such are the ancient
monasteries of Spain. Lairs of terrible devotion, caverns of virgins,
ferocious places.

Catholic Spain is more Roman than Rome herself. The Spanish convent was,
above all others, the Catholic convent. There was a flavor of the Orient
about it. The archbishop, the kislar-aga of heaven, locked up and kept
watch over this seraglio of souls reserved for God. The nun was the
odalisque, the priest was the eunuch. The fervent were chosen in dreams
and possessed Christ. At night, the beautiful, nude young man descended
from the cross and became the ecstasy of the cloistered one. Lofty walls
guarded the mystic sultana, who had the crucified for her sultan, from
all living distraction. A glance on the outer world was infidelity. The
in pace replaced the leather sack. That which was cast into the sea in
the East was thrown into the ground in the West. In both quarters, women
wrung their hands; the waves for the first, the grave for the last; here
the drowned, there the buried. Monstrous parallel.

To-day the upholders of the past, unable to deny these things, have
adopted the expedient of smiling at them. There has come into fashion
a strange and easy manner of suppressing the revelations of history, of
invalidating the commentaries of philosophy, of eliding all embarrassing
facts and all gloomy questions. A matter for declamations, say the
clever. Declamations, repeat the foolish. Jean-Jacques a declaimer;
Diderot a declaimer; Voltaire on Calas, Labarre, and Sirven, declaimers.
I know not who has recently discovered that Tacitus was a declaimer,
that Nero was a victim, and that pity is decidedly due to "that poor
Holofernes."

Facts, however, are awkward things to disconcert, and they are
obstinate. The author of this book has seen, with his own eyes, eight
leagues distant from Brussels,--there are relics of the Middle Ages
there which are attainable for everybody,--at the Abbey of Villers, the
hole of the oubliettes, in the middle of the field which was formerly
the courtyard of the cloister, and on the banks of the Thil, four stone
dungeons, half under ground, half under the water. They were in pace.
Each of these dungeons has the remains of an iron door, a vault, and a
grated opening which, on the outside, is two feet above the level of the
river, and on the inside, six feet above the level of the ground. Four
feet of river flow past along the outside wall. The ground is always
soaked. The occupant of the in pace had this wet soil for his bed. In
one of these dungeons, there is a fragment of an iron necklet riveted to
the wall; in another, there can be seen a square box made of four slabs
of granite, too short for a person to lie down in, too low for him to
stand upright in. A human being was put inside, with a coverlid of stone
on top. This exists. It can be seen. It can be touched. These in pace,
these dungeons, these iron hinges, these necklets, that lofty peep-hole
on a level with the river's current, that box of stone closed with a lid
of granite like a tomb, with this difference, that the dead man here
was a living being, that soil which is but mud, that vault hole, those
oozing walls,--what declaimers!




CHAPTER III--ON WHAT CONDITIONS ONE CAN RESPECT THE PAST

Monasticism, such as it existed in Spain, and such as it still exists in
Thibet, is a sort of phthisis for civilization. It stops life short. It
simply depopulates. Claustration, castration. It has been the scourge
of Europe. Add to this the violence so often done to the conscience, the
forced vocations, feudalism bolstered up by the cloister, the right of
the first-born pouring the excess of the family into monasticism, the
ferocities of which we have just spoken, the in pace, the closed mouths,
the walled-up brains, so many unfortunate minds placed in the dungeon
of eternal vows, the taking of the habit, the interment of living souls.
Add individual tortures to national degradations, and, whoever you
may be, you will shudder before the frock and the veil,--those two
winding-sheets of human devising. Nevertheless, at certain points and in
certain places, in spite of philosophy, in spite of progress, the spirit
of the cloister persists in the midst of the nineteenth century, and
a singular ascetic recrudescence is, at this moment, astonishing
the civilized world. The obstinacy of antiquated institutions in
perpetuating themselves resembles the stubbornness of the rancid perfume
which should claim our hair, the pretensions of the spoiled fish which
should persist in being eaten, the persecution of the child's garment
which should insist on clothing the man, the tenderness of corpses which
should return to embrace the living.

"Ingrates!" says the garment, "I protected you in inclement weather. Why
will you have nothing to do with me?" "I have just come from the deep
sea," says the fish. "I have been a rose," says the perfume. "I have
loved you," says the corpse. "I have civilized you," says the convent.

To this there is but one reply: "In former days."

To dream of the indefinite prolongation of defunct things, and of the
government of men by embalming, to restore dogmas in a bad condition,
to regild shrines, to patch up cloisters, to rebless reliquaries, to
refurnish superstitions, to revictual fanaticisms, to put new handles
on holy water brushes and militarism, to reconstitute monasticism and
militarism, to believe in the salvation of society by the multiplication
of parasites, to force the past on the present,--this seems strange.
Still, there are theorists who hold such theories. These theorists,
who are in other respects people of intelligence, have a very simple
process; they apply to the past a glazing which they call social
order, divine right, morality, family, the respect of elders, antique
authority, sacred tradition, legitimacy, religion; and they go about
shouting, "Look! take this, honest people." This logic was known to the
ancients. The soothsayers practise it. They rubbed a black heifer over
with chalk, and said, "She is white, Bos cretatus."

As for us, we respect the past here and there, and we spare it, above
all, provided that it consents to be dead. If it insists on being alive,
we attack it, and we try to kill it.

Superstitions, bigotries, affected devotion, prejudices, those forms all
forms as they are, are tenacious of life; they have teeth and nails in
their smoke, and they must be clasped close, body to body, and war must
be made on them, and that without truce; for it is one of the fatalities
of humanity to be condemned to eternal combat with phantoms. It is
difficult to seize darkness by the throat, and to hurl it to the earth.

A convent in France, in the broad daylight of the nineteenth century, is
a college of owls facing the light. A cloister, caught in the very act
of asceticism, in the very heart of the city of '89 and of 1830 and
of 1848, Rome blossoming out in Paris, is an anachronism. In ordinary
times, in order to dissolve an anachronism and to cause it to vanish,
one has only to make it spell out the date. But we are not in ordinary
times.

Let us fight.

Let us fight, but let us make a distinction. The peculiar property of
truth is never to commit excesses. What need has it of exaggeration?
There is that which it is necessary to destroy, and there is that which
it is simply necessary to elucidate and examine. What a force is kindly
and serious examination! Let us not apply a flame where only a light is
required.

So, given the nineteenth century, we are opposed, as a general
proposition, and among all peoples, in Asia as well as in Europe,
in India as well as in Turkey, to ascetic claustration. Whoever says
cloister, says marsh. Their putrescence is evident, their stagnation is
unhealthy, their fermentation infects people with fever, and etiolates
them; their multiplication becomes a plague of Egypt. We cannot think
without affright of those lands where fakirs, bonzes, santons, Greek
monks, marabouts, talapoins, and dervishes multiply even like swarms of
vermin.

This said, the religious question remains. This question has certain
mysterious, almost formidable sides; may we be permitted to look at it
fixedly.




CHAPTER IV--THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES

Men unite themselves and dwell in communities. By virtue of what right?
By virtue of the right of association.

They shut themselves up at home. By virtue of what right? By virtue of
the right which every man has to open or shut his door.

They do not come forth. By virtue of what right? By virtue of the right
to go and come, which implies the right to remain at home.

There, at home, what do they do?

They speak in low tones; they drop their eyes; they toil. They renounce
the world, towns, sensualities, pleasures, vanities, pride, interests.
They are clothed in coarse woollen or coarse linen. Not one of them
possesses in his own right anything whatever. On entering there, each
one who was rich makes himself poor. What he has, he gives to all. He
who was what is called noble, a gentleman and a lord, is the equal of
him who was a peasant. The cell is identical for all. All undergo the
same tonsure, wear the same frock, eat the same black bread, sleep on
the same straw, die on the same ashes. The same sack on their backs, the
same rope around their loins. If the decision has been to go barefoot,
all go barefoot. There may be a prince among them; that prince is the
same shadow as the rest. No titles. Even family names have disappeared.
They bear only first names. All are bowed beneath the equality of
baptismal names. They have dissolved the carnal family, and constituted
in their community a spiritual family. They have no other relatives than
all men. They succor the poor, they care for the sick. They elect those
whom they obey. They call each other "my brother."

You stop me and exclaim, "But that is the ideal convent!"

It is sufficient that it may be the possible convent, that I should take
notice of it.

Thence it results that, in the preceding book, I have spoken of a
convent with respectful accents. The Middle Ages cast aside, Asia cast
aside, the historical and political question held in reserve, from the
purely philosophical point of view, outside the requirements of militant
policy, on condition that the monastery shall be absolutely a voluntary
matter and shall contain only consenting parties, I shall always
consider a cloistered community with a certain attentive, and, in some
respects, a deferential gravity.

Wherever there is a community, there is a commune; where there is a
commune, there is right. The monastery is the product of the formula:
Equality, Fraternity. Oh! how grand is liberty! And what a splendid
transfiguration! Liberty suffices to transform the monastery into a
republic.

Let us continue.

But these men, or these women who are behind these four walls. They
dress themselves in coarse woollen, they are equals, they call each
other brothers, that is well; but they do something else?

Yes.

What?

They gaze on the darkness, they kneel, and they clasp their hands.

What does this signify?




CHAPTER V--PRAYER

They pray.

To whom?

To God.

To pray to God,--what is the meaning of these words?

Is there an infinite beyond us? Is that infinite there, inherent,
permanent; necessarily substantial, since it is infinite; and because,
if it lacked matter it would be bounded; necessarily intelligent, since
it is infinite, and because, if it lacked intelligence, it would end
there? Does this infinite awaken in us the idea of essence, while we can
attribute to ourselves only the idea of existence? In other terms, is it
not the absolute, of which we are only the relative?

At the same time that there is an infinite without us, is there not
an infinite within us? Are not these two infinites (what an alarming
plural!) superposed, the one upon the other? Is not this second
infinite, so to speak, subjacent to the first? Is it not the latter's
mirror, reflection, echo, an abyss which is concentric with another
abyss? Is this second infinity intelligent also? Does it think? Does
it love? Does it will? If these two infinities are intelligent, each of
them has a will principle, and there is an _I_ in the upper infinity as
there is an _I_ in the lower infinity. The _I_ below is the soul; the
_I_ on high is God.

To place the infinity here below in contact, by the medium of thought,
with the infinity on high, is called praying.

Let us take nothing from the human mind; to suppress is bad. We must
reform and transform. Certain faculties in man are directed towards
the Unknown; thought, revery, prayer. The Unknown is an ocean. What
is conscience? It is the compass of the Unknown. Thought, revery,
prayer,--these are great and mysterious radiations. Let us respect them.
Whither go these majestic irradiations of the soul? Into the shadow;
that is to say, to the light.

The grandeur of democracy is to disown nothing and to deny nothing of
humanity. Close to the right of the man, beside it, at the least, there
exists the right of the soul.

To crush fanaticism and to venerate the infinite, such is the law. Let
us not confine ourselves to prostrating ourselves before the tree of
creation, and to the contemplation of its branches full of stars. We
have a duty to labor over the human soul, to defend the mystery against
the miracle, to adore the incomprehensible and reject the absurd,
to admit, as an inexplicable fact, only what is necessary, to purify
belief, to remove superstitions from above religion; to clear God of
caterpillars.




CHAPTER VI--THE ABSOLUTE GOODNESS OF PRAYER

With regard to the modes of prayer, all are good, provided that they are
sincere. Turn your book upside down and be in the infinite.

There is, as we know, a philosophy which denies the infinite. There is
also a philosophy, pathologically classified, which denies the sun; this
philosophy is called blindness.

To erect a sense which we lack into a source of truth, is a fine blind
man's self-sufficiency.

The curious thing is the haughty, superior, and compassionate airs which
this groping philosophy assumes towards the philosophy which beholds
God. One fancies he hears a mole crying, "I pity them with their sun!"

There are, as we know, powerful and illustrious atheists. At bottom, led
back to the truth by their very force, they are not absolutely sure that
they are atheists; it is with them only a question of definition, and in
any case, if they do not believe in God, being great minds, they prove
God.

We salute them as philosophers, while inexorably denouncing their
philosophy.

Let us go on.

The remarkable thing about it is, also, their facility in paying
themselves off with words. A metaphysical school of the North,
impregnated to some extent with fog, has fancied that it has worked a
revolution in human understanding by replacing the word Force with the
word Will.

To say: "the plant wills," instead of: "the plant grows": this would be
fecund in results, indeed, if we were to add: "the universe wills." Why?
Because it would come to this: the plant wills, therefore it has an _I_;
the universe wills, therefore it has a God.

As for us, who, however, in contradistinction to this school, reject
nothing a priori, a will in the plant, accepted by this school, appears
to us more difficult to admit than a will in the universe denied by it.

To deny the will of the infinite, that is to say, God, is impossible on
any other conditions than a denial of the infinite. We have demonstrated
this.

The negation of the infinite leads straight to nihilism. Everything
becomes "a mental conception."

With nihilism, no discussion is possible; for the nihilist logic doubts
the existence of its interlocutor, and is not quite sure that it exists
itself.

From its point of view, it is possible that it may be for itself, only
"a mental conception."

Only, it does not perceive that all which it has denied it admits in the
lump, simply by the utterance of the word, mind.

In short, no way is open to the thought by a philosophy which makes all
end in the monosyllable, No.

To No there is only one reply, Yes.

Nihilism has no point.

There is no such thing as nothingness. Zero does not exist. Everything
is something. Nothing is nothing.

Man lives by affirmation even more than by bread.

Even to see and to show does not suffice. Philosophy should be an
energy; it should have for effort and effect to ameliorate the condition
of man. Socrates should enter into Adam and produce Marcus Aurelius; in
other words, the man of wisdom should be made to emerge from the man
of felicity. Eden should be changed into a Lyceum. Science should be
a cordial. To enjoy,--what a sad aim, and what a paltry ambition! The
brute enjoys. To offer thought to the thirst of men, to give them all as
an elixir the notion of God, to make conscience and science fraternize
in them, to render them just by this mysterious confrontation; such is
the function of real philosophy. Morality is a blossoming out of truths.
Contemplation leads to action. The absolute should be practicable. It is
necessary that the ideal should be breathable, drinkable, and eatable to
the human mind. It is the ideal which has the right to say: Take, this!
It is on this condition that it ceases to be a sterile love of science
and becomes the one and sovereign mode of human rallying, and that
philosophy herself is promoted to religion.

Philosophy should not be a corbel erected on mystery to gaze upon it
at its ease, without any other result than that of being convenient to
curiosity.

For our part, adjourning the development of our thought to another
occasion, we will confine ourselves to saying that we neither understand
man as a point of departure nor progress as an end, without those two
forces which are their two motors: faith and love.

Progress is the goal, the ideal is the type.

What is this ideal? It is God.

Ideal, absolute, perfection, infinity: identical words.




CHAPTER VII--PRECAUTIONS TO BE OBSERVED IN BLAME

History and philosophy have eternal duties, which are, at the same time,
simple duties; to combat Caiphas the High-priest, Draco the Lawgiver,
Trimalcion the Legislator, Tiberius the Emperor; this is clear, direct,
and limpid, and offers no obscurity.

But the right to live apart, even with its inconveniences and its
abuses, insists on being stated and taken into account. Cenobitism is a
human problem.

When one speaks of convents, those abodes of error, but of innocence,
of aberration but of good-will, of ignorance but of devotion, of torture
but of martyrdom, it always becomes necessary to say either yes or no.

A convent is a contradiction. Its object, salvation; its means thereto,
sacrifice. The convent is supreme egoism having for its result supreme
abnegation.

To abdicate with the object of reigning seems to be the device of
monasticism.

In the cloister, one suffers in order to enjoy. One draws a bill of
exchange on death. One discounts in terrestrial gloom celestial light.
In the cloister, hell is accepted in advance as a post obit on paradise.

The taking of the veil or the frock is a suicide paid for with eternity.

It does not seem to us, that on such a subject mockery is permissible.
All about it is serious, the good as well as the bad.

The just man frowns, but never smiles with a malicious sneer. We
understand wrath, but not malice.




CHAPTER VIII--FAITH, LAW

A few words more.

We blame the church when she is saturated with intrigues, we despise the
spiritual which is harsh toward the temporal; but we everywhere honor
the thoughtful man.

We salute the man who kneels.

A faith; this is a necessity for man. Woe to him who believes nothing.

One is not unoccupied because one is absorbed. There is visible labor
and invisible labor.

To contemplate is to labor, to think is to act.

Folded arms toil, clasped hands work. A gaze fixed on heaven is a work.

Thales remained motionless for four years. He founded philosophy.

In our opinion, cenobites are not lazy men, and recluses are not idlers.

To meditate on the Shadow is a serious thing.

Without invalidating anything that we have just said, we believe that
a perpetual memory of the tomb is proper for the living. On this point,
the priest and the philosopher agree. We must die. The Abbe de la Trappe
replies to Horace.

To mingle with one's life a certain presence of the sepulchre,--this is
the law of the sage; and it is the law of the ascetic. In this respect,
the ascetic and the sage converge. There is a material growth; we
admit it. There is a moral grandeur; we hold to that. Thoughtless and
vivacious spirits say:--

"What is the good of those motionless figures on the side of mystery?
What purpose do they serve? What do they do?"

Alas! In the presence of the darkness which environs us, and which
awaits us, in our ignorance of what the immense dispersion will make of
us, we reply: "There is probably no work more divine than that performed
by these souls." And we add: "There is probably no work which is more
useful."

There certainly must be some who pray constantly for those who never
pray at all.

In our opinion the whole question lies in the amount of thought that is
mingled with prayer.

Leibnitz praying is grand, Voltaire adoring is fine. Deo erexit
Voltaire.

We are for religion as against religions.

We are of the number who believe in the wretchedness of orisons, and the
sublimity of prayer.

Moreover, at this minute which we are now traversing,--a minute which
will not, fortunately, leave its impress on the nineteenth century,--at
this hour, when so many men have low brows and souls but little
elevated, among so many mortals whose morality consists in enjoyment,
and who are busied with the brief and misshapen things of matter,
whoever exiles himself seems worthy of veneration to us.

The monastery is a renunciation. Sacrifice wrongly directed is still
sacrifice. To mistake a grave error for a duty has a grandeur of its
own.

Taken by itself, and ideally, and in order to examine the truth on all
sides until all aspects have been impartially exhausted, the monastery,
the female convent in particular,--for in our century it is woman who
suffers the most, and in this exile of the cloister there is something
of protestation,--the female convent has incontestably a certain
majesty.

This cloistered existence which is so austere, so depressing, a few of
whose features we have just traced, is not life, for it is not liberty;
it is not the tomb, for it is not plenitude; it is the strange place
whence one beholds, as from the crest of a lofty mountain, on one side
the abyss where we are, on the other, the abyss whither we shall go; it
is the narrow and misty frontier separating two worlds, illuminated
and obscured by both at the same time, where the ray of life which has
become enfeebled is mingled with the vague ray of death; it is the half
obscurity of the tomb.

We, who do not believe what these women believe, but who, like them,
live by faith,--we have never been able to think without a sort of
tender and religious terror, without a sort of pity, that is full of
envy, of those devoted, trembling and trusting creatures, of these
humble and august souls, who dare to dwell on the very brink of the
mystery, waiting between the world which is closed and heaven which is
not yet open, turned towards the light which one cannot see, possessing
the sole happiness of thinking that they know where it is, aspiring
towards the gulf, and the unknown, their eyes fixed motionless on the
darkness, kneeling, bewildered, stupefied, shuddering, half lifted, at
times, by the deep breaths of eternity.




BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM




CHAPTER I--WHICH TREATS OF THE MANNER OF ENTERING A CONVENT

It was into this house that Jean Valjean had, as Fauchelevent expressed
it, "fallen from the sky."

He had scaled the wall of the garden which formed the angle of the Rue
Polonceau. That hymn of the angels which he had heard in the middle
of the night, was the nuns chanting matins; that hall, of which he had
caught a glimpse in the gloom, was the chapel. That phantom which he had
seen stretched on the ground was the sister who was making reparation;
that bell, the sound of which had so strangely surprised him, was the
gardener's bell attached to the knee of Father Fauchelevent.

Cosette once put to bed, Jean Valjean and Fauchelevent had, as we have
already seen, supped on a glass of wine and a bit of cheese before a
good, crackling fire; then, the only bed in the hut being occupied by
Cosette, each threw himself on a truss of straw.

Before he shut his eyes, Jean Valjean said: "I must remain here
henceforth." This remark trotted through Fauchelevent's head all night
long.

To tell the truth, neither of them slept.

Jean Valjean, feeling that he was discovered and that Javert was on
his scent, understood that he and Cosette were lost if they returned to
Paris. Then the new storm which had just burst upon him had stranded
him in this cloister. Jean Valjean had, henceforth, but one thought,--to
remain there. Now, for an unfortunate man in his position, this
convent was both the safest and the most dangerous of places; the most
dangerous, because, as no men might enter there, if he were discovered,
it was a flagrant offence, and Jean Valjean would find but one step
intervening between the convent and prison; the safest, because, if he
could manage to get himself accepted there and remain there, who would
ever seek him in such a place? To dwell in an impossible place was
safety.

On his side, Fauchelevent was cudgelling his brains. He began by
declaring to himself that he understood nothing of the matter. How had
M. Madeleine got there, when the walls were what they were? Cloister
walls are not to be stepped over. How did he get there with a child? One
cannot scale a perpendicular wall with a child in one's arms. Who was
that child? Where did they both come from? Since Fauchelevent had lived
in the convent, he had heard nothing of M. sur M., and he knew nothing
of what had taken place there. Father Madeleine had an air which
discouraged questions; and besides, Fauchelevent said to himself: "One
does not question a saint." M. Madeleine had preserved all his prestige
in Fauchelevent's eyes. Only, from some words which Jean Valjean had let
fall, the gardener thought he could draw the inference that M. Madeleine
had probably become bankrupt through the hard times, and that he was
pursued by his creditors; or that he had compromised himself in some
political affair, and was in hiding; which last did not displease
Fauchelevent, who, like many of our peasants of the North, had an
old fund of Bonapartism about him. While in hiding, M. Madeleine had
selected the convent as a refuge, and it was quite simple that he should
wish to remain there. But the inexplicable point, to which Fauchelevent
returned constantly and over which he wearied his brain, was that M.
Madeleine should be there, and that he should have that little girl with
him. Fauchelevent saw them, touched them, spoke to them, and still did
not believe it possible. The incomprehensible had just made its entrance
into Fauchelevent's hut. Fauchelevent groped about amid conjectures, and
could see nothing clearly but this: "M. Madeleine saved my life."
This certainty alone was sufficient and decided his course. He said to
himself: "It is my turn now." He added in his conscience: "M. Madeleine
did not stop to deliberate when it was a question of thrusting himself
under the cart for the purpose of dragging me out." He made up his mind
to save M. Madeleine.

Nevertheless, he put many questions to himself and made himself divers
replies: "After what he did for me, would I save him if he were a thief?
Just the same. If he were an assassin, would I save him? Just the same.
Since he is a saint, shall I save him? Just the same."

But what a problem it was to manage to have him remain in the convent!
Fauchelevent did not recoil in the face of this almost chimerical
undertaking; this poor peasant of Picardy without any other ladder
than his self-devotion, his good will, and a little of that old
rustic cunning, on this occasion enlisted in the service of a generous
enterprise, undertook to scale the difficulties of the cloister, and the
steep escarpments of the rule of Saint-Benoit. Father Fauchelevent was
an old man who had been an egoist all his life, and who, towards the end
of his days, halt, infirm, with no interest left to him in the world,
found it sweet to be grateful, and perceiving a generous action to be
performed, flung himself upon it like a man, who at the moment when he
is dying, should find close to his hand a glass of good wine which he
had never tasted, and should swallow it with avidity. We may add,
that the air which he had breathed for many years in this convent had
destroyed all personality in him, and had ended by rendering a good
action of some kind absolutely necessary to him.

So he took his resolve: to devote himself to M. Madeleine.

We have just called him a poor peasant of Picardy. That description
is just, but incomplete. At the point of this story which we have now
reached, a little of Father Fauchelevent's physiology becomes useful.
He was a peasant, but he had been a notary, which added trickery to his
cunning, and penetration to his ingenuousness. Having, through various
causes, failed in his business, he had descended to the calling of a
carter and a laborer. But, in spite of oaths and lashings, which horses
seem to require, something of the notary had lingered in him. He had
some natural wit; he talked good grammar; he conversed, which is a rare
thing in a village; and the other peasants said of him: "He talks almost
like a gentleman with a hat." Fauchelevent belonged, in fact, to that
species, which the impertinent and flippant vocabulary of the last
century qualified as demi-bourgeois, demi-lout, and which the metaphors
showered by the chateau upon the thatched cottage ticketed in the
pigeon-hole of the plebeian: rather rustic, rather citified; pepper and
salt. Fauchelevent, though sorely tried and harshly used by fate,
worn out, a sort of poor, threadbare old soul, was, nevertheless, an
impulsive man, and extremely spontaneous in his actions; a precious
quality which prevents one from ever being wicked. His defects and his
vices, for he had some, were all superficial; in short, his physiognomy
was of the kind which succeeds with an observer. His aged face had none
of those disagreeable wrinkles at the top of the forehead, which signify
malice or stupidity.

At daybreak, Father Fauchelevent opened his eyes, after having done an
enormous deal of thinking, and beheld M. Madeleine seated on his truss
of straw, and watching Cosette's slumbers. Fauchelevent sat up and
said:--

"Now that you are here, how are you going to contrive to enter?"

This remark summed up the situation and aroused Jean Valjean from his
revery.

The two men took counsel together.

"In the first place," said Fauchelevent, "you will begin by not setting
foot outside of this chamber, either you or the child. One step in the
garden and we are done for."

"That is true."

"Monsieur Madeleine," resumed Fauchelevent, "you have arrived at a very
auspicious moment, I mean to say a very inauspicious moment; one of
the ladies is very ill. This will prevent them from looking much in our
direction. It seems that she is dying. The prayers of the forty hours
are being said. The whole community is in confusion. That occupies them.
The one who is on the point of departure is a saint. In fact, we are
all saints here; all the difference between them and me is that they say
'our cell,' and that I say 'my cabin.' The prayers for the dying are to
be said, and then the prayers for the dead. We shall be at peace here
for to-day; but I will not answer for to-morrow."

"Still," observed Jean Valjean, "this cottage is in the niche of the
wall, it is hidden by a sort of ruin, there are trees, it is not visible
from the convent."

"And I add that the nuns never come near it."

"Well?" said Jean Valjean.

The interrogation mark which accentuated this "well" signified:
"it seems to me that one may remain concealed here?" It was to this
interrogation point that Fauchelevent responded:--

"There are the little girls."

"What little girls?" asked Jean Valjean.

Just as Fauchelevent opened his mouth to explain the words which he had
uttered, a bell emitted one stroke.

"The nun is dead," said he. "There is the knell."

And he made a sign to Jean Valjean to listen.

The bell struck a second time.

"It is the knell, Monsieur Madeleine. The bell will continue to strike
once a minute for twenty-four hours, until the body is taken from the
church.--You see, they play. At recreation hours it suffices to have a
ball roll aside, to send them all hither, in spite of prohibitions, to
hunt and rummage for it all about here. Those cherubs are devils."

"Who?" asked Jean Valjean.

"The little girls. You would be very quickly discovered. They would
shriek: 'Oh! a man!' There is no danger to-day. There will be no
recreation hour. The day will be entirely devoted to prayers. You hear
the bell. As I told you, a stroke each minute. It is the death knell."

"I understand, Father Fauchelevent. There are pupils."

And Jean Valjean thought to himself:--

"Here is Cosette's education already provided."

Fauchelevent exclaimed:--

"Pardine! There are little girls indeed! And they would bawl around you!
And they would rush off! To be a man here is to have the plague. You see
how they fasten a bell to my paw as though I were a wild beast."

Jean Valjean fell into more and more profound thought.--"This convent
would be our salvation," he murmured.

Then he raised his voice:--

"Yes, the difficulty is to remain here."

"No," said Fauchelevent, "the difficulty is to get out."

Jean Valjean felt the blood rush back to his heart.

"To get out!"

"Yes, Monsieur Madeleine. In order to return here it is first necessary
to get out."

And after waiting until another stroke of the knell had sounded,
Fauchelevent went on:--

"You must not be found here in this fashion. Whence come you? For me,
you fall from heaven, because I know you; but the nuns require one to
enter by the door."

All at once they heard a rather complicated pealing from another bell.

"Ah!" said Fauchelevent, "they are ringing up the vocal mothers. They
are going to the chapter. They always hold a chapter when any one dies.
She died at daybreak. People generally do die at daybreak. But cannot
you get out by the way in which you entered? Come, I do not ask for the
sake of questioning you, but how did you get in?"

Jean Valjean turned pale; the very thought of descending again into
that terrible street made him shudder. You make your way out of a forest
filled with tigers, and once out of it, imagine a friendly counsel that
shall advise you to return thither! Jean Valjean pictured to himself the
whole police force still engaged in swarming in that quarter, agents on
the watch, sentinels everywhere, frightful fists extended towards his
collar, Javert at the corner of the intersection of the streets perhaps.

"Impossible!" said he. "Father Fauchelevent, say that I fell from the
sky."

"But I believe it, I believe it," retorted Fauchelevent. "You have no
need to tell me that. The good God must have taken you in his hand for
the purpose of getting a good look at you close to, and then dropped
you. Only, he meant to place you in a man's convent; he made a mistake.
Come, there goes another peal, that is to order the porter to go and
inform the municipality that the dead-doctor is to come here and view a
corpse. All that is the ceremony of dying. These good ladies are not
at all fond of that visit. A doctor is a man who does not believe in
anything. He lifts the veil. Sometimes he lifts something else too. How
quickly they have had the doctor summoned this time! What is the matter?
Your little one is still asleep. What is her name?"

"Cosette."

"She is your daughter? You are her grandfather, that is?"

"Yes."

"It will be easy enough for her to get out of here. I have my service
door which opens on the courtyard. I knock. The porter opens; I have
my vintage basket on my back, the child is in it, I go out. Father
Fauchelevent goes out with his basket--that is perfectly natural. You
will tell the child to keep very quiet. She will be under the cover. I
will leave her for whatever time is required with a good old friend, a
fruit-seller whom I know in the Rue Chemin-Vert, who is deaf, and who
has a little bed. I will shout in the fruit-seller's ear, that she is a
niece of mine, and that she is to keep her for me until to-morrow. Then
the little one will re-enter with you; for I will contrive to have you
re-enter. It must be done. But how will you manage to get out?"

Jean Valjean shook his head.

"No one must see me, the whole point lies there, Father Fauchelevent.
Find some means of getting me out in a basket, under cover, like
Cosette."

Fauchelevent scratched the lobe of his ear with the middle finger of his
left hand, a sign of serious embarrassment.

A third peal created a diversion.

"That is the dead-doctor taking his departure," said Fauchelevent. "He
has taken a look and said: 'She is dead, that is well.' When the doctor
has signed the passport for paradise, the undertaker's company sends a
coffin. If it is a mother, the mothers lay her out; if she is a sister,
the sisters lay her out. After which, I nail her up. That forms a part
of my gardener's duty. A gardener is a bit of a grave-digger. She is
placed in a lower hall of the church which communicates with the street,
and into which no man may enter save the doctor of the dead. I don't
count the undertaker's men and myself as men. It is in that hall that I
nail up the coffin. The undertaker's men come and get it, and whip
up, coachman! that's the way one goes to heaven. They fetch a box with
nothing in it, they take it away again with something in it. That's what
a burial is like. De profundis."

A horizontal ray of sunshine lightly touched the face of the sleeping
Cosette, who lay with her mouth vaguely open, and had the air of an
angel drinking in the light. Jean Valjean had fallen to gazing at her.
He was no longer listening to Fauchelevent.

That one is not listened to is no reason for preserving silence. The
good old gardener went on tranquilly with his babble:--

"The grave is dug in the Vaugirard cemetery. They declare that they are
going to suppress that Vaugirard cemetery. It is an ancient cemetery
which is outside the regulations, which has no uniform, and which is
going to retire. It is a shame, for it is convenient. I have a friend
there, Father Mestienne, the grave-digger. The nuns here possess one
privilege, it is to be taken to that cemetery at nightfall. There is
a special permission from the Prefecture on their behalf. But how many
events have happened since yesterday! Mother Crucifixion is dead, and
Father Madeleine--"

"Is buried," said Jean Valjean, smiling sadly.

Fauchelevent caught the word.

"Goodness! if you were here for good, it would be a real burial."

A fourth peal burst out. Fauchelevent hastily detached the belled
knee-cap from its nail and buckled it on his knee again.

"This time it is for me. The Mother Prioress wants me. Good, now I am
pricking myself on the tongue of my buckle. Monsieur Madeleine, don't
stir from here, and wait for me. Something new has come up. If you are
hungry, there is wine, bread and cheese."

And he hastened out of the hut, crying: "Coming! coming!"

Jean Valjean watched him hurrying across the garden as fast as his
crooked leg would permit, casting a sidelong glance by the way on his
melon patch.

Less than ten minutes later, Father Fauchelevent, whose bell put the
nuns in his road to flight, tapped gently at a door, and a gentle voice
replied: "Forever! Forever!" that is to say: "Enter."

The door was the one leading to the parlor reserved for seeing the
gardener on business. This parlor adjoined the chapter hall. The
prioress, seated on the only chair in the parlor, was waiting for
Fauchelevent.




CHAPTER II--FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY

It is the peculiarity of certain persons and certain professions,
notably priests and nuns, to wear a grave and agitated air on critical
occasions. At the moment when Fauchelevent entered, this double form of
preoccupation was imprinted on the countenance of the prioress, who was
that wise and charming Mademoiselle de Blemeur, Mother Innocente, who
was ordinarily cheerful.

The gardener made a timid bow, and remained at the door of the cell. The
prioress, who was telling her beads, raised her eyes and said:--

"Ah! it is you, Father Fauvent."

This abbreviation had been adopted in the convent.

Fauchelevent bowed again.

"Father Fauvent, I have sent for you."

"Here I am, reverend Mother."

"I have something to say to you."

"And so have I," said Fauchelevent with a boldness which caused him
inward terror, "I have something to say to the very reverend Mother."

The prioress stared at him.

"Ah! you have a communication to make to me."

"A request."

"Very well, speak."

Goodman Fauchelevent, the ex-notary, belonged to the category of
peasants who have assurance. A certain clever ignorance constitutes a
force; you do not distrust it, and you are caught by it. Fauchelevent
had been a success during the something more than two years which he had
passed in the convent. Always solitary and busied about his gardening,
he had nothing else to do than to indulge his curiosity. As he was at a
distance from all those veiled women passing to and fro, he saw before
him only an agitation of shadows. By dint of attention and sharpness
he had succeeded in clothing all those phantoms with flesh, and those
corpses were alive for him. He was like a deaf man whose sight grows
keener, and like a blind man whose hearing becomes more acute. He had
applied himself to riddling out the significance of the different peals,
and he had succeeded, so that this taciturn and enigmatical cloister
possessed no secrets for him; the sphinx babbled all her secrets in his
ear. Fauchelevent knew all and concealed all; that constituted his art.
The whole convent thought him stupid. A great merit in religion. The
vocal mothers made much of Fauchelevent. He was a curious mute. He
inspired confidence. Moreover, he was regular, and never went out except
for well-demonstrated requirements of the orchard and vegetable garden.
This discretion of conduct had inured to his credit. None the less, he
had set two men to chattering: the porter, in the convent, and he
knew the singularities of their parlor, and the grave-digger, at
the cemetery, and he was acquainted with the peculiarities of their
sepulture; in this way, he possessed a double light on the subject of
these nuns, one as to their life, the other as to their death. But he
did not abuse his knowledge. The congregation thought a great deal of
him. Old, lame, blind to everything, probably a little deaf into the
bargain,--what qualities! They would have found it difficult to replace
him.

The goodman, with the assurance of a person who feels that he is
appreciated, entered into a rather diffuse and very deep rustic harangue
to the reverend prioress. He talked a long time about his age, his
infirmities, the surcharge of years counting double for him henceforth,
of the increasing demands of his work, of the great size of the garden,
of nights which must be passed, like the last, for instance, when he had
been obliged to put straw mats over the melon beds, because of the moon,
and he wound up as follows: "That he had a brother"--(the prioress made
a movement),--"a brother no longer young"--(a second movement on the
part of the prioress, but one expressive of reassurance),--"that, if he
might be permitted, this brother would come and live with him and help
him, that he was an excellent gardener, that the community would receive
from him good service, better than his own; that, otherwise, if his
brother were not admitted, as he, the elder, felt that his health was
broken and that he was insufficient for the work, he should be obliged,
greatly to his regret, to go away; and that his brother had a little
daughter whom he would bring with him, who might be reared for God in
the house, and who might, who knows, become a nun some day."

When he had finished speaking, the prioress stayed the slipping of her
rosary between her fingers, and said to him:--

"Could you procure a stout iron bar between now and this evening?"

"For what purpose?"

"To serve as a lever."

"Yes, reverend Mother," replied Fauchelevent.

The prioress, without adding a word, rose and entered the adjoining
room, which was the hall of the chapter, and where the vocal mothers
were probably assembled. Fauchelevent was left alone.




CHAPTER III--MOTHER INNOCENTE

About a quarter of an hour elapsed. The prioress returned and seated
herself once more on her chair.

The two interlocutors seemed preoccupied. We will present a stenographic
report of the dialogue which then ensued, to the best of our ability.

"Father Fauvent!"

"Reverend Mother!"

"Do you know the chapel?"

"I have a little cage there, where I hear the mass and the offices."

"And you have been in the choir in pursuance of your duties?"

"Two or three times."

"There is a stone to be raised."

"Heavy?"

"The slab of the pavement which is at the side of the altar."

"The slab which closes the vault?"

"Yes."

"It would be a good thing to have two men for it."

"Mother Ascension, who is as strong as a man, will help you."

"A woman is never a man."

"We have only a woman here to help you. Each one does what he can.
Because Dom Mabillon gives four hundred and seventeen epistles of
Saint Bernard, while Merlonus Horstius only gives three hundred and
sixty-seven, I do not despise Merlonus Horstius."

"Neither do I."

"Merit consists in working according to one's strength. A cloister is
not a dock-yard."

"And a woman is not a man. But my brother is the strong one, though!"

"And can you get a lever?"

"That is the only sort of key that fits that sort of door."

"There is a ring in the stone."

"I will put the lever through it."

"And the stone is so arranged that it swings on a pivot."

"That is good, reverend Mother. I will open the vault."

"And the four Mother Precentors will help you."

"And when the vault is open?"

"It must be closed again."

"Will that be all?"

"No."

"Give me your orders, very reverend Mother."

"Fauvent, we have confidence in you."

"I am here to do anything you wish."

"And to hold your peace about everything!"

"Yes, reverend Mother."

"When the vault is open--"

"I will close it again."

"But before that--"

"What, reverend Mother?"

"Something must be lowered into it."

A silence ensued. The prioress, after a pout of the under lip which
resembled hesitation, broke it.

"Father Fauvent!"

"Reverend Mother!"

"You know that a mother died this morning?"

"No."

"Did you not hear the bell?"

"Nothing can be heard at the bottom of the garden."

"Really?"

"I can hardly distinguish my own signal."

"She died at daybreak."

"And then, the wind is not blowing in my direction this morning."

"It was Mother Crucifixion. A blessed woman."

The prioress paused, moved her lips, as though in mental prayer, and
resumed:--

"Three years ago, Madame de Bethune, a Jansenist, turned orthodox,
merely from having seen Mother Crucifixion at prayer."

"Ah! yes, now I hear the knell, reverend Mother."

"The mothers have taken her to the dead-room, which opens on the
church."

"I know."

"No other man than you can or must enter that chamber. See to that. A
fine sight it would be, to see a man enter the dead-room!"

"More often!"

"Hey?"

"More often!"

"What do you say?"

"I say more often."

"More often than what?"

"Reverend Mother, I did not say more often than what, I said more
often."

"I don't understand you. Why do you say more often?"

"In order to speak like you, reverend Mother."

"But I did not say 'more often.'"

At that moment, nine o'clock struck.

"At nine o'clock in the morning and at all hours, praised and adored be
the most Holy Sacrament of the altar," said the prioress.

"Amen," said Fauchelevent.

The clock struck opportunely. It cut "more often" short. It is probable,
that had it not been for this, the prioress and Fauchelevent would never
have unravelled that skein.

Fauchelevent mopped his forehead.

The prioress indulged in another little inward murmur, probably sacred,
then raised her voice:--

"In her lifetime, Mother Crucifixion made converts; after her death, she
will perform miracles."

"She will!" replied Father Fauchelevent, falling into step, and striving
not to flinch again.

"Father Fauvent, the community has been blessed in Mother Crucifixion.
No doubt, it is not granted to every one to die, like Cardinal de
Berulle, while saying the holy mass, and to breathe forth their souls to
God, while pronouncing these words: Hanc igitur oblationem. But without
attaining to such happiness, Mother Crucifixion's death was very
precious. She retained her consciousness to the very last moment.
She spoke to us, then she spoke to the angels. She gave us her last
commands. If you had a little more faith, and if you could have been
in her cell, she would have cured your leg merely by touching it.
She smiled. We felt that she was regaining her life in God. There was
something of paradise in that death."

Fauchelevent thought that it was an orison which she was finishing.

"Amen," said he.

"Father Fauvent, what the dead wish must be done."

The prioress took off several beads of her chaplet. Fauchelevent held
his peace.

She went on:--

"I have consulted upon this point many ecclesiastics laboring in Our
Lord, who occupy themselves in the exercises of the clerical life, and
who bear wonderful fruit."

"Reverend Mother, you can hear the knell much better here than in the
garden."

"Besides, she is more than a dead woman, she is a saint."

"Like yourself, reverend Mother."

"She slept in her coffin for twenty years, by express permission of our
Holy Father, Pius VII.--"

"The one who crowned the Emp--Buonaparte."

For a clever man like Fauchelevent, this allusion was an awkward one.
Fortunately, the prioress, completely absorbed in her own thoughts, did
not hear it. She continued:--

"Father Fauvent?"

"Reverend Mother?"

"Saint Didorus, Archbishop of Cappadocia, desired that this single word
might be inscribed on his tomb: Acarus, which signifies, a worm of the
earth; this was done. Is this true?"

"Yes, reverend Mother."

"The blessed Mezzocane, Abbot of Aquila, wished to be buried beneath the
gallows; this was done."

"That is true."

"Saint Terentius, Bishop of Port, where the mouth of the Tiber empties
into the sea, requested that on his tomb might be engraved the
sign which was placed on the graves of parricides, in the hope that
passers-by would spit on his tomb. This was done. The dead must be
obeyed."

"So be it."

"The body of Bernard Guidonis, born in France near Roche-Abeille, was,
as he had ordered, and in spite of the king of Castile, borne to the
church of the Dominicans in Limoges, although Bernard Guidonis was
Bishop of Tuy in Spain. Can the contrary be affirmed?"

"For that matter, no, reverend Mother."

"The fact is attested by Plantavit de la Fosse."

Several beads of the chaplet were told off, still in silence. The
prioress resumed:--

"Father Fauvent, Mother Crucifixion will be interred in the coffin in
which she has slept for the last twenty years."

"That is just."

"It is a continuation of her slumber."

"So I shall have to nail up that coffin?"

"Yes."

"And we are to reject the undertaker's coffin?"

"Precisely."

"I am at the orders of the very reverend community."

"The four Mother Precentors will assist you."

"In nailing up the coffin? I do not need them."

"No. In lowering the coffin."

"Where?"

"Into the vault."

"What vault?"

"Under the altar."

Fauchelevent started.

"The vault under the altar?"

"Under the altar."

"But--"

"You will have an iron bar."

"Yes, but--"

"You will raise the stone with the bar by means of the ring."

"But--"

"The dead must be obeyed. To be buried in the vault under the altar of
the chapel, not to go to profane earth; to remain there in death where
she prayed while living; such was the last wish of Mother Crucifixion.
She asked it of us; that is to say, commanded us."

"But it is forbidden."

"Forbidden by men, enjoined by God."

"What if it became known?"

"We have confidence in you."

"Oh! I am a stone in your walls."

"The chapter assembled. The vocal mothers, whom I have just consulted
again, and who are now deliberating, have decided that Mother
Crucifixion shall be buried, according to her wish, in her own coffin,
under our altar. Think, Father Fauvent, if she were to work miracles
here! What a glory of God for the community! And miracles issue from
tombs."

"But, reverend Mother, if the agent of the sanitary commission--"

"Saint Benoit II., in the matter of sepulture, resisted Constantine
Pogonatus."

"But the commissary of police--"

"Chonodemaire, one of the seven German kings who entered among the Gauls
under the Empire of Constantius, expressly recognized the right of nuns
to be buried in religion, that is to say, beneath the altar."

"But the inspector from the Prefecture--"

"The world is nothing in the presence of the cross. Martin, the eleventh
general of the Carthusians, gave to his order this device: Stat crux dum
volvitur orbis."

"Amen," said Fauchelevent, who imperturbably extricated himself in this
manner from the dilemma, whenever he heard Latin.

Any audience suffices for a person who has held his peace too long. On
the day when the rhetorician Gymnastoras left his prison, bearing in
his body many dilemmas and numerous syllogisms which had struck in, he
halted in front of the first tree which he came to, harangued it and
made very great efforts to convince it. The prioress, who was usually
subjected to the barrier of silence, and whose reservoir was overfull,
rose and exclaimed with the loquacity of a dam which has broken away:--

"I have on my right Benoit and on my left Bernard. Who was Bernard? The
first abbot of Clairvaux. Fontaines in Burgundy is a country that is
blest because it gave him birth. His father was named Tecelin, and his
mother Alethe. He began at Citeaux, to end in Clairvaux; he was ordained
abbot by the bishop of Chalon-sur-Saone, Guillaume de Champeaux; he had
seven hundred novices, and founded a hundred and sixty monasteries; he
overthrew Abeilard at the council of Sens in 1140, and Pierre de Bruys
and Henry his disciple, and another sort of erring spirits who were
called the Apostolics; he confounded Arnauld de Brescia, darted
lightning at the monk Raoul, the murderer of the Jews, dominated the
council of Reims in 1148, caused the condemnation of Gilbert de Porea,
Bishop of Poitiers, caused the condemnation of Eon de l'Etoile, arranged
the disputes of princes, enlightened King Louis the Young, advised Pope
Eugene III., regulated the Temple, preached the crusade, performed
two hundred and fifty miracles during his lifetime, and as many
as thirty-nine in one day. Who was Benoit? He was the patriarch of
Mont-Cassin; he was the second founder of the Saintete Claustrale,
he was the Basil of the West. His order has produced forty popes, two
hundred cardinals, fifty patriarchs, sixteen hundred archbishops, four
thousand six hundred bishops, four emperors, twelve empresses, forty-six
kings, forty-one queens, three thousand six hundred canonized saints,
and has been in existence for fourteen hundred years. On one side Saint
Bernard, on the other the agent of the sanitary department! On one side
Saint Benoit, on the other the inspector of public ways! The state,
the road commissioners, the public undertaker, regulations, the
administration, what do we know of all that? There is not a chance
passer-by who would not be indignant to see how we are treated. We
have not even the right to give our dust to Jesus Christ! Your sanitary
department is a revolutionary invention. God subordinated to the
commissary of police; such is the age. Silence, Fauvent!"

Fauchelevent was but ill at ease under this shower bath. The prioress
continued:--

"No one doubts the right of the monastery to sepulture. Only fanatics
and those in error deny it. We live in times of terrible confusion. We
do not know that which it is necessary to know, and we know that which
we should ignore. We are ignorant and impious. In this age there exist
people who do not distinguish between the very great Saint Bernard and
the Saint Bernard denominated of the poor Catholics, a certain good
ecclesiastic who lived in the thirteenth century. Others are so
blasphemous as to compare the scaffold of Louis XVI. to the cross of
Jesus Christ. Louis XVI. was merely a king. Let us beware of God! There
is no longer just nor unjust. The name of Voltaire is known, but not
the name of Cesar de Bus. Nevertheless, Cesar de Bus is a man of blessed
memory, and Voltaire one of unblessed memory. The last arch-bishop,
the Cardinal de Perigord, did not even know that Charles de
Gondren succeeded to Berulle, and Francois Bourgoin to Gondren,
and Jean-Francois Senault to Bourgoin, and Father Sainte-Marthe to
Jean-Francois Senault. The name of Father Coton is known, not because
he was one of the three who urged the foundation of the Oratorie, but
because he furnished Henri IV., the Huguenot king, with the material
for an oath. That which pleases people of the world in Saint Francois de
Sales, is that he cheated at play. And then, religion is attacked. Why?
Because there have been bad priests, because Sagittaire, Bishop of Gap,
was the brother of Salone, Bishop of Embrun, and because both of them
followed Mommol. What has that to do with the question? Does that
prevent Martin de Tours from being a saint, and giving half of his cloak
to a beggar? They persecute the saints. They shut their eyes to the
truth. Darkness is the rule. The most ferocious beasts are beasts which
are blind. No one thinks of hell as a reality. Oh! how wicked people
are! By order of the king signifies to-day, by order of the revolution.
One no longer knows what is due to the living or to the dead. A holy
death is prohibited. Burial is a civil matter. This is horrible. Saint
Leo II. wrote two special letters, one to Pierre Notaire, the other to
the king of the Visigoths, for the purpose of combating and rejecting,
in questions touching the dead, the authority of the exarch and the
supremacy of the Emperor. Gauthier, Bishop of Chalons, held his own
in this matter against Otho, Duke of Burgundy. The ancient magistracy
agreed with him. In former times we had voices in the chapter, even on
matters of the day. The Abbot of Citeaux, the general of the order, was
councillor by right of birth to the parliament of Burgundy. We do what
we please with our dead. Is not the body of Saint Benoit himself in
France, in the abbey of Fleury, called Saint Benoit-sur-Loire, although
he died in Italy at Mont-Cassin, on Saturday, the 21st of the month
of March, of the year 543? All this is incontestable. I abhor
psalm-singers, I hate priors, I execrate heretics, but I should detest
yet more any one who should maintain the contrary. One has only to
read Arnoul Wion, Gabriel Bucelin, Trithemus, Maurolics, and Dom Luc
d'Achery."

The prioress took breath, then turned to Fauchelevent.

"Is it settled, Father Fauvent?"

"It is settled, reverend Mother."

"We may depend on you?"

"I will obey."

"That is well."

"I am entirely devoted to the convent."

"That is understood. You will close the coffin. The sisters will carry
it to the chapel. The office for the dead will then be said. Then we
shall return to the cloister. Between eleven o'clock and midnight, you
will come with your iron bar. All will be done in the most profound
secrecy. There will be in the chapel only the four Mother Precentors,
Mother Ascension and yourself."

"And the sister at the post?"

"She will not turn round."

"But she will hear."

"She will not listen. Besides, what the cloister knows the world learns
not."

A pause ensued. The prioress went on:--

"You will remove your bell. It is not necessary that the sister at the
post should perceive your presence."

"Reverend Mother?"

"What, Father Fauvent?"

"Has the doctor for the dead paid his visit?"

"He will pay it at four o'clock to-day. The peal which orders the
doctor for the dead to be summoned has already been rung. But you do not
understand any of the peals?"

"I pay no attention to any but my own."

"That is well, Father Fauvent."

"Reverend Mother, a lever at least six feet long will be required."

"Where will you obtain it?"

"Where gratings are not lacking, iron bars are not lacking. I have my
heap of old iron at the bottom of the garden."

"About three-quarters of an hour before midnight; do not forget."

"Reverend Mother?"

"What?"

"If you were ever to have any other jobs of this sort, my brother is the
strong man for you. A perfect Turk!"

"You will do it as speedily as possible."

"I cannot work very fast. I am infirm; that is why I require an
assistant. I limp."

"To limp is no sin, and perhaps it is a blessing. The Emperor Henry II.,
who combated Antipope Gregory and re-established Benoit VIII., has two
surnames, the Saint and the Lame."

"Two surtouts are a good thing," murmured Fauchelevent, who really was a
little hard of hearing.

"Now that I think of it, Father Fauvent, let us give a whole hour to it.
That is not too much. Be near the principal altar, with your iron bar,
at eleven o'clock. The office begins at midnight. Everything must have
been completed a good quarter of an hour before that."

"I will do anything to prove my zeal towards the community. These are my
orders. I am to nail up the coffin. At eleven o'clock exactly, I am to
be in the chapel. The Mother Precentors will be there. Mother Ascension
will be there. Two men would be better. However, never mind! I shall
have my lever. We will open the vault, we will lower the coffin, and
we will close the vault again. After which, there will be no trace
of anything. The government will have no suspicion. Thus all has been
arranged, reverend Mother?"

"No!"

"What else remains?"

"The empty coffin remains."

This produced a pause. Fauchelevent meditated. The prioress meditated.

"What is to be done with that coffin, Father Fauvent?"

"It will be given to the earth."

"Empty?"

Another silence. Fauchelevent made, with his left hand, that sort of a
gesture which dismisses a troublesome subject.

"Reverend Mother, I am the one who is to nail up the coffin in the
basement of the church, and no one can enter there but myself, and I
will cover the coffin with the pall."

"Yes, but the bearers, when they place it in the hearse and lower it
into the grave, will be sure to feel that there is nothing in it."

"Ah! the de--!" exclaimed Fauchelevent.

The prioress began to make the sign of the cross, and looked fixedly at
the gardener. The vil stuck fast in his throat.

He made haste to improvise an expedient to make her forget the oath.

"I will put earth in the coffin, reverend Mother. That will produce the
effect of a corpse."

"You are right. Earth, that is the same thing as man. So you will manage
the empty coffin?"

"I will make that my special business."

The prioress's face, up to that moment troubled and clouded, grew serene
once more. She made the sign of a superior dismissing an inferior to
him. Fauchelevent went towards the door. As he was on the point of
passing out, the prioress raised her voice gently:--

"I am pleased with you, Father Fauvent; bring your brother to me
to-morrow, after the burial, and tell him to fetch his daughter."




CHAPTER IV--IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ
AUSTIN CASTILLEJO

The strides of a lame man are like the ogling glances of a one-eyed man;
they do not reach their goal very promptly. Moreover, Fauchelevent
was in a dilemma. He took nearly a quarter of an hour to return to his
cottage in the garden. Cosette had waked up. Jean Valjean had placed her
near the fire. At the moment when Fauchelevent entered, Jean Valjean was
pointing out to her the vintner's basket on the wall, and saying to her,
"Listen attentively to me, my little Cosette. We must go away from this
house, but we shall return to it, and we shall be very happy here. The
good man who lives here is going to carry you off on his back in that.
You will wait for me at a lady's house. I shall come to fetch you. Obey,
and say nothing, above all things, unless you want Madame Thenardier to
get you again!"

Cosette nodded gravely.

Jean Valjean turned round at the noise made by Fauchelevent opening the
door.

"Well?"

"Everything is arranged, and nothing is," said Fauchelevent. "I have
permission to bring you in; but before bringing you in you must be
got out. That's where the difficulty lies. It is easy enough with the
child."

"You will carry her out?"

"And she will hold her tongue?"

"I answer for that."

"But you, Father Madeleine?"

And, after a silence, fraught with anxiety, Fauchelevent exclaimed:--

"Why, get out as you came in!"

Jean Valjean, as in the first instance, contented himself with saying,
"Impossible."

Fauchelevent grumbled, more to himself than to Jean Valjean:--

"There is another thing which bothers me. I have said that I would put
earth in it. When I come to think it over, the earth instead of the
corpse will not seem like the real thing, it won't do, it will get
displaced, it will move about. The men will bear it. You understand,
Father Madeleine, the government will notice it."

Jean Valjean stared him straight in the eye and thought that he was
raving.

Fauchelevent went on:--

"How the de--uce are you going to get out? It must all be done by
to-morrow morning. It is to-morrow that I am to bring you in. The
prioress expects you."

Then he explained to Jean Valjean that this was his recompense for a
service which he, Fauchelevent, was to render to the community. That it
fell among his duties to take part in their burials, that he nailed up
the coffins and helped the grave-digger at the cemetery. That the nun
who had died that morning had requested to be buried in the coffin which
had served her for a bed, and interred in the vault under the altar of
the chapel. That the police regulations forbade this, but that she was
one of those dead to whom nothing is refused. That the prioress and the
vocal mothers intended to fulfil the wish of the deceased. That it was
so much the worse for the government. That he, Fauchelevent, was to nail
up the coffin in the cell, raise the stone in the chapel, and lower the
corpse into the vault. And that, by way of thanks, the prioress was to
admit his brother to the house as a gardener, and his niece as a pupil.
That his brother was M. Madeleine, and that his niece was Cosette. That
the prioress had told him to bring his brother on the following evening,
after the counterfeit interment in the cemetery. But that he could not
bring M. Madeleine in from the outside if M. Madeleine was not outside.
That that was the first problem. And then, that there was another: the
empty coffin.

"What is that empty coffin?" asked Jean Valjean.

Fauchelevent replied:--

"The coffin of the administration."

"What coffin? What administration?"

"A nun dies. The municipal doctor comes and says, 'A nun has died.'
The government sends a coffin. The next day it sends a hearse and
undertaker's men to get the coffin and carry it to the cemetery. The
undertaker's men will come and lift the coffin; there will be nothing in
it."

"Put something in it."

"A corpse? I have none."

"No."

"What then?"

"A living person."

"What person?"

"Me!" said Jean Valjean.

Fauchelevent, who was seated, sprang up as though a bomb had burst under
his chair.

"You!"

"Why not?"

Jean Valjean gave way to one of those rare smiles which lighted up his
face like a flash from heaven in the winter.

"You know, Fauchelevent, what you have said: 'Mother Crucifixion is
dead.' and I add: 'and Father Madeleine is buried.'"

"Ah! good, you can laugh, you are not speaking seriously."

"Very seriously, I must get out of this place."

"Certainly."

"l have told you to find a basket, and a cover for me also."

"Well?"

"The basket will be of pine, and the cover a black cloth."

"In the first place, it will be a white cloth. Nuns are buried in
white."

"Let it be a white cloth, then."

"You are not like other men, Father Madeleine."

To behold such devices, which are nothing else than the savage and
daring inventions of the galleys, spring forth from the peaceable things
which surrounded him, and mingle with what he called the "petty course
of life in the convent," caused Fauchelevent as much amazement as a
gull fishing in the gutter of the Rue Saint-Denis would inspire in a
passer-by.

Jean Valjean went on:--

"The problem is to get out of here without being seen. This offers
the means. But give me some information, in the first place. How is it
managed? Where is this coffin?"

"The empty one?"

"Yes."

"Down stairs, in what is called the dead-room. It stands on two
trestles, under the pall."

"How long is the coffin?"

"Six feet."

"What is this dead-room?"

"It is a chamber on the ground floor which has a grated window opening
on the garden, which is closed on the outside by a shutter, and two
doors; one leads into the convent, the other into the church."

"What church?"

"The church in the street, the church which any one can enter."

"Have you the keys to those two doors?"

"No; I have the key to the door which communicates with the convent; the
porter has the key to the door which communicates with the church."

"When does the porter open that door?"

"Only to allow the undertaker's men to enter, when they come to get the
coffin. When the coffin has been taken out, the door is closed again."

"Who nails up the coffin?"

"I do."

"Who spreads the pall over it?"

"I do."

"Are you alone?"

"Not another man, except the police doctor, can enter the dead-room.
That is even written on the wall."

"Could you hide me in that room to-night when every one is asleep?"

"No. But I could hide you in a small, dark nook which opens on the
dead-room, where I keep my tools to use for burials, and of which I have
the key."

"At what time will the hearse come for the coffin to-morrow?"

"About three o'clock in the afternoon. The burial will take place at the
Vaugirard cemetery a little before nightfall. It is not very near."

"I will remain concealed in your tool-closet all night and all the
morning. And how about food? I shall be hungry."

"I will bring you something."

"You can come and nail me up in the coffin at two o'clock."

Fauchelevent recoiled and cracked his finger-joints.

"But that is impossible!"

"Bah! Impossible to take a hammer and drive some nails in a plank?"

What seemed unprecedented to Fauchelevent was, we repeat, a simple
matter to Jean Valjean. Jean Valjean had been in worse straits than
this. Any man who has been a prisoner understands how to contract
himself to fit the diameter of the escape. The prisoner is subject to
flight as the sick man is subject to a crisis which saves or kills him.
An escape is a cure. What does not a man undergo for the sake of a
cure? To have himself nailed up in a case and carried off like a bale
of goods, to live for a long time in a box, to find air where there is
none, to economize his breath for hours, to know how to stifle without
dying--this was one of Jean Valjean's gloomy talents.

Moreover, a coffin containing a living being,--that convict's
expedient,--is also an imperial expedient. If we are to credit the monk
Austin Castillejo, this was the means employed by Charles the Fifth,
desirous of seeing the Plombes for the last time after his abdication.

He had her brought into and carried out of the monastery of Saint-Yuste
in this manner.

Fauchelevent, who had recovered himself a little, exclaimed:--

"But how will you manage to breathe?"

"I will breathe."

"In that box! The mere thought of it suffocates me."

"You surely must have a gimlet, you will make a few holes here and
there, around my mouth, and you will nail the top plank on loosely."

"Good! And what if you should happen to cough or to sneeze?"

"A man who is making his escape does not cough or sneeze."

And Jean Valjean added:--

"Father Fauchelevent, we must come to a decision: I must either be
caught here, or accept this escape through the hearse."

Every one has noticed the taste which cats have for pausing and lounging
between the two leaves of a half-shut door. Who is there who has not
said to a cat, "Do come in!" There are men who, when an incident stands
half-open before them, have the same tendency to halt in indecision
between two resolutions, at the risk of getting crushed through the
abrupt closing of the adventure by fate. The over-prudent, cats as they
are, and because they are cats, sometimes incur more danger than
the audacious. Fauchelevent was of this hesitating nature. But
Jean Valjean's coolness prevailed over him in spite of himself. He
grumbled:--

"Well, since there is no other means."

Jean Valjean resumed:--

"The only thing which troubles me is what will take place at the
cemetery."

"That is the very point that is not troublesome," exclaimed
Fauchelevent. "If you are sure of coming out of the coffin all right, I
am sure of getting you out of the grave. The grave-digger is a drunkard,
and a friend of mine. He is Father Mestienne. An old fellow of the old
school. The grave-digger puts the corpses in the grave, and I put the
grave-digger in my pocket. I will tell you what will take place. They
will arrive a little before dusk, three-quarters of an hour before the
gates of the cemetery are closed. The hearse will drive directly up to
the grave. I shall follow; that is my business. I shall have a hammer,
a chisel, and some pincers in my pocket. The hearse halts, the
undertaker's men knot a rope around your coffin and lower you down. The
priest says the prayers, makes the sign of the cross, sprinkles the holy
water, and takes his departure. I am left alone with Father Mestienne.
He is my friend, I tell you. One of two things will happen, he will
either be sober, or he will not be sober. If he is not drunk, I shall
say to him: 'Come and drink a bout while the Bon Coing [the Good Quince]
is open.' I carry him off, I get him drunk,--it does not take long to
make Father Mestienne drunk, he always has the beginning of it about
him,--I lay him under the table, I take his card, so that I can get into
the cemetery again, and I return without him. Then you have no longer
any one but me to deal with. If he is drunk, I shall say to him: 'Be
off; I will do your work for you.' Off he goes, and I drag you out of
the hole."

Jean Valjean held out his hand, and Fauchelevent precipitated himself
upon it with the touching effusion of a peasant.

"That is settled, Father Fauchelevent. All will go well."

"Provided nothing goes wrong," thought Fauchelevent. "In that case, it
would be terrible."




CHAPTER V--IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL

On the following day, as the sun was declining, the very rare passers-by
on the Boulevard du Maine pulled off their hats to an old-fashioned
hearse, ornamented with skulls, cross-bones, and tears. This hearse
contained a coffin covered with a white cloth over which spread a large
black cross, like a huge corpse with drooping arms. A mourning-coach, in
which could be seen a priest in his surplice, and a choir boy in his red
cap, followed. Two undertaker's men in gray uniforms trimmed with black
walked on the right and the left of the hearse. Behind it came an old
man in the garments of a laborer, who limped along. The procession was
going in the direction of the Vaugirard cemetery.

The handle of a hammer, the blade of a cold chisel, and the antennae of
a pair of pincers were visible, protruding from the man's pocket.

The Vaugirard cemetery formed an exception among the cemeteries of
Paris. It had its peculiar usages, just as it had its carriage
entrance and its house door, which old people in the quarter, who clung
tenaciously to ancient words, still called the porte cavaliere and the
porte pietonne.[16] The Bernardines-Benedictines of the Rue Petit-Picpus
had obtained permission, as we have already stated, to be buried there
in a corner apart, and at night, the plot of land having formerly
belonged to their community. The grave-diggers being thus bound to
service in the evening in summer and at night in winter, in this
cemetery, they were subjected to a special discipline. The gates of the
Paris cemeteries closed, at that epoch, at sundown, and this being a
municipal regulation, the Vaugirard cemetery was bound by it like the
rest. The carriage gate and the house door were two contiguous grated
gates, adjoining a pavilion built by the architect Perronet, and
inhabited by the door-keeper of the cemetery. These gates, therefore,
swung inexorably on their hinges at the instant when the sun disappeared
behind the dome of the Invalides. If any grave-digger were delayed
after that moment in the cemetery, there was but one way for him to
get out--his grave-digger's card furnished by the department of public
funerals. A sort of letter-box was constructed in the porter's window.
The grave-digger dropped his card into this box, the porter heard it
fall, pulled the rope, and the small door opened. If the man had not his
card, he mentioned his name, the porter, who was sometimes in bed and
asleep, rose, came out and identified the man, and opened the gate with
his key; the grave-digger stepped out, but had to pay a fine of fifteen
francs.

This cemetery, with its peculiarities outside the regulations,
embarrassed the symmetry of the administration. It was suppressed
a little later than 1830. The cemetery of Mont-Parnasse, called the
Eastern cemetery, succeeded to it, and inherited that famous dram-shop
next to the Vaugirard cemetery, which was surmounted by a quince painted
on a board, and which formed an angle, one side on the drinkers' tables,
and the other on the tombs, with this sign: Au Bon Coing.

The Vaugirard cemetery was what may be called a faded cemetery. It
was falling into disuse. Dampness was invading it, the flowers were
deserting it. The bourgeois did not care much about being buried in
the Vaugirard; it hinted at poverty. Pere-Lachaise if you please! to be
buried in Pere-Lachaise is equivalent to having furniture of mahogany.
It is recognized as elegant. The Vaugirard cemetery was a venerable
enclosure, planted like an old-fashioned French garden. Straight alleys,
box, thuya-trees, holly, ancient tombs beneath aged cypress-trees, and
very tall grass. In the evening it was tragic there. There were very
lugubrious lines about it.

The sun had not yet set when the hearse with the white pall and the
black cross entered the avenue of the Vaugirard cemetery. The lame man
who followed it was no other than Fauchelevent.

The interment of Mother Crucifixion in the vault under the altar, the
exit of Cosette, the introduction of Jean Valjean to the dead-room,--all
had been executed without difficulty, and there had been no hitch.

Let us remark in passing, that the burial of Mother Crucifixion under
the altar of the convent is a perfectly venial offence in our sight. It
is one of the faults which resemble a duty. The nuns had committed it,
not only without difficulty, but even with the applause of their own
consciences. In the cloister, what is called the "government" is only
an intermeddling with authority, an interference which is always
questionable. In the first place, the rule; as for the code, we shall
see. Make as many laws as you please, men; but keep them for yourselves.
The tribute to Caesar is never anything but the remnants of the tribute
to God. A prince is nothing in the presence of a principle.

Fauchelevent limped along behind the hearse in a very contented frame
of mind. His twin plots, the one with the nuns, the one for the convent,
the other against it, the other with M. Madeleine, had succeeded, to
all appearance. Jean Valjean's composure was one of those powerful
tranquillities which are contagious. Fauchelevent no longer felt
doubtful as to his success.

What remained to be done was a mere nothing. Within the last two years,
he had made good Father Mestienne, a chubby-cheeked person, drunk at
least ten times. He played with Father Mestienne. He did what he liked
with him. He made him dance according to his whim. Mestienne's head
adjusted itself to the cap of Fauchelevent's will. Fauchelevent's
confidence was perfect.

At the moment when the convoy entered the avenue leading to the
cemetery, Fauchelevent glanced cheerfully at the hearse, and said half
aloud, as he rubbed his big hands:--

"Here's a fine farce!"

All at once the hearse halted; it had reached the gate. The permission
for interment must be exhibited. The undertaker's man addressed himself
to the porter of the cemetery. During this colloquy, which always is
productive of a delay of from one to two minutes, some one, a stranger,
came and placed himself behind the hearse, beside Fauchelevent. He was
a sort of laboring man, who wore a waistcoat with large pockets and
carried a mattock under his arm.

Fauchelevent surveyed this stranger.

"Who are you?" he demanded.

"The man replied:--

"The grave-digger."

If a man could survive the blow of a cannon-ball full in the breast, he
would make the same face that Fauchelevent made.

"The grave-digger?"

"Yes."

"You?"

"I."

"Father Mestienne is the grave-digger."

"He was."

"What! He was?"

"He is dead."

Fauchelevent had expected anything but this, that a grave-digger could
die. It is true, nevertheless, that grave-diggers do die themselves. By
dint of excavating graves for other people, one hollows out one's own.

Fauchelevent stood there with his mouth wide open. He had hardly the
strength to stammer:--

"But it is not possible!"

"It is so."

"But," he persisted feebly, "Father Mestienne is the grave-digger."

"After Napoleon, Louis XVIII. After Mestienne, Gribier. Peasant, my name
is Gribier."

Fauchelevent, who was deadly pale, stared at this Gribier.

He was a tall, thin, livid, utterly funereal man. He had the air of an
unsuccessful doctor who had turned grave-digger.

Fauchelevent burst out laughing.

"Ah!" said he, "what queer things do happen! Father Mestienne is dead,
but long live little Father Lenoir! Do you know who little Father Lenoir
is? He is a jug of red wine. It is a jug of Surene, morbigou! of real
Paris Surene? Ah! So old Mestienne is dead! I am sorry for it; he was
a jolly fellow. But you are a jolly fellow, too. Are you not, comrade?
We'll go and have a drink together presently."

The man replied:--

"I have been a student. I passed my fourth examination. I never drink."

The hearse had set out again, and was rolling up the grand alley of the
cemetery.

Fauchelevent had slackened his pace. He limped more out of anxiety than
from infirmity.

The grave-digger walked on in front of him.

Fauchelevent passed the unexpected Gribier once more in review.

He was one of those men who, though very young, have the air of age, and
who, though slender, are extremely strong.

"Comrade!" cried Fauchelevent.

The man turned round.

"I am the convent grave-digger."

"My colleague," said the man.

Fauchelevent, who was illiterate but very sharp, understood that he
had to deal with a formidable species of man, with a fine talker. He
muttered:

"So Father Mestienne is dead."

The man replied:--

"Completely. The good God consulted his note-book which shows when the
time is up. It was Father Mestienne's turn. Father Mestienne died."

Fauchelevent repeated mechanically: "The good God--"

"The good God," said the man authoritatively. "According to the
philosophers, the Eternal Father; according to the Jacobins, the Supreme
Being."

"Shall we not make each other's acquaintance?" stammered Fauchelevent.

"It is made. You are a peasant, I am a Parisian."

"People do not know each other until they have drunk together. He who
empties his glass empties his heart. You must come and have a drink with
me. Such a thing cannot be refused."

"Business first."

Fauchelevent thought: "I am lost."

They were only a few turns of the wheel distant from the small alley
leading to the nuns' corner.

The grave-digger resumed:--

"Peasant, I have seven small children who must be fed. As they must eat,
I cannot drink."

And he added, with the satisfaction of a serious man who is turning a
phrase well:--

"Their hunger is the enemy of my thirst."

The hearse skirted a clump of cypress-trees, quitted the grand alley,
turned into a narrow one, entered the waste land, and plunged into
a thicket. This indicated the immediate proximity of the place of
sepulture. Fauchelevent slackened his pace, but he could not detain the
hearse. Fortunately, the soil, which was light and wet with the winter
rains, clogged the wheels and retarded its speed.

He approached the grave-digger.

"They have such a nice little Argenteuil wine," murmured Fauchelevent.

"Villager," retorted the man, "I ought not be a grave-digger. My
father was a porter at the Prytaneum [Town-Hall]. He destined me for
literature. But he had reverses. He had losses on 'change. I was obliged
to renounce the profession of author. But I am still a public writer."

"So you are not a grave-digger, then?" returned Fauchelevent, clutching
at this branch, feeble as it was.

"The one does not hinder the other. I cumulate."

Fauchelevent did not understand this last word.

"Come have a drink," said he.

Here a remark becomes necessary. Fauchelevent, whatever his anguish,
offered a drink, but he did not explain himself on one point; who was to
pay? Generally, Fauchelevent offered and Father Mestienne paid. An offer
of a drink was the evident result of the novel situation created by the
new grave-digger, and it was necessary to make this offer, but the old
gardener left the proverbial quarter of an hour named after Rabelais in
the dark, and that not unintentionally. As for himself, Fauchelevent did
not wish to pay, troubled as he was.

The grave-digger went on with a superior smile:--

"One must eat. I have accepted Father Mestienne's reversion. One gets to
be a philosopher when one has nearly completed his classes. To the labor
of the hand I join the labor of the arm. I have my scrivener's stall in
the market of the Rue de Sevres. You know? the Umbrella Market. All the
cooks of the Red Cross apply to me. I scribble their declarations of
love to the raw soldiers. In the morning I write love letters; in the
evening I dig graves. Such is life, rustic."

The hearse was still advancing. Fauchelevent, uneasy to the last degree,
was gazing about him on all sides. Great drops of perspiration trickled
down from his brow.

"But," continued the grave-digger, "a man cannot serve two mistresses.
I must choose between the pen and the mattock. The mattock is ruining my
hand."

The hearse halted.

The choir boy alighted from the mourning-coach, then the priest.

One of the small front wheels of the hearse had run up a little on a
pile of earth, beyond which an open grave was visible.

"What a farce this is!" repeated Fauchelevent in consternation.




CHAPTER VI--BETWEEN FOUR PLANKS

Who was in the coffin? The reader knows. Jean Valjean.

Jean Valjean had arranged things so that he could exist there, and he
could almost breathe.

It is a strange thing to what a degree security of conscience confers
security of the rest. Every combination thought out by Jean Valjean had
been progressing, and progressing favorably, since the preceding day.
He, like Fauchelevent, counted on Father Mestienne. He had no doubt
as to the end. Never was there a more critical situation, never more
complete composure.

The four planks of the coffin breathe out a kind of terrible peace. It
seemed as though something of the repose of the dead entered into Jean
Valjean's tranquillity.

From the depths of that coffin he had been able to follow, and he had
followed, all the phases of the terrible drama which he was playing with
death.

Shortly after Fauchelevent had finished nailing on the upper plank, Jean
Valjean had felt himself carried out, then driven off. He knew, from the
diminution in the jolting, when they left the pavements and reached the
earth road. He had divined, from a dull noise, that they were crossing
the bridge of Austerlitz. At the first halt, he had understood that they
were entering the cemetery; at the second halt, he said to himself:--

"Here is the grave."

Suddenly, he felt hands seize the coffin, then a harsh grating against
the planks; he explained it to himself as the rope which was being
fastened round the casket in order to lower it into the cavity.

Then he experienced a giddiness.

The undertaker's man and the grave-digger had probably allowed the
coffin to lose its balance, and had lowered the head before the foot. He
recovered himself fully when he felt himself horizontal and motionless.
He had just touched the bottom.

He had a certain sensation of cold.

A voice rose above him, glacial and solemn. He heard Latin words, which
he did not understand, pass over him, so slowly that he was able to
catch them one by one:--

"Qui dormiunt in terrae pulvere, evigilabunt; alii in vitam aeternam, et
alii in approbrium, ut videant semper."

A child's voice said:--

"De profundis."

The grave voice began again:--

"Requiem aeternam dona ei, Domine."

The child's voice responded:--

"Et lux perpetua luceat ei."

He heard something like the gentle patter of several drops of rain on
the plank which covered him. It was probably the holy water.

He thought: "This will be over soon now. Patience for a little while
longer. The priest will take his departure. Fauchelevent will take
Mestienne off to drink. I shall be left. Then Fauchelevent will return
alone, and I shall get out. That will be the work of a good hour."

The grave voice resumed

"Requiescat in pace."

And the child's voice said:--

"Amen."

Jean Valjean strained his ears, and heard something like retreating
footsteps.

"There, they are going now," thought he. "I am alone."

All at once, he heard over his head a sound which seemed to him to be a
clap of thunder.

It was a shovelful of earth falling on the coffin.

A second shovelful fell.

One of the holes through which he breathed had just been stopped up.

A third shovelful of earth fell.

Then a fourth.

There are things which are too strong for the strongest man. Jean
Valjean lost consciousness.




CHAPTER VII--IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON'T LOSE
THE CARD

This is what had taken place above the coffin in which lay Jean Valjean.

When the hearse had driven off, when the priest and the choir boy had
entered the carriage again and taken their departure, Fauchelevent, who
had not taken his eyes from the grave-digger, saw the latter bend over
and grasp his shovel, which was sticking upright in the heap of dirt.

Then Fauchelevent took a supreme resolve.

He placed himself between the grave and the grave-digger, crossed his
arms and said:--

"I am the one to pay!"

The grave-digger stared at him in amazement, and replied:--

"What's that, peasant?"

Fauchelevent repeated:--

"I am the one who pays!"

"What?"

"For the wine."

"What wine?"

"That Argenteuil wine."

"Where is the Argenteuil?"

"At the Bon Coing."

"Go to the devil!" said the grave-digger.

And he flung a shovelful of earth on the coffin.

The coffin gave back a hollow sound. Fauchelevent felt himself stagger
and on the point of falling headlong into the grave himself. He shouted
in a voice in which the strangling sound of the death rattle began to
mingle:--

"Comrade! Before the Bon Coing is shut!"

The grave-digger took some more earth on his shovel. Fauchelevent
continued.

"I will pay."

And he seized the man's arm.

"Listen to me, comrade. I am the convent grave-digger, I have come
to help you. It is a business which can be performed at night. Let us
begin, then, by going for a drink."

And as he spoke, and clung to this desperate insistence, this melancholy
reflection occurred to him: "And if he drinks, will he get drunk?"

"Provincial," said the man, "if you positively insist upon it, I
consent. We will drink. After work, never before."

And he flourished his shovel briskly. Fauchelevent held him back.

"It is Argenteuil wine, at six."

"Oh, come," said the grave-digger, "you are a bell-ringer. Ding dong,
ding dong, that's all you know how to say. Go hang yourself."

And he threw in a second shovelful.

Fauchelevent had reached a point where he no longer knew what he was
saying.

"Come along and drink," he cried, "since it is I who pays the bill."

"When we have put the child to bed," said the grave-digger.

He flung in a third shovelful.

Then he thrust his shovel into the earth and added:--

"It's cold to-night, you see, and the corpse would shriek out after us
if we were to plant her there without a coverlet."

At that moment, as he loaded his shovel, the grave-digger bent over,
and the pocket of his waistcoat gaped. Fauchelevent's wild gaze fell
mechanically into that pocket, and there it stopped.

The sun was not yet hidden behind the horizon; there was still light
enough to enable him to distinguish something white at the bottom of
that yawning pocket.

The sum total of lightning that the eye of a Picard peasant can contain,
traversed Fauchelevent's pupils. An idea had just occurred to him.

He thrust his hand into the pocket from behind, without the
grave-digger, who was wholly absorbed in his shovelful of earth,
observing it, and pulled out the white object which lay at the bottom of
it.

The man sent a fourth shovelful tumbling into the grave.

Just as he turned round to get the fifth, Fauchelevent looked calmly at
him and said:--

"By the way, you new man, have you your card?"

The grave-digger paused.

"What card?"

"The sun is on the point of setting."

"That's good, it is going to put on its nightcap."

"The gate of the cemetery will close immediately."

"Well, what then?"

"Have you your card?"

"Ah! my card?" said the grave-digger.

And he fumbled in his pocket.

Having searched one pocket, he proceeded to search the other. He passed
on to his fobs, explored the first, returned to the second.

"Why, no," said he, "I have not my card. I must have forgotten it."

"Fifteen francs fine," said Fauchelevent.

The grave-digger turned green. Green is the pallor of livid people.

"Ah! Jesus-mon-Dieu-bancroche-a-bas-la-lune!"[17] he exclaimed. "Fifteen
francs fine!"

"Three pieces of a hundred sous," said Fauchelevent.

The grave-digger dropped his shovel.

Fauchelevent's turn had come.

"Ah, come now, conscript," said Fauchelevent, "none of this despair.
There is no question of committing suicide and benefiting the grave.
Fifteen francs is fifteen francs, and besides, you may not be able to
pay it. I am an old hand, you are a new one. I know all the ropes and
the devices. I will give you some friendly advice. One thing is clear,
the sun is on the point of setting, it is touching the dome now, the
cemetery will be closed in five minutes more."

"That is true," replied the man.

"Five minutes more and you will not have time to fill the grave, it is
as hollow as the devil, this grave, and to reach the gate in season to
pass it before it is shut."

"That is true."

"In that case, a fine of fifteen francs."

"Fifteen francs."

"But you have time. Where do you live?"

"A couple of steps from the barrier, a quarter of an hour from here. No.
87 Rue de Vaugirard."

"You have just time to get out by taking to your heels at your best
speed."

"That is exactly so."

"Once outside the gate, you gallop home, you get your card, you return,
the cemetery porter admits you. As you have your card, there will be
nothing to pay. And you will bury your corpse. I'll watch it for you in
the meantime, so that it shall not run away."

"I am indebted to you for my life, peasant."

"Decamp!" said Fauchelevent.

The grave-digger, overwhelmed with gratitude, shook his hand and set off
on a run.

When the man had disappeared in the thicket, Fauchelevent listened until
he heard his footsteps die away in the distance, then he leaned over the
grave, and said in a low tone:--

"Father Madeleine!"

There was no reply.

Fauchelevent was seized with a shudder. He tumbled rather than climbed
into the grave, flung himself on the head of the coffin and cried:--

"Are you there?"

Silence in the coffin.

Fauchelevent, hardly able to draw his breath for trembling, seized his
cold chisel and his hammer, and pried up the coffin lid.

Jean Valjean's face appeared in the twilight; it was pale and his eyes
were closed.

Fauchelevent's hair rose upright on his head, he sprang to his feet,
then fell back against the side of the grave, ready to swoon on the
coffin. He stared at Jean Valjean.

Jean Valjean lay there pallid and motionless.

Fauchelevent murmured in a voice as faint as a sigh:--

"He is dead!"

And, drawing himself up, and folding his arms with such violence that
his clenched fists came in contact with his shoulders, he cried:--

"And this is the way I save his life!"

Then the poor man fell to sobbing. He soliloquized the while, for it is
an error to suppose that the soliloquy is unnatural. Powerful emotion
often talks aloud.

"It is Father Mestienne's fault. Why did that fool die? What need was
there for him to give up the ghost at the very moment when no one was
expecting it? It is he who has killed M. Madeleine. Father Madeleine!
He is in the coffin. It is quite handy. All is over. Now, is there any
sense in these things? Ah! my God! he is dead! Well! and his little
girl, what am I to do with her? What will the fruit-seller say? The idea
of its being possible for a man like that to die like this! When I think
how he put himself under that cart! Father Madeleine! Father Madeleine!
Pardine! He was suffocated, I said so. He wouldn't believe me. Well!
Here's a pretty trick to play! He is dead, that good man, the very best
man out of all the good God's good folks! And his little girl! Ah! In
the first place, I won't go back there myself. I shall stay here. After
having done such a thing as that! What's the use of being two old men,
if we are two old fools! But, in the first place, how did he manage to
enter the convent? That was the beginning of it all. One should not
do such things. Father Madeleine! Father Madeleine! Father Madeleine!
Madeleine! Monsieur Madeleine! Monsieur le Maire! He does not hear me.
Now get out of this scrape if you can!"

And he tore his hair.

A grating sound became audible through the trees in the distance. It was
the cemetery gate closing.

Fauchelevent bent over Jean Valjean, and all at once he bounded back and
recoiled so far as the limits of a grave permit.

Jean Valjean's eyes were open and gazing at him.

To see a corpse is alarming, to behold a resurrection is almost as much
so. Fauchelevent became like stone, pale, haggard, overwhelmed by all
these excesses of emotion, not knowing whether he had to do with a
living man or a dead one, and staring at Jean Valjean, who was gazing at
him.

[Illustration: The Resurrection 2b8-7-resurrection]

"I fell asleep," said Jean Valjean.

And he raised himself to a sitting posture.

Fauchelevent fell on his knees.

"Just, good Virgin! How you frightened me!"

Then he sprang to his feet and cried:--

"Thanks, Father Madeleine!"

Jean Valjean had merely fainted. The fresh air had revived him.

Joy is the ebb of terror. Fauchelevent found almost as much difficulty
in recovering himself as Jean Valjean had.

"So you are not dead! Oh! How wise you are! I called you so much that
you came back. When I saw your eyes shut, I said: 'Good! there he is,
stifled,' I should have gone raving mad, mad enough for a strait jacket.
They would have put me in Bicetre. What do you suppose I should
have done if you had been dead? And your little girl? There's that
fruit-seller,--she would never have understood it! The child is thrust
into your arms, and then--the grandfather is dead! What a story! good
saints of paradise, what a tale! Ah! you are alive, that's the best of
it!"

"I am cold," said Jean Valjean.

This remark recalled Fauchelevent thoroughly to reality, and there was
pressing need of it. The souls of these two men were troubled even when
they had recovered themselves, although they did not realize it,
and there was about them something uncanny, which was the sinister
bewilderment inspired by the place.

"Let us get out of here quickly," exclaimed Fauchelevent.

He fumbled in his pocket, and pulled out a gourd with which he had
provided himself.

"But first, take a drop," said he.

The flask finished what the fresh air had begun, Jean Valjean swallowed
a mouthful of brandy, and regained full possession of his faculties.

He got out of the coffin, and helped Fauchelevent to nail on the lid
again.

Three minutes later they were out of the grave.

Moreover, Fauchelevent was perfectly composed. He took his time. The
cemetery was closed. The arrival of the grave-digger Gribier was not to
be apprehended. That "conscript" was at home busily engaged in looking
for his card, and at some difficulty in finding it in his lodgings,
since it was in Fauchelevent's pocket. Without a card, he could not get
back into the cemetery.

Fauchelevent took the shovel, and Jean Valjean the pick-axe, and
together they buried the empty coffin.

When the grave was full, Fauchelevent said to Jean Valjean:--

"Let us go. I will keep the shovel; do you carry off the mattock."

Night was falling.

Jean Valjean experienced rome difficulty in moving and in walking. He
had stiffened himself in that coffin, and had become a little like a
corpse. The rigidity of death had seized upon him between those four
planks. He had, in a manner, to thaw out, from the tomb.

"You are benumbed," said Fauchelevent. "It is a pity that I have a game
leg, for otherwise we might step out briskly."

"Bah!" replied Jean Valjean, "four paces will put life into my legs once
more."

They set off by the alleys through which the hearse had passed. On
arriving before the closed gate and the porter's pavilion Fauchelevent,
who held the grave-digger's card in his hand, dropped it into the box,
the porter pulled the rope, the gate opened, and they went out.

"How well everything is going!" said Fauchelevent; "what a capital idea
that was of yours, Father Madeleine!"

They passed the Vaugirard barrier in the simplest manner in the world.
In the neighborhood of the cemetery, a shovel and pick are equal to two
passports.

The Rue Vaugirard was deserted.

"Father Madeleine," said Fauchelevent as they went along, and raising
his eyes to the houses, "Your eyes are better than mine. Show me No.
87."

"Here it is," said Jean Valjean.

"There is no one in the street," said Fauchelevent. "Give me your
mattock and wait a couple of minutes for me."

Fauchelevent entered No. 87, ascended to the very top, guided by the
instinct which always leads the poor man to the garret, and knocked in
the dark, at the door of an attic.

A voice replied: "Come in."

It was Gribier's voice.

Fauchelevent opened the door. The grave-digger's dwelling was, like
all such wretched habitations, an unfurnished and encumbered garret.
A packing-case--a coffin, perhaps--took the place of a commode, a
butter-pot served for a drinking-fountain, a straw mattress served for
a bed, the floor served instead of tables and chairs. In a corner, on a
tattered fragment which had been a piece of an old carpet, a thin
woman and a number of children were piled in a heap. The whole of this
poverty-stricken interior bore traces of having been overturned. One
would have said that there had been an earthquake "for one." The covers
were displaced, the rags scattered about, the jug broken, the mother had
been crying, the children had probably been beaten; traces of a vigorous
and ill-tempered search. It was plain that the grave-digger had made
a desperate search for his card, and had made everybody in the garret,
from the jug to his wife, responsible for its loss. He wore an air of
desperation.

But Fauchelevent was in too great a hurry to terminate this adventure to
take any notice of this sad side of his success.

He entered and said:--

"I have brought you back your shovel and pick."

Gribier gazed at him in stupefaction.

"Is it you, peasant?"

"And to-morrow morning you will find your card with the porter of the
cemetery."

And he laid the shovel and mattock on the floor.

"What is the meaning of this?" demanded Gribier.

"The meaning of it is, that you dropped your card out of your pocket,
that I found it on the ground after you were gone, that I have buried
the corpse, that I have filled the grave, that I have done your work,
that the porter will return your card to you, and that you will not have
to pay fifteen francs. There you have it, conscript."

"Thanks, villager!" exclaimed Gribier, radiant. "The next time I will
pay for the drinks."




CHAPTER VIII--A SUCCESSFUL INTERROGATORY

An hour later, in the darkness of night, two men and a child presented
themselves at No. 62 Rue Petit-Picpus. The elder of the men lifted the
knocker and rapped.

They were Fauchelevent, Jean Valjean, and Cosette.

The two old men had gone to fetch Cosette from the fruiterer's in
the Rue du Chemin-Vert, where Fauchelevent had deposited her on the
preceding day. Cosette had passed these twenty-four hours trembling
silently and understanding nothing. She trembled to such a degree that
she wept. She had neither eaten nor slept. The worthy fruit-seller had
plied her with a hundred questions, without obtaining any other reply
than a melancholy and unvarying gaze. Cosette had betrayed nothing of
what she had seen and heard during the last two days. She divined that
they were passing through a crisis. She was deeply conscious that it was
necessary to "be good." Who has not experienced the sovereign power
of those two words, pronounced with a certain accent in the ear of a
terrified little being: Say nothing! Fear is mute. Moreover, no one
guards a secret like a child.

But when, at the expiration of these lugubrious twenty-four hours, she
beheld Jean Valjean again, she gave vent to such a cry of joy, that any
thoughtful person who had chanced to hear that cry, would have guessed
that it issued from an abyss.

Fauchelevent belonged to the convent and knew the pass-words. All the
doors opened.

Thus was solved the double and alarming problem of how to get out and
how to get in.

The porter, who had received his instructions, opened the little
servant's door which connected the courtyard with the garden, and which
could still be seen from the street twenty years ago, in the wall at the
bottom of the court, which faced the carriage entrance.

The porter admitted all three of them through this door, and from that
point they reached the inner, reserved parlor where Fauchelevent, on the
preceding day, had received his orders from the prioress.

The prioress, rosary in hand, was waiting for them. A vocal mother, with
her veil lowered, stood beside her.

A discreet candle lighted, one might almost say, made a show of lighting
the parlor.

The prioress passed Jean Valjean in review. There is nothing which
examines like a downcast eye.

Then she questioned him:--

"You are the brother?"

"Yes, reverend Mother," replied Fauchelevent.

"What is your name?"

Fauchelevent replied:--

"Ultime Fauchelevent."

He really had had a brother named Ultime, who was dead.

"Where do you come from?"

Fauchelevent replied:--

"From Picquigny, near Amiens."

"What is your age?"

Fauchelevent replied:--

"Fifty."

"What is your profession?"

Fauchelevent replied:--

"Gardener."

"Are you a good Christian?"

Fauchelevent replied:--

"Every one is in the family."

"Is this your little girl?"

Fauchelevent replied:--

"Yes, reverend Mother."

"You are her father?"

Fauchelevent replied:--

"Her grandfather."

The vocal mother said to the prioress in a low voice

"He answers well."

Jean Valjean had not uttered a single word.

The prioress looked attentively at Cosette, and said half aloud to the
vocal mother:--

"She will grow up ugly."

The two mothers consulted for a few moments in very low tones in the
corner of the parlor, then the prioress turned round and said:--

"Father Fauvent, you will get another knee-cap with a bell. Two will be
required now."

On the following day, therefore, two bells were audible in the garden,
and the nuns could not resist the temptation to raise the corner of
their veils. At the extreme end of the garden, under the trees, two
men, Fauvent and another man, were visible as they dug side by side. An
enormous event. Their silence was broken to the extent of saying to each
other: "He is an assistant gardener."

The vocal mothers added: "He is a brother of Father Fauvent."

Jean Valjean was, in fact, regularly installed; he had his belled
knee-cap; henceforth he was official. His name was Ultime Fauchelevent.

The most powerful determining cause of his admission had been the
prioress's observation upon Cosette: "She will grow up ugly."

The prioress, that pronounced prognosticator, immediately took a fancy
to Cosette and gave her a place in the school as a charity pupil.

There is nothing that is not strictly logical about this.

It is in vain that mirrors are banished from the convent, women are
conscious of their faces; now, girls who are conscious of their beauty
do not easily become nuns; the vocation being voluntary in inverse
proportion to their good looks, more is to be hoped from the ugly than
from the pretty. Hence a lively taste for plain girls.

The whole of this adventure increased the importance of good, old
Fauchelevent; he won a triple success; in the eyes of Jean Valjean, whom
he had saved and sheltered; in those of grave-digger Gribier, who said
to himself: "He spared me that fine"; with the convent, which, being
enabled, thanks to him, to retain the coffin of Mother Crucifixion
under the altar, eluded Caesar and satisfied God. There was a coffin
containing a body in the Petit-Picpus, and a coffin without a body in
the Vaugirard cemetery, public order had no doubt been deeply disturbed
thereby, but no one was aware of it.

As for the convent, its gratitude to Fauchelevent was very great.
Fauchelevent became the best of servitors and the most precious of
gardeners. Upon the occasion of the archbishop's next visit, the
prioress recounted the affair to his Grace, making something of a
confession at the same time, and yet boasting of her deed. On leaving
the convent, the archbishop mentioned it with approval, and in a whisper
to M. de Latil, Monsieur's confessor, afterwards Archbishop of Reims
and Cardinal. This admiration for Fauchelevent became widespread, for it
made its way to Rome. We have seen a note addressed by the then reigning
Pope, Leo XII., to one of his relatives, a Monsignor in the Nuncio's
establishment in Paris, and bearing, like himself, the name of Della
Genga; it contained these lines: "It appears that there is in a convent
in Paris an excellent gardener, who is also a holy man, named Fauvent."
Nothing of this triumph reached Fauchelevent in his hut; he went on
grafting, weeding, and covering up his melon beds, without in the least
suspecting his excellences and his sanctity. Neither did he suspect his
glory, any more than a Durham or Surrey bull whose portrait is published
in the London Illustrated News, with this inscription: "Bull which
carried off the prize at the Cattle Show."




CHAPTER IX--CLOISTERED

Cosette continued to hold her tongue in the convent.

It was quite natural that Cosette should think herself Jean Valjean's
daughter. Moreover, as she knew nothing, she could say nothing, and
then, she would not have said anything in any case. As we have just
observed, nothing trains children to silence like unhappiness. Cosette
had suffered so much, that she feared everything, even to speak or to
breathe. A single word had so often brought down an avalanche upon her.
She had hardly begun to regain her confidence since she had been with
Jean Valjean. She speedily became accustomed to the convent. Only she
regretted Catherine, but she dared not say so. Once, however, she did
say to Jean Valjean: "Father, if I had known, I would have brought her
away with me."

Cosette had been obliged, on becoming a scholar in the convent, to don
the garb of the pupils of the house. Jean Valjean succeeded in getting
them to restore to him the garments which she laid aside. This was the
same mourning suit which he had made her put on when she had quitted
the Thenardiers' inn. It was not very threadbare even now. Jean Valjean
locked up these garments, plus the stockings and the shoes, with a
quantity of camphor and all the aromatics in which convents abound, in a
little valise which he found means of procuring. He set this valise on
a chair near his bed, and he always carried the key about his person.
"Father," Cosette asked him one day, "what is there in that box which
smells so good?"

Father Fauchelevent received other recompense for his good action, in
addition to the glory which we just mentioned, and of which he knew
nothing; in the first place it made him happy; next, he had much less
work, since it was shared. Lastly, as he was very fond of snuff, he
found the presence of M. Madeleine an advantage, in that he used three
times as much as he had done previously, and that in an infinitely more
luxurious manner, seeing that M. Madeleine paid for it.

The nuns did not adopt the name of Ultime; they called Jean Valjean the
other Fauvent.

If these holy women had possessed anything of Javert's glance, they
would eventually have noticed that when there was any errand to be
done outside in the behalf of the garden, it was always the elder
Fauchelevent, the old, the infirm, the lame man, who went, and never the
other; but whether it is that eyes constantly fixed on God know not how
to spy, or whether they were, by preference, occupied in keeping watch
on each other, they paid no heed to this.

Moreover, it was well for Jean Valjean that he kept close and did not
stir out. Javert watched the quarter for more than a month.

This convent was for Jean Valjean like an island surrounded by gulfs.
Henceforth, those four walls constituted his world. He saw enough of the
sky there to enable him to preserve his serenity, and Cosette enough to
remain happy.

A very sweet life began for him.

He inhabited the old hut at the end of the garden, in company with
Fauchelevent. This hovel, built of old rubbish, which was still in
existence in 1845, was composed, as the reader already knows, of three
chambers, all of which were utterly bare and had nothing beyond the
walls. The principal one had been given up, by force, for Jean Valjean
had opposed it in vain, to M. Madeleine, by Father Fauchelevent. The
walls of this chamber had for ornament, in addition to the two nails
whereon to hang the knee-cap and the basket, a Royalist bank-note
of '93, applied to the wall over the chimney-piece, and of which the
following is an exact facsimile:--


[Illustration: Royalist Bank-note  2b8-9-banknote]


This specimen of Vendean paper money had been nailed to the wall by
the preceding gardener, an old Chouan, who had died in the convent, and
whose place Fauchelevent had taken.

Jean Valjean worked in the garden every day and made himself very
useful. He had formerly been a pruner of trees, and he gladly found
himself a gardener once more. It will be remembered that he knew all
sorts of secrets and receipts for agriculture. He turned these to
advantage. Almost all the trees in the orchard were ungrafted, and wild.
He budded them and made them produce excellent fruit.

Cosette had permission to pass an hour with him every day. As the
sisters were melancholy and he was kind, the child made comparisons and
adored him. At the appointed hour she flew to the hut. When she entered
the lowly cabin, she filled it with paradise. Jean Valjean blossomed
out and felt his happiness increase with the happiness which he afforded
Cosette. The joy which we inspire has this charming property, that, far
from growing meagre, like all reflections, it returns to us more radiant
than ever. At recreation hours, Jean Valjean watched her running and
playing in the distance, and he distinguished her laugh from that of the
rest.

For Cosette laughed now.

Cosette's face had even undergone a change, to a certain extent. The
gloom had disappeared from it. A smile is the same as sunshine; it
banishes winter from the human countenance.

Recreation over, when Cosette went into the house again, Jean Valjean
gazed at the windows of her class-room, and at night he rose to look at
the windows of her dormitory.

God has his own ways, moreover; the convent contributed, like Cosette,
to uphold and complete the Bishop's work in Jean Valjean. It is certain
that virtue adjoins pride on one side. A bridge built by the devil
exists there. Jean Valjean had been, unconsciously, perhaps, tolerably
near that side and that bridge, when Providence cast his lot in the
convent of the Petit-Picpus; so long as he had compared himself only to
the Bishop, he had regarded himself as unworthy and had remained humble;
but for some time past he had been comparing himself to men in general,
and pride was beginning to spring up. Who knows? He might have ended by
returning very gradually to hatred.

The convent stopped him on that downward path.

This was the second place of captivity which he had seen. In his youth,
in what had been for him the beginning of his life, and later on, quite
recently again, he had beheld another,--a frightful place, a terrible
place, whose severities had always appeared to him the iniquity of
justice, and the crime of the law. Now, after the galleys, he saw the
cloister; and when he meditated how he had formed a part of the galleys,
and that he now, so to speak, was a spectator of the cloister, he
confronted the two in his own mind with anxiety.

Sometimes he crossed his arms and leaned on his hoe, and slowly
descended the endless spirals of revery.

He recalled his former companions: how wretched they were; they rose at
dawn, and toiled until night; hardly were they permitted to sleep; they
lay on camp beds, where nothing was tolerated but mattresses two inches
thick, in rooms which were heated only in the very harshest months of
the year; they were clothed in frightful red blouses; they were allowed,
as a great favor, linen trousers in the hottest weather, and a woollen
carter's blouse on their backs when it was very cold; they drank no
wine, and ate no meat, except when they went on "fatigue duty." They
lived nameless, designated only by numbers, and converted, after a
manner, into ciphers themselves, with downcast eyes, with lowered
voices, with shorn heads, beneath the cudgel and in disgrace.

Then his mind reverted to the beings whom he had under his eyes.

These beings also lived with shorn heads, with downcast eyes, with
lowered voices, not in disgrace, but amid the scoffs of the world,
not with their backs bruised with the cudgel, but with their shoulders
lacerated with their discipline. Their names, also, had vanished from
among men; they no longer existed except under austere appellations.
They never ate meat and they never drank wine; they often remained until
evening without food; they were attired, not in a red blouse, but in a
black shroud, of woollen, which was heavy in summer and thin in winter,
without the power to add or subtract anything from it; without having
even, according to the season, the resource of the linen garment or the
woollen cloak; and for six months in the year they wore serge chemises
which gave them fever. They dwelt, not in rooms warmed only during
rigorous cold, but in cells where no fire was ever lighted; they slept,
not on mattresses two inches thick, but on straw. And finally, they were
not even allowed their sleep; every night, after a day of toil, they
were obliged, in the weariness of their first slumber, at the moment
when they were falling sound asleep and beginning to get warm, to rouse
themselves, to rise and to go and pray in an ice-cold and gloomy chapel,
with their knees on the stones.

On certain days each of these beings in turn had to remain for twelve
successive hours in a kneeling posture, or prostrate, with face upon the
pavement, and arms outstretched in the form of a cross.

The others were men; these were women.

What had those men done? They had stolen, violated, pillaged,
murdered, assassinated. They were bandits, counterfeiters, poisoners,
incendiaries, murderers, parricides. What had these women done? They had
done nothing whatever.

On the one hand, highway robbery, fraud, deceit, violence, sensuality,
homicide, all sorts of sacrilege, every variety of crime; on the other,
one thing only, innocence.

Perfect innocence, almost caught up into heaven in a mysterious
assumption, attached to the earth by virtue, already possessing
something of heaven through holiness.

On the one hand, confidences over crimes, which are exchanged in
whispers; on the other, the confession of faults made aloud. And what
crimes! And what faults!

On the one hand, miasms; on the other, an ineffable perfume. On the one
hand, a moral pest, guarded from sight, penned up under the range of
cannon, and literally devouring its plague-stricken victims; on
the other, the chaste flame of all souls on the same hearth. There,
darkness; here, the shadow; but a shadow filled with gleams of light,
and of gleams full of radiance.

Two strongholds of slavery; but in the first, deliverance possible,
a legal limit always in sight, and then, escape. In the second,
perpetuity; the sole hope, at the distant extremity of the future, that
faint light of liberty which men call death.

In the first, men are bound only with chains; in the other, chained by
faith.

What flowed from the first? An immense curse, the gnashing of teeth,
hatred, desperate viciousness, a cry of rage against human society, a
sarcasm against heaven.

What results flowed from the second? Blessings and love.

And in these two places, so similar yet so unlike, these two species
of beings who were so very unlike, were undergoing the same work,
expiation.

Jean Valjean understood thoroughly the expiation of the former; that
personal expiation, the expiation for one's self. But he did not
understand that of these last, that of creatures without reproach and
without stain, and he trembled as he asked himself: The expiation of
what? What expiation?

A voice within his conscience replied: "The most divine of human
generosities, the expiation for others."

Here all personal theory is withheld; we are only the narrator; we
place ourselves at Jean Valjean's point of view, and we translate his
impressions.

Before his eyes he had the sublime summit of abnegation, the highest
possible pitch of virtue; the innocence which pardons men their faults,
and which expiates in their stead; servitude submitted to, torture
accepted, punishment claimed by souls which have not sinned, for the
sake of sparing it to souls which have fallen; the love of humanity
swallowed up in the love of God, but even there preserving its distinct
and mediatorial character; sweet and feeble beings possessing the misery
of those who are punished and the smile of those who are recompensed.

And he remembered that he had dared to murmur!

Often, in the middle of the night, he rose to listen to the grateful
song of those innocent creatures weighed down with severities, and the
blood ran cold in his veins at the thought that those who were justly
chastised raised their voices heavenward only in blasphemy, and that he,
wretch that he was, had shaken his fist at God.

There was one striking thing which caused him to meditate deeply, like
a warning whisper from Providence itself: the scaling of that wall, the
passing of those barriers, the adventure accepted even at the risk of
death, the painful and difficult ascent, all those efforts even, which
he had made to escape from that other place of expiation, he had made in
order to gain entrance into this one. Was this a symbol of his destiny?
This house was a prison likewise and bore a melancholy resemblance to
that other one whence he had fled, and yet he had never conceived an
idea of anything similar.

Again he beheld gratings, bolts, iron bars--to guard whom? Angels.

These lofty walls which he had seen around tigers, he now beheld once
more around lambs.

This was a place of expiation, and not of punishment; and yet, it was
still more austere, more gloomy, and more pitiless than the other.

These virgins were even more heavily burdened than the convicts. A cold,
harsh wind, that wind which had chilled his youth, traversed the barred
and padlocked grating of the vultures; a still harsher and more biting
breeze blew in the cage of these doves.

Why?

When he thought on these things, all that was within him was lost in
amazement before this mystery of sublimity.

In these meditations, his pride vanished. He scrutinized his own heart
in all manner of ways; he felt his pettiness, and many a time he wept.
All that had entered into his life for the last six months had led him
back towards the Bishop's holy injunctions; Cosette through love, the
convent through humility.

Sometimes at eventide, in the twilight, at an hour when the garden was
deserted, he could be seen on his knees in the middle of the walk which
skirted the chapel, in front of the window through which he had gazed on
the night of his arrival, and turned towards the spot where, as he knew,
the sister was making reparation, prostrated in prayer. Thus he prayed
as he knelt before the sister.

It seemed as though he dared not kneel directly before God.

Everything that surrounded him, that peaceful garden, those fragrant
flowers, those children who uttered joyous cries, those grave and simple
women, that silent cloister, slowly permeated him, and little by little,
his soul became compounded of silence like the cloister, of perfume like
the flowers, of simplicity like the women, of joy like the children.
And then he reflected that these had been two houses of God which had
received him in succession at two critical moments in his life: the
first, when all doors were closed and when human society rejected him;
the second, at a moment when human society had again set out in pursuit
of him, and when the galleys were again yawning; and that, had it not
been for the first, he should have relapsed into crime, and had it not
been for the second, into torment.

His whole heart melted in gratitude, and he loved more and more.

Many years passed in this manner; Cosette was growing up.


[THE END OF VOLUME II. "COSETTE"]






VOLUME III--MARIUS.


[Illustration: Frontispiece Volume Three  3frontispiece]

[Illustration: Titlepage Volume Three  3titlepage]




BOOK FIRST.--PARIS STUDIED IN ITS ATOM




CHAPTER I--PARVULUS

Paris has a child, and the forest has a bird; the bird is called the
sparrow; the child is called the gamin.

Couple these two ideas which contain, the one all the furnace, the other
all the dawn; strike these two sparks together, Paris, childhood; there
leaps out from them a little being. Homuncio, Plautus would say.

This little being is joyous. He has not food every day, and he goes to
the play every evening, if he sees good. He has no shirt on his body,
no shoes on his feet, no roof over his head; he is like the flies of
heaven, who have none of these things. He is from seven to thirteen
years of age, he lives in bands, roams the streets, lodges in the open
air, wears an old pair of trousers of his father's, which descend below
his heels, an old hat of some other father, which descends below his
ears, a single suspender of yellow listing; he runs, lies in wait,
rummages about, wastes time, blackens pipes, swears like a convict,
haunts the wine-shop, knows thieves, calls gay women thou, talks slang,
sings obscene songs, and has no evil in his heart. This is because he
has in his heart a pearl, innocence; and pearls are not to be dissolved
in mud. So long as man is in his childhood, God wills that he shall be
innocent.

If one were to ask that enormous city: "What is this?" she would reply:
"It is my little one."




CHAPTER II--SOME OF HIS PARTICULAR CHARACTERISTICS

The gamin--the street Arab--of Paris is the dwarf of the giant.

Let us not exaggerate, this cherub of the gutter sometimes has a shirt,
but, in that case, he owns but one; he sometimes has shoes, but then
they have no soles; he sometimes has a lodging, and he loves it, for
he finds his mother there; but he prefers the street, because there he
finds liberty. He has his own games, his own bits of mischief, whose
foundation consists of hatred for the bourgeois; his peculiar metaphors:
to be dead is to eat dandelions by the root; his own occupations,
calling hackney-coaches, letting down carriage-steps, establishing means
of transit between the two sides of a street in heavy rains, which he
calls making the bridge of arts, crying discourses pronounced by the
authorities in favor of the French people, cleaning out the cracks
in the pavement; he has his own coinage, which is composed of all the
little morsels of worked copper which are found on the public streets.
This curious money, which receives the name of loques--rags--has
an invariable and well-regulated currency in this little Bohemia of
children.

Lastly, he has his own fauna, which he observes attentively in
the corners; the lady-bird, the death's-head plant-louse, the
daddy-long-legs, "the devil," a black insect, which menaces by twisting
about its tail armed with two horns. He has his fabulous monster, which
has scales under its belly, but is not a lizard, which has pustules on
its back, but is not a toad, which inhabits the nooks of old lime-kilns
and wells that have run dry, which is black, hairy, sticky, which crawls
sometimes slowly, sometimes rapidly, which has no cry, but which has a
look, and is so terrible that no one has ever beheld it; he calls this
monster "the deaf thing." The search for these "deaf things" among
the stones is a joy of formidable nature. Another pleasure consists in
suddenly prying up a paving-stone, and taking a look at the wood-lice.
Each region of Paris is celebrated for the interesting treasures which
are to be found there. There are ear-wigs in the timber-yards of the
Ursulines, there are millepeds in the Pantheon, there are tadpoles in
the ditches of the Champs-de-Mars.

As far as sayings are concerned, this child has as many of them as
Talleyrand. He is no less cynical, but he is more honest. He is endowed
with a certain indescribable, unexpected joviality; he upsets the
composure of the shopkeeper with his wild laughter. He ranges boldly
from high comedy to farce.

A funeral passes by. Among those who accompany the dead there is a
doctor. "Hey there!" shouts some street Arab, "how long has it been
customary for doctors to carry home their own work?"

Another is in a crowd. A grave man, adorned with spectacles and
trinkets, turns round indignantly: "You good-for-nothing, you have
seized my wife's waist!"--"I, sir? Search me!"




CHAPTER III--HE IS AGREEABLE

In the evening, thanks to a few sous, which he always finds means
to procure, the homuncio enters a theatre. On crossing that magic
threshold, he becomes transfigured; he was the street Arab, he becomes
the titi.[18] Theatres are a sort of ship turned upside down with the
keel in the air. It is in that keel that the titi huddle together.
The titi is to the gamin what the moth is to the larva; the same being
endowed with wings and soaring. It suffices for him to be there, with
his radiance of happiness, with his power of enthusiasm and joy, with
his hand-clapping, which resembles a clapping of wings, to confer on
that narrow, dark, fetid, sordid, unhealthy, hideous, abominable keel,
the name of Paradise.

Bestow on an individual the useless and deprive him of the necessary,
and you have the gamin.

The gamin is not devoid of literary intuition. His tendency, and we say
it with the proper amount of regret, would not constitute classic
taste. He is not very academic by nature. Thus, to give an example, the
popularity of Mademoiselle Mars among that little audience of stormy
children was seasoned with a touch of irony. The gamin called her
Mademoiselle Muche--"hide yourself."

This being bawls and scoffs and ridicules and fights, has rags like a
baby and tatters like a philosopher, fishes in the sewer, hunts in the
cesspool, extracts mirth from foulness, whips up the squares with his
wit, grins and bites, whistles and sings, shouts, and shrieks, tempers
Alleluia with Matantur-lurette, chants every rhythm from the De
Profundis to the Jack-pudding, finds without seeking, knows what he is
ignorant of, is a Spartan to the point of thieving, is mad to wisdom, is
lyrical to filth, would crouch down on Olympus, wallows in the dunghill
and emerges from it covered with stars. The gamin of Paris is Rabelais
in this youth.

He is not content with his trousers unless they have a watch-pocket.

He is not easily astonished, he is still less easily terrified, he makes
songs on superstitions, he takes the wind out of exaggerations, he twits
mysteries, he thrusts out his tongue at ghosts, he takes the poetry out
of stilted things, he introduces caricature into epic extravaganzas.
It is not that he is prosaic; far from that; but he replaces the solemn
vision by the farcical phantasmagoria. If Adamastor were to appear to
him, the street Arab would say: "Hi there! The bugaboo!"




CHAPTER IV--HE MAY BE OF USE

Paris begins with the lounger and ends with the street Arab, two
beings of which no other city is capable; the passive acceptance, which
contents itself with gazing, and the inexhaustible initiative; Prudhomme
and Fouillou. Paris alone has this in its natural history. The whole of
the monarchy is contained in the lounger; the whole of anarchy in the
gamin.

This pale child of the Parisian faubourgs lives and develops, makes
connections, "grows supple" in suffering, in the presence of social
realities and of human things, a thoughtful witness. He thinks himself
heedless; and he is not. He looks and is on the verge of laughter; he is
on the verge of something else also. Whoever you may be, if your name is
Prejudice, Abuse, Ignorance, Oppression, Iniquity, Despotism, Injustice,
Fanaticism, Tyranny, beware of the gaping gamin.

The little fellow will grow up.

Of what clay is he made? Of the first mud that comes to hand. A handful
of dirt, a breath, and behold Adam. It suffices for a God to pass by. A
God has always passed over the street Arab. Fortune labors at this tiny
being. By the word "fortune" we mean chance, to some extent. That pigmy
kneaded out of common earth, ignorant, unlettered, giddy, vulgar, low.
Will that become an Ionian or a Boeotian? Wait, currit rota, the Spirit
of Paris, that demon which creates the children of chance and the men
of destiny, reversing the process of the Latin potter, makes of a jug an
amphora.




CHAPTER V--HIS FRONTIERS

The gamin loves the city, he also loves solitude, since he has something
of the sage in him. Urbis amator, like Fuscus; ruris amator, like
Flaccus.

To roam thoughtfully about, that is to say, to lounge, is a fine
employment of time in the eyes of the philosopher; particularly in that
rather illegitimate species of campaign, which is tolerably ugly but
odd and composed of two natures, which surrounds certain great cities,
notably Paris. To study the suburbs is to study the amphibious animal.
End of the trees, beginning of the roofs; end of the grass, beginning
of the pavements; end of the furrows, beginning of the shops, end of
the wheel-ruts, beginning of the passions; end of the divine murmur,
beginning of the human uproar; hence an extraordinary interest.

Hence, in these not very attractive places, indelibly stamped by the
passing stroller with the epithet: melancholy, the apparently objectless
promenades of the dreamer.

He who writes these lines has long been a prowler about the barriers
of Paris, and it is for him a source of profound souvenirs. That
close-shaven turf, those pebbly paths, that chalk, those pools,
those harsh monotonies of waste and fallow lands, the plants of early
market-garden suddenly springing into sight in a bottom, that mixture of
the savage and the citizen, those vast desert nooks where the garrison
drums practise noisily, and produce a sort of lisping of battle, those
hermits by day and cut-throats by night, that clumsy mill which turns
in the wind, the hoisting-wheels of the quarries, the tea-gardens at the
corners of the cemeteries; the mysterious charm of great, sombre walls
squarely intersecting immense, vague stretches of land inundated with
sunshine and full of butterflies,--all this attracted him.

There is hardly any one on earth who is not acquainted with those
singular spots, the Glaciere, the Cunette, the hideous wall of Grenelle
all speckled with balls, Mont-Parnasse, the Fosse-aux-Loups, Aubiers on
the bank of the Marne, Mont-Souris, the Tombe-Issoire, the Pierre-Plate
de Chatillon, where there is an old, exhausted quarry which no longer
serves any purpose except to raise mushrooms, and which is closed, on a
level with the ground, by a trap-door of rotten planks. The campagna of
Rome is one idea, the banlieue of Paris is another; to behold nothing
but fields, houses, or trees in what a stretch of country offers us, is
to remain on the surface; all aspects of things are thoughts of God. The
spot where a plain effects its junction with a city is always stamped
with a certain piercing melancholy. Nature and humanity both appeal
to you at the same time there. Local originalities there make their
appearance.

Any one who, like ourselves, has wandered about in these solitudes
contiguous to our faubourgs, which may be designated as the limbos of
Paris, has seen here and there, in the most desert spot, at the
most unexpected moment, behind a meagre hedge, or in the corner of a
lugubrious wall, children grouped tumultuously, fetid, muddy,
dusty, ragged, dishevelled, playing hide-and-seek, and crowned with
corn-flowers. All of them are little ones who have made their escape
from poor families. The outer boulevard is their breathing space; the
suburbs belong to them. There they are eternally playing truant. There
they innocently sing their repertory of dirty songs. There they are, or
rather, there they exist, far from every eye, in the sweet light of
May or June, kneeling round a hole in the ground, snapping marbles with
their thumbs, quarrelling over half-farthings, irresponsible, volatile,
free and happy; and, no sooner do they catch sight of you than they
recollect that they have an industry, and that they must earn their
living, and they offer to sell you an old woollen stocking filled
with cockchafers, or a bunch of lilacs. These encounters with strange
children are one of the charming and at the same time poignant graces of
the environs of Paris.

Sometimes there are little girls among the throng of boys,--are they
their sisters?--who are almost young maidens, thin, feverish, with
sunburnt hands, covered with freckles, crowned with poppies and ears of
rye, gay, haggard, barefooted. They can be seen devouring cherries among
the wheat. In the evening they can be heard laughing. These groups,
warmly illuminated by the full glow of midday, or indistinctly seen in
the twilight, occupy the thoughtful man for a very long time, and these
visions mingle with his dreams.

Paris, centre, banlieue, circumference; this constitutes all the earth
to those children. They never venture beyond this. They can no more
escape from the Parisian atmosphere than fish can escape from the
water. For them, nothing exists two leagues beyond the barriers:
Ivry, Gentilly, Arcueil, Belleville, Aubervilliers, Menilmontant,
Choisy-le-Roi, Billancourt, Mendon, Issy, Vanvre, Sevres, Puteaux,
Neuilly, Gennevilliers, Colombes, Romainville, Chatou, Asnieres,
Bougival, Nanterre, Enghien, Noisy-le-Sec, Nogent, Gournay, Drancy,
Gonesse; the universe ends there.




CHAPTER VI--A BIT OF HISTORY

At the epoch, nearly contemporary by the way, when the action of this
book takes place, there was not, as there is to-day, a policeman at
the corner of every street (a benefit which there is no time to discuss
here); stray children abounded in Paris. The statistics give an average
of two hundred and sixty homeless children picked up annually at that
period, by the police patrols, in unenclosed lands, in houses in process
of construction, and under the arches of the bridges. One of these
nests, which has become famous, produced "the swallows of the bridge of
Arcola." This is, moreover, the most disastrous of social symptoms. All
crimes of the man begin in the vagabondage of the child.

Let us make an exception in favor of Paris, nevertheless. In a relative
measure, and in spite of the souvenir which we have just recalled, the
exception is just. While in any other great city the vagabond child is
a lost man, while nearly everywhere the child left to itself is, in
some sort, sacrificed and abandoned to a kind of fatal immersion in the
public vices which devour in him honesty and conscience, the street boy
of Paris, we insist on this point, however defaced and injured on the
surface, is almost intact on the interior. It is a magnificent thing to
put on record, and one which shines forth in the splendid probity of our
popular revolutions, that a certain incorruptibility results from the
idea which exists in the air of Paris, as salt exists in the water of
the ocean. To breathe Paris preserves the soul.

What we have just said takes away nothing of the anguish of heart which
one experiences every time that one meets one of these children around
whom one fancies that he beholds floating the threads of a broken
family. In the civilization of the present day, incomplete as it still
is, it is not a very abnormal thing to behold these fractured families
pouring themselves out into the darkness, not knowing clearly what has
become of their children, and allowing their own entrails to fall on the
public highway. Hence these obscure destinies. This is called, for this
sad thing has given rise to an expression, "to be cast on the pavements
of Paris."

Let it be said by the way, that this abandonment of children was not
discouraged by the ancient monarchy. A little of Egypt and Bohemia in
the lower regions suited the upper spheres, and compassed the aims of
the powerful. The hatred of instruction for the children of the people
was a dogma. What is the use of "half-lights"? Such was the countersign.
Now, the erring child is the corollary of the ignorant child.

Besides this, the monarchy sometimes was in need of children, and in
that case it skimmed the streets.

Under Louis XIV., not to go any further back, the king rightly desired
to create a fleet. The idea was a good one. But let us consider
the means. There can be no fleet, if, beside the sailing ship, that
plaything of the winds, and for the purpose of towing it, in case of
necessity, there is not the vessel which goes where it pleases, either
by means of oars or of steam; the galleys were then to the marine what
steamers are to-day. Therefore, galleys were necessary; but the galley
is moved only by the galley-slave; hence, galley-slaves were required.
Colbert had the commissioners of provinces and the parliaments make
as many convicts as possible. The magistracy showed a great deal of
complaisance in the matter. A man kept his hat on in the presence of a
procession--it was a Huguenot attitude; he was sent to the galleys. A
child was encountered in the streets; provided that he was fifteen
years of age and did not know where he was to sleep, he was sent to the
galleys. Grand reign; grand century.

Under Louis XV. children disappeared in Paris; the police carried them
off, for what mysterious purpose no one knew. People whispered with
terror monstrous conjectures as to the king's baths of purple. Barbier
speaks ingenuously of these things. It sometimes happened that the
exempts of the guard, when they ran short of children, took those who
had fathers. The fathers, in despair, attacked the exempts. In that
case, the parliament intervened and had some one hung. Who? The exempts?
No, the fathers.




CHAPTER VII--THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF
INDIA

The body of street Arabs in Paris almost constitutes a caste. One might
almost say: Not every one who wishes to belong to it can do so.

This word gamin was printed for the first time, and reached popular
speech through the literary tongue, in 1834. It is in a little work
entitled Claude Gueux that this word made its appearance. The horror was
lively. The word passed into circulation.

The elements which constitute the consideration of the gamins for each
other are very various. We have known and associated with one who was
greatly respected and vastly admired because he had seen a man fall from
the top of the tower of Notre-Dame; another, because he had succeeded in
making his way into the rear courtyard where the statues of the dome
of the Invalides had been temporarily deposited, and had "prigged" some
lead from them; a third, because he had seen a diligence tip over; still
another, because he "knew" a soldier who came near putting out the eye
of a citizen.

This explains that famous exclamation of a Parisian gamin, a profound
epiphonema, which the vulgar herd laughs at without comprehending,--Dieu
de Dieu! What ill-luck I do have! to think that I have never yet seen
anybody tumble from a fifth-story window! (I have pronounced I'ave and
fifth pronounced fift'.)

Surely, this saying of a peasant is a fine one: "Father So-and-So, your
wife has died of her malady; why did you not send for the doctor?"
"What would you have, sir, we poor folks die of ourselves." But if
the peasant's whole passivity lies in this saying, the whole of the
free-thinking anarchy of the brat of the faubourgs is, assuredly,
contained in this other saying. A man condemned to death is listening
to his confessor in the tumbrel. The child of Paris exclaims: "He is
talking to his black cap! Oh, the sneak!"

A certain audacity on matters of religion sets off the gamin. To be
strong-minded is an important item.

To be present at executions constitutes a duty. He shows himself at the
guillotine, and he laughs. He calls it by all sorts of pet names: The
End of the Soup, The Growler, The Mother in the Blue (the sky), The Last
Mouthful, etc., etc. In order not to lose anything of the affair, he
scales the walls, he hoists himself to balconies, he ascends trees, he
suspends himself to gratings, he clings fast to chimneys. The gamin is
born a tiler as he is born a mariner. A roof inspires him with no more
fear than a mast. There is no festival which comes up to an execution
on the Place de Greve. Samson and the Abbe Montes are the truly popular
names. They hoot at the victim in order to encourage him. They sometimes
admire him. Lacenaire, when a gamin, on seeing the hideous Dautin die
bravely, uttered these words which contain a future: "I was jealous of
him." In the brotherhood of gamins Voltaire is not known, but Papavoine
is. "Politicians" are confused with assassins in the same legend.
They have a tradition as to everybody's last garment. It is known that
Tolleron had a fireman's cap, Avril an otter cap, Losvel a round hat,
that old Delaporte was bald and bare-headed, that Castaing was all ruddy
and very handsome, that Bories had a romantic small beard, that Jean
Martin kept on his suspenders, that Lecouffe and his mother quarrelled.
"Don't reproach each other for your basket," shouted a gamin to them.
Another, in order to get a look at Debacker as he passed, and being too
small in the crowd, caught sight of the lantern on the quay and climbed
it. A gendarme stationed opposite frowned. "Let me climb up, m'sieu le
gendarme," said the gamin. And, to soften the heart of the authorities
he added: "I will not fall." "I don't care if you do," retorted the
gendarme.

In the brotherhood of gamins, a memorable accident counts for a great
deal. One reaches the height of consideration if one chances to cut
one's self very deeply, "to the very bone."

The fist is no mediocre element of respect. One of the things that the
gamin is fondest of saying is: "I am fine and strong, come now!" To be
left-handed renders you very enviable. A squint is highly esteemed.




CHAPTER VIII--IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE
LAST KING

In summer, he metamorphoses himself into a frog; and in the evening,
when night is falling, in front of the bridges of Austerlitz and Jena,
from the tops of coal wagons, and the washerwomen's boats, he hurls
himself headlong into the Seine, and into all possible infractions of
the laws of modesty and of the police. Nevertheless the police keep an
eye on him, and the result is a highly dramatic situation which
once gave rise to a fraternal and memorable cry; that cry which was
celebrated about 1830, is a strategic warning from gamin to gamin; it
scans like a verse from Homer, with a notation as inexpressible as the
eleusiac chant of the Panathenaea, and in it one encounters again the
ancient Evohe. Here it is: "Ohe, Titi, oheee! Here comes the bobby, here
comes the p'lice, pick up your duds and be off, through the sewer with
you!"

Sometimes this gnat--that is what he calls himself--knows how to read;
sometimes he knows how to write; he always knows how to daub. He
does not hesitate to acquire, by no one knows what mysterious mutual
instruction, all the talents which can be of use to the public; from
1815 to 1830, he imitated the cry of the turkey; from 1830 to 1848, he
scrawled pears on the walls. One summer evening, when Louis Philippe was
returning home on foot, he saw a little fellow, no higher than his knee,
perspiring and climbing up to draw a gigantic pear in charcoal on one
of the pillars of the gate of Neuilly; the King, with that good-nature
which came to him from Henry IV., helped the gamin, finished the pear,
and gave the child a louis, saying: "The pear is on that also."[19]
The gamin loves uproar. A certain state of violence pleases him. He
execrates "the cures." One day, in the Rue de l'Universite, one of these
scamps was putting his thumb to his nose at the carriage gate of No.
69. "Why are you doing that at the gate?" a passer-by asked. The boy
replied: "There is a cure there." It was there, in fact, that the Papal
Nuncio lived.

Nevertheless, whatever may be the Voltairianism of the small gamin, if
the occasion to become a chorister presents itself, it is quite possible
that he will accept, and in that case he serves the mass civilly. There
are two things to which he plays Tantalus, and which he always desires
without ever attaining them: to overthrow the government, and to get his
trousers sewed up again.

The gamin in his perfect state possesses all the policemen of Paris, and
can always put the name to the face of any one which he chances to
meet. He can tell them off on the tips of his fingers. He studies their
habits, and he has special notes on each one of them. He reads the souls
of the police like an open book. He will tell you fluently and without
flinching: "Such an one is a traitor; such another is very malicious;
such another is great; such another is ridiculous." (All these words:
traitor, malicious, great, ridiculous, have a particular meaning in his
mouth.) That one imagines that he owns the Pont-Neuf, and he prevents
people from walking on the cornice outside the parapet; that other has a
mania for pulling person's ears; etc., etc.




CHAPTER IX--THE OLD SOUL OF GAUL

There was something of that boy in Poquelin, the son of the fish-market;
Beaumarchais had something of it. Gaminerie is a shade of the Gallic
spirit. Mingled with good sense, it sometimes adds force to the latter,
as alcohol does to wine. Sometimes it is a defect. Homer repeats himself
eternally, granted; one may say that Voltaire plays the gamin. Camille
Desmoulins was a native of the faubourgs. Championnet, who treated
miracles brutally, rose from the pavements of Paris; he had, when a
small lad, inundated the porticos of Saint-Jean de Beauvais, and of
Saint-Etienne du Mont; he had addressed the shrine of Sainte-Genevieve
familiarly to give orders to the phial of Saint Januarius.

The gamin of Paris is respectful, ironical, and insolent. He has
villainous teeth, because he is badly fed and his stomach suffers, and
handsome eyes because he has wit. If Jehovah himself were present, he
would go hopping up the steps of paradise on one foot. He is strong on
boxing. All beliefs are possible to him. He plays in the gutter, and
straightens himself up with a revolt; his effrontery persists even in
the presence of grape-shot; he was a scapegrace, he is a hero; like the
little Theban, he shakes the skin from the lion; Barra the drummer-boy
was a gamin of Paris; he Shouts: "Forward!" as the horse of Scripture
says "Vah!" and in a moment he has passed from the small brat to the
giant.

This child of the puddle is also the child of the ideal. Measure that
spread of wings which reaches from Moliere to Barra.

To sum up the whole, and in one word, the gamin is a being who amuses
himself, because he is unhappy.




CHAPTER X--ECCE PARIS, ECCE HOMO

To sum it all up once more, the Paris gamin of to-day, like the
graeculus of Rome in days gone by, is the infant populace with the
wrinkle of the old world on his brow.

The gamin is a grace to the nation, and at the same time a disease; a
disease which must be cured, how? By light.

Light renders healthy.

Light kindles.

All generous social irradiations spring from science, letters, arts,
education. Make men, make men. Give them light that they may warm
you. Sooner or later the splendid question of universal education will
present itself with the irresistible authority of the absolute truth;
and then, those who govern under the superintendence of the French idea
will have to make this choice; the children of France or the gamins of
Paris; flames in the light or will-o'-the-wisps in the gloom.

The gamin expresses Paris, and Paris expresses the world.

For Paris is a total. Paris is the ceiling of the human race. The whole
of this prodigious city is a foreshortening of dead manners and living
manners. He who sees Paris thinks he sees the bottom of all history with
heaven and constellations in the intervals. Paris has a capital, the
Town-Hall, a Parthenon, Notre-Dame, a Mount Aventine, the Faubourg
Saint-Antoine, an Asinarium, the Sorbonne, a Pantheon, the Pantheon, a
Via Sacra, the Boulevard des Italiens, a temple of the winds, opinion;
and it replaces the Gemoniae by ridicule. Its majo is called "faraud,"
its Transteverin is the man of the faubourgs, its hammal is the
market-porter, its lazzarone is the pegre, its cockney is the native of
Ghent. Everything that exists elsewhere exists at Paris. The fishwoman
of Dumarsais can retort on the herb-seller of Euripides, the
discobols Vejanus lives again in the Forioso, the tight-rope dancer.
Therapontigonus Miles could walk arm in arm with Vadeboncoeur the
grenadier, Damasippus the second-hand dealer would be happy among
bric-a-brac merchants, Vincennes could grasp Socrates in its fist as
just as Agora could imprison Diderot, Grimod de la Reyniere discovered
larded roast beef, as Curtillus invented roast hedgehog, we see the
trapeze which figures in Plautus reappear under the vault of the Arc
of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a
sword-swallower on the Pont Neuf, the nephew of Rameau and Curculio
the parasite make a pair, Ergasilus could get himself presented to
Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus,
Phoedromus, Diabolus, and Argyrippus, descend from Courtille in
Labatut's posting-chaise; Aulus Gellius would halt no longer in front of
Congrio than would Charles Nodier in front of Punchinello; Marto is not
a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in
the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor
in the Champs-Elysees, and round him, Thracius the beggar, clad like
Bobeche, takes up a collection; the bore who stops you by the button
of your coat in the Tuileries makes you repeat after a lapse of two
thousand years Thesprion's apostrophe: Quis properantem me prehendit
pallio? The wine on Surene is a parody of the wine of Alba, the red
border of Desaugiers forms a balance to the great cutting of Balatro,
Pere Lachaise exhales beneath nocturnal rains same gleams as the
Esquiliae, and the grave of the poor bought for five years, is certainly
the equivalent of the slave's hived coffin.

Seek something that Paris has not. The vat of Trophonius contains
nothing that is not in Mesmer's tub; Ergaphilas lives again in
Cagliostro; the Brahmin Vasaphanta become incarnate in the Comte de
Saint-Germain; the cemetery of Saint-Medard works quite as good miracles
as the Mosque of Oumoumie at Damascus.

Paris has an AEsop-Mayeux, and a Canidia, Mademoiselle Lenormand. It is
terrified, like Delphos at the fulgurating realities of the vision; it
makes tables turn as Dodona did tripods. It places the grisette on the
throne, as Rome placed the courtesan there; and, taking it altogether,
if Louis XV. is worse than Claudian, Madame Dubarry is better than
Messalina. Paris combines in an unprecedented type, which has existed
and which we have elbowed, Grecian nudity, the Hebraic ulcer, and the
Gascon pun. It mingles Diogenes, Job, and Jack-pudding, dresses up a
spectre in old numbers of the Constitutional, and makes Chodruc Duclos.

Although Plutarch says: the tyrant never grows old, Rome, under Sylla as
under Domitian, resigned itself and willingly put water in its wine. The
Tiber was a Lethe, if the rather doctrinary eulogium made of it by Varus
Vibiscus is to be credited: Contra Gracchos Tiberim habemus, Bibere
Tiberim, id est seditionem oblivisci. Paris drinks a million litres of
water a day, but that does not prevent it from occasionally beating the
general alarm and ringing the tocsin.

With that exception, Paris is amiable. It accepts everything royally;
it is not too particular about its Venus; its Callipyge is Hottentot;
provided that it is made to laugh, it condones; ugliness cheers it,
deformity provokes it to laughter, vice diverts it; be eccentric and
you may be an eccentric; even hypocrisy, that supreme cynicism, does
not disgust it; it is so literary that it does not hold its nose before
Basile, and is no more scandalized by the prayer of Tartuffe than Horace
was repelled by the "hiccup" of Priapus. No trait of the universal face
is lacking in the profile of Paris. The bal Mabile is not the polymnia
dance of the Janiculum, but the dealer in ladies' wearing apparel there
devours the lorette with her eyes, exactly as the procuress Staphyla
lay in wait for the virgin Planesium. The Barriere du Combat is not
the Coliseum, but people are as ferocious there as though Caesar were
looking on. The Syrian hostess has more grace than Mother Saguet,
but, if Virgil haunted the Roman wine-shop, David d'Angers, Balzac
and Charlet have sat at the tables of Parisian taverns. Paris reigns.
Geniuses flash forth there, the red tails prosper there. Adonai passes
on his chariot with its twelve wheels of thunder and lightning; Silenus
makes his entry there on his ass. For Silenus read Ramponneau.

Paris is the synonym of Cosmos, Paris is Athens, Sybaris, Jerusalem,
Pantin. All civilizations are there in an abridged form, all barbarisms
also. Paris would greatly regret it if it had not a guillotine.

A little of the Place de Greve is a good thing. What would all that
eternal festival be without this seasoning? Our laws are wisely
provided, and thanks to them, this blade drips on this Shrove Tuesday.




CHAPTER XI--TO SCOFF, TO REIGN

There is no limit to Paris. No city has had that domination which
sometimes derides those whom it subjugates. To please you, O Athenians!
exclaimed Alexander. Paris makes more than the law, it makes the
fashion; Paris sets more than the fashion, it sets the routine. Paris
may be stupid, if it sees fit; it sometimes allows itself this luxury;
then the universe is stupid in company with it; then Paris awakes, rubs
its eyes, says: "How stupid I am!" and bursts out laughing in the face
of the human race. What a marvel is such a city! it is a strange thing
that this grandioseness and this burlesque should be amicable neighbors,
that all this majesty should not be thrown into disorder by all this
parody, and that the same mouth can to-day blow into the trump of the
Judgment Day, and to-morrow into the reed-flute! Paris has a sovereign
joviality. Its gayety is of the thunder and its farce holds a sceptre.

Its tempest sometimes proceeds from a grimace. Its explosions, its days,
its masterpieces, its prodigies, its epics, go forth to the bounds of
the universe, and so also do its cock-and-bull stories. Its laugh is the
mouth of a volcano which spatters the whole earth. Its jests are sparks.
It imposes its caricatures as well as its ideal on people; the highest
monuments of human civilization accept its ironies and lend their
eternity to its mischievous pranks. It is superb; it has a prodigious
14th of July, which delivers the globe; it forces all nations to take
the oath of tennis; its night of the 4th of August dissolves in three
hours a thousand years of feudalism; it makes of its logic the muscle
of unanimous will; it multiplies itself under all sorts of forms of
the sublime; it fills with its light Washington, Kosciusko, Bolivar,
Bozzaris, Riego, Bem, Manin, Lopez, John Brown, Garibaldi; it is
everywhere where the future is being lighted up, at Boston in 1779,
at the Isle de Leon in 1820, at Pesth in 1848, at Palermo in 1860, it
whispers the mighty countersign: Liberty, in the ear of the American
abolitionists grouped about the boat at Harper's Ferry, and in the ear
of the patriots of Ancona assembled in the shadow, to the Archi before
the Gozzi inn on the seashore; it creates Canaris; it creates Quiroga;
it creates Pisacane; it irradiates the great on earth; it was while
proceeding whither its breath urge them, that Byron perished at
Missolonghi, and that Mazet died at Barcelona; it is the tribune under
the feet of Mirabeau, and a crater under the feet of Robespierre;
its books, its theatre, its art, its science, its literature, its
philosophy, are the manuals of the human race; it has Pascal, Regnier,
Corneille, Descartes, Jean-Jacques: Voltaire for all moments, Moliere
for all centuries; it makes its language to be talked by the universal
mouth, and that language becomes the word; it constructs in all minds
the idea of progress, the liberating dogmas which it forges are for the
generations trusty friends, and it is with the soul of its thinkers and
its poets that all heroes of all nations have been made since 1789; this
does not prevent vagabondism, and that enormous genius which is called
Paris, while transfiguring the world by its light, sketches in charcoal
Bouginier's nose on the wall of the temple of Theseus and writes
Credeville the thief on the Pyramids.

Paris is always showing its teeth; when it is not scolding it is
laughing.

Such is Paris. The smoke of its roofs forms the ideas of the universe. A
heap of mud and stone, if you will, but, above all, a moral being. It is
more than great, it is immense. Why? Because it is daring.

To dare; that is the price of progress.

All sublime conquests are, more or less, the prizes of daring. In
order that the Revolution should take place, it does not suffice that
Montesquieu should foresee it, that Diderot should preach it, that
Beaumarchais should announce it, that Condorcet should calculate it,
that Arouet should prepare it, that Rousseau should premeditate it; it
is necessary that Danton should dare it.

The cry: Audacity! is a Fiat lux. It is necessary, for the sake of the
forward march of the human race, that there should be proud lessons of
courage permanently on the heights. Daring deeds dazzle history and are
one of man's great sources of light. The dawn dares when it rises. To
attempt, to brave, to persist, to persevere, to be faithful to one's
self, to grasp fate bodily, to astound catastrophe by the small amount
of fear that it occasions us, now to affront unjust power, again to
insult drunken victory, to hold one's position, to stand one's ground;
that is the example which nations need, that is the light which
electrifies them. The same formidable lightning proceeds from the torch
of Prometheus to Cambronne's short pipe.




CHAPTER XII--THE FUTURE LATENT IN THE PEOPLE

As for the Parisian populace, even when a man grown, it is always the
street Arab; to paint the child is to paint the city; and it is for that
reason that we have studied this eagle in this arrant sparrow. It is in
the faubourgs, above all, we maintain, that the Parisian race appears;
there is the pure blood; there is the true physiognomy; there this
people toils and suffers, and suffering and toil are the two faces of
man. There exist there immense numbers of unknown beings, among whom
swarm types of the strangest, from the porter of la Rapee to the knacker
of Montfaucon. Fex urbis, exclaims Cicero; mob, adds Burke, indignantly;
rabble, multitude, populace. These are words and quickly uttered. But
so be it. What does it matter? What is it to me if they do go barefoot!
They do not know how to read; so much the worse. Would you abandon them
for that? Would you turn their distress into a malediction? Cannot the
light penetrate these masses? Let us return to that cry: Light! and let
us obstinately persist therein! Light! Light! Who knows whether
these opacities will not become transparent? Are not revolutions
transfigurations? Come, philosophers, teach, enlighten, light up, think
aloud, speak aloud, hasten joyously to the great sun, fraternize with
the public place, announce the good news, spend your alphabets lavishly,
proclaim rights, sing the Marseillaises, sow enthusiasms, tear green
boughs from the oaks. Make a whirlwind of the idea. This crowd may
be rendered sublime. Let us learn how to make use of that vast
conflagration of principles and virtues, which sparkles, bursts forth
and quivers at certain hours. These bare feet, these bare arms, these
rags, these ignorances, these abjectnesses, these darknesses, may be
employed in the conquest of the ideal. Gaze past the people, and you
will perceive truth. Let that vile sand which you trample under foot be
cast into the furnace, let it melt and seethe there, it will become a
splendid crystal, and it is thanks to it that Galileo and Newton will
discover stars.




CHAPTER XIII--LITTLE GAVROCHE

[Illustration: Little Gavroche  3b1-13-gavroche]

Eight or nine years after the events narrated in the second part of this
story, people noticed on the Boulevard du Temple, and in the regions of
the Chateau-d'Eau, a little boy eleven or twelve years of age, who would
have realized with tolerable accuracy that ideal of the gamin sketched
out above, if, with the laugh of his age on his lips, he had not had a
heart absolutely sombre and empty. This child was well muffled up in a
pair of man's trousers, but he did not get them from his father, and a
woman's chemise, but he did not get it from his mother. Some people or
other had clothed him in rags out of charity. Still, he had a father and
a mother. But his father did not think of him, and his mother did not
love him.

He was one of those children most deserving of pity, among all, one of
those who have father and mother, and who are orphans nevertheless.

This child never felt so well as when he was in the street. The
pavements were less hard to him than his mother's heart.

His parents had despatched him into life with a kick.

He simply took flight.

He was a boisterous, pallid, nimble, wide-awake, jeering, lad, with a
vivacious but sickly air. He went and came, sang, played at hopscotch,
scraped the gutters, stole a little, but, like cats and sparrows, gayly
laughed when he was called a rogue, and got angry when called a thief.
He had no shelter, no bread, no fire, no love; but he was merry because
he was free.

When these poor creatures grow to be men, the millstones of the social
order meet them and crush them, but so long as they are children, they
escape because of their smallness. The tiniest hole saves them.

Nevertheless, abandoned as this child was, it sometimes happened, every
two or three months, that he said, "Come, I'll go and see mamma!" Then
he quitted the boulevard, the Cirque, the Porte Saint-Martin, descended
to the quays, crossed the bridges, reached the suburbs, arrived at the
Salpetriere, and came to a halt, where? Precisely at that double number
50-52 with which the reader is acquainted--at the Gorbeau hovel.

At that epoch, the hovel 50-52 generally deserted and eternally
decorated with the placard: "Chambers to let," chanced to be, a rare
thing, inhabited by numerous individuals who, however, as is always the
case in Paris, had no connection with each other. All belonged to
that indigent class which begins to separate from the lowest of petty
bourgeoisie in straitened circumstances, and which extends from misery
to misery into the lowest depths of society down to those two beings
in whom all the material things of civilization end, the sewer-man who
sweeps up the mud, and the ragpicker who collects scraps.

The "principal lodger" of Jean Valjean's day was dead and had been
replaced by another exactly like her. I know not what philosopher has
said: "Old women are never lacking."

This new old woman was named Madame Bourgon, and had nothing remarkable
about her life except a dynasty of three paroquets, who had reigned in
succession over her soul.

The most miserable of those who inhabited the hovel were a family of
four persons, consisting of father, mother, and two daughters, already
well grown, all four of whom were lodged in the same attic, one of the
cells which we have already mentioned.

At first sight, this family presented no very special feature except its
extreme destitution; the father, when he hired the chamber, had stated
that his name was Jondrette. Some time after his moving in, which had
borne a singular resemblance to the entrance of nothing at all, to
borrow the memorable expression of the principal tenant, this Jondrette
had said to the woman, who, like her predecessor, was at the same time
portress and stair-sweeper: "Mother So-and-So, if any one should chance
to come and inquire for a Pole or an Italian, or even a Spaniard,
perchance, it is I."

This family was that of the merry barefoot boy. He arrived there and
found distress, and, what is still sadder, no smile; a cold hearth
and cold hearts. When he entered, he was asked: "Whence come you?" He
replied: "From the street." When he went away, they asked him: "Whither
are you going?" He replied: "Into the streets." His mother said to him:
"What did you come here for?"

This child lived, in this absence of affection, like the pale plants
which spring up in cellars. It did not cause him suffering, and he
blamed no one. He did not know exactly how a father and mother should
be.

Nevertheless, his mother loved his sisters.

We have forgotten to mention, that on the Boulevard du Temple this child
was called Little Gavroche. Why was he called Little Gavroche?

Probably because his father's name was Jondrette.

It seems to be the instinct of certain wretched families to break the
thread.

The chamber which the Jondrettes inhabited in the Gorbeau hovel was the
last at the end of the corridor. The cell next to it was occupied by a
very poor young man who was called M. Marius.

Let us explain who this M. Marius was.




BOOK SECOND.--THE GREAT BOURGEOIS




CHAPTER I--NINETY YEARS AND THIRTY-TWO TEETH

In the Rue Boucherat, Rue de Normandie and the Rue de Saintonge there
still exist a few ancient inhabitants who have preserved the memory of a
worthy man named M. Gillenormand, and who mention him with complaisance.
This good man was old when they were young. This silhouette has not yet
entirely disappeared--for those who regard with melancholy that vague
swarm of shadows which is called the past--from the labyrinth of streets
in the vicinity of the Temple to which, under Louis XIV., the names of
all the provinces of France were appended exactly as in our day, the
streets of the new Tivoli quarter have received the names of all the
capitals of Europe; a progression, by the way, in which progress is
visible.

M.Gillenormand, who was as much alive as possible in 1831, was one of
those men who had become curiosities to be viewed, simply because
they have lived a long time, and who are strange because they formerly
resembled everybody, and now resemble nobody. He was a peculiar old man,
and in very truth, a man of another age, the real, complete and rather
haughty bourgeois of the eighteenth century, who wore his good, old
bourgeoisie with the air with which marquises wear their marquisates. He
was over ninety years of age, his walk was erect, he talked loudly, saw
clearly, drank neat, ate, slept, and snored. He had all thirty-two of
his teeth. He only wore spectacles when he read. He was of an amorous
disposition, but declared that, for the last ten years, he had wholly
and decidedly renounced women. He could no longer please, he said; he
did not add: "I am too old," but: "I am too poor." He said: "If I were
not ruined--Heee!" All he had left, in fact, was an income of about
fifteen thousand francs. His dream was to come into an inheritance and
to have a hundred thousand livres income for mistresses. He did
not belong, as the reader will perceive, to that puny variety of
octogenaries who, like M. de Voltaire, have been dying all their life;
his was no longevity of a cracked pot; this jovial old man had always
had good health. He was superficial, rapid, easily angered. He flew into
a passion at everything, generally quite contrary to all reason. When
contradicted, he raised his cane; he beat people as he had done in the
great century. He had a daughter over fifty years of age, and unmarried,
whom he chastised severely with his tongue, when in a rage, and whom he
would have liked to whip. She seemed to him to be eight years old. He
boxed his servants' ears soundly, and said: "Ah! carogne!" One of his
oaths was: "By the pantoufloche of the pantouflochade!" He had singular
freaks of tranquillity; he had himself shaved every day by a barber who
had been mad and who detested him, being jealous of M. Gillenormand on
account of his wife, a pretty and coquettish barberess. M. Gillenormand
admired his own discernment in all things, and declared that he was
extremely sagacious; here is one of his sayings: "I have, in truth, some
penetration; I am able to say when a flea bites me, from what woman it
came."

The words which he uttered the most frequently were: the sensible man,
and nature. He did not give to this last word the grand acceptation
which our epoch has accorded to it, but he made it enter, after his own
fashion, into his little chimney-corner satires: "Nature," he said, "in
order that civilization may have a little of everything, gives it even
specimens of its amusing barbarism. Europe possesses specimens of Asia
and Africa on a small scale. The cat is a drawing-room tiger, the lizard
is a pocket crocodile. The dancers at the opera are pink female savages.
They do not eat men, they crunch them; or, magicians that they are, they
transform them into oysters and swallow them. The Caribbeans leave only
the bones, they leave only the shell. Such are our morals. We do not
devour, we gnaw; we do not exterminate, we claw."




CHAPTER II--LIKE MASTER, LIKE HOUSE

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the
house. This house has since been demolished and rebuilt, and the number
has probably been changed in those revolutions of numeration which the
streets of Paris undergo. He occupied an ancient and vast apartment
on the first floor, between street and gardens, furnished to the very
ceilings with great Gobelins and Beauvais tapestries representing
pastoral scenes; the subjects of the ceilings and the panels were
repeated in miniature on the arm-chairs. He enveloped his bed in a vast,
nine-leaved screen of Coromandel lacquer. Long, full curtains hung from
the windows, and formed great, broken folds that were very magnificent.
The garden situated immediately under his windows was attached to that
one of them which formed the angle, by means of a staircase twelve or
fifteen steps long, which the old gentleman ascended and descended with
great agility. In addition to a library adjoining his chamber, he had a
boudoir of which he thought a great deal, a gallant and elegant retreat,
with magnificent hangings of straw, with a pattern of flowers and
fleurs-de-lys made on the galleys of Louis XIV. and ordered of his
convicts by M. de Vivonne for his mistress. M. Gillenormand had
inherited it from a grim maternal great-aunt, who had died a
centenarian. He had had two wives. His manners were something between
those of the courtier, which he had never been, and the lawyer, which
he might have been. He was gay, and caressing when he had a mind. In
his youth he had been one of those men who are always deceived by their
wives and never by their mistresses, because they are, at the same
time, the most sullen of husbands and the most charming of lovers in
existence. He was a connoisseur of painting. He had in his chamber a
marvellous portrait of no one knows whom, painted by Jordaens, executed
with great dashes of the brush, with millions of details, in a confused
and hap-hazard manner. M. Gillenormand's attire was not the habit of
Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables
of the Directory. He had thought himself young up to that period and
had followed the fashions. His coat was of light-weight cloth with
voluminous revers, a long swallow-tail and large steel buttons. With
this he wore knee-breeches and buckle shoes. He always thrust his hands
into his fobs. He said authoritatively: "The French Revolution is a heap
of blackguards."




CHAPTER III--LUC-ESPRIT

At the age of sixteen, one evening at the opera, he had had the honor
to be stared at through opera-glasses by two beauties at the same
time--ripe and celebrated beauties then, and sung by Voltaire, the
Camargo and the Salle. Caught between two fires, he had beaten a heroic
retreat towards a little dancer, a young girl named Nahenry, who was
sixteen like himself, obscure as a cat, and with whom he was in love.
He abounded in memories. He was accustomed to exclaim: "How pretty she
was--that Guimard-Guimardini-Guimardinette, the last time I saw her
at Longchamps, her hair curled in sustained sentiments, with her
come-and-see of turquoises, her gown of the color of persons newly
arrived, and her little agitation muff!" He had worn in his young
manhood a waistcoat of Nain-Londrin, which he was fond of talking about
effusively. "I was dressed like a Turk of the Levant Levantin," said he.
Madame de Boufflers, having seen him by chance when he was twenty, had
described him as "a charming fool." He was horrified by all the names
which he saw in politics and in power, regarding them as vulgar and
bourgeois. He read the journals, the newspapers, the gazettes as he
said, stifling outbursts of laughter the while. "Oh!" he said, "what
people these are! Corbiere! Humann! Casimir Perier! There's a minister
for you! I can imagine this in a journal: 'M. Gillenorman, minister!'
that would be a farce. Well! They are so stupid that it would pass"; he
merrily called everything by its name, whether decent or indecent, and
did not restrain himself in the least before ladies. He uttered coarse
speeches, obscenities, and filth with a certain tranquillity and lack
of astonishment which was elegant. It was in keeping with the
unceremoniousness of his century. It is to be noted that the age of
periphrase in verse was the age of crudities in prose. His god-father
had predicted that he would turn out a man of genius, and had bestowed
on him these two significant names: Luc-Esprit.




CHAPTER IV--A CENTENARIAN ASPIRANT

He had taken prizes in his boyhood at the College of Moulins, where he
was born, and he had been crowned by the hand of the Duc de Nivernais,
whom he called the Duc de Nevers. Neither the Convention, nor the death
of Louis XVI., nor the Napoleon, nor the return of the Bourbons, nor
anything else had been able to efface the memory of this crowning. The
Duc de Nevers was, in his eyes, the great figure of the century. "What a
charming grand seigneur," he said, "and what a fine air he had with his
blue ribbon!"

In the eyes of M. Gillenormand, Catherine the Second had made reparation
for the crime of the partition of Poland by purchasing, for three
thousand roubles, the secret of the elixir of gold, from Bestucheff. He
grew animated on this subject: "The elixir of gold," he exclaimed, "the
yellow dye of Bestucheff, General Lamotte's drops, in the eighteenth
century,--this was the great remedy for the catastrophes of love, the
panacea against Venus, at one louis the half-ounce phial. Louis XV.
sent two hundred phials of it to the Pope." He would have been greatly
irritated and thrown off his balance, had any one told him that the
elixir of gold is nothing but the perchloride of iron. M. Gillenormand
adored the Bourbons, and had a horror of 1789; he was forever narrating
in what manner he had saved himself during the Terror, and how he had
been obliged to display a vast deal of gayety and cleverness in order to
escape having his head cut off. If any young man ventured to pronounce
an eulogium on the Republic in his presence, he turned purple and grew
so angry that he was on the point of swooning. He sometimes alluded to
his ninety years, and said, "I hope that I shall not see ninety-three
twice." On these occasions, he hinted to people that he meant to live to
be a hundred.




CHAPTER V--BASQUE AND NICOLETTE

He had theories. Here is one of them: "When a man is passionately fond
of women, and when he has himself a wife for whom he cares but little,
who is homely, cross, legitimate, with plenty of rights, perched on the
code, and jealous at need, there is but one way of extricating himself
from the quandry and of procuring peace, and that is to let his wife
control the purse-strings. This abdication sets him free. Then his
wife busies herself, grows passionately fond of handling coin, gets her
fingers covered with verdigris in the process, undertakes the education
of half-share tenants and the training of farmers, convokes lawyers,
presides over notaries, harangues scriveners, visits limbs of the law,
follows lawsuits, draws up leases, dictates contracts, feels herself the
sovereign, sells, buys, regulates, promises and compromises, binds fast
and annuls, yields, concedes and retrocedes, arranges, disarranges,
hoards, lavishes; she commits follies, a supreme and personal delight,
and that consoles her. While her husband disdains her, she has the
satisfaction of ruining her husband." This theory M. Gillenormand had
himself applied, and it had become his history. His wife--the second
one--had administered his fortune in such a manner that, one fine day,
when M. Gillenormand found himself a widower, there remained to him just
sufficient to live on, by sinking nearly the whole of it in an annuity
of fifteen thousand francs, three-quarters of which would expire with
him. He had not hesitated on this point, not being anxious to leave
a property behind him. Besides, he had noticed that patrimonies are
subject to adventures, and, for instance, become national property; he
had been present at the avatars of consolidated three per cents, and he
had no great faith in the Great Book of the Public Debt. "All that's
the Rue Quincampois!" he said. His house in the Rue Filles-du-Clavaire
belonged to him, as we have already stated. He had two servants, "a male
and a female." When a servant entered his establishment, M. Gillenormand
re-baptized him. He bestowed on the men the name of their province:
Nimois, Comtois, Poitevin, Picard. His last valet was a big, foundered,
short-winded fellow of fifty-five, who was incapable of running twenty
paces; but, as he had been born at Bayonne, M. Gillenormand called him
Basque. All the female servants in his house were called Nicolette (even
the Magnon, of whom we shall hear more farther on). One day, a haughty
cook, a cordon bleu, of the lofty race of porters, presented herself.
"How much wages do you want a month?" asked M. Gillenormand. "Thirty
francs." "What is your name?" "Olympie." "You shall have fifty francs,
and you shall be called Nicolette."




CHAPTER VI--IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN

With M. Gillenormand, sorrow was converted into wrath; he was furious at
being in despair. He had all sorts of prejudices and took all sorts
of liberties. One of the facts of which his exterior relief and his
internal satisfaction was composed, was, as we have just hinted, that he
had remained a brisk spark, and that he passed energetically for such.
This he called having "royal renown." This royal renown sometimes drew
down upon him singular windfalls. One day, there was brought to him in
a basket, as though it had been a basket of oysters, a stout, newly
born boy, who was yelling like the deuce, and duly wrapped in
swaddling-clothes, which a servant-maid, dismissed six months
previously, attributed to him. M. Gillenormand had, at that time,
fully completed his eighty-fourth year. Indignation and uproar in the
establishment. And whom did that bold hussy think she could persuade to
believe that? What audacity! What an abominable calumny! M. Gillenormand
himself was not at all enraged. He gazed at the brat with the amiable
smile of a good man who is flattered by the calumny, and said in an
aside: "Well, what now? What's the matter? You are finely taken aback,
and really, you are excessively ignorant. M. le Duc d'Angouleme, the
bastard of his Majesty Charles IX., married a silly jade of fifteen
when he was eighty-five; M. Virginal, Marquis d'Alluye, brother to
the Cardinal de Sourdis, Archbishop of Bordeaux, had, at the age of
eighty-three, by the maid of Madame la Presidente Jacquin, a son, a
real child of love, who became a Chevalier of Malta and a counsellor of
state; one of the great men of this century, the Abbe Tabaraud, is the
son of a man of eighty-seven. There is nothing out of the ordinary in
these things. And then, the Bible! Upon that I declare that this little
gentleman is none of mine. Let him be taken care of. It is not his
fault." This manner of procedure was good-tempered. The woman, whose
name was Magnon, sent him another parcel in the following year. It was a
boy again. Thereupon, M. Gillenormand capitulated. He sent the two brats
back to their mother, promising to pay eighty francs a month for their
maintenance, on the condition that the said mother would not do so any
more. He added: "I insist upon it that the mother shall treat them well.
I shall go to see them from time to time." And this he did. He had had
a brother who was a priest, and who had been rector of the Academy of
Poitiers for three and thirty years, and had died at seventy-nine.
"I lost him young," said he. This brother, of whom but little memory
remains, was a peaceable miser, who, being a priest, thought himself
bound to bestow alms on the poor whom he met, but he never gave them
anything except bad or demonetized sous, thereby discovering a means of
going to hell by way of paradise. As for M. Gillenormand the elder, he
never haggled over his alms-giving, but gave gladly and nobly. He was
kindly, abrupt, charitable, and if he had been rich, his turn of mind
would have been magnificent. He desired that all which concerned him
should be done in a grand manner, even his rogueries. One day, having
been cheated by a business man in a matter of inheritance, in a gross
and apparent manner, he uttered this solemn exclamation: "That was
indecently done! I am really ashamed of this pilfering. Everything has
degenerated in this century, even the rascals. Morbleu! this is not the
way to rob a man of my standing. I am robbed as though in a forest, but
badly robbed. Silva, sint consule dignae!" He had had two wives, as
we have already mentioned; by the first he had had a daughter, who had
remained unmarried, and by the second another daughter, who had died
at about the age of thirty, who had wedded, through love, or chance,
or otherwise, a soldier of fortune who had served in the armies of the
Republic and of the Empire, who had won the cross at Austerlitz and had
been made colonel at Waterloo. "He is the disgrace of my family,"
said the old bourgeois. He took an immense amount of snuff, and had a
particularly graceful manner of plucking at his lace ruffle with the
back of one hand. He believed very little in God.




CHAPTER VII--RULE: RECEIVE NO ONE EXCEPT IN THE EVENING

Such was M. Luc-Esprit Gillenormand, who had not lost his hair,--which
was gray rather than white,--and which was always dressed in "dog's
ears." To sum up, he was venerable in spite of all this.

He had something of the eighteenth century about him; frivolous and
great.

In 1814 and during the early years of the Restoration, M. Gillenormand,
who was still young,--he was only seventy-four,--lived in the Faubourg
Saint Germain, Rue Servandoni, near Saint-Sulpice. He had only retired
to the Marais when he quitted society, long after attaining the age of
eighty.

And, on abandoning society, he had immured himself in his habits. The
principal one, and that which was invariable, was to keep his door
absolutely closed during the day, and never to receive any one whatever
except in the evening. He dined at five o'clock, and after that his door
was open. That had been the fashion of his century, and he would not
swerve from it. "The day is vulgar," said he, "and deserves only a
closed shutter. Fashionable people only light up their minds when the
zenith lights up its stars." And he barricaded himself against every
one, even had it been the king himself. This was the antiquated elegance
of his day.




CHAPTER VIII--TWO DO NOT MAKE A PAIR

We have just spoken of M. Gillenormand's two daughters. They had come
into the world ten years apart. In their youth they had borne very
little resemblance to each other, either in character or countenance,
and had also been as little like sisters to each other as possible. The
youngest had a charming soul, which turned towards all that belongs to
the light, was occupied with flowers, with verses, with music, which
fluttered away into glorious space, enthusiastic, ethereal, and was
wedded from her very youth, in ideal, to a vague and heroic figure. The
elder had also her chimera; she espied in the azure some very wealthy
purveyor, a contractor, a splendidly stupid husband, a million made man,
or even a prefect; the receptions of the Prefecture, an usher in the
antechamber with a chain on his neck, official balls, the harangues
of the town-hall, to be "Madame la Prefete,"--all this had created a
whirlwind in her imagination. Thus the two sisters strayed, each in her
own dream, at the epoch when they were young girls. Both had wings, the
one like an angel, the other like a goose.

No ambition is ever fully realized, here below at least. No paradise
becomes terrestrial in our day. The younger wedded the man of her
dreams, but she died. The elder did not marry at all.

At the moment when she makes her entrance into this history which we are
relating, she was an antique virtue, an incombustible prude, with one of
the sharpest noses, and one of the most obtuse minds that it is possible
to see. A characteristic detail; outside of her immediate family, no one
had ever known her first name. She was called Mademoiselle Gillenormand,
the elder.

In the matter of cant, Mademoiselle Gillenormand could have given points
to a miss. Her modesty was carried to the other extreme of blackness.
She cherished a frightful memory of her life; one day, a man had beheld
her garter.

Age had only served to accentuate this pitiless modesty. Her guimpe was
never sufficiently opaque, and never ascended sufficiently high. She
multiplied clasps and pins where no one would have dreamed of looking.
The peculiarity of prudery is to place all the more sentinels in
proportion as the fortress is the less menaced.

Nevertheless, let him who can explain these antique mysteries of
innocence, she allowed an officer of the Lancers, her grand nephew,
named Theodule, to embrace her without displeasure.

In spite of this favored Lancer, the label: Prude, under which we
have classed her, suited her to absolute perfection. Mademoiselle
Gillenormand was a sort of twilight soul. Prudery is a demi-virtue and a
demi-vice.

To prudery she added bigotry, a well-assorted lining. She belonged
to the society of the Virgin, wore a white veil on certain festivals,
mumbled special orisons, revered "the holy blood," venerated "the sacred
heart," remained for hours in contemplation before a rococo-jesuit altar
in a chapel which was inaccessible to the rank and file of the faithful,
and there allowed her soul to soar among little clouds of marble, and
through great rays of gilded wood.

She had a chapel friend, an ancient virgin like herself, named
Mademoiselle Vaubois, who was a positive blockhead, and beside whom
Mademoiselle Gillenormand had the pleasure of being an eagle. Beyond
the Agnus Dei and Ave Maria, Mademoiselle Vaubois had no knowledge of
anything except of the different ways of making preserves. Mademoiselle
Vaubois, perfect in her style, was the ermine of stupidity without a
single spot of intelligence.

Let us say it plainly, Mademoiselle Gillenormand had gained rather than
lost as she grew older. This is the case with passive natures. She had
never been malicious, which is relative kindness; and then, years wear
away the angles, and the softening which comes with time had come to
her. She was melancholy with an obscure sadness of which she did not
herself know the secret. There breathed from her whole person the stupor
of a life that was finished, and which had never had a beginning.

She kept house for her father. M. Gillenormand had his daughter near
him, as we have seen that Monseigneur Bienvenu had his sister with him.
These households comprised of an old man and an old spinster are not
rare, and always have the touching aspect of two weaknesses leaning on
each other for support.

There was also in this house, between this elderly spinster and this
old man, a child, a little boy, who was always trembling and mute in the
presence of M. Gillenormand. M. Gillenormand never addressed this child
except in a severe voice, and sometimes, with uplifted cane: "Here, sir!
rascal, scoundrel, come here!--Answer me, you scamp! Just let me see
you, you good-for-nothing!" etc., etc. He idolized him.

This was his grandson. We shall meet with this child again later on.




BOOK THIRD.--THE GRANDFATHER AND THE GRANDSON




CHAPTER I--AN ANCIENT SALON

When M. Gillenormand lived in the Rue Servandoni, he had frequented
many very good and very aristocratic salons. Although a bourgeois, M.
Gillenormand was received in society. As he had a double measure of wit,
in the first place, that which was born with him, and secondly, that
which was attributed to him, he was even sought out and made much of. He
never went anywhere except on condition of being the chief person there.
There are people who will have influence at any price, and who will have
other people busy themselves over them; when they cannot be oracles,
they turn wags. M. Gillenormand was not of this nature; his domination
in the Royalist salons which he frequented cost his self-respect
nothing. He was an oracle everywhere. It had happened to him to hold his
own against M. de Bonald, and even against M. Bengy-Puy-Vallee.

About 1817, he invariably passed two afternoons a week in a house in
his own neighborhood, in the Rue Ferou, with Madame la Baronne de T.,
a worthy and respectable person, whose husband had been Ambassador of
France to Berlin under Louis XVI. Baron de T., who, during his lifetime,
had gone very passionately into ecstasies and magnetic visions, had died
bankrupt, during the emigration, leaving, as his entire fortune,
some very curious Memoirs about Mesmer and his tub, in ten manuscript
volumes, bound in red morocco and gilded on the edges. Madame de T. had
not published the memoirs, out of pride, and maintained herself on a
meagre income which had survived no one knew how.

Madame de T. lived far from the Court; "a very mixed society," as she
said, in a noble isolation, proud and poor. A few friends assembled
twice a week about her widowed hearth, and these constituted a purely
Royalist salon. They sipped tea there, and uttered groans or cries of
horror at the century, the charter, the Bonapartists, the prostitution
of the blue ribbon, or the Jacobinism of Louis XVIII., according as the
wind veered towards elegy or dithyrambs; and they spoke in low tones of
the hopes which were presented by Monsieur, afterwards Charles X.

The songs of the fishwomen, in which Napoleon was called Nicolas, were
received there with transports of joy. Duchesses, the most delicate and
charming women in the world, went into ecstasies over couplets like the
following, addressed to "the federates":--

               Refoncez dans vos culottes[20]
               Le bout d' chemis' qui vous pend.
               Qu'on n' dis' pas qu' les patriotes
               Ont arbore l' drapeau blanc?

There they amused themselves with puns which were considered terrible,
with innocent plays upon words which they supposed to be venomous, with
quatrains, with distiches even; thus, upon the Dessolles ministry, a
moderate cabinet, of which MM. Decazes and Deserre were members:--

          Pour raffermir le trone ebranle sur sa base,[21]
          Il faut changer de sol, et de serre et de case.

Or they drew up a list of the chamber of peers, "an abominably Jacobin
chamber," and from this list they combined alliances of names, in such
a manner as to form, for example, phrases like the following: Damas.
Sabran. Gouvion-Saint-Cyr.--All this was done merrily. In that society,
they parodied the Revolution. They used I know not what desires to give
point to the same wrath in inverse sense. They sang their little Ca
ira:--

               Ah! ca ira ca ira ca ira!
               Les Bonapartistes a la lanterne!

Songs are like the guillotine; they chop away indifferently, to-day this
head, to-morrow that. It is only a variation.

In the Fualdes affair, which belongs to this epoch, 1816, they took
part for Bastide and Jausion, because Fualdes was "a Buonapartist." They
designated the liberals as friends and brothers; this constituted the
most deadly insult.

Like certain church towers, Madame de T.'s salon had two cocks. One of
them was M. Gillenormand, the other was Comte de Lamothe-Valois, of whom
it was whispered about, with a sort of respect: "Do you know? That is
the Lamothe of the affair of the necklace." These singular amnesties do
occur in parties.

Let us add the following: in the bourgeoisie, honored situations decay
through too easy relations; one must beware whom one admits; in the same
way that there is a loss of caloric in the vicinity of those who are
cold, there is a diminution of consideration in the approach of despised
persons. The ancient society of the upper classes held themselves above
this law, as above every other. Marigny, the brother of the Pompadour,
had his entry with M. le Prince de Soubise. In spite of? No, because. Du
Barry, the god-father of the Vaubernier, was very welcome at the house
of M. le Marechal de Richelieu. This society is Olympus. Mercury and
the Prince de Guemenee are at home there. A thief is admitted there,
provided he be a god.

The Comte de Lamothe, who, in 1815, was an old man seventy-five years of
age, had nothing remarkable about him except his silent and sententious
air, his cold and angular face, his perfectly polished manners, his coat
buttoned up to his cravat, and his long legs always crossed in long,
flabby trousers of the hue of burnt sienna. His face was the same color
as his trousers.

This M. de Lamothe was "held in consideration" in this salon on account
of his "celebrity" and, strange to say, though true, because of his name
of Valois.

As for M. Gillenormand, his consideration was of absolutely first-rate
quality. He had, in spite of his levity, and without its interfering in
any way with his dignity, a certain manner about him which was imposing,
dignified, honest, and lofty, in a bourgeois fashion; and his great
age added to it. One is not a century with impunity. The years finally
produce around a head a venerable dishevelment.

In addition to this, he said things which had the genuine sparkle of the
old rock. Thus, when the King of Prussia, after having restored Louis
XVIII., came to pay the latter a visit under the name of the Count de
Ruppin, he was received by the descendant of Louis XIV. somewhat
as though he had been the Marquis de Brandebourg, and with the most
delicate impertinence. M. Gillenormand approved: "All kings who are
not the King of France," said he, "are provincial kings." One day, the
following question was put and the following answer returned in his
presence: "To what was the editor of the Courrier Francais condemned?"
"To be suspended." "Sus is superfluous," observed M. Gillenormand.[22]
Remarks of this nature found a situation.

At the Te Deum on the anniversary of the return of the Bourbons, he
said, on seeing M. de Talleyrand pass by: "There goes his Excellency the
Evil One."

M. Gillenormand was always accompanied by his daughter, that tall
mademoiselle, who was over forty and looked fifty, and by a handsome
little boy of seven years, white, rosy, fresh, with happy and trusting
eyes, who never appeared in that salon without hearing voices murmur
around him: "How handsome he is! What a pity! Poor child!" This child
was the one of whom we dropped a word a while ago. He was called "poor
child," because he had for a father "a brigand of the Loire."

This brigand of the Loire was M. Gillenormand's son-in-law, who has
already been mentioned, and whom M. Gillenormand called "the disgrace of
his family."




CHAPTER II--ONE OF THE RED SPECTRES OF THAT EPOCH

Any one who had chanced to pass through the little town of Vernon at
this epoch, and who had happened to walk across that fine monumental
bridge, which will soon be succeeded, let us hope, by some hideous iron
cable bridge, might have observed, had he dropped his eyes over the
parapet, a man about fifty years of age wearing a leather cap, and
trousers and a waistcoat of coarse gray cloth, to which something yellow
which had been a red ribbon, was sewn, shod with wooden sabots, tanned
by the sun, his face nearly black and his hair nearly white, a large
scar on his forehead which ran down upon his cheek, bowed, bent,
prematurely aged, who walked nearly every day, hoe and sickle in hand,
in one of those compartments surrounded by walls which abut on the
bridge, and border the left bank of the Seine like a chain of terraces,
charming enclosures full of flowers of which one could say, were they
much larger: "these are gardens," and were they a little smaller: "these
are bouquets." All these enclosures abut upon the river at one end, and
on a house at the other. The man in the waistcoat and the wooden shoes
of whom we have just spoken, inhabited the smallest of these enclosures
and the most humble of these houses about 1817. He lived there alone and
solitary, silently and poorly, with a woman who was neither young nor
old, neither homely nor pretty, neither a peasant nor a bourgeoise, who
served him. The plot of earth which he called his garden was celebrated
in the town for the beauty of the flowers which he cultivated there.
These flowers were his occupation.

By dint of labor, of perseverance, of attention, and of buckets of
water, he had succeeded in creating after the Creator, and he had
invented certain tulips and certain dahlias which seemed to have been
forgotten by nature. He was ingenious; he had forestalled Soulange
Bodin in the formation of little clumps of earth of heath mould, for the
cultivation of rare and precious shrubs from America and China. He
was in his alleys from the break of day, in summer, planting, cutting,
hoeing, watering, walking amid his flowers with an air of kindness,
sadness, and sweetness, sometimes standing motionless and thoughtful
for hours, listening to the song of a bird in the trees, the babble of a
child in a house, or with his eyes fixed on a drop of dew at the tip of
a spear of grass, of which the sun made a carbuncle. His table was very
plain, and he drank more milk than wine. A child could make him give
way, and his servant scolded him. He was so timid that he seemed shy, he
rarely went out, and he saw no one but the poor people who tapped at his
pane and his cure, the Abbe Mabeuf, a good old man. Nevertheless, if the
inhabitants of the town, or strangers, or any chance comers, curious to
see his tulips, rang at his little cottage, he opened his door with a
smile. He was the "brigand of the Loire."

Any one who had, at the same time, read military memoirs, biographies,
the Moniteur, and the bulletins of the grand army, would have been
struck by a name which occurs there with tolerable frequency, the name
of Georges Pontmercy. When very young, this Georges Pontmercy had been
a soldier in Saintonge's regiment. The revolution broke out. Saintonge's
regiment formed a part of the army of the Rhine; for the old regiments
of the monarchy preserved their names of provinces even after the fall
of the monarchy, and were only divided into brigades in 1794. Pontmercy
fought at Spire, at Worms, at Neustadt, at Turkheim, at Alzey, at
Mayence, where he was one of the two hundred who formed Houchard's
rearguard. It was the twelfth to hold its ground against the corps
of the Prince of Hesse, behind the old rampart of Andernach, and only
rejoined the main body of the army when the enemy's cannon had opened
a breach from the cord of the parapet to the foot of the glacis. He was
under Kleber at Marchiennes and at the battle of Mont-Palissel, where
a ball from a biscaien broke his arm. Then he passed to the frontier
of Italy, and was one of the thirty grenadiers who defended the Col
de Tende with Joubert. Joubert was appointed its adjutant-general, and
Pontmercy sub-lieutenant. Pontmercy was by Berthier's side in the midst
of the grape-shot of that day at Lodi which caused Bonaparte to say:
"Berthier has been cannoneer, cavalier, and grenadier." He beheld his
old general, Joubert, fall at Novi, at the moment when, with uplifted
sabre, he was shouting: "Forward!" Having been embarked with his
company in the exigencies of the campaign, on board a pinnace which was
proceeding from Genoa to some obscure port on the coast, he fell into
a wasps'-nest of seven or eight English vessels. The Genoese commander
wanted to throw his cannon into the sea, to hide the soldiers between
decks, and to slip along in the dark as a merchant vessel. Pontmercy had
the colors hoisted to the peak, and sailed proudly past under the guns
of the British frigates. Twenty leagues further on, his audacity having
increased, he attacked with his pinnace, and captured a large English
transport which was carrying troops to Sicily, and which was so loaded
down with men and horses that the vessel was sunk to the level of the
sea. In 1805 he was in that Malher division which took Gunzberg from the
Archduke Ferdinand. At Weltingen he received into his arms, beneath a
storm of bullets, Colonel Maupetit, mortally wounded at the head of the
9th Dragoons. He distinguished himself at Austerlitz in that admirable
march in echelons effected under the enemy's fire. When the cavalry of
the Imperial Russian Guard crushed a battalion of the 4th of the line,
Pontmercy was one of those who took their revenge and overthrew the
Guard. The Emperor gave him the cross. Pontmercy saw Wurmser at Mantua,
Melas, and Alexandria, Mack at Ulm, made prisoners in succession.
He formed a part of the eighth corps of the grand army which Mortier
commanded, and which captured Hamburg. Then he was transferred to the
55th of the line, which was the old regiment of Flanders. At Eylau
he was in the cemetery where, for the space of two hours, the heroic
Captain Louis Hugo, the uncle of the author of this book, sustained
alone with his company of eighty-three men every effort of the hostile
army. Pontmercy was one of the three who emerged alive from that
cemetery. He was at Friedland. Then he saw Moscow. Then La Beresina,
then Lutzen, Bautzen, Dresden, Wachau, Leipzig, and the defiles of
Gelenhausen; then Montmirail, Chateau-Thierry, Craon, the banks of the
Marne, the banks of the Aisne, and the redoubtable position of Laon. At
Arnay-Le-Duc, being then a captain, he put ten Cossacks to the sword,
and saved, not his general, but his corporal. He was well slashed up on
this occasion, and twenty-seven splinters were extracted from his left
arm alone. Eight days before the capitulation of Paris he had just
exchanged with a comrade and entered the cavalry. He had what was called
under the old regime, the double hand, that is to say, an equal aptitude
for handling the sabre or the musket as a soldier, or a squadron or
a battalion as an officer. It is from this aptitude, perfected by a
military education, which certain special branches of the service arise,
the dragoons, for example, who are both cavalry-men and infantry at one
and the same time. He accompanied Napoleon to the Island of Elba. At
Waterloo, he was chief of a squadron of cuirassiers, in Dubois' brigade.
It was he who captured the standard of the Lunenburg battalion. He came
and cast the flag at the Emperor's feet. He was covered with blood.
While tearing down the banner he had received a sword-cut across his
face. The Emperor, greatly pleased, shouted to him: "You are a colonel,
you are a baron, you are an officer of the Legion of Honor!" Pontmercy
replied: "Sire, I thank you for my widow." An hour later, he fell in the
ravine of Ohain. Now, who was this Georges Pontmercy? He was this same
"brigand of the Loire."

We have already seen something of his history. After Waterloo,
Pontmercy, who had been pulled out of the hollow road of Ohain, as it
will be remembered, had succeeded in joining the army, and had dragged
himself from ambulance to ambulance as far as the cantonments of the
Loire.

The Restoration had placed him on half-pay, then had sent him into
residence, that is to say, under surveillance, at Vernon. King Louis
XVIII., regarding all that which had taken place during the Hundred
Days as not having occurred at all, did not recognize his quality as an
officer of the Legion of Honor, nor his grade of colonel, nor his title
of baron. He, on his side, neglected no occasion of signing himself
"Colonel Baron Pontmercy." He had only an old blue coat, and he never
went out without fastening to it his rosette as an officer of the Legion
of Honor. The Attorney for the Crown had him warned that the authorities
would prosecute him for "illegal" wearing of this decoration. When this
notice was conveyed to him through an officious intermediary, Pontmercy
retorted with a bitter smile: "I do not know whether I no longer
understand French, or whether you no longer speak it; but the fact is
that I do not understand." Then he went out for eight successive days
with his rosette. They dared not interfere with him. Two or three times
the Minister of War and the general in command of the department wrote
to him with the following address: "A Monsieur le Commandant Pontmercy."
He sent back the letters with the seals unbroken. At the same moment,
Napoleon at Saint Helena was treating in the same fashion the missives
of Sir Hudson Lowe addressed to General Bonaparte. Pontmercy had ended,
may we be pardoned the expression, by having in his mouth the same
saliva as his Emperor.

In the same way, there were at Rome Carthaginian prisoners who refused
to salute Flaminius, and who had a little of Hannibal's spirit.

One day he encountered the district-attorney in one of the streets of
Vernon, stepped up to him, and said: "Mr. Crown Attorney, am I permitted
to wear my scar?"

He had nothing save his meagre half-pay as chief of squadron. He had
hired the smallest house which he could find at Vernon. He lived there
alone, we have just seen how. Under the Empire, between two wars, he
had found time to marry Mademoiselle Gillenormand. The old bourgeois,
thoroughly indignant at bottom, had given his consent with a sigh,
saying: "The greatest families are forced into it." In 1815, Madame
Pontmercy, an admirable woman in every sense, by the way, lofty in
sentiment and rare, and worthy of her husband, died, leaving a
child. This child had been the colonel's joy in his solitude; but the
grandfather had imperatively claimed his grandson, declaring that if
the child were not given to him he would disinherit him. The father had
yielded in the little one's interest, and had transferred his love to
flowers.

Moreover, he had renounced everything, and neither stirred up mischief
nor conspired. He shared his thoughts between the innocent things which
he was then doing and the great things which he had done. He passed his
time in expecting a pink or in recalling Austerlitz.

M. Gillenormand kept up no relations with his son-in-law. The colonel
was "a bandit" to him. M. Gillenormand never mentioned the colonel,
except when he occasionally made mocking allusions to "his Baronship."
It had been expressly agreed that Pontmercy should never attempt to see
his son nor to speak to him, under penalty of having the latter handed
over to him disowned and disinherited. For the Gillenormands, Pontmercy
was a man afflicted with the plague. They intended to bring up the
child in their own way. Perhaps the colonel was wrong to accept these
conditions, but he submitted to them, thinking that he was doing right
and sacrificing no one but himself.

The inheritance of Father Gillenormand did not amount to much; but the
inheritance of Mademoiselle Gillenormand the elder was considerable.
This aunt, who had remained unmarried, was very rich on the maternal
side, and her sister's son was her natural heir. The boy, whose name was
Marius, knew that he had a father, but nothing more. No one opened
his mouth to him about it. Nevertheless, in the society into which his
grandfather took him, whispers, innuendoes, and winks, had eventually
enlightened the little boy's mind; he had finally understood something
of the case, and as he naturally took in the ideas and opinions which
were, so to speak, the air he breathed, by a sort of infiltration and
slow penetration, he gradually came to think of his father only with
shame and with a pain at his heart.

While he was growing up in this fashion, the colonel slipped away every
two or three months, came to Paris on the sly, like a criminal breaking
his ban, and went and posted himself at Saint-Sulpice, at the hour when
Aunt Gillenormand led Marius to the mass. There, trembling lest the aunt
should turn round, concealed behind a pillar, motionless, not daring to
breathe, he gazed at his child. The scarred veteran was afraid of that
old spinster.

From this had arisen his connection with the cure of Vernon, M. l'Abbe
Mabeuf.

That worthy priest was the brother of a warden of Saint-Sulpice, who had
often observed this man gazing at his child, and the scar on his cheek,
and the large tears in his eyes. That man, who had so manly an air, yet
who was weeping like a woman, had struck the warden. That face had clung
to his mind. One day, having gone to Vernon to see his brother, he had
encountered Colonel Pontmercy on the bridge, and had recognized the man
of Saint-Sulpice. The warden had mentioned the circumstance to the cure,
and both had paid the colonel a visit, on some pretext or other. This
visit led to others. The colonel, who had been extremely reserved at
first, ended by opening his heart, and the cure and the warden finally
came to know the whole history, and how Pontmercy was sacrificing his
happiness to his child's future. This caused the cure to regard him with
veneration and tenderness, and the colonel, on his side, became fond
of the cure. And moreover, when both are sincere and good, no men so
penetrate each other, and so amalgamate with each other, as an old
priest and an old soldier. At bottom, the man is the same. The one has
devoted his life to his country here below, the other to his country on
high; that is the only difference.

Twice a year, on the first of January and on St. George's day, Marius
wrote duty letters to his father, which were dictated by his aunt, and
which one would have pronounced to be copied from some formula; this was
all that M. Gillenormand tolerated; and the father answered them with
very tender letters which the grandfather thrust into his pocket unread.




CHAPTER III--REQUIESCANT

Madame de T.'s salon was all that Marius Pontmercy knew of the world. It
was the only opening through which he could get a glimpse of life. This
opening was sombre, and more cold than warmth, more night than day, came
to him through this skylight. This child, who had been all joy and light
on entering this strange world, soon became melancholy, and, what is
still more contrary to his age, grave. Surrounded by all those singular
and imposing personages, he gazed about him with serious amazement.
Everything conspired to increase this astonishment in him. There were
in Madame de T.'s salon some very noble ladies named Mathan, Noe,
Levis,--which was pronounced Levi,--Cambis, pronounced Cambyse. These
antique visages and these Biblical names mingled in the child's mind
with the Old Testament which he was learning by heart, and when they
were all there, seated in a circle around a dying fire, sparely lighted
by a lamp shaded with green, with their severe profiles, their gray or
white hair, their long gowns of another age, whose lugubrious colors
could not be distinguished, dropping, at rare intervals, words which
were both majestic and severe, little Marius stared at them with
frightened eyes, in the conviction that he beheld not women, but
patriarchs and magi, not real beings, but phantoms.

With these phantoms, priests were sometimes mingled, frequenters of
this ancient salon, and some gentlemen; the Marquis de Sass****, private
secretary to Madame de Berry, the Vicomte de Val***, who published,
under the pseudonyme of Charles-Antoine, monorhymed odes, the Prince de
Beauff*******, who, though very young, had a gray head and a pretty and
witty wife, whose very low-necked toilettes of scarlet velvet with gold
torsades alarmed these shadows, the Marquis de C*****d'E******, the man
in all France who best understood "proportioned politeness," the Comte
d'Am*****, the kindly man with the amiable chin, and the Chevalier de
Port-de-Guy, a pillar of the library of the Louvre, called the King's
cabinet, M. de Port-de-Guy, bald, and rather aged than old, was wont
to relate that in 1793, at the age of sixteen, he had been put in the
galleys as refractory and chained with an octogenarian, the Bishop
of Mirepoix, also refractory, but as a priest, while he was so in the
capacity of a soldier. This was at Toulon. Their business was to go at
night and gather up on the scaffold the heads and bodies of the persons
who had been guillotined during the day; they bore away on their backs
these dripping corpses, and their red galley-slave blouses had a clot of
blood at the back of the neck, which was dry in the morning and wet at
night. These tragic tales abounded in Madame de T.'s salon, and by
dint of cursing Marat, they applauded Trestaillon. Some deputies of the
undiscoverable variety played their whist there; M. Thibord du Chalard,
M. Lemarchant de Gomicourt, and the celebrated scoffer of the right, M.
Cornet-Dincourt. The bailiff de Ferrette, with his short breeches
and his thin legs, sometimes traversed this salon on his way to M. de
Talleyrand. He had been M. le Comte d'Artois' companion in pleasures and
unlike Aristotle crouching under Campaspe, he had made the Guimard crawl
on all fours, and in that way he had exhibited to the ages a philosopher
avenged by a bailiff. As for the priests, there was the Abbe Halma, the
same to whom M. Larose, his collaborator on la Foudre, said: "Bah! Who
is there who is not fifty years old? a few greenhorns perhaps?" The Abbe
Letourneur, preacher to the King, the Abbe Frayssinous, who was not, as
yet, either count, or bishop, or minister, or peer, and who wore an old
cassock whose buttons were missing, and the Abbe Keravenant, Cure of
Saint-Germain-des-Pres; also the Pope's Nuncio, then Monsignor Macchi,
Archbishop of Nisibi, later on Cardinal, remarkable for his long,
pensive nose, and another Monsignor, entitled thus: Abbate Palmieri,
domestic prelate, one of the seven participant prothonotaries of the
Holy See, Canon of the illustrious Liberian basilica, Advocate of the
saints, Postulatore dei Santi, which refers to matters of canonization,
and signifies very nearly: Master of Requests of the section of
Paradise. Lastly, two cardinals, M. de la Luzerne, and M. de Cl******
T*******. The Cardinal of Luzerne was a writer and was destined to have,
a few years later, the honor of signing in the Conservateur articles
side by side with Chateaubriand; M. de Cl****** T******* was Archbishop
of Toul****, and often made trips to Paris, to his nephew, the Marquis
de T*******, who was Minister of Marine and War. The Cardinal of
Cl****** T******* was a merry little man, who displayed his red
stockings beneath his tucked-up cassock; his specialty was a hatred of
the Encyclopaedia, and his desperate play at billiards, and persons who,
at that epoch, passed through the Rue M***** on summer evenings, where
the hotel de Cl****** T******* then stood, halted to listen to the shock
of the balls and the piercing voice of the Cardinal shouting to his
conclavist, Monseigneur Cotiret, Bishop in partibus of Caryste: "Mark,
Abbe, I make a cannon." The Cardinal de Cl****** T******* had been
brought to Madame de T.'s by his most intimate friend, M. de Roquelaure,
former Bishop of Senlis, and one of the Forty. M. de Roquelaure was
notable for his lofty figure and his assiduity at the Academy; through
the glass door of the neighboring hall of the library where the French
Academy then held its meetings, the curious could, on every Tuesday,
contemplate the Ex-Bishop of Senlis, usually standing erect, freshly
powdered, in violet hose, with his back turned to the door, apparently
for the purpose of allowing a better view of his little collar. All
these ecclesiastics, though for the most part as much courtiers as
churchmen, added to the gravity of the T. salon, whose seigniorial
aspect was accentuated by five peers of France, the Marquis de Vib****,
the Marquis de Tal***, the Marquis de Herb*******, the Vicomte Damb***,
and the Duc de Val********. This Duc de Val********, although Prince de
Mon***, that is to say a reigning prince abroad, had so high an idea of
France and its peerage, that he viewed everything through their medium.
It was he who said: "The Cardinals are the peers of France of Rome;
the lords are the peers of France of England." Moreover, as it is
indispensable that the Revolution should be everywhere in this century,
this feudal salon was, as we have said, dominated by a bourgeois. M.
Gillenormand reigned there.

There lay the essence and quintessence of the Parisian white society.
There reputations, even Royalist reputations, were held in quarantine.
There is always a trace of anarchy in renown. Chateaubriand, had he
entered there, would have produced the effect of Pere Duchene. Some of
the scoffed-at did, nevertheless, penetrate thither on sufferance. Comte
Beug*** was received there, subject to correction.

The "noble" salons of the present day no longer resemble those salons.
The Faubourg Saint-Germain reeks of the fagot even now. The Royalists of
to-day are demagogues, let us record it to their credit.

At Madame de T.'s the society was superior, taste was exquisite and
haughty, under the cover of a great show of politeness. Manners there
admitted of all sorts of involuntary refinements which were the old
regime itself, buried but still alive. Some of these habits, especially
in the matter of language, seem eccentric. Persons but superficially
acquainted with them would have taken for provincial that which was only
antique. A woman was called Madame la Generale. Madame la Colonelle was
not entirely disused. The charming Madame de Leon, in memory, no
doubt, of the Duchesses de Longueville and de Chevreuse, preferred this
appellation to her title of Princesse. The Marquise de Crequy was also
called Madame la Colonelle.

It was this little high society which invented at the Tuileries the
refinement of speaking to the King in private as the King, in the third
person, and never as Your Majesty, the designation of Your Majesty
having been "soiled by the usurper."

Men and deeds were brought to judgment there. They jeered at the age,
which released them from the necessity of understanding it. They abetted
each other in amazement. They communicated to each other that modicum
of light which they possessed. Methuselah bestowed information on
Epimenides. The deaf man made the blind man acquainted with the course
of things. They declared that the time which had elasped since Coblentz
had not existed. In the same manner that Louis XVIII. was by the grace
of God, in the five and twentieth year of his reign, the emigrants were,
by rights, in the five and twentieth year of their adolescence.

All was harmonious; nothing was too much alive; speech hardly amounted
to a breath; the newspapers, agreeing with the salons, seemed a papyrus.
There were some young people, but they were rather dead. The liveries in
the antechamber were antiquated. These utterly obsolete personages were
served by domestics of the same stamp.

They all had the air of having lived a long time ago, and of obstinately
resisting the sepulchre. Nearly the whole dictionary consisted of
Conserver, Conservation, Conservateur; to be in good odor,--that was the
point. There are, in fact, aromatics in the opinions of these venerable
groups, and their ideas smelled of it. It was a mummified society. The
masters were embalmed, the servants were stuffed with straw.

A worthy old marquise, an emigree and ruined, who had but a solitary
maid, continued to say: "My people."

What did they do in Madame de T.'s salon? They were ultra.

To be ultra; this word, although what it represents may not have
disappeared, has no longer any meaning at the present day. Let us
explain it.

To be ultra is to go beyond. It is to attack the sceptre in the name of
the throne, and the mitre in the name of the attar; it is to ill-treat
the thing which one is dragging, it is to kick over the traces; it is
to cavil at the fagot on the score of the amount of cooking received by
heretics; it is to reproach the idol with its small amount of idolatry;
it is to insult through excess of respect; it is to discover that the
Pope is not sufficiently papish, that the King is not sufficiently
royal, and that the night has too much light; it is to be discontented
with alabaster, with snow, with the swan and the lily in the name of
whiteness; it is to be a partisan of things to the point of becoming
their enemy; it is to be so strongly for, as to be against.

The ultra spirit especially characterizes the first phase of the
Restoration.

Nothing in history resembles that quarter of an hour which begins in
1814 and terminates about 1820, with the advent of M. de Villele,
the practical man of the Right. These six years were an extraordinary
moment; at one and the same time brilliant and gloomy, smiling and
sombre, illuminated as by the radiance of dawn and entirely covered, at
the same time, with the shadows of the great catastrophes which still
filled the horizon and were slowly sinking into the past. There existed
in that light and that shadow, a complete little new and old world,
comic and sad, juvenile and senile, which was rubbing its eyes; nothing
resembles an awakening like a return; a group which regarded France
with ill-temper, and which France regarded with irony; good old owls
of marquises by the streetful, who had returned, and of ghosts, the
"former" subjects of amazement at everything, brave and noble gentlemen
who smiled at being in France but wept also, delighted to behold
their country once more, in despair at not finding their monarchy; the
nobility of the Crusades treating the nobility of the Empire, that is to
say, the nobility of the sword, with scorn; historic races who had
lost the sense of history; the sons of the companions of Charlemagne
disdaining the companions of Napoleon. The swords, as we have just
remarked, returned the insult; the sword of Fontenoy was laughable and
nothing but a scrap of rusty iron; the sword of Marengo was odious and
was only a sabre. Former days did not recognize Yesterday. People no
longer had the feeling for what was grand. There was some one who called
Bonaparte Scapin. This Society no longer exists. Nothing of it, we
repeat, exists to-day. When we select from it some one figure at random,
and attempt to make it live again in thought, it seems as strange to us
as the world before the Deluge. It is because it, too, as a matter of
fact, has been engulfed in a deluge. It has disappeared beneath two
Revolutions. What billows are ideas! How quickly they cover all that it
is their mission to destroy and to bury, and how promptly they create
frightful gulfs!

Such was the physiognomy of the salons of those distant and candid times
when M. Martainville had more wit than Voltaire.

These salons had a literature and politics of their own. They believed
in Fievee. M. Agier laid down the law in them. They commentated M.
Colnet, the old bookseller and publicist of the Quay Malaquais. Napoleon
was to them thoroughly the Corsican Ogre. Later on the introduction into
history of M. le Marquis de Bonaparte, Lieutenant-General of the King's
armies, was a concession to the spirit of the age.

These salons did not long preserve their purity. Beginning with 1818,
doctrinarians began to spring up in them, a disturbing shade. Their way
was to be Royalists and to excuse themselves for being so. Where the
ultras were very proud, the doctrinarians were rather ashamed. They had
wit; they had silence; their political dogma was suitably impregnated
with arrogance; they should have succeeded. They indulged, and usefully
too, in excesses in the matter of white neckties and tightly buttoned
coats. The mistake or the misfortune of the doctrinarian party was to
create aged youth. They assumed the poses of wise men. They dreamed of
engrafting a temperate power on the absolute and excessive principle.
They opposed, and sometimes with rare intelligence, conservative
liberalism to the liberalism which demolishes. They were heard to say:
"Thanks for Royalism! It has rendered more than one service. It has
brought back tradition, worship, religion, respect. It is faithful,
brave, chivalric, loving, devoted. It has mingled, though with regret,
the secular grandeurs of the monarchy with the new grandeurs of the
nation. Its mistake is not to understand the Revolution, the Empire,
glory, liberty, young ideas, young generations, the age. But this
mistake which it makes with regard to us,--have we not sometimes been
guilty of it towards them? The Revolution, whose heirs we are, ought to
be intelligent on all points. To attack Royalism is a misconstruction of
liberalism. What an error! And what blindness! Revolutionary France is
wanting in respect towards historic France, that is to say, towards its
mother, that is to say, towards itself. After the 5th of September, the
nobility of the monarchy is treated as the nobility of the Empire was
treated after the 5th of July. They were unjust to the eagle, we are
unjust to the fleur-de-lys. It seems that we must always have something
to proscribe! Does it serve any purpose to ungild the crown of Louis
XIV., to scrape the coat of arms of Henry IV.? We scoff at M. de
Vaublanc for erasing the N's from the bridge of Jena! What was it that
he did? What are we doing? Bouvines belongs to us as well as Marengo.
The fleurs-de-lys are ours as well as the N's. That is our patrimony. To
what purpose shall we diminish it? We must not deny our country in the
past any more than in the present. Why not accept the whole of history?
Why not love the whole of France?"

It is thus that doctrinarians criticised and protected Royalism, which
was displeased at criticism and furious at protection.

The ultras marked the first epoch of Royalism, congregation
characterized the second. Skill follows ardor. Let us confine ourselves
here to this sketch.

In the course of this narrative, the author of this book has encountered
in his path this curious moment of contemporary history; he has been
forced to cast a passing glance upon it, and to trace once more some of
the singular features of this society which is unknown to-day. But he
does it rapidly and without any bitter or derisive idea. Souvenirs both
respectful and affectionate, for they touch his mother, attach him to
this past. Moreover, let us remark, this same petty world had a grandeur
of its own. One may smile at it, but one can neither despise nor hate
it. It was the France of former days.

Marius Pontmercy pursued some studies, as all children do. When he
emerged from the hands of Aunt Gillenormand, his grandfather confided
him to a worthy professor of the most purely classic innocence. This
young soul which was expanding passed from a prude to a vulgar pedant.

Marius went through his years of college, then he entered the law
school. He was a Royalist, fanatical and severe. He did not love his
grandfather much, as the latter's gayety and cynicism repelled him, and
his feelings towards his father were gloomy.

He was, on the whole, a cold and ardent, noble, generous, proud,
religious, enthusiastic lad; dignified to harshness, pure to shyness.




CHAPTER IV--END OF THE BRIGAND

The conclusion of Marius' classical studies coincided with M.
Gillenormand's departure from society. The old man bade farewell to
the Faubourg Saint-Germain and to Madame de T.'s salon, and established
himself in the Mardis, in his house of the Rue des Filles-du-Calvaire.
There he had for servants, in addition to the porter, that chambermaid,
Nicolette, who had succeeded to Magnon, and that short-breathed and
pursy Basque, who have been mentioned above.

In 1827, Marius had just attained his seventeenth year. One evening, on
his return home, he saw his grandfather holding a letter in his hand.

"Marius," said M. Gillenormand, "you will set out for Vernon to-morrow."

"Why?" said Marius.

"To see your father."

Marius was seized with a trembling fit. He had thought of everything
except this--that he should one day be called upon to see his father.
Nothing could be more unexpected, more surprising, and, let us admit
it, more disagreeable to him. It was forcing estrangement into
reconciliation. It was not an affliction, but it was an unpleasant duty.

Marius, in addition to his motives of political antipathy, was convinced
that his father, the slasher, as M. Gillenormand called him on his
amiable days, did not love him; this was evident, since he had abandoned
him to others. Feeling that he was not beloved, he did not love.
"Nothing is more simple," he said to himself.

He was so astounded that he did not question M. Gillenormand. The
grandfather resumed:--

"It appears that he is ill. He demands your presence."

And after a pause, he added:--

"Set out to-morrow morning. I think there is a coach which leaves the
Cour des Fontaines at six o'clock, and which arrives in the evening.
Take it. He says that here is haste."

Then he crushed the letter in his hand and thrust it into his pocket.
Marius might have set out that very evening and have been with his
father on the following morning. A diligence from the Rue du Bouloi
took the trip to Rouen by night at that date, and passed through Vernon.
Neither Marius nor M. Gillenormand thought of making inquiries about it.

The next day, at twilight, Marius reached Vernon. People were just
beginning to light their candles. He asked the first person whom he
met for "M. Pontmercy's house." For in his own mind, he agreed with the
Restoration, and like it, did not recognize his father's claim to the
title of either colonel or baron.

The house was pointed out to him. He rang; a woman with a little lamp in
her hand opened the door.

"M. Pontmercy?" said Marius.

The woman remained motionless.

"Is this his house?" demanded Marius.

The woman nodded affirmatively.

"Can I speak with him?"

The woman shook her head.

"But I am his son!" persisted Marius. "He is expecting me."

"He no longer expects you," said the woman.

Then he perceived that she was weeping.

She pointed to the door of a room on the ground-floor; he entered.

In that room, which was lighted by a tallow candle standing on the
chimney-piece, there were three men, one standing erect, another
kneeling, and one lying at full length, on the floor in his shirt. The
one on the floor was the colonel.

The other two were the doctor, and the priest, who was engaged in
prayer.

The colonel had been attacked by brain fever three days previously. As
he had a foreboding of evil at the very beginning of his illness, he
had written to M. Gillenormand to demand his son. The malady had grown
worse. On the very evening of Marius' arrival at Vernon, the colonel had
had an attack of delirium; he had risen from his bed, in spite of the
servant's efforts to prevent him, crying: "My son is not coming! I shall
go to meet him!" Then he ran out of his room and fell prostrate on the
floor of the antechamber. He had just expired.

The doctor had been summoned, and the cure. The doctor had arrived too
late. The son had also arrived too late.

By the dim light of the candle, a large tear could be distinguished on
the pale and prostrate colonel's cheek, where it had trickled from his
dead eye. The eye was extinguished, but the tear was not yet dry. That
tear was his son's delay.

Marius gazed upon that man whom he beheld for the first time, on that
venerable and manly face, on those open eyes which saw not, on those
white locks, those robust limbs, on which, here and there, brown
lines, marking sword-thrusts, and a sort of red stars, which indicated
bullet-holes, were visible. He contemplated that gigantic sear which
stamped heroism on that countenance upon which God had imprinted
goodness. He reflected that this man was his father, and that this man
was dead, and a chill ran over him.

The sorrow which he felt was the sorrow which he would have felt in the
presence of any other man whom he had chanced to behold stretched out in
death.

Anguish, poignant anguish, was in that chamber. The servant-woman was
lamenting in a corner, the cure was praying, and his sobs were audible,
the doctor was wiping his eyes; the corpse itself was weeping.

The doctor, the priest, and the woman gazed at Marius in the midst of
their affliction without uttering a word; he was the stranger there.
Marius, who was far too little affected, felt ashamed and embarrassed at
his own attitude; he held his hat in his hand; and he dropped it on the
floor, in order to produce the impression that grief had deprived him of
the strength to hold it.

At the same time, he experienced remorse, and he despised himself for
behaving in this manner. But was it his fault? He did not love his
father? Why should he!

The colonel had left nothing. The sale of big furniture barely paid the
expenses of his burial.

The servant found a scrap of paper, which she handed to Marius. It
contained the following, in the colonel's handwriting:--

"For my son.--The Emperor made me a Baron on the battle-field of
Waterloo. Since the Restoration disputes my right to this title which I
purchased with my blood, my son shall take it and bear it. That he will
be worthy of it is a matter of course." Below, the colonel had added:
"At that same battle of Waterloo, a sergeant saved my life. The man's
name was Thenardier. I think that he has recently been keeping a
little inn, in a village in the neighborhood of Paris, at Chelles or
Montfermeil. If my son meets him, he will do all the good he can to
Thenardier."

Marius took this paper and preserved it, not out of duty to his father,
but because of that vague respect for death which is always imperious in
the heart of man.

Nothing remained of the colonel. M. Gillenormand had his sword and
uniform sold to an old-clothes dealer. The neighbors devastated the
garden and pillaged the rare flowers. The other plants turned to nettles
and weeds, and died.

Marius remained only forty-eight hours at Vernon. After the interment he
returned to Paris, and applied himself again to his law studies, with
no more thought of his father than if the latter had never lived. In two
days the colonel was buried, and in three forgotten.

Marius wore crape on his hat. That was all.




CHAPTER V--THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A
REVOLUTIONIST

Marius had preserved the religious habits of his childhood. One Sunday,
when he went to hear mass at Saint-Sulpice, at that same chapel of the
Virgin whither his aunt had led him when a small lad, he placed himself
behind a pillar, being more absent-minded and thoughtful than usual on
that occasion, and knelt down, without paying any special heed, upon a
chair of Utrecht velvet, on the back of which was inscribed this name:
Monsieur Mabeuf, warden. Mass had hardly begun when an old man presented
himself and said to Marius:--

"This is my place, sir."

Marius stepped aside promptly, and the old man took possession of his
chair.

The mass concluded, Marius still stood thoughtfully a few paces distant;
the old man approached him again and said:--

"I beg your pardon, sir, for having disturbed you a while ago, and for
again disturbing you at this moment; you must have thought me intrusive,
and I will explain myself."

"There is no need of that, Sir," said Marius.

"Yes!" went on the old man, "I do not wish you to have a bad opinion of
me. You see, I am attached to this place. It seems to me that the mass
is better from here. Why? I will tell you. It is from this place, that
I have watched a poor, brave father come regularly, every two or three
months, for the last ten years, since he had no other opportunity and
no other way of seeing his child, because he was prevented by family
arrangements. He came at the hour when he knew that his son would be
brought to mass. The little one never suspected that his father was
there. Perhaps he did not even know that he had a father, poor innocent!
The father kept behind a pillar, so that he might not be seen. He gazed
at his child and he wept. He adored that little fellow, poor man! I
could see that. This spot has become sanctified in my sight, and I have
contracted a habit of coming hither to listen to the mass. I prefer it
to the stall to which I have a right, in my capacity of warden. I knew
that unhappy gentleman a little, too. He had a father-in-law, a wealthy
aunt, relatives, I don't know exactly what all, who threatened to
disinherit the child if he, the father, saw him. He sacrificed himself
in order that his son might be rich and happy some day. He was separated
from him because of political opinions. Certainly, I approve of
political opinions, but there are people who do not know where to stop.
Mon Dieu! a man is not a monster because he was at Waterloo; a father
is not separated from his child for such a reason as that. He was one of
Bonaparte's colonels. He is dead, I believe. He lived at Vernon, where I
have a brother who is a cure, and his name was something like Pontmarie
or Montpercy. He had a fine sword-cut, on my honor."

"Pontmercy," suggested Marius, turning pale.

"Precisely, Pontmercy. Did you know him?"

"Sir," said Marius, "he was my father."

The old warden clasped his hands and exclaimed:--

"Ah! you are the child! Yes, that's true, he must be a man by this
time. Well! poor child, you may say that you had a father who loved you
dearly!"

Marius offered his arm to the old man and conducted him to his lodgings.

On the following day, he said to M. Gillenormand:--

"I have arranged a hunting-party with some friends. Will you permit me
to be absent for three days?"

"Four!" replied his grandfather. "Go and amuse yourself."

And he said to his daughter in a low tone, and with a wink, "Some love
affair!"




CHAPTER VI--THE CONSEQUENCES OF HAVING MET A WARDEN

Where it was that Marius went will be disclosed a little further on.

Marius was absent for three days, then he returned to Paris, went
straight to the library of the law-school and asked for the files of the
Moniteur.

He read the Moniteur, he read all the histories of the Republic and
the Empire, the Memorial de Sainte-Helene, all the memoirs, all the
newspapers, the bulletins, the proclamations; he devoured everything.
The first time that he came across his father's name in the bulletins of
the grand army, he had a fever for a week. He went to see the generals
under whom Georges Pontmercy had served, among others, Comte H.
Church-warden Mabeuf, whom he went to see again, told him about the life
at Vernon, the colonel's retreat, his flowers, his solitude. Marius came
to a full knowledge of that rare, sweet, and sublime man, that species
of lion-lamb who had been his father.

In the meanwhile, occupied as he was with this study which absorbed all
his moments as well as his thoughts, he hardly saw the Gillenormands at
all. He made his appearance at meals; then they searched for him, and he
was not to be found. Father Gillenormand smiled. "Bah! bah! He is just
of the age for the girls!" Sometimes the old man added: "The deuce!
I thought it was only an affair of gallantry, It seems that it is an
affair of passion!"

It was a passion, in fact. Marius was on the high road to adoring his
father.

At the same time, his ideas underwent an extraordinary change. The
phases of this change were numerous and successive. As this is the
history of many minds of our day, we think it will prove useful to
follow these phases step by step and to indicate them all.

That history upon which he had just cast his eyes appalled him.

The first effect was to dazzle him.

Up to that time, the Republic, the Empire, had been to him only
monstrous words. The Republic, a guillotine in the twilight; the Empire,
a sword in the night. He had just taken a look at it, and where he had
expected to find only a chaos of shadows, he had beheld, with a sort
of unprecedented surprise, mingled with fear and joy, stars sparkling,
Mirabeau, Vergniaud, Saint-Just, Robespierre, Camille, Desmoulins,
Danton, and a sun arise, Napoleon. He did not know where he stood. He
recoiled, blinded by the brilliant lights. Little by little, when his
astonishment had passed off, he grew accustomed to this radiance, he
contemplated these deeds without dizziness, he examined these personages
without terror; the Revolution and the Empire presented themselves
luminously, in perspective, before his mind's eye; he beheld each of
these groups of events and of men summed up in two tremendous facts: the
Republic in the sovereignty of civil right restored to the masses,
the Empire in the sovereignty of the French idea imposed on Europe; he
beheld the grand figure of the people emerge from the Revolution, and
the grand figure of France spring forth from the Empire. He asserted
in his conscience, that all this had been good. What his dazzled state
neglected in this, his first far too synthetic estimation, we do not
think it necessary to point out here. It is the state of a mind on the
march that we are recording. Progress is not accomplished in one stage.
That stated, once for all, in connection with what precedes as well as
with what is to follow, we continue.

He then perceived that, up to that moment, he had comprehended his
country no more than he had comprehended his father. He had not known
either the one or the other, and a sort of voluntary night had obscured
his eyes. Now he saw, and on the one hand he admired, while on the other
he adored.

He was filled with regret and remorse, and he reflected in despair that
all he had in his soul could now be said only to the tomb. Oh! if his
father had still been in existence, if he had still had him, if God, in
his compassion and his goodness, had permitted his father to be still
among the living, how he would have run, how he would have precipitated
himself, how he would have cried to his father: "Father! Here I am! It
is I! I have the same heart as thou! I am thy son!" How he would have
embraced that white head, bathed his hair in tears, gazed upon his scar,
pressed his hands, adored his garment, kissed his feet! Oh! Why had his
father died so early, before his time, before the justice, the love of
his son had come to him? Marius had a continual sob in his heart, which
said to him every moment: "Alas!" At the same time, he became more truly
serious, more truly grave, more sure of his thought and his faith. At
each instant, gleams of the true came to complete his reason. An inward
growth seemed to be in progress within him. He was conscious of a sort
of natural enlargement, which gave him two things that were new to
him--his father and his country.

As everything opens when one has a key, so he explained to himself that
which he had hated, he penetrated that which he had abhorred; henceforth
he plainly perceived the providential, divine and human sense of the
great things which he had been taught to detest, and of the great men
whom he had been instructed to curse. When he reflected on his former
opinions, which were but those of yesterday, and which, nevertheless,
seemed to him already so very ancient, he grew indignant, yet he smiled.

From the rehabilitation of his father, he naturally passed to the
rehabilitation of Napoleon.

But the latter, we will confess, was not effected without labor.

From his infancy, he had been imbued with the judgments of the party of
1814, on Bonaparte. Now, all the prejudices of the Restoration, all its
interests, all its instincts tended to disfigure Napoleon. It execrated
him even more than it did Robespierre. It had very cleverly turned to
sufficiently good account the fatigue of the nation, and the hatred of
mothers. Bonaparte had become an almost fabulous monster, and in order
to paint him to the imagination of the people, which, as we lately
pointed out, resembles the imagination of children, the party of 1814
made him appear under all sorts of terrifying masks in succession, from
that which is terrible though it remains grandiose to that which is
terrible and becomes grotesque, from Tiberius to the bugaboo. Thus, in
speaking of Bonaparte, one was free to sob or to puff up with
laughter, provided that hatred lay at the bottom. Marius had never
entertained--about that man, as he was called--any other ideas in his
mind. They had combined with the tenacity which existed in his nature.
There was in him a headstrong little man who hated Napoleon.

On reading history, on studying him, especially in the documents and
materials for history, the veil which concealed Napoleon from the eyes
of Marius was gradually rent. He caught a glimpse of something immense,
and he suspected that he had been deceived up to that moment, on
the score of Bonaparte as about all the rest; each day he saw more
distinctly; and he set about mounting, slowly, step by step, almost
regretfully in the beginning, then with intoxication and as though
attracted by an irresistible fascination, first the sombre steps, then
the vaguely illuminated steps, at last the luminous and splendid steps
of enthusiasm.

One night, he was alone in his little chamber near the roof. His candle
was burning; he was reading, with his elbows resting on his table close
to the open window. All sorts of reveries reached him from space, and
mingled with his thoughts. What a spectacle is the night! One hears dull
sounds, without knowing whence they proceed; one beholds Jupiter, which
is twelve hundred times larger than the earth, glowing like a firebrand,
the azure is black, the stars shine; it is formidable.

He was perusing the bulletins of the grand army, those heroic strophes
penned on the field of battle; there, at intervals, he beheld his
father's name, always the name of the Emperor; the whole of that great
Empire presented itself to him; he felt a flood swelling and rising
within him; it seemed to him at moments that his father passed close
to him like a breath, and whispered in his ear; he gradually got into
a singular state; he thought that he heard drums, cannon, trumpets,
the measured tread of battalions, the dull and distant gallop of the
cavalry; from time to time, his eyes were raised heavenward, and gazed
upon the colossal constellations as they gleamed in the measureless
depths of space, then they fell upon his book once more, and there they
beheld other colossal things moving confusedly. His heart contracted
within him. He was in a transport, trembling, panting. All at once,
without himself knowing what was in him, and what impulse he was
obeying, he sprang to his feet, stretched both arms out of the window,
gazed intently into the gloom, the silence, the infinite darkness, the
eternal immensity, and exclaimed: "Long live the Emperor!"

From that moment forth, all was over; the Ogre of Corsica,--the
usurper,--the tyrant,--the monster who was the lover of his own
sisters,--the actor who took lessons of Talma,--the poisoner of
Jaffa,--the tiger,--Buonaparte,--all this vanished, and gave place
in his mind to a vague and brilliant radiance in which shone, at an
inaccessible height, the pale marble phantom of Caesar. The Emperor had
been for his father only the well-beloved captain whom one admires, for
whom one sacrifices one's self; he was something more to Marius. He was
the predestined constructor of the French group, succeeding the Roman
group in the domination of the universe. He was a prodigious architect,
of a destruction, the continuer of Charlemagne, of Louis XI., of Henry
IV., of Richelieu, of Louis XIV., and of the Committee of Public Safety,
having his spots, no doubt, his faults, his crimes even, being a man,
that is to say; but august in his faults, brilliant in his spots,
powerful in his crime.

He was the predestined man, who had forced all nations to say: "The
great nation!" He was better than that, he was the very incarnation of
France, conquering Europe by the sword which he grasped, and the world
by the light which he shed. Marius saw in Bonaparte the dazzling spectre
which will always rise upon the frontier, and which will guard the
future. Despot but dictator; a despot resulting from a republic and
summing up a revolution. Napoleon became for him the man-people as Jesus
Christ is the man-God.

It will be perceived, that like all new converts to a religion, his
conversion intoxicated him, he hurled himself headlong into adhesion
and he went too far. His nature was so constructed; once on the downward
slope, it was almost impossible for him to put on the drag. Fanaticism
for the sword took possession of him, and complicated in his mind his
enthusiasm for the idea. He did not perceive that, along with genius,
and pell-mell, he was admitting force, that is to say, that he was
installing in two compartments of his idolatry, on the one hand that
which is divine, on the other that which is brutal. In many respects, he
had set about deceiving himself otherwise. He admitted everything. There
is a way of encountering error while on one's way to the truth. He had a
violent sort of good faith which took everything in the lump. In the new
path which he had entered on, in judging the mistakes of the old regime,
as in measuring the glory of Napoleon, he neglected the attenuating
circumstances.

At all events, a tremendous step had been taken. Where he had formerly
beheld the fall of the monarchy, he now saw the advent of France. His
orientation had changed. What had been his East became the West. He had
turned squarely round.

All these revolutions were accomplished within him, without his family
obtaining an inkling of the case.

When, during this mysterious labor, he had entirely shed his old Bourbon
and ultra skin, when he had cast off the aristocrat, the Jacobite and
the Royalist, when he had become thoroughly a revolutionist, profoundly
democratic and republican, he went to an engraver on the Quai des
Orfevres and ordered a hundred cards bearing this name: Le Baron Marius
Pontmercy.

This was only the strictly logical consequence of the change which had
taken place in him, a change in which everything gravitated round his
father.

Only, as he did not know any one and could not sow his cards with any
porter, he put them in his pocket.

By another natural consequence, in proportion as he drew nearer to his
father, to the latter's memory, and to the things for which the
colonel had fought five and twenty years before, he receded from his
grandfather. We have long ago said, that M. Gillenormand's temper did
not please him. There already existed between them all the dissonances
of the grave young man and the frivolous old man. The gayety of Geronte
shocks and exasperates the melancholy of Werther. So long as the same
political opinions and the same ideas had been common to them both,
Marius had met M. Gillenormand there as on a bridge. When the bridge
fell, an abyss was formed. And then, over and above all, Marius
experienced unutterable impulses to revolt, when he reflected that it
was M. Gillenormand who had, from stupid motives, torn him ruthlessly
from the colonel, thus depriving the father of the child, and the child
of the father.

By dint of pity for his father, Marius had nearly arrived at aversion
for his grandfather.

Nothing of this sort, however, was betrayed on the exterior, as we have
already said. Only he grew colder and colder; laconic at meals, and rare
in the house. When his aunt scolded him for it, he was very gentle and
alleged his studies, his lectures, the examinations, etc., as a pretext.
His grandfather never departed from his infallible diagnosis: "In love!
I know all about it."

From time to time Marius absented himself.

"Where is it that he goes off like this?" said his aunt.

On one of these trips, which were always very brief, he went to
Montfermeil, in order to obey the injunction which his father had
left him, and he sought the old sergeant to Waterloo, the inn-keeper
Thenardier. Thenardier had failed, the inn was closed, and no one knew
what had become of him. Marius was away from the house for four days on
this quest.

"He is getting decidedly wild," said his grandfather.

They thought they had noticed that he wore something on his breast,
under his shirt, which was attached to his neck by a black ribbon.




CHAPTER VII--SOME PETTICOAT

We have mentioned a lancer.

He was a great-grand-nephew of M. Gillenormand, on the paternal side,
who led a garrison life, outside the family and far from the domestic
hearth. Lieutenant Theodule Gillenormand fulfilled all the conditions
required to make what is called a fine officer. He had "a lady's waist,"
a victorious manner of trailing his sword and of twirling his mustache
in a hook. He visited Paris very rarely, and so rarely that Marius had
never seen him. The cousins knew each other only by name. We think
we have said that Theodule was the favorite of Aunt Gillenormand, who
preferred him because she did not see him. Not seeing people permits one
to attribute to them all possible perfections.

One morning, Mademoiselle Gillenormand the elder returned to her
apartment as much disturbed as her placidity was capable of allowing.
Marius had just asked his grandfather's permission to take a little
trip, adding that he meant to set out that very evening. "Go!" had been
his grandfather's reply, and M. Gillenormand had added in an aside, as
he raised his eyebrows to the top of his forehead: "Here he is passing
the night out again." Mademoiselle Gillenormand had ascended to
her chamber greatly puzzled, and on the staircase had dropped this
exclamation: "This is too much!"--and this interrogation: "But where is
it that he goes?" She espied some adventure of the heart, more or less
illicit, a woman in the shadow, a rendezvous, a mystery, and she would
not have been sorry to thrust her spectacles into the affair. Tasting a
mystery resembles getting the first flavor of a scandal; sainted souls
do not detest this. There is some curiosity about scandal in the secret
compartments of bigotry.

So she was the prey of a vague appetite for learning a history.

In order to get rid of this curiosity which agitated her a little beyond
her wont, she took refuge in her talents, and set about scalloping,
with one layer of cotton after another, one of those embroideries of the
Empire and the Restoration, in which there are numerous cart-wheels.
The work was clumsy, the worker cross. She had been seated at this for
several hours when the door opened. Mademoiselle Gillenormand raised
her nose. Lieutenant Theodule stood before her, making the regulation
salute. She uttered a cry of delight. One may be old, one may be a
prude, one may be pious, one may be an aunt, but it is always agreeable
to see a lancer enter one's chamber.

"You here, Theodule!" she exclaimed.

"On my way through town, aunt."

"Embrace me."

"Here goes!" said Theodule.

And he kissed her. Aunt Gillenormand went to her writing-desk and opened
it.

"You will remain with us a week at least?"

"I leave this very evening, aunt."

"It is not possible!"

"Mathematically!"

"Remain, my little Theodule, I beseech you."

"My heart says 'yes,' but my orders say 'no.' The matter is simple.
They are changing our garrison; we have been at Melun, we are being
transferred to Gaillon. It is necessary to pass through Paris in order
to get from the old post to the new one. I said: 'I am going to see my
aunt.'"

"Here is something for your trouble."

And she put ten louis into his hand.

"For my pleasure, you mean to say, my dear aunt."

Theodule kissed her again, and she experienced the joy of having some of
the skin scratched from her neck by the braidings on his uniform.

"Are you making the journey on horseback, with your regiment?" she asked
him.

"No, aunt. I wanted to see you. I have special permission. My servant is
taking my horse; I am travelling by diligence. And, by the way, I want
to ask you something."

"What is it?"

"Is my cousin Marius Pontmercy travelling so, too?"

"How do you know that?" said his aunt, suddenly pricked to the quick
with a lively curiosity.

"On my arrival, I went to the diligence to engage my seat in the coupe."

"Well?"

"A traveller had already come to engage a seat in the imperial. I saw
his name on the card."

"What name?"

"Marius Pontmercy."

"The wicked fellow!" exclaimed his aunt. "Ah! your cousin is not a
steady lad like yourself. To think that he is to pass the night in a
diligence!"

"Just as I am going to do."

"But you--it is your duty; in his case, it is wildness."

"Bosh!" said Theodule.

Here an event occurred to Mademoiselle Gillenormand the elder,--an idea
struck her. If she had been a man, she would have slapped her brow. She
apostrophized Theodule:--

"Are you aware whether your cousin knows you?"

"No. I have seen him; but he has never deigned to notice me."

"So you are going to travel together?"

"He in the imperial, I in the coupe."

"Where does this diligence run?"

"To Andelys."

"Then that is where Marius is going?"

"Unless, like myself, he should stop on the way. I get down at Vernon,
in order to take the branch coach for Gaillon. I know nothing of Marius'
plan of travel."

"Marius! what an ugly name! what possessed them to name him Marius?
While you, at least, are called Theodule."

"I would rather be called Alfred," said the officer.

"Listen, Theodule."

"I am listening, aunt."

"Pay attention."

"I am paying attention."

"You understand?"

"Yes."

"Well, Marius absents himself!"

"Eh! eh!"

"He travels."

"Ah! ah!"

"He spends the night out."

"Oh! oh!"

"We should like to know what there is behind all this."

Theodule replied with the composure of a man of bronze:--

"Some petticoat or other."

And with that inward laugh which denotes certainty, he added:--

"A lass."

"That is evident," exclaimed his aunt, who thought she heard M.
Gillenormand speaking, and who felt her conviction become irresistible
at that word fillette, accentuated in almost the very same fashion by
the granduncle and the grandnephew. She resumed:--

"Do us a favor. Follow Marius a little. He does not know you, it will be
easy. Since a lass there is, try to get a sight of her. You must write
us the tale. It will amuse his grandfather."

Theodule had no excessive taste for this sort of spying; but he was much
touched by the ten louis, and he thought he saw a chance for a possible
sequel. He accepted the commission and said: "As you please, aunt."

And he added in an aside, to himself: "Here I am a duenna."

Mademoiselle Gillenormand embraced him.

"You are not the man to play such pranks, Theodule. You obey discipline,
you are the slave of orders, you are a man of scruples and duty, and you
would not quit your family to go and see a creature."

The lancer made the pleased grimace of Cartouche when praised for his
probity.

Marius, on the evening following this dialogue, mounted the diligence
without suspecting that he was watched. As for the watcher, the
first thing he did was to fall asleep. His slumber was complete and
conscientious. Argus snored all night long.

At daybreak, the conductor of the diligence shouted: "Vernon! relay of
Vernon! Travellers for Vernon!" And Lieutenant Theodule woke.

"Good," he growled, still half asleep, "this is where I get out."

Then, as his memory cleared by degrees, the effect of waking, he
recalled his aunt, the ten louis, and the account which he had
undertaken to render of the deeds and proceedings of Marius. This set
him to laughing.

"Perhaps he is no longer in the coach," he thought, as he rebuttoned the
waistcoat of his undress uniform. "He may have stopped at Poissy; he may
have stopped at Triel; if he did not get out at Meulan, he may have got
out at Mantes, unless he got out at Rolleboise, or if he did not go on
as far as Pacy, with the choice of turning to the left at Evreus, or to
the right at Laroche-Guyon. Run after him, aunty. What the devil am I to
write to that good old soul?"

At that moment a pair of black trousers descending from the imperial,
made its appearance at the window of the coupe.

"Can that be Marius?" said the lieutenant.

It was Marius.

A little peasant girl, all entangled with the horses and the postilions
at the end of the vehicle, was offering flowers to the travellers. "Give
your ladies flowers!" she cried.

Marius approached her and purchased the finest flowers in her flat
basket.

"Come now," said Theodule, leaping down from the coupe, "this piques my
curiosity. Who the deuce is he going to carry those flowers to? She
must be a splendidly handsome woman for so fine a bouquet. I want to see
her."

And no longer in pursuance of orders, but from personal curiosity, like
dogs who hunt on their own account, he set out to follow Marius.

Marius paid no attention to Theodule. Elegant women descended from the
diligence; he did not glance at them. He seemed to see nothing around
him.

"He is pretty deeply in love!" thought Theodule.

Marius directed his steps towards the church.

"Capital," said Theodule to himself. "Rendezvous seasoned with a bit of
mass are the best sort. Nothing is so exquisite as an ogle which passes
over the good God's head."

On arriving at the church, Marius did not enter it, but skirted the
apse. He disappeared behind one of the angles of the apse.

"The rendezvous is appointed outside," said Theodule. "Let's have a look
at the lass."

And he advanced on the tips of his boots towards the corner which Marius
had turned.

On arriving there, he halted in amazement.

Marius, with his forehead clasped in his hands, was kneeling upon the
grass on a grave. He had strewn his bouquet there. At the extremity of
the grave, on a little swelling which marked the head, there stood
a cross of black wood with this name in white letters: COLONEL BARON
PONTMERCY. Marius' sobs were audible.

The "lass" was a grave.




CHAPTER VIII--MARBLE AGAINST GRANITE

It was hither that Marius had come on the first occasion of his
absenting himself from Paris. It was hither that he had come every time
that M. Gillenormand had said: "He is sleeping out."

Lieutenant Theodule was absolutely put out of countenance by this
unexpected encounter with a sepulchre; he experienced a singular and
disagreeable sensation which he was incapable of analyzing, and which
was composed of respect for the tomb, mingled with respect for the
colonel. He retreated, leaving Marius alone in the cemetery, and
there was discipline in this retreat. Death appeared to him with large
epaulets, and he almost made the military salute to him. Not knowing
what to write to his aunt, he decided not to write at all; and it is
probable that nothing would have resulted from the discovery made
by Theodule as to the love affairs of Marius, if, by one of those
mysterious arrangements which are so frequent in chance, the scene at
Vernon had not had an almost immediate counter-shock at Paris.

Marius returned from Vernon on the third day, in the middle of the
morning, descended at his grandfather's door, and, wearied by the two
nights spent in the diligence, and feeling the need of repairing his
loss of sleep by an hour at the swimming-school, he mounted rapidly to
his chamber, took merely time enough to throw off his travelling-coat,
and the black ribbon which he wore round his neck, and went off to the
bath.

M. Gillenormand, who had risen betimes like all old men in good health,
had heard his entrance, and had made haste to climb, as quickly as his
old legs permitted, the stairs to the upper story where Marius lived,
in order to embrace him, and to question him while so doing, and to find
out where he had been.

But the youth had taken less time to descend than the old man had to
ascend, and when Father Gillenormand entered the attic, Marius was no
longer there.

The bed had not been disturbed, and on the bed lay, outspread, but not
defiantly the great-coat and the black ribbon.

"I like this better," said M. Gillenormand.

And a moment later, he made his entrance into the salon, where
Mademoiselle Gillenormand was already seated, busily embroidering her
cart-wheels.

The entrance was a triumphant one.

M. Gillenormand held in one hand the great-coat, and in the other the
neck-ribbon, and exclaimed:--

"Victory! We are about to penetrate the mystery! We are going to
learn the most minute details; we are going to lay our finger on the
debaucheries of our sly friend! Here we have the romance itself. I have
the portrait!"

In fact, a case of black shagreen, resembling a medallion portrait, was
suspended from the ribbon.

The old man took this case and gazed at it for some time without opening
it, with that air of enjoyment, rapture, and wrath, with which a poor
hungry fellow beholds an admirable dinner which is not for him, pass
under his very nose.

"For this evidently is a portrait. I know all about such things. That is
worn tenderly on the heart. How stupid they are! Some abominable fright
that will make us shudder, probably! Young men have such bad taste
nowadays!"

"Let us see, father," said the old spinster.

The case opened by the pressure of a spring. They found in it nothing
but a carefully folded paper.

"From the same to the same," said M. Gillenormand, bursting with
laughter. "I know what it is. A billet-doux."

"Ah! let us read it!" said the aunt.

And she put on her spectacles. They unfolded the paper and read as
follows:--

"For my son.--The Emperor made me a Baron on the battlefield of
Waterloo. Since the Restoration disputes my right to this title which I
purchased with my blood, my son shall take it and bear it. That he will
be worthy of it is a matter of course."

The feelings of father and daughter cannot be described. They felt
chilled as by the breath of a death's-head. They did not exchange a
word.

Only, M. Gillenormand said in a low voice and as though speaking to
himself:--

"It is the slasher's handwriting."

The aunt examined the paper, turned it about in all directions, then put
it back in its case.

At the same moment a little oblong packet, enveloped in blue paper, fell
from one of the pockets of the great-coat. Mademoiselle Gillenormand
picked it up and unfolded the blue paper.

It contained Marius' hundred cards. She handed one of them to M.
Gillenormand, who read: Le Baron Marius Pontmercy.

The old man rang the bell. Nicolette came. M. Gillenormand took the
ribbon, the case, and the coat, flung them all on the floor in the
middle of the room, and said:--

"Carry those duds away."

A full hour passed in the most profound silence. The old man and the old
spinster had seated themselves with their backs to each other, and were
thinking, each on his own account, the same things, in all probability.

At the expiration of this hour, Aunt Gillenormand said:--"A pretty state
of things!"

A few moments later, Marius made his appearance. He entered. Even before
he had crossed the threshold, he saw his grandfather holding one of
his own cards in his hand, and on catching sight of him, the latter
exclaimed with his air of bourgeois and grinning superiority which was
something crushing:--

"Well! well! well! well! well! so you are a baron now. I present you my
compliments. What is the meaning of this?"

Marius reddened slightly and replied:--

"It means that I am the son of my father."

M. Gillenormand ceased to laugh, and said harshly:--

"I am your father."

"My father," retorted Marius, with downcast eyes and a severe air, "was
a humble and heroic man, who served the Republic and France gloriously,
who was great in the greatest history that men have ever made, who
lived in the bivouac for a quarter of a century, beneath grape-shot and
bullets, in snow and mud by day, beneath rain at night, who captured two
flags, who received twenty wounds, who died forgotten and abandoned, and
who never committed but one mistake, which was to love too fondly two
ingrates, his country and myself."

This was more than M. Gillenormand could bear to hear. At the word
republic, he rose, or, to speak more correctly, he sprang to his feet.
Every word that Marius had just uttered produced on the visage of the
old Royalist the effect of the puffs of air from a forge upon a blazing
brand. From a dull hue he had turned red, from red, purple, and from
purple, flame-colored.

"Marius!" he cried. "Abominable child! I do not know what your father
was! I do not wish to know! I know nothing about that, and I do not know
him! But what I do know is, that there never was anything but scoundrels
among those men! They were all rascals, assassins, red-caps, thieves! I
say all! I say all! I know not one! I say all! Do you hear me, Marius!
See here, you are no more a baron than my slipper is! They were all
bandits in the service of Robespierre! All who served B-u-o-naparte were
brigands! They were all traitors who betrayed, betrayed, betrayed their
legitimate king! All cowards who fled before the Prussians and the
English at Waterloo! That is what I do know! Whether Monsieur your
father comes in that category, I do not know! I am sorry for it, so much
the worse, your humble servant!"

In his turn, it was Marius who was the firebrand and M. Gillenormand
who was the bellows. Marius quivered in every limb, he did not know what
would happen next, his brain was on fire. He was the priest who beholds
all his sacred wafers cast to the winds, the fakir who beholds a
passer-by spit upon his idol. It could not be that such things had been
uttered in his presence. What was he to do? His father had just been
trampled under foot and stamped upon in his presence, but by whom? By
his grandfather. How was he to avenge the one without outraging the
other? It was impossible for him to insult his grandfather and it was
equally impossible for him to leave his father unavenged. On the one
hand was a sacred grave, on the other hoary locks.

He stood there for several moments, staggering as though intoxicated,
with all this whirlwind dashing through his head; then he raised
his eyes, gazed fixedly at his grandfather, and cried in a voice of
thunder:--

"Down with the Bourbons, and that great hog of a Louis XVIII.!"

Louis XVIII. had been dead for four years; but it was all the same to
him.

The old man, who had been crimson, turned whiter than his hair. He
wheeled round towards a bust of M. le Duc de Berry, which stood on the
chimney-piece, and made a profound bow, with a sort of peculiar majesty.
Then he paced twice, slowly and in silence, from the fireplace to the
window and from the window to the fireplace, traversing the whole length
of the room, and making the polished floor creak as though he had been a
stone statue walking.

On his second turn, he bent over his daughter, who was watching this
encounter with the stupefied air of an antiquated lamb, and said to her
with a smile that was almost calm: "A baron like this gentleman, and a
bourgeois like myself cannot remain under the same roof."

And drawing himself up, all at once, pallid, trembling, terrible, with
his brow rendered more lofty by the terrible radiance of wrath, he
extended his arm towards Marius and shouted to him:--

"Be off!"

Marius left the house.

On the following day, M. Gillenormand said to his daughter:

"You will send sixty pistoles every six months to that blood-drinker,
and you will never mention his name to me."

Having an immense reserve fund of wrath to get rid of, and not knowing
what to do with it, he continued to address his daughter as you instead
of thou for the next three months.

Marius, on his side, had gone forth in indignation. There was one
circumstance which, it must be admitted, aggravated his exasperation.
There are always petty fatalities of the sort which complicate domestic
dramas. They augment the grievances in such cases, although, in reality,
the wrongs are not increased by them. While carrying Marius' "duds"
precipitately to his chamber, at his grandfather's command, Nicolette
had, inadvertently, let fall, probably, on the attic staircase, which
was dark, that medallion of black shagreen which contained the paper
penned by the colonel. Neither paper nor case could afterwards be found.
Marius was convinced that "Monsieur Gillenormand"--from that day forth
he never alluded to him otherwise--had flung "his father's testament" in
the fire. He knew by heart the few lines which the colonel had written,
and, consequently, nothing was lost. But the paper, the writing, that
sacred relic,--all that was his very heart. What had been done with it?

Marius had taken his departure without saying whither he was going, and
without knowing where, with thirty francs, his watch, and a few clothes
in a hand-bag. He had entered a hackney-coach, had engaged it by the
hour, and had directed his course at hap-hazard towards the Latin
quarter.

What was to become of Marius?




BOOK FOURTH.--THE FRIENDS OF THE A B C




CHAPTER I--A GROUP WHICH BARELY MISSED BECOMING HISTORIC

At that epoch, which was, to all appearances indifferent, a certain
revolutionary quiver was vaguely current. Breaths which had started
forth from the depths of '89 and '93 were in the air. Youth was on
the point, may the reader pardon us the word, of moulting. People were
undergoing a transformation, almost without being conscious of it,
through the movement of the age. The needle which moves round the
compass also moves in souls. Each person was taking that step in advance
which he was bound to take. The Royalists were becoming liberals,
liberals were turning democrats. It was a flood tide complicated with
a thousand ebb movements; the peculiarity of ebbs is to create
intermixtures; hence the combination of very singular ideas; people
adored both Napoleon and liberty. We are making history here. These
were the mirages of that period. Opinions traverse phases. Voltairian
royalism, a quaint variety, had a no less singular sequel, Bonapartist
liberalism.

Other groups of minds were more serious. In that direction, they
sounded principles, they attached themselves to the right. They
grew enthusiastic for the absolute, they caught glimpses of infinite
realizations; the absolute, by its very rigidity, urges spirits towards
the sky and causes them to float in illimitable space. There is nothing
like dogma for bringing forth dreams. And there is nothing like dreams
for engendering the future. Utopia to-day, flesh and blood to-morrow.

These advanced opinions had a double foundation. A beginning of mystery
menaced "the established order of things," which was suspicious and
underhand. A sign which was revolutionary to the highest degree. The
second thoughts of power meet the second thoughts of the populace in
the mine. The incubation of insurrections gives the retort to the
premeditation of coups d'etat.

There did not, as yet, exist in France any of those vast underlying
organizations, like the German tugendbund and Italian Carbonarism; but
here and there there were dark underminings, which were in process of
throwing off shoots. The Cougourde was being outlined at Aix; there
existed at Paris, among other affiliations of that nature, the society
of the Friends of the A B C.

What were these Friends of the A B C? A society which had for its object
apparently the education of children, in reality the elevation of man.

They declared themselves the Friends of the A B C,--the Abaisse,--the
debased,--that is to say, the people. They wished to elevate the people.
It was a pun which we should do wrong to smile at. Puns are sometimes
serious factors in politics; witness the Castratus ad castra, which made
a general of the army of Narses; witness: Barbari et Barberini; witness:
Tu es Petrus et super hanc petram, etc., etc.

The Friends of the A B C were not numerous, it was a secret society in
the state of embryo, we might almost say a coterie, if coteries ended in
heroes. They assembled in Paris in two localities, near the fish-market,
in a wine-shop called Corinthe, of which more will be heard later on,
and near the Pantheon in a little cafe in the Rue Saint-Michel called
the Cafe Musain, now torn down; the first of these meeting-places was
close to the workingman, the second to the students.

The assemblies of the Friends of the A B C were usually held in a back
room of the Cafe Musain.

This hall, which was tolerably remote from the cafe, with which it was
connected by an extremely long corridor, had two windows and an exit
with a private stairway on the little Rue des Gres. There they smoked
and drank, and gambled and laughed. There they conversed in very loud
tones about everything, and in whispers of other things. An old map
of France under the Republic was nailed to the wall,--a sign quite
sufficient to excite the suspicion of a police agent.

The greater part of the Friends of the A B C were students, who were
on cordial terms with the working classes. Here are the names of the
principal ones. They belong, in a certain measure, to history: Enjolras,
Combeferre, Jean Prouvaire, Feuilly, Courfeyrac, Bahorel, Lesgle or
Laigle, Joly, Grantaire.

These young men formed a sort of family, through the bond of friendship.
All, with the exception of Laigle, were from the South.

[Illustration: Friends of the A B C  3b4-1-abc-friends]

This was a remarkable group. It vanished in the invisible depths which
lie behind us. At the point of this drama which we have now reached,
it will not perhaps be superfluous to throw a ray of light upon these
youthful heads, before the reader beholds them plunging into the shadow
of a tragic adventure.

Enjolras, whose name we have mentioned first of all,--the reader shall
see why later on,--was an only son and wealthy.

Enjolras was a charming young man, who was capable of being terrible. He
was angelically handsome. He was a savage Antinous. One would have said,
to see the pensive thoughtfulness of his glance, that he had already,
in some previous state of existence, traversed the revolutionary
apocalypse. He possessed the tradition of it as though he had been a
witness. He was acquainted with all the minute details of the great
affair. A pontifical and warlike nature, a singular thing in a youth. He
was an officiating priest and a man of war; from the immediate point of
view, a soldier of the democracy; above the contemporary movement, the
priest of the ideal. His eyes were deep, his lids a little red, his
lower lip was thick and easily became disdainful, his brow was lofty. A
great deal of brow in a face is like a great deal of horizon in a view.
Like certain young men at the beginning of this century and the end of
the last, who became illustrious at an early age, he was endowed with
excessive youth, and was as rosy as a young girl, although subject to
hours of pallor. Already a man, he still seemed a child. His two and
twenty years appeared to be but seventeen; he was serious, it did not
seem as though he were aware there was on earth a thing called woman.
He had but one passion--the right; but one thought--to overthrow
the obstacle. On Mount Aventine, he would have been Gracchus; in the
Convention, he would have been Saint-Just. He hardly saw the roses, he
ignored spring, he did not hear the carolling of the birds; the bare
throat of Evadne would have moved him no more than it would have moved
Aristogeiton; he, like Harmodius, thought flowers good for nothing
except to conceal the sword. He was severe in his enjoyments. He
chastely dropped his eyes before everything which was not the Republic.
He was the marble lover of liberty. His speech was harshly inspired,
and had the thrill of a hymn. He was subject to unexpected outbursts of
soul. Woe to the love-affair which should have risked itself beside him!
If any grisette of the Place Cambrai or the Rue Saint-Jean-de-Beauvais,
seeing that face of a youth escaped from college, that page's mien,
those long, golden lashes, those blue eyes, that hair billowing in the
wind, those rosy cheeks, those fresh lips, those exquisite teeth, had
conceived an appetite for that complete aurora, and had tried her beauty
on Enjolras, an astounding and terrible glance would have promptly shown
her the abyss, and would have taught her not to confound the mighty
cherub of Ezekiel with the gallant Cherubino of Beaumarchais.

By the side of Enjolras, who represented the logic of the Revolution,
Combeferre represented its philosophy. Between the logic of the
Revolution and its philosophy there exists this difference--that its
logic may end in war, whereas its philosophy can end only in peace.
Combeferre complemented and rectified Enjolras. He was less lofty, but
broader. He desired to pour into all minds the extensive principles of
general ideas: he said: "Revolution, but civilization"; and around the
mountain peak he opened out a vast view of the blue sky. The Revolution
was more adapted for breathing with Combeferre than with Enjolras.
Enjolras expressed its divine right, and Combeferre its natural right.
The first attached himself to Robespierre; the second confined himself
to Condorcet. Combeferre lived the life of all the rest of the world
more than did Enjolras. If it had been granted to these two young men to
attain to history, the one would have been the just, the other the wise
man. Enjolras was the more virile, Combeferre the more humane. Homo and
vir, that was the exact effect of their different shades. Combeferre was
as gentle as Enjolras was severe, through natural whiteness. He loved
the word citizen, but he preferred the word man. He would gladly
have said: Hombre, like the Spanish. He read everything, went to
the theatres, attended the courses of public lecturers, learned the
polarization of light from Arago, grew enthusiastic over a lesson in
which Geoffrey Sainte-Hilaire explained the double function of the
external carotid artery, and the internal, the one which makes the face,
and the one which makes the brain; he kept up with what was going
on, followed science step by step, compared Saint-Simon with Fourier,
deciphered hieroglyphics, broke the pebble which he found and reasoned
on geology, drew from memory a silkworm moth, pointed out the faulty
French in the Dictionary of the Academy, studied Puysegur and Deleuze,
affirmed nothing, not even miracles; denied nothing, not even ghosts;
turned over the files of the Moniteur, reflected. He declared that the
future lies in the hand of the schoolmaster, and busied himself with
educational questions. He desired that society should labor without
relaxation at the elevation of the moral and intellectual level, at
coining science, at putting ideas into circulation, at increasing the
mind in youthful persons, and he feared lest the present poverty of
method, the paltriness from a literary point of view confined to two
or three centuries called classic, the tyrannical dogmatism of official
pedants, scholastic prejudices and routines should end by converting our
colleges into artificial oyster beds. He was learned, a purist, exact,
a graduate of the Polytechnic, a close student, and at the same time,
thoughtful "even to chimaeras," so his friends said. He believed in
all dreams, railroads, the suppression of suffering in chirurgical
operations, the fixing of images in the dark chamber, the electric
telegraph, the steering of balloons. Moreover, he was not much alarmed
by the citadels erected against the human mind in every direction, by
superstition, despotism, and prejudice. He was one of those who think
that science will eventually turn the position. Enjolras was a chief,
Combeferre was a guide. One would have liked to fight under the one and
to march behind the other. It is not that Combeferre was not capable of
fighting, he did not refuse a hand-to-hand combat with the obstacle, and
to attack it by main force and explosively; but it suited him better to
bring the human race into accord with its destiny gradually, by means of
education, the inculcation of axioms, the promulgation of positive laws;
and, between two lights, his preference was rather for illumination than
for conflagration. A conflagration can create an aurora, no doubt, but
why not await the dawn? A volcano illuminates, but daybreak furnishes a
still better illumination. Possibly, Combeferre preferred the whiteness
of the beautiful to the blaze of the sublime. A light troubled by smoke,
progress purchased at the expense of violence, only half satisfied this
tender and serious spirit. The headlong precipitation of a people into
the truth, a '93, terrified him; nevertheless, stagnation was still
more repulsive to him, in it he detected putrefaction and death; on the
whole, he preferred scum to miasma, and he preferred the torrent to the
cesspool, and the falls of Niagara to the lake of Montfaucon. In
short, he desired neither halt nor haste. While his tumultuous friends,
captivated by the absolute, adored and invoked splendid revolutionary
adventures, Combeferre was inclined to let progress, good progress, take
its own course; he may have been cold, but he was pure; methodical, but
irreproachable; phlegmatic, but imperturbable. Combeferre would have
knelt and clasped his hands to enable the future to arrive in all
its candor, and that nothing might disturb the immense and virtuous
evolution of the races. The good must be innocent, he repeated
incessantly. And in fact, if the grandeur of the Revolution consists
in keeping the dazzling ideal fixedly in view, and of soaring thither
athwart the lightnings, with fire and blood in its talons, the beauty
of progress lies in being spotless; and there exists between Washington,
who represents the one, and Danton, who incarnates the other, that
difference which separates the swan from the angel with the wings of an
eagle.

Jean Prouvaire was a still softer shade than Combeferre. His name
was Jehan, owing to that petty momentary freak which mingled with the
powerful and profound movement whence sprang the very essential study
of the Middle Ages. Jean Prouvaire was in love; he cultivated a pot
of flowers, played on the flute, made verses, loved the people, pitied
woman, wept over the child, confounded God and the future in the same
confidence, and blamed the Revolution for having caused the fall of a
royal head, that of Andre Chenier. His voice was ordinarily delicate,
but suddenly grew manly. He was learned even to erudition, and almost an
Orientalist. Above all, he was good; and, a very simple thing to those
who know how nearly goodness borders on grandeur, in the matter of
poetry, he preferred the immense. He knew Italian, Latin, Greek, and
Hebrew; and these served him only for the perusal of four poets: Dante,
Juvenal, AEschylus, and Isaiah. In French, he preferred Corneille to
Racine, and Agrippa d'Aubigne to Corneille. He loved to saunter through
fields of wild oats and corn-flowers, and busied himself with clouds
nearly as much as with events. His mind had two attitudes, one on
the side towards man, the other on that towards God; he studied or
he contemplated. All day long, he buried himself in social questions,
salary, capital, credit, marriage, religion, liberty of thought,
education, penal servitude, poverty, association, property, production
and sharing, the enigma of this lower world which covers the human
ant-hill with darkness; and at night, he gazed upon the planets, those
enormous beings. Like Enjolras, he was wealthy and an only son. He spoke
softly, bowed his head, lowered his eyes, smiled with embarrassment,
dressed badly, had an awkward air, blushed at a mere nothing, and was
very timid. Yet he was intrepid.

Feuilly was a workingman, a fan-maker, orphaned both of father and
mother, who earned with difficulty three francs a day, and had but
one thought, to deliver the world. He had one other preoccupation, to
educate himself; he called this also, delivering himself. He had taught
himself to read and write; everything that he knew, he had learned by
himself. Feuilly had a generous heart. The range of his embrace was
immense. This orphan had adopted the peoples. As his mother had
failed him, he meditated on his country. He brooded with the profound
divination of the man of the people, over what we now call the idea of
the nationality, had learned history with the express object of raging
with full knowledge of the case. In this club of young Utopians,
occupied chiefly with France, he represented the outside world. He had
for his specialty Greece, Poland, Hungary, Roumania, Italy. He uttered
these names incessantly, appropriately and inappropriately, with the
tenacity of right. The violations of Turkey on Greece and Thessaly, of
Russia on Warsaw, of Austria on Venice, enraged him. Above all things,
the great violence of 1772 aroused him. There is no more sovereign
eloquence than the true in indignation; he was eloquent with that
eloquence. He was inexhaustible on that infamous date of 1772, on the
subject of that noble and valiant race suppressed by treason, and that
three-sided crime, on that monstrous ambush, the prototype and pattern
of all those horrible suppressions of states, which, since that time,
have struck many a noble nation, and have annulled their certificate of
birth, so to speak. All contemporary social crimes have their origin in
the partition of Poland. The partition of Poland is a theorem of which
all present political outrages are the corollaries. There has not been
a despot, nor a traitor for nearly a century back, who has not signed,
approved, counter-signed, and copied, ne variatur, the partition of
Poland. When the record of modern treasons was examined, that was the
first thing which made its appearance. The congress of Vienna consulted
that crime before consummating its own. 1772 sounded the onset; 1815
was the death of the game. Such was Feuilly's habitual text. This
poor workingman had constituted himself the tutor of Justice, and she
recompensed him by rendering him great. The fact is, that there is
eternity in right. Warsaw can no more be Tartar than Venice can be
Teuton. Kings lose their pains and their honor in the attempt to make
them so. Sooner or later, the submerged part floats to the surface and
reappears. Greece becomes Greece again, Italy is once more Italy. The
protest of right against the deed persists forever. The theft of a
nation cannot be allowed by prescription. These lofty deeds of rascality
have no future. A nation cannot have its mark extracted like a pocket
handkerchief.

Courfeyrac had a father who was called M. de Courfeyrac. One of
the false ideas of the bourgeoisie under the Restoration as regards
aristocracy and the nobility was to believe in the particle. The
particle, as every one knows, possesses no significance. But the
bourgeois of the epoch of la Minerve estimated so highly that poor de,
that they thought themselves bound to abdicate it. M. de Chauvelin
had himself called M. Chauvelin; M. de Caumartin, M. Caumartin; M. de
Constant de Robecque, Benjamin Constant; M. de Lafayette, M. Lafayette.
Courfeyrac had not wished to remain behind the rest, and called himself
plain Courfeyrac.

We might almost, so far as Courfeyrac is concerned, stop here,
and confine ourselves to saying with regard to what remains: "For
Courfeyrac, see Tholomyes."

Courfeyrac had, in fact, that animation of youth which may be called
the beaute du diable of the mind. Later on, this disappears like the
playfulness of the kitten, and all this grace ends, with the bourgeois,
on two legs, and with the tomcat, on four paws.

This sort of wit is transmitted from generation to generation of the
successive levies of youth who traverse the schools, who pass it from
hand to hand, quasi cursores, and is almost always exactly the same;
so that, as we have just pointed out, any one who had listened to
Courfeyrac in 1828 would have thought he heard Tholomyes in 1817. Only,
Courfeyrac was an honorable fellow. Beneath the apparent similarities
of the exterior mind, the difference between him and Tholomyes was very
great. The latent man which existed in the two was totally different
in the first from what it was in the second. There was in Tholomyes a
district attorney, and in Courfeyrac a paladin.

Enjolras was the chief, Combeferre was the guide, Courfeyrac was the
centre. The others gave more light, he shed more warmth; the truth is,
that he possessed all the qualities of a centre, roundness and radiance.

Bahorel had figured in the bloody tumult of June, 1822, on the occasion
of the burial of young Lallemand.

Bahorel was a good-natured mortal, who kept bad company, brave, a
spendthrift, prodigal, and to the verge of generosity, talkative, and
at times eloquent, bold to the verge of effrontery; the best fellow
possible; he had daring waistcoats, and scarlet opinions; a wholesale
blusterer, that is to say, loving nothing so much as a quarrel, unless
it were an uprising; and nothing so much as an uprising, unless it were
a revolution; always ready to smash a window-pane, then to tear up the
pavement, then to demolish a government, just to see the effect of it;
a student in his eleventh year. He had nosed about the law, but did not
practise it. He had taken for his device: "Never a lawyer," and for his
armorial bearings a nightstand in which was visible a square cap. Every
time that he passed the law-school, which rarely happened, he buttoned
up his frock-coat,--the paletot had not yet been invented,--and took
hygienic precautions. Of the school porter he said: "What a fine
old man!" and of the dean, M. Delvincourt: "What a monument!" In his
lectures he espied subjects for ballads, and in his professors occasions
for caricature. He wasted a tolerably large allowance, something like
three thousand francs a year, in doing nothing.

He had peasant parents whom he had contrived to imbue with respect for
their son.

He said of them: "They are peasants and not bourgeois; that is the
reason they are intelligent."

Bahorel, a man of caprice, was scattered over numerous cafes; the others
had habits, he had none. He sauntered. To stray is human. To saunter
is Parisian. In reality, he had a penetrating mind and was more of a
thinker than appeared to view.

He served as a connecting link between the Friends of the A B C and
other still unorganized groups, which were destined to take form later
on.

In this conclave of young heads, there was one bald member.

The Marquis d'Avaray, whom Louis XVIII. made a duke for having assisted
him to enter a hackney-coach on the day when he emigrated, was wont
to relate, that in 1814, on his return to France, as the King was
disembarking at Calais, a man handed him a petition.

"What is your request?" said the King.

"Sire, a post-office."

"What is your name?"

"L'Aigle."

The King frowned, glanced at the signature of the petition and beheld
the name written thus: LESGLE. This non-Bonoparte orthography touched
the King and he began to smile. "Sire," resumed the man with the
petition, "I had for ancestor a keeper of the hounds surnamed
Lesgueules. This surname furnished my name. I am called Lesgueules, by
contraction Lesgle, and by corruption l'Aigle." This caused the King
to smile broadly. Later on he gave the man the posting office of Meaux,
either intentionally or accidentally.

The bald member of the group was the son of this Lesgle, or Legle, and
he signed himself, Legle [de Meaux]. As an abbreviation, his companions
called him Bossuet.

Bossuet was a gay but unlucky fellow. His specialty was not to succeed
in anything. As an offset, he laughed at everything. At five and twenty
he was bald. His father had ended by owning a house and a field; but
he, the son, had made haste to lose that house and field in a bad
speculation. He had nothing left. He possessed knowledge and wit, but
all he did miscarried. Everything failed him and everybody deceived him;
what he was building tumbled down on top of him. If he were splitting
wood, he cut off a finger. If he had a mistress, he speedily discovered
that he had a friend also. Some misfortune happened to him every moment,
hence his joviality. He said: "I live under falling tiles." He was
not easily astonished, because, for him, an accident was what he had
foreseen, he took his bad luck serenely, and smiled at the teasing of
fate, like a person who is listening to pleasantries. He was poor, but
his fund of good humor was inexhaustible. He soon reached his last sou,
never his last burst of laughter. When adversity entered his doors, he
saluted this old acquaintance cordially, he tapped all catastrophes on
the stomach; he was familiar with fatality to the point of calling it by
its nickname: "Good day, Guignon," he said to it.

These persecutions of fate had rendered him inventive. He was full of
resources. He had no money, but he found means, when it seemed good to
him, to indulge in "unbridled extravagance." One night, he went so far
as to eat a "hundred francs" in a supper with a wench, which inspired
him to make this memorable remark in the midst of the orgy: "Pull off my
boots, you five-louis jade."

Bossuet was slowly directing his steps towards the profession of a
lawyer; he was pursuing his law studies after the manner of Bahorel.
Bossuet had not much domicile, sometimes none at all. He lodged now with
one, now with another, most often with Joly. Joly was studying medicine.
He was two years younger than Bossuet.

Joly was the "malade imaginaire" junior. What he had won in medicine was
to be more of an invalid than a doctor. At three and twenty he thought
himself a valetudinarian, and passed his life in inspecting his tongue
in the mirror. He affirmed that man becomes magnetic like a needle, and
in his chamber he placed his bed with its head to the south, and the
foot to the north, so that, at night, the circulation of his blood
might not be interfered with by the great electric current of the globe.
During thunder storms, he felt his pulse. Otherwise, he was the gayest
of them all. All these young, maniacal, puny, merry incoherences lived
in harmony together, and the result was an eccentric and agreeable
being whom his comrades, who were prodigal of winged consonants, called
Jolllly. "You may fly away on the four L's," Jean Prouvaire said to
him.[23]

Joly had a trick of touching his nose with the tip of his cane, which is
an indication of a sagacious mind.

All these young men who differed so greatly, and who, on the whole, can
only be discussed seriously, held the same religion: Progress.

All were the direct sons of the French Revolution. The most giddy of
them became solemn when they pronounced that date: '89. Their fathers in
the flesh had been, either royalists, doctrinaires, it matters not what;
this confusion anterior to themselves, who were young, did not concern
them at all; the pure blood of principle ran in their veins. They
attached themselves, without intermediate shades, to incorruptible right
and absolute duty.

Affiliated and initiated, they sketched out the ideal underground.

Among all these glowing hearts and thoroughly convinced minds, there was
one sceptic. How came he there? By juxtaposition. This sceptic's name
was Grantaire, and he was in the habit of signing himself with this
rebus: R. Grantaire was a man who took good care not to believe in
anything. Moreover, he was one of the students who had learned the most
during their course at Paris; he knew that the best coffee was to be had
at the Cafe Lemblin, and the best billiards at the Cafe Voltaire, that
good cakes and lasses were to be found at the Ermitage, on the Boulevard
du Maine, spatchcocked chickens at Mother Sauget's, excellent matelotes
at the Barriere de la Cunette, and a certain thin white wine at the
Barriere du Com pat. He knew the best place for everything; in
addition, boxing and foot-fencing and some dances; and he was a thorough
single-stick player. He was a tremendous drinker to boot. He was
inordinately homely: the prettiest boot-stitcher of that day, Irma
Boissy, enraged with his homeliness, pronounced sentence on him as
follows: "Grantaire is impossible"; but Grantaire's fatuity was not to
be disconcerted. He stared tenderly and fixedly at all women, with the
air of saying to them all: "If I only chose!" and of trying to make his
comrades believe that he was in general demand.

All those words: rights of the people, rights of man, the social
contract, the French Revolution, the Republic, democracy, humanity,
civilization, religion, progress, came very near to signifying nothing
whatever to Grantaire. He smiled at them. Scepticism, that caries of the
intelligence, had not left him a single whole idea. He lived with irony.
This was his axiom: "There is but one certainty, my full glass." He
sneered at all devotion in all parties, the father as well as the
brother, Robespierre junior as well as Loizerolles. "They are greatly in
advance to be dead," he exclaimed. He said of the crucifix: "There is a
gibbet which has been a success." A rover, a gambler, a libertine,
often drunk, he displeased these young dreamers by humming incessantly:
"J'aimons les filles, et j'aimons le bon vin." Air: Vive Henri IV.

However, this sceptic had one fanaticism. This fanaticism was neither a
dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras.
Grantaire admired, loved, and venerated Enjolras. To whom did this
anarchical scoffer unite himself in this phalanx of absolute minds? To
the most absolute. In what manner had Enjolras subjugated him? By his
ideas? No. By his character. A phenomenon which is often observable.
A sceptic who adheres to a believer is as simple as the law of
complementary colors. That which we lack attracts us. No one loves the
light like the blind man. The dwarf adores the drum-major. The toad
always has his eyes fixed on heaven. Why? In order to watch the bird in
its flight. Grantaire, in whom writhed doubt, loved to watch faith
soar in Enjolras. He had need of Enjolras. That chaste, healthy, firm,
upright, hard, candid nature charmed him, without his being clearly
aware of it, and without the idea of explaining it to himself having
occurred to him. He admired his opposite by instinct. His soft,
yielding, dislocated, sickly, shapeless ideas attached themselves
to Enjolras as to a spinal column. His moral backbone leaned on that
firmness. Grantaire in the presence of Enjolras became some one once
more. He was, himself, moreover, composed of two elements, which were,
to all appearance, incompatible. He was ironical and cordial. His
indifference loved. His mind could get along without belief, but his
heart could not get along without friendship. A profound contradiction;
for an affection is a conviction. His nature was thus constituted. There
are men who seem to be born to be the reverse, the obverse, the wrong
side. They are Pollux, Patrocles, Nisus, Eudamidas, Ephestion, Pechmeja.
They only exist on condition that they are backed up with another man;
their name is a sequel, and is only written preceded by the conjunction
and; and their existence is not their own; it is the other side of an
existence which is not theirs. Grantaire was one of these men. He was
the obverse of Enjolras.

One might almost say that affinities begin with the letters of the
alphabet. In the series O and P are inseparable. You can, at will,
pronounce O and P or Orestes and Pylades.

Grantaire, Enjolras' true satellite, inhabited this circle of young men;
he lived there, he took no pleasure anywhere but there; he followed them
everywhere. His joy was to see these forms go and come through the fumes
of wine. They tolerated him on account of his good humor.

Enjolras, the believer, disdained this sceptic; and, a sober man
himself, scorned this drunkard. He accorded him a little lofty pity.
Grantaire was an unaccepted Pylades. Always harshly treated by Enjolras,
roughly repulsed, rejected yet ever returning to the charge, he said of
Enjolras: "What fine marble!"




CHAPTER II--BLONDEAU'S FUNERAL ORATION BY BOSSUET

On a certain afternoon, which had, as will be seen hereafter, some
coincidence with the events heretofore related, Laigle de Meaux was to
be seen leaning in a sensual manner against the doorpost of the Cafe
Musain. He had the air of a caryatid on a vacation; he carried nothing
but his revery, however. He was staring at the Place Saint-Michel.
To lean one's back against a thing is equivalent to lying down while
standing erect, which attitude is not hated by thinkers. Laigle de Meaux
was pondering without melancholy, over a little misadventure which
had befallen him two days previously at the law-school, and which had
modified his personal plans for the future, plans which were rather
indistinct in any case.

Revery does not prevent a cab from passing by, nor the dreamer from
taking note of that cab. Laigle de Meaux, whose eyes were straying about
in a sort of diffuse lounging, perceived, athwart his somnambulism, a
two-wheeled vehicle proceeding through the place, at a foot pace and
apparently in indecision. For whom was this cabriolet? Why was it
driving at a walk? Laigle took a survey. In it, beside the coachman, sat
a young man, and in front of the young man lay a rather bulky hand-bag.
The bag displayed to passers-by the following name inscribed in large
black letters on a card which was sewn to the stuff: MARIUS PONTMERCY.

This name caused Laigle to change his attitude. He drew himself up and
hurled this apostrophe at the young man in the cabriolet:--

"Monsieur Marius Pontmercy!"

The cabriolet thus addressed came to a halt.

The young man, who also seemed deeply buried in thought, raised his
eyes:--

"Hey?" said he.

"You are M. Marius Pontmercy?"

"Certainly."

"I was looking for you," resumed Laigle de Meaux.

"How so?" demanded Marius; for it was he: in fact, he had just quitted
his grandfather's, and had before him a face which he now beheld for the
first time. "I do not know you."

"Neither do I know you," responded Laigle.

Marius thought he had encountered a wag, the beginning of a
mystification in the open street. He was not in a very good humor at the
moment. He frowned. Laigle de Meaux went on imperturbably:--

"You were not at the school day before yesterday."

"That is possible."

"That is certain."

"You are a student?" demanded Marius.

"Yes, sir. Like yourself. Day before yesterday, I entered the school, by
chance. You know, one does have such freaks sometimes. The professor was
just calling the roll. You are not unaware that they are very ridiculous
on such occasions. At the third call, unanswered, your name is erased
from the list. Sixty francs in the gulf."

Marius began to listen.

"It was Blondeau who was making the call. You know Blondeau, he has a
very pointed and very malicious nose, and he delights to scent out the
absent. He slyly began with the letter P. I was not listening, not being
compromised by that letter. The call was not going badly. No erasures;
the universe was present. Blondeau was grieved. I said to myself:
'Blondeau, my love, you will not get the very smallest sort of an
execution to-day.' All at once Blondeau calls, 'Marius Pontmercy!' No
one answers. Blondeau, filled with hope, repeats more loudly: 'Marius
Pontmercy!' And he takes his pen. Monsieur, I have bowels of compassion.
I said to myself hastily: 'Here's a brave fellow who is going to get
scratched out. Attention. Here is a veritable mortal who is not exact.
He's not a good student. Here is none of your heavy-sides, a student who
studies, a greenhorn pedant, strong on letters, theology, science, and
sapience, one of those dull wits cut by the square; a pin by profession.
He is an honorable idler who lounges, who practises country jaunts, who
cultivates the grisette, who pays court to the fair sex, who is at
this very moment, perhaps, with my mistress. Let us save him. Death to
Blondeau!' At that moment, Blondeau dipped his pen in, all black with
erasures in the ink, cast his yellow eyes round the audience room, and
repeated for the third time: 'Marius Pontmercy!' I replied: 'Present!'
This is why you were not crossed off."

"Monsieur!--" said Marius.

"And why I was," added Laigle de Meaux.

"I do not understand you," said Marius.

Laigle resumed:--

"Nothing is more simple. I was close to the desk to reply, and close
to the door for the purpose of flight. The professor gazed at me with a
certain intensity. All of a sudden, Blondeau, who must be the malicious
nose alluded to by Boileau, skipped to the letter L. L is my letter. I
am from Meaux, and my name is Lesgle."

"L'Aigle!" interrupted Marius, "what fine name!"

"Monsieur, Blondeau came to this fine name, and called: 'Laigle!' I
reply: 'Present!' Then Blondeau gazes at me, with the gentleness of a
tiger, and says to me: 'If you are Pontmercy, you are not Laigle.' A
phrase which has a disobliging air for you, but which was lugubrious
only for me. That said, he crossed me off."

Marius exclaimed:--

"I am mortified, sir--"

"First of all," interposed Laigle, "I demand permission to embalm
Blondeau in a few phrases of deeply felt eulogium. I will assume that he
is dead. There will be no great change required in his gauntness, in
his pallor, in his coldness, and in his smell. And I say: 'Erudimini
qui judicatis terram. Here lies Blondeau, Blondeau the Nose, Blondeau
Nasica, the ox of discipline, bos disciplinae, the bloodhound of the
password, the angel of the roll-call, who was upright, square exact,
rigid, honest, and hideous. God crossed him off as he crossed me off.'"

Marius resumed:--

"I am very sorry--"

"Young man," said Laigle de Meaux, "let this serve you as a lesson. In
future, be exact."

"I really beg you a thousand pardons."

"Do not expose your neighbor to the danger of having his name erased
again."

"I am extremely sorry--"

Laigle burst out laughing.

"And I am delighted. I was on the brink of becoming a lawyer. This
erasure saves me. I renounce the triumphs of the bar. I shall not defend
the widow, and I shall not attack the orphan. No more toga, no more
stage. Here is my erasure all ready for me. It is to you that I am
indebted for it, Monsieur Pontmercy. I intend to pay a solemn call of
thanks upon you. Where do you live?"

"In this cab," said Marius.

"A sign of opulence," retorted Laigle calmly. "I congratulate you. You
have there a rent of nine thousand francs per annum."

At that moment, Courfeyrac emerged from the cafe.

Marius smiled sadly.

"I have paid this rent for the last two hours, and I aspire to get rid
of it; but there is a sort of history attached to it, and I don't know
where to go."

"Come to my place, sir," said Courfeyrac.

"I have the priority," observed Laigle, "but I have no home."

"Hold your tongue, Bossuet," said Courfeyrac.

"Bossuet," said Marius, "but I thought that your name was Laigle."

"De Meaux," replied Laigle; "by metaphor, Bossuet."

Courfeyrac entered the cab.

"Coachman," said he, "hotel de la Porte-Saint-Jacques."

And that very evening, Marius found himself installed in a chamber of
the hotel de la Porte-Saint-Jacques side by side with Courfeyrac.




CHAPTER III--MARIUS' ASTONISHMENTS

In a few days, Marius had become Courfeyrac's friend. Youth is the
season for prompt welding and the rapid healing of scars. Marius
breathed freely in Courfeyrac's society, a decidedly new thing for him.
Courfeyrac put no questions to him. He did not even think of such a
thing. At that age, faces disclose everything on the spot. Words are
superfluous. There are young men of whom it can be said that their
countenances chatter. One looks at them and one knows them.

One morning, however, Courfeyrac abruptly addressed this interrogation
to him:--

"By the way, have you any political opinions?"

"The idea!" said Marius, almost affronted by the question.

"What are you?"

"A democrat-Bonapartist."

"The gray hue of a reassured rat," said Courfeyrac.

On the following day, Courfeyrac introduced Marius at the Cafe Musain.
Then he whispered in his ear, with a smile: "I must give you your entry
to the revolution." And he led him to the hall of the Friends of the A B
C. He presented him to the other comrades, saying this simple word which
Marius did not understand: "A pupil."

Marius had fallen into a wasps'-nest of wits. However, although he was
silent and grave, he was, none the less, both winged and armed.

Marius, up to that time solitary and inclined to soliloquy, and to
asides, both by habit and by taste, was a little fluttered by this covey
of young men around him. All these various initiatives solicited his
attention at once, and pulled him about. The tumultuous movements of
these minds at liberty and at work set his ideas in a whirl. Sometimes,
in his trouble, they fled so far from him, that he had difficulty in
recovering them. He heard them talk of philosophy, of literature, of
art, of history, of religion, in unexpected fashion. He caught glimpses
of strange aspects; and, as he did not place them in proper perspective,
he was not altogether sure that it was not chaos that he grasped. On
abandoning his grandfather's opinions for the opinions of his father,
he had supposed himself fixed; he now suspected, with uneasiness, and
without daring to avow it to himself, that he was not. The angle
at which he saw everything began to be displaced anew. A certain
oscillation set all the horizons of his brains in motion. An odd
internal upsetting. He almost suffered from it.

It seemed as though there were no "consecrated things" for those young
men. Marius heard singular propositions on every sort of subject, which
embarrassed his still timid mind.

A theatre poster presented itself, adorned with the title of a tragedy
from the ancient repertory called classic: "Down with tragedy dear to
the bourgeois!" cried Bahorel. And Marius heard Combeferre reply:--

"You are wrong, Bahorel. The bourgeoisie loves tragedy, and the
bourgeoisie must be left at peace on that score. Bewigged tragedy has
a reason for its existence, and I am not one of those who, by order of
AEschylus, contest its right to existence. There are rough outlines in
nature; there are, in creation, ready-made parodies; a beak which is not
a beak, wings which are not wings, gills which are not gills, paws which
are not paws, a cry of pain which arouses a desire to laugh, there is
the duck. Now, since poultry exists by the side of the bird, I do
not see why classic tragedy should not exist in the face of antique
tragedy."

Or chance decreed that Marius should traverse Rue Jean-Jacques Rousseau
between Enjolras and Courfeyrac.

Courfeyrac took his arm:--

"Pay attention. This is the Rue Platriere, now called Rue Jean-Jacques
Rousseau, on account of a singular household which lived in it sixty
years ago. This consisted of Jean-Jacques and Therese. From time
to time, little beings were born there. Therese gave birth to them,
Jean-Jacques represented them as foundlings."

And Enjolras addressed Courfeyrac roughly:--

"Silence in the presence of Jean-Jacques! I admire that man. He denied
his own children, that may be; but he adopted the people."

Not one of these young men articulated the word: The Emperor.
Jean Prouvaire alone sometimes said Napoleon; all the others said
"Bonaparte." Enjolras pronounced it "Buonaparte."

Marius was vaguely surprised. Initium sapientiae.




CHAPTER IV--THE BACK ROOM OF THE CAFE MUSAIN

One of the conversations among the young men, at which Marius was
present and in which he sometimes joined, was a veritable shock to his
mind.

This took place in the back room of the Cafe Musain. Nearly all the
Friends of the A B C had convened that evening. The argand lamp was
solemnly lighted. They talked of one thing and another, without passion
and with noise. With the exception of Enjolras and Marius, who held
their peace, all were haranguing rather at hap-hazard. Conversations
between comrades sometimes are subject to these peaceable tumults. It
was a game and an uproar as much as a conversation. They tossed words
to each other and caught them up in turn. They were chattering in all
quarters.

No woman was admitted to this back room, except Louison, the dish-washer
of the cafe, who passed through it from time to time, to go to her
washing in the "lavatory."

Grantaire, thoroughly drunk, was deafening the corner of which he had
taken possession, reasoning and contradicting at the top of his lungs,
and shouting:--

"I am thirsty. Mortals, I am dreaming: that the tun of Heidelberg has an
attack of apoplexy, and that I am one of the dozen leeches which will
be applied to it. I want a drink. I desire to forget life. Life is a
hideous invention of I know not whom. It lasts no time at all, and is
worth nothing. One breaks one's neck in living. Life is a theatre set in
which there are but few practicable entrances. Happiness is an antique
reliquary painted on one side only. Ecclesiastes says: 'All is vanity.'
I agree with that good man, who never existed, perhaps. Zero not wishing
to go stark naked, clothed himself in vanity. O vanity! The patching up
of everything with big words! a kitchen is a laboratory, a dancer is a
professor, an acrobat is a gymnast, a boxer is a pugilist, an apothecary
is a chemist, a wigmaker is an artist, a hodman is an architect, a
jockey is a sportsman, a wood-louse is a pterigybranche. Vanity has a
right and a wrong side; the right side is stupid, it is the negro with
his glass beads; the wrong side is foolish, it is the philosopher with
his rags. I weep over the one and I laugh over the other. What are
called honors and dignities, and even dignity and honor, are generally
of pinchbeck. Kings make playthings of human pride. Caligula made a
horse a consul; Charles II. made a knight of a sirloin. Wrap yourself
up now, then, between Consul Incitatus and Baronet Roastbeef. As for
the intrinsic value of people, it is no longer respectable in the least.
Listen to the panegyric which neighbor makes of neighbor. White on white
is ferocious; if the lily could speak, what a setting down it would give
the dove! A bigoted woman prating of a devout woman is more venomous
than the asp and the cobra. It is a shame that I am ignorant, otherwise
I would quote to you a mass of things; but I know nothing. For instance,
I have always been witty; when I was a pupil of Gros, instead of
daubing wretched little pictures, I passed my time in pilfering apples;
rapin[24] is the masculine of rapine. So much for myself; as for
the rest of you, you are worth no more than I am. I scoff at your
perfections, excellencies, and qualities. Every good quality tends
towards a defect; economy borders on avarice, the generous man is next
door to the prodigal, the brave man rubs elbows with the braggart; he
who says very pious says a trifle bigoted; there are just as many vices
in virtue as there are holes in Diogenes' cloak. Whom do you admire, the
slain or the slayer, Caesar or Brutus? Generally men are in favor of the
slayer. Long live Brutus, he has slain! There lies the virtue. Virtue,
granted, but madness also. There are queer spots on those great men. The
Brutus who killed Caesar was in love with the statue of a little boy.
This statue was from the hand of the Greek sculptor Strongylion,
who also carved that figure of an Amazon known as the Beautiful Leg,
Eucnemos, which Nero carried with him in his travels. This Strongylion
left but two statues which placed Nero and Brutus in accord. Brutus was
in love with the one, Nero with the other. All history is nothing but
wearisome repetition. One century is the plagiarist of the other. The
battle of Marengo copies the battle of Pydna; the Tolbiac of Clovis and
the Austerlitz of Napoleon are as like each other as two drops of water.
I don't attach much importance to victory. Nothing is so stupid as to
conquer; true glory lies in convincing. But try to prove something! If
you are content with success, what mediocrity, and with conquering, what
wretchedness! Alas, vanity and cowardice everywhere. Everything obeys
success, even grammar. Si volet usus, says Horace. Therefore I disdain
the human race. Shall we descend to the party at all? Do you wish me
to begin admiring the peoples? What people, if you please? Shall it be
Greece? The Athenians, those Parisians of days gone by, slew Phocion,
as we might say Coligny, and fawned upon tyrants to such an extent that
Anacephorus said of Pisistratus: "His urine attracts the bees." The most
prominent man in Greece for fifty years was that grammarian Philetas,
who was so small and so thin that he was obliged to load his shoes with
lead in order not to be blown away by the wind. There stood on the great
square in Corinth a statue carved by Silanion and catalogued by Pliny;
this statue represented Episthates. What did Episthates do? He invented
a trip. That sums up Greece and glory. Let us pass on to others. Shall I
admire England? Shall I admire France? France? Why? Because of Paris?
I have just told you my opinion of Athens. England? Why? Because of
London? I hate Carthage. And then, London, the metropolis of luxury, is
the headquarters of wretchedness. There are a hundred deaths a year of
hunger in the parish of Charing-Cross alone. Such is Albion. I add,
as the climax, that I have seen an Englishwoman dancing in a wreath of
roses and blue spectacles. A fig then for England! If I do not admire
John Bull, shall I admire Brother Jonathan? I have but little taste for
that slave-holding brother. Take away Time is money, what remains of
England? Take away Cotton is king, what remains of America? Germany is
the lymph, Italy is the bile. Shall we go into ecstasies over Russia?
Voltaire admired it. He also admired China. I admit that Russia has its
beauties, among others, a stout despotism; but I pity the despots.
Their health is delicate. A decapitated Alexis, a poignarded Peter,
a strangled Paul, another Paul crushed flat with kicks, divers Ivans
strangled, with their throats cut, numerous Nicholases and Basils
poisoned, all this indicates that the palace of the Emperors of Russia
is in a condition of flagrant insalubrity. All civilized peoples offer
this detail to the admiration of the thinker; war; now, war, civilized
war, exhausts and sums up all the forms of ruffianism, from the
brigandage of the Trabuceros in the gorges of Mont Jaxa to the marauding
of the Comanche Indians in the Doubtful Pass. 'Bah!' you will say to
me, 'but Europe is certainly better than Asia?' I admit that Asia is a
farce; but I do not precisely see what you find to laugh at in the Grand
Lama, you peoples of the west, who have mingled with your fashions and
your elegances all the complicated filth of majesty, from the dirty
chemise of Queen Isabella to the chamber-chair of the Dauphin. Gentlemen
of the human race, I tell you, not a bit of it! It is at Brussels that
the most beer is consumed, at Stockholm the most brandy, at Madrid the
most chocolate, at Amsterdam the most gin, at London the most wine, at
Constantinople the most coffee, at Paris the most absinthe; there are
all the useful notions. Paris carries the day, in short. In Paris,
even the rag-pickers are sybarites; Diogenes would have loved to be a
rag-picker of the Place Maubert better than to be a philosopher at the
Piraeus. Learn this in addition; the wineshops of the ragpickers
are called bibines; the most celebrated are the Saucepan and The
Slaughter-House. Hence, tea-gardens, goguettes, caboulots, bouibuis,
mastroquets, bastringues, manezingues, bibines of the rag-pickers,
caravanseries of the caliphs, I certify to you, I am a voluptuary, I eat
at Richard's at forty sous a head, I must have Persian carpets to roll
naked Cleopatra in! Where is Cleopatra? Ah! So it is you, Louison. Good
day."

Thus did Grantaire, more than intoxicated, launch into speech, catching
at the dish-washer in her passage, from his corner in the back room of
the Cafe Musain.

Bossuet, extending his hand towards him, tried to impose silence on him,
and Grantaire began again worse than ever:--

"Aigle de Meaux, down with your paws. You produce on me no effect with
your gesture of Hippocrates refusing Artaxerxes' bric-a-brac. I excuse
you from the task of soothing me. Moreover, I am sad. What do you wish
me to say to you? Man is evil, man is deformed; the butterfly is a
success, man is a failure. God made a mistake with that animal. A
crowd offers a choice of ugliness. The first comer is a wretch,
Femme--woman--rhymes with infame,--infamous. Yes, I have the spleen,
complicated with melancholy, with homesickness, plus hypochondria, and
I am vexed and I rage, and I yawn, and I am bored, and I am tired to
death, and I am stupid! Let God go to the devil!"

"Silence then, capital R!" resumed Bossuet, who was discussing a point
of law behind the scenes, and who was plunged more than waist high in a
phrase of judicial slang, of which this is the conclusion:--

"--And as for me, although I am hardly a legist, and at the most, an
amateur attorney, I maintain this: that, in accordance with the terms
of the customs of Normandy, at Saint-Michel, and for each year, an
equivalent must be paid to the profit of the lord of the manor, saving
the rights of others, and by all and several, the proprietors as well
as those seized with inheritance, and that, for all emphyteuses, leases,
freeholds, contracts of domain, mortgages--"

"Echo, plaintive nymph," hummed Grantaire.

Near Grantaire, an almost silent table, a sheet of paper, an inkstand
and a pen between two glasses of brandy, announced that a vaudeville was
being sketched out.

This great affair was being discussed in a low voice, and the two heads
at work touched each other: "Let us begin by finding names. When one has
the names, one finds the subject."

"That is true. Dictate. I will write."

"Monsieur Dorimon."

"An independent gentleman?"

"Of course."

"His daughter, Celestine."

"--tine. What next?"

"Colonel Sainval."

"Sainval is stale. I should say Valsin."

Beside the vaudeville aspirants, another group, which was also taking
advantage of the uproar to talk low, was discussing a duel. An old
fellow of thirty was counselling a young one of eighteen, and explaining
to him what sort of an adversary he had to deal with.

"The deuce! Look out for yourself. He is a fine swordsman. His play is
neat. He has the attack, no wasted feints, wrist, dash, lightning, a
just parade, mathematical parries, bigre! and he is left-handed."

In the angle opposite Grantaire, Joly and Bahorel were playing dominoes,
and talking of love.

"You are in luck, that you are," Joly was saying. "You have a mistress
who is always laughing."

"That is a fault of hers," returned Bahorel. "One's mistress does wrong
to laugh. That encourages one to deceive her. To see her gay removes
your remorse; if you see her sad, your conscience pricks you."

"Ingrate! a woman who laughs is such a good thing! And you never
quarrel!"

"That is because of the treaty which we have made. On forming our little
Holy Alliance we assigned ourselves each our frontier, which we never
cross. What is situated on the side of winter belongs to Vaud, on the
side of the wind to Gex. Hence the peace."

"Peace is happiness digesting."

"And you, Jolllly, where do you stand in your entanglement with
Mamselle--you know whom I mean?"

"She sulks at me with cruel patience."

"Yet you are a lover to soften the heart with gauntness."

"Alas!"

"In your place, I would let her alone."

"That is easy enough to say."

"And to do. Is not her name Musichetta?"

"Yes. Ah! my poor Bahorel, she is a superb girl, very literary, with
tiny feet, little hands, she dresses well, and is white and dimpled,
with the eyes of a fortune-teller. I am wild over her."

"My dear fellow, then in order to please her, you must be elegant,
and produce effects with your knees. Buy a good pair of trousers of
double-milled cloth at Staub's. That will assist."

"At what price?" shouted Grantaire.

The third corner was delivered up to a poetical discussion. Pagan
mythology was giving battle to Christian mythology. The question was
about Olympus, whose part was taken by Jean Prouvaire, out of pure
romanticism.

Jean Prouvaire was timid only in repose. Once excited, he burst forth,
a sort of mirth accentuated his enthusiasm, and he was at once both
laughing and lyric.

"Let us not insult the gods," said he. "The gods may not have taken
their departure. Jupiter does not impress me as dead. The gods are
dreams, you say. Well, even in nature, such as it is to-day, after the
flight of these dreams, we still find all the grand old pagan myths.
Such and such a mountain with the profile of a citadel, like the
Vignemale, for example, is still to me the headdress of Cybele; it has
not been proved to me that Pan does not come at night to breathe into
the hollow trunks of the willows, stopping up the holes in turn with his
fingers, and I have always believed that Io had something to do with the
cascade of Pissevache."

In the last corner, they were talking politics. The Charter which had
been granted was getting roughly handled. Combeferre was upholding it
weakly. Courfeyrac was energetically making a breach in it. On the table
lay an unfortunate copy of the famous Touquet Charter. Courfeyrac had
seized it, and was brandishing it, mingling with his arguments the
rattling of this sheet of paper.

"In the first place, I won't have any kings; if it were only from an
economical point of view, I don't want any; a king is a parasite. One
does not have kings gratis. Listen to this: the dearness of kings. At
the death of Francois I., the national debt of France amounted to an
income of thirty thousand livres; at the death of Louis XIV. it was two
milliards, six hundred millions, at twenty-eight livres the mark, which
was equivalent in 1760, according to Desmarets, to four milliards, five
hundred millions, which would to-day be equivalent to twelve milliards.
In the second place, and no offence to Combeferre, a charter granted is
but a poor expedient of civilization. To save the transition, to soften
the passage, to deaden the shock, to cause the nation to pass insensibly
from the monarchy to democracy by the practice of constitutional
fictions,--what detestable reasons all those are! No! no! let us never
enlighten the people with false daylight. Principles dwindle and pale
in your constitutional cellar. No illegitimacy, no compromise, no grant
from the king to the people. In all such grants there is an Article 14.
By the side of the hand which gives there is the claw which snatches
back. I refuse your charter point-blank. A charter is a mask; the lie
lurks beneath it. A people which accepts a charter abdicates. The law is
only the law when entire. No! no charter!"

It was winter; a couple of fagots were crackling in the fireplace. This
was tempting, and Courfeyrac could not resist. He crumpled the poor
Touquet Charter in his fist, and flung it in the fire. The paper
flashed up. Combeferre watched the masterpiece of Louis XVIII. burn
philosophically, and contented himself with saying:--

"The charter metamorphosed into flame."

And sarcasms, sallies, jests, that French thing which is called entrain,
and that English thing which is called humor, good and bad taste,
good and bad reasons, all the wild pyrotechnics of dialogue, mounting
together and crossing from all points of the room, produced a sort of
merry bombardment over their heads.




CHAPTER V--ENLARGEMENT OF HORIZON

The shocks of youthful minds among themselves have this admirable
property, that one can never foresee the spark, nor divine the lightning
flash. What will dart out presently? No one knows. The burst of laughter
starts from a tender feeling.

At the moment of jest, the serious makes its entry. Impulses depend on
the first chance word. The spirit of each is sovereign, jest suffices
to open the field to the unexpected. These are conversations with
abrupt turns, in which the perspective changes suddenly. Chance is the
stage-manager of such conversations.

A severe thought, starting oddly from a clash of words, suddenly
traversed the conflict of quips in which Grantaire, Bahorel, Prouvaire,
Bossuet, Combeferre, and Courfeyrac were confusedly fencing.

How does a phrase crop up in a dialogue? Whence comes it that it
suddenly impresses itself on the attention of those who hear it? We
have just said, that no one knows anything about it. In the midst of the
uproar, Bossuet all at once terminated some apostrophe to Combeferre,
with this date:--

"June 18th, 1815, Waterloo."

At this name of Waterloo, Marius, who was leaning his elbows on a table,
beside a glass of water, removed his wrist from beneath his chin, and
began to gaze fixedly at the audience.

"Pardieu!" exclaimed Courfeyrac ("Parbleu" was falling into disuse
at this period), "that number 18 is strange and strikes me. It is
Bonaparte's fatal number. Place Louis in front and Brumaire behind, you
have the whole destiny of the man, with this significant peculiarity,
that the end treads close on the heels of the commencement."

Enjolras, who had remained mute up to that point, broke the silence and
addressed this remark to Combeferre:--

"You mean to say, the crime and the expiation."

This word crime overpassed the measure of what Marius, who was already
greatly agitated by the abrupt evocation of Waterloo, could accept.

He rose, walked slowly to the map of France spread out on the wall, and
at whose base an island was visible in a separate compartment, laid his
finger on this compartment and said:--

"Corsica, a little island which has rendered France very great."

This was like a breath of icy air. All ceased talking. They felt that
something was on the point of occurring.

Bahorel, replying to Bossuet, was just assuming an attitude of the torso
to which he was addicted. He gave it up to listen.

Enjolras, whose blue eye was not fixed on any one, and who seemed to be
gazing at space, replied, without glancing at Marius:--

"France needs no Corsica to be great. France is great because she is
France. Quia nomina leo."

Marius felt no desire to retreat; he turned towards Enjolras, and his
voice burst forth with a vibration which came from a quiver of his very
being:--

"God forbid that I should diminish France! But amalgamating Napoleon
with her is not diminishing her. Come! let us argue the question. I am
a new comer among you, but I will confess that you amaze me. Where do we
stand? Who are we? Who are you? Who am I? Let us come to an explanation
about the Emperor. I hear you say Buonaparte, accenting the u like the
Royalists. I warn you that my grandfather does better still; he
says Buonaparte'. I thought you were young men. Where, then, is your
enthusiasm? And what are you doing with it? Whom do you admire, if you
do not admire the Emperor? And what more do you want? If you will
have none of that great man, what great men would you like? He had
everything. He was complete. He had in his brain the sum of human
faculties. He made codes like Justinian, he dictated like Caesar, his
conversation was mingled with the lightning-flash of Pascal, with the
thunderclap of Tacitus, he made history and he wrote it, his bulletins
are Iliads, he combined the cipher of Newton with the metaphor of
Mahomet, he left behind him in the East words as great as the pyramids,
at Tilsit he taught Emperors majesty, at the Academy of Sciences he
replied to Laplace, in the Council of State be held his own against
Merlin, he gave a soul to the geometry of the first, and to the
chicanery of the last, he was a legist with the attorneys and sidereal
with the astronomers; like Cromwell blowing out one of two candles, he
went to the Temple to bargain for a curtain tassel; he saw everything;
he knew everything; which did not prevent him from laughing
good-naturedly beside the cradle of his little child; and all at once,
frightened Europe lent an ear, armies put themselves in motion, parks of
artillery rumbled, pontoons stretched over the rivers, clouds of cavalry
galloped in the storm, cries, trumpets, a trembling of thrones in every
direction, the frontiers of kingdoms oscillated on the map, the sound
of a superhuman sword was heard, as it was drawn from its sheath; they
beheld him, him, rise erect on the horizon with a blazing brand in his
hand, and a glow in his eyes, unfolding amid the thunder, his two wings,
the grand army and the old guard, and he was the archangel of war!"

All held their peace, and Enjolras bowed his head. Silence always
produces somewhat the effect of acquiescence, of the enemy being driven
to the wall. Marius continued with increased enthusiasm, and almost
without pausing for breath:--

"Let us be just, my friends! What a splendid destiny for a nation to be
the Empire of such an Emperor, when that nation is France and when it
adds its own genius to the genius of that man! To appear and to reign,
to march and to triumph, to have for halting-places all capitals, to
take his grenadiers and to make kings of them, to decree the falls of
dynasties, and to transfigure Europe at the pace of a charge; to make
you feel that when you threaten you lay your hand on the hilt of the
sword of God; to follow in a single man, Hannibal, Caesar, Charlemagne;
to be the people of some one who mingles with your dawns the startling
announcement of a battle won, to have the cannon of the Invalides to
rouse you in the morning, to hurl into abysses of light prodigious words
which flame forever, Marengo, Arcola, Austerlitz, Jena, Wagram! To cause
constellations of victories to flash forth at each instant from the
zenith of the centuries, to make the French Empire a pendant to the
Roman Empire, to be the great nation and to give birth to the grand
army, to make its legions fly forth over all the earth, as a mountain
sends out its eagles on all sides to conquer, to dominate, to strike
with lightning, to be in Europe a sort of nation gilded through glory,
to sound athwart the centuries a trumpet-blast of Titans, to conquer
the world twice, by conquest and by dazzling, that is sublime; and what
greater thing is there?"

"To be free," said Combeferre.

Marius lowered his head in his turn; that cold and simple word had
traversed his epic effusion like a blade of steel, and he felt it
vanishing within him. When he raised his eyes, Combeferre was no longer
there. Probably satisfied with his reply to the apotheosis, he had
just taken his departure, and all, with the exception of Enjolras,
had followed him. The room had been emptied. Enjolras, left alone with
Marius, was gazing gravely at him. Marius, however, having rallied his
ideas to some extent, did not consider himself beaten; there lingered in
him a trace of inward fermentation which was on the point, no doubt, of
translating itself into syllogisms arrayed against Enjolras, when all of
a sudden, they heard some one singing on the stairs as he went. It was
Combeferre, and this is what he was singing:--

               "Si Cesar m'avait donne[25]
                 La gloire et la guerre,
               Et qu'il me fallait quitter
                 L'amour de ma mere,
               Je dirais au grand Cesar:
                 Reprends ton sceptre et ton char,
               J'aime mieux ma mere, o gue!
                 J'aime mieux ma mere!"

The wild and tender accents with which Combeferre sang communicated to
this couplet a sort of strange grandeur. Marius, thoughtfully, and
with his eyes diked on the ceiling, repeated almost mechanically: "My
mother?--"

At that moment, he felt Enjolras' hand on his shoulder.

"Citizen," said Enjolras to him, "my mother is the Republic."




CHAPTER VI--RES ANGUSTA

That evening left Marius profoundly shaken, and with a melancholy shadow
in his soul. He felt what the earth may possibly feel, at the moment
when it is torn open with the iron, in order that grain may be deposited
within it; it feels only the wound; the quiver of the germ and the joy
of the fruit only arrive later.

Marius was gloomy. He had but just acquired a faith; must he then reject
it already? He affirmed to himself that he would not. He declared to
himself that he would not doubt, and he began to doubt in spite of
himself. To stand between two religions, from one of which you have
not as yet emerged, and another into which you have not yet entered, is
intolerable; and twilight is pleasing only to bat-like souls. Marius
was clear-eyed, and he required the true light. The half-lights of doubt
pained him. Whatever may have been his desire to remain where he was,
he could not halt there, he was irresistibly constrained to continue, to
advance, to examine, to think, to march further. Whither would this lead
him? He feared, after having taken so many steps which had brought him
nearer to his father, to now take a step which should estrange him from
that father. His discomfort was augmented by all the reflections which
occurred to him. An escarpment rose around him. He was in accord neither
with his grandfather nor with his friends; daring in the eyes of
the one, he was behind the times in the eyes of the others, and he
recognized the fact that he was doubly isolated, on the side of age and
on the side of youth. He ceased to go to the Cafe Musain.

In the troubled state of his conscience, he no longer thought of
certain serious sides of existence. The realities of life do not allow
themselves to be forgotten. They soon elbowed him abruptly.

One morning, the proprietor of the hotel entered Marius' room and said
to him:--

"Monsieur Courfeyrac answered for you."

"Yes."

"But I must have my money."

"Request Courfeyrac to come and talk with me," said Marius.

Courfeyrac having made his appearance, the host left them. Marius then
told him what it had not before occurred to him to relate, that he was
the same as alone in the world, and had no relatives.

"What is to become of you?" said Courfeyrac.

"I do not know in the least," replied Marius.

"What are you going to do?"

"I do not know."

"Have you any money?"

"Fifteen francs."

"Do you want me to lend you some?"

"Never."

"Have you clothes?"

"Here is what I have."

"Have you trinkets?"

"A watch."

"Silver?"

"Gold; here it is."

"I know a clothes-dealer who will take your frock-coat and a pair of
trousers."

"That is good."

"You will then have only a pair of trousers, a waistcoat, a hat and a
coat."

"And my boots."

"What! you will not go barefoot? What opulence!"

"That will be enough."

"I know a watchmaker who will buy your watch."

"That is good."

"No; it is not good. What will you do after that?"

"Whatever is necessary. Anything honest, that is to say."

"Do you know English?"

"No."

"Do you know German?"

"No."

"So much the worse."

"Why?"

"Because one of my friends, a publisher, is getting up a sort of an
encyclopaedia, for which you might have translated English or German
articles. It is badly paid work, but one can live by it."

"I will learn English and German."

"And in the meanwhile?"

"In the meanwhile I will live on my clothes and my watch."

The clothes-dealer was sent for. He paid twenty francs for the cast-off
garments. They went to the watchmaker's. He bought the watch for
forty-five francs.

"That is not bad," said Marius to Courfeyrac, on their return to the
hotel, "with my fifteen francs, that makes eighty."

"And the hotel bill?" observed Courfeyrac.

"Hello, I had forgotten that," said Marius.

The landlord presented his bill, which had to be paid on the spot. It
amounted to seventy francs.

"I have ten francs left," said Marius.

"The deuce," exclaimed Courfeyrac, "you will eat up five francs while
you are learning English, and five while learning German. That will be
swallowing a tongue very fast, or a hundred sous very slowly."

In the meantime Aunt Gillenormand, a rather good-hearted person at
bottom in difficulties, had finally hunted up Marius' abode.

One morning, on his return from the law-school, Marius found a letter
from his aunt, and the sixty pistoles, that is to say, six hundred
francs in gold, in a sealed box.

Marius sent back the thirty louis to his aunt, with a respectful letter,
in which he stated that he had sufficient means of subsistence and that
he should be able thenceforth to supply all his needs. At that moment,
he had three francs left.

His aunt did not inform his grandfather of this refusal for fear of
exasperating him. Besides, had he not said: "Let me never hear the name
of that blood-drinker again!"

Marius left the hotel de la Porte Saint-Jacques, as he did not wish to
run in debt there.




BOOK FIFTH.--THE EXCELLENCE OF MISFORTUNE




CHAPTER I--MARIUS INDIGENT

[Illustration: Excellence of Misfortune  3b5-1-misfortune]


Life became hard for Marius. It was nothing to eat his clothes and his
watch. He ate of that terrible, inexpressible thing that is called de la
vache enrage; that is to say, he endured great hardships and privations.
A terrible thing it is, containing days without bread, nights without
sleep, evenings without a candle, a hearth without a fire, weeks without
work, a future without hope, a coat out at the elbows, an old hat which
evokes the laughter of young girls, a door which one finds locked on one
at night because one's rent is not paid, the insolence of the porter
and the cook-shop man, the sneers of neighbors, humiliations, dignity
trampled on, work of whatever nature accepted, disgusts, bitterness,
despondency. Marius learned how all this is eaten, and how such are
often the only things which one has to devour. At that moment of his
existence when a man needs his pride, because he needs love, he felt
that he was jeered at because he was badly dressed, and ridiculous
because he was poor. At the age when youth swells the heart with
imperial pride, he dropped his eyes more than once on his dilapidated
boots, and he knew the unjust shame and the poignant blushes of
wretchedness. Admirable and terrible trial from which the feeble emerge
base, from which the strong emerge sublime. A crucible into which
destiny casts a man, whenever it desires a scoundrel or a demi-god.

For many great deeds are performed in petty combats. There are instances
of bravery ignored and obstinate, which defend themselves step by
step in that fatal onslaught of necessities and turpitudes. Noble and
mysterious triumphs which no eye beholds, which are requited with no
renown, which are saluted with no trumpet blast. Life, misfortune,
isolation, abandonment, poverty, are the fields of battle which have
their heroes; obscure heroes, who are, sometimes, grander than the
heroes who win renown.

Firm and rare natures are thus created; misery, almost always a
step-mother, is sometimes a mother; destitution gives birth to might of
soul and spirit; distress is the nurse of pride; unhappiness is a good
milk for the magnanimous.

There came a moment in Marius' life, when he swept his own landing, when
he bought his sou's worth of Brie cheese at the fruiterer's, when he
waited until twilight had fallen to slip into the baker's and purchase
a loaf, which he carried off furtively to his attic as though he had
stolen it. Sometimes there could be seen gliding into the butcher's shop
on the corner, in the midst of the bantering cooks who elbowed him, an
awkward young man, carrying big books under his arm, who had a timid yet
angry air, who, on entering, removed his hat from a brow whereon stood
drops of perspiration, made a profound bow to the butcher's astonished
wife, asked for a mutton cutlet, paid six or seven sous for it, wrapped
it up in a paper, put it under his arm, between two books, and went
away. It was Marius. On this cutlet, which he cooked for himself, he
lived for three days.

On the first day he ate the meat, on the second he ate the fat, on the
third he gnawed the bone. Aunt Gillenormand made repeated attempts, and
sent him the sixty pistoles several times. Marius returned them on every
occasion, saying that he needed nothing.

He was still in mourning for his father when the revolution which we
have just described was effected within him. From that time forth, he
had not put off his black garments. But his garments were quitting him.
The day came when he had no longer a coat. The trousers would go next.
What was to be done? Courfeyrac, to whom he had, on his side, done some
good turns, gave him an old coat. For thirty sous, Marius got it turned
by some porter or other, and it was a new coat. But this coat was green.
Then Marius ceased to go out until after nightfall. This made his coat
black. As he wished always to appear in mourning, he clothed himself
with the night.

In spite of all this, he got admitted to practice as a lawyer. He was
supposed to live in Courfeyrac's room, which was decent, and where
a certain number of law-books backed up and completed by several
dilapidated volumes of romance, passed as the library required by the
regulations. He had his letters addressed to Courfeyrac's quarters.

When Marius became a lawyer, he informed his grandfather of the fact
in a letter which was cold but full of submission and respect. M.
Gillenormand trembled as he took the letter, read it, tore it in four
pieces, and threw it into the waste-basket. Two or three days later,
Mademoiselle Gillenormand heard her father, who was alone in his room,
talking aloud to himself. He always did this whenever he was greatly
agitated. She listened, and the old man was saying: "If you were not a
fool, you would know that one cannot be a baron and a lawyer at the same
time."




CHAPTER II--MARIUS POOR

It is the same with wretchedness as with everything else. It ends by
becoming bearable. It finally assumes a form, and adjusts itself. One
vegetates, that is to say, one develops in a certain meagre fashion,
which is, however, sufficient for life. This is the mode in which the
existence of Marius Pontmercy was arranged:

He had passed the worst straits; the narrow pass was opening out a
little in front of him. By dint of toil, perseverance, courage, and
will, he had managed to draw from his work about seven hundred francs a
year. He had learned German and English; thanks to Courfeyrac, who had
put him in communication with his friend the publisher, Marius filled
the modest post of utility man in the literature of the publishing
house. He drew up prospectuses, translated newspapers, annotated
editions, compiled biographies, etc.; net product, year in and year
out, seven hundred francs. He lived on it. How? Not so badly. We will
explain.

Marius occupied in the Gorbeau house, for an annual sum of thirty
francs, a den minus a fireplace, called a cabinet, which contained only
the most indispensable articles of furniture. This furniture belonged
to him. He gave three francs a month to the old principal tenant to come
and sweep his hole, and to bring him a little hot water every morning,
a fresh egg, and a penny roll. He breakfasted on this egg and roll. His
breakfast varied in cost from two to four sous, according as eggs
were dear or cheap. At six o'clock in the evening he descended the
Rue Saint-Jacques to dine at Rousseau's, opposite Basset's, the
stamp-dealer's, on the corner of the Rue des Mathurins. He ate no soup.
He took a six-sou plate of meat, a half-portion of vegetables for three
sous, and a three-sou dessert. For three sous he got as much bread as
he wished. As for wine, he drank water. When he paid at the desk
where Madam Rousseau, at that period still plump and rosy majestically
presided, he gave a sou to the waiter, and Madam Rousseau gave him a
smile. Then he went away. For sixteen sous he had a smile and a dinner.

This Restaurant Rousseau, where so few bottles and so many water carafes
were emptied, was a calming potion rather than a restaurant. It no
longer exists. The proprietor had a fine nickname: he was called
Rousseau the Aquatic.

Thus, breakfast four sous, dinner sixteen sous; his food cost him twenty
sous a day; which made three hundred and sixty-five francs a year. Add
the thirty francs for rent, and the thirty-six francs to the old woman,
plus a few trifling expenses; for four hundred and fifty francs, Marius
was fed, lodged, and waited on. His clothing cost him a hundred francs,
his linen fifty francs, his washing fifty francs; the whole did not
exceed six hundred and fifty francs. He was rich. He sometimes lent ten
francs to a friend. Courfeyrac had once been able to borrow sixty francs
of him. As far as fire was concerned, as Marius had no fireplace, he had
"simplified matters."

Marius always had two complete suits of clothes, the one old, "for every
day"; the other, brand new for special occasions. Both were black. He
had but three shirts, one on his person, the second in the commode, and
the third in the washerwoman's hands. He renewed them as they wore out.
They were always ragged, which caused him to button his coat to the
chin.

It had required years for Marius to attain to this flourishing
condition. Hard years; difficult, some of them, to traverse, others to
climb. Marius had not failed for a single day. He had endured everything
in the way of destitution; he had done everything except contract debts.
He did himself the justice to say that he had never owed any one a sou.
A debt was, to him, the beginning of slavery. He even said to himself,
that a creditor is worse than a master; for the master possesses only
your person, a creditor possesses your dignity and can administer to
it a box on the ear. Rather than borrow, he went without food. He had
passed many a day fasting. Feeling that all extremes meet, and that,
if one is not on one's guard, lowered fortunes may lead to baseness of
soul, he kept a jealous watch on his pride. Such and such a formality
or action, which, in any other situation would have appeared merely a
deference to him, now seemed insipidity, and he nerved himself against
it. His face wore a sort of severe flush. He was timid even to rudeness.

During all these trials he had felt himself encouraged and even
uplifted, at times, by a secret force that he possessed within himself.
The soul aids the body, and at certain moments, raises it. It is the
only bird which bears up its own cage.

Besides his father's name, another name was graven in Marius' heart,
the name of Thenardier. Marius, with his grave and enthusiastic nature,
surrounded with a sort of aureole the man to whom, in his thoughts,
he owed his father's life,--that intrepid sergeant who had saved the
colonel amid the bullets and the cannon-balls of Waterloo. He never
separated the memory of this man from the memory of his father, and
he associated them in his veneration. It was a sort of worship in two
steps, with the grand altar for the colonel and the lesser one for
Thenardier. What redoubled the tenderness of his gratitude towards
Thenardier, was the idea of the distress into which he knew that
Thenardier had fallen, and which had engulfed the latter. Marius had
learned at Montfermeil of the ruin and bankruptcy of the unfortunate
inn-keeper. Since that time, he had made unheard-of efforts to find
traces of him and to reach him in that dark abyss of misery in which
Thenardier had disappeared. Marius had beaten the whole country; he
had gone to Chelles, to Bondy, to Gourney, to Nogent, to Lagny. He had
persisted for three years, expending in these explorations the little
money which he had laid by. No one had been able to give him any news of
Thenardier: he was supposed to have gone abroad. His creditors had also
sought him, with less love than Marius, but with as much assiduity, and
had not been able to lay their hands on him. Marius blamed himself, and
was almost angry with himself for his lack of success in his researches.
It was the only debt left him by the colonel, and Marius made it a
matter of honor to pay it. "What," he thought, "when my father lay dying
on the field of battle, did Thenardier contrive to find him amid the
smoke and the grape-shot, and bear him off on his shoulders, and yet he
owed him nothing, and I, who owe so much to Thenardier, cannot join him
in this shadow where he is lying in the pangs of death, and in my
turn bring him back from death to life! Oh! I will find him!" To find
Thenardier, in fact, Marius would have given one of his arms, to rescue
him from his misery, he would have sacrificed all his blood. To see
Thenardier, to render Thenardier some service, to say to him: "You do
not know me; well, I do know you! Here I am. Dispose of me!" This was
Marius' sweetest and most magnificent dream.




CHAPTER III--MARIUS GROWN UP

At this epoch, Marius was twenty years of age. It was three years since
he had left his grandfather. Both parties had remained on the same
terms, without attempting to approach each other, and without seeking to
see each other. Besides, what was the use of seeing each other? Marius
was the brass vase, while Father Gillenormand was the iron pot.

We admit that Marius was mistaken as to his grandfather's heart. He had
imagined that M. Gillenormand had never loved him, and that that crusty,
harsh, and smiling old fellow who cursed, shouted, and stormed
and brandished his cane, cherished for him, at the most, only that
affection, which is at once slight and severe, of the dotards of comedy.
Marius was in error. There are fathers who do not love their children;
there exists no grandfather who does not adore his grandson. At bottom,
as we have said, M. Gillenormand idolized Marius. He idolized him after
his own fashion, with an accompaniment of snappishness and boxes on the
ear; but, this child once gone, he felt a black void in his heart;
he would allow no one to mention the child to him, and all the while
secretly regretted that he was so well obeyed. At first, he hoped that
this Buonapartist, this Jacobin, this terrorist, this Septembrist, would
return. But the weeks passed by, years passed; to M. Gillenormand's
great despair, the "blood-drinker" did not make his appearance. "I could
not do otherwise than turn him out," said the grandfather to himself,
and he asked himself: "If the thing were to do over again, would I do
it?" His pride instantly answered "yes," but his aged head, which he
shook in silence, replied sadly "no." He had his hours of depression.
He missed Marius. Old men need affection as they need the sun. It is
warmth. Strong as his nature was, the absence of Marius had wrought some
change in him. Nothing in the world could have induced him to take a
step towards "that rogue"; but he suffered. He never inquired about him,
but he thought of him incessantly. He lived in the Marais in a more and
more retired manner; he was still merry and violent as of old, but
his merriment had a convulsive harshness, and his violences always
terminated in a sort of gentle and gloomy dejection. He sometimes said:
"Oh! if he only would return, what a good box on the ear I would give
him!"

As for his aunt, she thought too little to love much; Marius was no
longer for her much more than a vague black form; and she eventually
came to occupy herself with him much less than with the cat or the
paroquet which she probably had. What augmented Father Gillenormand's
secret suffering was, that he locked it all up within his breast, and
did not allow its existence to be divined. His sorrow was like those
recently invented furnaces which consume their own smoke. It sometimes
happened that officious busybodies spoke to him of Marius, and asked
him: "What is your grandson doing?" "What has become of him?" The old
bourgeois replied with a sigh, that he was a sad case, and giving a
fillip to his cuff, if he wished to appear gay: "Monsieur le Baron de
Pontmercy is practising pettifogging in some corner or other."

While the old man regretted, Marius applauded himself. As is the case
with all good-hearted people, misfortune had eradicated his bitterness.
He only thought of M. Gillenormand in an amiable light, but he had set
his mind on not receiving anything more from the man who had been
unkind to his father. This was the mitigated translation of his first
indignation. Moreover, he was happy at having suffered, and at suffering
still. It was for his father's sake. The hardness of his life satisfied
and pleased him. He said to himself with a sort of joy that--it was
certainly the least he could do; that it was an expiation;--that, had
it not been for that, he would have been punished in some other way and
later on for his impious indifference towards his father, and such a
father! that it would not have been just that his father should have all
the suffering, and he none of it; and that, in any case, what were his
toils and his destitution compared with the colonel's heroic life? that,
in short, the only way for him to approach his father and resemble him,
was to be brave in the face of indigence, as the other had been valiant
before the enemy; and that that was, no doubt, what the colonel had
meant to imply by the words: "He will be worthy of it." Words which
Marius continued to wear, not on his breast, since the colonel's writing
had disappeared, but in his heart.

And then, on the day when his grandfather had turned him out of doors,
he had been only a child, now he was a man. He felt it. Misery, we
repeat, had been good for him. Poverty in youth, when it succeeds, has
this magnificent property about it, that it turns the whole will towards
effort, and the whole soul towards aspiration. Poverty instantly lays
material life bare and renders it hideous; hence inexpressible bounds
towards the ideal life. The wealthy young man has a hundred coarse and
brilliant distractions, horse races, hunting, dogs, tobacco, gaming,
good repasts, and all the rest of it; occupations for the baser side
of the soul, at the expense of the loftier and more delicate sides.
The poor young man wins his bread with difficulty; he eats; when he has
eaten, he has nothing more but meditation. He goes to the spectacles
which God furnishes gratis; he gazes at the sky, space, the stars,
flowers, children, the humanity among which he is suffering, the
creation amid which he beams. He gazes so much on humanity that he
perceives its soul, he gazes upon creation to such an extent that he
beholds God. He dreams, he feels himself great; he dreams on, and feels
himself tender. From the egotism of the man who suffers he passes to the
compassion of the man who meditates. An admirable sentiment breaks forth
in him, forgetfulness of self and pity for all. As he thinks of the
innumerable enjoyments which nature offers, gives, and lavishes to souls
which stand open, and refuses to souls that are closed, he comes to
pity, he the millionnaire of the mind, the millionnaire of money. All
hatred departs from his heart, in proportion as light penetrates his
spirit. And is he unhappy? No. The misery of a young man is never
miserable. The first young lad who comes to hand, however poor he may
be, with his strength, his health, his rapid walk, his brilliant eyes,
his warmly circulating blood, his black hair, his red lips, his white
teeth, his pure breath, will always arouse the envy of an aged emperor.
And then, every morning, he sets himself afresh to the task of earning
his bread; and while his hands earn his bread, his dorsal column
gains pride, his brain gathers ideas. His task finished, he returns to
ineffable ecstasies, to contemplation, to joys; he beholds his feet set
in afflictions, in obstacles, on the pavement, in the nettles, sometimes
in the mire; his head in the light. He is firm, serene, gentle, peaceful,
attentive, serious, content with little, kindly; and he thanks God for
having bestowed on him those two forms of riches which many a rich
man lacks: work, which makes him free; and thought, which makes him
dignified.

This is what had happened with Marius. To tell the truth, he inclined a
little too much to the side of contemplation. From the day when he had
succeeded in earning his living with some approach to certainty, he had
stopped, thinking it good to be poor, and retrenching time from his work
to give to thought; that is to say, he sometimes passed entire days
in meditation, absorbed, engulfed, like a visionary, in the mute
voluptuousness of ecstasy and inward radiance. He had thus propounded
the problem of his life: to toil as little as possible at material
labor, in order to toil as much as possible at the labor which is
impalpable; in other words, to bestow a few hours on real life, and to
cast the rest to the infinite. As he believed that he lacked nothing, he
did not perceive that contemplation, thus understood, ends by becoming
one of the forms of idleness; that he was contenting himself with
conquering the first necessities of life, and that he was resting from
his labors too soon.

It was evident that, for this energetic and enthusiastic nature, this
could only be a transitory state, and that, at the first shock against
the inevitable complications of destiny, Marius would awaken.

In the meantime, although he was a lawyer, and whatever Father
Gillenormand thought about the matter, he was not practising, he was
not even pettifogging. Meditation had turned him aside from pleading. To
haunt attorneys, to follow the court, to hunt up cases--what a bore! Why
should he do it? He saw no reason for changing the manner of gaining his
livelihood! The obscure and ill-paid publishing establishment had come
to mean for him a sure source of work which did not involve too much
labor, as we have explained, and which sufficed for his wants.

One of the publishers for whom he worked, M. Magimel, I think, offered
to take him into his own house, to lodge him well, to furnish him with
regular occupation, and to give him fifteen hundred francs a year. To be
well lodged! Fifteen hundred francs! No doubt. But renounce his liberty!
Be on fixed wages! A sort of hired man of letters! According to Marius'
opinion, if he accepted, his position would become both better and worse
at the same time, he acquired comfort, and lost his dignity; it was a
fine and complete unhappiness converted into a repulsive and ridiculous
state of torture: something like the case of a blind man who should
recover the sight of one eye. He refused.

Marius dwelt in solitude. Owing to his taste for remaining outside of
everything, and through having been too much alarmed, he had not entered
decidedly into the group presided over by Enjolras. They had remained
good friends; they were ready to assist each other on occasion in every
possible way; but nothing more. Marius had two friends: one young,
Courfeyrac; and one old, M. Mabeuf. He inclined more to the old man.
In the first place, he owed to him the revolution which had taken
place within him; to him he was indebted for having known and loved his
father. "He operated on me for a cataract," he said.

The churchwarden had certainly played a decisive part.

It was not, however, that M. Mabeuf had been anything but the calm and
impassive agent of Providence in this connection. He had enlightened
Marius by chance and without being aware of the fact, as does a candle
which some one brings; he had been the candle and not the some one.

As for Marius' inward political revolution, M. Mabeuf was totally
incapable of comprehending it, of willing or of directing it.

As we shall see M. Mabeuf again, later on, a few words will not be
superfluous.




CHAPTER IV--M. MABEUF

On the day when M. Mabeuf said to Marius: "Certainly I approve of
political opinions," he expressed the real state of his mind. All
political opinions were matters of indifference to him, and he approved
them all, without distinction, provided they left him in peace, as the
Greeks called the Furies "the beautiful, the good, the charming," the
Eumenides. M. Mabeuf's political opinion consisted in a passionate love
for plants, and, above all, for books. Like all the rest of the world,
he possessed the termination in ist, without which no one could exist at
that time, but he was neither a Royalist, a Bonapartist, a Chartist,
an Orleanist, nor an Anarchist; he was a bouquinist, a collector of old
books. He did not understand how men could busy themselves with
hating each other because of silly stuff like the charter, democracy,
legitimacy, monarchy, the republic, etc., when there were in the world
all sorts of mosses, grasses, and shrubs which they might be looking at,
and heaps of folios, and even of 32mos, which they might turn over. He
took good care not to become useless; having books did not prevent his
reading, being a botanist did not prevent his being a gardener. When
he made Pontmercy's acquaintance, this sympathy had existed between the
colonel and himself--that what the colonel did for flowers, he did for
fruits. M. Mabeuf had succeeded in producing seedling pears as savory
as the pears of St. Germain; it is from one of his combinations,
apparently, that the October Mirabelle, now celebrated and no less
perfumed than the summer Mirabelle, owes its origin. He went to mass
rather from gentleness than from piety, and because, as he loved the
faces of men, but hated their noise, he found them assembled and silent
only in church. Feeling that he must be something in the State, he had
chosen the career of warden. However, he had never succeeded in loving
any woman as much as a tulip bulb, nor any man as much as an Elzevir.
He had long passed sixty, when, one day, some one asked him: "Have you
never been married?" "I have forgotten," said he. When it sometimes
happened to him--and to whom does it not happen?--to say: "Oh! if I were
only rich!" it was not when ogling a pretty girl, as was the case with
Father Gillenormand, but when contemplating an old book. He lived alone
with an old housekeeper. He was somewhat gouty, and when he was asleep,
his aged fingers, stiffened with rheumatism, lay crooked up in the folds
of his sheets. He had composed and published a Flora of the Environs of
Cauteretz, with colored plates, a work which enjoyed a tolerable
measure of esteem and which sold well. People rang his bell, in the Rue
Mesieres, two or three times a day, to ask for it. He drew as much as
two thousand francs a year from it; this constituted nearly the whole of
his fortune. Although poor, he had had the talent to form for himself,
by dint of patience, privations, and time, a precious collection of rare
copies of every sort. He never went out without a book under his arm,
and he often returned with two. The sole decoration of the four rooms
on the ground floor, which composed his lodgings, consisted of framed
herbariums, and engravings of the old masters. The sight of a sword or
a gun chilled his blood. He had never approached a cannon in his life,
even at the Invalides. He had a passable stomach, a brother who was a
cure, perfectly white hair, no teeth, either in his mouth or his mind, a
trembling in every limb, a Picard accent, an infantile laugh, the air of
an old sheep, and he was easily frightened. Add to this, that he had no
other friendship, no other acquaintance among the living, than an old
bookseller of the Porte-Saint-Jacques, named Royal. His dream was to
naturalize indigo in France.

His servant was also a sort of innocent. The poor good old woman was a
spinster. Sultan, her cat, which might have mewed Allegri's miserere in
the Sixtine Chapel, had filled her heart and sufficed for the quantity
of passion which existed in her. None of her dreams had ever proceeded
as far as man. She had never been able to get further than her cat. Like
him, she had a mustache. Her glory consisted in her caps, which were
always white. She passed her time, on Sundays, after mass, in counting
over the linen in her chest, and in spreading out on her bed the dresses
in the piece which she bought and never had made up. She knew how to
read. M. Mabeuf had nicknamed her Mother Plutarque.

M. Mabeuf had taken a fancy to Marius, because Marius, being young and
gentle, warmed his age without startling his timidity. Youth combined
with gentleness produces on old people the effect of the sun without
wind. When Marius was saturated with military glory, with gunpowder,
with marches and countermarches, and with all those prodigious battles
in which his father had given and received such tremendous blows of the
sword, he went to see M. Mabeuf, and M. Mabeuf talked to him of his hero
from the point of view of flowers.

His brother the cure died about 1830, and almost immediately, as when
the night is drawing on, the whole horizon grew dark for M. Mabeuf. A
notary's failure deprived him of the sum of ten thousand francs, which
was all that he possessed in his brother's right and his own. The
Revolution of July brought a crisis to publishing. In a period of
embarrassment, the first thing which does not sell is a Flora. The Flora
of the Environs of Cauteretz stopped short. Weeks passed by without a
single purchaser. Sometimes M. Mabeuf started at the sound of the bell.
"Monsieur," said Mother Plutarque sadly, "it is the water-carrier."
In short, one day, M. Mabeuf quitted the Rue Mesieres, abdicated the
functions of warden, gave up Saint-Sulpice, sold not a part of his
books, but of his prints,--that to which he was the least attached,--and
installed himself in a little house on the Rue Montparnasse, where,
however, he remained but one quarter for two reasons: in the first
place, the ground floor and the garden cost three hundred francs, and he
dared not spend more than two hundred francs on his rent; in the second,
being near Faton's shooting-gallery, he could hear the pistol-shots;
which was intolerable to him.

He carried off his Flora, his copper-plates, his herbariums, his
portfolios, and his books, and established himself near the Salpetriere,
in a sort of thatched cottage of the village of Austerlitz, where,
for fifty crowns a year, he got three rooms and a garden enclosed by a
hedge, and containing a well. He took advantage of this removal to sell
off nearly all his furniture. On the day of his entrance into his new
quarters, he was very gay, and drove the nails on which his engravings
and herbariums were to hang, with his own hands, dug in his garden the
rest of the day, and at night, perceiving that Mother Plutarque had a
melancholy air, and was very thoughtful, he tapped her on the shoulder
and said to her with a smile: "We have the indigo!"

Only two visitors, the bookseller of the Porte-Saint-Jacques and Marius,
were admitted to view the thatched cottage at Austerlitz, a brawling
name which was, to tell the truth, extremely disagreeable to him.

However, as we have just pointed out, brains which are absorbed in some
bit of wisdom, or folly, or, as it often happens, in both at once, are
but slowly accessible to the things of actual life. Their own destiny
is a far-off thing to them. There results from such concentration a
passivity, which, if it were the outcome of reasoning, would resemble
philosophy. One declines, descends, trickles away, even crumbles away,
and yet is hardly conscious of it one's self. It always ends, it is
true, in an awakening, but the awakening is tardy. In the meantime, it
seems as though we held ourselves neutral in the game which is going on
between our happiness and our unhappiness. We are the stake, and we look
on at the game with indifference.

It is thus that, athwart the cloud which formed about him, when all his
hopes were extinguished one after the other, M. Mabeuf remained rather
puerilely, but profoundly serene. His habits of mind had the regular
swing of a pendulum. Once mounted on an illusion, he went for a very
long time, even after the illusion had disappeared. A clock does not
stop short at the precise moment when the key is lost.

M. Mabeuf had his innocent pleasures. These pleasures were inexpensive
and unexpected; the merest chance furnished them. One day, Mother
Plutarque was reading a romance in one corner of the room. She was
reading aloud, finding that she understood better thus. To read aloud is
to assure one's self of what one is reading. There are people who read
very loud, and who have the appearance of giving themselves their word
of honor as to what they are perusing.

It was with this sort of energy that Mother Plutarque was reading the
romance which she had in hand. M. Mabeuf heard her without listening to
her.

In the course of her reading, Mother Plutarque came to this phrase. It
was a question of an officer of dragoons and a beauty:--

"--The beauty pouted, and the dragoon--"

Here she interrupted herself to wipe her glasses.

"Bouddha and the Dragon," struck in M. Mabeuf in a low voice. "Yes, it
is true that there was a dragon, which, from the depths of its cave,
spouted flame through his maw and set the heavens on fire. Many stars
had already been consumed by this monster, which, besides, had the claws
of a tiger. Bouddha went into its den and succeeded in converting the
dragon. That is a good book that you are reading, Mother Plutarque.
There is no more beautiful legend in existence."

And M. Mabeuf fell into a delicious revery.




CHAPTER V--POVERTY A GOOD NEIGHBOR FOR MISERY

Marius liked this candid old man who saw himself gradually falling into
the clutches of indigence, and who came to feel astonishment, little
by little, without, however, being made melancholy by it. Marius met
Courfeyrac and sought out M. Mabeuf. Very rarely, however; twice a month
at most.

Marius' pleasure consisted in taking long walks alone on the outer
boulevards, or in the Champs-de-Mars, or in the least frequented alleys
of the Luxembourg. He often spent half a day in gazing at a market
garden, the beds of lettuce, the chickens on the dung-heap, the horse
turning the water-wheel. The passers-by stared at him in surprise, and
some of them thought his attire suspicious and his mien sinister. He was
only a poor young man dreaming in an objectless way.

It was during one of his strolls that he had hit upon the Gorbeau house,
and, tempted by its isolation and its cheapness, had taken up his abode
there. He was known there only under the name of M. Marius.

Some of his father's old generals or old comrades had invited him to go
and see them, when they learned about him. Marius had not refused their
invitations. They afforded opportunities of talking about his father.
Thus he went from time to time, to Comte Pajol, to General Bellavesne,
to General Fririon, to the Invalides. There was music and dancing there.
On such evenings, Marius put on his new coat. But he never went to
these evening parties or balls except on days when it was freezing cold,
because he could not afford a carriage, and he did not wish to arrive
with boots otherwise than like mirrors.

He said sometimes, but without bitterness: "Men are so made that in a
drawing-room you may be soiled everywhere except on your shoes. In order
to insure a good reception there, only one irreproachable thing is asked
of you; your conscience? No, your boots."

All passions except those of the heart are dissipated by revery. Marius'
political fevers vanished thus. The Revolution of 1830 assisted in the
process, by satisfying and calming him. He remained the same, setting
aside his fits of wrath. He still held the same opinions. Only, they had
been tempered. To speak accurately, he had no longer any opinions, he
had sympathies. To what party did he belong? To the party of humanity.
Out of humanity he chose France; out of the Nation he chose the people;
out of the people he chose the woman. It was to that point above all,
that his pity was directed. Now he preferred an idea to a deed, a
poet to a hero, and he admired a book like Job more than an event like
Marengo. And then, when, after a day spent in meditation, he returned
in the evening through the boulevards, and caught a glimpse through
the branches of the trees of the fathomless space beyond, the nameless
gleams, the abyss, the shadow, the mystery, all that which is only human
seemed very petty indeed to him.

He thought that he had, and he really had, in fact, arrived at the truth
of life and of human philosophy, and he had ended by gazing at nothing
but heaven, the only thing which Truth can perceive from the bottom of
her well.

This did not prevent him from multiplying his plans, his combinations,
his scaffoldings, his projects for the future. In this state of revery,
an eye which could have cast a glance into Marius' interior would have
been dazzled with the purity of that soul. In fact, had it been given to
our eyes of the flesh to gaze into the consciences of others, we should
be able to judge a man much more surely according to what he dreams,
than according to what he thinks. There is will in thought, there is
none in dreams. Revery, which is utterly spontaneous, takes and keeps,
even in the gigantic and the ideal, the form of our spirit. Nothing
proceeds more directly and more sincerely from the very depth of our
soul, than our unpremeditated and boundless aspirations towards
the splendors of destiny. In these aspirations, much more than in
deliberate, rational coordinated ideas, is the real character of a man
to be found. Our chimeras are the things which the most resemble us.
Each one of us dreams of the unknown and the impossible in accordance
with his nature.

Towards the middle of this year 1831, the old woman who waited on Marius
told him that his neighbors, the wretched Jondrette family, had been
turned out of doors. Marius, who passed nearly the whole of his days out
of the house, hardly knew that he had any neighbors.

"Why are they turned out?" he asked.

"Because they do not pay their rent; they owe for two quarters."

"How much is it?"

"Twenty francs," said the old woman.

Marius had thirty francs saved up in a drawer.

"Here," he said to the old woman, "take these twenty-five francs. Pay
for the poor people and give them five francs, and do not tell them that
it was I."




CHAPTER VI--THE SUBSTITUTE

It chanced that the regiment to which Lieutenant Theodule belonged came
to perform garrison duty in Paris. This inspired Aunt Gillenormand with
a second idea. She had, on the first occasion, hit upon the plan of
having Marius spied upon by Theodule; now she plotted to have Theodule
take Marius' place.

At all events and in case the grandfather should feel the vague need of
a young face in the house,--these rays of dawn are sometimes sweet to
ruin,--it was expedient to find another Marius. "Take it as a simple
erratum," she thought, "such as one sees in books. For Marius, read
Theodule."

A grandnephew is almost the same as a grandson; in default of a lawyer
one takes a lancer.

One morning, when M. Gillenormand was about to read something in the
Quotidienne, his daughter entered and said to him in her sweetest voice;
for the question concerned her favorite:--

"Father, Theodule is coming to present his respects to you this
morning."

"Who's Theodule?"

"Your grandnephew."

"Ah!" said the grandfather.

Then he went back to his reading, thought no more of his grandnephew,
who was merely some Theodule or other, and soon flew into a rage, which
almost always happened when he read. The "sheet" which he held, although
Royalist, of course, announced for the following day, without any
softening phrases, one of these little events which were of daily
occurrence at that date in Paris: "That the students of the schools
of law and medicine were to assemble on the Place du Pantheon, at
midday,--to deliberate." The discussion concerned one of the questions
of the moment, the artillery of the National Guard, and a conflict
between the Minister of War and "the citizen's militia," on the subject
of the cannon parked in the courtyard of the Louvre. The students were
to "deliberate" over this. It did not take much more than this to swell
M. Gillenormand's rage.

He thought of Marius, who was a student, and who would probably go with
the rest, to "deliberate, at midday, on the Place du Pantheon."

As he was indulging in this painful dream, Lieutenant Theodule entered
clad in plain clothes as a bourgeois, which was clever of him, and
was discreetly introduced by Mademoiselle Gillenormand. The lancer had
reasoned as follows: "The old druid has not sunk all his money in a life
pension. It is well to disguise one's self as a civilian from time to
time."

Mademoiselle Gillenormand said aloud to her father:--

"Theodule, your grandnephew."

And in a low voice to the lieutenant:--

"Approve of everything."

And she withdrew.

The lieutenant, who was but little accustomed to such venerable
encounters, stammered with some timidity: "Good day, uncle,"--and made
a salute composed of the involuntary and mechanical outline of the
military salute finished off as a bourgeois salute.

"Ah! so it's you; that is well, sit down," said the old gentleman.

That said, he totally forgot the lancer.

Theodule seated himself, and M. Gillenormand rose.

M. Gillenormand began to pace back and forth, his hands in his pockets,
talking aloud, and twitching, with his irritated old fingers, at the two
watches which he wore in his two fobs.

"That pack of brats! they convene on the Place du Pantheon! by my life!
urchins who were with their nurses but yesterday! If one were to squeeze
their noses, milk would burst out. And they deliberate to-morrow, at
midday. What are we coming to? What are we coming to? It is clear that
we are making for the abyss. That is what the descamisados have brought
us to! To deliberate on the citizen artillery! To go and jabber in the
open air over the jibes of the National Guard! And with whom are they to
meet there? Just see whither Jacobinism leads. I will bet anything you
like, a million against a counter, that there will be no one there but
returned convicts and released galley-slaves. The Republicans and the
galley-slaves,--they form but one nose and one handkerchief. Carnot used
to say: 'Where would you have me go, traitor?' Fouche replied: 'Wherever
you please, imbecile!' That's what the Republicans are like."

"That is true," said Theodule.

M. Gillenormand half turned his head, saw Theodule, and went on:--

"When one reflects that that scoundrel was so vile as to turn carbonaro!
Why did you leave my house? To go and become a Republican! Pssst! In
the first place, the people want none of your republic, they have common
sense, they know well that there always have been kings, and that there
always will be; they know well that the people are only the people,
after all, they make sport of it, of your republic--do you understand,
idiot? Is it not a horrible caprice? To fall in love with Pere Duchesne,
to make sheep's-eyes at the guillotine, to sing romances, and play on
the guitar under the balcony of '93--it's enough to make one spit on all
these young fellows, such fools are they! They are all alike. Not one
escapes. It suffices for them to breathe the air which blows through the
street to lose their senses. The nineteenth century is poison. The
first scamp that happens along lets his beard grow like a goat's,
thinks himself a real scoundrel, and abandons his old relatives. He's
a Republican, he's a romantic. What does that mean, romantic? Do me the
favor to tell me what it is. All possible follies. A year ago, they ran
to Hernani. Now, I just ask you, Hernani! antitheses! abominations
which are not even written in French! And then, they have cannons in the
courtyard of the Louvre. Such are the rascalities of this age!"

"You are right, uncle," said Theodule.

M. Gillenormand resumed:--

"Cannons in the courtyard of the Museum! For what purpose? Do you want
to fire grape-shot at the Apollo Belvedere? What have those cartridges
to do with the Venus de Medici? Oh! the young men of the present day are
all blackguards! What a pretty creature is their Benjamin Constant! And
those who are not rascals are simpletons! They do all they can to make
themselves ugly, they are badly dressed, they are afraid of women, in
the presence of petticoats they have a mendicant air which sets the
girls into fits of laughter; on my word of honor, one would say the poor
creatures were ashamed of love. They are deformed, and they complete
themselves by being stupid; they repeat the puns of Tiercelin and
Potier, they have sack coats, stablemen's waistcoats, shirts of coarse
linen, trousers of coarse cloth, boots of coarse leather, and their
rigmarole resembles their plumage. One might make use of their jargon
to put new soles on their old shoes. And all this awkward batch of brats
has political opinions, if you please. Political opinions should be
strictly forbidden. They fabricate systems, they recast society, they
demolish the monarchy, they fling all laws to the earth, they put the
attic in the cellar's place and my porter in the place of the King, they
turn Europe topsy-turvy, they reconstruct the world, and all their love
affairs consist in staring slily at the ankles of the laundresses as
these women climb into their carts. Ah! Marius! Ah! you blackguard! to
go and vociferate on the public place! to discuss, to debate, to take
measures! They call that measures, just God! Disorder humbles itself
and becomes silly. I have seen chaos, I now see a mess. Students
deliberating on the National Guard,--such a thing could not be seen
among the Ogibewas nor the Cadodaches! Savages who go naked, with their
noddles dressed like a shuttlecock, with a club in their paws, are less
of brutes than those bachelors of arts! The four-penny monkeys! And they
set up for judges! Those creatures deliberate and ratiocinate! The
end of the world is come! This is plainly the end of this miserable
terraqueous globe! A final hiccough was required, and France has emitted
it. Deliberate, my rascals! Such things will happen so long as they go
and read the newspapers under the arcades of the Odeon. That costs them
a sou, and their good sense, and their intelligence, and their heart and
their soul, and their wits. They emerge thence, and decamp from their
families. All newspapers are pests; all, even the Drapeau Blanc! At
bottom, Martainville was a Jacobin. Ah! just Heaven! you may boast of
having driven your grandfather to despair, that you may!"

"That is evident," said Theodule.

And profiting by the fact that M. Gillenormand was taking breath, the
lancer added in a magisterial manner:--

"There should be no other newspaper than the Moniteur, and no other book
than the Annuaire Militaire."

M. Gillenormand continued:--

"It is like their Sieyes! A regicide ending in a senator; for that is
the way they always end. They give themselves a scar with the address
of thou as citizens, in order to get themselves called, eventually,
Monsieur le Comte. Monsieur le Comte as big as my arm, assassins of
September. The philosopher Sieyes! I will do myself the justice to say,
that I have never had any better opinion of the philosophies of all
those philosophers, than of the spectacles of the grimacer of Tivoli!
One day I saw the Senators cross the Quai Malplaquet in mantles of
violet velvet sown with bees, with hats a la Henri IV. They were
hideous. One would have pronounced them monkeys from the tiger's court.
Citizens, I declare to you, that your progress is madness, that your
humanity is a dream, that your revolution is a crime, that your republic
is a monster, that your young and virgin France comes from the brothel,
and I maintain it against all, whoever you may be, whether journalists,
economists, legists, or even were you better judges of liberty, of
equality, and fraternity than the knife of the guillotine! And that I
announce to you, my fine fellows!"

"Parbleu!" cried the lieutenant, "that is wonderfully true."

M. Gillenormand paused in a gesture which he had begun, wheeled round,
stared Lancer Theodule intently in the eyes, and said to him:--

"You are a fool."




BOOK SIXTH.--THE CONJUNCTION OF TWO STARS




CHAPTER I--THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES

Marius was, at this epoch, a handsome young man, of medium stature,
with thick and intensely black hair, a lofty and intelligent brow,
well-opened and passionate nostrils, an air of calmness and sincerity,
and with something indescribably proud, thoughtful, and innocent over
his whole countenance. His profile, all of whose lines were rounded,
without thereby losing their firmness, had a certain Germanic sweetness,
which has made its way into the French physiognomy by way of Alsace
and Lorraine, and that complete absence of angles which rendered
the Sicambres so easily recognizable among the Romans, and which
distinguishes the leonine from the aquiline race. He was at that period
of life when the mind of men who think is composed, in nearly equal
parts, of depth and ingenuousness. A grave situation being given, he
had all that is required to be stupid: one more turn of the key, and he
might be sublime. His manners were reserved, cold, polished, not very
genial. As his mouth was charming, his lips the reddest, and his teeth
the whitest in the world, his smile corrected the severity of his face,
as a whole. At certain moments, that pure brow and that voluptuous smile
presented a singular contrast. His eyes were small, but his glance was
large.

At the period of his most abject misery, he had observed that young
girls turned round when he passed by, and he fled or hid, with death in
his soul. He thought that they were staring at him because of his old
clothes, and that they were laughing at them; the fact is, that they
stared at him because of his grace, and that they dreamed of him.

This mute misunderstanding between him and the pretty passers-by had
made him shy. He chose none of them for the excellent reason that
he fled from all of them. He lived thus indefinitely,--stupidly, as
Courfeyrac said.

Courfeyrac also said to him: "Do not aspire to be venerable" [they
called each other thou; it is the tendency of youthful friendships to
slip into this mode of address]. "Let me give you a piece of advice,
my dear fellow. Don't read so many books, and look a little more at the
lasses. The jades have some good points about them, O Marius! By dint of
fleeing and blushing, you will become brutalized."

On other occasions, Courfeyrac encountered him and said:--"Good morning,
Monsieur l'Abbe!"

When Courfeyrac had addressed to him some remark of this nature, Marius
avoided women, both young and old, more than ever for a week to come,
and he avoided Courfeyrac to boot.

Nevertheless, there existed in all the immensity of creation, two women
whom Marius did not flee, and to whom he paid no attention whatever. In
truth, he would have been very much amazed if he had been informed
that they were women. One was the bearded old woman who swept out his
chamber, and caused Courfeyrac to say: "Seeing that his servant woman
wears his beard, Marius does not wear his own beard." The other was a
sort of little girl whom he saw very often, and whom he never looked at.

For more than a year, Marius had noticed in one of the walks of the
Luxembourg, the one which skirts the parapet of the Pepiniere, a man
and a very young girl, who were almost always seated side by side on the
same bench, at the most solitary end of the alley, on the Rue de l'Ouest
side. Every time that that chance which meddles with the strolls of
persons whose gaze is turned inwards, led Marius to that walk,--and it
was nearly every day,--he found this couple there. The man appeared to
be about sixty years of age; he seemed sad and serious; his whole person
presented the robust and weary aspect peculiar to military men who have
retired from the service. If he had worn a decoration, Marius would have
said: "He is an ex-officer." He had a kindly but unapproachable air,
and he never let his glance linger on the eyes of any one. He wore
blue trousers, a blue frock coat and a broad-brimmed hat, which always
appeared to be new, a black cravat, a quaker shirt, that is to say, it
was dazzlingly white, but of coarse linen. A grisette who passed near
him one day, said: "Here's a very tidy widower." His hair was very
white.

The first time that the young girl who accompanied him came and seated
herself on the bench which they seemed to have adopted, she was a sort
of child thirteen or fourteen years of age, so thin as to be almost
homely, awkward, insignificant, and with a possible promise of
handsome eyes. Only, they were always raised with a sort of displeasing
assurance. Her dress was both aged and childish, like the dress of the
scholars in a convent; it consisted of a badly cut gown of black merino.
They had the air of being father and daughter.

Marius scanned this old man, who was not yet aged, and this little
girl, who was not yet a person, for a few days, and thereafter paid no
attention to them. They, on their side, did not appear even to see him.
They conversed together with a peaceful and indifferent air. The girl
chattered incessantly and merrily. The old man talked but little, and,
at times, he fixed on her eyes overflowing with an ineffable paternity.

Marius had acquired the mechanical habit of strolling in that walk. He
invariably found them there.

This is the way things went:--

Marius liked to arrive by the end of the alley which was furthest from
their bench; he walked the whole length of the alley, passed in front
of them, then returned to the extremity whence he had come, and began
again. This he did five or six times in the course of his promenade,
and the promenade was taken five or six times a week, without its
having occurred to him or to these people to exchange a greeting. That
personage, and that young girl, although they appeared,--and perhaps
because they appeared,--to shun all glances, had, naturally, caused some
attention on the part of the five or six students who strolled along
the Pepiniere from time to time; the studious after their lectures,
the others after their game of billiards. Courfeyrac, who was among the
last, had observed them several times, but, finding the girl homely, he
had speedily and carefully kept out of the way. He had fled, discharging
at them a sobriquet, like a Parthian dart. Impressed solely with
the child's gown and the old man's hair, he had dubbed the daughter
Mademoiselle Lanoire, and the father, Monsieur Leblanc, so that as no
one knew them under any other title, this nickname became a law in the
default of any other name. The students said: "Ah! Monsieur Leblanc is
on his bench." And Marius, like the rest, had found it convenient to
call this unknown gentleman Monsieur Leblanc.

We shall follow their example, and we shall say M. Leblanc, in order to
facilitate this tale.

So Marius saw them nearly every day, at the same hour, during the first
year. He found the man to his taste, but the girl insipid.




CHAPTER II--LUX FACTA EST

During the second year, precisely at the point in this history which the
reader has now reached, it chanced that this habit of the Luxembourg was
interrupted, without Marius himself being quite aware why, and nearly
six months elapsed, during which he did not set foot in the alley. One
day, at last, he returned thither once more; it was a serene summer
morning, and Marius was in joyous mood, as one is when the weather is
fine. It seemed to him that he had in his heart all the songs of the
birds that he was listening to, and all the bits of blue sky of which he
caught glimpses through the leaves of the trees.

He went straight to "his alley," and when he reached the end of it he
perceived, still on the same bench, that well-known couple. Only, when
he approached, it certainly was the same man; but it seemed to him that
it was no longer the same girl. The person whom he now beheld was a tall
and beautiful creature, possessed of all the most charming lines of a
woman at the precise moment when they are still combined with all the
most ingenuous graces of the child; a pure and fugitive moment, which
can be expressed only by these two words,--"fifteen years." She had
wonderful brown hair, shaded with threads of gold, a brow that seemed
made of marble, cheeks that seemed made of rose-leaf, a pale flush,
an agitated whiteness, an exquisite mouth, whence smiles darted like
sunbeams, and words like music, a head such as Raphael would have given
to Mary, set upon a neck that Jean Goujon would have attributed to a
Venus. And, in order that nothing might be lacking to this bewitching
face, her nose was not handsome--it was pretty; neither straight nor
curved, neither Italian nor Greek; it was the Parisian nose, that is
to say, spiritual, delicate, irregular, pure,--which drives painters to
despair, and charms poets.

When Marius passed near her, he could not see her eyes, which were
constantly lowered. He saw only her long chestnut lashes, permeated with
shadow and modesty.

This did not prevent the beautiful child from smiling as she listened
to what the white-haired old man was saying to her, and nothing could
be more fascinating than that fresh smile, combined with those drooping
eyes.

For a moment, Marius thought that she was another daughter of the same
man, a sister of the former, no doubt. But when the invariable habit of
his stroll brought him, for the second time, near the bench, and he had
examined her attentively, he recognized her as the same. In six months
the little girl had become a young maiden; that was all. Nothing is more
frequent than this phenomenon. There is a moment when girls blossom out
in the twinkling of an eye, and become roses all at once. One left
them children but yesterday; today, one finds them disquieting to the
feelings.

This child had not only grown, she had become idealized. As three days
in April suffice to cover certain trees with flowers, six months had
sufficed to clothe her with beauty. Her April had arrived.

One sometimes sees people, who, poor and mean, seem to wake up, pass
suddenly from indigence to luxury, indulge in expenditures of all sorts,
and become dazzling, prodigal, magnificent, all of a sudden. That is
the result of having pocketed an income; a note fell due yesterday. The
young girl had received her quarterly income.

And then, she was no longer the school-girl with her felt hat, her
merino gown, her scholar's shoes, and red hands; taste had come to her
with beauty; she was a well-dressed person, clad with a sort of rich
and simple elegance, and without affectation. She wore a dress of black
damask, a cape of the same material, and a bonnet of white crape. Her
white gloves displayed the delicacy of the hand which toyed with the
carved, Chinese ivory handle of a parasol, and her silken shoe outlined
the smallness of her foot. When one passed near her, her whole toilette
exhaled a youthful and penetrating perfume.

As for the man, he was the same as usual.

The second time that Marius approached her, the young girl raised her
eyelids; her eyes were of a deep, celestial blue, but in that veiled
azure, there was, as yet, nothing but the glance of a child. She looked
at Marius indifferently, as she would have stared at the brat running
beneath the sycamores, or the marble vase which cast a shadow on the
bench, and Marius, on his side, continued his promenade, and thought
about something else.

He passed near the bench where the young girl sat, five or six times,
but without even turning his eyes in her direction.

On the following days, he returned, as was his wont, to the Luxembourg;
as usual, he found there "the father and daughter;" but he paid no
further attention to them. He thought no more about the girl now that
she was beautiful than he had when she was homely. He passed very near
the bench where she sat, because such was his habit.




CHAPTER III--EFFECT OF THE SPRING

One day, the air was warm, the Luxembourg was inundated with light
and shade, the sky was as pure as though the angels had washed it that
morning, the sparrows were giving vent to little twitters in the depths
of the chestnut-trees. Marius had thrown open his whole soul to nature,
he was not thinking of anything, he simply lived and breathed, he passed
near the bench, the young girl raised her eyes to him, the two glances
met.

What was there in the young girl's glance on this occasion? Marius could
not have told. There was nothing and there was everything. It was a
strange flash.

She dropped her eyes, and he pursued his way.

What he had just seen was no longer the ingenuous and simple eye of a
child; it was a mysterious gulf which had half opened, then abruptly
closed again.

There comes a day when the young girl glances in this manner. Woe to him
who chances to be there!

That first gaze of a soul which does not, as yet, know itself, is
like the dawn in the sky. It is the awakening of something radiant
and strange. Nothing can give any idea of the dangerous charm of that
unexpected gleam, which flashes suddenly and vaguely forth from adorable
shadows, and which is composed of all the innocence of the present, and
of all the passion of the future. It is a sort of undecided tenderness
which reveals itself by chance, and which waits. It is a snare which
the innocent maiden sets unknown to herself, and in which she captures
hearts without either wishing or knowing it. It is a virgin looking like
a woman.

It is rare that a profound revery does not spring from that glance,
where it falls. All purities and all candors meet in that celestial
and fatal gleam which, more than all the best-planned tender glances of
coquettes, possesses the magic power of causing the sudden blossoming,
in the depths of the soul, of that sombre flower, impregnated with
perfume and with poison, which is called love.

That evening, on his return to his garret, Marius cast his eyes over
his garments, and perceived, for the first time, that he had been so
slovenly, indecorous, and inconceivably stupid as to go for his walk in
the Luxembourg with his "every-day clothes," that is to say, with a
hat battered near the band, coarse carter's boots, black trousers
which showed white at the knees, and a black coat which was pale at the
elbows.




CHAPTER IV--BEGINNING OF A GREAT MALADY

On the following day, at the accustomed hour, Marius drew from his
wardrobe his new coat, his new trousers, his new hat, and his new
boots; he clothed himself in this complete panoply, put on his gloves, a
tremendous luxury, and set off for the Luxembourg.

On the way thither, he encountered Courfeyrac, and pretended not to see
him. Courfeyrac, on his return home, said to his friends:--

"I have just met Marius' new hat and new coat, with Marius inside
them. He was going to pass an examination, no doubt. He looked utterly
stupid."

On arriving at the Luxembourg, Marius made the tour of the fountain
basin, and stared at the swans; then he remained for a long time in
contemplation before a statue whose head was perfectly black with mould,
and one of whose hips was missing. Near the basin there was a bourgeois
forty years of age, with a prominent stomach, who was holding by the
hand a little urchin of five, and saying to him: "Shun excess, my son,
keep at an equal distance from despotism and from anarchy." Marius
listened to this bourgeois. Then he made the circuit of the basin once
more. At last he directed his course towards "his alley," slowly, and as
if with regret. One would have said that he was both forced to go there
and withheld from doing so. He did not perceive it himself, and thought
that he was doing as he always did.

On turning into the walk, he saw M. Leblanc and the young girl at the
other end, "on their bench." He buttoned his coat up to the very top,
pulled it down on his body so that there might be no wrinkles, examined,
with a certain complaisance, the lustrous gleams of his trousers, and
marched on the bench. This march savored of an attack, and certainly
of a desire for conquest. So I say that he marched on the bench, as I
should say: "Hannibal marched on Rome."

However, all his movements were purely mechanical, and he had
interrupted none of the habitual preoccupations of his mind and labors.
At that moment, he was thinking that the Manuel du Baccalaureat was
a stupid book, and that it must have been drawn up by rare idiots, to
allow of three tragedies of Racine and only one comedy of Moliere being
analyzed therein as masterpieces of the human mind. There was a piercing
whistling going on in his ears. As he approached the bench, he held
fast to the folds in his coat, and fixed his eyes on the young girl. It
seemed to him that she filled the entire extremity of the alley with a
vague blue light.

In proportion as he drew near, his pace slackened more and more. On
arriving at some little distance from the bench, and long before he had
reached the end of the walk, he halted, and could not explain to himself
why he retraced his steps. He did not even say to himself that he would
not go as far as the end. It was only with difficulty that the young
girl could have perceived him in the distance and noted his fine
appearance in his new clothes. Nevertheless, he held himself very erect,
in case any one should be looking at him from behind.

He attained the opposite end, then came back, and this time he
approached a little nearer to the bench. He even got to within three
intervals of trees, but there he felt an indescribable impossibility of
proceeding further, and he hesitated. He thought he saw the young girl's
face bending towards him. But he exerted a manly and violent effort,
subdued his hesitation, and walked straight ahead. A few seconds later,
he rushed in front of the bench, erect and firm, reddening to the very
ears, without daring to cast a glance either to the right or to the
left, with his hand thrust into his coat like a statesman. At the moment
when he passed,--under the cannon of the place,--he felt his heart beat
wildly. As on the preceding day, she wore her damask gown and her crape
bonnet. He heard an ineffable voice, which must have been "her voice."
She was talking tranquilly. She was very pretty. He felt it, although he
made no attempt to see her. "She could not, however," he thought, "help
feeling esteem and consideration for me, if she only knew that I am
the veritable author of the dissertation on Marcos Obregon de la Ronde,
which M. Francois de Neufchateau put, as though it were his own, at the
head of his edition of Gil Blas." He went beyond the bench as far as the
extremity of the walk, which was very near, then turned on his heel and
passed once more in front of the lovely girl. This time, he was very
pale. Moreover, all his emotions were disagreeable. As he went further
from the bench and the young girl, and while his back was turned to her,
he fancied that she was gazing after him, and that made him stumble.

He did not attempt to approach the bench again; he halted near the
middle of the walk, and there, a thing which he never did, he sat down,
and reflecting in the most profoundly indistinct depths of his spirit,
that after all, it was hard that persons whose white bonnet and black
gown he admired should be absolutely insensible to his splendid trousers
and his new coat.

At the expiration of a quarter of an hour, he rose, as though he were
on the point of again beginning his march towards that bench which was
surrounded by an aureole. But he remained standing there, motionless.
For the first time in fifteen months, he said to himself that that
gentleman who sat there every day with his daughter, had, on his side,
noticed him, and probably considered his assiduity singular.

For the first time, also, he was conscious of some irreverence in
designating that stranger, even in his secret thoughts, by the sobriquet
of M. le Blanc.

He stood thus for several minutes, with drooping head, tracing figures
in the sand, with the cane which he held in his hand.

Then he turned abruptly in the direction opposite to the bench, to M.
Leblanc and his daughter, and went home.

That day he forgot to dine. At eight o'clock in the evening he perceived
this fact, and as it was too late to go down to the Rue Saint-Jacques,
he said: "Never mind!" and ate a bit of bread.

He did not go to bed until he had brushed his coat and folded it up with
great care.




CHAPTER V--DIVRS CLAPS OF THUNDER FALL ON MA'AM BOUGON

On the following day, Ma'am Bougon, as Courfeyrac styled the old
portress-principal-tenant, housekeeper of the Gorbeau hovel, Ma'am
Bougon, whose name was, in reality, Madame Burgon, as we have found
out, but this iconoclast, Courfeyrac, respected nothing,--Ma'am Bougon
observed, with stupefaction, that M. Marius was going out again in his
new coat.

He went to the Luxembourg again, but he did not proceed further than his
bench midway of the alley. He seated himself there, as on the preceding
day, surveying from a distance, and clearly making out, the white
bonnet, the black dress, and above all, that blue light. He did not stir
from it, and only went home when the gates of the Luxembourg closed. He
did not see M. Leblanc and his daughter retire. He concluded that they
had quitted the garden by the gate on the Rue de l'Ouest. Later on,
several weeks afterwards, when he came to think it over, he could never
recall where he had dined that evening.

On the following day, which was the third, Ma'am Bougon was
thunderstruck. Marius went out in his new coat. "Three days in
succession!" she exclaimed.

She tried to follow him, but Marius walked briskly, and with immense
strides; it was a hippopotamus undertaking the pursuit of a chamois.
She lost sight of him in two minutes, and returned breathless,
three-quarters choked with asthma, and furious. "If there is any sense,"
she growled, "in putting on one's best clothes every day, and making
people run like this!"

Marius betook himself to the Luxembourg.

The young girl was there with M. Leblanc. Marius approached as near as
he could, pretending to be busy reading a book, but he halted afar off,
then returned and seated himself on his bench, where he spent four hours
in watching the house-sparrows who were skipping about the walk, and who
produced on him the impression that they were making sport of him.

A fortnight passed thus. Marius went to the Luxembourg no longer for the
sake of strolling there, but to seat himself always in the same spot,
and that without knowing why. Once arrived there, he did not stir.
He put on his new coat every morning, for the purpose of not showing
himself, and he began all over again on the morrow.

She was decidedly a marvellous beauty. The only remark approaching a
criticism, that could be made, was, that the contradiction between
her gaze, which was melancholy, and her smile, which was merry, gave
a rather wild effect to her face, which sometimes caused this sweet
countenance to become strange without ceasing to be charming.




CHAPTER VI--TAKEN PRISONER

On one of the last days of the second week, Marius was seated on his
bench, as usual, holding in his hand an open book, of which he had not
turned a page for the last two hours. All at once he started. An event
was taking place at the other extremity of the walk. Leblanc and his
daughter had just left their seat, and the daughter had taken her
father's arm, and both were advancing slowly, towards the middle of the
alley where Marius was. Marius closed his book, then opened it again,
then forced himself to read; he trembled; the aureole was coming
straight towards him. "Ah! good Heavens!" thought he, "I shall not have
time to strike an attitude." Still the white-haired man and the girl
advanced. It seemed to him that this lasted for a century, and that it
was but a second. "What are they coming in this direction for?" he asked
himself. "What! She will pass here? Her feet will tread this sand, this
walk, two paces from me?" He was utterly upset, he would have liked to
be very handsome, he would have liked to own the cross. He heard the
soft and measured sound of their approaching footsteps. He imagined that
M. Leblanc was darting angry glances at him. "Is that gentleman going to
address me?" he thought to himself. He dropped his head; when he raised
it again, they were very near him. The young girl passed, and as she
passed, she glanced at him. She gazed steadily at him, with a pensive
sweetness which thrilled Marius from head to foot. It seemed to him
that she was reproaching him for having allowed so long a time to elapse
without coming as far as her, and that she was saying to him: "I am
coming myself." Marius was dazzled by those eyes fraught with rays and
abysses.

He felt his brain on fire. She had come to him, what joy! And then, how
she had looked at him! She appeared to him more beautiful than he had
ever seen her yet. Beautiful with a beauty which was wholly feminine and
angelic, with a complete beauty which would have made Petrarch sing and
Dante kneel. It seemed to him that he was floating free in the azure
heavens. At the same time, he was horribly vexed because there was dust
on his boots.

He thought he felt sure that she had looked at his boots too.

He followed her with his eyes until she disappeared. Then he started
up and walked about the Luxembourg garden like a madman. It is possible
that, at times, he laughed to himself and talked aloud. He was so dreamy
when he came near the children's nurses, that each one of them thought
him in love with her.

He quitted the Luxembourg, hoping to find her again in the street.

He encountered Courfeyrac under the arcades of the Odeon, and said to
him: "Come and dine with me." They went off to Rousseau's and spent
six francs. Marius ate like an ogre. He gave the waiter six sous. At
dessert, he said to Courfeyrac. "Have you read the paper? What a fine
discourse Audry de Puyraveau delivered!"

He was desperately in love.

After dinner, he said to Courfeyrac: "I will treat you to the play."
They went to the Porte-Sainte-Martin to see Frederick in l'Auberge des
Adrets. Marius was enormously amused.

At the same time, he had a redoubled attack of shyness. On emerging
from the theatre, he refused to look at the garter of a modiste who was
stepping across a gutter, and Courfeyrac, who said: "I should like to
put that woman in my collection," almost horrified him.

Courfeyrac invited him to breakfast at the Cafe Voltaire on the
following morning. Marius went thither, and ate even more than on the
preceding evening. He was very thoughtful and very merry. One would
have said that he was taking advantage of every occasion to laugh
uproariously. He tenderly embraced some man or other from the provinces,
who was presented to him. A circle of students formed round the table,
and they spoke of the nonsense paid for by the State which was uttered
from the rostrum in the Sorbonne, then the conversation fell upon the
faults and omissions in Guicherat's dictionaries and grammars. Marius
interrupted the discussion to exclaim: "But it is very agreeable, all
the same to have the cross!"

"That's queer!" whispered Courfeyrac to Jean Prouvaire.

"No," responded Prouvaire, "that's serious."

It was serious; in fact, Marius had reached that first violent and
charming hour with which grand passions begin.

A glance had wrought all this.

When the mine is charged, when the conflagration is ready, nothing is
more simple. A glance is a spark.

It was all over with him. Marius loved a woman. His fate was entering
the unknown.

The glance of women resembles certain combinations of wheels, which are
tranquil in appearance yet formidable. You pass close to them every
day, peaceably and with impunity, and without a suspicion of anything. A
moment arrives when you forget that the thing is there. You go and come,
dream, speak, laugh. All at once you feel yourself clutched; all is
over. The wheels hold you fast, the glance has ensnared you. It has
caught you, no matter where or how, by some portion of your thought
which was fluttering loose, by some distraction which had attacked you.
You are lost. The whole of you passes into it. A chain of mysterious
forces takes possession of you. You struggle in vain; no more human
succor is possible. You go on falling from gearing to gearing, from
agony to agony, from torture to torture, you, your mind, your fortune,
your future, your soul; and, according to whether you are in the power
of a wicked creature, or of a noble heart, you will not escape from this
terrifying machine otherwise than disfigured with shame, or transfigured
by passion.




CHAPTER VII--ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES

Isolation, detachment from everything, pride, independence, the taste
of nature, the absence of daily and material activity, the life within
himself, the secret conflicts of chastity, a benevolent ecstasy towards
all creation, had prepared Marius for this possession which is called
passion. His worship of his father had gradually become a religion,
and, like all religions, it had retreated to the depths of his soul.
Something was required in the foreground. Love came.

A full month elapsed, during which Marius went every day to the
Luxembourg. When the hour arrived, nothing could hold him back.--"He
is on duty," said Courfeyrac. Marius lived in a state of delight. It is
certain that the young girl did look at him.

He had finally grown bold, and approached the bench. Still, he did not
pass in front of it any more, in obedience to the instinct of timidity
and to the instinct of prudence common to lovers. He considered it
better not to attract "the attention of the father." He combined his
stations behind the trees and the pedestals of the statues with a
profound diplomacy, so that he might be seen as much as possible by the
young girl and as little as possible by the old gentleman. Sometimes, he
remained motionless by the half-hour together in the shade of a Leonidas
or a Spartacus, holding in his hand a book, above which his eyes, gently
raised, sought the beautiful girl, and she, on her side, turned her
charming profile towards him with a vague smile. While conversing in the
most natural and tranquil manner in the world with the white-haired man,
she bent upon Marius all the reveries of a virginal and passionate eye.
Ancient and time-honored manoeuvre which Eve understood from the very
first day of the world, and which every woman understands from the very
first day of her life! her mouth replied to one, and her glance replied
to another.

It must be supposed, that M. Leblanc finally noticed something, for
often, when Marius arrived, he rose and began to walk about. He had
abandoned their accustomed place and had adopted the bench by the
Gladiator, near the other end of the walk, as though with the object
of seeing whether Marius would pursue them thither. Marius did not
understand, and committed this error. "The father" began to grow
inexact, and no longer brought "his daughter" every day. Sometimes, he
came alone. Then Marius did not stay. Another blunder.

Marius paid no heed to these symptoms. From the phase of timidity, he
had passed, by a natural and fatal progress, to the phase of blindness.
His love increased. He dreamed of it every night. And then, an
unexpected bliss had happened to him, oil on the fire, a redoubling of
the shadows over his eyes. One evening, at dusk, he had found, on
the bench which "M. Leblanc and his daughter" had just quitted, a
handkerchief, a very simple handkerchief, without embroidery, but white,
and fine, and which seemed to him to exhale ineffable perfume. He seized
it with rapture. This handkerchief was marked with the letters U. F.
Marius knew nothing about this beautiful child,--neither her family
name, her Christian name nor her abode; these two letters were the first
thing of her that he had gained possession of, adorable initials, upon
which he immediately began to construct his scaffolding. U was evidently
the Christian name. "Ursule!" he thought, "what a delicious name!" He
kissed the handkerchief, drank it in, placed it on his heart, on his
flesh, during the day, and at night, laid it beneath his lips that he
might fall asleep on it.

"I feel that her whole soul lies within it!" he exclaimed.

This handkerchief belonged to the old gentleman, who had simply let it
fall from his pocket.

In the days which followed the finding of this treasure, he only
displayed himself at the Luxembourg in the act of kissing the
handkerchief and laying it on his heart. The beautiful child understood
nothing of all this, and signified it to him by imperceptible signs.

"O modesty!" said Marius.




CHAPTER VIII--THE VETERANS THEMSELVES CAN BE HAPPY

Since we have pronounced the word modesty, and since we conceal nothing,
we ought to say that once, nevertheless, in spite of his ecstasies, "his
Ursule" caused him very serious grief. It was on one of the days when
she persuaded M. Leblanc to leave the bench and stroll along the walk.
A brisk May breeze was blowing, which swayed the crests of the
plaintain-trees. The father and daughter, arm in arm, had just passed
Marius' bench. Marius had risen to his feet behind them, and was
following them with his eyes, as was fitting in the desperate situation
of his soul.

All at once, a gust of wind, more merry than the rest, and probably
charged with performing the affairs of Springtime, swept down from
the nursery, flung itself on the alley, enveloped the young girl in
a delicious shiver, worthy of Virgil's nymphs, and the fawns of
Theocritus, and lifted her dress, the robe more sacred than that of
Isis, almost to the height of her garter. A leg of exquisite shape
appeared. Marius saw it. He was exasperated and furious.

The young girl had hastily thrust down her dress, with a divinely
troubled motion, but he was none the less angry for all that. He was
alone in the alley, it is true. But there might have been some one
there. And what if there had been some one there! Can any one comprehend
such a thing? What she had just done is horrible!--Alas, the poor child
had done nothing; there had been but one culprit, the wind; but Marius,
in whom quivered the Bartholo who exists in Cherubin, was determined to
be vexed, and was jealous of his own shadow. It is thus, in fact, that
the harsh and capricious jealousy of the flesh awakens in the human
heart, and takes possession of it, even without any right. Moreover,
setting aside even that jealousy, the sight of that charming leg had
contained nothing agreeable for him; the white stocking of the first
woman he chanced to meet would have afforded him more pleasure.

When "his Ursule," after having reached the end of the walk, retraced
her steps with M. Leblanc, and passed in front of the bench on which
Marius had seated himself once more, Marius darted a sullen and
ferocious glance at her. The young girl gave way to that slight
straightening up with a backward movement, accompanied by a raising of
the eyelids, which signifies: "Well, what is the matter?"

This was "their first quarrel."

Marius had hardly made this scene at her with his eyes, when some one
crossed the walk. It was a veteran, very much bent, extremely wrinkled,
and pale, in a uniform of the Louis XV. pattern, bearing on his breast
the little oval plaque of red cloth, with the crossed swords, the
soldier's cross of Saint-Louis, and adorned, in addition, with a
coat-sleeve, which had no arm within it, with a silver chin and a wooden
leg. Marius thought he perceived that this man had an extremely well
satisfied air. It even struck him that the aged cynic, as he hobbled
along past him, addressed to him a very fraternal and very merry wink,
as though some chance had created an understanding between them, and as
though they had shared some piece of good luck together. What did that
relic of Mars mean by being so contented? What had passed between
that wooden leg and the other? Marius reached a paroxysm of
jealousy.--"Perhaps he was there!" he said to himself; "perhaps he
saw!"--And he felt a desire to exterminate the veteran.

With the aid of time, all points grow dull. Marius' wrath against
"Ursule," just and legitimate as it was, passed off. He finally pardoned
her; but this cost him a great effort; he sulked for three days.

Nevertheless, in spite of all this, and because of all this, his passion
augmented and grew to madness.




CHAPTER IX--ECLIPSE

The reader has just seen how Marius discovered, or thought that he
discovered, that She was named Ursule.

Appetite grows with loving. To know that her name was Ursule was a great
deal; it was very little. In three or four weeks, Marius had devoured
this bliss. He wanted another. He wanted to know where she lived.

He had committed his first blunder, by falling into the ambush of the
bench by the Gladiator. He had committed a second, by not remaining at
the Luxembourg when M. Leblanc came thither alone. He now committed a
third, and an immense one. He followed "Ursule."

She lived in the Rue de l'Ouest, in the most unfrequented spot, in a
new, three-story house, of modest appearance.

From that moment forth, Marius added to his happiness of seeing her at
the Luxembourg the happiness of following her home.

His hunger was increasing. He knew her first name, at least, a charming
name, a genuine woman's name; he knew where she lived; he wanted to know
who she was.

One evening, after he had followed them to their dwelling, and had seen
them disappear through the carriage gate, he entered in their train and
said boldly to the porter:--

"Is that the gentleman who lives on the first floor, who has just come
in?"

"No," replied the porter. "He is the gentleman on the third floor."

Another step gained. This success emboldened Marius.

"On the front?" he asked.

"Parbleu!" said the porter, "the house is only built on the street."

"And what is that gentleman's business?" began Marius again.

"He is a gentleman of property, sir. A very kind man who does good to
the unfortunate, though not rich himself."

"What is his name?" resumed Marius.

The porter raised his head and said:--

"Are you a police spy, sir?"

Marius went off quite abashed, but delighted. He was getting on.

"Good," thought he, "I know that her name is Ursule, that she is the
daughter of a gentleman who lives on his income, and that she lives
there, on the third floor, in the Rue de l'Ouest."

On the following day, M. Leblanc and his daughter made only a very
brief stay in the Luxembourg; they went away while it was still broad
daylight. Marius followed them to the Rue de l'Ouest, as he had taken up
the habit of doing. On arriving at the carriage entrance M. Leblanc made
his daughter pass in first, then paused, before crossing the threshold,
and stared intently at Marius.

On the next day they did not come to the Luxembourg. Marius waited for
them all day in vain.

At nightfall, he went to the Rue de l'Ouest, and saw a light in the
windows of the third story.

He walked about beneath the windows until the light was extinguished.

The next day, no one at the Luxembourg. Marius waited all day, then went
and did sentinel duty under their windows. This carried him on to ten
o'clock in the evening.

His dinner took care of itself. Fever nourishes the sick man, and love
the lover.

He spent a week in this manner. M. Leblanc no longer appeared at the
Luxembourg.

Marius indulged in melancholy conjectures; he dared not watch the porte
cochere during the day; he contented himself with going at night to gaze
upon the red light of the windows. At times he saw shadows flit across
them, and his heart began to beat.

On the eighth day, when he arrived under the windows, there was no light
in them.

"Hello!" he said, "the lamp is not lighted yet. But it is dark. Can they
have gone out?" He waited until ten o'clock. Until midnight. Until one
in the morning. Not a light appeared in the windows of the third story,
and no one entered the house.

He went away in a very gloomy frame of mind.

On the morrow,--for he only existed from morrow to morrow, there was,
so to speak, no to-day for him,--on the morrow, he found no one at the
Luxembourg; he had expected this. At dusk, he went to the house.

No light in the windows; the shades were drawn; the third floor was
totally dark.

Marius rapped at the porte cochere, entered, and said to the porter:--

"The gentleman on the third floor?"

"Has moved away," replied the porter.

Marius reeled and said feebly:--

"How long ago?"

"Yesterday."

"Where is he living now?"

"I don't know anything about it."

"So he has not left his new address?"

"No."

And the porter, raising his eyes, recognized Marius.

"Come! So it's you!" said he; "but you are decidedly a spy then?"




BOOK SEVENTH.--PATRON MINETTE




CHAPTER I--MINES AND MINERS

Human societies all have what is called in theatrical parlance, a third
lower floor. The social soil is everywhere undermined, sometimes for
good, sometimes for evil. These works are superposed one upon the other.
There are superior mines and inferior mines. There is a top and a
bottom in this obscure sub-soil, which sometimes gives way beneath
civilization, and which our indifference and heedlessness trample under
foot. The Encyclopedia, in the last century, was a mine that was
almost open to the sky. The shades, those sombre hatchers of primitive
Christianity, only awaited an opportunity to bring about an explosion
under the Caesars and to inundate the human race with light. For in the
sacred shadows there lies latent light. Volcanoes are full of a shadow
that is capable of flashing forth. Every form begins by being night. The
catacombs, in which the first mass was said, were not alone the cellar
of Rome, they were the vaults of the world.

Beneath the social construction, that complicated marvel of a structure,
there are excavations of all sorts. There is the religious mine, the
philosophical mine, the economic mine, the revolutionary mine. Such and
such a pick-axe with the idea, such a pick with ciphers. Such another
with wrath. People hail and answer each other from one catacomb to
another. Utopias travel about underground, in the pipes. There they
branch out in every direction. They sometimes meet, and fraternize
there. Jean-Jacques lends his pick to Diogenes, who lends him his
lantern. Sometimes they enter into combat there. Calvin seizes Socinius
by the hair. But nothing arrests nor interrupts the tension of all these
energies toward the goal, and the vast, simultaneous activity, which
goes and comes, mounts, descends, and mounts again in these obscurities,
and which immense unknown swarming slowly transforms the top and the
bottom and the inside and the outside. Society hardly even suspects this
digging which leaves its surface intact and changes its bowels. There
are as many different subterranean stages as there are varying works,
as there are extractions. What emerges from these deep excavations? The
future.

The deeper one goes, the more mysterious are the toilers. The work
is good, up to a degree which the social philosophies are able to
recognize; beyond that degree it is doubtful and mixed; lower down,
it becomes terrible. At a certain depth, the excavations are no longer
penetrable by the spirit of civilization, the limit breathable by man
has been passed; a beginning of monsters is possible.

The descending scale is a strange one; and each one of the rungs of this
ladder corresponds to a stage where philosophy can find foothold, and
where one encounters one of these workmen, sometimes divine, sometimes
misshapen. Below John Huss, there is Luther; below Luther, there is
Descartes; below Descartes, there is Voltaire; below Voltaire, there
is Condorcet; below Condorcet, there is Robespierre; below Robespierre,
there is Marat; below Marat there is Babeuf. And so it goes on. Lower
down, confusedly, at the limit which separates the indistinct from the
invisible, one perceives other gloomy men, who perhaps do not exist as
yet. The men of yesterday are spectres; those of to-morrow are forms.
The eye of the spirit distinguishes them but obscurely. The embryonic
work of the future is one of the visions of philosophy.

A world in limbo, in the state of foetus, what an unheard-of spectre!

Saint-Simon, Owen, Fourier, are there also, in lateral galleries.

Surely, although a divine and invisible chain unknown to themselves,
binds together all these subterranean pioneers who, almost always, think
themselves isolated, and who are not so, their works vary greatly, and
the light of some contrasts with the blaze of others. The first are
paradisiacal, the last are tragic. Nevertheless, whatever may be the
contrast, all these toilers, from the highest to the most nocturnal,
from the wisest to the most foolish, possess one likeness, and this
is it: disinterestedness. Marat forgets himself like Jesus. They
throw themselves on one side, they omit themselves, they think not of
themselves. They have a glance, and that glance seeks the absolute. The
first has the whole heavens in his eyes; the last, enigmatical though he
may be, has still, beneath his eyelids, the pale beam of the infinite.
Venerate the man, whoever he may be, who has this sign--the starry eye.

The shadowy eye is the other sign.

With it, evil commences. Reflect and tremble in the presence of any one
who has no glance at all. The social order has its black miners.

There is a point where depth is tantamount to burial, and where light
becomes extinct.

Below all these mines which we have just mentioned, below all these
galleries, below this whole immense, subterranean, venous system of
progress and utopia, much further on in the earth, much lower than
Marat, lower than Babeuf, lower, much lower, and without any connection
with the upper levels, there lies the last mine. A formidable spot. This
is what we have designated as the le troisieme dessous. It is the grave
of shadows. It is the cellar of the blind. Inferi.

This communicates with the abyss.




CHAPTER II--THE LOWEST DEPTHS

There disinterestedness vanishes. The demon is vaguely outlined; each
one is for himself. The _I_ in the eyes howls, seeks, fumbles, and
gnaws. The social Ugolino is in this gulf.

The wild spectres who roam in this grave, almost beasts, almost
phantoms, are not occupied with universal progress; they are ignorant
both of the idea and of the word; they take no thought for anything
but the satisfaction of their individual desires. They are almost
unconscious, and there exists within them a sort of terrible
obliteration. They have two mothers, both step-mothers, ignorance and
misery. They have a guide, necessity; and for all forms of satisfaction,
appetite. They are brutally voracious, that is to say, ferocious, not
after the fashion of the tyrant, but after the fashion of the tiger.
From suffering these spectres pass to crime; fatal affiliation, dizzy
creation, logic of darkness. That which crawls in the social third lower
level is no longer complaint stifled by the absolute; it is the protest
of matter. Man there becomes a dragon. To be hungry, to be thirsty--that
is the point of departure; to be Satan--that is the point reached. From
that vault Lacenaire emerges.

We have just seen, in Book Fourth, one of the compartments of the
upper mine, of the great political, revolutionary, and philosophical
excavation. There, as we have just said, all is pure, noble, dignified,
honest. There, assuredly, one might be misled; but error is worthy of
veneration there, so thoroughly does it imply heroism. The work there
effected, taken as a whole has a name: Progress.

The moment has now come when we must take a look at other depths,
hideous depths. There exists beneath society, we insist upon this point,
and there will exist, until that day when ignorance shall be dissipated,
the great cavern of evil.

This cavern is below all, and is the foe of all. It is hatred, without
exception. This cavern knows no philosophers; its dagger has never cut
a pen. Its blackness has no connection with the sublime blackness of the
inkstand. Never have the fingers of night which contract beneath this
stifling ceiling, turned the leaves of a book nor unfolded a newspaper.
Babeuf is a speculator to Cartouche; Marat is an aristocrat to
Schinderhannes. This cavern has for its object the destruction of
everything.

Of everything. Including the upper superior mines, which it execrates.
It not only undermines, in its hideous swarming, the actual social
order; it undermines philosophy, it undermines human thought, it
undermines civilization, it undermines revolution, it undermines
progress. Its name is simply theft, prostitution, murder, assassination.
It is darkness, and it desires chaos. Its vault is formed of ignorance.

All the others, those above it, have but one object--to suppress it.
It is to this point that philosophy and progress tend, with all their
organs simultaneously, by their amelioration of the real, as well as by
their contemplation of the absolute. Destroy the cavern Ignorance and
you destroy the lair Crime.

Let us condense, in a few words, a part of what we have just written.
The only social peril is darkness.

Humanity is identity. All men are made of the same clay. There is no
difference, here below, at least, in predestination. The same shadow
in front, the same flesh in the present, the same ashes afterwards. But
ignorance, mingled with the human paste, blackens it. This incurable
blackness takes possession of the interior of a man and is there
converted into evil.




CHAPTER III--BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE

A quartette of ruffians, Claquesous, Gueulemer, Babet, and Montparnasse
governed the third lower floor of Paris, from 1830 to 1835.

Gueulemer was a Hercules of no defined position. For his lair he had the
sewer of the Arche-Marion. He was six feet high, his pectoral muscles
were of marble, his biceps of brass, his breath was that of a cavern,
his torso that of a colossus, his head that of a bird. One thought one
beheld the Farnese Hercules clad in duck trousers and a cotton velvet
waistcoat. Gueulemer, built after this sculptural fashion, might have
subdued monsters; he had found it more expeditious to be one. A low
brow, large temples, less than forty years of age, but with crow's-feet,
harsh, short hair, cheeks like a brush, a beard like that of a wild
boar; the reader can see the man before him. His muscles called for
work, his stupidity would have none of it. He was a great, idle force.
He was an assassin through coolness. He was thought to be a creole. He
had, probably, somewhat to do with Marshal Brune, having been a porter
at Avignon in 1815. After this stage, he had turned ruffian.

The diaphaneity of Babet contrasted with the grossness of Gueulemer.
Babet was thin and learned. He was transparent but impenetrable.
Daylight was visible through his bones, but nothing through his eyes. He
declared that he was a chemist. He had been a jack of all trades. He had
played in vaudeville at Saint-Mihiel. He was a man of purpose, a fine
talker, who underlined his smiles and accentuated his gestures. His
occupation consisted in selling, in the open air, plaster busts and
portraits of "the head of the State." In addition to this, he extracted
teeth. He had exhibited phenomena at fairs, and he had owned a booth
with a trumpet and this poster: "Babet, Dental Artist, Member of the
Academies, makes physical experiments on metals and metalloids, extracts
teeth, undertakes stumps abandoned by his brother practitioners. Price:
one tooth, one franc, fifty centimes; two teeth, two francs; three
teeth, two francs, fifty. Take advantage of this opportunity." This Take
advantage of this opportunity meant: Have as many teeth extracted as
possible. He had been married and had had children. He did not know what
had become of his wife and children. He had lost them as one loses his
handkerchief. Babet read the papers, a striking exception in the world
to which he belonged. One day, at the period when he had his family with
him in his booth on wheels, he had read in the Messager, that a woman
had just given birth to a child, who was doing well, and had a calf's
muzzle, and he exclaimed: "There's a fortune! my wife has not the wit to
present me with a child like that!"

Later on he had abandoned everything, in order to "undertake Paris."
This was his expression.

Who was Claquesous? He was night. He waited until the sky was daubed
with black, before he showed himself. At nightfall he emerged from the
hole whither he returned before daylight. Where was this hole? No one
knew. He only addressed his accomplices in the most absolute darkness,
and with his back turned to them. Was his name Claquesous? Certainly
not. If a candle was brought, he put on a mask. He was a ventriloquist.
Babet said: "Claquesous is a nocturne for two voices." Claquesous was
vague, terrible, and a roamer. No one was sure whether he had a name,
Claquesous being a sobriquet; none was sure that he had a voice, as his
stomach spoke more frequently than his voice; no one was sure that he
had a face, as he was never seen without his mask. He disappeared as
though he had vanished into thin air; when he appeared, it was as though
he sprang from the earth.

A lugubrious being was Montparnasse. Montparnasse was a child; less than
twenty years of age, with a handsome face, lips like cherries, charming
black hair, the brilliant light of springtime in his eyes; he had all
vices and aspired to all crimes.

The digestion of evil aroused in him an appetite for worse. It was the
street boy turned pickpocket, and a pickpocket turned garroter. He was
genteel, effeminate, graceful, robust, sluggish, ferocious. The rim of
his hat was curled up on the left side, in order to make room for a tuft
of hair, after the style of 1829. He lived by robbery with violence.
His coat was of the best cut, but threadbare. Montparnasse was a
fashion-plate in misery and given to the commission of murders. The
cause of all this youth's crimes was the desire to be well-dressed. The
first grisette who had said to him: "You are handsome!" had cast the
stain of darkness into his heart, and had made a Cain of this Abel.
Finding that he was handsome, he desired to be elegant: now, the
height of elegance is idleness; idleness in a poor man means crime. Few
prowlers were so dreaded as Montparnasse. At eighteen, he had already
numerous corpses in his past. More than one passer-by lay with
outstretched arms in the presence of this wretch, with his face in a
pool of blood. Curled, pomaded, with laced waist, the hips of a woman,
the bust of a Prussian officer, the murmur of admiration from the
boulevard wenches surrounding him, his cravat knowingly tied, a bludgeon
in his pocket, a flower in his buttonhole; such was this dandy of the
sepulchre.




CHAPTER IV--COMPOSITION OF THE TROUPE

These four ruffians formed a sort of Proteus, winding like a serpent
among the police, and striving to escape Vidocq's indiscreet glances
"under divers forms, tree, flame, fountain," lending each other their
names and their traps, hiding in their own shadows, boxes with
secret compartments and refuges for each other, stripping off their
personalities, as one removes his false nose at a masked ball, sometimes
simplifying matters to the point of consisting of but one individual,
sometimes multiplying themselves to such a point that Coco-Latour
himself took them for a whole throng.

These four men were not four men; they were a sort of mysterious robber
with four heads, operating on a grand scale on Paris; they were that
monstrous polyp of evil, which inhabits the crypt of society.

Thanks to their ramifications, and to the network underlying their
relations, Babet, Gueulemer, Claquesous, and Montparnasse were charged
with the general enterprise of the ambushes of the department of
the Seine. The inventors of ideas of that nature, men with nocturnal
imaginations, applied to them to have their ideas executed. They
furnished the canvas to the four rascals, and the latter undertook the
preparation of the scenery. They labored at the stage setting. They were
always in a condition to lend a force proportioned and suitable to
all crimes which demanded a lift of the shoulder, and which were
sufficiently lucrative. When a crime was in quest of arms, they
under-let their accomplices. They kept a troupe of actors of the shadows
at the disposition of all underground tragedies.

They were in the habit of assembling at nightfall, the hour when they
woke up, on the plains which adjoin the Salpetriere. There they held
their conferences. They had twelve black hours before them; they
regulated their employment accordingly.

Patron-Minette,--such was the name which was bestowed in the
subterranean circulation on the association of these four men. In the
fantastic, ancient, popular parlance, which is vanishing day by day,
Patron-Minette signifies the morning, the same as entre chien et
loup--between dog and wolf--signifies the evening. This appellation,
Patron-Minette, was probably derived from the hour at which their work
ended, the dawn being the vanishing moment for phantoms and for the
separation of ruffians. These four men were known under this title.
When the President of the Assizes visited Lacenaire in his prison, and
questioned him concerning a misdeed which Lacenaire denied, "Who did
it?" demanded the President. Lacenaire made this response, enigmatical
so far as the magistrate was concerned, but clear to the police:
"Perhaps it was Patron-Minette."

A piece can sometimes be divined on the enunciation of the personages;
in the same manner a band can almost be judged from the list of ruffians
composing it. Here are the appellations to which the principal members
of Patron-Minette answered,--for the names have survived in special
memoirs.

Panchaud, alias Printanier, alias Bigrenaille.

Brujon. [There was a Brujon dynasty; we cannot refrain from
interpolating this word.]

Boulatruelle, the road-mender already introduced.

Laveuve.

Finistere.

Homere-Hogu, a negro.

Mardisoir. (Tuesday evening.)

Depeche. (Make haste.)

Fauntleroy, alias Bouquetiere (the Flower Girl).

Glorieux, a discharged convict.

Barrecarrosse (Stop-carriage), called Monsieur Dupont.

L'Esplanade-du-Sud.

Poussagrive.

Carmagnolet.

Kruideniers, called Bizarro.

Mangedentelle. (Lace-eater.)

Les-pieds-en-l'Air. (Feet in the air.)

Demi-Liard, called Deux-Milliards.

Etc., etc.

We pass over some, and not the worst of them. These names have faces
attached. They do not express merely beings, but species. Each one of
these names corresponds to a variety of those misshapen fungi from the
under side of civilization.

Those beings, who were not very lavish with their countenances, were not
among the men whom one sees passing along the streets. Fatigued by the
wild nights which they passed, they went off by day to sleep, sometimes
in the lime-kilns, sometimes in the abandoned quarries of Montmatre or
Montrouge, sometimes in the sewers. They ran to earth.

What became of these men? They still exist. They have always existed.
Horace speaks of them: Ambubaiarum collegia, pharmacopolae, mendici,
mimae; and so long as society remains what it is, they will remain what
they are. Beneath the obscure roof of their cavern, they are continually
born again from the social ooze. They return, spectres, but always
identical; only, they no longer bear the same names and they are
no longer in the same skins. The individuals extirpated, the tribe
subsists.

They always have the same faculties. From the vagrant to the tramp, the
race is maintained in its purity. They divine purses in pockets, they
scent out watches in fobs. Gold and silver possess an odor for them.
There exist ingenuous bourgeois, of whom it might be said, that they
have a "stealable" air. These men patiently pursue these bourgeois. They
experience the quivers of a spider at the passage of a stranger or of a
man from the country.

These men are terrible, when one encounters them, or catches a glimpse
of them, towards midnight, on a deserted boulevard. They do not seem
to be men but forms composed of living mists; one would say that they
habitually constitute one mass with the shadows, that they are in
no wise distinct from them, that they possess no other soul than the
darkness, and that it is only momentarily and for the purpose of living
for a few minutes a monstrous life, that they have separated from the
night.

What is necessary to cause these spectres to vanish? Light. Light in
floods. Not a single bat can resist the dawn. Light up society from
below.




BOOK EIGHTH.--THE WICKED POOR MAN




CHAPTER I--MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN
A CAP

Summer passed, then the autumn; winter came. Neither M. Leblanc nor the
young girl had again set foot in the Luxembourg garden. Thenceforth,
Marius had but one thought,--to gaze once more on that sweet and
adorable face. He sought constantly, he sought everywhere; he found
nothing. He was no longer Marius, the enthusiastic dreamer, the firm,
resolute, ardent man, the bold defier of fate, the brain which erected
future on future, the young spirit encumbered with plans, with projects,
with pride, with ideas and wishes; he was a lost dog. He fell into a
black melancholy. All was over. Work disgusted him, walking tired him.
Vast nature, formerly so filled with forms, lights, voices, counsels,
perspectives, horizons, teachings, now lay empty before him. It seemed
to him that everything had disappeared.

He thought incessantly, for he could not do otherwise; but he no longer
took pleasure in his thoughts. To everything that they proposed to him
in a whisper, he replied in his darkness: "What is the use?"

He heaped a hundred reproaches on himself. "Why did I follow her? I
was so happy at the mere sight of her! She looked at me; was not that
immense? She had the air of loving me. Was not that everything? I wished
to have, what? There was nothing after that. I have been absurd. It is
my own fault," etc., etc. Courfeyrac, to whom he confided nothing,--it
was his nature,--but who made some little guess at everything,--that was
his nature,--had begun by congratulating him on being in love, though he
was amazed at it; then, seeing Marius fall into this melancholy state,
he ended by saying to him: "I see that you have been simply an animal.
Here, come to the Chaumiere."

Once, having confidence in a fine September sun, Marius had allowed
himself to be taken to the ball at Sceaux by Courfeyrac, Bossuet, and
Grantaire, hoping, what a dream! that he might, perhaps, find her there.
Of course he did not see the one he sought.--"But this is the place,
all the same, where all lost women are found," grumbled Grantaire in an
aside. Marius left his friends at the ball and returned home on foot,
alone, through the night, weary, feverish, with sad and troubled eyes,
stunned by the noise and dust of the merry wagons filled with singing
creatures on their way home from the feast, which passed close to
him, as he, in his discouragement, breathed in the acrid scent of the
walnut-trees, along the road, in order to refresh his head.

He took to living more and more alone, utterly overwhelmed, wholly given
up to his inward anguish, going and coming in his pain like the wolf in
the trap, seeking the absent one everywhere, stupefied by love.

On another occasion, he had an encounter which produced on him a
singular effect. He met, in the narrow streets in the vicinity of the
Boulevard des Invalides, a man dressed like a workingman and wearing a
cap with a long visor, which allowed a glimpse of locks of very
white hair. Marius was struck with the beauty of this white hair, and
scrutinized the man, who was walking slowly and as though absorbed in
painful meditation. Strange to say, he thought that he recognized M.
Leblanc. The hair was the same, also the profile, so far as the cap
permitted a view of it, the mien identical, only more depressed. But why
these workingman's clothes? What was the meaning of this? What signified
that disguise? Marius was greatly astonished. When he recovered himself,
his first impulse was to follow the man; who knows whether he did not
hold at last the clue which he was seeking? In any case, he must see the
man near at hand, and clear up the mystery. But the idea occurred to him
too late, the man was no longer there. He had turned into some little
side street, and Marius could not find him. This encounter occupied
his mind for three days and then was effaced. "After all," he said to
himself, "it was probably only a resemblance."




CHAPTER II--TREASURE TROVE

Marius had not left the Gorbeau house. He paid no attention to any one
there.

At that epoch, to tell the truth, there were no other inhabitants in the
house, except himself and those Jondrettes whose rent he had once paid,
without, moreover, ever having spoken to either father, mother, or
daughters. The other lodgers had moved away or had died, or had been
turned out in default of payment.

One day during that winter, the sun had shown itself a little in the
afternoon, but it was the 2d of February, that ancient Candlemas
day whose treacherous sun, the precursor of a six weeks' cold spell,
inspired Mathieu Laensberg with these two lines, which have with justice
remained classic:--


           Qu'il luise ou qu'il luiserne,
           L'ours rentre dans en sa caverne.[26]


Marius had just emerged from his: night was falling. It was the hour for
his dinner; for he had been obliged to take to dining again, alas! oh,
infirmities of ideal passions!

He had just crossed his threshold, where Ma'am Bougon was sweeping at
the moment, as she uttered this memorable monologue:--

"What is there that is cheap now? Everything is dear. There is nothing
in the world that is cheap except trouble; you can get that for nothing,
the trouble of the world!"

Marius slowly ascended the boulevard towards the barrier, in order to
reach the Rue Saint-Jacques. He was walking along with drooping head.

All at once, he felt some one elbow him in the dusk; he wheeled round,
and saw two young girls clad in rags, the one tall and slim, the other a
little shorter, who were passing rapidly, all out of breath, in terror,
and with the appearance of fleeing; they had been coming to meet him,
had not seen him, and had jostled him as they passed. Through the
twilight, Marius could distinguish their livid faces, their wild heads,
their dishevelled hair, their hideous bonnets, their ragged petticoats,
and their bare feet. They were talking as they ran. The taller said in a
very low voice:--

"The bobbies have come. They came near nabbing me at the half-circle."
The other answered: "I saw them. I bolted, bolted, bolted!"

Through this repulsive slang, Marius understood that gendarmes or the
police had come near apprehending these two children, and that the
latter had escaped.

They plunged among the trees of the boulevard behind him, and there
created, for a few minutes, in the gloom, a sort of vague white spot,
then disappeared.

Marius had halted for a moment.

He was about to pursue his way, when his eye lighted on a little grayish
package lying on the ground at his feet. He stooped and picked it up. It
was a sort of envelope which appeared to contain papers.

"Good," he said to himself, "those unhappy girls dropped it."

He retraced his steps, he called, he did not find them; he reflected
that they must already be far away, put the package in his pocket, and
went off to dine.

On the way, he saw in an alley of the Rue Mouffetard, a child's coffin,
covered with a black cloth resting on three chairs, and illuminated by a
candle. The two girls of the twilight recurred to his mind.

"Poor mothers!" he thought. "There is one thing sadder than to see one's
children die; it is to see them leading an evil life."

Then those shadows which had varied his melancholy vanished from his
thoughts, and he fell back once more into his habitual preoccupations.
He fell to thinking once more of his six months of love and happiness
in the open air and the broad daylight, beneath the beautiful trees of
Luxembourg.

"How gloomy my life has become!" he said to himself. "Young girls are
always appearing to me, only formerly they were angels and now they are
ghouls."




CHAPTER III--QUADRIFRONS

That evening, as he was undressing preparatory to going to bed, his hand
came in contact, in the pocket of his coat, with the packet which he
had picked up on the boulevard. He had forgotten it. He thought that it
would be well to open it, and that this package might possibly contain
the address of the young girls, if it really belonged to them, and, in
any case, the information necessary to a restitution to the person who
had lost it.

He opened the envelope.

It was not sealed and contained four letters, also unsealed.

They bore addresses.

All four exhaled a horrible odor of tobacco.

The first was addressed: "To Madame, Madame la Marquise de Grucheray,
the place opposite the Chamber of Deputies, No.--"

Marius said to himself, that he should probably find in it the
information which he sought, and that, moreover, the letter being open,
it was probable that it could be read without impropriety.

It was conceived as follows:--


Madame la Marquise: The virtue of clemency and piety is that which most
closely unites sosiety. Turn your Christian spirit and cast a look of
compassion on this unfortunate Spanish victim of loyalty and attachment
to the sacred cause of legitimacy, who has given with his blood,
consecrated his fortune, evverything, to defend that cause, and to-day
finds himself in the greatest missery. He doubts not that your honorable
person will grant succor to preserve an existence exteremely painful for
a military man of education and honor full of wounds, counts in advance
on the humanity which animates you and on the interest which Madame la
Marquise bears to a nation so unfortunate. Their prayer will not be in
vain, and their gratitude will preserve theirs charming souvenir.

 My respectful sentiments, with which I have the honor to be
                            Madame,
                                 Don Alvares, Spanish Captain
                                 of Cavalry, a royalist who
                                 has take refuge in France,
                                 who finds himself on travells
                                 for his country, and the
                                 resources are lacking him to
                                 continue his travells.


No address was joined to the signature. Marius hoped to find the address
in the second letter, whose superscription read: A Madame, Madame la
Comtesse de Montvernet, Rue Cassette, No. 9. This is what Marius read in
it:--


 Madame la Comtesse:  It is an unhappy mother of a family of six
 children the last of which is only eight months old.  I sick
 since my last confinement, abandoned by my husband five months ago,
 haveing no resources in the world the most frightful indigance.

 In the hope of Madame la Comtesse, she has the honor to be,
 Madame, with profound respect,
                                        Mistress Balizard.


Marius turned to the third letter, which was a petition like the
preceding; he read:--

        Monsieur Pabourgeot, Elector, wholesale stocking merchant,
           Rue Saint-Denis on the corner of the Rue aux Fers.

 I permit myself to address you this letter to beg you to grant me
 the pretious favor of your simpaties and to interest yourself in a man
 of letters who has just sent a drama to the Theatre-Francais. The subject
 is historical, and the action takes place in Auvergne in the time
 of the Empire; the style, I think, is natural, laconic, and may have
 some merit.  There are couplets to be sung in four places.  The comic,
 the serious, the unexpected, are mingled in a variety of characters,
 and a tinge of romanticism lightly spread through all the intrigue
 which proceeds misteriously, and ends, after striking altarations,
 in the midst of many beautiful strokes of brilliant scenes.

 My principal object is to satisfi the desire which progressively
 animates the man of our century, that is to say, the fashion,
 that capritious and bizarre weathervane which changes at almost
 every new wind.

 In spite of these qualities I have reason to fear that jealousy,
 the egotism of priviliged authors, may obtaine my exclusion from
 the theatre, for I am not ignorant of the mortifications with which
 new-comers are treated.

 Monsiuer Pabourgeot, your just reputation as an enlightened protector
 of men of litters emboldens me to send you my daughter who will
 explain our indigant situation to you, lacking bread and fire
 in this wynter season.  When I say to you that I beg you to accept
 the dedication of my drama which I desire to make to you and of all
 those that I shall make, is to prove to you how great is my ambition
 to have the honor of sheltering myself under your protection,
 and of adorning my writings with your name.  If you deign to honor
 me with the most modest offering, I shall immediately occupy myself
 in making a piesse of verse to pay you my tribute of gratitude.
 Which I shall endeavor to render this piesse as perfect as possible,
 will be sent to you before it is inserted at the beginning of the
 drama and delivered on the stage.
                             To Monsieur
                                and Madame Pabourgeot,
                                   My most respectful complements,
                                      Genflot, man of letters.
       P. S. Even if it is only forty sous.

 Excuse me for sending my daughter and not presenting myself,
 but sad motives connected with the toilet do not permit me,
 alas! to go out.


Finally, Marius opened the fourth letter. The address ran: To the
benevolent Gentleman of the church of Saint-Jacquesdu-haut-Pas. It
contained the following lines:--


 Benevolent Man:  If you deign to accompany my daughter, you will
 behold a misserable calamity, and I will show you my certificates.

 At the aspect of these writings your generous soul will be moved
 with a sentiment of obvious benevolence, for true philosophers
 always feel lively emotions.

 Admit, compassionate man, that it is necessary to suffer the most
 cruel need, and that it is very painful, for the sake of obtaining
 a little relief, to get oneself attested by the authorities as though
 one were not free to suffer and to die of inanition while waiting
 to have our misery relieved.  Destinies are very fatal for several
 and too prodigal or too protecting for others.

 I await your presence or your offering, if you deign to make one,
 and I beseech you to accept the respectful sentiments with which I
 have the honor to be,
                       truly magnanimous man,
                         your very humble
                           and very obedient servant,
                                        P. Fabantou, dramatic artist.


After perusing these four letters, Marius did not find himself much
further advanced than before.

In the first place, not one of the signers gave his address.

Then, they seemed to come from four different individuals, Don Alveras,
Mistress Balizard, the poet Genflot, and dramatic artist Fabantou; but
the singular thing about these letters was, that all four were written
by the same hand.

What conclusion was to be drawn from this, except that they all come
from the same person?

Moreover, and this rendered the conjecture all the more probable, the
coarse and yellow paper was the same in all four, the odor of tobacco
was the same, and, although an attempt had been made to vary the
style, the same orthographical faults were reproduced with the greatest
tranquillity, and the man of letters Genflot was no more exempt from
them than the Spanish captain.

It was waste of trouble to try to solve this petty mystery. Had it not
been a chance find, it would have borne the air of a mystification.
Marius was too melancholy to take even a chance pleasantry well, and to
lend himself to a game which the pavement of the street seemed desirous
of playing with him. It seemed to him that he was playing the part of
the blind man in blind man's buff between the four letters, and that
they were making sport of him.

Nothing, however, indicated that these letters belonged to the two
young girls whom Marius had met on the boulevard. After all, they were
evidently papers of no value. Marius replaced them in their envelope,
flung the whole into a corner and went to bed. About seven o'clock in
the morning, he had just risen and breakfasted, and was trying to settle
down to work, when there came a soft knock at his door.

As he owned nothing, he never locked his door, unless occasionally,
though very rarely, when he was engaged in some pressing work. Even when
absent he left his key in the lock. "You will be robbed," said Ma'am
Bougon. "Of what?" said Marius. The truth is, however, that he had, one
day, been robbed of an old pair of boots, to the great triumph of Ma'am
Bougon.

There came a second knock, as gentle as the first.

"Come in," said Marius.

The door opened.

"What do you want, Ma'am Bougon?" asked Marius, without raising his eyes
from the books and manuscripts on his table.

A voice which did not belong to Ma'am Bougon replied:--

"Excuse me, sir--"

It was a dull, broken, hoarse, strangled voice, the voice of an old man,
roughened with brandy and liquor.

Marius turned round hastily, and beheld a young girl.




CHAPTER IV--A ROSE IN MISERY

[Illustration: Rose in Misery  3b8-4-rose-in-misery]

A very young girl was standing in the half-open door. The dormer window
of the garret, through which the light fell, was precisely opposite
the door, and illuminated the figure with a wan light. She was a frail,
emaciated, slender creature; there was nothing but a chemise and a
petticoat upon that chilled and shivering nakedness. Her girdle was a
string, her head ribbon a string, her pointed shoulders emerged from her
chemise, a blond and lymphatic pallor, earth-colored collar-bones, red
hands, a half-open and degraded mouth, missing teeth, dull, bold, base
eyes; she had the form of a young girl who has missed her youth, and the
look of a corrupt old woman; fifty years mingled with fifteen; one of
those beings which are both feeble and horrible, and which cause those
to shudder whom they do not cause to weep.

Marius had risen, and was staring in a sort of stupor at this being, who
was almost like the forms of the shadows which traverse dreams.

The most heart-breaking thing of all was, that this young girl had not
come into the world to be homely. In her early childhood she must even
have been pretty. The grace of her age was still struggling against the
hideous, premature decrepitude of debauchery and poverty. The remains of
beauty were dying away in that face of sixteen, like the pale sunlight
which is extinguished under hideous clouds at dawn on a winter's day.

That face was not wholly unknown to Marius. He thought he remembered
having seen it somewhere.

"What do you wish, Mademoiselle?" he asked.

The young girl replied in her voice of a drunken convict:--

"Here is a letter for you, Monsieur Marius."

She called Marius by his name; he could not doubt that he was the person
whom she wanted; but who was this girl? How did she know his name?

Without waiting for him to tell her to advance, she entered. She entered
resolutely, staring, with a sort of assurance that made the heart bleed,
at the whole room and the unmade bed. Her feet were bare. Large holes
in her petticoat permitted glimpses of her long legs and her thin knees.
She was shivering.

She held a letter in her hand, which she presented to Marius.

Marius, as he opened the letter, noticed that the enormous wafer which
sealed it was still moist. The message could not have come from a
distance. He read:--


 My amiable neighbor, young man:  I have learned of your goodness to me,
 that you paid my rent six months ago.  I bless you, young man.
 My eldest daughter will tell you that we have been without a morsel
 of bread for two days, four persons and my spouse ill.  If I am
 not deseaved in my opinion, I think I may hope that your generous
 heart will melt at this statement and the desire will subjugate you
 to be propitious to me by daigning to lavish on me a slight favor.

 I am with the distinguished consideration which is due to the
 benefactors of humanity,--

 Jondrette.

 P.S. My eldest daughter will await your orders, dear Monsieur Marius.


This letter, coming in the very midst of the mysterious adventure which
had occupied Marius' thoughts ever since the preceding evening, was like
a candle in a cellar. All was suddenly illuminated.

This letter came from the same place as the other four. There was the
same writing, the same style, the same orthography, the same paper, the
same odor of tobacco.

There were five missives, five histories, five signatures, and a single
signer. The Spanish Captain Don Alvares, the unhappy Mistress Balizard,
the dramatic poet Genflot, the old comedian Fabantou, were all four
named Jondrette, if, indeed, Jondrette himself were named Jondrette.

Marius had lived in the house for a tolerably long time, and he had had,
as we have said, but very rare occasion to see, to even catch a glimpse
of, his extremely mean neighbors. His mind was elsewhere, and where the
mind is, there the eyes are also. He had been obliged more than once to
pass the Jondrettes in the corridor or on the stairs; but they were mere
forms to him; he had paid so little heed to them, that, on the preceding
evening, he had jostled the Jondrette girls on the boulevard, without
recognizing them, for it had evidently been they, and it was with great
difficulty that the one who had just entered his room had awakened in
him, in spite of disgust and pity, a vague recollection of having met
her elsewhere.

Now he saw everything clearly. He understood that his neighbor
Jondrette, in his distress, exercised the industry of speculating on the
charity of benevolent persons, that he procured addresses, and that he
wrote under feigned names to people whom he judged to be wealthy and
compassionate, letters which his daughters delivered at their risk
and peril, for this father had come to such a pass, that he risked his
daughters; he was playing a game with fate, and he used them as the
stake. Marius understood that probably, judging from their flight on the
evening before, from their breathless condition, from their terror
and from the words of slang which he had overheard, these unfortunate
creatures were plying some inexplicably sad profession, and that the
result of the whole was, in the midst of human society, as it is now
constituted, two miserable beings who were neither girls nor women, a
species of impure and innocent monsters produced by misery.

Sad creatures, without name, or sex, or age, to whom neither good nor
evil were any longer possible, and who, on emerging from childhood,
have already nothing in this world, neither liberty, nor virtue, nor
responsibility. Souls which blossomed out yesterday, and are faded
to-day, like those flowers let fall in the streets, which are soiled
with every sort of mire, while waiting for some wheel to crush them.
Nevertheless, while Marius bent a pained and astonished gaze on her, the
young girl was wandering back and forth in the garret with the audacity
of a spectre. She kicked about, without troubling herself as to her
nakedness. Occasionally her chemise, which was untied and torn, fell
almost to her waist. She moved the chairs about, she disarranged the
toilet articles which stood on the commode, she handled Marius' clothes,
she rummaged about to see what there was in the corners.

"Hullo!" said she, "you have a mirror!"

And she hummed scraps of vaudevilles, as though she had been alone,
frolicsome refrains which her hoarse and guttural voice rendered
lugubrious.

An indescribable constraint, weariness, and humiliation were perceptible
beneath this hardihood. Effrontery is a disgrace.

Nothing could be more melancholy than to see her sport about the room,
and, so to speak, flit with the movements of a bird which is frightened
by the daylight, or which has broken its wing. One felt that under other
conditions of education and destiny, the gay and over-free mien of this
young girl might have turned out sweet and charming. Never, even among
animals, does the creature born to be a dove change into an osprey. That
is only to be seen among men.

Marius reflected, and allowed her to have her way.

She approached the table.

"Ah!" said she, "books!"

A flash pierced her glassy eye. She resumed, and her accent expressed
the happiness which she felt in boasting of something, to which no human
creature is insensible:--

"I know how to read, I do!"

She eagerly seized a book which lay open on the table, and read with
tolerable fluency:--

"--General Bauduin received orders to take the chateau of Hougomont
which stands in the middle of the plain of Waterloo, with five
battalions of his brigade."

She paused.

"Ah! Waterloo! I know about that. It was a battle long ago. My father
was there. My father has served in the armies. We are fine Bonapartists
in our house, that we are! Waterloo was against the English."

She laid down the book, caught up a pen, and exclaimed:--

"And I know how to write, too!"

She dipped her pen in the ink, and turning to Marius:--

"Do you want to see? Look here, I'm going to write a word to show you."

And before he had time to answer, she wrote on a sheet of white paper,
which lay in the middle of the table: "The bobbies are here."

Then throwing down the pen:--

"There are no faults of orthography. You can look. We have received an
education, my sister and I. We have not always been as we are now. We
were not made--"

Here she paused, fixed her dull eyes on Marius, and burst out laughing,
saying, with an intonation which contained every form of anguish,
stifled by every form of cynicism:--

"Bah!"

And she began to hum these words to a gay air:--

      "J'ai faim, mon pere."      I am hungry, father.
       Pas de fricot.             I have no food.
       J'ai froid, ma mere.       I am cold, mother.
       Pas de tricot.             I have no clothes.
       Grelotte,                  Lolotte!
            Lolotte!                   Shiver,
            Sanglote,                  Sob,
            Jacquot!"                  Jacquot!"


She had hardly finished this couplet, when she exclaimed:--

"Do you ever go to the play, Monsieur Marius? I do. I have a little
brother who is a friend of the artists, and who gives me tickets
sometimes. But I don't like the benches in the galleries. One is cramped
and uncomfortable there. There are rough people there sometimes; and
people who smell bad."

Then she scrutinized Marius, assumed a singular air and said:--

"Do you know, Mr. Marius, that you are a very handsome fellow?"

And at the same moment the same idea occurred to them both, and made
her smile and him blush. She stepped up to him, and laid her hand on his
shoulder: "You pay no heed to me, but I know you, Mr. Marius. I meet you
here on the staircase, and then I often see you going to a person named
Father Mabeuf who lives in the direction of Austerlitz, sometimes when I
have been strolling in that quarter. It is very becoming to you to have
your hair tumbled thus."

She tried to render her voice soft, but only succeeded in making it very
deep. A portion of her words was lost in the transit from her larynx to
her lips, as though on a piano where some notes are missing.

Marius had retreated gently.

"Mademoiselle," said he, with his cool gravity, "I have here a package
which belongs to you, I think. Permit me to return it to you."

And he held out the envelope containing the four letters.

She clapped her hands and exclaimed:--

"We have been looking everywhere for that!"

Then she eagerly seized the package and opened the envelope, saying as
she did so:--

"Dieu de Dieu! how my sister and I have hunted! And it was you who found
it! On the boulevard, was it not? It must have been on the boulevard?
You see, we let it fall when we were running. It was that brat of a
sister of mine who was so stupid. When we got home, we could not find it
anywhere. As we did not wish to be beaten, as that is useless, as that
is entirely useless, as that is absolutely useless, we said that we had
carried the letters to the proper persons, and that they had said to us:
'Nix.' So here they are, those poor letters! And how did you find out
that they belonged to me? Ah! yes, the writing. So it was you that we
jostled as we passed last night. We couldn't see. I said to my sister:
'Is it a gentleman?' My sister said to me: 'I think it is a gentleman.'"

In the meanwhile she had unfolded the petition addressed to "the
benevolent gentleman of the church of Saint-Jacquesdu-Haut-Pas."

"Here!" said she, "this is for that old fellow who goes to mass. By the
way, this is his hour. I'll go and carry it to him. Perhaps he will give
us something to breakfast on."

Then she began to laugh again, and added:--

"Do you know what it will mean if we get a breakfast today? It will mean
that we shall have had our breakfast of the day before yesterday, our
breakfast of yesterday, our dinner of to-day, and all that at once, and
this morning. Come! Parbleu! if you are not satisfied, dogs, burst!"

This reminded Marius of the wretched girl's errand to himself. He
fumbled in his waistcoat pocket, and found nothing there.

The young girl went on, and seemed to have no consciousness of Marius'
presence.

"I often go off in the evening. Sometimes I don't come home again. Last
winter, before we came here, we lived under the arches of the bridges.
We huddled together to keep from freezing. My little sister cried. How
melancholy the water is! When I thought of drowning myself, I said
to myself: 'No, it's too cold.' I go out alone, whenever I choose, I
sometimes sleep in the ditches. Do you know, at night, when I walk along
the boulevard, I see the trees like forks, I see houses, all black and
as big as Notre Dame, I fancy that the white walls are the river, I say
to myself: 'Why, there's water there!' The stars are like the lamps in
illuminations, one would say that they smoked and that the wind blew
them out, I am bewildered, as though horses were breathing in my ears;
although it is night, I hear hand-organs and spinning-machines, and I
don't know what all. I think people are flinging stones at me, I flee
without knowing whither, everything whirls and whirls. You feel very
queer when you have had no food."

And then she stared at him with a bewildered air.

By dint of searching and ransacking his pockets, Marius had finally
collected five francs sixteen sous. This was all he owned in the world
for the moment. "At all events," he thought, "there is my dinner for
to-day, and to-morrow we will see." He kept the sixteen sous, and handed
the five francs to the young girl.

She seized the coin.

"Good!" said she, "the sun is shining!"

And, as though the sun had possessed the property of melting the
avalanches of slang in her brain, she went on:--

"Five francs! the shiner! a monarch! in this hole! Ain't this fine!
You're a jolly thief! I'm your humble servant! Bravo for the good
fellows! Two days' wine! and meat! and stew! we'll have a royal feast!
and a good fill!"

She pulled her chemise up on her shoulders, made a low bow to Marius,
then a familiar sign with her hand, and went towards the door, saying:--

"Good morning, sir. It's all right. I'll go and find my old man."

As she passed, she caught sight of a dry crust of bread on the commode,
which was moulding there amid the dust; she flung herself upon it and
bit into it, muttering:--

"That's good! it's hard! it breaks my teeth!"

Then she departed.




CHAPTER V--A PROVIDENTIAL PEEP-HOLE

Marius had lived for five years in poverty, in destitution, even in
distress, but he now perceived that he had not known real misery. True
misery he had but just had a view of. It was its spectre which had just
passed before his eyes. In fact, he who has only beheld the misery of
man has seen nothing; the misery of woman is what he must see; he who
has seen only the misery of woman has seen nothing; he must see the
misery of the child.

When a man has reached his last extremity, he has reached his last
resources at the same time. Woe to the defenceless beings who surround
him! Work, wages, bread, fire, courage, good will, all fail him
simultaneously. The light of day seems extinguished without, the moral
light within; in these shadows man encounters the feebleness of the
woman and the child, and bends them violently to ignominy.

Then all horrors become possible. Despair is surrounded with fragile
partitions which all open on either vice or crime.

Health, youth, honor, all the shy delicacies of the young body, the
heart, virginity, modesty, that epidermis of the soul, are manipulated
in sinister wise by that fumbling which seeks resources, which
encounters opprobrium, and which accommodates itself to it. Fathers,
mothers, children, brothers, sisters, men, women, daughters, adhere
and become incorporated, almost like a mineral formation, in that dusky
promiscuousness of sexes, relationships, ages, infamies, and innocences.
They crouch, back to back, in a sort of hut of fate. They exchange
woe-begone glances. Oh, the unfortunate wretches! How pale they are! How
cold they are! It seems as though they dwelt in a planet much further
from the sun than ours.

This young girl was to Marius a sort of messenger from the realm of sad
shadows. She revealed to him a hideous side of the night.

Marius almost reproached himself for the preoccupations of revery and
passion which had prevented his bestowing a glance on his neighbors up
to that day. The payment of their rent had been a mechanical movement,
which any one would have yielded to; but he, Marius, should have done
better than that. What! only a wall separated him from those abandoned
beings who lived gropingly in the dark outside the pale of the rest of
the world, he was elbow to elbow with them, he was, in some sort, the
last link of the human race which they touched, he heard them live, or
rather, rattle in the death agony beside him, and he paid no heed to
them! Every day, every instant, he heard them walking on the other side
of the wall, he heard them go, and come, and speak, and he did not even
lend an ear! And groans lay in those words, and he did not even listen
to them, his thoughts were elsewhere, given up to dreams, to impossible
radiances, to loves in the air, to follies; and all the while, human
creatures, his brothers in Jesus Christ, his brothers in the people,
were agonizing in vain beside him! He even formed a part of their
misfortune, and he aggravated it. For if they had had another neighbor
who was less chimerical and more attentive, any ordinary and charitable
man, evidently their indigence would have been noticed, their signals of
distress would have been perceived, and they would have been taken hold
of and rescued! They appeared very corrupt and very depraved, no
doubt, very vile, very odious even; but those who fall without becoming
degraded are rare; besides, there is a point where the unfortunate and
the infamous unite and are confounded in a single word, a fatal word,
the miserable; whose fault is this? And then should not the charity be
all the more profound, in proportion as the fall is great?

While reading himself this moral lesson, for there were occasions on
which Marius, like all truly honest hearts, was his own pedagogue and
scolded himself more than he deserved, he stared at the wall which
separated him from the Jondrettes, as though he were able to make his
gaze, full of pity, penetrate that partition and warm these wretched
people. The wall was a thin layer of plaster upheld by lathes and beams,
and, as the reader had just learned, it allowed the sound of voices and
words to be clearly distinguished. Only a man as dreamy as Marius could
have failed to perceive this long before. There was no paper pasted on
the wall, either on the side of the Jondrettes or on that of Marius; the
coarse construction was visible in its nakedness. Marius examined the
partition, almost unconsciously; sometimes revery examines, observes,
and scrutinizes as thought would. All at once he sprang up; he had just
perceived, near the top, close to the ceiling, a triangular hole, which
resulted from the space between three lathes. The plaster which should
have filled this cavity was missing, and by mounting on the commode,
a view could be had through this aperture into the Jondrettes' attic.
Commiseration has, and should have, its curiosity. This aperture formed
a sort of peep-hole. It is permissible to gaze at misfortune like a
traitor in order to succor it.[27]

"Let us get some little idea of what these people are like," thought
Marius, "and in what condition they are."

He climbed upon the commode, put his eye to the crevice, and looked.




CHAPTER VI--THE WILD MAN IN HIS LAIR

Cities, like forests, have their caverns in which all the most wicked
and formidable creatures which they contain conceal themselves. Only,
in cities, that which thus conceals itself is ferocious, unclean, and
petty, that is to say, ugly; in forests, that which conceals itself is
ferocious, savage, and grand, that is to say, beautiful. Taking one lair
with another, the beast's is preferable to the man's. Caverns are better
than hovels.

What Marius now beheld was a hovel.

Marius was poor, and his chamber was poverty-stricken, but as his
poverty was noble, his garret was neat. The den upon which his eye now
rested was abject, dirty, fetid, pestiferous, mean, sordid. The only
furniture consisted of a straw chair, an infirm table, some old bits of
crockery, and in two of the corners, two indescribable pallets; all
the light was furnished by a dormer window of four panes, draped with
spiders' webs. Through this aperture there penetrated just enough light
to make the face of a man appear like the face of a phantom. The walls
had a leprous aspect, and were covered with seams and scars, like a
visage disfigured by some horrible malady; a repulsive moisture exuded
from them. Obscene sketches roughly sketched with charcoal could be
distinguished upon them.

The chamber which Marius occupied had a dilapidated brick pavement; this
one was neither tiled nor planked; its inhabitants stepped directly
on the antique plaster of the hovel, which had grown black under the
long-continued pressure of feet. Upon this uneven floor, where the dirt
seemed to be fairly incrusted, and which possessed but one virginity,
that of the broom, were capriciously grouped constellations of old
shoes, socks, and repulsive rags; however, this room had a fireplace,
so it was let for forty francs a year. There was every sort of thing
in that fireplace, a brazier, a pot, broken boards, rags suspended
from nails, a bird-cage, ashes, and even a little fire. Two brands were
smouldering there in a melancholy way.

One thing which added still more to the horrors of this garret was, that
it was large. It had projections and angles and black holes, the lower
sides of roofs, bays, and promontories. Hence horrible, unfathomable
nooks where it seemed as though spiders as big as one's fist, wood-lice
as large as one's foot, and perhaps even--who knows?--some monstrous
human beings, must be hiding.

One of the pallets was near the door, the other near the window. One
end of each touched the fireplace and faced Marius. In a corner near the
aperture through which Marius was gazing, a colored engraving in a black
frame was suspended to a nail on the wall, and at its bottom, in large
letters, was the inscription: THE DREAM. This represented a sleeping
woman, and a child, also asleep, the child on the woman's lap, an eagle
in a cloud, with a crown in his beak, and the woman thrusting the
crown away from the child's head, without awaking the latter; in the
background, Napoleon in a glory, leaning on a very blue column with a
yellow capital ornamented with this inscription:

                            MARINGO
                           AUSTERLITS
                              IENA
                            WAGRAMME
                              ELOT

Beneath this frame, a sort of wooden panel, which was no longer than it
was broad, stood on the ground and rested in a sloping attitude against
the wall. It had the appearance of a picture with its face turned to
the wall, of a frame probably showing a daub on the other side, of some
pier-glass detached from a wall and lying forgotten there while waiting
to be rehung.

Near the table, upon which Marius descried a pen, ink, and paper, sat
a man about sixty years of age, small, thin, livid, haggard, with a
cunning, cruel, and uneasy air; a hideous scoundrel.

If Lavater had studied this visage, he would have found the vulture
mingled with the attorney there, the bird of prey and the pettifogger
rendering each other mutually hideous and complementing each other; the
pettifogger making the bird of prey ignoble, the bird of prey making the
pettifogger horrible.

This man had a long gray beard. He was clad in a woman's chemise, which
allowed his hairy breast and his bare arms, bristling with gray hair,
to be seen. Beneath this chemise, muddy trousers and boots through which
his toes projected were visible.

He had a pipe in his mouth and was smoking. There was no bread in the
hovel, but there was still tobacco.

He was writing probably some more letters like those which Marius had
read.

On the corner of the table lay an ancient, dilapidated, reddish volume,
and the size, which was the antique 12mo of reading-rooms, betrayed a
romance. On the cover sprawled the following title, printed in large
capitals: GOD; THE KING; HONOR AND THE LADIES; BY DUCRAY DUMINIL, 1814.

As the man wrote, he talked aloud, and Marius heard his words:--

"The idea that there is no equality, even when you are dead! Just look
at Pere Lachaise! The great, those who are rich, are up above, in the
acacia alley, which is paved. They can reach it in a carriage. The
little people, the poor, the unhappy, well, what of them? they are put
down below, where the mud is up to your knees, in the damp places. They
are put there so that they will decay the sooner! You cannot go to see
them without sinking into the earth."

He paused, smote the table with his fist, and added, as he ground his
teeth:--

"Oh! I could eat the whole world!"

A big woman, who might be forty years of age, or a hundred, was
crouching near the fireplace on her bare heels.

She, too, was clad only in a chemise and a knitted petticoat patched
with bits of old cloth. A coarse linen apron concealed the half of her
petticoat. Although this woman was doubled up and bent together, it
could be seen that she was of very lofty stature. She was a sort of
giant, beside her husband. She had hideous hair, of a reddish blond
which was turning gray, and which she thrust back from time to time,
with her enormous shining hands, with their flat nails.

Beside her, on the floor, wide open, lay a book of the same form as the
other, and probably a volume of the same romance.

On one of the pallets, Marius caught a glimpse of a sort of tall pale
young girl, who sat there half naked and with pendant feet, and who did
not seem to be listening or seeing or living.

No doubt the younger sister of the one who had come to his room.

She seemed to be eleven or twelve years of age. On closer scrutiny it
was evident that she really was fourteen. She was the child who had
said, on the boulevard the evening before: "I bolted, bolted, bolted!"

She was of that puny sort which remains backward for a long time,
then suddenly starts up rapidly. It is indigence which produces these
melancholy human plants. These creatures have neither childhood nor
youth. At fifteen years of age they appear to be twelve, at sixteen they
seem twenty. To-day a little girl, to-morrow a woman. One might say
that they stride through life, in order to get through with it the more
speedily.

At this moment, this being had the air of a child.

Moreover, no trace of work was revealed in that dwelling; no handicraft,
no spinning-wheel, not a tool. In one corner lay some ironmongery of
dubious aspect. It was the dull listlessness which follows despair and
precedes the death agony.

Marius gazed for a while at this gloomy interior, more terrifying than
the interior of a tomb, for the human soul could be felt fluttering
there, and life was palpitating there. The garret, the cellar, the lowly
ditch where certain indigent wretches crawl at the very bottom of the
social edifice, is not exactly the sepulchre, but only its antechamber;
but, as the wealthy display their greatest magnificence at the entrance
of their palaces, it seems that death, which stands directly side by
side with them, places its greatest miseries in that vestibule.

The man held his peace, the woman spoke no word, the young girl did
not even seem to breathe. The scratching of the pen on the paper was
audible.

The man grumbled, without pausing in his writing. "Canaille! canaille!
everybody is canaille!"

This variation to Solomon's exclamation elicited a sigh from the woman.

"Calm yourself, my little friend," she said. "Don't hurt yourself, my
dear. You are too good to write to all those people, husband."

Bodies press close to each other in misery, as in cold, but hearts draw
apart. This woman must have loved this man, to all appearance, judging
from the amount of love within her; but probably, in the daily and
reciprocal reproaches of the horrible distress which weighed on the
whole group, this had become extinct. There no longer existed in her
anything more than the ashes of affection for her husband. Nevertheless,
caressing appellations had survived, as is often the case. She called
him: My dear, my little friend, my good man, etc., with her mouth while
her heart was silent.

The man resumed his writing.




CHAPTER VII--STRATEGY AND TACTICS

Marius, with a load upon his breast, was on the point of descending
from the species of observatory which he had improvised, when a sound
attracted his attention and caused him to remain at his post.

The door of the attic had just burst open abruptly. The eldest girl made
her appearance on the threshold. On her feet, she had large, coarse,
men's shoes, bespattered with mud, which had splashed even to her red
ankles, and she was wrapped in an old mantle which hung in tatters.
Marius had not seen it on her an hour previously, but she had probably
deposited it at his door, in order that she might inspire the more pity,
and had picked it up again on emerging. She entered, pushed the door to
behind her, paused to take breath, for she was completely breathless,
then exclaimed with an expression of triumph and joy:--

"He is coming!"

The father turned his eyes towards her, the woman turned her head, the
little sister did not stir.

"Who?" demanded her father.

"The gentleman!"

"The philanthropist?"

"Yes."

"From the church of Saint-Jacques?"

"Yes."

"That old fellow?"

"Yes."

"And he is coming?"

"He is following me."

"You are sure?"

"I am sure."

"There, truly, he is coming?"

"He is coming in a fiacre."

"In a fiacre. He is Rothschild."

The father rose.

"How are you sure? If he is coming in a fiacre, how is it that you
arrive before him? You gave him our address at least? Did you tell him
that it was the last door at the end of the corridor, on the right? If
he only does not make a mistake! So you found him at the church? Did he
read my letter? What did he say to you?"

"Ta, ta, ta," said the girl, "how you do gallop on, my good man! See
here: I entered the church, he was in his usual place, I made him a
reverence, and I handed him the letter; he read it and said to me:
'Where do you live, my child?' I said: 'Monsieur, I will show you.' He
said to me: 'No, give me your address, my daughter has some purchases to
make, I will take a carriage and reach your house at the same time that
you do.' I gave him the address. When I mentioned the house, he seemed
surprised and hesitated for an instant, then he said: 'Never mind, I
will come.' When the mass was finished, I watched him leave the church
with his daughter, and I saw them enter a carriage. I certainly did tell
him the last door in the corridor, on the right."

"And what makes you think that he will come?"

"I have just seen the fiacre turn into the Rue Petit-Banquier. That is
what made me run so."

"How do you know that it was the same fiacre?"

"Because I took notice of the number, so there!"

"What was the number?"

"440."

"Good, you are a clever girl."

The girl stared boldly at her father, and showing the shoes which she
had on her feet:--

"A clever girl, possibly; but I tell you I won't put these shoes on
again, and that I won't, for the sake of my health, in the first place,
and for the sake of cleanliness, in the next. I don't know anything
more irritating than shoes that squelch, and go ghi, ghi, ghi, the whole
time. I prefer to go barefoot."

"You are right," said her father, in a sweet tone which contrasted with
the young girl's rudeness, "but then, you will not be allowed to enter
churches, for poor people must have shoes to do that. One cannot go
barefoot to the good God," he added bitterly.

Then, returning to the subject which absorbed him:--

"So you are sure that he will come?"

"He is following on my heels," said she.

The man started up. A sort of illumination appeared on his countenance.

"Wife!" he exclaimed, "you hear. Here is the philanthropist. Extinguish
the fire."

The stupefied mother did not stir.

The father, with the agility of an acrobat, seized a broken-nosed jug
which stood on the chimney, and flung the water on the brands.

Then, addressing his eldest daughter:--

"Here you! Pull the straw off that chair!"

His daughter did not understand.

He seized the chair, and with one kick he rendered it seatless. His leg
passed through it.

As he withdrew his leg, he asked his daughter:--

"Is it cold?"

"Very cold. It is snowing."

The father turned towards the younger girl who sat on the bed near the
window, and shouted to her in a thundering voice:--

"Quick! get off that bed, you lazy thing! will you never do anything?
Break a pane of glass!"

The little girl jumped off the bed with a shiver.

"Break a pane!" he repeated.

The child stood still in bewilderment.

"Do you hear me?" repeated her father, "I tell you to break a pane!"

The child, with a sort of terrified obedience, rose on tiptoe, and
struck a pane with her fist. The glass broke and fell with a loud
clatter.

"Good," said the father.

He was grave and abrupt. His glance swept rapidly over all the crannies
of the garret. One would have said that he was a general making the
final preparation at the moment when the battle is on the point of
beginning.

The mother, who had not said a word so far, now rose and demanded in
a dull, slow, languid voice, whence her words seemed to emerge in a
congealed state:--

"What do you mean to do, my dear?"

"Get into bed," replied the man.

His intonation admitted of no deliberation. The mother obeyed, and threw
herself heavily on one of the pallets.

In the meantime, a sob became audible in one corner.

"What's that?" cried the father.

The younger daughter exhibited her bleeding fist, without quitting the
corner in which she was cowering. She had wounded herself while breaking
the window; she went off, near her mother's pallet and wept silently.

It was now the mother's turn to start up and exclaim:--

"Just see there! What follies you commit! She has cut herself breaking
that pane for you!"

"So much the better!" said the man. "I foresaw that."

"What? So much the better?" retorted his wife.

"Peace!" replied the father, "I suppress the liberty of the press."

Then tearing the woman's chemise which he was wearing, he made a strip
of cloth with which he hastily swathed the little girl's bleeding wrist.

That done, his eye fell with a satisfied expression on his torn chemise.

"And the chemise too," said he, "this has a good appearance."

An icy breeze whistled through the window and entered the room. The
outer mist penetrated thither and diffused itself like a whitish sheet
of wadding vaguely spread by invisible fingers. Through the broken pane
the snow could be seen falling. The snow promised by the Candlemas sun
of the preceding day had actually come.

The father cast a glance about him as though to make sure that he had
forgotten nothing. He seized an old shovel and spread ashes over the wet
brands in such a manner as to entirely conceal them.

Then drawing himself up and leaning against the chimney-piece:--

"Now," said he, "we can receive the philanthropist."




CHAPTER VIII--THE RAY OF LIGHT IN THE HOVEL

The big girl approached and laid her hand in her father's.

"Feel how cold I am," said she.

"Bah!" replied the father, "I am much colder than that."

The mother exclaimed impetuously:--

"You always have something better than any one else, so you do! even bad
things."

"Down with you!" said the man.

The mother, being eyed after a certain fashion, held her tongue.

Silence reigned for a moment in the hovel. The elder girl was removing
the mud from the bottom of her mantle, with a careless air; her younger
sister continued to sob; the mother had taken the latter's head between
her hands, and was covering it with kisses, whispering to her the
while:--

"My treasure, I entreat you, it is nothing of consequence, don't cry,
you will anger your father."

"No!" exclaimed the father, "quite the contrary! sob! sob! that's
right."

Then turning to the elder:--

"There now! He is not coming! What if he were not to come! I shall have
extinguished my fire, wrecked my chair, torn my shirt, and broken my
pane all for nothing."

"And wounded the child!" murmured the mother.

"Do you know," went on the father, "that it's beastly cold in this
devil's garret! What if that man should not come! Oh! See there, you! He
makes us wait! He says to himself: 'Well! they will wait for me!
That's what they're there for.' Oh! how I hate them, and with what joy,
jubilation, enthusiasm, and satisfaction I could strangle all those rich
folks! all those rich folks! These men who pretend to be charitable,
who put on airs, who go to mass, who make presents to the priesthood,
preachy, preachy, in their skullcaps, and who think themselves above
us, and who come for the purpose of humiliating us, and to bring us
'clothes,' as they say! old duds that are not worth four sous! And
bread! That's not what I want, pack of rascals that they are, it's
money! Ah! money! Never! Because they say that we would go off and drink
it up, and that we are drunkards and idlers! And they! What are they,
then, and what have they been in their time! Thieves! They never could
have become rich otherwise! Oh! Society ought to be grasped by the four
corners of the cloth and tossed into the air, all of it! It would all
be smashed, very likely, but at least, no one would have anything,
and there would be that much gained! But what is that blockhead of
a benevolent gentleman doing? Will he come? Perhaps the animal has
forgotten the address! I'll bet that that old beast--"

At that moment there came a light tap at the door, the man rushed to it
and opened it, exclaiming, amid profound bows and smiles of adoration:--

"Enter, sir! Deign to enter, most respected benefactor, and your
charming young lady, also."

A man of ripe age and a young girl made their appearance on the
threshold of the attic.

Marius had not quitted his post. His feelings for the moment surpassed
the powers of the human tongue.

It was She!

Whoever has loved knows all the radiant meanings contained in those
three letters of that word: She.

It was certainly she. Marius could hardly distinguish her through the
luminous vapor which had suddenly spread before his eyes. It was that
sweet, absent being, that star which had beamed upon him for six months;
it was those eyes, that brow, that mouth, that lovely vanished face
which had created night by its departure. The vision had been eclipsed,
now it reappeared.

It reappeared in that gloom, in that garret, in that misshapen attic, in
all that horror.

Marius shuddered in dismay. What! It was she! The palpitations of his
heart troubled his sight. He felt that he was on the brink of bursting
into tears! What! He beheld her again at last, after having sought her
so long! It seemed to him that he had lost his soul, and that he had
just found it again.

She was the same as ever, only a little pale; her delicate face was
framed in a bonnet of violet velvet, her figure was concealed beneath
a pelisse of black satin. Beneath her long dress, a glimpse could be
caught of her tiny foot shod in a silken boot.

She was still accompanied by M. Leblanc.

She had taken a few steps into the room, and had deposited a tolerably
bulky parcel on the table.

The eldest Jondrette girl had retired behind the door, and was staring
with sombre eyes at that velvet bonnet, that silk mantle, and that
charming, happy face.




CHAPTER IX--JONDRETTE COMES NEAR WEEPING

The hovel was so dark, that people coming from without felt on entering
it the effect produced on entering a cellar. The two new-comers
advanced, therefore, with a certain hesitation, being hardly able
to distinguish the vague forms surrounding them, while they could be
clearly seen and scrutinized by the eyes of the inhabitants of the
garret, who were accustomed to this twilight.

M. Leblanc approached, with his sad but kindly look, and said to
Jondrette the father:--

"Monsieur, in this package you will find some new clothes and some
woollen stockings and blankets."

"Our angelic benefactor overwhelms us," said Jondrette, bowing to the
very earth.

Then, bending down to the ear of his eldest daughter, while the two
visitors were engaged in examining this lamentable interior, he added in
a low and rapid voice:--

"Hey? What did I say? Duds! No money! They are all alike! By the way,
how was the letter to that old blockhead signed?"

"Fabantou," replied the girl.

"The dramatic artist, good!"

It was lucky for Jondrette, that this had occurred to him, for at the
very moment, M. Leblanc turned to him, and said to him with the air of a
person who is seeking to recall a name:--

"I see that you are greatly to be pitied, Monsieur--"

"Fabantou," replied Jondrette quickly.

"Monsieur Fabantou, yes, that is it. I remember."

"Dramatic artist, sir, and one who has had some success."

Here Jondrette evidently judged the moment propitious for capturing the
"philanthropist." He exclaimed with an accent which smacked at the same
time of the vainglory of the mountebank at fairs, and the humility of
the mendicant on the highway:--

"A pupil of Talma! Sir! I am a pupil of Talma! Fortune formerly smiled
on me--Alas! Now it is misfortune's turn. You see, my benefactor, no
bread, no fire. My poor babes have no fire! My only chair has no seat! A
broken pane! And in such weather! My spouse in bed! Ill!"

"Poor woman!" said M. Leblanc.

"My child wounded!" added Jondrette.

The child, diverted by the arrival of the strangers, had fallen to
contemplating "the young lady," and had ceased to sob.

"Cry! bawl!" said Jondrette to her in a low voice.

At the same time he pinched her sore hand. All this was done with the
talent of a juggler.

The little girl gave vent to loud shrieks.

The adorable young girl, whom Marius, in his heart, called "his Ursule,"
approached her hastily.

"Poor, dear child!" said she.

"You see, my beautiful young lady," pursued Jondrette "her bleeding
wrist! It came through an accident while working at a machine to earn
six sous a day. It may be necessary to cut off her arm."

"Really?" said the old gentleman, in alarm.

The little girl, taking this seriously, fell to sobbing more violently
than ever.

"Alas! yes, my benefactor!" replied the father.

For several minutes, Jondrette had been scrutinizing "the benefactor"
in a singular fashion. As he spoke, he seemed to be examining the other
attentively, as though seeking to summon up his recollections. All at
once, profiting by a moment when the new-comers were questioning the
child with interest as to her injured hand, he passed near his wife,
who lay in her bed with a stupid and dejected air, and said to her in a
rapid but very low tone:--

"Take a look at that man!"

Then, turning to M. Leblanc, and continuing his lamentations:--

"You see, sir! All the clothing that I have is my wife's chemise! And
all torn at that! In the depths of winter! I can't go out for lack of a
coat. If I had a coat of any sort, I would go and see Mademoiselle Mars,
who knows me and is very fond of me. Does she not still reside in the
Rue de la Tour-des-Dames? Do you know, sir? We played together in the
provinces. I shared her laurels. Celimene would come to my succor, sir!
Elmire would bestow alms on Belisaire! But no, nothing! And not a sou in
the house! My wife ill, and not a sou! My daughter dangerously injured,
not a sou! My wife suffers from fits of suffocation. It comes from her
age, and besides, her nervous system is affected. She ought to have
assistance, and my daughter also! But the doctor! But the apothecary!
How am I to pay them? I would kneel to a penny, sir! Such is the
condition to which the arts are reduced. And do you know, my charming
young lady, and you, my generous protector, do you know, you who breathe
forth virtue and goodness, and who perfume that church where my daughter
sees you every day when she says her prayers?--For I have brought up my
children religiously, sir. I did not want them to take to the theatre.
Ah! the hussies! If I catch them tripping! I do not jest, that I don't!
I read them lessons on honor, on morality, on virtue! Ask them! They
have got to walk straight. They are none of your unhappy wretches who
begin by having no family, and end by espousing the public. One is
Mamselle Nobody, and one becomes Madame Everybody. Deuce take it! None
of that in the Fabantou family! I mean to bring them up virtuously, and
they shall be honest, and nice, and believe in God, by the sacred name!
Well, sir, my worthy sir, do you know what is going to happen to-morrow?
To-morrow is the fourth day of February, the fatal day, the last day of
grace allowed me by my landlord; if by this evening I have not paid my
rent, to-morrow my oldest daughter, my spouse with her fever, my child
with her wound,--we shall all four be turned out of here and thrown into
the street, on the boulevard, without shelter, in the rain, in the snow.
There, sir. I owe for four quarters--a whole year! that is to say, sixty
francs."

Jondrette lied. Four quarters would have amounted to only forty francs,
and he could not owe four, because six months had not elapsed since
Marius had paid for two.

M. Leblanc drew five francs from his pocket and threw them on the table.

Jondrette found time to mutter in the ear of his eldest daughter:--

"The scoundrel! What does he think I can do with his five francs?
That won't pay me for my chair and pane of glass! That's what comes of
incurring expenses!"

In the meanwhile, M. Leblanc had removed the large brown great-coat
which he wore over his blue coat, and had thrown it over the back of the
chair.

"Monsieur Fabantou," he said, "these five francs are all that I have
about me, but I shall now take my daughter home, and I will return this
evening,--it is this evening that you must pay, is it not?"

Jondrette's face lighted up with a strange expression. He replied
vivaciously:--

"Yes, respected sir. At eight o'clock, I must be at my landlord's."

"I will be here at six, and I will fetch you the sixty francs."

"My benefactor!" exclaimed Jondrette, overwhelmed. And he added, in a
low tone: "Take a good look at him, wife!"

M. Leblanc had taken the arm of the young girl, once more, and had
turned towards the door.

"Farewell until this evening, my friends!" said he.

"Six o'clock?" said Jondrette.

"Six o'clock precisely."

At that moment, the overcoat lying on the chair caught the eye of the
elder Jondrette girl.

"You are forgetting your coat, sir," said she.

Jondrette darted an annihilating look at his daughter, accompanied by a
formidable shrug of the shoulders.

M. Leblanc turned back and said, with a smile:--

"I have not forgotten it, I am leaving it."

"O my protector!" said Jondrette, "my august benefactor, I melt into
tears! Permit me to accompany you to your carriage."

"If you come out," answered M. Leblanc, "put on this coat. It really is
very cold."

Jondrette did not need to be told twice. He hastily donned the brown
great-coat. And all three went out, Jondrette preceding the two
strangers.




CHAPTER X--TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR

Marius had lost nothing of this entire scene, and yet, in reality, had
seen nothing. His eyes had remained fixed on the young girl, his heart
had, so to speak, seized her and wholly enveloped her from the moment of
her very first step in that garret. During her entire stay there, he
had lived that life of ecstasy which suspends material perceptions and
precipitates the whole soul on a single point. He contemplated, not that
girl, but that light which wore a satin pelisse and a velvet bonnet. The
star Sirius might have entered the room, and he would not have been any
more dazzled.

While the young girl was engaged in opening the package, unfolding the
clothing and the blankets, questioning the sick mother kindly, and the
little injured girl tenderly, he watched her every movement, he sought
to catch her words. He knew her eyes, her brow, her beauty, her form,
her walk, he did not know the sound of her voice. He had once fancied
that he had caught a few words at the Luxembourg, but he was not
absolutely sure of the fact. He would have given ten years of his life
to hear it, in order that he might bear away in his soul a little of
that music. But everything was drowned in the lamentable exclamations
and trumpet bursts of Jondrette. This added a touch of genuine wrath
to Marius' ecstasy. He devoured her with his eyes. He could not believe
that it really was that divine creature whom he saw in the midst of
those vile creatures in that monstrous lair. It seemed to him that he
beheld a humming-bird in the midst of toads.

When she took her departure, he had but one thought, to follow her, to
cling to her trace, not to quit her until he learned where she
lived, not to lose her again, at least, after having so miraculously
re-discovered her. He leaped down from the commode and seized his hat.
As he laid his hand on the lock of the door, and was on the point of
opening it, a sudden reflection caused him to pause. The corridor was
long, the staircase steep, Jondrette was talkative, M. Leblanc had,
no doubt, not yet regained his carriage; if, on turning round in the
corridor, or on the staircase, he were to catch sight of him, Marius,
in that house, he would, evidently, take the alarm, and find means to
escape from him again, and this time it would be final. What was he
to do? Should he wait a little? But while he was waiting, the carriage
might drive off. Marius was perplexed. At last he accepted the risk and
quitted his room.

There was no one in the corridor. He hastened to the stairs. There was
no one on the staircase. He descended in all haste, and reached the
boulevard in time to see a fiacre turning the corner of the Rue du
Petit-Banquier, on its way back to Paris.

Marius rushed headlong in that direction. On arriving at the angle of
the boulevard, he caught sight of the fiacre again, rapidly descending
the Rue Mouffetard; the carriage was already a long way off, and there
was no means of overtaking it; what! run after it? Impossible; and
besides, the people in the carriage would assuredly notice an individual
running at full speed in pursuit of a fiacre, and the father would
recognize him. At that moment, wonderful and unprecedented good luck,
Marius perceived an empty cab passing along the boulevard. There was but
one thing to be done, to jump into this cab and follow the fiacre. That
was sure, efficacious, and free from danger.

Marius made the driver a sign to halt, and called to him:--

"By the hour?"

Marius wore no cravat, he had on his working-coat, which was destitute
of buttons, his shirt was torn along one of the plaits on the bosom.

The driver halted, winked, and held out his left hand to Marius, rubbing
his forefinger gently with his thumb.

"What is it?" said Marius.

"Pay in advance," said the coachman.

Marius recollected that he had but sixteen sous about him.

"How much?" he demanded.

"Forty sous."

"I will pay on my return."

The driver's only reply was to whistle the air of La Palisse and to whip
up his horse.

Marius stared at the retreating cabriolet with a bewildered air. For the
lack of four and twenty sous, he was losing his joy, his happiness,
his love! He had seen, and he was becoming blind again. He reflected
bitterly, and it must be confessed, with profound regret, on the five
francs which he had bestowed, that very morning, on that miserable girl.
If he had had those five francs, he would have been saved, he would have
been born again, he would have emerged from the limbo and darkness, he
would have made his escape from isolation and spleen, from his widowed
state; he might have re-knotted the black thread of his destiny to that
beautiful golden thread, which had just floated before his eyes and
had broken at the same instant, once more! He returned to his hovel in
despair.

He might have told himself that M. Leblanc had promised to return in
the evening, and that all he had to do was to set about the matter more
skilfully, so that he might follow him on that occasion; but, in his
contemplation, it is doubtful whether he had heard this.

As he was on the point of mounting the staircase, he perceived, on the
other side of the boulevard, near the deserted wall skirting the Rue De
la Barriere-des-Gobelins, Jondrette, wrapped in the "philanthropist's"
great-coat, engaged in conversation with one of those men of disquieting
aspect who have been dubbed by common consent, prowlers of the barriers;
people of equivocal face, of suspicious monologues, who present the
air of having evil minds, and who generally sleep in the daytime, which
suggests the supposition that they work by night.

These two men, standing there motionless and in conversation, in the
snow which was falling in whirlwinds, formed a group that a policeman
would surely have observed, but which Marius hardly noticed.

Still, in spite of his mournful preoccupation, he could not refrain from
saying to himself that this prowler of the barriers with whom Jondrette
was talking resembled a certain Panchaud, alias Printanier, alias
Bigrenaille, whom Courfeyrac had once pointed out to him as a very
dangerous nocturnal roamer. This man's name the reader has learned in
the preceding book. This Panchaud, alias Printanier, alias Bigrenaille,
figured later on in many criminal trials, and became a notorious rascal.
He was at that time only a famous rascal. To-day he exists in the state
of tradition among ruffians and assassins. He was at the head of
a school towards the end of the last reign. And in the evening, at
nightfall, at the hour when groups form and talk in whispers, he was
discussed at La Force in the Fosse-aux-Lions. One might even, in
that prison, precisely at the spot where the sewer which served the
unprecedented escape, in broad daylight, of thirty prisoners, in 1843,
passes under the culvert, read his name, PANCHAUD, audaciously carved
by his own hand on the wall of the sewer, during one of his attempts at
flight. In 1832, the police already had their eye on him, but he had not
as yet made a serious beginning.




CHAPTER XI--OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS

Marius ascended the stairs of the hovel with slow steps; at the moment
when he was about to re-enter his cell, he caught sight of the elder
Jondrette girl following him through the corridor. The very sight of
this girl was odious to him; it was she who had his five francs, it was
too late to demand them back, the cab was no longer there, the fiacre
was far away. Moreover, she would not have given them back. As for
questioning her about the residence of the persons who had just been
there, that was useless; it was evident that she did not know, since the
letter signed Fabantou had been addressed "to the benevolent gentleman
of the church of Saint-Jacquesdu-Haut-Pas."

Marius entered his room and pushed the door to after him.

It did not close; he turned round and beheld a hand which held the door
half open.

"What is it?" he asked, "who is there?"

It was the Jondrette girl.

"Is it you?" resumed Marius almost harshly, "still you! What do you want
with me?"

She appeared to be thoughtful and did not look at him. She no longer had
the air of assurance which had characterized her that morning. She did
not enter, but held back in the darkness of the corridor, where Marius
could see her through the half-open door.

"Come now, will you answer?" cried Marius. "What do you want with me?"

She raised her dull eyes, in which a sort of gleam seemed to flicker
vaguely, and said:--

"Monsieur Marius, you look sad. What is the matter with you?"

"With me!" said Marius.

"Yes, you."

"There is nothing the matter with me."

"Yes, there is!"

"No."

"I tell you there is!"

"Let me alone!"

Marius gave the door another push, but she retained her hold on it.

"Stop," said she, "you are in the wrong. Although you are not rich, you
were kind this morning. Be so again now. You gave me something to eat,
now tell me what ails you. You are grieved, that is plain. I do not want
you to be grieved. What can be done for it? Can I be of any service?
Employ me. I do not ask for your secrets, you need not tell them to me,
but I may be of use, nevertheless. I may be able to help you, since I
help my father. When it is necessary to carry letters, to go to houses,
to inquire from door to door, to find out an address, to follow any one,
I am of service. Well, you may assuredly tell me what is the matter with
you, and I will go and speak to the persons; sometimes it is enough if
some one speaks to the persons, that suffices to let them understand
matters, and everything comes right. Make use of me."

An idea flashed across Marius' mind. What branch does one disdain when
one feels that one is falling?

He drew near to the Jondrette girl.

"Listen--" he said to her.

She interrupted him with a gleam of joy in her eyes.

"Oh yes, do call me thou! I like that better."

"Well," he resumed, "thou hast brought hither that old gentleman and his
daughter!"

"Yes."

"Dost thou know their address?"

"No."

"Find it for me."

The Jondrette's dull eyes had grown joyous, and they now became gloomy.

"Is that what you want?" she demanded.

"Yes."

"Do you know them?"

"No."

"That is to say," she resumed quickly, "you do not know her, but you
wish to know her."

This them which had turned into her had something indescribably
significant and bitter about it.

"Well, can you do it?" said Marius.

"You shall have the beautiful lady's address."

There was still a shade in the words "the beautiful lady" which troubled
Marius. He resumed:--

"Never mind, after all, the address of the father and daughter. Their
address, indeed!"

She gazed fixedly at him.

"What will you give me?"

"Anything you like."

"Anything I like?"

"Yes."

"You shall have the address."

She dropped her head; then, with a brusque movement, she pulled to the
door, which closed behind her.

Marius found himself alone.

He dropped into a chair, with his head and both elbows on his bed,
absorbed in thoughts which he could not grasp, and as though a prey to
vertigo. All that had taken place since the morning, the appearance of
the angel, her disappearance, what that creature had just said to him, a
gleam of hope floating in an immense despair,--this was what filled his
brain confusedly.

All at once he was violently aroused from his revery.

He heard the shrill, hard voice of Jondrette utter these words, which
were fraught with a strange interest for him:--

"I tell you that I am sure of it, and that I recognized him."

Of whom was Jondrette speaking? Whom had he recognized? M. Leblanc? The
father of "his Ursule"? What! Did Jondrette know him? Was Marius about
to obtain in this abrupt and unexpected fashion all the information
without which his life was so dark to him? Was he about to learn at last
who it was that he loved, who that young girl was? Who her father
was? Was the dense shadow which enwrapped them on the point of being
dispelled? Was the veil about to be rent? Ah! Heavens!

He bounded rather than climbed upon his commode, and resumed his post
near the little peep-hole in the partition wall.

Again he beheld the interior of Jondrette's hovel.




CHAPTER XII--THE USE MADE OF M. LEBLANC'S FIVE-FRANC PIECE

Nothing in the aspect of the family was altered, except that the wife
and daughters had levied on the package and put on woollen stockings and
jackets. Two new blankets were thrown across the two beds.

Jondrette had evidently just returned. He still had the breathlessness
of out of doors. His daughters were seated on the floor near the
fireplace, the elder engaged in dressing the younger's wounded hand. His
wife had sunk back on the bed near the fireplace, with a face indicative
of astonishment. Jondrette was pacing up and down the garret with long
strides. His eyes were extraordinary.

The woman, who seemed timid and overwhelmed with stupor in the presence
of her husband, turned to say:--

"What, really? You are sure?"

"Sure! Eight years have passed! But I recognize him! Ah! I recognize
him. I knew him at once! What! Didn't it force itself on you?"

"No."

"But I told you: 'Pay attention!' Why, it is his figure, it is his face,
only older,--there are people who do not grow old, I don't know how they
manage it,--it is the very sound of his voice. He is better dressed,
that is all! Ah! you mysterious old devil, I've got you, that I have!"

He paused, and said to his daughters:--

"Get out of here, you!--It's queer that it didn't strike you!"

They arose to obey.

The mother stammered:--

"With her injured hand."

"The air will do it good," said Jondrette. "Be off."

It was plain that this man was of the sort to whom no one offers to
reply. The two girls departed.

At the moment when they were about to pass through the door, the father
detained the elder by the arm, and said to her with a peculiar accent:--

"You will be here at five o'clock precisely. Both of you. I shall need
you."

Marius redoubled his attention.

On being left alone with his wife, Jondrette began to pace the room
again, and made the tour of it two or three times in silence. Then he
spent several minutes in tucking the lower part of the woman's chemise
which he wore into his trousers.

All at once, he turned to the female Jondrette, folded his arms and
exclaimed:--

"And would you like to have me tell you something? The young lady--"

"Well, what?" retorted his wife, "the young lady?"

Marius could not doubt that it was really she of whom they were
speaking. He listened with ardent anxiety. His whole life was in his
ears.

But Jondrette had bent over and spoke to his wife in a whisper. Then he
straightened himself up and concluded aloud:--

"It is she!"

"That one?" said his wife.

"That very one," said the husband.

No expression can reproduce the significance of the mother's words.
Surprise, rage, hate, wrath, were mingled and combined in one monstrous
intonation. The pronunciation of a few words, the name, no doubt, which
her husband had whispered in her ear, had sufficed to rouse this huge,
somnolent woman, and from being repulsive she became terrible.

"It is not possible!" she cried. "When I think that my daughters are
going barefoot, and have not a gown to their backs! What! A satin
pelisse, a velvet bonnet, boots, and everything; more than two hundred
francs' worth of clothes! so that one would think she was a lady! No,
you are mistaken! Why, in the first place, the other was hideous, and
this one is not so bad-looking! She really is not bad-looking! It can't
be she!"

"I tell you that it is she. You will see."

At this absolute assertion, the Jondrette woman raised her large, red,
blonde face and stared at the ceiling with a horrible expression.
At that moment, she seemed to Marius even more to be feared than her
husband. She was a sow with the look of a tigress.

"What!" she resumed, "that horrible, beautiful young lady, who gazed at
my daughters with an air of pity,--she is that beggar brat! Oh! I should
like to kick her stomach in for her!"

She sprang off of the bed, and remained standing for a moment, her
hair in disorder, her nostrils dilating, her mouth half open, her fists
clenched and drawn back. Then she fell back on the bed once more. The
man paced to and fro and paid no attention to his female.

After a silence lasting several minutes, he approached the female
Jondrette, and halted in front of her, with folded arms, as he had done
a moment before:--

"And shall I tell you another thing?"

"What is it?" she asked.

He answered in a low, curt voice:--

"My fortune is made."

The woman stared at him with the look that signifies: "Is the person who
is addressing me on the point of going mad?"

He went on:--

"Thunder! It was not so very long ago that I was a parishioner of
the parish of
die-of-hunger-if-you-have-a-fire,-die-of-cold-if-you-have-bread! I have
had enough of misery! my share and other people's share! I am not joking
any longer, I don't find it comic any more, I've had enough of puns,
good God! no more farces, Eternal Father! I want to eat till I am full,
I want to drink my fill! to gormandize! to sleep! to do nothing! I want
to have my turn, so I do, come now! before I die! I want to be a bit of
a millionnaire!"

He took a turn round the hovel, and added:--

"Like other people."

"What do you mean by that?" asked the woman.

He shook his head, winked, screwed up one eye, and raised his voice like
a medical professor who is about to make a demonstration:--

"What do I mean by that? Listen!"

"Hush!" muttered the woman, "not so loud! These are matters which must
not be overheard."

"Bah! Who's here? Our neighbor? I saw him go out a little while ago.
Besides, he doesn't listen, the big booby. And I tell you that I saw him
go out."

Nevertheless, by a sort of instinct, Jondrette lowered his voice,
although not sufficiently to prevent Marius hearing his words. One
favorable circumstance, which enabled Marius not to lose a word of this
conversation was the falling snow which deadened the sound of vehicles
on the boulevard.

This is what Marius heard:--

"Listen carefully. The Croesus is caught, or as good as caught! That's
all settled already. Everything is arranged. I have seen some people. He
will come here this evening at six o'clock. To bring sixty francs, the
rascal! Did you notice how I played that game on him, my sixty francs,
my landlord, my fourth of February? I don't even owe for one quarter!
Isn't he a fool! So he will come at six o'clock! That's the hour when
our neighbor goes to his dinner. Mother Bougon is off washing dishes in
the city. There's not a soul in the house. The neighbor never comes home
until eleven o'clock. The children shall stand on watch. You shall help
us. He will give in."

"And what if he does not give in?" demanded his wife.

Jondrette made a sinister gesture, and said:--

"We'll fix him."

And he burst out laughing.

This was the first time Marius had seen him laugh. The laugh was cold
and sweet, and provoked a shudder.

Jondrette opened a cupboard near the fireplace, and drew from it an old
cap, which he placed on his head, after brushing it with his sleeve.

"Now," said he, "I'm going out. I have some more people that I must see.
Good ones. You'll see how well the whole thing will work. I shall be
away as short a time as possible, it's a fine stroke of business, do you
look after the house."

And with both fists thrust into the pockets of his trousers, he stood
for a moment in thought, then exclaimed:--

"Do you know, it's mighty lucky, by the way, that he didn't recognize
me! If he had recognized me on his side, he would not have come back
again. He would have slipped through our fingers! It was my beard that
saved us! my romantic beard! my pretty little romantic beard!"

And again he broke into a laugh.

He stepped to the window. The snow was still falling, and streaking the
gray of the sky.

"What beastly weather!" said he.

Then lapping his overcoat across his breast:--

"This rind is too large for me. Never mind," he added, "he did a
devilish good thing in leaving it for me, the old scoundrel! If it
hadn't been for that, I couldn't have gone out, and everything would
have gone wrong! What small points things hang on, anyway!"

And pulling his cap down over his eyes, he quitted the room.

He had barely had time to take half a dozen steps from the door, when
the door opened again, and his savage but intelligent face made its
appearance once more in the opening.

"I came near forgetting," said he. "You are to have a brazier of
charcoal ready."

And he flung into his wife's apron the five-franc piece which the
"philanthropist" had left with him.

"A brazier of charcoal?" asked his wife.

"Yes."

"How many bushels?"

"Two good ones."

"That will come to thirty sous. With the rest I will buy something for
dinner."

"The devil, no."

"Why?"

"Don't go and spend the hundred-sou piece."

"Why?"

"Because I shall have to buy something, too."

"What?"

"Something."

"How much shall you need?"

"Whereabouts in the neighborhood is there an ironmonger's shop?"

"Rue Mouffetard."

"Ah! yes, at the corner of a street; I can see the shop."

"But tell me how much you will need for what you have to purchase?"

"Fifty sous--three francs."

"There won't be much left for dinner."

"Eating is not the point to-day. There's something better to be done."

"That's enough, my jewel."

At this word from his wife, Jondrette closed the door again, and this
time, Marius heard his step die away in the corridor of the hovel, and
descend the staircase rapidly.

At that moment, one o'clock struck from the church of Saint-Medard.




CHAPTER XIII--SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE
PATER NOSTER

Marius, dreamer as he was, was, as we have said, firm and energetic by
nature. His habits of solitary meditation, while they had developed in
him sympathy and compassion, had, perhaps, diminished the faculty for
irritation, but had left intact the power of waxing indignant; he had
the kindliness of a brahmin, and the severity of a judge; he took pity
upon a toad, but he crushed a viper. Now, it was into a hole of vipers
that his glance had just been directed, it was a nest of monsters that
he had beneath his eyes.

"These wretches must be stamped upon," said he.

Not one of the enigmas which he had hoped to see solved had been
elucidated; on the contrary, all of them had been rendered more dense,
if anything; he knew nothing more about the beautiful maiden of the
Luxembourg and the man whom he called M. Leblanc, except that Jondrette
was acquainted with them. Athwart the mysterious words which had been
uttered, the only thing of which he caught a distinct glimpse was the
fact that an ambush was in course of preparation, a dark but terrible
trap; that both of them were incurring great danger, she probably, her
father certainly; that they must be saved; that the hideous plots of the
Jondrettes must be thwarted, and the web of these spiders broken.

He scanned the female Jondrette for a moment. She had pulled an old
sheet-iron stove from a corner, and she was rummaging among the old heap
of iron.

He descended from the commode as softly as possible, taking care not to
make the least noise. Amid his terror as to what was in preparation, and
in the horror with which the Jondrettes had inspired him, he experienced
a sort of joy at the idea that it might be granted to him perhaps to
render a service to the one whom he loved.

But how was it to be done? How warn the persons threatened? He did not
know their address. They had reappeared for an instant before his eyes,
and had then plunged back again into the immense depths of Paris. Should
he wait for M. Leblanc at the door that evening at six o'clock, at the
moment of his arrival, and warn him of the trap? But Jondrette and his
men would see him on the watch, the spot was lonely, they were stronger
than he, they would devise means to seize him or to get him away, and
the man whom Marius was anxious to save would be lost. One o'clock had
just struck, the trap was to be sprung at six. Marius had five hours
before him.

There was but one thing to be done.

He put on his decent coat, knotted a silk handkerchief round his neck,
took his hat, and went out, without making any more noise than if he had
been treading on moss with bare feet.

Moreover, the Jondrette woman continued to rummage among her old iron.

Once outside of the house, he made for the Rue du Petit-Banquier.

He had almost reached the middle of this street, near a very low wall
which a man can easily step over at certain points, and which abuts on
a waste space, and was walking slowly, in consequence of his preoccupied
condition, and the snow deadened the sound of his steps; all at once he
heard voices talking very close by. He turned his head, the street was
deserted, there was not a soul in it, it was broad daylight, and yet he
distinctly heard voices.

It occurred to him to glance over the wall which he was skirting.

There, in fact, sat two men, flat on the snow, with their backs against
the wall, talking together in subdued tones.

These two persons were strangers to him; one was a bearded man in a
blouse, and the other a long-haired individual in rags. The bearded man
had on a fez, the other's head was bare, and the snow had lodged in his
hair.

By thrusting his head over the wall, Marius could hear their remarks.

The hairy one jogged the other man's elbow and said:--

"--With the assistance of Patron-Minette, it can't fail."

"Do you think so?" said the bearded man.

And the long-haired one began again:--

"It's as good as a warrant for each one, of five hundred balls, and the
worst that can happen is five years, six years, ten years at the most!"

The other replied with some hesitation, and shivering beneath his fez:--

"That's a real thing. You can't go against such things."

"I tell you that the affair can't go wrong," resumed the long-haired
man. "Father What's-his-name's team will be already harnessed."

Then they began to discuss a melodrama that they had seen on the
preceding evening at the Gaite Theatre.

Marius went his way.

It seemed to him that the mysterious words of these men, so strangely
hidden behind that wall, and crouching in the snow, could not but bear
some relation to Jondrette's abominable projects. That must be the
affair.

He directed his course towards the faubourg Saint-Marceau and asked at
the first shop he came to where he could find a commissary of police.

He was directed to Rue de Pontoise, No. 14.

Thither Marius betook himself.

As he passed a baker's shop, he bought a two-penny roll, and ate it,
foreseeing that he should not dine.

On the way, he rendered justice to Providence. He reflected that had he
not given his five francs to the Jondrette girl in the morning, he
would have followed M. Leblanc's fiacre, and consequently have remained
ignorant of everything, and that there would have been no obstacle to
the trap of the Jondrettes and that M. Leblanc would have been lost, and
his daughter with him, no doubt.




CHAPTER XIV--IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER

On arriving at No. 14, Rue de Pontoise, he ascended to the first floor
and inquired for the commissary of police.

"The commissary of police is not here," said a clerk; "but there is an
inspector who takes his place. Would you like to speak to him? Are you
in haste?"

"Yes," said Marius.

The clerk introduced him into the commissary's office. There stood a
tall man behind a grating, leaning against a stove, and holding up with
both hands the tails of a vast topcoat, with three collars. His face
was square, with a thin, firm mouth, thick, gray, and very ferocious
whiskers, and a look that was enough to turn your pockets inside out.
Of that glance it might have been well said, not that it penetrated, but
that it searched.

This man's air was not much less ferocious nor less terrible than
Jondrette's; the dog is, at times, no less terrible to meet than the
wolf.

"What do you want?" he said to Marius, without adding "monsieur."

"Is this Monsieur le Commissaire de Police?"

"He is absent. I am here in his stead."

"The matter is very private."

"Then speak."

"And great haste is required."

"Then speak quick."

This calm, abrupt man was both terrifying and reassuring at one and the
same time. He inspired fear and confidence. Marius related the adventure
to him: That a person with whom he was not acquainted otherwise than by
sight, was to be inveigled into a trap that very evening; that, as he
occupied the room adjoining the den, he, Marius Pontmercy, a lawyer,
had heard the whole plot through the partition; that the wretch who
had planned the trap was a certain Jondrette; that there would be
accomplices, probably some prowlers of the barriers, among others a
certain Panchaud, alias Printanier, alias Bigrenaille; that Jondrette's
daughters were to lie in wait; that there was no way of warning the
threatened man, since he did not even know his name; and that, finally,
all this was to be carried out at six o'clock that evening, at the most
deserted point of the Boulevard de l'Hopital, in house No. 50-52.

At the sound of this number, the inspector raised his head, and said
coldly:--

"So it is in the room at the end of the corridor?"

"Precisely," answered Marius, and he added: "Are you acquainted with
that house?"

The inspector remained silent for a moment, then replied, as he warmed
the heel of his boot at the door of the stove:--

"Apparently."

He went on, muttering between his teeth, and not addressing Marius so
much as his cravat:--

"Patron-Minette must have had a hand in this."

This word struck Marius.

"Patron-Minette," said he, "I did hear that word pronounced, in fact."

And he repeated to the inspector the dialogue between the long-haired
man and the bearded man in the snow behind the wall of the Rue du
Petit-Banquier.

The inspector muttered:--

"The long-haired man must be Brujon, and the bearded one Demi-Liard,
alias Deux-Milliards."

He had dropped his eyelids again, and became absorbed in thought.

"As for Father What's-his-name, I think I recognize him. Here, I've
burned my coat. They always have too much fire in these cursed stoves.
Number 50-52. Former property of Gorbeau."

Then he glanced at Marius.

"You saw only that bearded and that long-haired man?"

"And Panchaud."

"You didn't see a little imp of a dandy prowling about the premises?"

"No."

"Nor a big lump of matter, resembling an elephant in the Jardin des
Plantes?"

"No."

"Nor a scamp with the air of an old red tail?"

"No."

"As for the fourth, no one sees him, not even his adjutants, clerks, and
employees. It is not surprising that you did not see him."

"No. Who are all those persons?" asked Marius.

The inspector answered:--

"Besides, this is not the time for them."

He relapsed into silence, then resumed:--

"50-52. I know that barrack. Impossible to conceal ourselves inside
it without the artists seeing us, and then they will get off simply
by countermanding the vaudeville. They are so modest! An audience
embarrasses them. None of that, none of that. I want to hear them sing
and make them dance."

This monologue concluded, he turned to Marius, and demanded, gazing at
him intently the while:--

"Are you afraid?"

"Of what?" said Marius.

"Of these men?"

"No more than yourself!" retorted Marius rudely, who had begun to notice
that this police agent had not yet said "monsieur" to him.

The inspector stared still more intently at Marius, and continued with
sententious solemnity:--

"There, you speak like a brave man, and like an honest man. Courage does
not fear crime, and honesty does not fear authority."

Marius interrupted him:--

"That is well, but what do you intend to do?"

The inspector contented himself with the remark:--

"The lodgers have pass-keys with which to get in at night. You must have
one."

"Yes," said Marius.

"Have you it about you?"

"Yes."

"Give it to me," said the inspector.

Marius took his key from his waistcoat pocket, handed it to the
inspector and added:--

"If you will take my advice, you will come in force."

The inspector cast on Marius such a glance as Voltaire might have
bestowed on a provincial academician who had suggested a rhyme to him;
with one movement he plunged his hands, which were enormous, into the
two immense pockets of his top-coat, and pulled out two small steel
pistols, of the sort called "knock-me-downs." Then he presented them to
Marius, saying rapidly, in a curt tone:--

"Take these. Go home. Hide in your chamber, so that you may be supposed
to have gone out. They are loaded. Each one carries two balls. You will
keep watch; there is a hole in the wall, as you have informed me. These
men will come. Leave them to their own devices for a time. When you
think matters have reached a crisis, and that it is time to put a stop
to them, fire a shot. Not too soon. The rest concerns me. A shot into
the ceiling, the air, no matter where. Above all things, not too soon.
Wait until they begin to put their project into execution; you are a
lawyer; you know the proper point." Marius took the pistols and put them
in the side pocket of his coat.

"That makes a lump that can be seen," said the inspector. "Put them in
your trousers pocket."

Marius hid the pistols in his trousers pockets.

"Now," pursued the inspector, "there is not a minute more to be lost by
any one. What time is it? Half-past two. Seven o'clock is the hour?"

"Six o'clock," answered Marius.

"I have plenty of time," said the inspector, "but no more than enough.
Don't forget anything that I have said to you. Bang. A pistol shot."

"Rest easy," said Marius.

And as Marius laid his hand on the handle of the door on his way out,
the inspector called to him:--

"By the way, if you have occasion for my services between now and then,
come or send here. You will ask for Inspector Javert."




CHAPTER XV--JONDRETTE MAKES HIS PURCHASES

A few moments later, about three o'clock, Courfeyrac chanced to be
passing along the Rue Mouffetard in company with Bossuet. The snow had
redoubled in violence, and filled the air. Bossuet was just saying to
Courfeyrac:--

"One would say, to see all these snow-flakes fall, that there was a
plague of white butterflies in heaven." All at once, Bossuet caught
sight of Marius coming up the street towards the barrier with a peculiar
air.

"Hold!" said Bossuet. "There's Marius."

"I saw him," said Courfeyrac. "Don't let's speak to him."

"Why?"

"He is busy."

"With what?"

"Don't you see his air?"

"What air?"

"He has the air of a man who is following some one."

"That's true," said Bossuet.

"Just see the eyes he is making!" said Courfeyrac.

"But who the deuce is he following?"

"Some fine, flowery bonneted wench! He's in love."

"But," observed Bossuet, "I don't see any wench nor any flowery bonnet
in the street. There's not a woman round."

Courfeyrac took a survey, and exclaimed:--

"He's following a man!"

A man, in fact, wearing a gray cap, and whose gray beard could be
distinguished, although they only saw his back, was walking along about
twenty paces in advance of Marius.

This man was dressed in a great-coat which was perfectly new and too
large for him, and in a frightful pair of trousers all hanging in rags
and black with mud.

Bossuet burst out laughing.

"Who is that man?"

"He?" retorted Courfeyrac, "he's a poet. Poets are very fond of wearing
the trousers of dealers in rabbit skins and the overcoats of peers of
France."

"Let's see where Marius will go," said Bossuet; "let's see where the man
is going, let's follow them, hey?"

"Bossuet!" exclaimed Courfeyrac, "eagle of Meaux! You are a prodigious
brute. Follow a man who is following another man, indeed!"

They retraced their steps.

Marius had, in fact, seen Jondrette passing along the Rue Mouffetard,
and was spying on his proceedings.

Jondrette walked straight ahead, without a suspicion that he was already
held by a glance.

He quitted the Rue Mouffetard, and Marius saw him enter one of the most
terrible hovels in the Rue Gracieuse; he remained there about a quarter
of an hour, then returned to the Rue Mouffetard. He halted at
an ironmonger's shop, which then stood at the corner of the Rue
Pierre-Lombard, and a few minutes later Marius saw him emerge from the
shop, holding in his hand a huge cold chisel with a white wood handle,
which he concealed beneath his great-coat. At the top of the Rue
Petit-Gentilly he turned to the left and proceeded rapidly to the Rue du
Petit-Banquier. The day was declining; the snow, which had ceased for a
moment, had just begun again. Marius posted himself on the watch at the
very corner of the Rue du Petit-Banquier, which was deserted, as usual,
and did not follow Jondrette into it. It was lucky that he did so,
for, on arriving in the vicinity of the wall where Marius had heard the
long-haired man and the bearded man conversing, Jondrette turned round,
made sure that no one was following him, did not see him, then sprang
across the wall and disappeared.

The waste land bordered by this wall communicated with the back yard of
an ex-livery stable-keeper of bad repute, who had failed and who still
kept a few old single-seated berlins under his sheds.

Marius thought that it would be wise to profit by Jondrette's absence to
return home; moreover, it was growing late; every evening, Ma'am Bougon
when she set out for her dish-washing in town, had a habit of locking
the door, which was always closed at dusk. Marius had given his key to
the inspector of police; it was important, therefore, that he should
make haste.

Evening had arrived, night had almost closed in; on the horizon and in
the immensity of space, there remained but one spot illuminated by the
sun, and that was the moon.

It was rising in a ruddy glow behind the low dome of Salpetriere.

Marius returned to No. 50-52 with great strides. The door was still open
when he arrived. He mounted the stairs on tip-toe and glided along the
wall of the corridor to his chamber. This corridor, as the reader will
remember, was bordered on both sides by attics, all of which were, for
the moment, empty and to let. Ma'am Bougon was in the habit of leaving
all the doors open. As he passed one of these attics, Marius thought
he perceived in the uninhabited cell the motionless heads of four men,
vaguely lighted up by a remnant of daylight, falling through a dormer
window.

Marius made no attempt to see, not wishing to be seen himself. He
succeeded in reaching his chamber without being seen and without making
any noise. It was high time. A moment later he heard Ma'am Bougon take
her departure, locking the door of the house behind her.




CHAPTER XVI--IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH
WAS IN FASHION IN 1832

Marius seated himself on his bed. It might have been half-past five
o'clock. Only half an hour separated him from what was about to happen.
He heard the beating of his arteries as one hears the ticking of a watch
in the dark. He thought of the double march which was going on at that
moment in the dark,--crime advancing on one side, justice coming up on
the other. He was not afraid, but he could not think without a shudder
of what was about to take place. As is the case with all those who are
suddenly assailed by an unforeseen adventure, the entire day produced
upon him the effect of a dream, and in order to persuade himself that he
was not the prey of a nightmare, he had to feel the cold barrels of the
steel pistols in his trousers pockets.

It was no longer snowing; the moon disengaged itself more and more
clearly from the mist, and its light, mingled with the white reflection
of the snow which had fallen, communicated to the chamber a sort of
twilight aspect.

There was a light in the Jondrette den. Marius saw the hole in the wall
shining with a reddish glow which seemed bloody to him.

It was true that the light could not be produced by a candle. However,
there was not a sound in the Jondrette quarters, not a soul was moving
there, not a soul speaking, not a breath; the silence was glacial and
profound, and had it not been for that light, he might have thought
himself next door to a sepulchre.

Marius softly removed his boots and pushed them under his bed.

Several minutes elapsed. Marius heard the lower door turn on its hinges;
a heavy step mounted the staircase, and hastened along the corridor; the
latch of the hovel was noisily lifted; it was Jondrette returning.

Instantly, several voices arose. The whole family was in the garret.
Only, it had been silent in the master's absence, like wolf whelps in
the absence of the wolf.

"It's I," said he.

"Good evening, daddy," yelped the girls.

"Well?" said the mother.

"All's going first-rate," responded Jondrette, "but my feet are beastly
cold. Good! You have dressed up. You have done well! You must inspire
confidence."

"All ready to go out."

"Don't forget what I told you. You will do everything sure?"

"Rest easy."

"Because--" said Jondrette. And he left the phrase unfinished.

Marius heard him lay something heavy on the table, probably the chisel
which he had purchased.

"By the way," said Jondrette, "have you been eating here?"

"Yes," said the mother. "I got three large potatoes and some salt. I
took advantage of the fire to cook them."

"Good," returned Jondrette. "To-morrow I will take you out to dine with
me. We will have a duck and fixings. You shall dine like Charles the
Tenth; all is going well!"

Then he added:--

"The mouse-trap is open. The cats are there."

He lowered his voice still further, and said:--

"Put this in the fire."

Marius heard a sound of charcoal being knocked with the tongs or some
iron utensil, and Jondrette continued:--

"Have you greased the hinges of the door so that they will not squeak?"

"Yes," replied the mother.

"What time is it?"

"Nearly six. The half-hour struck from Saint-Medard a while ago."

"The devil!" ejaculated Jondrette; "the children must go and watch. Come
you, do you listen here."

A whispering ensued.

Jondrette's voice became audible again:--

"Has old Bougon left?"

"Yes," said the mother.

"Are you sure that there is no one in our neighbor's room?"

"He has not been in all day, and you know very well that this is his
dinner hour."

"You are sure?"

"Sure."

"All the same," said Jondrette, "there's no harm in going to see whether
he is there. Here, my girl, take the candle and go there."

Marius fell on his hands and knees and crawled silently under his bed.

Hardly had he concealed himself, when he perceived a light through the
crack of his door.

"P'pa," cried a voice, "he is not in here."

He recognized the voice of the eldest daughter.

"Did you go in?" demanded her father.

"No," replied the girl, "but as his key is in the door, he must be out."

The father exclaimed:--

"Go in, nevertheless."

The door opened, and Marius saw the tall Jondrette come in with a candle
in her hand. She was as she had been in the morning, only still more
repulsive in this light.

She walked straight up to the bed. Marius endured an indescribable
moment of anxiety; but near the bed there was a mirror nailed to the
wall, and it was thither that she was directing her steps. She raised
herself on tiptoe and looked at herself in it. In the neighboring room,
the sound of iron articles being moved was audible.

She smoothed her hair with the palm of her hand, and smiled into the
mirror, humming with her cracked and sepulchral voice:--

          Nos amours ont dure toute une semaine,[28]
          Mais que du bonheur les instants sont courts!
          S'adorer huit jours, c' etait bien la peine!
          Le temps des amours devait durer toujours!
          Devrait durer toujours! devrait durer toujours!


In the meantime, Marius trembled. It seemed impossible to him that she
should not hear his breathing.

She stepped to the window and looked out with the half-foolish way she
had.

"How ugly Paris is when it has put on a white chemise!" said she.

She returned to the mirror and began again to put on airs before it,
scrutinizing herself full-face and three-quarters face in turn.

"Well!" cried her father, "what are you about there?"

"I am looking under the bed and the furniture," she replied, continuing
to arrange her hair; "there's no one here."

"Booby!" yelled her father. "Come here this minute! And don't waste any
time about it!"

"Coming! Coming!" said she. "One has no time for anything in this
hovel!"

She hummed:--

          Vous me quittez pour aller a la gloire;[29]
          Mon triste coeur suivra partout.


She cast a parting glance in the mirror and went out, shutting the door
behind her.

A moment more, and Marius heard the sound of the two young girls' bare
feet in the corridor, and Jondrette's voice shouting to them:--

"Pay strict heed! One on the side of the barrier, the other at the
corner of the Rue du Petit-Banquier. Don't lose sight for a moment of
the door of this house, and the moment you see anything, rush here on
the instant! as hard as you can go! You have a key to get in."

The eldest girl grumbled:--

"The idea of standing watch in the snow barefoot!"

"To-morrow you shall have some dainty little green silk boots!" said the
father.

They ran down stairs, and a few seconds later the shock of the outer
door as it banged to announced that they were outside.

There now remained in the house only Marius, the Jondrettes and
probably, also, the mysterious persons of whom Marius had caught a
glimpse in the twilight, behind the door of the unused attic.




CHAPTER XVII--THE USE MADE OF MARIUS' FIVE-FRANC PIECE

Marius decided that the moment had now arrived when he must resume his
post at his observatory. In a twinkling, and with the agility of his
age, he had reached the hole in the partition.

He looked.

The interior of the Jondrette apartment presented a curious aspect, and
Marius found an explanation of the singular light which he had noticed.
A candle was burning in a candlestick covered with verdigris, but
that was not what really lighted the chamber. The hovel was completely
illuminated, as it were, by the reflection from a rather large
sheet-iron brazier standing in the fireplace, and filled with burning
charcoal, the brazier prepared by the Jondrette woman that morning. The
charcoal was glowing hot and the brazier was red; a blue flame flickered
over it, and helped him to make out the form of the chisel purchased by
Jondrette in the Rue Pierre-Lombard, where it had been thrust into the
brazier to heat. In one corner, near the door, and as though prepared
for some definite use, two heaps were visible, which appeared to be, the
one a heap of old iron, the other a heap of ropes. All this would have
caused the mind of a person who knew nothing of what was in preparation,
to waver between a very sinister and a very simple idea. The lair thus
lighted up more resembled a forge than a mouth of hell, but Jondrette,
in this light, had rather the air of a demon than of a smith.

The heat of the brazier was so great, that the candle on the table was
melting on the side next the chafing-dish, and was drooping over. An old
dark-lantern of copper, worthy of Diogenes turned Cartouche, stood on
the chimney-piece.

The brazier, placed in the fireplace itself, beside the nearly extinct
brands, sent its vapors up the chimney, and gave out no odor.

The moon, entering through the four panes of the window, cast its
whiteness into the crimson and flaming garret; and to the poetic spirit
of Marius, who was dreamy even in the moment of action, it was like a
thought of heaven mingled with the misshapen reveries of earth.

A breath of air which made its way in through the open pane, helped to
dissipate the smell of the charcoal and to conceal the presence of the
brazier.

The Jondrette lair was, if the reader recalls what we have said of the
Gorbeau building, admirably chosen to serve as the theatre of a violent
and sombre deed, and as the envelope for a crime. It was the most
retired chamber in the most isolated house on the most deserted
boulevard in Paris. If the system of ambush and traps had not already
existed, they would have been invented there.

The whole thickness of a house and a multitude of uninhabited rooms
separated this den from the boulevard, and the only window that existed
opened on waste lands enclosed with walls and palisades.

Jondrette had lighted his pipe, seated himself on the seatless chair,
and was engaged in smoking. His wife was talking to him in a low tone.

If Marius had been Courfeyrac, that is to say, one of those men who
laugh on every occasion in life, he would have burst with laughter when
his gaze fell on the Jondrette woman. She had on a black bonnet with
plumes not unlike the hats of the heralds-at-arms at the coronation of
Charles X., an immense tartan shawl over her knitted petticoat, and the
man's shoes which her daughter had scorned in the morning. It was this
toilette which had extracted from Jondrette the exclamation: "Good! You
have dressed up. You have done well. You must inspire confidence!"

As for Jondrette, he had not taken off the new surtout, which was too
large for him, and which M. Leblanc had given him, and his costume
continued to present that contrast of coat and trousers which
constituted the ideal of a poet in Courfeyrac's eyes.

All at once, Jondrette lifted up his voice:--

"By the way! Now that I think of it. In this weather, he will come in a
carriage. Light the lantern, take it and go down stairs. You will stand
behind the lower door. The very moment that you hear the carriage stop,
you will open the door, instantly, he will come up, you will light the
staircase and the corridor, and when he enters here, you will go down
stairs again as speedily as possible, you will pay the coachman, and
dismiss the fiacre."

"And the money?" inquired the woman.

Jondrette fumbled in his trousers pocket and handed her five francs.

"What's this?" she exclaimed.

Jondrette replied with dignity:--

"That is the monarch which our neighbor gave us this morning."

And he added:--

"Do you know what? Two chairs will be needed here."

"What for?"

"To sit on."

Marius felt a cold chill pass through his limbs at hearing this mild
answer from Jondrette.

"Pardieu! I'll go and get one of our neighbor's."

And with a rapid movement, she opened the door of the den, and went out
into the corridor.

Marius absolutely had not the time to descend from the commode, reach
his bed, and conceal himself beneath it.

"Take the candle," cried Jondrette.

"No," said she, "it would embarrass me, I have the two chairs to carry.
There is moonlight."

Marius heard Mother Jondrette's heavy hand fumbling at his lock in the
dark. The door opened. He remained nailed to the spot with the shock and
with horror.

The Jondrette entered.

The dormer window permitted the entrance of a ray of moonlight between
two blocks of shadow. One of these blocks of shadow entirely covered the
wall against which Marius was leaning, so that he disappeared within it.

Mother Jondrette raised her eyes, did not see Marius, took the two
chairs, the only ones which Marius possessed, and went away, letting the
door fall heavily to behind her.

She re-entered the lair.

"Here are the two chairs."

"And here is the lantern. Go down as quick as you can."

She hastily obeyed, and Jondrette was left alone.

He placed the two chairs on opposite sides of the table, turned the
chisel in the brazier, set in front of the fireplace an old screen which
masked the chafing-dish, then went to the corner where lay the pile
of rope, and bent down as though to examine something. Marius then
recognized the fact, that what he had taken for a shapeless mass was a
very well-made rope-ladder, with wooden rungs and two hooks with which
to attach it.

This ladder, and some large tools, veritable masses of iron, which were
mingled with the old iron piled up behind the door, had not been in the
Jondrette hovel in the morning, and had evidently been brought thither
in the afternoon, during Marius' absence.

"Those are the utensils of an edge-tool maker," thought Marius.

Had Marius been a little more learned in this line, he would have
recognized in what he took for the engines of an edge-tool maker,
certain instruments which will force a lock or pick a lock, and others
which will cut or slice, the two families of tools which burglars call
cadets and fauchants.

The fireplace and the two chairs were exactly opposite Marius. The
brazier being concealed, the only light in the room was now furnished
by the candle; the smallest bit of crockery on the table or on the
chimney-piece cast a large shadow. There was something indescribably
calm, threatening, and hideous about this chamber. One felt that there
existed in it the anticipation of something terrible.

Jondrette had allowed his pipe to go out, a serious sign of
preoccupation, and had again seated himself. The candle brought out the
fierce and the fine angles of his countenance. He indulged in scowls and
in abrupt unfoldings of the right hand, as though he were responding to
the last counsels of a sombre inward monologue. In the course of one of
these dark replies which he was making to himself, he pulled the table
drawer rapidly towards him, took out a long kitchen knife which was
concealed there, and tried the edge of its blade on his nail. That done,
he put the knife back in the drawer and shut it.

Marius, on his side, grasped the pistol in his right pocket, drew it out
and cocked it.

The pistol emitted a sharp, clear click, as he cocked it.

Jondrette started, half rose, listened a moment, then began to laugh and
said:--

"What a fool I am! It's the partition cracking!"

Marius kept the pistol in his hand.




CHAPTER XVIII--MARIUS' TWO CHAIRS FORM A VIS-A-VIS

Suddenly, the distant and melancholy vibration of a clock shook the
panes. Six o'clock was striking from Saint-Medard.

Jondrette marked off each stroke with a toss of his head. When the sixth
had struck, he snuffed the candle with his fingers.

Then he began to pace up and down the room, listened at the corridor,
walked on again, then listened once more.

"Provided only that he comes!" he muttered, then he returned to his
chair.

He had hardly reseated himself when the door opened.

Mother Jondrette had opened it, and now remained in the corridor making
a horrible, amiable grimace, which one of the holes of the dark-lantern
illuminated from below.

"Enter, sir," she said.

"Enter, my benefactor," repeated Jondrette, rising hastily.

M. Leblanc made his appearance.

He wore an air of serenity which rendered him singularly venerable.

He laid four louis on the table.

"Monsieur Fabantou," said he, "this is for your rent and your most
pressing necessities. We will attend to the rest hereafter."

"May God requite it to you, my generous benefactor!" said Jondrette.

And rapidly approaching his wife:--

"Dismiss the carriage!"

She slipped out while her husband was lavishing salutes and offering
M. Leblanc a chair. An instant later she returned and whispered in his
ear:--

"'Tis done."

The snow, which had not ceased falling since the morning, was so deep
that the arrival of the fiacre had not been audible, and they did not
now hear its departure.

Meanwhile, M. Leblanc had seated himself.

Jondrette had taken possession of the other chair, facing M. Leblanc.

Now, in order to form an idea of the scene which is to follow, let the
reader picture to himself in his own mind, a cold night, the solitudes
of the Salpetriere covered with snow and white as winding-sheets in
the moonlight, the taper-like lights of the street lanterns which shone
redly here and there along those tragic boulevards, and the long rows
of black elms, not a passer-by for perhaps a quarter of a league around,
the Gorbeau hovel, at its highest pitch of silence, of horror, and of
darkness; in that building, in the midst of those solitudes, in the
midst of that darkness, the vast Jondrette garret lighted by a single
candle, and in that den two men seated at a table, M. Leblanc tranquil,
Jondrette smiling and alarming, the Jondrette woman, the female wolf,
in one corner, and, behind the partition, Marius, invisible, erect, not
losing a word, not missing a single movement, his eye on the watch, and
pistol in hand.

However, Marius experienced only an emotion of horror, but no fear. He
clasped the stock of the pistol firmly and felt reassured. "I shall be
able to stop that wretch whenever I please," he thought.

He felt that the police were there somewhere in ambuscade, waiting for
the signal agreed upon and ready to stretch out their arm.

Moreover, he was in hopes, that this violent encounter between Jondrette
and M. Leblanc would cast some light on all the things which he was
interested in learning.




CHAPTER XIX--OCCUPYING ONE'S SELF WITH OBSCURE DEPTHS

Hardly was M. Leblanc seated, when he turned his eyes towards the
pallets, which were empty.

"How is the poor little wounded girl?" he inquired.

"Bad," replied Jondrette with a heart-broken and grateful smile, "very
bad, my worthy sir. Her elder sister has taken her to the Bourbe to
have her hurt dressed. You will see them presently; they will be back
immediately."

"Madame Fabantou seems to me to be better," went on M. Leblanc, casting
his eyes on the eccentric costume of the Jondrette woman, as she stood
between him and the door, as though already guarding the exit, and gazed
at him in an attitude of menace and almost of combat.

"She is dying," said Jondrette. "But what do you expect, sir! She has so
much courage, that woman has! She's not a woman, she's an ox."

The Jondrette, touched by his compliment, deprecated it with the
affected airs of a flattered monster.

"You are always too good to me, Monsieur Jondrette!"

"Jondrette!" said M. Leblanc, "I thought your name was Fabantou?"

"Fabantou, alias Jondrette!" replied the husband hurriedly. "An artistic
sobriquet!"

And launching at his wife a shrug of the shoulders which M. Leblanc did
not catch, he continued with an emphatic and caressing inflection of
voice:--

"Ah! we have had a happy life together, this poor darling and I! What
would there be left for us if we had not that? We are so wretched, my
respectable sir! We have arms, but there is no work! We have the will,
no work! I don't know how the government arranges that, but, on my word
of honor, sir, I am not Jacobin, sir, I am not a bousingot.[30] I don't
wish them any evil, but if I were the ministers, on my most sacred word,
things would be different. Here, for instance, I wanted to have my
girls taught the trade of paper-box makers. You will say to me: 'What!
a trade?' Yes! A trade! A simple trade! A bread-winner! What a fall,
my benefactor! What a degradation, when one has been what we have been!
Alas! There is nothing left to us of our days of prosperity! One thing
only, a picture, of which I think a great deal, but which I am willing
to part with, for I must live! Item, one must live!"

While Jondrette thus talked, with an apparent incoherence which
detracted nothing from the thoughtful and sagacious expression of his
physiognomy, Marius raised his eyes, and perceived at the other end of
the room a person whom he had not seen before. A man had just entered,
so softly that the door had not been heard to turn on its hinges. This
man wore a violet knitted vest, which was old, worn, spotted, cut and
gaping at every fold, wide trousers of cotton velvet, wooden shoes on
his feet, no shirt, had his neck bare, his bare arms tattooed, and his
face smeared with black. He had seated himself in silence on the nearest
bed, and, as he was behind Jondrette, he could only be indistinctly
seen.

That sort of magnetic instinct which turns aside the gaze, caused M.
Leblanc to turn round almost at the same moment as Marius. He could not
refrain from a gesture of surprise which did not escape Jondrette.

"Ah! I see!" exclaimed Jondrette, buttoning up his coat with an air of
complaisance, "you are looking at your overcoat? It fits me! My faith,
but it fits me!"

"Who is that man?" said M. Leblanc.

"Him?" ejaculated Jondrette, "he's a neighbor of mine. Don't pay any
attention to him."

The neighbor was a singular-looking individual. However, manufactories
of chemical products abound in the Faubourg Saint-Marceau. Many of the
workmen might have black faces. Besides this, M. Leblanc's whole person
was expressive of candid and intrepid confidence.

He went on:--

"Excuse me; what were you saying, M. Fabantou?"

"I was telling you, sir, and dear protector," replied Jondrette placing
his elbows on the table and contemplating M. Leblanc with steady and
tender eyes, not unlike the eyes of the boa-constrictor, "I was telling
you, that I have a picture to sell."

A slight sound came from the door. A second man had just entered and
seated himself on the bed, behind Jondrette.

Like the first, his arms were bare, and he had a mask of ink or
lampblack.

Although this man had, literally, glided into the room, he had not been
able to prevent M. Leblanc catching sight of him.

"Don't mind them," said Jondrette, "they are people who belong in the
house. So I was saying, that there remains in my possession a valuable
picture. But stop, sir, take a look at it."

He rose, went to the wall at the foot of which stood the panel which we
have already mentioned, and turned it round, still leaving it supported
against the wall. It really was something which resembled a picture, and
which the candle illuminated, somewhat. Marius could make nothing out of
it, as Jondrette stood between the picture and him; he only saw a coarse
daub, and a sort of principal personage colored with the harsh crudity
of foreign canvasses and screen paintings.

"What is that?" asked M. Leblanc.

Jondrette exclaimed:--

"A painting by a master, a picture of great value, my benefactor! I am
as much attached to it as I am to my two daughters; it recalls souvenirs
to me! But I have told you, and I will not take it back, that I am so
wretched that I will part with it."

Either by chance, or because he had begun to feel a dawning uneasiness,
M. Leblanc's glance returned to the bottom of the room as he examined
the picture.

There were now four men, three seated on the bed, one standing near the
door-post, all four with bare arms and motionless, with faces smeared
with black. One of those on the bed was leaning against the wall, with
closed eyes, and it might have been supposed that he was asleep. He
was old; his white hair contrasting with his blackened face produced a
horrible effect. The other two seemed to be young; one wore a beard, the
other wore his hair long. None of them had on shoes; those who did not
wear socks were barefooted.

Jondrette noticed that M. Leblanc's eye was fixed on these men.

"They are friends. They are neighbors," said he. "Their faces are black
because they work in charcoal. They are chimney-builders. Don't trouble
yourself about them, my benefactor, but buy my picture. Have pity on
my misery. I will not ask you much for it. How much do you think it is
worth?"

"Well," said M. Leblanc, looking Jondrette full in the eye, and with the
manner of a man who is on his guard, "it is some signboard for a tavern,
and is worth about three francs."

Jondrette replied sweetly:--

"Have you your pocket-book with you? I should be satisfied with a
thousand crowns."

M. Leblanc sprang up, placed his back against the wall, and cast a rapid
glance around the room. He had Jondrette on his left, on the side next
the window, and the Jondrette woman and the four men on his right, on
the side next the door. The four men did not stir, and did not even seem
to be looking on.

Jondrette had again begun to speak in a plaintive tone, with so vague
an eye, and so lamentable an intonation, that M. Leblanc might have
supposed that what he had before him was a man who had simply gone mad
with misery.

"If you do not buy my picture, my dear benefactor," said Jondrette, "I
shall be left without resources; there will be nothing left for me but
to throw myself into the river. When I think that I wanted to have my
two girls taught the middle-class paper-box trade, the making of boxes
for New Year's gifts! Well! A table with a board at the end to keep the
glasses from falling off is required, then a special stove is needed, a
pot with three compartments for the different degrees of strength of
the paste, according as it is to be used for wood, paper, or stuff, a
paring-knife to cut the cardboard, a mould to adjust it, a hammer to
nail the steels, pincers, how the devil do I know what all? And all that
in order to earn four sous a day! And you have to work fourteen hours a
day! And each box passes through the workwoman's hands thirteen times!
And you can't wet the paper! And you mustn't spot anything! And you must
keep the paste hot. The devil, I tell you! Four sous a day! How do you
suppose a man is to live?"

As he spoke, Jondrette did not look at M. Leblanc, who was observing
him. M. Leblanc's eye was fixed on Jondrette, and Jondrette's eye was
fixed on the door. Marius' eager attention was transferred from one
to the other. M. Leblanc seemed to be asking himself: "Is this man an
idiot?" Jondrette repeated two or three distinct times, with all manner
of varying inflections of the whining and supplicating order: "There
is nothing left for me but to throw myself into the river! I went down
three steps at the side of the bridge of Austerlitz the other day for
that purpose."

All at once his dull eyes lighted up with a hideous flash; the little
man drew himself up and became terrible, took a step toward M. Leblanc
and cried in a voice of thunder: "That has nothing to do with the
question! Do you know me?"




CHAPTER XX--THE TRAP

The door of the garret had just opened abruptly, and allowed a view of
three men clad in blue linen blouses, and masked with masks of black
paper. The first was thin, and had a long, iron-tipped cudgel; the
second, who was a sort of colossus, carried, by the middle of the
handle, with the blade downward, a butcher's pole-axe for slaughtering
cattle. The third, a man with thick-set shoulders, not so slender as
the first, held in his hand an enormous key stolen from the door of some
prison.

It appeared that the arrival of these men was what Jondrette had been
waiting for. A rapid dialogue ensued between him and the man with the
cudgel, the thin one.

"Is everything ready?" said Jondrette.

"Yes," replied the thin man.

"Where is Montparnasse?"

"The young principal actor stopped to chat with your girl."

"Which?"

"The eldest."

"Is there a carriage at the door?"

"Yes."

"Is the team harnessed?"

"Yes."

"With two good horses?"

"Excellent."

"Is it waiting where I ordered?"

"Yes."

"Good," said Jondrette.

M. Leblanc was very pale. He was scrutinizing everything around him in
the den, like a man who understands what he has fallen into, and his
head, directed in turn toward all the heads which surrounded him, moved
on his neck with an astonished and attentive slowness, but there
was nothing in his air which resembled fear. He had improvised
an intrenchment out of the table; and the man, who but an instant
previously, had borne merely the appearance of a kindly old man, had
suddenly become a sort of athlete, and placed his robust fist on the
back of his chair, with a formidable and surprising gesture.

This old man, who was so firm and so brave in the presence of such a
danger, seemed to possess one of those natures which are as courageous
as they are kind, both easily and simply. The father of a woman whom we
love is never a stranger to us. Marius felt proud of that unknown man.

Three of the men, of whom Jondrette had said: "They are
chimney-builders," had armed themselves from the pile of old iron, one
with a heavy pair of shears, the second with weighing-tongs, the third
with a hammer, and had placed themselves across the entrance without
uttering a syllable. The old man had remained on the bed, and had merely
opened his eyes. The Jondrette woman had seated herself beside him.

Marius decided that in a few seconds more the moment for intervention
would arrive, and he raised his right hand towards the ceiling, in the
direction of the corridor, in readiness to discharge his pistol.

Jondrette having terminated his colloquy with the man with the cudgel,
turned once more to M. Leblanc, and repeated his question, accompanying
it with that low, repressed, and terrible laugh which was peculiar to
him:--

"So you do not recognize me?"

M. Leblanc looked him full in the face, and replied:--

"No."

Then Jondrette advanced to the table. He leaned across the candle,
crossing his arms, putting his angular and ferocious jaw close to M.
Leblanc's calm face, and advancing as far as possible without forcing M.
Leblanc to retreat, and, in this posture of a wild beast who is about to
bite, he exclaimed:--

"My name is not Fabantou, my name is not Jondrette, my name is
Thenardier. I am the inn-keeper of Montfermeil! Do you understand?
Thenardier! Now do you know me?"

An almost imperceptible flush crossed M. Leblanc's brow, and he replied
with a voice which neither trembled nor rose above its ordinary level,
with his accustomed placidity:--

"No more than before."

Marius did not hear this reply. Any one who had seen him at that moment
through the darkness would have perceived that he was haggard,
stupid, thunder-struck. At the moment when Jondrette said: "My name is
Thenardier," Marius had trembled in every limb, and had leaned against
the wall, as though he felt the cold of a steel blade through his heart.
Then his right arm, all ready to discharge the signal shot, dropped
slowly, and at the moment when Jondrette repeated, "Thenardier, do you
understand?" Marius's faltering fingers had come near letting the pistol
fall. Jondrette, by revealing his identity, had not moved M. Leblanc,
but he had quite upset Marius. That name of Thenardier, with which M.
Leblanc did not seem to be acquainted, Marius knew well. Let the reader
recall what that name meant to him! That name he had worn on his heart,
inscribed in his father's testament! He bore it at the bottom of his
mind, in the depths of his memory, in that sacred injunction: "A certain
Thenardier saved my life. If my son encounters him, he will do him all
the good that lies in his power." That name, it will be remembered,
was one of the pieties of his soul; he mingled it with the name of
his father in his worship. What! This man was that Thenardier, that
inn-keeper of Montfermeil whom he had so long and so vainly sought! He
had found him at last, and how? His father's saviour was a ruffian!
That man, to whose service Marius was burning to devote himself, was
a monster! That liberator of Colonel Pontmercy was on the point
of committing a crime whose scope Marius did not, as yet, clearly
comprehend, but which resembled an assassination! And against whom,
great God! what a fatality! What a bitter mockery of fate! His father
had commanded him from the depths of his coffin to do all the good in
his power to this Thenardier, and for four years Marius had cherished
no other thought than to acquit this debt of his father's, and at the
moment when he was on the eve of having a brigand seized in the very
act of crime by justice, destiny cried to him: "This is Thenardier!"
He could at last repay this man for his father's life, saved amid a
hail-storm of grape-shot on the heroic field of Waterloo, and repay it
with the scaffold! He had sworn to himself that if ever he found that
Thenardier, he would address him only by throwing himself at his feet;
and now he actually had found him, but it was only to deliver him over
to the executioner! His father said to him: "Succor Thenardier!" And he
replied to that adored and sainted voice by crushing Thenardier! He was
about to offer to his father in his grave the spectacle of that man who
had torn him from death at the peril of his own life, executed on the
Place Saint-Jacques through the means of his son, of that Marius to whom
he had entrusted that man by his will! And what a mockery to have so
long worn on his breast his father's last commands, written in his own
hand, only to act in so horribly contrary a sense! But, on the other
hand, now look on that trap and not prevent it! Condemn the victim and
to spare the assassin! Could one be held to any gratitude towards so
miserable a wretch? All the ideas which Marius had cherished for the
last four years were pierced through and through, as it were, by this
unforeseen blow.

He shuddered. Everything depended on him. Unknown to themselves, he
held in his hand all those beings who were moving about there before his
eyes. If he fired his pistol, M. Leblanc was saved, and Thenardier lost;
if he did not fire, M. Leblanc would be sacrificed, and, who knows?
Thenardier would escape. Should he dash down the one or allow the other
to fall? Remorse awaited him in either case.

What was he to do? What should he choose? Be false to the most imperious
souvenirs, to all those solemn vows to himself, to the most sacred duty,
to the most venerated text! Should he ignore his father's testament,
or allow the perpetration of a crime! On the one hand, it seemed to him
that he heard "his Ursule" supplicating for her father and on the other,
the colonel commending Thenardier to his care. He felt that he was going
mad. His knees gave way beneath him. And he had not even the time for
deliberation, so great was the fury with which the scene before his eyes
was hastening to its catastrophe. It was like a whirlwind of which he
had thought himself the master, and which was now sweeping him away. He
was on the verge of swooning.

In the meantime, Thenardier, whom we shall henceforth call by no other
name, was pacing up and down in front of the table in a sort of frenzy
and wild triumph.

He seized the candle in his fist, and set it on the chimney-piece with
so violent a bang that the wick came near being extinguished, and the
tallow bespattered the wall.

Then he turned to M. Leblanc with a horrible look, and spit out these
words:--

"Done for! Smoked brown! Cooked! Spitchcocked!"

And again he began to march back and forth, in full eruption.

"Ah!" he cried, "so I've found you again at last, Mister philanthropist!
Mister threadbare millionnaire! Mister giver of dolls! you old
ninny! Ah! so you don't recognize me! No, it wasn't you who came to
Montfermeil, to my inn, eight years ago, on Christmas eve, 1823! It
wasn't you who carried off that Fantine's child from me! The Lark! It
wasn't you who had a yellow great-coat! No! Nor a package of duds in
your hand, as you had this morning here! Say, wife, it seems to be his
mania to carry packets of woollen stockings into houses! Old charity
monger, get out with you! Are you a hosier, Mister millionnaire? You
give away your stock in trade to the poor, holy man! What bosh! merry
Andrew! Ah! and you don't recognize me? Well, I recognize you, that I
do! I recognized you the very moment you poked your snout in here. Ah!
you'll find out presently, that it isn't all roses to thrust yourself
in that fashion into people's houses, under the pretext that they are
taverns, in wretched clothes, with the air of a poor man, to whom one
would give a sou, to deceive persons, to play the generous, to take away
their means of livelihood, and to make threats in the woods, and you
can't call things quits because afterwards, when people are ruined, you
bring a coat that is too large, and two miserable hospital blankets, you
old blackguard, you child-stealer!"

He paused, and seemed to be talking to himself for a moment. One would
have said that his wrath had fallen into some hole, like the Rhone;
then, as though he were concluding aloud the things which he had been
saying to himself in a whisper, he smote the table with his fist, and
shouted:--

"And with his goody-goody air!"

And, apostrophizing M. Leblanc:--

"Parbleu! You made game of me in the past! You are the cause of all my
misfortunes! For fifteen hundred francs you got a girl whom I had, and
who certainly belonged to rich people, and who had already brought in a
great deal of money, and from whom I might have extracted enough to live
on all my life! A girl who would have made up to me for everything that
I lost in that vile cook-shop, where there was nothing but one continual
row, and where, like a fool, I ate up my last farthing! Oh! I wish all
the wine folks drank in my house had been poison to those who drank it!
Well, never mind! Say, now! You must have thought me ridiculous when you
went off with the Lark! You had your cudgel in the forest. You were the
stronger. Revenge. I'm the one to hold the trumps to-day! You're in a
sorry case, my good fellow! Oh, but I can laugh! Really, I laugh! Didn't
he fall into the trap! I told him that I was an actor, that my name was
Fabantou, that I had played comedy with Mamselle Mars, with Mamselle
Muche, that my landlord insisted on being paid tomorrow, the 4th of
February, and he didn't even notice that the 8th of January, and not the
4th of February is the time when the quarter runs out! Absurd idiot!
And the four miserable Philippes which he has brought me! Scoundrel!
He hadn't the heart even to go as high as a hundred francs! And how
he swallowed my platitudes! That did amuse me. I said to myself:
'Blockhead! Come, I've got you! I lick your paws this morning, but I'll
gnaw your heart this evening!'"

Thenardier paused. He was out of breath. His little, narrow chest panted
like a forge bellows. His eyes were full of the ignoble happiness of a
feeble, cruel, and cowardly creature, which finds that it can, at last,
harass what it has feared, and insult what it has flattered, the joy of
a dwarf who should be able to set his heel on the head of Goliath, the
joy of a jackal which is beginning to rend a sick bull, so nearly dead
that he can no longer defend himself, but sufficiently alive to suffer
still.

M. Leblanc did not interrupt him, but said to him when he paused:--

"I do not know what you mean to say. You are mistaken in me. I am a very
poor man, and anything but a millionnaire. I do not know you. You are
mistaking me for some other person."

"Ah!" roared Thenardier hoarsely, "a pretty lie! You stick to that
pleasantry, do you! You're floundering, my old buck! Ah! You don't
remember! You don't see who I am?"

"Excuse me, sir," said M. Leblanc with a politeness of accent, which at
that moment seemed peculiarly strange and powerful, "I see that you are
a villain!"

Who has not remarked the fact that odious creatures possess a
susceptibility of their own, that monsters are ticklish! At this word
"villain," the female Thenardier sprang from the bed, Thenardier grasped
his chair as though he were about to crush it in his hands. "Don't you
stir!" he shouted to his wife; and, turning to M. Leblanc:--

"Villain! Yes, I know that you call us that, you rich gentlemen! Stop!
it's true that I became bankrupt, that I am in hiding, that I have no
bread, that I have not a single sou, that I am a villain! It's three
days since I have had anything to eat, so I'm a villain! Ah! you folks
warm your feet, you have Sakoski boots, you have wadded great-coats,
like archbishops, you lodge on the first floor in houses that have
porters, you eat truffles, you eat asparagus at forty francs the bunch
in the month of January, and green peas, you gorge yourselves, and when
you want to know whether it is cold, you look in the papers to see what
the engineer Chevalier's thermometer says about it. We, it is we who are
thermometers. We don't need to go out and look on the quay at the corner
of the Tour de l'Horologe, to find out the number of degrees of cold;
we feel our blood congealing in our veins, and the ice forming round our
hearts, and we say: 'There is no God!' And you come to our caverns, yes
our caverns, for the purpose of calling us villains! But we'll devour
you! But we'll devour you, poor little things! Just see here, Mister
millionnaire: I have been a solid man, I have held a license, I have
been an elector, I am a bourgeois, that I am! And it's quite possible
that you are not!"

Here Thenardier took a step towards the men who stood near the door, and
added with a shudder:--

"When I think that he has dared to come here and talk to me like a
cobbler!"

Then addressing M. Leblanc with a fresh outburst of frenzy:--

"And listen to this also, Mister philanthropist! I'm not a suspicious
character, not a bit of it! I'm not a man whose name nobody knows, and
who comes and abducts children from houses! I'm an old French soldier,
I ought to have been decorated! I was at Waterloo, so I was! And in the
battle I saved a general called the Comte of I don't know what. He told
me his name, but his beastly voice was so weak that I didn't hear. All I
caught was Merci [thanks]. I'd rather have had his name than his thanks.
That would have helped me to find him again. The picture that you see
here, and which was painted by David at Bruqueselles,--do you know what
it represents? It represents me. David wished to immortalize that
feat of prowess. I have that general on my back, and I am carrying him
through the grape-shot. There's the history of it! That general never
did a single thing for me; he was no better than the rest! But none the
less, I saved his life at the risk of my own, and I have the certificate
of the fact in my pocket! I am a soldier of Waterloo, by all the furies!
And now that I have had the goodness to tell you all this, let's have an
end of it. I want money, I want a deal of money, I must have an enormous
lot of money, or I'll exterminate you, by the thunder of the good God!"

Marius had regained some measure of control over his anguish, and was
listening. The last possibility of doubt had just vanished. It certainly
was the Thenardier of the will. Marius shuddered at that reproach of
ingratitude directed against his father, and which he was on the point
of so fatally justifying. His perplexity was redoubled.

Moreover, there was in all these words of Thenardier, in his accent, in
his gesture, in his glance which darted flames at every word, there
was, in this explosion of an evil nature disclosing everything, in that
mixture of braggadocio and abjectness, of pride and pettiness, of rage
and folly, in that chaos of real griefs and false sentiments, in
that immodesty of a malicious man tasting the voluptuous delights
of violence, in that shameless nudity of a repulsive soul, in that
conflagration of all sufferings combined with all hatreds, something
which was as hideous as evil, and as heart-rending as the truth.

The picture of the master, the painting by David which he had proposed
that M. Leblanc should purchase, was nothing else, as the reader has
divined, than the sign of his tavern painted, as it will be remembered,
by himself, the only relic which he had preserved from his shipwreck at
Montfermeil.

As he had ceased to intercept Marius' visual ray, Marius could examine
this thing, and in the daub, he actually did recognize a battle, a
background of smoke, and a man carrying another man. It was the group
composed of Pontmercy and Thenardier; the sergeant the rescuer, the
colonel rescued. Marius was like a drunken man; this picture restored
his father to life in some sort; it was no longer the signboard of the
wine-shop at Montfermeil, it was a resurrection; a tomb had yawned, a
phantom had risen there. Marius heard his heart beating in his temples,
he had the cannon of Waterloo in his ears, his bleeding father, vaguely
depicted on that sinister panel terrified him, and it seemed to him that
the misshapen spectre was gazing intently at him.

When Thenardier had recovered his breath, he turned his bloodshot eyes
on M. Leblanc, and said to him in a low, curt voice:--

"What have you to say before we put the handcuffs on you?"

M. Leblanc held his peace.

In the midst of this silence, a cracked voice launched this lugubrious
sarcasm from the corridor:--

"If there's any wood to be split, I'm there!"

It was the man with the axe, who was growing merry.

At the same moment, an enormous, bristling, and clayey face made its
appearance at the door, with a hideous laugh which exhibited not teeth,
but fangs.

It was the face of the man with the butcher's axe.

"Why have you taken off your mask?" cried Thenardier in a rage.

"For fun," retorted the man.

For the last few minutes M. Leblanc had appeared to be watching and
following all the movements of Thenardier, who, blinded and dazzled by
his own rage, was stalking to and fro in the den with full confidence
that the door was guarded, and of holding an unarmed man fast, he being
armed himself, of being nine against one, supposing that the female
Thenardier counted for but one man.

During his address to the man with the pole-axe, he had turned his back
to M. Leblanc.

M. Leblanc seized this moment, overturned the chair with his foot and
the table with his fist, and with one bound, with prodigious agility,
before Thenardier had time to turn round, he had reached the window. To
open it, to scale the frame, to bestride it, was the work of a second
only. He was half out when six robust fists seized him and dragged
him back energetically into the hovel. These were the three
"chimney-builders," who had flung themselves upon him. At the same time
the Thenardier woman had wound her hands in his hair.

At the trampling which ensued, the other ruffians rushed up from the
corridor. The old man on the bed, who seemed under the influence
of wine, descended from the pallet and came reeling up, with a
stone-breaker's hammer in his hand.

One of the "chimney-builders," whose smirched face was lighted up by
the candle, and in whom Marius recognized, in spite of his daubing,
Panchaud, alias Printanier, alias Bigrenaille, lifted above M. Leblanc's
head a sort of bludgeon made of two balls of lead, at the two ends of a
bar of iron.

Marius could not resist this sight. "My father," he thought, "forgive
me!"

And his finger sought the trigger of his pistol.

The shot was on the point of being discharged when Thenardier's voice
shouted:--

"Don't harm him!"

This desperate attempt of the victim, far from exasperating Thenardier,
had calmed him. There existed in him two men, the ferocious man and
the adroit man. Up to that moment, in the excess of his triumph in the
presence of the prey which had been brought down, and which did not
stir, the ferocious man had prevailed; when the victim struggled and
tried to resist, the adroit man reappeared and took the upper hand.

"Don't hurt him!" he repeated, and without suspecting it, his first
success was to arrest the pistol in the act of being discharged, and to
paralyze Marius, in whose opinion the urgency of the case disappeared,
and who, in the face of this new phase, saw no inconvenience in waiting
a while longer.

Who knows whether some chance would not arise which would deliver him
from the horrible alternative of allowing Ursule's father to perish, or
of destroying the colonel's saviour?

A herculean struggle had begun. With one blow full in the chest, M.
Leblanc had sent the old man tumbling, rolling in the middle of the
room, then with two backward sweeps of his hand he had overthrown two
more assailants, and he held one under each of his knees; the wretches
were rattling in the throat beneath this pressure as under a granite
millstone; but the other four had seized the formidable old man by both
arms and the back of his neck, and were holding him doubled up over the
two "chimney-builders" on the floor.

Thus, the master of some and mastered by the rest, crushing those
beneath him and stifling under those on top of him, endeavoring in vain
to shake off all the efforts which were heaped upon him, M. Leblanc
disappeared under the horrible group of ruffians like the wild boar
beneath a howling pile of dogs and hounds.

They succeeded in overthrowing him upon the bed nearest the window, and
there they held him in awe. The Thenardier woman had not released her
clutch on his hair.

"Don't you mix yourself up in this affair," said Thenardier. "You'll
tear your shawl."

The Thenardier obeyed, as the female wolf obeys the male wolf, with a
growl.

"Now," said Thenardier, "search him, you other fellows!"

M. Leblanc seemed to have renounced the idea of resistance.

They searched him.

He had nothing on his person except a leather purse containing six
francs, and his handkerchief.

Thenardier put the handkerchief into his own pocket.

"What! No pocket-book?" he demanded.

"No, nor watch," replied one of the "chimney-builders."

"Never mind," murmured the masked man who carried the big key, in the
voice of a ventriloquist, "he's a tough old fellow."

Thenardier went to the corner near the door, picked up a bundle of ropes
and threw them at the men.

"Tie him to the leg of the bed," said he.

And, catching sight of the old man who had been stretched across the
room by the blow from M. Leblanc's fist, and who made no movement, he
added:--

"Is Boulatruelle dead?"

"No," replied Bigrenaille, "he's drunk."

"Sweep him into a corner," said Thenardier.

Two of the "chimney-builders" pushed the drunken man into the corner
near the heap of old iron with their feet.

"Babet," said Thenardier in a low tone to the man with the cudgel, "why
did you bring so many; they were not needed."

"What can you do?" replied the man with the cudgel, "they all wanted to
be in it. This is a bad season. There's no business going on."

The pallet on which M. Leblanc had been thrown was a sort of hospital
bed, elevated on four coarse wooden legs, roughly hewn.

M. Leblanc let them take their own course.

The ruffians bound him securely, in an upright attitude, with his feet
on the ground at the head of the bed, the end which was most remote from
the window, and nearest to the fireplace.

When the last knot had been tied, Thenardier took a chair and seated
himself almost facing M. Leblanc.

Thenardier no longer looked like himself; in the course of a few moments
his face had passed from unbridled violence to tranquil and cunning
sweetness.

Marius found it difficult to recognize in that polished smile of a man
in official life the almost bestial mouth which had been foaming but a
moment before; he gazed with amazement on that fantastic and alarming
metamorphosis, and he felt as a man might feel who should behold a tiger
converted into a lawyer.

"Monsieur--" said Thenardier.

And dismissing with a gesture the ruffians who still kept their hands on
M. Leblanc:--

"Stand off a little, and let me have a talk with the gentleman."

All retired towards the door.

He went on:--

"Monsieur, you did wrong to try to jump out of the window. You might
have broken your leg. Now, if you will permit me, we will converse
quietly. In the first place, I must communicate to you an observation
which I have made which is, that you have not uttered the faintest cry."

Thenardier was right, this detail was correct, although it had escaped
Marius in his agitation. M. Leblanc had barely pronounced a few words,
without raising his voice, and even during his struggle with the six
ruffians near the window he had preserved the most profound and singular
silence.

Thenardier continued:--

"Mon Dieu! You might have shouted 'stop thief' a bit, and I should not
have thought it improper. 'Murder!' That, too, is said occasionally,
and, so far as I am concerned, I should not have taken it in bad part.
It is very natural that you should make a little row when you find
yourself with persons who don't inspire you with sufficient confidence.
You might have done that, and no one would have troubled you on that
account. You would not even have been gagged. And I will tell you why.
This room is very private. That's its only recommendation, but it has
that in its favor. You might fire off a mortar and it would produce
about as much noise at the nearest police station as the snores of a
drunken man. Here a cannon would make a boum, and the thunder would make
a pouf. It's a handy lodging. But, in short, you did not shout, and
it is better so. I present you my compliments, and I will tell you the
conclusion that I draw from that fact: My dear sir, when a man shouts,
who comes? The police. And after the police? Justice. Well! You have not
made an outcry; that is because you don't care to have the police and
the courts come in any more than we do. It is because,--I have long
suspected it,--you have some interest in hiding something. On our side
we have the same interest. So we can come to an understanding."

As he spoke thus, it seemed as though Thenardier, who kept his eyes
fixed on M. Leblanc, were trying to plunge the sharp points which darted
from the pupils into the very conscience of his prisoner. Moreover, his
language, which was stamped with a sort of moderated, subdued insolence
and crafty insolence, was reserved and almost choice, and in that
rascal, who had been nothing but a robber a short time previously, one
now felt "the man who had studied for the priesthood."

The silence preserved by the prisoner, that precaution which had been
carried to the point of forgetting all anxiety for his own life, that
resistance opposed to the first impulse of nature, which is to utter
a cry, all this, it must be confessed, now that his attention had
been called to it, troubled Marius, and affected him with painful
astonishment.

Thenardier's well-grounded observation still further obscured for Marius
the dense mystery which enveloped that grave and singular person on whom
Courfeyrac had bestowed the sobriquet of Monsieur Leblanc.

But whoever he was, bound with ropes, surrounded with executioners, half
plunged, so to speak, in a grave which was closing in upon him to the
extent of a degree with every moment that passed, in the presence
of Thenardier's wrath, as in the presence of his sweetness, this man
remained impassive; and Marius could not refrain from admiring at such a
moment the superbly melancholy visage.

Here, evidently, was a soul which was inaccessible to terror, and which
did not know the meaning of despair. Here was one of those men who
command amazement in desperate circumstances. Extreme as was the crisis,
inevitable as was the catastrophe, there was nothing here of the agony
of the drowning man, who opens his horror-filled eyes under the water.

Thenardier rose in an unpretending manner, went to the fireplace, shoved
aside the screen, which he leaned against the neighboring pallet, and
thus unmasked the brazier full of glowing coals, in which the prisoner
could plainly see the chisel white-hot and spotted here and there with
tiny scarlet stars.

Then Thenardier returned to his seat beside M. Leblanc.

"I continue," said he. "We can come to an understanding. Let us arrange
this matter in an amicable way. I was wrong to lose my temper just now,
I don't know what I was thinking of, I went a great deal too far, I said
extravagant things. For example, because you are a millionnaire, I told
you that I exacted money, a lot of money, a deal of money. That would
not be reasonable. Mon Dieu, in spite of your riches, you have expenses
of your own--who has not? I don't want to ruin you, I am not a greedy
fellow, after all. I am not one of those people who, because they have
the advantage of the position, profit by the fact to make themselves
ridiculous. Why, I'm taking things into consideration and making a
sacrifice on my side. I only want two hundred thousand francs."

M. Leblanc uttered not a word.

Thenardier went on:--

"You see that I put not a little water in my wine; I'm very moderate. I
don't know the state of your fortune, but I do know that you don't stick
at money, and a benevolent man like yourself can certainly give two
hundred thousand francs to the father of a family who is out of luck.
Certainly, you are reasonable, too; you haven't imagined that I should
take all the trouble I have to-day and organized this affair this
evening, which has been labor well bestowed, in the opinion of these
gentlemen, merely to wind up by asking you for enough to go and drink
red wine at fifteen sous and eat veal at Desnoyer's. Two hundred
thousand francs--it's surely worth all that. This trifle once out of
your pocket, I guarantee you that that's the end of the matter, and that
you have no further demands to fear. You will say to me: 'But I haven't
two hundred thousand francs about me.' Oh! I'm not extortionate. I don't
demand that. I only ask one thing of you. Have the goodness to write
what I am about to dictate to you."

Here Thenardier paused; then he added, emphasizing his words, and
casting a smile in the direction of the brazier:--

"I warn you that I shall not admit that you don't know how to write."

A grand inquisitor might have envied that smile.

Thenardier pushed the table close to M. Leblanc, and took an inkstand,
a pen, and a sheet of paper from the drawer which he left half open, and
in which gleamed the long blade of the knife.

He placed the sheet of paper before M. Leblanc.

"Write," said he.

The prisoner spoke at last.

"How do you expect me to write? I am bound."

"That's true, excuse me!" ejaculated Thenardier, "you are quite right."

And turning to Bigrenaille:--

"Untie the gentleman's right arm."

Panchaud, alias Printanier, alias Bigrenaille, executed Thenardier's
order.

When the prisoner's right arm was free, Thenardier dipped the pen in the
ink and presented it to him.

"Understand thoroughly, sir, that you are in our power, at our
discretion, that no human power can get you out of this, and that we
shall be really grieved if we are forced to proceed to disagreeable
extremities. I know neither your name, nor your address, but I warn you,
that you will remain bound until the person charged with carrying the
letter which you are about to write shall have returned. Now, be so good
as to write."

"What?" demanded the prisoner.

"I will dictate."

M. Leblanc took the pen.

Thenardier began to dictate:--

"My daughter--"

The prisoner shuddered, and raised his eyes to Thenardier.

"Put down 'My dear daughter'--" said Thenardier.

M. Leblanc obeyed.

Thenardier continued:--

"Come instantly--"

He paused:--

"You address her as thou, do you not?"

"Who?" asked M. Leblanc.

"Parbleu!" cried Thenardier, "the little one, the Lark."

M. Leblanc replied without the slightest apparent emotion:--

"I do not know what you mean."

"Go on, nevertheless," ejaculated Thenardier, and he continued to
dictate:--

"Come immediately, I am in absolute need of thee. The person who will
deliver this note to thee is instructed to conduct thee to me. I am
waiting for thee. Come with confidence."

M. Leblanc had written the whole of this.

Thenardier resumed:--

"Ah! erase 'come with confidence'; that might lead her to suppose that
everything was not as it should be, and that distrust is possible."

M. Leblanc erased the three words.

"Now," pursued Thenardier, "sign it. What's your name?"

The prisoner laid down the pen and demanded:--

"For whom is this letter?"

"You know well," retorted Thenardier, "for the little one I just told
you so."

It was evident that Thenardier avoided naming the young girl in
question. He said "the Lark," he said "the little one," but he did not
pronounce her name--the precaution of a clever man guarding his secret
from his accomplices. To mention the name was to deliver the whole
"affair" into their hands, and to tell them more about it than there was
any need of their knowing.

He went on:--

"Sign. What is your name?"

"Urbain Fabre," said the prisoner.

Thenardier, with the movement of a cat, dashed his hand into his pocket
and drew out the handkerchief which had been seized on M. Leblanc. He
looked for the mark on it, and held it close to the candle.

"U. F. That's it. Urbain Fabre. Well, sign it U. F."

The prisoner signed.

"As two hands are required to fold the letter, give it to me, I will
fold it."

That done, Thenardier resumed:--

"Address it, 'Mademoiselle Fabre,' at your house. I know that you live
a long distance from here, near Saint-Jacquesdu-Haut-Pas, because you go
to mass there every day, but I don't know in what street. I see that
you understand your situation. As you have not lied about your name, you
will not lie about your address. Write it yourself."

The prisoner paused thoughtfully for a moment, then he took the pen and
wrote:--

"Mademoiselle Fabre, at M. Urbain Fabre's, Rue Saint-Dominique-D'Enfer,
No. 17."

Thenardier seized the letter with a sort of feverish convulsion.

"Wife!" he cried.

The Thenardier woman hastened to him.

"Here's the letter. You know what you have to do. There is a carriage at
the door. Set out at once, and return ditto."

And addressing the man with the meat-axe:--

"Since you have taken off your nose-screen, accompany the mistress. You
will get up behind the fiacre. You know where you left the team?"

"Yes," said the man.

And depositing his axe in a corner, he followed Madame Thenardier.

As they set off, Thenardier thrust his head through the half-open door,
and shouted into the corridor:--

"Above all things, don't lose the letter! remember that you carry two
hundred thousand francs with you!"

The Thenardier's hoarse voice replied:--

"Be easy. I have it in my bosom."

A minute had not elapsed, when the sound of the cracking of a whip was
heard, which rapidly retreated and died away.

"Good!" growled Thenardier. "They're going at a fine pace. At such a
gallop, the bourgeoise will be back inside three-quarters of an hour."

He drew a chair close to the fireplace, folding his arms, and presenting
his muddy boots to the brazier.

"My feet are cold!" said he.

Only five ruffians now remained in the den with Thenardier and the
prisoner.

These men, through the black masks or paste which covered their faces,
and made of them, at fear's pleasure, charcoal-burners, negroes, or
demons, had a stupid and gloomy air, and it could be felt that they
perpetrated a crime like a bit of work, tranquilly, without either wrath
or mercy, with a sort of ennui. They were crowded together in one corner
like brutes, and remained silent.

Thenardier warmed his feet.

The prisoner had relapsed into his taciturnity. A sombre calm had
succeeded to the wild uproar which had filled the garret but a few
moments before.

The candle, on which a large "stranger" had formed, cast but a dim
light in the immense hovel, the brazier had grown dull, and all those
monstrous heads cast misshapen shadows on the walls and ceiling.

No sound was audible except the quiet breathing of the old drunken man,
who was fast asleep.

Marius waited in a state of anxiety that was augmented by every trifle.
The enigma was more impenetrable than ever.

Who was this "little one" whom Thenardier had called the Lark? Was she
his "Ursule"? The prisoner had not seemed to be affected by that word,
"the Lark," and had replied in the most natural manner in the world:
"I do not know what you mean." On the other hand, the two letters U. F.
were explained; they meant Urbain Fabre; and Ursule was no longer named
Ursule. This was what Marius perceived most clearly of all.

A sort of horrible fascination held him nailed to his post, from which
he was observing and commanding this whole scene. There he stood,
almost incapable of movement or reflection, as though annihilated by the
abominable things viewed at such close quarters. He waited, in the hope
of some incident, no matter of what nature, since he could not collect
his thoughts and did not know upon what course to decide.

"In any case," he said, "if she is the Lark, I shall see her, for the
Thenardier woman is to bring her hither. That will be the end, and then
I will give my life and my blood if necessary, but I will deliver her!
Nothing shall stop me."

Nearly half an hour passed in this manner. Thenardier seemed to be
absorbed in gloomy reflections, the prisoner did not stir. Still, Marius
fancied that at intervals, and for the last few moments, he had heard a
faint, dull noise in the direction of the prisoner.

All at once, Thenardier addressed the prisoner:

"By the way, Monsieur Fabre, I might as well say it to you at once."

These few words appeared to be the beginning of an explanation. Marius
strained his ears.

"My wife will be back shortly, don't get impatient. I think that the
Lark really is your daughter, and it seems to me quite natural that you
should keep her. Only, listen to me a bit. My wife will go and hunt her
up with your letter. I told my wife to dress herself in the way she did,
so that your young lady might make no difficulty about following her.
They will both enter the carriage with my comrade behind. Somewhere,
outside the barrier, there is a trap harnessed to two very good horses.
Your young lady will be taken to it. She will alight from the fiacre.
My comrade will enter the other vehicle with her, and my wife will come
back here to tell us: 'It's done.' As for the young lady, no harm will
be done to her; the trap will conduct her to a place where she will be
quiet, and just as soon as you have handed over to me those little two
hundred thousand francs, she will be returned to you. If you have me
arrested, my comrade will give a turn of his thumb to the Lark, that's
all."

The prisoner uttered not a syllable. After a pause, Thenardier
continued:--

"It's very simple, as you see. There'll be no harm done unless you wish
that there should be harm done. I'm telling you how things stand. I warn
you so that you may be prepared."

He paused: the prisoner did not break the silence, and Thenardier
resumed:--

"As soon as my wife returns and says to me: 'The Lark is on the way,' we
will release you, and you will be free to go and sleep at home. You see
that our intentions are not evil."

Terrible images passed through Marius' mind. What! That young girl whom
they were abducting was not to be brought back? One of those monsters
was to bear her off into the darkness? Whither? And what if it were she!

It was clear that it was she. Marius felt his heart stop beating.

What was he to do? Discharge the pistol? Place all those scoundrels in
the hands of justice? But the horrible man with the meat-axe would, none
the less, be out of reach with the young girl, and Marius reflected on
Thenardier's words, of which he perceived the bloody significance: "If
you have me arrested, my comrade will give a turn of his thumb to the
Lark."

Now, it was not alone by the colonel's testament, it was by his own
love, it was by the peril of the one he loved, that he felt himself
restrained.

This frightful situation, which had already lasted above half an hour,
was changing its aspect every moment.

Marius had sufficient strength of mind to review in succession all the
most heart-breaking conjectures, seeking hope and finding none.

The tumult of his thoughts contrasted with the funereal silence of the
den.

In the midst of this silence, the door at the bottom of the staircase
was heard to open and shut again.

The prisoner made a movement in his bonds.

"Here's the bourgeoise," said Thenardier.

He had hardly uttered the words, when the Thenardier woman did in fact
rush hastily into the room, red, panting, breathless, with flaming eyes,
and cried, as she smote her huge hands on her thighs simultaneously:--

"False address!"

The ruffian who had gone with her made his appearance behind her and
picked up his axe again.

She resumed:--

"Nobody there! Rue Saint-Dominique, No. 17, no Monsieur Urbain Fabre!
They know not what it means!"

She paused, choking, then went on:--

"Monsieur Thenardier! That old fellow has duped you! You are too good,
you see! If it had been me, I'd have chopped the beast in four quarters
to begin with! And if he had acted ugly, I'd have boiled him alive! He
would have been obliged to speak, and say where the girl is, and where
he keeps his shiners! That's the way I should have managed matters!
People are perfectly right when they say that men are a deal stupider
than women! Nobody at No. 17. It's nothing but a big carriage gate! No
Monsieur Fabre in the Rue Saint-Dominique! And after all that racing
and fee to the coachman and all! I spoke to both the porter and the
portress, a fine, stout woman, and they know nothing about him!"

Marius breathed freely once more.

She, Ursule or the Lark, he no longer knew what to call her, was safe.

While his exasperated wife vociferated, Thenardier had seated himself on
the table.

For several minutes he uttered not a word, but swung his right foot,
which hung down, and stared at the brazier with an air of savage revery.

Finally, he said to the prisoner, with a slow and singularly ferocious
tone:

"A false address? What did you expect to gain by that?"

"To gain time!" cried the prisoner in a thundering voice, and at the
same instant he shook off his bonds; they were cut. The prisoner was
only attached to the bed now by one leg.

Before the seven men had time to collect their senses and dash forward,
he had bent down into the fireplace, had stretched out his hand to the
brazier, and had then straightened himself up again, and now Thenardier,
the female Thenardier, and the ruffians, huddled in amazement at the
extremity of the hovel, stared at him in stupefaction, as almost free
and in a formidable attitude, he brandished above his head the red-hot
chisel, which emitted a threatening glow.

The judicial examination to which the ambush in the Gorbeau house
eventually gave rise, established the fact that a large sou piece, cut
and worked in a peculiar fashion, was found in the garret, when the
police made their descent on it. This sou piece was one of those marvels
of industry, which are engendered by the patience of the galleys in
the shadows and for the shadows, marvels which are nothing else than
instruments of escape. These hideous and delicate products of wonderful
art are to jewellers' work what the metaphors of slang are to poetry.
There are Benvenuto Cellinis in the galleys, just as there are Villons
in language. The unhappy wretch who aspires to deliverance finds means
sometimes without tools, sometimes with a common wooden-handled knife,
to saw a sou into two thin plates, to hollow out these plates without
affecting the coinage stamp, and to make a furrow on the edge of the sou
in such a manner that the plates will adhere again. This can be screwed
together and unscrewed at will; it is a box. In this box he hides a
watch-spring, and this watch-spring, properly handled, cuts good-sized
chains and bars of iron. The unfortunate convict is supposed to possess
merely a sou; not at all, he possesses liberty. It was a large sou of
this sort which, during the subsequent search of the police, was found
under the bed near the window. They also found a tiny saw of blue steel
which would fit the sou.

It is probable that the prisoner had this sou piece on his person at the
moment when the ruffians searched him, that he contrived to conceal
it in his hand, and that afterward, having his right hand free, he
unscrewed it, and used it as a saw to cut the cords which fastened him,
which would explain the faint noise and almost imperceptible movements
which Marius had observed.

As he had not been able to bend down, for fear of betraying himself, he
had not cut the bonds of his left leg.

The ruffians had recovered from their first surprise.

"Be easy," said Bigrenaille to Thenardier. "He still holds by one leg,
and he can't get away. I'll answer for that. I tied that paw for him."

In the meanwhile, the prisoner had begun to speak:--

"You are wretches, but my life is not worth the trouble of defending it.
When you think that you can make me speak, that you can make me write
what I do not choose to write, that you can make me say what I do not
choose to say--"

He stripped up his left sleeve, and added:--

"See here."

At the same moment he extended his arm, and laid the glowing chisel
which he held in his left hand by its wooden handle on his bare flesh.

The crackling of the burning flesh became audible, and the odor peculiar
to chambers of torture filled the hovel.

[Illustration: Red Hot Chisel  3b8-20-red-hot-chisel]

Marius reeled in utter horror, the very ruffians shuddered, hardly a
muscle of the old man's face contracted, and while the red-hot iron
sank into the smoking wound, impassive and almost august, he fixed on
Thenardier his beautiful glance, in which there was no hatred, and where
suffering vanished in serene majesty.

With grand and lofty natures, the revolts of the flesh and the senses
when subjected to physical suffering cause the soul to spring forth, and
make it appear on the brow, just as rebellions among the soldiery force
the captain to show himself.

"Wretches!" said he, "have no more fear of me than I have for you!"

And, tearing the chisel from the wound, he hurled it through the window,
which had been left open; the horrible, glowing tool disappeared into
the night, whirling as it flew, and fell far away on the snow.

The prisoner resumed:--

"Do what you please with me." He was disarmed.

"Seize him!" said Thenardier.

Two of the ruffians laid their hands on his shoulder, and the masked
man with the ventriloquist's voice took up his station in front of him,
ready to smash his skull at the slightest movement.

At the same time, Marius heard below him, at the base of the partition,
but so near that he could not see who was speaking, this colloquy
conducted in a low tone:--

"There is only one thing left to do."

"Cut his throat."

"That's it."

It was the husband and wife taking counsel together.

Thenardier walked slowly towards the table, opened the drawer, and
took out the knife. Marius fretted with the handle of his pistol.
Unprecedented perplexity! For the last hour he had had two voices in his
conscience, the one enjoining him to respect his father's testament, the
other crying to him to rescue the prisoner. These two voices continued
uninterruptedly that struggle which tormented him to agony. Up to that
moment he had cherished a vague hope that he should find some means
of reconciling these two duties, but nothing within the limits of
possibility had presented itself.

However, the peril was urgent, the last bounds of delay had been
reached; Thenardier was standing thoughtfully a few paces distant from
the prisoner.

Marius cast a wild glance about him, the last mechanical resource of
despair. All at once a shudder ran through him.

At his feet, on the table, a bright ray of light from the full moon
illuminated and seemed to point out to him a sheet of paper. On this
paper he read the following line written that very morning, in large
letters, by the eldest of the Thenardier girls:--

"THE BOBBIES ARE HERE."

An idea, a flash, crossed Marius' mind; this was the expedient of which
he was in search, the solution of that frightful problem which was
torturing him, of sparing the assassin and saving the victim.

He knelt down on his commode, stretched out his arm, seized the sheet of
paper, softly detached a bit of plaster from the wall, wrapped the paper
round it, and tossed the whole through the crevice into the middle of
the den.

It was high time. Thenardier had conquered his last fears or his last
scruples, and was advancing on the prisoner.

"Something is falling!" cried the Thenardier woman.

"What is it?" asked her husband.

The woman darted forward and picked up the bit of plaster. She handed it
to her husband.

"Where did this come from?" demanded Thenardier.

"Pardie!" ejaculated his wife, "where do you suppose it came from?
Through the window, of course."

"I saw it pass," said Bigrenaille.

Thenardier rapidly unfolded the paper and held it close to the candle.

"It's in Eponine's handwriting. The devil!"

He made a sign to his wife, who hastily drew near, and showed her the
line written on the sheet of paper, then he added in a subdued voice:--

"Quick! The ladder! Let's leave the bacon in the mousetrap and decamp!"

"Without cutting that man's throat?" asked, the Thenardier woman.

"We haven't the time."

"Through what?" resumed Bigrenaille.

"Through the window," replied Thenardier. "Since Ponine has thrown the
stone through the window, it indicates that the house is not watched on
that side."

The mask with the ventriloquist's voice deposited his huge key on the
floor, raised both arms in the air, and opened and clenched his fists,
three times rapidly without uttering a word.

This was the signal like the signal for clearing the decks for action on
board ship.

The ruffians who were holding the prisoner released him; in the
twinkling of an eye the rope ladder was unrolled outside the window, and
solidly fastened to the sill by the two iron hooks.

The prisoner paid no attention to what was going on around him. He
seemed to be dreaming or praying.

As soon as the ladder was arranged, Thenardier cried:

"Come! the bourgeoise first!"

And he rushed headlong to the window.

But just as he was about to throw his leg over, Bigrenaille seized him
roughly by the collar.

"Not much, come now, you old dog, after us!"

"After us!" yelled the ruffians.

"You are children," said Thenardier, "we are losing time. The police are
on our heels."

"Well," said the ruffians, "let's draw lots to see who shall go down
first."

Thenardier exclaimed:--

"Are you mad! Are you crazy! What a pack of boobies! You want to waste
time, do you? Draw lots, do you? By a wet finger, by a short straw! With
written names! Thrown into a hat!--"

"Would you like my hat?" cried a voice on the threshold.

All wheeled round. It was Javert.

He had his hat in his hand, and was holding it out to them with a smile.




CHAPTER XXI--ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS

At nightfall, Javert had posted his men and had gone into ambush himself
between the trees of the Rue de la Barrieredes-Gobelins which faced
the Gorbeau house, on the other side of the boulevard. He had begun
operations by opening "his pockets," and dropping into it the two young
girls who were charged with keeping a watch on the approaches to the
den. But he had only "caged" Azelma. As for Eponine, she was not at her
post, she had disappeared, and he had not been able to seize her. Then
Javert had made a point and had bent his ear to waiting for the signal
agreed upon. The comings and goings of the fiacres had greatly agitated
him. At last, he had grown impatient, and, sure that there was a nest
there, sure of being in "luck," having recognized many of the ruffians
who had entered, he had finally decided to go upstairs without waiting
for the pistol-shot.

It will be remembered that he had Marius' pass-key.

He had arrived just in the nick of time.

The terrified ruffians flung themselves on the arms which they had
abandoned in all the corners at the moment of flight. In less than a
second, these seven men, horrible to behold, had grouped themselves in
an attitude of defence, one with his meat-axe, another with his key,
another with his bludgeon, the rest with shears, pincers, and hammers.
Thenardier had his knife in his fist. The Thenardier woman snatched up
an enormous paving-stone which lay in the angle of the window and served
her daughters as an ottoman.

[Illustration: Snatched up a Paving Stone  3b8-21-paving-stone]

Javert put on his hat again, and advanced a couple of paces into the
room, with arms folded, his cane under one arm, his sword in its sheath.

"Halt there," said he. "You shall not go out by the window, you shall go
through the door. It's less unhealthy. There are seven of you, there
are fifteen of us. Don't let's fall to collaring each other like men of
Auvergne."

Bigrenaille drew out a pistol which he had kept concealed under his
blouse, and put it in Thenardier's hand, whispering in the latter's
ear:--

"It's Javert. I don't dare fire at that man. Do you dare?"

"Parbleu!" replied Thenardier.

"Well, then, fire."

Thenardier took the pistol and aimed at Javert.

Javert, who was only three paces from him, stared intently at him and
contented himself with saying:--

"Come now, don't fire. You'll miss fire."

Thenardier pulled the trigger. The pistol missed fire.

"Didn't I tell you so!" ejaculated Javert.

Bigrenaille flung his bludgeon at Javert's feet.

"You're the emperor of the fiends! I surrender."

"And you?" Javert asked the rest of the ruffians.

They replied:--

"So do we."

Javert began again calmly:--

"That's right, that's good, I said so, you are nice fellows."

"I only ask one thing," said Bigrenaille, "and that is, that I may not
be denied tobacco while I am in confinement."

"Granted," said Javert.

And turning round and calling behind him:--

"Come in now!"

A squad of policemen, sword in hand, and agents armed with bludgeons and
cudgels, rushed in at Javert's summons. They pinioned the ruffians.

This throng of men, sparely lighted by the single candle, filled the den
with shadows.

"Handcuff them all!" shouted Javert.

"Come on!" cried a voice which was not the voice of a man, but of which
no one would ever have said: "It is a woman's voice."

The Thenardier woman had entrenched herself in one of the angles of the
window, and it was she who had just given vent to this roar.

The policemen and agents recoiled.

She had thrown off her shawl, but retained her bonnet; her husband, who
was crouching behind her, was almost hidden under the discarded
shawl, and she was shielding him with her body, as she elevated the
paving-stone above her head with the gesture of a giantess on the point
of hurling a rock.

"Beware!" she shouted.

All crowded back towards the corridor. A broad open space was cleared in
the middle of the garret.

The Thenardier woman cast a glance at the ruffians who had allowed
themselves to be pinioned, and muttered in hoarse and guttural
accents:--

"The cowards!"

Javert smiled, and advanced across the open space which the Thenardier
was devouring with her eyes.

"Don't come near me," she cried, "or I'll crush you."

"What a grenadier!" ejaculated Javert; "you've got a beard like a man,
mother, but I have claws like a woman."

And he continued to advance.

The Thenardier, dishevelled and terrible, set her feet far apart, threw
herself backwards, and hurled the paving-stone at Javert's head. Javert
ducked, the stone passed over him, struck the wall behind, knocked off a
huge piece of plastering, and, rebounding from angle to angle across the
hovel, now luckily almost empty, rested at Javert's feet.

At the same moment, Javert reached the Thenardier couple. One of his
big hands descended on the woman's shoulder; the other on the husband's
head.

"The handcuffs!" he shouted.

The policemen trooped in in force, and in a few seconds Javert's order
had been executed.

The Thenardier female, overwhelmed, stared at her pinioned hands, and
at those of her husband, who had dropped to the floor, and exclaimed,
weeping:--

"My daughters!"

"They are in the jug," said Javert.

In the meanwhile, the agents had caught sight of the drunken man asleep
behind the door, and were shaking him:--

He awoke, stammering:--

"Is it all over, Jondrette?"

"Yes," replied Javert.

The six pinioned ruffians were standing, and still preserved their
spectral mien; all three besmeared with black, all three masked.

"Keep on your masks," said Javert.

And passing them in review with a glance of a Frederick II. at a Potsdam
parade, he said to the three "chimney-builders":--

"Good day, Bigrenaille! good day, Brujon! good day, Deuxmilliards!"

Then turning to the three masked men, he said to the man with the
meat-axe:--

"Good day, Gueulemer!"

And to the man with the cudgel:--

"Good day, Babet!"

And to the ventriloquist:--

"Your health, Claquesous."

At that moment, he caught sight of the ruffians' prisoner, who, ever
since the entrance of the police, had not uttered a word, and had held
his head down.

"Untie the gentleman!" said Javert, "and let no one go out!"

That said, he seated himself with sovereign dignity before the table,
where the candle and the writing-materials still remained, drew a
stamped paper from his pocket, and began to prepare his report.

When he had written the first lines, which are formulas that never vary,
he raised his eyes:--

"Let the gentleman whom these gentlemen bound step forward."

The policemen glanced round them.

"Well," said Javert, "where is he?"

The prisoner of the ruffians, M. Leblanc, M. Urbain Fabre, the father of
Ursule or the Lark, had disappeared.

The door was guarded, but the window was not. As soon as he had found
himself released from his bonds, and while Javert was drawing up his
report, he had taken advantage of confusion, the crowd, the darkness,
and of a moment when the general attention was diverted from him, to
dash out of the window.

An agent sprang to the opening and looked out. He saw no one outside.

The rope ladder was still shaking.

"The devil!" ejaculated Javert between his teeth, "he must have been the
most valuable of the lot."




CHAPTER XXII--THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO

On the day following that on which these events took place in the house
on the Boulevard de l'Hopital, a child, who seemed to be coming from the
direction of the bridge of Austerlitz, was ascending the side-alley on
the right in the direction of the Barriere de Fontainebleau.

Night had fully come.

This lad was pale, thin, clad in rags, with linen trousers in the month
of February, and was singing at the top of his voice.

At the corner of the Rue du Petit-Banquier, a bent old woman was
rummaging in a heap of refuse by the light of a street lantern; the
child jostled her as he passed, then recoiled, exclaiming:--

"Hello! And I took it for an enormous, enormous dog!"

He pronounced the word enormous the second time with a jeering swell
of the voice which might be tolerably well represented by capitals: "an
enormous, ENORMOUS dog."

The old woman straightened herself up in a fury.

"Nasty brat!" she grumbled. "If I hadn't been bending over, I know well
where I would have planted my foot on you."

The boy was already far away.

"Kisss! kisss!" he cried. "After that, I don't think I was mistaken!"

The old woman, choking with indignation, now rose completely upright,
and the red gleam of the lantern fully lighted up her livid face, all
hollowed into angles and wrinkles, with crow's-feet meeting the corners
of her mouth.

Her body was lost in the darkness, and only her head was visible. One
would have pronounced her a mask of Decrepitude carved out by a light
from the night.

The boy surveyed her.

"Madame," said he, "does not possess that style of beauty which pleases
me."

He then pursued his road, and resumed his song:--

               "Le roi Coupdesabot
               S'en allait a la chasse,
               A la chasse aux corbeaux--"


At the end of these three lines he paused. He had arrived in front of
No. 50-52, and finding the door fastened, he began to assault it with
resounding and heroic kicks, which betrayed rather the man's shoes that
he was wearing than the child's feet which he owned.

In the meanwhile, the very old woman whom he had encountered at the
corner of the Rue du Petit-Banquier hastened up behind him, uttering
clamorous cries and indulging in lavish and exaggerated gestures.

"What's this? What's this? Lord God! He's battering the door down! He's
knocking the house down."

The kicks continued.

The old woman strained her lungs.

"Is that the way buildings are treated nowadays?"

All at once she paused.

She had recognized the gamin.

"What! so it's that imp!"

"Why, it's the old lady," said the lad. "Good day, Bougonmuche. I have
come to see my ancestors."

The old woman retorted with a composite grimace, and a wonderful
improvisation of hatred taking advantage of feebleness and ugliness,
which was, unfortunately, wasted in the dark:--

"There's no one here."

"Bah!" retorted the boy, "where's my father?"

"At La Force."

"Come, now! And my mother?"

"At Saint-Lazare."

"Well! And my sisters?"

"At the Madelonettes."

The lad scratched his head behind his ear, stared at Ma'am Bougon, and
said:--

"Ah!"

Then he executed a pirouette on his heel; a moment later, the old woman,
who had remained on the door-step, heard him singing in his clear, young
voice, as he plunged under the black elm-trees, in the wintry wind:--

               "Le roi Coupdesabot[31]
               S'en allait a la chasse,
               A la chasse aux corbeaux,
               Monte sur deux echasses.
               Quand on passait dessous,
               On lui payait deux sous."


[THE END OF VOLUME III. "MARIUS"]





VOLUME IV.--SAINT-DENIS.

[Illustration: Frontispiece Volume Four]

[Illustration: Titlepage Volume Four]


THE IDYL IN THE RUE PLUMET AND THE EPIC IN THE RUE SAINT-DENIS




BOOK FIRST.--A FEW PAGES OF HISTORY




CHAPTER I--WELL CUT

1831 and 1832, the two years which are immediately connected with the
Revolution of July, form one of the most peculiar and striking moments
of history. These two years rise like two mountains midway between those
which precede and those which follow them. They have a revolutionary
grandeur. Precipices are to be distinguished there. The social masses,
the very assizes of civilization, the solid group of superposed and
adhering interests, the century-old profiles of the ancient French
formation, appear and disappear in them every instant, athwart the storm
clouds of systems, of passions, and of theories. These appearances
and disappearances have been designated as movement and resistance.
At intervals, truth, that daylight of the human soul, can be descried
shining there.

This remarkable epoch is decidedly circumscribed and is beginning to
be sufficiently distant from us to allow of our grasping the principal
lines even at the present day.

We shall make the attempt.

The Restoration had been one of those intermediate phases, hard to
define, in which there is fatigue, buzzing, murmurs, sleep, tumult,
and which are nothing else than the arrival of a great nation at a
halting-place.

These epochs are peculiar and mislead the politicians who desire to
convert them to profit. In the beginning, the nation asks nothing but
repose; it thirsts for but one thing, peace; it has but one ambition,
to be small. Which is the translation of remaining tranquil. Of great
events, great hazards, great adventures, great men, thank God, we
have seen enough, we have them heaped higher than our heads. We would
exchange Caesar for Prusias, and Napoleon for the King of Yvetot. "What
a good little king was he!" We have marched since daybreak, we have
reached the evening of a long and toilsome day; we have made our first
change with Mirabeau, the second with Robespierre, the third with
Bonaparte; we are worn out. Each one demands a bed.

Devotion which is weary, heroism which has grown old, ambitions which
are sated, fortunes which are made, seek, demand, implore, solicit,
what? A shelter. They have it. They take possession of peace, of
tranquillity, of leisure; behold, they are content. But, at the same
time certain facts arise, compel recognition, and knock at the door in
their turn. These facts are the products of revolutions and wars, they
are, they exist, they have the right to install themselves in society,
and they do install themselves therein; and most of the time, facts
are the stewards of the household and fouriers[32] who do nothing but
prepare lodgings for principles.

This, then, is what appears to philosophical politicians:--

At the same time that weary men demand repose, accomplished facts demand
guarantees. Guarantees are the same to facts that repose is to men.

This is what England demanded of the Stuarts after the Protector; this
is what France demanded of the Bourbons after the Empire.

These guarantees are a necessity of the times. They must be accorded.
Princes "grant" them, but in reality, it is the force of things which
gives them. A profound truth, and one useful to know, which the Stuarts
did not suspect in 1662 and which the Bourbons did not even obtain a
glimpse of in 1814.

The predestined family, which returned to France when Napoleon fell, had
the fatal simplicity to believe that it was itself which bestowed, and
that what it had bestowed it could take back again; that the House of
Bourbon possessed the right divine, that France possessed nothing, and
that the political right conceded in the charter of Louis XVIII. was
merely a branch of the right divine, was detached by the House of
Bourbon and graciously given to the people until such day as it should
please the King to reassume it. Still, the House of Bourbon should have
felt, from the displeasure created by the gift, that it did not come
from it.

This house was churlish to the nineteenth century. It put on an
ill-tempered look at every development of the nation. To make use of a
trivial word, that is to say, of a popular and a true word, it looked
glum. The people saw this.

It thought it possessed strength because the Empire had been carried
away before it like a theatrical stage-setting. It did not perceive that
it had, itself, been brought in in the same fashion. It did not perceive
that it also lay in that hand which had removed Napoleon.

It thought that it had roots, because it was the past. It was mistaken;
it formed a part of the past, but the whole past was France. The roots
of French society were not fixed in the Bourbons, but in the nations.
These obscure and lively roots constituted, not the right of a family,
but the history of a people. They were everywhere, except under the
throne.

The House of Bourbon was to France the illustrious and bleeding knot in
her history, but was no longer the principal element of her destiny,
and the necessary base of her politics. She could get along without the
Bourbons; she had done without them for two and twenty years; there
had been a break of continuity; they did not suspect the fact. And how
should they have suspected it, they who fancied that Louis XVII. reigned
on the 9th of Thermidor, and that Louis XVIII. was reigning at the
battle of Marengo? Never, since the origin of history, had princes been
so blind in the presence of facts and the portion of divine authority
which facts contain and promulgate. Never had that pretension here below
which is called the right of kings denied to such a point the right from
on high.

A capital error which led this family to lay its hand once more on the
guarantees "granted" in 1814, on the concessions, as it termed them.
Sad. A sad thing! What it termed its concessions were our conquests;
what it termed our encroachments were our rights.

When the hour seemed to it to have come, the Restoration, supposing
itself victorious over Bonaparte and well-rooted in the country, that is
to say, believing itself to be strong and deep, abruptly decided on its
plan of action, and risked its stroke. One morning it drew itself up
before the face of France, and, elevating its voice, it contested the
collective title and the individual right of the nation to sovereignty,
of the citizen to liberty. In other words, it denied to the nation
that which made it a nation, and to the citizen that which made him a
citizen.

This is the foundation of those famous acts which are called the
ordinances of July. The Restoration fell.

It fell justly. But, we admit, it had not been absolutely hostile to
all forms of progress. Great things had been accomplished, with it
alongside.

Under the Restoration, the nation had grown accustomed to calm
discussion, which had been lacking under the Republic, and to grandeur
in peace, which had been wanting under the Empire. France free and
strong had offered an encouraging spectacle to the other peoples of
Europe. The Revolution had had the word under Robespierre; the cannon
had had the word under Bonaparte; it was under Louis XVIII. and Charles
X. that it was the turn of intelligence to have the word. The wind
ceased, the torch was lighted once more. On the lofty heights, the
pure light of mind could be seen flickering. A magnificent, useful, and
charming spectacle. For a space of fifteen years, those great principles
which are so old for the thinker, so new for the statesman, could be
seen at work in perfect peace, on the public square; equality before the
law, liberty of conscience, liberty of speech, liberty of the press, the
accessibility of all aptitudes to all functions. Thus it proceeded until
1830. The Bourbons were an instrument of civilization which broke in the
hands of Providence.

The fall of the Bourbons was full of grandeur, not on their side, but
on the side of the nation. They quitted the throne with gravity, but
without authority; their descent into the night was not one of those
solemn disappearances which leave a sombre emotion in history; it
was neither the spectral calm of Charles I., nor the eagle scream of
Napoleon. They departed, that is all. They laid down the crown, and
retained no aureole. They were worthy, but they were not august. They
lacked, in a certain measure, the majesty of their misfortune. Charles
X. during the voyage from Cherbourg, causing a round table to be cut
over into a square table, appeared to be more anxious about imperilled
etiquette than about the crumbling monarchy. This diminution saddened
devoted men who loved their persons, and serious men who honored their
race. The populace was admirable. The nation, attacked one morning with
weapons, by a sort of royal insurrection, felt itself in the possession
of so much force that it did not go into a rage. It defended itself,
restrained itself, restored things to their places, the government to
law, the Bourbons to exile, alas! and then halted! It took the old king
Charles X. from beneath that dais which had sheltered Louis XIV. and
set him gently on the ground. It touched the royal personages only with
sadness and precaution. It was not one man, it was not a few men, it
was France, France entire, France victorious and intoxicated with her
victory, who seemed to be coming to herself, and who put into practice,
before the eyes of the whole world, these grave words of Guillaume du
Vair after the day of the Barricades:--

"It is easy for those who are accustomed to skim the favors of the
great, and to spring, like a bird from bough to bough, from an afflicted
fortune to a flourishing one, to show themselves harsh towards their
Prince in his adversity; but as for me, the fortune of my Kings and
especially of my afflicted Kings, will always be venerable to me."

The Bourbons carried away with them respect, but not regret. As we have
just stated, their misfortune was greater than they were. They faded out
in the horizon.

The Revolution of July instantly had friends and enemies throughout the
entire world. The first rushed toward her with joy and enthusiasm, the
others turned away, each according to his nature. At the first blush,
the princes of Europe, the owls of this dawn, shut their eyes, wounded
and stupefied, and only opened them to threaten. A fright which can be
comprehended, a wrath which can be pardoned. This strange revolution had
hardly produced a shock; it had not even paid to vanquished royalty the
honor of treating it as an enemy, and of shedding its blood. In the eyes
of despotic governments, who are always interested in having liberty
calumniate itself, the Revolution of July committed the fault of being
formidable and of remaining gentle. Nothing, however, was attempted or
plotted against it. The most discontented, the most irritated, the most
trembling, saluted it; whatever our egotism and our rancor may be, a
mysterious respect springs from events in which we are sensible of the
collaboration of some one who is working above man.

The Revolution of July is the triumph of right overthrowing the fact. A
thing which is full of splendor.

Right overthrowing the fact. Hence the brilliancy of the Revolution of
1830, hence, also, its mildness. Right triumphant has no need of being
violent.

Right is the just and the true.

The property of right is to remain eternally beautiful and pure. The
fact, even when most necessary to all appearances, even when most
thoroughly accepted by contemporaries, if it exist only as a fact, and
if it contain only too little of right, or none at all, is infallibly
destined to become, in the course of time, deformed, impure, perhaps,
even monstrous. If one desires to learn at one blow, to what degree of
hideousness the fact can attain, viewed at the distance of centuries,
let him look at Machiavelli. Machiavelli is not an evil genius, nor a
demon, nor a miserable and cowardly writer; he is nothing but the fact.
And he is not only the Italian fact; he is the European fact, the
fact of the sixteenth century. He seems hideous, and so he is, in the
presence of the moral idea of the nineteenth.

This conflict of right and fact has been going on ever since the origin
of society. To terminate this duel, to amalgamate the pure idea with the
humane reality, to cause right to penetrate pacifically into the fact
and the fact into right, that is the task of sages.




CHAPTER II--BADLY SEWED

But the task of sages is one thing, the task of clever men is another.
The Revolution of 1830 came to a sudden halt.

As soon as a revolution has made the coast, the skilful make haste to
prepare the shipwreck.

The skilful in our century have conferred on themselves the title of
Statesmen; so that this word, statesmen, has ended by becoming somewhat
of a slang word. It must be borne in mind, in fact, that wherever
there is nothing but skill, there is necessarily pettiness. To say "the
skilful" amounts to saying "the mediocre."

In the same way, to say "statesmen" is sometimes equivalent to saying
"traitors." If, then, we are to believe the skilful, revolutions like
the Revolution of July are severed arteries; a prompt ligature is
indispensable. The right, too grandly proclaimed, is shaken. Also, right
once firmly fixed, the state must be strengthened. Liberty once assured,
attention must be directed to power.

Here the sages are not, as yet, separated from the skilful, but they
begin to be distrustful. Power, very good. But, in the first place, what
is power? In the second, whence comes it? The skilful do not seem to
hear the murmured objection, and they continue their manoeuvres.

According to the politicians, who are ingenious in putting the mask
of necessity on profitable fictions, the first requirement of a people
after a revolution, when this people forms part of a monarchical
continent, is to procure for itself a dynasty. In this way, say they,
peace, that is to say, time to dress our wounds, and to repair
the house, can be had after a revolution. The dynasty conceals the
scaffolding and covers the ambulance. Now, it is not always easy to
procure a dynasty.

If it is absolutely necessary, the first man of genius or even the first
man of fortune who comes to hand suffices for the manufacturing of a
king. You have, in the first case, Napoleon; in the second, Iturbide.

But the first family that comes to hand does not suffice to make a
dynasty. There is necessarily required a certain modicum of antiquity in
a race, and the wrinkle of the centuries cannot be improvised.

If we place ourselves at the point of view of the "statesmen," after
making all allowances, of course, after a revolution, what are the
qualities of the king which result from it? He may be and it is useful
for him to be a revolutionary; that is to say, a participant in his own
person in that revolution, that he should have lent a hand to it, that
he should have either compromised or distinguished himself therein, that
he should have touched the axe or wielded the sword in it.

What are the qualities of a dynasty? It should be national; that is to
say, revolutionary at a distance, not through acts committed, but by
reason of ideas accepted. It should be composed of past and be historic;
be composed of future and be sympathetic.

All this explains why the early revolutions contented themselves with
finding a man, Cromwell or Napoleon; and why the second absolutely
insisted on finding a family, the House of Brunswick or the House of
Orleans.

Royal houses resemble those Indian fig-trees, each branch of which,
bending over to the earth, takes root and becomes a fig-tree itself.
Each branch may become a dynasty. On the sole condition that it shall
bend down to the people.

Such is the theory of the skilful.

Here, then, lies the great art: to make a little render to success the
sound of a catastrophe in order that those who profit by it may tremble
from it also, to season with fear every step that is taken, to augment
the curve of the transition to the point of retarding progress, to dull
that aurora, to denounce and retrench the harshness of enthusiasm, to
cut all angles and nails, to wad triumph, to muffle up right, to envelop
the giant-people in flannel, and to put it to bed very speedily, to
impose a diet on that excess of health, to put Hercules on the treatment
of a convalescent, to dilute the event with the expedient, to offer to
spirits thirsting for the ideal that nectar thinned out with a potion,
to take one's precautions against too much success, to garnish the
revolution with a shade.

1830 practised this theory, already applied to England by 1688.

1830 is a revolution arrested midway. Half of progress, quasi-right.
Now, logic knows not the "almost," absolutely as the sun knows not the
candle.

Who arrests revolutions half-way? The bourgeoisie?

Why?

Because the bourgeoisie is interest which has reached satisfaction.
Yesterday it was appetite, to-day it is plenitude, to-morrow it will be
satiety.

The phenomenon of 1814 after Napoleon was reproduced in 1830 after
Charles X.

The attempt has been made, and wrongly, to make a class of the
bourgeoisie. The bourgeoisie is simply the contented portion of the
people. The bourgeois is the man who now has time to sit down. A chair
is not a caste.

But through a desire to sit down too soon, one may arrest the very march
of the human race. This has often been the fault of the bourgeoisie.

One is not a class because one has committed a fault. Selfishness is not
one of the divisions of the social order.

Moreover, we must be just to selfishness. The state to which that part
of the nation which is called the bourgeoisie aspired after the shock
of 1830 was not the inertia which is complicated with indifference and
laziness, and which contains a little shame; it was not the slumber
which presupposes a momentary forgetfulness accessible to dreams; it was
the halt.

The halt is a word formed of a singular double and almost contradictory
sense: a troop on the march, that is to say, movement; a stand, that is
to say, repose.

The halt is the restoration of forces; it is repose armed and on the
alert; it is the accomplished fact which posts sentinels and holds
itself on its guard.

The halt presupposes the combat of yesterday and the combat of
to-morrow.

It is the partition between 1830 and 1848.

What we here call combat may also be designated as progress.

The bourgeoisie then, as well as the statesmen, required a man who
should express this word Halt. An Although-Because. A composite
individuality, signifying revolution and signifying stability, in other
terms, strengthening the present by the evident compatibility of the
past with the future.

This man was "already found." His name was Louis Philippe d'Orleans.

The 221 made Louis Philippe King. Lafayette undertook the coronation.

He called it the best of republics. The town-hall of Paris took the
place of the Cathedral of Rheims.

This substitution of a half-throne for a whole throne was "the work of
1830."

When the skilful had finished, the immense vice of their solution became
apparent. All this had been accomplished outside the bounds of absolute
right. Absolute right cried: "I protest!" then, terrible to say, it
retired into the darkness.




CHAPTER III--LOUIS PHILIPPE

Revolutions have a terrible arm and a happy hand, they strike firmly and
choose well. Even incomplete, even debased and abused and reduced to the
state of a junior revolution like the Revolution of 1830, they nearly
always retain sufficient providential lucidity to prevent them from
falling amiss. Their eclipse is never an abdication.

Nevertheless, let us not boast too loudly; revolutions also may be
deceived, and grave errors have been seen.

Let us return to 1830. 1830, in its deviation, had good luck. In the
establishment which entitled itself order after the revolution had been
cut short, the King amounted to more than royalty. Louis Philippe was a
rare man.

The son of a father to whom history will accord certain attenuating
circumstances, but also as worthy of esteem as that father had been of
blame; possessing all private virtues and many public virtues; careful
of his health, of his fortune, of his person, of his affairs, knowing
the value of a minute and not always the value of a year; sober, serene,
peaceable, patient; a good man and a good prince; sleeping with his
wife, and having in his palace lackeys charged with the duty of showing
the conjugal bed to the bourgeois, an ostentation of the regular
sleeping-apartment which had become useful after the former illegitimate
displays of the elder branch; knowing all the languages of Europe, and,
what is more rare, all the languages of all interests, and speaking
them; an admirable representative of the "middle class," but
outstripping it, and in every way greater than it; possessing excellent
sense, while appreciating the blood from which he had sprung, counting
most of all on his intrinsic worth, and, on the question of his race,
very particular, declaring himself Orleans and not Bourbon; thoroughly
the first Prince of the Blood Royal while he was still only a Serene
Highness, but a frank bourgeois from the day he became king; diffuse in
public, concise in private; reputed, but not proved to be a miser; at
bottom, one of those economists who are readily prodigal at their own
fancy or duty; lettered, but not very sensitive to letters; a gentleman,
but not a chevalier; simple, calm, and strong; adored by his family and
his household; a fascinating talker, an undeceived statesman, inwardly
cold, dominated by immediate interest, always governing at the shortest
range, incapable of rancor and of gratitude, making use without mercy of
superiority on mediocrity, clever in getting parliamentary majorities to
put in the wrong those mysterious unanimities which mutter dully under
thrones; unreserved, sometimes imprudent in his lack of reserve, but
with marvellous address in that imprudence; fertile in expedients, in
countenances, in masks; making France fear Europe and Europe France!
Incontestably fond of his country, but preferring his family; assuming
more domination than authority and more authority than dignity, a
disposition which has this unfortunate property, that as it turns
everything to success, it admits of ruse and does not absolutely
repudiate baseness, but which has this valuable side, that it preserves
politics from violent shocks, the state from fractures, and society
from catastrophes; minute, correct, vigilant, attentive, sagacious,
indefatigable; contradicting himself at times and giving himself the
lie; bold against Austria at Ancona, obstinate against England in Spain,
bombarding Antwerp, and paying off Pritchard; singing the Marseillaise
with conviction, inaccessible to despondency, to lassitude, to the taste
for the beautiful and the ideal, to daring generosity, to Utopia, to
chimeras, to wrath, to vanity, to fear; possessing all the forms
of personal intrepidity; a general at Valmy; a soldier at Jemappes;
attacked eight times by regicides and always smiling. Brave as a
grenadier, courageous as a thinker; uneasy only in the face of the
chances of a European shaking up, and unfitted for great political
adventures; always ready to risk his life, never his work; disguising
his will in influence, in order that he might be obeyed as an
intelligence rather than as a king; endowed with observation and not
with divination; not very attentive to minds, but knowing men, that is
to say requiring to see in order to judge; prompt and penetrating
good sense, practical wisdom, easy speech, prodigious memory; drawing
incessantly on this memory, his only point of resemblance with Caesar,
Alexander, and Napoleon; knowing deeds, facts, details, dates, proper
names, ignorant of tendencies, passions, the diverse geniuses of the
crowd, the interior aspirations, the hidden and obscure uprisings of
souls, in a word, all that can be designated as the invisible currents
of consciences; accepted by the surface, but little in accord with
France lower down; extricating himself by dint of tact; governing too
much and not enough; his own first minister; excellent at creating out
of the pettiness of realities an obstacle to the immensity of ideas;
mingling a genuine creative faculty of civilization, of order and
organization, an indescribable spirit of proceedings and chicanery, the
founder and lawyer of a dynasty; having something of Charlemagne and
something of an attorney; in short, a lofty and original figure, a
prince who understood how to create authority in spite of the uneasiness
of France, and power in spite of the jealousy of Europe. Louis Philippe
will be classed among the eminent men of his century, and would be
ranked among the most illustrious governors of history had he loved
glory but a little, and if he had had the sentiment of what is great to
the same degree as the feeling for what is useful.

Louis Philippe had been handsome, and in his old age he remained
graceful; not always approved by the nation, he always was so by the
masses; he pleased. He had that gift of charming. He lacked majesty; he
wore no crown, although a king, and no white hair, although an old man;
his manners belonged to the old regime and his habits to the new; a
mixture of the noble and the bourgeois which suited 1830; Louis Philippe
was transition reigning; he had preserved the ancient pronunciation
and the ancient orthography which he placed at the service of opinions
modern; he loved Poland and Hungary, but he wrote les Polonois, and he
pronounced les Hongrais. He wore the uniform of the national guard, like
Charles X., and the ribbon of the Legion of Honor, like Napoleon.

He went a little to chapel, not at all to the chase, never to the opera.
Incorruptible by sacristans, by whippers-in, by ballet-dancers; this
made a part of his bourgeois popularity. He had no heart. He went out
with his umbrella under his arm, and this umbrella long formed a part of
his aureole. He was a bit of a mason, a bit of a gardener, something
of a doctor; he bled a postilion who had tumbled from his horse; Louis
Philippe no more went about without his lancet, than did Henri IV.
without his poniard. The Royalists jeered at this ridiculous king, the
first who had ever shed blood with the object of healing.

For the grievances against Louis Philippe, there is one deduction to be
made; there is that which accuses royalty, that which accuses the reign,
that which accuses the King; three columns which all give different
totals. Democratic right confiscated, progress becomes a matter of
secondary interest, the protests of the street violently repressed,
military execution of insurrections, the rising passed over by arms, the
Rue Transnonain, the counsels of war, the absorption of the real
country by the legal country, on half shares with three hundred thousand
privileged persons,--these are the deeds of royalty; Belgium refused,
Algeria too harshly conquered, and, as in the case of India by the
English, with more barbarism than civilization, the breach of faith, to
Abd-el-Kader, Blaye, Deutz bought, Pritchard paid,--these are the doings
of the reign; the policy which was more domestic than national was the
doing of the King.

As will be seen, the proper deduction having been made, the King's
charge is decreased.

This is his great fault; he was modest in the name of France.

Whence arises this fault?

We will state it.

Louis Philippe was rather too much of a paternal king; that incubation
of a family with the object of founding a dynasty is afraid of
everything and does not like to be disturbed; hence excessive timidity,
which is displeasing to the people, who have the 14th of July in their
civil and Austerlitz in their military tradition.

Moreover, if we deduct the public duties which require to be fulfilled
first of all, that deep tenderness of Louis Philippe towards his
family was deserved by the family. That domestic group was worthy of
admiration. Virtues there dwelt side by side with talents. One of Louis
Philippe's daughters, Marie d'Orleans, placed the name of her race among
artists, as Charles d'Orleans had placed it among poets. She made of
her soul a marble which she named Jeanne d'Arc. Two of Louis Philippe's
daughters elicited from Metternich this eulogium: "They are young people
such as are rarely seen, and princes such as are never seen."

This, without any dissimulation, and also without any exaggeration, is
the truth about Louis Philippe.

To be Prince Equality, to bear in his own person the contradiction of
the Restoration and the Revolution, to have that disquieting side of the
revolutionary which becomes reassuring in governing power, therein lay
the fortune of Louis Philippe in 1830; never was there a more complete
adaptation of a man to an event; the one entered into the other, and the
incarnation took place. Louis Philippe is 1830 made man. Moreover, he
had in his favor that great recommendation to the throne, exile. He had
been proscribed, a wanderer, poor. He had lived by his own labor. In
Switzerland, this heir to the richest princely domains in France had
sold an old horse in order to obtain bread. At Reichenau, he gave
lessons in mathematics, while his sister Adelaide did wool work and
sewed. These souvenirs connected with a king rendered the bourgeoisie
enthusiastic. He had, with his own hands, demolished the iron cage of
Mont-Saint-Michel, built by Louis XI, and used by Louis XV. He was the
companion of Dumouriez, he was the friend of Lafayette; he had belonged
to the Jacobins' club; Mirabeau had slapped him on the shoulder; Danton
had said to him: "Young man!" At the age of four and twenty, in '93,
being then M. de Chartres, he had witnessed, from the depth of a box,
the trial of Louis XVI., so well named that poor tyrant. The blind
clairvoyance of the Revolution, breaking royalty in the King and the
King with royalty, did so almost without noticing the man in the fierce
crushing of the idea, the vast storm of the Assembly-Tribunal, the
public wrath interrogating, Capet not knowing what to reply, the
alarming, stupefied vacillation by that royal head beneath that sombre
breath, the relative innocence of all in that catastrophe, of those
who condemned as well as of the man condemned,--he had looked on those
things, he had contemplated that giddiness; he had seen the centuries
appear before the bar of the Assembly-Convention; he had beheld, behind
Louis XVI., that unfortunate passer-by who was made responsible, the
terrible culprit, the monarchy, rise through the shadows; and there had
lingered in his soul the respectful fear of these immense justices of
the populace, which are almost as impersonal as the justice of God.

The trace left in him by the Revolution was prodigious. Its memory was
like a living imprint of those great years, minute by minute. One day,
in the presence of a witness whom we are not permitted to doubt, he
rectified from memory the whole of the letter A in the alphabetical list
of the Constituent Assembly.

Louis Philippe was a king of the broad daylight. While he reigned the
press was free, the tribune was free, conscience and speech were free.
The laws of September are open to sight. Although fully aware of the
gnawing power of light on privileges, he left his throne exposed to the
light. History will do justice to him for this loyalty.

Louis Philippe, like all historical men who have passed from the scene,
is to-day put on his trial by the human conscience. His case is, as yet,
only in the lower court.

The hour when history speaks with its free and venerable accent, has
not yet sounded for him; the moment has not come to pronounce a definite
judgment on this king; the austere and illustrious historian Louis Blanc
has himself recently softened his first verdict; Louis Philippe was
elected by those two almosts which are called the 221 and 1830, that is
to say, by a half-Parliament, and a half-revolution; and in any case,
from the superior point of view where philosophy must place itself, we
cannot judge him here, as the reader has seen above, except with certain
reservations in the name of the absolute democratic principle; in the
eyes of the absolute, outside these two rights, the right of man in the
first place, the right of the people in the second, all is usurpation;
but what we can say, even at the present day, that after making these
reserves is, that to sum up the whole, and in whatever manner he is
considered, Louis Philippe, taken in himself, and from the point of view
of human goodness, will remain, to use the antique language of ancient
history, one of the best princes who ever sat on a throne.

What is there against him? That throne. Take away Louis Philippe the
king, there remains the man. And the man is good. He is good at times
even to the point of being admirable. Often, in the midst of his gravest
souvenirs, after a day of conflict with the whole diplomacy of the
continent, he returned at night to his apartments, and there, exhausted
with fatigue, overwhelmed with sleep, what did he do? He took a death
sentence and passed the night in revising a criminal suit, considering
it something to hold his own against Europe, but that it was a still
greater matter to rescue a man from the executioner. He obstinately
maintained his opinion against his keeper of the seals; he disputed the
ground with the guillotine foot by foot against the crown attorneys,
those chatterers of the law, as he called them. Sometimes the pile of
sentences covered his table; he examined them all; it was anguish to
him to abandon these miserable, condemned heads. One day, he said to
the same witness to whom we have recently referred: "I won seven last
night." During the early years of his reign, the death penalty was
as good as abolished, and the erection of a scaffold was a violence
committed against the King. The Greve having disappeared with the elder
branch, a bourgeois place of execution was instituted under the name
of the Barriere-Saint-Jacques; "practical men" felt the necessity of
a quasi-legitimate guillotine; and this was one of the victories of
Casimir Perier, who represented the narrow sides of the bourgeoisie,
over Louis Philippe, who represented its liberal sides. Louis Philippe
annotated Beccaria with his own hand. After the Fieschi machine, he
exclaimed: "What a pity that I was not wounded! Then I might have
pardoned!" On another occasion, alluding to the resistance offered by
his ministry, he wrote in connection with a political criminal, who is
one of the most generous figures of our day: "His pardon is granted; it
only remains for me to obtain it." Louis Philippe was as gentle as Louis
IX. and as kindly as Henri IV.

Now, to our mind, in history, where kindness is the rarest of pearls,
the man who is kindly almost takes precedence of the man who is great.

Louis Philippe having been severely judged by some, harshly, perhaps, by
others, it is quite natural that a man, himself a phantom at the present
day, who knew that king, should come and testify in his favor before
history; this deposition, whatever else it may be, is evidently and
above all things, entirely disinterested; an epitaph penned by a dead
man is sincere; one shade may console another shade; the sharing of the
same shadows confers the right to praise it; it is not greatly to
be feared that it will ever be said of two tombs in exile: "This one
flattered the other."




CHAPTER IV--CRACKS BENEATH THE FOUNDATION

At the moment when the drama which we are narrating is on the point of
penetrating into the depths of one of the tragic clouds which envelop
the beginning of Louis Philippe's reign, it was necessary that there
should be no equivoque, and it became requisite that this book should
offer some explanation with regard to this king.

Louis Philippe had entered into possession of his royal authority
without violence, without any direct action on his part, by virtue of a
revolutionary change, evidently quite distinct from the real aim of the
Revolution, but in which he, the Duc d'Orleans, exercised no personal
initiative. He had been born a Prince, and he believed himself to have
been elected King. He had not served this mandate on himself; he had not
taken it; it had been offered to him, and he had accepted it; convinced,
wrongly, to be sure, but convinced nevertheless, that the offer was in
accordance with right and that the acceptance of it was in accordance
with duty. Hence his possession was in good faith. Now, we say it in
good conscience, Louis Philippe being in possession in perfect good
faith, and the democracy being in good faith in its attack, the amount
of terror discharged by the social conflicts weighs neither on the
King nor on the democracy. A clash of principles resembles a clash of
elements. The ocean defends the water, the hurricane defends the
air, the King defends Royalty, the democracy defends the people; the
relative, which is the monarchy, resists the absolute, which is the
republic; society bleeds in this conflict, but that which constitutes
its suffering to-day will constitute its safety later on; and, in any
case, those who combat are not to be blamed; one of the two parties is
evidently mistaken; the right is not, like the Colossus of Rhodes, on
two shores at once, with one foot on the republic, and one in Royalty;
it is indivisible, and all on one side; but those who are in error are
so sincerely; a blind man is no more a criminal than a Vendean is a
ruffian. Let us, then, impute to the fatality of things alone these
formidable collisions. Whatever the nature of these tempests may be,
human irresponsibility is mingled with them.

Let us complete this exposition.

The government of 1830 led a hard life immediately. Born yesterday, it
was obliged to fight to-day.

Hardly installed, it was already everywhere conscious of vague movements
of traction on the apparatus of July so recently laid, and so lacking in
solidity.

Resistance was born on the morrow; perhaps even, it was born on the
preceding evening. From month to month the hostility increased, and from
being concealed it became patent.

The Revolution of July, which gained but little acceptance outside of
France by kings, had been diversely interpreted in France, as we have
said.

God delivers over to men his visible will in events, an obscure text
written in a mysterious tongue. Men immediately make translations of it;
translations hasty, incorrect, full of errors, of gaps, and of nonsense.
Very few minds comprehend the divine language. The most sagacious, the
calmest, the most profound, decipher slowly, and when they arrive with
their text, the task has long been completed; there are already twenty
translations on the public place. From each remaining springs a party,
and from each misinterpretation a faction; and each party thinks that it
alone has the true text, and each faction thinks that it possesses the
light.

Power itself is often a faction.

There are, in revolutions, swimmers who go against the current; they are
the old parties.

For the old parties who clung to heredity by the grace of God, think
that revolutions, having sprung from the right to revolt, one has the
right to revolt against them. Error. For in these revolutions, the one
who revolts is not the people; it is the king. Revolution is precisely
the contrary of revolt. Every revolution, being a normal outcome,
contains within itself its legitimacy, which false revolutionists
sometimes dishonor, but which remains even when soiled, which survives
even when stained with blood.

Revolutions spring not from an accident, but from necessity. A
revolution is a return from the fictitious to the real. It is because it
must be that it is.

None the less did the old legitimist parties assail the Revolution of
1830 with all the vehemence which arises from false reasoning. Errors
make excellent projectiles. They strike it cleverly in its vulnerable
spot, in default of a cuirass, in its lack of logic; they attacked this
revolution in its royalty. They shouted to it: "Revolution, why this
king?" Factions are blind men who aim correctly.

This cry was uttered equally by the republicans. But coming from
them, this cry was logical. What was blindness in the legitimists was
clearness of vision in the democrats. 1830 had bankrupted the people.
The enraged democracy reproached it with this.

Between the attack of the past and the attack of the future, the
establishment of July struggled. It represented the minute at
loggerheads on the one hand with the monarchical centuries, on the other
hand with eternal right.

In addition, and beside all this, as it was no longer revolution and had
become a monarchy, 1830 was obliged to take precedence of all Europe. To
keep the peace, was an increase of complication. A harmony established
contrary to sense is often more onerous than a war. From this secret
conflict, always muzzled, but always growling, was born armed peace,
that ruinous expedient of civilization which in the harness of the
European cabinets is suspicious in itself. The Royalty of July reared
up, in spite of the fact that it caught it in the harness of European
cabinets. Metternich would gladly have put it in kicking-straps. Pushed
on in France by progress, it pushed on the monarchies, those loiterers
in Europe. After having been towed, it undertook to tow.

Meanwhile, within her, pauperism, the proletariat, salary, education,
penal servitude, prostitution, the fate of the woman, wealth, misery,
production, consumption, division, exchange, coin, credit, the rights of
capital, the rights of labor,--all these questions were multiplied above
society, a terrible slope.

Outside of political parties properly so called, another movement became
manifest. Philosophical fermentation replied to democratic fermentation.
The elect felt troubled as well as the masses; in another manner, but
quite as much.

Thinkers meditated, while the soil, that is to say, the people,
traversed by revolutionary currents, trembled under them with
indescribably vague epileptic shocks. These dreamers, some isolated,
others united in families and almost in communion, turned over social
questions in a pacific but profound manner; impassive miners, who
tranquilly pushed their galleries into the depths of a volcano, hardly
disturbed by the dull commotion and the furnaces of which they caught
glimpses.

This tranquillity was not the least beautiful spectacle of this agitated
epoch.

These men left to political parties the question of rights, they
occupied themselves with the question of happiness.

The well-being of man, that was what they wanted to extract from
society.

They raised material questions, questions of agriculture, of industry,
of commerce, almost to the dignity of a religion. In civilization, such
as it has formed itself, a little by the command of God, a great deal by
the agency of man, interests combine, unite, and amalgamate in a
manner to form a veritable hard rock, in accordance with a dynamic law,
patiently studied by economists, those geologists of politics. These men
who grouped themselves under different appellations, but who may all be
designated by the generic title of socialists, endeavored to pierce that
rock and to cause it to spout forth the living waters of human felicity.

From the question of the scaffold to the question of war, their works
embraced everything. To the rights of man, as proclaimed by the French
Revolution, they added the rights of woman and the rights of the child.

The reader will not be surprised if, for various reasons, we do not
here treat in a thorough manner, from the theoretical point of view, the
questions raised by socialism. We confine ourselves to indicating them.

All the problems that the socialists proposed to themselves, cosmogonic
visions, revery and mysticism being cast aside, can be reduced to two
principal problems.

First problem: To produce wealth.

Second problem: To share it.

The first problem contains the question of work.

The second contains the question of salary.

In the first problem the employment of forces is in question.

In the second, the distribution of enjoyment.

From the proper employment of forces results public power.

From a good distribution of enjoyments results individual happiness.

By a good distribution, not an equal but an equitable distribution must
be understood.

From these two things combined, the public power without, individual
happiness within, results social prosperity.

Social prosperity means the man happy, the citizen free, the nation
great.

England solves the first of these two problems. She creates wealth
admirably, she divides it badly. This solution which is complete on
one side only leads her fatally to two extremes: monstrous opulence,
monstrous wretchedness. All enjoyments for some, all privations for the
rest, that is to say, for the people; privilege, exception, monopoly,
feudalism, born from toil itself. A false and dangerous situation, which
sates public power or private misery, which sets the roots of the State
in the sufferings of the individual. A badly constituted grandeur in
which are combined all the material elements and into which no moral
element enters.

Communism and agrarian law think that they solve the second problem.
They are mistaken. Their division kills production. Equal partition
abolishes emulation; and consequently labor. It is a partition made
by the butcher, which kills that which it divides. It is therefore
impossible to pause over these pretended solutions. Slaying wealth is
not the same thing as dividing it.

The two problems require to be solved together, to be well solved. The
two problems must be combined and made but one.

Solve only the first of the two problems; you will be Venice, you will
be England. You will have, like Venice, an artificial power, or, like
England, a material power; you will be the wicked rich man. You will die
by an act of violence, as Venice died, or by bankruptcy, as England
will fall. And the world will allow to die and fall all that is merely
selfishness, all that does not represent for the human race either a
virtue or an idea.

It is well understood here, that by the words Venice, England, we
designate not the peoples, but social structures; the oligarchies
superposed on nations, and not the nations themselves. The nations
always have our respect and our sympathy. Venice, as a people, will live
again; England, the aristocracy, will fall, but England, the nation, is
immortal. That said, we continue.

Solve the two problems, encourage the wealthy, and protect the poor,
suppress misery, put an end to the unjust farming out of the feeble by
the strong, put a bridle on the iniquitous jealousy of the man who
is making his way against the man who has reached the goal, adjust,
mathematically and fraternally, salary to labor, mingle gratuitous and
compulsory education with the growth of childhood, and make of science
the base of manliness, develop minds while keeping arms busy, be at one
and the same time a powerful people and a family of happy men, render
property democratic, not by abolishing it, but by making it universal,
so that every citizen, without exception, may be a proprietor, an easier
matter than is generally supposed; in two words, learn how to produce
wealth and how to distribute it, and you will have at once moral and
material greatness; and you will be worthy to call yourself France.

This is what socialism said outside and above a few sects which have
gone astray; that is what it sought in facts, that is what it sketched
out in minds.

Efforts worthy of admiration! Sacred attempts!

These doctrines, these theories, these resistances, the unforeseen
necessity for the statesman to take philosophers into account, confused
evidences of which we catch a glimpse, a new system of politics to be
created, which shall be in accord with the old world without too much
disaccord with the new revolutionary ideal, a situation in which it
became necessary to use Lafayette to defend Polignac, the intuition of
progress transparent beneath the revolt, the chambers and streets, the
competitions to be brought into equilibrium around him, his faith in
the Revolution, perhaps an eventual indefinable resignation born of the
vague acceptance of a superior definitive right, his desire to remain of
his race, his domestic spirit, his sincere respect for the people, his
own honesty, preoccupied Louis Philippe almost painfully, and there were
moments when strong and courageous as he was, he was overwhelmed by the
difficulties of being a king.

He felt under his feet a formidable disaggregation, which was not,
nevertheless, a reduction to dust, France being more France than ever.

Piles of shadows covered the horizon. A strange shade, gradually drawing
nearer, extended little by little over men, over things, over ideas;
a shade which came from wraths and systems. Everything which had been
hastily stifled was moving and fermenting. At times the conscience of
the honest man resumed its breathing, so great was the discomfort
of that air in which sophisms were intermingled with truths. Spirits
trembled in the social anxiety like leaves at the approach of a storm.
The electric tension was such that at certain instants, the first comer,
a stranger, brought light. Then the twilight obscurity closed in again.
At intervals, deep and dull mutterings allowed a judgment to be formed
as to the quantity of thunder contained by the cloud.

Twenty months had barely elapsed since the Revolution of July, the year
1832 had opened with an aspect of something impending and threatening.

The distress of the people, the laborers without bread, the last Prince
de Conde engulfed in the shadows, Brussels expelling the Nassaus as
Paris did the Bourbons, Belgium offering herself to a French Prince
and giving herself to an English Prince, the Russian hatred of Nicolas,
behind us the demons of the South, Ferdinand in Spain, Miguel in
Portugal, the earth quaking in Italy, Metternich extending his hand over
Bologna, France treating Austria sharply at Ancona, at the North no one
knew what sinister sound of the hammer nailing up Poland in her coffin,
irritated glances watching France narrowly all over Europe, England, a
suspected ally, ready to give a push to that which was tottering and to
hurl herself on that which should fall, the peerage sheltering itself
behind Beccaria to refuse four heads to the law, the fleurs-de-lys
erased from the King's carriage, the cross torn from Notre Dame,
Lafayette lessened, Laffitte ruined, Benjamin Constant dead in
indigence, Casimir Perier dead in the exhaustion of his power; political
and social malady breaking out simultaneously in the two capitals of the
kingdom, the one in the city of thought, the other in the city of toil;
at Paris civil war, at Lyons servile war; in the two cities, the same
glare of the furnace; a crater-like crimson on the brow of the people;
the South rendered fanatic, the West troubled, the Duchesse de Berry in
la Vendee, plots, conspiracies, risings, cholera, added the sombre roar
of tumult of events to the sombre roar of ideas.




CHAPTER V--FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES

Towards the end of April, everything had become aggravated. The
fermentation entered the boiling state. Ever since 1830, petty partial
revolts had been going on here and there, which were quickly suppressed,
but ever bursting forth afresh, the sign of a vast underlying
conflagration. Something terrible was in preparation. Glimpses could be
caught of the features still indistinct and imperfectly lighted, of a
possible revolution. France kept an eye on Paris; Paris kept an eye on
the Faubourg Saint-Antoine.

The Faubourg Saint-Antoine, which was in a dull glow, was beginning its
ebullition.

[Illustration: A Street Orator  4b1-5-street-orator]

The wine-shops of the Rue de Charonne were, although the union of
the two epithets seems singular when applied to wine-shops, grave and
stormy.

The government was there purely and simply called in question. There
people publicly discussed the question of fighting or of keeping quiet.
There were back shops where workingmen were made to swear that they
would hasten into the street at the first cry of alarm, and "that they
would fight without counting the number of the enemy." This engagement
once entered into, a man seated in the corner of the wine-shop "assumed
a sonorous tone," and said, "You understand! You have sworn!"

Sometimes they went up stairs, to a private room on the first floor,
and there scenes that were almost masonic were enacted. They made the
initiated take oaths to render service to himself as well as to the
fathers of families. That was the formula.

In the tap-rooms, "subversive" pamphlets were read. They treated the
government with contempt, says a secret report of that time.

Words like the following could be heard there:--

"I don't know the names of the leaders. We folks shall not know the day
until two hours beforehand." One workman said: "There are three hundred
of us, let each contribute ten sous, that will make one hundred and
fifty francs with which to procure powder and shot."

Another said: "I don't ask for six months, I don't ask for even two.
In less than a fortnight we shall be parallel with the government. With
twenty-five thousand men we can face them." Another said: "I don't sleep
at night, because I make cartridges all night." From time to time,
men "of bourgeois appearance, and in good coats" came and "caused
embarrassment," and with the air of "command," shook hands with the most
important, and then went away. They never stayed more than ten minutes.
Significant remarks were exchanged in a low tone: "The plot is ripe, the
matter is arranged." "It was murmured by all who were there," to borrow
the very expression of one of those who were present. The exaltation was
such that one day, a workingman exclaimed, before the whole wine-shop:
"We have no arms!" One of his comrades replied: "The soldiers have!"
thus parodying without being aware of the fact, Bonaparte's proclamation
to the army in Italy: "When they had anything of a more secret nature on
hand," adds one report, "they did not communicate it to each other." It
is not easy to understand what they could conceal after what they said.

These reunions were sometimes periodical. At certain ones of them, there
were never more than eight or ten persons present, and they were always
the same. In others, any one entered who wished, and the room was
so full that they were forced to stand. Some went thither through
enthusiasm and passion; others because it was on their way to their
work. As during the Revolution, there were patriotic women in some of
these wine-shops who embraced new-comers.

Other expressive facts came to light.

A man would enter a shop, drink, and go his way with the remark:
"Wine-merchant, the revolution will pay what is due to you."

Revolutionary agents were appointed in a wine-shop facing the Rue de
Charonne. The balloting was carried on in their caps.

Workingmen met at the house of a fencing-master who gave lessons in
the Rue de Cotte. There there was a trophy of arms formed of wooden
broadswords, canes, clubs, and foils. One day, the buttons were removed
from the foils.

A workman said: "There are twenty-five of us, but they don't count
on me, because I am looked upon as a machine." Later on, that machine
became Quenisset.

The indefinite things which were brewing gradually acquired a strange
and indescribable notoriety. A woman sweeping off her doorsteps said
to another woman: "For a long time, there has been a strong force busy
making cartridges." In the open street, proclamation could be seen
addressed to the National Guard in the departments. One of these
proclamations was signed: Burtot, wine-merchant.

One day a man with his beard worn like a collar and with an Italian
accent mounted a stone post at the door of a liquor-seller in the Marche
Lenoir, and read aloud a singular document, which seemed to emanate from
an occult power. Groups formed around him, and applauded.

The passages which touched the crowd most deeply were collected and
noted down. "--Our doctrines are trammelled, our proclamations torn, our
bill-stickers are spied upon and thrown into prison."--"The breakdown
which has recently taken place in cottons has converted to us many
mediums."--"The future of nations is being worked out in our obscure
ranks."--"Here are the fixed terms: action or reaction, revolution or
counter-revolution. For, at our epoch, we no longer believe either in
inertia or in immobility. For the people against the people, that is the
question. There is no other."--"On the day when we cease to suit you,
break us, but up to that day, help us to march on." All this in broad
daylight.

Other deeds, more audacious still, were suspicious in the eyes of the
people by reason of their very audacity. On the 4th of April, 1832, a
passer-by mounted the post on the corner which forms the angle of the
Rue Sainte-Marguerite and shouted: "I am a Babouvist!" But beneath
Babeuf, the people scented Gisquet.

Among other things, this man said:--

"Down with property! The opposition of the left is cowardly and
treacherous. When it wants to be on the right side, it preaches
revolution, it is democratic in order to escape being beaten, and
royalist so that it may not have to fight. The republicans are beasts
with feathers. Distrust the republicans, citizens of the laboring
classes."

"Silence, citizen spy!" cried an artisan.

This shout put an end to the discourse.

Mysterious incidents occurred.

At nightfall, a workingman encountered near the canal a "very well
dressed man," who said to him: "Whither are you bound, citizen?" "Sir,"
replied the workingman, "I have not the honor of your acquaintance." "I
know you very well, however." And the man added: "Don't be alarmed, I
am an agent of the committee. You are suspected of not being quite
faithful. You know that if you reveal anything, there is an eye fixed on
you." Then he shook hands with the workingman and went away, saying: "We
shall meet again soon."

The police, who were on the alert, collected singular dialogues, not
only in the wine-shops, but in the street.

"Get yourself received very soon," said a weaver to a cabinet-maker.

"Why?"

"There is going to be a shot to fire."

Two ragged pedestrians exchanged these remarkable replies, fraught with
evident Jacquerie:--

"Who governs us?"

"M. Philippe."

"No, it is the bourgeoisie."

The reader is mistaken if he thinks that we take the word Jacquerie in a
bad sense. The Jacques were the poor.

On another occasion two men were heard to say to each other as they
passed by: "We have a good plan of attack."

Only the following was caught of a private conversation between four men
who were crouching in a ditch of the circle of the Barriere du Trone:--

"Everything possible will be done to prevent his walking about Paris any
more."

Who was the he? Menacing obscurity.

"The principal leaders," as they said in the faubourg, held themselves
apart. It was supposed that they met for consultation in a wine-shop
near the point Saint-Eustache. A certain Aug--, chief of the Society
aid for tailors, Rue Mondetour, had the reputation of serving as
intermediary central between the leaders and the Faubourg Saint-Antoine.

Nevertheless, there was always a great deal of mystery about these
leaders, and no certain fact can invalidate the singular arrogance of
this reply made later on by a man accused before the Court of Peers:--

"Who was your leader?"

"I knew of none and I recognized none."

There was nothing but words, transparent but vague; sometimes idle
reports, rumors, hearsay. Other indications cropped up.

A carpenter, occupied in nailing boards to a fence around the ground
on which a house was in process of construction, in the Rue de Reuilly
found on that plot the torn fragment of a letter on which were still
legible the following lines:--


The committee must take measures to prevent recruiting in the sections
for the different societies.


And, as a postscript:--


We have learned that there are guns in the Rue du Faubourg-Poissonniere,
No. 5 [bis], to the number of five or six thousand, in the house of a
gunsmith in that court. The section owns no arms.


What excited the carpenter and caused him to show this thing to his
neighbors was the fact, that a few paces further on he picked up another
paper, torn like the first, and still more significant, of which we
reproduce a facsimile, because of the historical interest attaching to
these strange documents:--

[Illustration: Code Table 4b1-5 page 26]

 +------------------------------------------------------------+
 | Q | C | D | E | Learn this list by heart.  After so doing
 | | | | | | you will tear it up.  The men admitted
 | | | | | | will do the same when you have transmitted
 | | | | | | their orders to them.
 | | | | | | Health and Fraternity,
 | | | | | | u og a fe L. |
 +------------------------------------------------------------+

It was only later on that the persons who were in the secret of this
find at the time, learned the significance of those four capital
letters: quinturions, centurions, decurions, eclaireurs [scouts], and
the sense of the letters: u og a fe, which was a date, and meant April
15th, 1832. Under each capital letter were inscribed names followed by
very characteristic notes. Thus: Q. Bannerel. 8 guns, 83 cartridges. A
safe man.--C. Boubiere. 1 pistol, 40 cartridges.--D. Rollet. 1 foil,
1 pistol, 1 pound of powder.--E. Tessier. 1 sword, 1 cartridge-box.
Exact.--Terreur. 8 guns. Brave, etc.

Finally, this carpenter found, still in the same enclosure, a third
paper on which was written in pencil, but very legibly, this sort of
enigmatical list:--

          Unite:  Blanchard: Arbre-Sec. 6.
          Barra.  Soize.  Salle-au-Comte.
          Kosciusko. Aubry the Butcher?
          J. J. R.
          Caius Gracchus.
          Right of revision.  Dufond.  Four.
          Fall of the Girondists.  Derbac.  Maubuee.
          Washington.  Pinson.  1 pistol, 86 cartridges.
          Marseillaise.
          Sovereignty of the people. Michel. Quincampoix. Sword.
          Hoche.
          Marceau.  Plato.  Arbre-Sec.
          Warsaw.  Tilly, crier of the Populaire.


The honest bourgeois into whose hands this list fell knew its
significance. It appears that this list was the complete nomenclature of
the sections of the fourth arondissement of the Society of the Rights
of Man, with the names and dwellings of the chiefs of sections. To-day,
when all these facts which were obscure are nothing more than history,
we may publish them. It should be added, that the foundation of the
Society of the Rights of Man seems to have been posterior to the date
when this paper was found. Perhaps this was only a rough draft.

Still, according to all the remarks and the words, according to written
notes, material facts begin to make their appearance.

In the Rue Popincourt, in the house of a dealer in bric-abrac, there
were seized seven sheets of gray paper, all folded alike lengthwise
and in four; these sheets enclosed twenty-six squares of this same
gray paper folded in the form of a cartridge, and a card, on which was
written the following:--

           Saltpetre . . . . . . . . . . .  12 ounces.
           Sulphur   . . . . . . . . . . .   2 ounces.
           Charcoal  . . . . . . . . . . .   2 ounces and a half.
           Water     . . . . . . . . . . .   2 ounces.


The report of the seizure stated that the drawer exhaled a strong smell
of powder.

A mason returning from his day's work, left behind him a little package
on a bench near the bridge of Austerlitz. This package was taken to
the police station. It was opened, and in it were found two printed
dialogues, signed Lahautiere, a song entitled: "Workmen, band together,"
and a tin box full of cartridges.

One artisan drinking with a comrade made the latter feel him to see how
warm he was; the other man felt a pistol under his waistcoat.

In a ditch on the boulevard, between Pere-Lachaise and the Barriere
du Trone, at the most deserted spot, some children, while playing,
discovered beneath a mass of shavings and refuse bits of wood, a
bag containing a bullet-mould, a wooden punch for the preparation of
cartridges, a wooden bowl, in which there were grains of hunting-powder,
and a little cast-iron pot whose interior presented evident traces of
melted lead.

Police agents, making their way suddenly and unexpectedly at five
o'clock in the morning, into the dwelling of a certain Pardon, who
was afterwards a member of the Barricade-Merry section and got himself
killed in the insurrection of April, 1834, found him standing near his
bed, and holding in his hand some cartridges which he was in the act of
preparing.

Towards the hour when workingmen repose, two men were seen to meet
between the Barriere Picpus and the Barriere Charenton in a little lane
between two walls, near a wine-shop, in front of which there was a "Jeu
de Siam."[33] One drew a pistol from beneath his blouse and handed it to
the other. As he was handing it to him, he noticed that the perspiration
of his chest had made the powder damp. He primed the pistol and added
more powder to what was already in the pan. Then the two men parted.

A certain Gallais, afterwards killed in the Rue Beaubourg in the affair
of April, boasted of having in his house seven hundred cartridges and
twenty-four flints.

The government one day received a warning that arms and two hundred
thousand cartridges had just been distributed in the faubourg. On
the following week thirty thousand cartridges were distributed. The
remarkable point about it was, that the police were not able to seize a
single one.

An intercepted letter read: "The day is not far distant when, within
four hours by the clock, eighty thousand patriots will be under arms."

All this fermentation was public, one might almost say tranquil. The
approaching insurrection was preparing its storm calmly in the face of
the government. No singularity was lacking to this still subterranean
crisis, which was already perceptible. The bourgeois talked peaceably to
the working-classes of what was in preparation. They said: "How is the
rising coming along?" in the same tone in which they would have said:
"How is your wife?"

A furniture-dealer, of the Rue Moreau, inquired: "Well, when are you
going to make the attack?"

Another shop-keeper said:--

"The attack will be made soon."

"I know it. A month ago, there were fifteen thousand of you, now there
are twenty-five thousand." He offered his gun, and a neighbor offered a
small pistol which he was willing to sell for seven francs.

Moreover, the revolutionary fever was growing. Not a point in Paris nor
in France was exempt from it. The artery was beating everywhere. Like
those membranes which arise from certain inflammations and form in the
human body, the network of secret societies began to spread all over the
country. From the associations of the Friends of the People, which was
at the same time public and secret, sprang the Society of the Rights of
Man, which also dated from one of the orders of the day: Pluviose, Year
40 of the republican era, which was destined to survive even the mandate
of the Court of Assizes which pronounced its dissolution, and which
did not hesitate to bestow on its sections significant names like the
following:--

     Pikes.
     Tocsin.
     Signal cannon.
     Phrygian cap.
     January 21.
     The beggars.
     The vagabonds.
     Forward march.
     Robespierre.
     Level.
     Ca Ira.

The Society of the Rights of Man engendered the Society of Action. These
were impatient individuals who broke away and hastened ahead. Other
associations sought to recruit themselves from the great mother
societies. The members of sections complained that they were torn
asunder. Thus, the Gallic Society, and the committee of organization of
the Municipalities. Thus the associations for the liberty of the press,
for individual liberty, for the instruction of the people against
indirect taxes. Then the Society of Equal Workingmen which was divided
into three fractions, the levellers, the communists, the reformers.
Then the Army of the Bastilles, a sort of cohort organized on a military
footing, four men commanded by a corporal, ten by a sergeant, twenty by
a sub-lieutenant, forty by a lieutenant; there were never more than
five men who knew each other. Creation where precaution is combined with
audacity and which seemed stamped with the genius of Venice.

The central committee, which was at the head, had two arms, the Society
of Action, and the Army of the Bastilles.

A legitimist association, the Chevaliers of Fidelity, stirred about
among these the republican affiliations. It was denounced and repudiated
there.

The Parisian societies had ramifications in the principal cities, Lyons,
Nantes, Lille, Marseilles, and each had its Society of the Rights of
Man, the Charbonniere, and The Free Men. All had a revolutionary society
which was called the Cougourde. We have already mentioned this word.

In Paris, the Faubourg Saint-Marceau kept up an equal buzzing with the
Faubourg Saint-Antoine, and the schools were no less moved than the
faubourgs. A cafe in the Rue Saint-Hyacinthe and the wine-shop of the
Seven Billiards, Rue des Mathurins-Saint-Jacques, served as rallying
points for the students. The Society of the Friends of the A B C
affiliated to the Mutualists of Angers, and to the Cougourde of Aix,
met, as we have seen, in the Cafe Musain. These same young men assembled
also, as we have stated already, in a restaurant wine-shop of the Rue
Mondetour which was called Corinthe. These meetings were secret. Others
were as public as possible, and the reader can judge of their boldness
from these fragments of an interrogatory undergone in one of the
ulterior prosecutions: "Where was this meeting held?" "In the Rue de la
Paix." "At whose house?" "In the street." "What sections were there?"
"Only one." "Which?" "The Manuel section." "Who was its leader?"
"I." "You are too young to have decided alone upon the bold course of
attacking the government. Where did your instructions come from?" "From
the central committee."

The army was mined at the same time as the population, as was proved
subsequently by the operations of Beford, Luneville, and Epinard. They
counted on the fifty-second regiment, on the fifth, on the eighth, on
the thirty-seventh, and on the twentieth light cavalry. In Burgundy and
in the southern towns they planted the liberty tree; that is to say, a
pole surmounted by a red cap.

Such was the situation.

The Faubourg Saint-Antoine, more than any other group of the population,
as we stated in the beginning, accentuated this situation and made
it felt. That was the sore point. This old faubourg, peopled like
an ant-hill, laborious, courageous, and angry as a hive of bees, was
quivering with expectation and with the desire for a tumult. Everything
was in a state of agitation there, without any interruption, however, of
the regular work. It is impossible to convey an idea of this lively yet
sombre physiognomy. In this faubourg exists poignant distress hidden
under attic roofs; there also exist rare and ardent minds. It is
particularly in the matter of distress and intelligence that it is
dangerous to have extremes meet.

The Faubourg Saint-Antoine had also other causes to tremble; for it
received the counter-shock of commercial crises, of failures, strikes,
slack seasons, all inherent to great political disturbances. In times
of revolution misery is both cause and effect. The blow which it deals
rebounds upon it. This population full of proud virtue, capable to the
highest degree of latent heat, always ready to fly to arms, prompt to
explode, irritated, deep, undermined, seemed to be only awaiting the
fall of a spark. Whenever certain sparks float on the horizon chased
by the wind of events, it is impossible not to think of the Faubourg
Saint-Antoine and of the formidable chance which has placed at the very
gates of Paris that powder-house of suffering and ideas.

The wine-shops of the Faubourg Antoine, which have been more than
once drawn in the sketches which the reader has just perused, possess
historical notoriety. In troublous times people grow intoxicated there
more on words than on wine. A sort of prophetic spirit and an afflatus
of the future circulates there, swelling hearts and enlarging souls. The
cabarets of the Faubourg Saint-Antoine resemble those taverns of Mont
Aventine erected on the cave of the Sibyl and communicating with
the profound and sacred breath; taverns where the tables were almost
tripods, and where was drunk what Ennius calls the sibylline wine.

The Faubourg Saint-Antoine is a reservoir of people. Revolutionary
agitations create fissures there, through which trickles the popular
sovereignty. This sovereignty may do evil; it can be mistaken like any
other; but, even when led astray, it remains great. We may say of it as
of the blind cyclops, Ingens.

In '93, according as the idea which was floating about was good or evil,
according as it was the day of fanaticism or of enthusiasm, there leaped
forth from the Faubourg Saint-Antoine now savage legions, now heroic
bands.

Savage. Let us explain this word. When these bristling men, who in the
early days of the revolutionary chaos, tattered, howling, wild, with
uplifted bludgeon, pike on high, hurled themselves upon ancient Paris in
an uproar, what did they want? They wanted an end to oppression, an
end to tyranny, an end to the sword, work for men, instruction for the
child, social sweetness for the woman, liberty, equality, fraternity,
bread for all, the idea for all, the Edenizing of the world. Progress;
and that holy, sweet, and good thing, progress, they claimed in terrible
wise, driven to extremities as they were, half naked, club in fist,
a roar in their mouths. They were savages, yes; but the savages of
civilization.

They proclaimed right furiously; they were desirous, if only with
fear and trembling, to force the human race to paradise. They seemed
barbarians, and they were saviours. They demanded light with the mask of
night.

Facing these men, who were ferocious, we admit, and terrifying, but
ferocious and terrifying for good ends, there are other men, smiling,
embroidered, gilded, beribboned, starred, in silk stockings, in white
plumes, in yellow gloves, in varnished shoes, who, with their elbows on
a velvet table, beside a marble chimney-piece, insist gently on demeanor
and the preservation of the past, of the Middle Ages, of divine right,
of fanaticism, of innocence, of slavery, of the death penalty, of war,
glorifying in low tones and with politeness, the sword, the stake, and
the scaffold. For our part, if we were forced to make a choice between
the barbarians of civilization and the civilized men of barbarism, we
should choose the barbarians.

But, thank Heaven, still another choice is possible. No perpendicular
fall is necessary, in front any more than in the rear.

Neither despotism nor terrorism. We desire progress with a gentle slope.

God takes care of that. God's whole policy consists in rendering slopes
less steep.




CHAPTER VI--ENJOLRAS AND HIS LIEUTENANTS

It was about this epoch that Enjolras, in view of a possible
catastrophe, instituted a kind of mysterious census.

All were present at a secret meeting at the Cafe Musain.

Enjolras said, mixing his words with a few half-enigmatical but
significant metaphors:--

"It is proper that we should know where we stand and on whom we may
count. If combatants are required, they must be provided. It can do no
harm to have something with which to strike. Passers-by always have more
chance of being gored when there are bulls on the road than when there
are none. Let us, therefore, reckon a little on the herd. How many of us
are there? There is no question of postponing this task until to-morrow.
Revolutionists should always be hurried; progress has no time to lose.
Let us mistrust the unexpected. Let us not be caught unprepared. We must
go over all the seams that we have made and see whether they hold fast.
This business ought to be concluded to-day. Courfeyrac, you will see the
polytechnic students. It is their day to go out. To-day is Wednesday.
Feuilly, you will see those of the Glaciere, will you not? Combeferre
has promised me to go to Picpus. There is a perfect swarm and an
excellent one there. Bahorel will visit the Estrapade. Prouvaire, the
masons are growing lukewarm; you will bring us news from the lodge of
the Rue de Grenelle-Saint-Honore. Joly will go to Dupuytren's clinical
lecture, and feel the pulse of the medical school. Bossuet will take a
little turn in the court and talk with the young law licentiates. I will
take charge of the Cougourde myself."

"That arranges everything," said Courfeyrac.

"No."

"What else is there?"

"A very important thing."

"What is that?" asked Courfeyrac.

"The Barriere du Maine," replied Enjolras.

Enjolras remained for a moment as though absorbed in reflection, then he
resumed:--

"At the Barriere du Maine there are marble-workers, painters, and
journeymen in the studios of sculptors. They are an enthusiastic family,
but liable to cool off. I don't know what has been the matter with
them for some time past. They are thinking of something else. They are
becoming extinguished. They pass their time playing dominoes. There is
urgent need that some one should go and talk with them a little, but
with firmness. They meet at Richefeu's. They are to be found there
between twelve and one o'clock. Those ashes must be fanned into a glow.
For that errand I had counted on that abstracted Marius, who is a good
fellow on the whole, but he no longer comes to us. I need some one for
the Barriere du Maine. I have no one."

"What about me?" said Grantaire. "Here am I."

"You?"

"I."

"You indoctrinate republicans! you warm up hearts that have grown cold
in the name of principle!"

"Why not?"

"Are you good for anything?"

"I have a vague ambition in that direction," said Grantaire.

"You do not believe in everything."

"I believe in you."

"Grantaire will you do me a service?"

"Anything. I'll black your boots."

"Well, don't meddle with our affairs. Sleep yourself sober from your
absinthe."

"You are an ingrate, Enjolras."

"You the man to go to the Barriere du Maine! You capable of it!"

"I am capable of descending the Rue de Gres, of crossing the Place
Saint-Michel, of sloping through the Rue Monsieur-le-Prince, of taking
the Rue de Vaugirard, of passing the Carmelites, of turning into the Rue
d'Assas, of reaching the Rue du Cherche-Midi, of leaving behind me the
Conseil de Guerre, of pacing the Rue des Vielles Tuileries, of striding
across the boulevard, of following the Chaussee du Maine, of passing
the barrier, and entering Richefeu's. I am capable of that. My shoes are
capable of that."

"Do you know anything of those comrades who meet at Richefeu's?"

"Not much. We only address each other as thou."

"What will you say to them?"

"I will speak to them of Robespierre, pardi! Of Danton. Of principles."

"You?"

"I. But I don't receive justice. When I set about it, I am terrible. I
have read Prudhomme, I know the Social Contract, I know my constitution
of the year Two by heart. 'The liberty of one citizen ends where the
liberty of another citizen begins.' Do you take me for a brute? I have
an old bank-bill of the Republic in my drawer. The Rights of Man, the
sovereignty of the people, sapristi! I am even a bit of a Hebertist. I
can talk the most superb twaddle for six hours by the clock, watch in
hand."

"Be serious," said Enjolras.

"I am wild," replied Grantaire.

Enjolras meditated for a few moments, and made the gesture of a man who
has taken a resolution.

"Grantaire," he said gravely, "I consent to try you. You shall go to the
Barriere du Maine."

Grantaire lived in furnished lodgings very near the Cafe Musain. He went
out, and five minutes later he returned. He had gone home to put on a
Robespierre waistcoat.

"Red," said he as he entered, and he looked intently at Enjolras. Then,
with the palm of his energetic hand, he laid the two scarlet points of
the waistcoat across his breast.

And stepping up to Enjolras, he whispered in his ear:--

"Be easy."

He jammed his hat on resolutely and departed.

A quarter of an hour later, the back room of the Cafe Musain was
deserted. All the friends of the A B C were gone, each in his own
direction, each to his own task. Enjolras, who had reserved the
Cougourde of Aix for himself, was the last to leave.

Those members of the Cougourde of Aix who were in Paris then met on the
plain of Issy, in one of the abandoned quarries which are so numerous in
that side of Paris.

As Enjolras walked towards this place, he passed the whole situation
in review in his own mind. The gravity of events was self-evident. When
facts, the premonitory symptoms of latent social malady, move heavily,
the slightest complication stops and entangles them. A phenomenon whence
arises ruin and new births. Enjolras descried a luminous uplifting
beneath the gloomy skirts of the future. Who knows? Perhaps the moment
was at hand. The people were again taking possession of right, and
what a fine spectacle! The revolution was again majestically taking
possession of France and saying to the world: "The sequel to-morrow!"
Enjolras was content. The furnace was being heated. He had at that
moment a powder train of friends scattered all over Paris. He composed,
in his own mind, with Combeferre's philosophical and penetrating
eloquence, Feuilly's cosmopolitan enthusiasm, Courfeyrac's dash,
Bahorel's smile, Jean Prouvaire's melancholy, Joly's science, Bossuet's
sarcasms, a sort of electric spark which took fire nearly everywhere at
once. All hands to work. Surely, the result would answer to the effort.
This was well. This made him think of Grantaire.

"Hold," said he to himself, "the Barriere du Maine will not take me far
out of my way. What if I were to go on as far as Richefeu's? Let us have
a look at what Grantaire is about, and see how he is getting on."

One o'clock was striking from the Vaugirard steeple when Enjolras
reached the Richefeu smoking-room.

He pushed open the door, entered, folded his arms, letting the door fall
to and strike his shoulders, and gazed at that room filled with tables,
men, and smoke.

A voice broke forth from the mist of smoke, interrupted by another
voice. It was Grantaire holding a dialogue with an adversary.

Grantaire was sitting opposite another figure, at a marble Saint-Anne
table, strewn with grains of bran and dotted with dominos. He was
hammering the table with his fist, and this is what Enjolras heard:--

"Double-six."

"Fours."

"The pig! I have no more."

"You are dead. A two."

"Six."

"Three."

"One."

"It's my move."

"Four points."

"Not much."

"It's your turn."

"I have made an enormous mistake."

"You are doing well."

"Fifteen."

"Seven more."

"That makes me twenty-two." [Thoughtfully, "Twenty-two!"]

"You weren't expecting that double-six. If I had placed it at the
beginning, the whole play would have been changed."

"A two again."

"One."

"One! Well, five."

"I haven't any."

"It was your play, I believe?"

"Yes."

"Blank."

"What luck he has! Ah! You are lucky! [Long revery.] Two."

"One."

"Neither five nor one. That's bad for you."

"Domino."

"Plague take it!"




BOOK SECOND.--EPONINE




CHAPTER I--THE LARK'S MEADOW

Marius had witnessed the unexpected termination of the ambush upon whose
track he had set Javert; but Javert had no sooner quitted the building,
bearing off his prisoners in three hackney-coaches, than Marius also
glided out of the house. It was only nine o'clock in the evening. Marius
betook himself to Courfeyrac. Courfeyrac was no longer the imperturbable
inhabitant of the Latin Quarter, he had gone to live in the Rue de la
Verrerie "for political reasons"; this quarter was one where, at that
epoch, insurrection liked to install itself. Marius said to Courfeyrac:
"I have come to sleep with you." Courfeyrac dragged a mattress off his
bed, which was furnished with two, spread it out on the floor, and said:
"There."

At seven o'clock on the following morning, Marius returned to the hovel,
paid the quarter's rent which he owed to Ma'am Bougon, had his books,
his bed, his table, his commode, and his two chairs loaded on a
hand-cart and went off without leaving his address, so that when Javert
returned in the course of the morning, for the purpose of questioning
Marius as to the events of the preceding evening, he found only Ma'am
Bougon, who answered: "Moved away!"

Ma'am Bougon was convinced that Marius was to some extent an accomplice
of the robbers who had been seized the night before. "Who would ever
have said it?" she exclaimed to the portresses of the quarter, "a young
man like that, who had the air of a girl!"

Marius had two reasons for this prompt change of residence. The first
was, that he now had a horror of that house, where he had beheld, so
close at hand, and in its most repulsive and most ferocious development,
a social deformity which is, perhaps, even more terrible than the wicked
rich man, the wicked poor man. The second was, that he did not wish
to figure in the lawsuit which would insue in all probability, and be
brought in to testify against Thenardier.

Javert thought that the young man, whose name he had forgotten, was
afraid, and had fled, or perhaps, had not even returned home at the time
of the ambush; he made some efforts to find him, however, but without
success.

A month passed, then another. Marius was still with Courfeyrac. He had
learned from a young licentiate in law, an habitual frequenter of the
courts, that Thenardier was in close confinement. Every Monday,
Marius had five francs handed in to the clerk's office of La Force for
Thenardier.

As Marius had no longer any money, he borrowed the five francs from
Courfeyrac. It was the first time in his life that he had ever borrowed
money. These periodical five francs were a double riddle to Courfeyrac
who lent and to Thenardier who received them. "To whom can they go?"
thought Courfeyrac. "Whence can this come to me?" Thenardier asked
himself.

Moreover, Marius was heart-broken. Everything had plunged through a
trap-door once more. He no longer saw anything before him; his life
was again buried in mystery where he wandered fumblingly. He had for a
moment beheld very close at hand, in that obscurity, the young girl whom
he loved, the old man who seemed to be her father, those unknown beings,
who were his only interest and his only hope in this world; and, at the
very moment when he thought himself on the point of grasping them, a
gust had swept all these shadows away. Not a spark of certainty and
truth had been emitted even in the most terrible of collisions. No
conjecture was possible. He no longer knew even the name that he thought
he knew. It certainly was not Ursule. And the Lark was a nickname. And
what was he to think of the old man? Was he actually in hiding from
the police? The white-haired workman whom Marius had encountered in the
vicinity of the Invalides recurred to his mind. It now seemed probable
that that workingman and M. Leblanc were one and the same person. So he
disguised himself? That man had his heroic and his equivocal sides. Why
had he not called for help? Why had he fled? Was he, or was he not,
the father of the young girl? Was he, in short, the man whom Thenardier
thought that he recognized? Thenardier might have been mistaken. These
formed so many insoluble problems. All this, it is true, detracted
nothing from the angelic charms of the young girl of the Luxembourg.
Heart-rending distress; Marius bore a passion in his heart, and night
over his eyes. He was thrust onward, he was drawn, and he could not
stir. All had vanished, save love. Of love itself he had lost the
instincts and the sudden illuminations. Ordinarily, this flame which
burns us lights us also a little, and casts some useful gleams without.
But Marius no longer even heard these mute counsels of passion. He never
said to himself: "What if I were to go to such a place? What if I were
to try such and such a thing?" The girl whom he could no longer call
Ursule was evidently somewhere; nothing warned Marius in what direction
he should seek her. His whole life was now summed up in two words;
absolute uncertainty within an impenetrable fog. To see her once again;
he still aspired to this, but he no longer expected it.

To crown all, his poverty had returned. He felt that icy breath close to
him, on his heels. In the midst of his torments, and long before
this, he had discontinued his work, and nothing is more dangerous than
discontinued work; it is a habit which vanishes. A habit which is easy
to get rid of, and difficult to take up again.

A certain amount of dreaming is good, like a narcotic in discreet doses.
It lulls to sleep the fevers of the mind at labor, which are sometimes
severe, and produces in the spirit a soft and fresh vapor which corrects
the over-harsh contours of pure thought, fills in gaps here and there,
binds together and rounds off the angles of the ideas. But too much
dreaming sinks and drowns. Woe to the brain-worker who allows himself to
fall entirely from thought into revery! He thinks that he can re-ascend
with equal ease, and he tells himself that, after all, it is the same
thing. Error!

Thought is the toil of the intelligence, revery its voluptuousness. To
replace thought with revery is to confound a poison with a food.

Marius had begun in that way, as the reader will remember. Passion had
supervened and had finished the work of precipitating him into chimaeras
without object or bottom. One no longer emerges from one's self except
for the purpose of going off to dream. Idle production. Tumultuous and
stagnant gulf. And, in proportion as labor diminishes, needs increase.
This is a law. Man, in a state of revery, is generally prodigal and
slack; the unstrung mind cannot hold life within close bounds.

There is, in that mode of life, good mingled with evil, for if
enervation is baleful, generosity is good and healthful. But the poor
man who is generous and noble, and who does not work, is lost. Resources
are exhausted, needs crop up.

Fatal declivity down which the most honest and the firmest as well as
the most feeble and most vicious are drawn, and which ends in one of two
holds, suicide or crime.

By dint of going outdoors to think, the day comes when one goes out to
throw one's self in the water.

Excess of revery breeds men like Escousse and Lebras.

Marius was descending this declivity at a slow pace, with his eyes
fixed on the girl whom he no longer saw. What we have just written seems
strange, and yet it is true. The memory of an absent being kindles in
the darkness of the heart; the more it has disappeared, the more it
beams; the gloomy and despairing soul sees this light on its horizon;
the star of the inner night. She--that was Marius' whole thought. He
meditated of nothing else; he was confusedly conscious that his old coat
was becoming an impossible coat, and that his new coat was growing old,
that his shirts were wearing out, that his hat was wearing out, that his
boots were giving out, and he said to himself: "If I could but see her
once again before I die!"

One sweet idea alone was left to him, that she had loved him, that her
glance had told him so, that she did not know his name, but that she did
know his soul, and that, wherever she was, however mysterious the place,
she still loved him perhaps. Who knows whether she were not thinking of
him as he was thinking of her? Sometimes, in those inexplicable hours
such as are experienced by every heart that loves, though he had no
reasons for anything but sadness and yet felt an obscure quiver of joy,
he said to himself: "It is her thoughts that are coming to me!" Then he
added: "Perhaps my thoughts reach her also."

This illusion, at which he shook his head a moment later, was
sufficient, nevertheless, to throw beams, which at times resembled hope,
into his soul. From time to time, especially at that evening hour which
is the most depressing to even the dreamy, he allowed the purest, the
most impersonal, the most ideal of the reveries which filled his brain,
to fall upon a notebook which contained nothing else. He called this
"writing to her."

It must not be supposed that his reason was deranged. Quite the
contrary. He had lost the faculty of working and of moving firmly
towards any fixed goal, but he was endowed with more clear-sightedness
and rectitude than ever. Marius surveyed by a calm and real, although
peculiar light, what passed before his eyes, even the most indifferent
deeds and men; he pronounced a just criticism on everything with a sort
of honest dejection and candid disinterestedness. His judgment, which
was almost wholly disassociated from hope, held itself aloof and soared
on high.

In this state of mind nothing escaped him, nothing deceived him, and
every moment he was discovering the foundation of life, of humanity, and
of destiny. Happy, even in the midst of anguish, is he to whom God has
given a soul worthy of love and of unhappiness! He who has not viewed
the things of this world and the heart of man under this double light
has seen nothing and knows nothing of the true.

The soul which loves and suffers is in a state of sublimity.

However, day followed day, and nothing new presented itself. It
merely seemed to him, that the sombre space which still remained to be
traversed by him was growing shorter with every instant. He thought that
he already distinctly perceived the brink of the bottomless abyss.

"What!" he repeated to himself, "shall I not see her again before then!"

When you have ascended the Rue Saint-Jacques, left the barrier on one
side and followed the old inner boulevard for some distance, you reach
the Rue de la Sante, then the Glaciere, and, a little while before
arriving at the little river of the Gobelins, you come to a sort of
field which is the only spot in the long and monotonous chain of the
boulevards of Paris, where Ruysdeel would be tempted to sit down.

There is something indescribable there which exhales grace, a green
meadow traversed by tightly stretched lines, from which flutter rags
drying in the wind, and an old market-gardener's house, built in the
time of Louis XIII., with its great roof oddly pierced with dormer
windows, dilapidated palisades, a little water amid poplar-trees,
women, voices, laughter; on the horizon the Pantheon, the pole of
the Deaf-Mutes, the Val-de-Grace, black, squat, fantastic, amusing,
magnificent, and in the background, the severe square crests of the
towers of Notre Dame.

As the place is worth looking at, no one goes thither. Hardly one cart
or wagoner passes in a quarter of an hour.

It chanced that Marius' solitary strolls led him to this plot of
ground, near the water. That day, there was a rarity on the boulevard,
a passer-by. Marius, vaguely impressed with the almost savage beauty of
the place, asked this passer-by:--"What is the name of this spot?"

The person replied: "It is the Lark's meadow."

And he added: "It was here that Ulbach killed the shepherdess of Ivry."

But after the word "Lark" Marius heard nothing more. These sudden
congealments in the state of revery, which a single word suffices to
evoke, do occur. The entire thought is abruptly condensed around an
idea, and it is no longer capable of perceiving anything else.

The Lark was the appellation which had replaced Ursule in the depths of
Marius' melancholy.--"Stop," said he with a sort of unreasoning stupor
peculiar to these mysterious asides, "this is her meadow. I shall know
where she lives now."

It was absurd, but irresistible.

And every day he returned to that meadow of the Lark.




CHAPTER II--EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS

Javert's triumph in the Gorbeau hovel seemed complete, but had not been
so.

In the first place, and this constituted the principal anxiety, Javert
had not taken the prisoner prisoner. The assassinated man who flees
is more suspicious than the assassin, and it is probable that this
personage, who had been so precious a capture for the ruffians, would be
no less fine a prize for the authorities.

And then, Montparnasse had escaped Javert.

Another opportunity of laying hands on that "devil's dandy" must be
waited for. Montparnasse had, in fact, encountered Eponine as she stood
on the watch under the trees of the boulevard, and had led her off,
preferring to play Nemorin with the daughter rather than Schinderhannes
with the father. It was well that he did so. He was free. As for
Eponine, Javert had caused her to be seized; a mediocre consolation.
Eponine had joined Azelma at Les Madelonettes.

And finally, on the way from the Gorbeau house to La Force, one of the
principal prisoners, Claquesous, had been lost. It was not known how
this had been effected, the police agents and the sergeants "could
not understand it at all." He had converted himself into vapor, he had
slipped through the handcuffs, he had trickled through the crevices of
the carriage, the fiacre was cracked, and he had fled; all that they
were able to say was, that on arriving at the prison, there was no
Claquesous. Either the fairies or the police had had a hand in it. Had
Claquesous melted into the shadows like a snow-flake in water? Had there
been unavowed connivance of the police agents? Did this man belong
to the double enigma of order and disorder? Was he concentric with
infraction and repression? Had this sphinx his fore paws in crime and
his hind paws in authority? Javert did not accept such comminations, and
would have bristled up against such compromises; but his squad included
other inspectors besides himself, who were more initiated than he,
perhaps, although they were his subordinates in the secrets of the
Prefecture, and Claquesous had been such a villain that he might make
a very good agent. It is an excellent thing for ruffianism and an
admirable thing for the police to be on such intimate juggling terms
with the night. These double-edged rascals do exist. However that may
be, Claquesous had gone astray and was not found again. Javert appeared
to be more irritated than amazed at this.

As for Marius, "that booby of a lawyer," who had probably become
frightened, and whose name Javert had forgotten, Javert attached very
little importance to him. Moreover, a lawyer can be hunted up at any
time. But was he a lawyer after all?

The investigation had begun.

The magistrate had thought it advisable not to put one of these men of
the band of Patron Minette in close confinement, in the hope that he
would chatter. This man was Brujon, the long-haired man of the Rue du
Petit-Banquier. He had been let loose in the Charlemagne courtyard, and
the eyes of the watchers were fixed on him.

This name of Brujon is one of the souvenirs of La Force. In that hideous
courtyard, called the court of the Batiment-Neuf (New Building), which
the administration called the court Saint-Bernard, and which the robbers
called the Fosseaux-Lions (The Lion's Ditch), on that wall covered with
scales and leprosy, which rose on the left to a level with the roofs,
near an old door of rusty iron which led to the ancient chapel of the
ducal residence of La Force, then turned in a dormitory for ruffians,
there could still be seen, twelve years ago, a sort of fortress roughly
carved in the stone with a nail, and beneath it this signature:--

                       BRUJON, 1811.


The Brujon of 1811 was the father of the Brujon of 1832.

The latter, of whom the reader caught but a glimpse at the Gorbeau
house, was a very cunning and very adroit young spark, with a bewildered
and plaintive air. It was in consequence of this plaintive air that the
magistrate had released him, thinking him more useful in the Charlemagne
yard than in close confinement.

Robbers do not interrupt their profession because they are in the hands
of justice. They do not let themselves be put out by such a trifle as
that. To be in prison for one crime is no reason for not beginning on
another crime. They are artists, who have one picture in the salon, and
who toil, none the less, on a new work in their studios.

Brujon seemed to be stupefied by prison. He could sometimes be seen
standing by the hour together in front of the sutler's window in the
Charlemagne yard, staring like an idiot at the sordid list of prices
which began with: garlic, 62 centimes, and ended with: cigar, 5
centimes. Or he passed his time in trembling, chattering his teeth,
saying that he had a fever, and inquiring whether one of the eight and
twenty beds in the fever ward was vacant.

All at once, towards the end of February, 1832, it was discovered that
Brujon, that somnolent fellow, had had three different commissions
executed by the errand-men of the establishment, not under his own name,
but in the name of three of his comrades; and they had cost him in all
fifty sous, an exorbitant outlay which attracted the attention of the
prison corporal.

Inquiries were instituted, and on consulting the tariff of commissions
posted in the convict's parlor, it was learned that the fifty sous could
be analyzed as follows: three commissions; one to the Pantheon, ten
sous; one to Val-de-Grace, fifteen sous; and one to the Barriere de
Grenelle, twenty-five sous. This last was the dearest of the whole
tariff. Now, at the Pantheon, at the Val-de-Grace, and at the Barriere
de Grenelle were situated the domiciles of the three very redoubtable
prowlers of the barriers, Kruideniers, alias Bizarre, Glorieux, an
ex-convict, and Barre-Carosse, upon whom the attention of the police was
directed by this incident. It was thought that these men were members
of Patron Minette; two of those leaders, Babet and Gueulemer, had been
captured. It was supposed that the messages, which had been addressed,
not to houses, but to people who were waiting for them in the street,
must have contained information with regard to some crime that had been
plotted. They were in possession of other indications; they laid hand on
the three prowlers, and supposed that they had circumvented some one or
other of Brujon's machinations.

About a week after these measures had been taken, one night, as the
superintendent of the watch, who had been inspecting the lower dormitory
in the Batiment-Neuf, was about to drop his chestnut in the box--this
was the means adopted to make sure that the watchmen performed their
duties punctually; every hour a chestnut must be dropped into all the
boxes nailed to the doors of the dormitories--a watchman looked through
the peep-hole of the dormitory and beheld Brujon sitting on his bed and
writing something by the light of the hall-lamp. The guardian entered,
Brujon was put in a solitary cell for a month, but they were not able to
seize what he had written. The police learned nothing further about it.

What is certain is, that on the following morning, a "postilion"
was flung from the Charlemagne yard into the Lions' Ditch, over the
five-story building which separated the two court-yards.

What prisoners call a "postilion" is a pellet of bread artistically
moulded, which is sent into Ireland, that is to say, over the roofs of a
prison, from one courtyard to another. Etymology: over England; from one
land to another; into Ireland. This little pellet falls in the yard. The
man who picks it up opens it and finds in it a note addressed to some
prisoner in that yard. If it is a prisoner who finds the treasure, he
forwards the note to its destination; if it is a keeper, or one of the
prisoners secretly sold who are called sheep in prisons and foxes in the
galleys, the note is taken to the office and handed over to the police.

On this occasion, the postilion reached its address, although the person
to whom it was addressed was, at that moment, in solitary confinement.
This person was no other than Babet, one of the four heads of Patron
Minette.

The postilion contained a roll of paper on which only these two lines
were written:--

"Babet. There is an affair in the Rue Plumet. A gate on a garden."

This is what Brujon had written the night before.

In spite of male and female searchers, Babet managed to pass the note on
from La Force to the Salpetriere, to a "good friend" whom he had and who
was shut up there. This woman in turn transmitted the note to another
woman of her acquaintance, a certain Magnon, who was strongly suspected
by the police, though not yet arrested. This Magnon, whose name the
reader has already seen, had relations with the Thenardier, which will
be described in detail later on, and she could, by going to see Eponine,
serve as a bridge between the Salpetriere and Les Madelonettes.

It happened, that at precisely that moment, as proofs were wanting
in the investigation directed against Thenardier in the matter of his
daughters, Eponine and Azelma were released. When Eponine came out,
Magnon, who was watching the gate of the Madelonettes, handed her
Brujon's note to Babet, charging her to look into the matter.

Eponine went to the Rue Plumet, recognized the gate and the garden,
observed the house, spied, lurked, and, a few days later, brought to
Magnon, who delivers in the Rue Clocheperce, a biscuit, which Magnon
transmitted to Babet's mistress in the Salpetriere. A biscuit, in the
shady symbolism of prisons, signifies: Nothing to be done.

So that in less than a week from that time, as Brujon and Babet met in
the circle of La Force, the one on his way to the examination, the other
on his way from it:--

"Well?" asked Brujon, "the Rue P.?"

"Biscuit," replied Babet. Thus did the foetus of crime engendered by
Brujon in La Force miscarry.

This miscarriage had its consequences, however, which were perfectly
distinct from Brujon's programme. The reader will see what they were.

Often when we think we are knotting one thread, we are tying quite
another.




CHAPTER III--APPARITION TO FATHER MABEUF

Marius no longer went to see any one, but he sometimes encountered
Father Mabeuf by chance.

While Marius was slowly descending those melancholy steps which may be
called the cellar stairs, and which lead to places without light, where
the happy can be heard walking overhead, M. Mabeuf was descending on his
side.

The Flora of Cauteretz no longer sold at all. The experiments on indigo
had not been successful in the little garden of Austerlitz, which had
a bad exposure. M. Mabeuf could cultivate there only a few plants which
love shade and dampness. Nevertheless, he did not become discouraged. He
had obtained a corner in the Jardin des Plantes, with a good exposure,
to make his trials with indigo "at his own expense." For this purpose he
had pawned his copperplates of the Flora. He had reduced his breakfast
to two eggs, and he left one of these for his old servant, to whom he
had paid no wages for the last fifteen months. And often his breakfast
was his only meal. He no longer smiled with his infantile smile, he had
grown morose and no longer received visitors. Marius did well not to
dream of going thither. Sometimes, at the hour when M. Mabeuf was on his
way to the Jardin des Plantes, the old man and the young man passed
each other on the Boulevard de l'Hopital. They did not speak, and only
exchanged a melancholy sign of the head. A heart-breaking thing it is
that there comes a moment when misery looses bonds! Two men who have
been friends become two chance passers-by.

Royal the bookseller was dead. M. Mabeuf no longer knew his books,
his garden, or his indigo: these were the three forms which happiness,
pleasure, and hope had assumed for him. This sufficed him for his
living. He said to himself: "When I shall have made my balls of blueing,
I shall be rich, I will withdraw my copperplates from the pawn-shop,
I will put my Flora in vogue again with trickery, plenty of money and
advertisements in the newspapers and I will buy, I know well where, a
copy of Pierre de Medine's Art de Naviguer, with wood-cuts, edition of
1655." In the meantime, he toiled all day over his plot of indigo, and
at night he returned home to water his garden, and to read his books. At
that epoch, M. Mabeuf was nearly eighty years of age.

One evening he had a singular apparition.

He had returned home while it was still broad daylight. Mother
Plutarque, whose health was declining, was ill and in bed. He had dined
on a bone, on which a little meat lingered, and a bit of bread that he
had found on the kitchen table, and had seated himself on an overturned
stone post, which took the place of a bench in his garden.

Near this bench there rose, after the fashion in orchard-gardens, a sort
of large chest, of beams and planks, much dilapidated, a rabbit-hutch on
the ground floor, a fruit-closet on the first. There was nothing in the
hutch, but there were a few apples in the fruit-closet,--the remains of
the winter's provision.

M. Mabeuf had set himself to turning over and reading, with the aid of
his glasses, two books of which he was passionately fond and in which,
a serious thing at his age, he was interested. His natural timidity
rendered him accessible to the acceptance of superstitions in a certain
degree. The first of these books was the famous treatise of President
Delancre, De l'inconstance des Demons; the other was a quarto by Mutor
de la Rubaudiere, Sur les Diables de Vauvert et les Gobelins de la
Bievre. This last-mentioned old volume interested him all the more,
because his garden had been one of the spots haunted by goblins in
former times. The twilight had begun to whiten what was on high and to
blacken all below. As he read, over the top of the book which he held
in his hand, Father Mabeuf was surveying his plants, and among others a
magnificent rhododendron which was one of his consolations; four days of
heat, wind, and sun without a drop of rain, had passed; the stalks were
bending, the buds drooping, the leaves falling; all this needed water,
the rhododendron was particularly sad. Father Mabeuf was one of those
persons for whom plants have souls. The old man had toiled all day over
his indigo plot, he was worn out with fatigue, but he rose, laid
his books on the bench, and walked, all bent over and with tottering
footsteps, to the well, but when he had grasped the chain, he could not
even draw it sufficiently to unhook it. Then he turned round and cast a
glance of anguish toward heaven which was becoming studded with stars.

The evening had that serenity which overwhelms the troubles of man
beneath an indescribably mournful and eternal joy. The night promised to
be as arid as the day had been.

"Stars everywhere!" thought the old man; "not the tiniest cloud! Not a
drop of water!"

And his head, which had been upraised for a moment, fell back upon his
breast.

He raised it again, and once more looked at the sky, murmuring:--

"A tear of dew! A little pity!"

He tried again to unhook the chain of the well, and could not.

At that moment, he heard a voice saying:--

"Father Mabeuf, would you like to have me water your garden for you?"

At the same time, a noise as of a wild animal passing became audible
in the hedge, and he beheld emerging from the shrubbery a sort of tall,
slender girl, who drew herself up in front of him and stared boldly at
him. She had less the air of a human being than of a form which had just
blossomed forth from the twilight.

Before Father Mabeuf, who was easily terrified, and who was, as we have
said, quick to take alarm, was able to reply by a single syllable, this
being, whose movements had a sort of odd abruptness in the darkness, had
unhooked the chain, plunged in and withdrawn the bucket, and filled the
watering-pot, and the goodman beheld this apparition, which had bare
feet and a tattered petticoat, running about among the flower-beds
distributing life around her. The sound of the watering-pot on the
leaves filled Father Mabeuf's soul with ecstasy. It seemed to him that
the rhododendron was happy now.

The first bucketful emptied, the girl drew a second, then a third. She
watered the whole garden.

There was something about her, as she thus ran about among paths, where
her outline appeared perfectly black, waving her angular arms, and with
her fichu all in rags, that resembled a bat.

When she had finished, Father Mabeuf approached her with tears in his
eyes, and laid his hand on her brow.

"God will bless you," said he, "you are an angel since you take care of
the flowers."

"No," she replied. "I am the devil, but that's all the same to me."

The old man exclaimed, without either waiting for or hearing her
response:--

"What a pity that I am so unhappy and so poor, and that I can do nothing
for you!"

"You can do something," said she.

"What?"

"Tell me where M. Marius lives."

The old man did not understand. "What Monsieur Marius?"

He raised his glassy eyes and seemed to be seeking something that had
vanished.

"A young man who used to come here."

In the meantime, M. Mabeuf had searched his memory.

"Ah! yes--" he exclaimed. "I know what you mean. Wait! Monsieur
Marius--the Baron Marius Pontmercy, parbleu! He lives,--or rather, he no
longer lives,--ah well, I don't know."

As he spoke, he had bent over to train a branch of rhododendron, and he
continued:--

"Hold, I know now. He very often passes along the boulevard, and goes in
the direction of the Glaciere, Rue Croulebarbe. The meadow of the Lark.
Go there. It is not hard to meet him."

When M. Mabeuf straightened himself up, there was no longer any one
there; the girl had disappeared.

He was decidedly terrified.

"Really," he thought, "if my garden had not been watered, I should think
that she was a spirit."

An hour later, when he was in bed, it came back to him, and as he fell
asleep, at that confused moment when thought, like that fabulous bird
which changes itself into a fish in order to cross the sea, little by
little assumes the form of a dream in order to traverse slumber, he said
to himself in a bewildered way:--

"In sooth, that greatly resembles what Rubaudiere narrates of the
goblins. Could it have been a goblin?"




CHAPTER IV--AN APPARITION TO MARIUS

Some days after this visit of a "spirit" to Farmer Mabeuf, one
morning,--it was on a Monday, the day when Marius borrowed the
hundred-sou piece from Courfeyrac for Thenardier--Marius had put this
coin in his pocket, and before carrying it to the clerk's office, he
had gone "to take a little stroll," in the hope that this would make him
work on his return. It was always thus, however. As soon as he rose, he
seated himself before a book and a sheet of paper in order to scribble
some translation; his task at that epoch consisted in turning into
French a celebrated quarrel between Germans, the Gans and Savigny
controversy; he took Savigny, he took Gans, read four lines, tried to
write one, could not, saw a star between him and his paper, and rose
from his chair, saying: "I shall go out. That will put me in spirits."

And off he went to the Lark's meadow.

There he beheld more than ever the star, and less than ever Savigny and
Gans.

He returned home, tried to take up his work again, and did not succeed;
there was no means of re-knotting a single one of the threads which
were broken in his brain; then he said to himself: "I will not go out
to-morrow. It prevents my working." And he went out every day.

He lived in the Lark's meadow more than in Courfeyrac's lodgings. That
was his real address: Boulevard de la Sante, at the seventh tree from
the Rue Croulebarbe.

That morning he had quitted the seventh tree and had seated himself on
the parapet of the River des Gobelins. A cheerful sunlight penetrated
the freshly unfolded and luminous leaves.

He was dreaming of "Her." And his meditation turning to a reproach, fell
back upon himself; he reflected dolefully on his idleness, his paralysis
of soul, which was gaining on him, and of that night which was growing
more dense every moment before him, to such a point that he no longer
even saw the sun.

Nevertheless, athwart this painful extrication of indistinct ideas which
was not even a monologue, so feeble had action become in him, and he
had no longer the force to care to despair, athwart this melancholy
absorption, sensations from without did reach him. He heard behind him,
beneath him, on both banks of the river, the laundresses of the Gobelins
beating their linen, and above his head, the birds chattering and
singing in the elm-trees. On the one hand, the sound of liberty, the
careless happiness of the leisure which has wings; on the other, the
sound of toil. What caused him to meditate deeply, and almost reflect,
were two cheerful sounds.

All at once, in the midst of his dejected ecstasy, he heard a familiar
voice saying:--

"Come! Here he is!"

He raised his eyes, and recognized that wretched child who had come to
him one morning, the elder of the Thenardier daughters, Eponine; he knew
her name now. Strange to say, she had grown poorer and prettier,
two steps which it had not seemed within her power to take. She had
accomplished a double progress, towards the light and towards distress.
She was barefooted and in rags, as on the day when she had so resolutely
entered his chamber, only her rags were two months older now, the holes
were larger, the tatters more sordid. It was the same harsh voice,
the same brow dimmed and wrinkled with tan, the same free, wild, and
vacillating glance. She had besides, more than formerly, in her face
that indescribably terrified and lamentable something which sojourn in a
prison adds to wretchedness.

She had bits of straw and hay in her hair, not like Ophelia through
having gone mad from the contagion of Hamlet's madness, but because she
had slept in the loft of some stable.

And in spite of it all, she was beautiful. What a star art thou, O
youth!

In the meantime, she had halted in front of Marius with a trace of joy
in her livid countenance, and something which resembled a smile.

She stood for several moments as though incapable of speech.

"So I have met you at last!" she said at length. "Father Mabeuf was
right, it was on this boulevard! How I have hunted for you! If you only
knew! Do you know? I have been in the jug. A fortnight! They let me out!
seeing that there was nothing against me, and that, moreover, I had not
reached years of discretion. I lack two months of it. Oh! how I have
hunted for you! These six weeks! So you don't live down there any more?"

"No," said Marius.

"Ah! I understand. Because of that affair. Those take-downs are
disagreeable. You cleared out. Come now! Why do you wear old hats like
this! A young man like you ought to have fine clothes. Do you know,
Monsieur Marius, Father Mabeuf calls you Baron Marius, I don't know
what. It isn't true that you are a baron? Barons are old fellows, they
go to the Luxembourg, in front of the chateau, where there is the most
sun, and they read the Quotidienne for a sou. I once carried a letter to
a baron of that sort. He was over a hundred years old. Say, where do you
live now?"

Marius made no reply.

"Ah!" she went on, "you have a hole in your shirt. I must sew it up for
you."

She resumed with an expression which gradually clouded over:--

"You don't seem glad to see me."

Marius held his peace; she remained silent for a moment, then
exclaimed:--

"But if I choose, nevertheless, I could force you to look glad!"

"What?" demanded Marius. "What do you mean?"

"Ah! you used to call me thou," she retorted.

"Well, then, what dost thou mean?"

She bit her lips; she seemed to hesitate, as though a prey to some sort
of inward conflict. At last she appeared to come to a decision.

"So much the worse, I don't care. You have a melancholy air, I want you
to be pleased. Only promise me that you will smile. I want to see you
smile and hear you say: 'Ah, well, that's good.' Poor Mr. Marius! you
know? You promised me that you would give me anything I like--"

"Yes! Only speak!"

She looked Marius full in the eye, and said:--

"I have the address."

Marius turned pale. All the blood flowed back to his heart.

"What address?"

"The address that you asked me to get!"

She added, as though with an effort:--

"The address--you know very well!"

"Yes!" stammered Marius.

"Of that young lady."

This word uttered, she sighed deeply.

Marius sprang from the parapet on which he had been sitting and seized
her hand distractedly.

"Oh! Well! lead me thither! Tell me! Ask of me anything you wish! Where
is it?"

"Come with me," she responded. "I don't know the street or number very
well; it is in quite the other direction from here, but I know the house
well, I will take you to it."

She withdrew her hand and went on, in a tone which could have rent
the heart of an observer, but which did not even graze Marius in his
intoxicated and ecstatic state:--

"Oh! how glad you are!"

A cloud swept across Marius' brow. He seized Eponine by the arm:--

"Swear one thing to me!"

"Swear!" said she, "what does that mean? Come! You want me to swear?"

And she laughed.

"Your father! promise me, Eponine! Swear to me that you will not give
this address to your father!"

She turned to him with a stupefied air.

"Eponine! How do you know that my name is Eponine?"

"Promise what I tell you!"

But she did not seem to hear him.

"That's nice! You have called me Eponine!"

Marius grasped both her arms at once.

"But answer me, in the name of Heaven! pay attention to what I am saying
to you, swear to me that you will not tell your father this address that
you know!"

"My father!" said she. "Ah yes, my father! Be at ease. He's in close
confinement. Besides, what do I care for my father!"

"But you do not promise me!" exclaimed Marius.

"Let go of me!" she said, bursting into a laugh, "how you do shake me!
Yes! Yes! I promise that! I swear that to you! What is that to me? I
will not tell my father the address. There! Is that right? Is that it?"

"Nor to any one?" said Marius.

"Nor to any one."

"Now," resumed Marius, "take me there."

"Immediately?"

"Immediately."

"Come along. Ah! how pleased he is!" said she.

After a few steps she halted.

"You are following me too closely, Monsieur Marius. Let me go on ahead,
and follow me so, without seeming to do it. A nice young man like you
must not be seen with a woman like me."

No tongue can express all that lay in that word, woman, thus pronounced
by that child.

She proceeded a dozen paces and then halted once more; Marius joined
her. She addressed him sideways, and without turning towards him:--

"By the way, you know that you promised me something?"

Marius fumbled in his pocket. All that he owned in the world was the
five francs intended for Thenardier the father. He took them and laid
them in Eponine's hand.

She opened her fingers and let the coin fall to the ground, and gazed at
him with a gloomy air.

"I don't want your money," said she.




BOOK THIRD.--THE HOUSE IN THE RUE PLUMET




CHAPTER I--THE HOUSE WITH A SECRET

About the middle of the last century, a chief justice in the Parliament
of Paris having a mistress and concealing the fact, for at that period
the grand seignors displayed their mistresses, and the bourgeois
concealed them, had "a little house" built in the Faubourg
Saint-Germain, in the deserted Rue Blomet, which is now called Rue
Plumet, not far from the spot which was then designated as Combat des
Animaux.

This house was composed of a single-storied pavilion; two rooms on the
ground floor, two chambers on the first floor, a kitchen down stairs,
a boudoir up stairs, an attic under the roof, the whole preceded by a
garden with a large gate opening on the street. This garden was about
an acre and a half in extent. This was all that could be seen by
passers-by; but behind the pavilion there was a narrow courtyard, and
at the end of the courtyard a low building consisting of two rooms and
a cellar, a sort of preparation destined to conceal a child and nurse
in case of need. This building communicated in the rear by a masked
door which opened by a secret spring, with a long, narrow, paved winding
corridor, open to the sky, hemmed in with two lofty walls, which, hidden
with wonderful art, and lost as it were between garden enclosures and
cultivated land, all of whose angles and detours it followed, ended in
another door, also with a secret lock which opened a quarter of a league
away, almost in another quarter, at the solitary extremity of the Rue du
Babylone.

Through this the chief justice entered, so that even those who were
spying on him and following him would merely have observed that the
justice betook himself every day in a mysterious way somewhere, and
would never have suspected that to go to the Rue de Babylone was to go
to the Rue Blomet. Thanks to clever purchasers of land, the magistrate
had been able to make a secret, sewer-like passage on his own property,
and consequently, without interference. Later on, he had sold in little
parcels, for gardens and market gardens, the lots of ground adjoining
the corridor, and the proprietors of these lots on both sides thought
they had a party wall before their eyes, and did not even suspect the
long, paved ribbon winding between two walls amid their flower-beds and
their orchards. Only the birds beheld this curiosity. It is probable
that the linnets and tomtits of the last century gossiped a great deal
about the chief justice.

The pavilion, built of stone in the taste of Mansard, wainscoted and
furnished in the Watteau style, rocaille on the inside, old-fashioned
on the outside, walled in with a triple hedge of flowers, had something
discreet, coquettish, and solemn about it, as befits a caprice of love
and magistracy.

This house and corridor, which have now disappeared, were in existence
fifteen years ago. In '93 a coppersmith had purchased the house with
the idea of demolishing it, but had not been able to pay the price; the
nation made him bankrupt. So that it was the house which demolished the
coppersmith. After that, the house remained uninhabited, and fell slowly
to ruin, as does every dwelling to which the presence of man does not
communicate life. It had remained fitted with its old furniture, was
always for sale or to let, and the ten or a dozen people who passed
through the Rue Plumet were warned of the fact by a yellow and illegible
bit of writing which had hung on the garden wall since 1819.

Towards the end of the Restoration, these same passers-by might have
noticed that the bill had disappeared, and even that the shutters on the
first floor were open. The house was occupied, in fact. The windows had
short curtains, a sign that there was a woman about.

In the month of October, 1829, a man of a certain age had presented
himself and had hired the house just as it stood, including, of course,
the back building and the lane which ended in the Rue de Babylone. He
had had the secret openings of the two doors to this passage repaired.
The house, as we have just mentioned, was still very nearly furnished
with the justice's old fitting; the new tenant had ordered some
repairs, had added what was lacking here and there, had replaced the
paving-stones in the yard, bricks in the floors, steps in the stairs,
missing bits in the inlaid floors and the glass in the lattice windows,
and had finally installed himself there with a young girl and an elderly
maid-servant, without commotion, rather like a person who is slipping
in than like a man who is entering his own house. The neighbors did not
gossip about him, for the reason that there were no neighbors.

This unobtrusive tenant was Jean Valjean, the young girl was Cosette.
The servant was a woman named Toussaint, whom Jean Valjean had saved
from the hospital and from wretchedness, and who was elderly, a
stammerer, and from the provinces, three qualities which had decided
Jean Valjean to take her with him. He had hired the house under the name
of M. Fauchelevent, independent gentleman. In all that has been
related heretofore, the reader has, doubtless, been no less prompt than
Thenardier to recognize Jean Valjean.

Why had Jean Valjean quitted the convent of the Petit-Picpus? What had
happened?

Nothing had happened.

It will be remembered that Jean Valjean was happy in the convent, so
happy that his conscience finally took the alarm. He saw Cosette every
day, he felt paternity spring up and develop within him more and more,
he brooded over the soul of that child, he said to himself that she
was his, that nothing could take her from him, that this would last
indefinitely, that she would certainly become a nun, being thereto
gently incited every day, that thus the convent was henceforth the
universe for her as it was for him, that he should grow old there, and
that she would grow up there, that she would grow old there, and that
he should die there; that, in short, delightful hope, no separation
was possible. On reflecting upon this, he fell into perplexity. He
interrogated himself. He asked himself if all that happiness were
really his, if it were not composed of the happiness of another, of
the happiness of that child which he, an old man, was confiscating and
stealing; if that were not theft? He said to himself, that this child
had a right to know life before renouncing it, that to deprive her in
advance, and in some sort without consulting her, of all joys, under
the pretext of saving her from all trials, to take advantage of her
ignorance of her isolation, in order to make an artificial vocation
germinate in her, was to rob a human creature of its nature and to lie
to God. And who knows if, when she came to be aware of all this some
day, and found herself a nun to her sorrow, Cosette would not come to
hate him? A last, almost selfish thought, and less heroic than the rest,
but which was intolerable to him. He resolved to quit the convent.

He resolved on this; he recognized with anguish, the fact that it was
necessary. As for objections, there were none. Five years' sojourn
between these four walls and of disappearance had necessarily destroyed
or dispersed the elements of fear. He could return tranquilly among men.
He had grown old, and all had undergone a change. Who would recognize
him now? And then, to face the worst, there was danger only for himself,
and he had no right to condemn Cosette to the cloister for the reason
that he had been condemned to the galleys. Besides, what is danger in
comparison with the right? Finally, nothing prevented his being prudent
and taking his precautions.

As for Cosette's education, it was almost finished and complete.

His determination once taken, he awaited an opportunity. It was not long
in presenting itself. Old Fauchelevent died.

Jean Valjean demanded an audience with the revered prioress and told her
that, having come into a little inheritance at the death of his brother,
which permitted him henceforth to live without working, he should leave
the service of the convent and take his daughter with him; but that, as
it was not just that Cosette, since she had not taken the vows, should
have received her education gratuitously, he humbly begged the Reverend
Prioress to see fit that he should offer to the community, as indemnity,
for the five years which Cosette had spent there, the sum of five
thousand francs.

It was thus that Jean Valjean quitted the convent of the Perpetual
Adoration.

On leaving the convent, he took in his own arms the little valise the
key to which he still wore on his person, and would permit no porter to
touch it. This puzzled Cosette, because of the odor of embalming which
proceeded from it.

Let us state at once, that this trunk never quitted him more. He always
had it in his chamber. It was the first and only thing sometimes, that
he carried off in his moving when he moved about. Cosette laughed at it,
and called this valise his inseparable, saying: "I am jealous of it."

Nevertheless, Jean Valjean did not reappear in the open air without
profound anxiety.

He discovered the house in the Rue Plumet, and hid himself from
sight there. Henceforth he was in the possession of the name:--Ultime
Fauchelevent.

At the same time he hired two other apartments in Paris, in order that
he might attract less attention than if he were to remain always in the
same quarter, and so that he could, at need, take himself off at the
slightest disquietude which should assail him, and in short, so that
he might not again be caught unprovided as on the night when he had
so miraculously escaped from Javert. These two apartments were very
pitiable, poor in appearance, and in two quarters which were far remote
from each other, the one in the Rue de l'Ouest, the other in the Rue de
l'Homme Arme.

He went from time to time, now to the Rue de l'Homme Arme, now to the
Rue de l'Ouest, to pass a month or six weeks, without taking Toussaint.
He had himself served by the porters, and gave himself out as a
gentleman from the suburbs, living on his funds, and having a little
temporary resting-place in town. This lofty virtue had three domiciles
in Paris for the sake of escaping from the police.




CHAPTER II--JEAN VALJEAN AS A NATIONAL GUARD

However, properly speaking, he lived in the Rue Plumet, and he had
arranged his existence there in the following fashion:--

Cosette and the servant occupied the pavilion; she had the big
sleeping-room with the painted pier-glasses, the boudoir with the gilded
fillets, the justice's drawing-room furnished with tapestries and vast
arm-chairs; she had the garden. Jean Valjean had a canopied bed of
antique damask in three colors and a beautiful Persian rug purchased in
the Rue du Figuier-Saint-Paul at Mother Gaucher's, put into Cosette's
chamber, and, in order to redeem the severity of these magnificent
old things, he had amalgamated with this bric-a-brac all the gay and
graceful little pieces of furniture suitable to young girls, an etagere,
a bookcase filled with gilt-edged books, an inkstand, a blotting-book,
paper, a work-table incrusted with mother of pearl, a silver-gilt
dressing-case, a toilet service in Japanese porcelain. Long damask
curtains with a red foundation and three colors, like those on the
bed, hung at the windows of the first floor. On the ground floor, the
curtains were of tapestry. All winter long, Cosette's little house was
heated from top to bottom. Jean Valjean inhabited the sort of porter's
lodge which was situated at the end of the back courtyard, with a
mattress on a folding-bed, a white wood table, two straw chairs, an
earthenware water-jug, a few old volumes on a shelf, his beloved valise
in one corner, and never any fire. He dined with Cosette, and he had a
loaf of black bread on the table for his own use.

When Toussaint came, he had said to her: "It is the young lady who is
the mistress of this house."--"And you, monsieur?" Toussaint replied in
amazement.--"I am a much better thing than the master, I am the father."

Cosette had been taught housekeeping in the convent, and she regulated
their expenditure, which was very modest. Every day, Jean Valjean put
his arm through Cosette's and took her for a walk. He led her to the
Luxembourg, to the least frequented walk, and every Sunday he took her
to mass at Saint-Jacques-du-Haut-Pas, because that was a long way off.
As it was a very poor quarter, he bestowed alms largely there, and the
poor people surrounded him in church, which had drawn down upon him
Thenardier's epistle: "To the benevolent gentleman of the church of
Saint-Jacques-du-Haut-Pas." He was fond of taking Cosette to visit the
poor and the sick. No stranger ever entered the house in the Rue Plumet.
Toussaint brought their provisions, and Jean Valjean went himself for
water to a fountain near by on the boulevard. Their wood and wine were
put into a half-subterranean hollow lined with rock-work which lay near
the Rue de Babylone and which had formerly served the chief-justice as
a grotto; for at the epoch of follies and "Little Houses" no love was
without a grotto.

In the door opening on the Rue de Babylone, there was a box destined for
the reception of letters and papers; only, as the three inhabitants of
the pavilion in the Rue Plumet received neither papers nor letters, the
entire usefulness of that box, formerly the go-between of a love
affair, and the confidant of a love-lorn lawyer, was now limited to
the tax-collector's notices, and the summons of the guard. For M.
Fauchelevent, independent gentleman, belonged to the national guard;
he had not been able to escape through the fine meshes of the census of
1831. The municipal information collected at that time had even reached
the convent of the Petit-Picpus, a sort of impenetrable and holy cloud,
whence Jean Valjean had emerged in venerable guise, and, consequently,
worthy of mounting guard in the eyes of the townhall.

Three or four times a year, Jean Valjean donned his uniform and mounted
guard; he did this willingly, however; it was a correct disguise which
mixed him with every one, and yet left him solitary. Jean Valjean had
just attained his sixtieth birthday, the age of legal exemption; but he
did not appear to be over fifty; moreover, he had no desire to escape
his sergeant-major nor to quibble with Comte de Lobau; he possessed
no civil status, he was concealing his name, he was concealing his
identity, so he concealed his age, he concealed everything; and, as we
have just said, he willingly did his duty as a national guard; the sum
of his ambition lay in resembling any other man who paid his taxes. This
man had for his ideal, within, the angel, without, the bourgeois.

Let us note one detail, however; when Jean Valjean went out with
Cosette, he dressed as the reader has already seen, and had the air of
a retired officer. When he went out alone, which was generally at night,
he was always dressed in a workingman's trousers and blouse, and wore
a cap which concealed his face. Was this precaution or humility? Both.
Cosette was accustomed to the enigmatical side of her destiny, and
hardly noticed her father's peculiarities. As for Toussaint, she
venerated Jean Valjean, and thought everything he did right.

One day, her butcher, who had caught a glimpse of Jean Valjean, said to
her: "That's a queer fish." She replied: "He's a saint."

Neither Jean Valjean nor Cosette nor Toussaint ever entered or emerged
except by the door on the Rue de Babylone. Unless seen through the
garden gate it would have been difficult to guess that they lived in
the Rue Plumet. That gate was always closed. Jean Valjean had left the
garden uncultivated, in order not to attract attention.

In this, possibly, he made a mistake.




CHAPTER III--FOLIIS AC FRONDIBUS

The garden thus left to itself for more than half a century had become
extraordinary and charming. The passers-by of forty years ago halted to
gaze at it, without a suspicion of the secrets which it hid in its fresh
and verdant depths. More than one dreamer of that epoch often allowed
his thoughts and his eyes to penetrate indiscreetly between the bars of
that ancient, padlocked gate, twisted, tottering, fastened to two
green and moss-covered pillars, and oddly crowned with a pediment of
undecipherable arabesque.

There was a stone bench in one corner, one or two mouldy statues,
several lattices which had lost their nails with time, were rotting on
the wall, and there were no walks nor turf; but there was enough grass
everywhere. Gardening had taken its departure, and nature had returned.
Weeds abounded, which was a great piece of luck for a poor corner of
land. The festival of gilliflowers was something splendid. Nothing
in this garden obstructed the sacred effort of things towards life;
venerable growth reigned there among them. The trees had bent over
towards the nettles, the plant had sprung upward, the branch had
inclined, that which crawls on the earth had gone in search of that
which expands in the air, that which floats on the wind had bent over
towards that which trails in the moss; trunks, boughs, leaves, fibres,
clusters, tendrils, shoots, spines, thorns, had mingled, crossed,
married, confounded themselves in each other; vegetation in a deep
and close embrace, had celebrated and accomplished there, under the
well-pleased eye of the Creator, in that enclosure three hundred feet
square, the holy mystery of fraternity, symbol of the human fraternity.
This garden was no longer a garden, it was a colossal thicket, that is
to say, something as impenetrable as a forest, as peopled as a city,
quivering like a nest, sombre like a cathedral, fragrant like a bouquet,
solitary as a tomb, living as a throng.

In Floreal[34] this enormous thicket, free behind its gate and within
its four walls, entered upon the secret labor of germination, quivered
in the rising sun, almost like an animal which drinks in the breaths of
cosmic love, and which feels the sap of April rising and boiling in
its veins, and shakes to the wind its enormous wonderful green locks,
sprinkled on the damp earth, on the defaced statues, on the crumbling
steps of the pavilion, and even on the pavement of the deserted street,
flowers like stars, dew like pearls, fecundity, beauty, life, joy,
perfumes. At midday, a thousand white butterflies took refuge there, and
it was a divine spectacle to see that living summer snow whirling about
there in flakes amid the shade. There, in those gay shadows of verdure,
a throng of innocent voices spoke sweetly to the soul, and what the
twittering forgot to say the humming completed. In the evening, a dreamy
vapor exhaled from the garden and enveloped it; a shroud of mist, a
calm and celestial sadness covered it; the intoxicating perfume of the
honeysuckles and convolvulus poured out from every part of it, like an
exquisite and subtle poison; the last appeals of the woodpeckers and
the wagtails were audible as they dozed among the branches; one felt the
sacred intimacy of the birds and the trees; by day the wings rejoice the
leaves, by night the leaves protect the wings.

In winter the thicket was black, dripping, bristling, shivering, and
allowed some glimpse of the house. Instead of flowers on the branches
and dew in the flowers, the long silvery tracks of the snails were
visible on the cold, thick carpet of yellow leaves; but in any fashion,
under any aspect, at all seasons, spring, winter, summer, autumn, this
tiny enclosure breathed forth melancholy, contemplation, solitude,
liberty, the absence of man, the presence of God; and the rusty old gate
had the air of saying: "This garden belongs to me."

It was of no avail that the pavements of Paris were there on every side,
the classic and splendid hotels of the Rue de Varennes a couple of paces
away, the dome of the Invalides close at hand, the Chamber of Deputies
not far off; the carriages of the Rue de Bourgogne and of the Rue
Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain
did the yellow, brown, white, and red omnibuses cross each other's
course at the neighboring cross-roads; the Rue Plumet was the desert;
and the death of the former proprietors, the revolution which had passed
over it, the crumbling away of ancient fortunes, absence, forgetfulness,
forty years of abandonment and widowhood, had sufficed to restore to
this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great
crimped plants, with large leaves of pale green cloth, lizards, beetles,
uneasy and rapid insects; to cause to spring forth from the depths
of the earth and to reappear between those four walls a certain
indescribable and savage grandeur; and for nature, which disconcerts
the petty arrangements of man, and which sheds herself always thoroughly
where she diffuses herself at all, in the ant as well as in the eagle,
to blossom out in a petty little Parisian garden with as much rude force
and majesty as in a virgin forest of the New World.

Nothing is small, in fact; any one who is subject to the profound
and penetrating influence of nature knows this. Although no absolute
satisfaction is given to philosophy, either to circumscribe the cause
or to limit the effect, the contemplator falls into those unfathomable
ecstasies caused by these decompositions of force terminating in unity.
Everything toils at everything.

Algebra is applied to the clouds; the radiation of the star profits
the rose; no thinker would venture to affirm that the perfume of the
hawthorn is useless to the constellations. Who, then, can calculate the
course of a molecule? How do we know that the creation of worlds is not
determined by the fall of grains of sand? Who knows the reciprocal
ebb and flow of the infinitely great and the infinitely little, the
reverberations of causes in the precipices of being, and the avalanches
of creation? The tiniest worm is of importance; the great is little, the
little is great; everything is balanced in necessity; alarming vision
for the mind. There are marvellous relations between beings and things;
in that inexhaustible whole, from the sun to the grub, nothing despises
the other; all have need of each other. The light does not bear away
terrestrial perfumes into the azure depths, without knowing what it is
doing; the night distributes stellar essences to the sleeping flowers.
All birds that fly have round their leg the thread of the infinite.
Germination is complicated with the bursting forth of a meteor and with
the peck of a swallow cracking its egg, and it places on one level the
birth of an earthworm and the advent of Socrates. Where the telescope
ends, the microscope begins. Which of the two possesses the larger field
of vision? Choose. A bit of mould is a pleiad of flowers; a nebula is an
ant-hill of stars. The same promiscuousness, and yet more unprecedented,
exists between the things of the intelligence and the facts of
substance. Elements and principles mingle, combine, wed, multiply with
each other, to such a point that the material and the moral world are
brought eventually to the same clearness. The phenomenon is perpetually
returning upon itself. In the vast cosmic exchanges the universal life
goes and comes in unknown quantities, rolling entirely in the invisible
mystery of effluvia, employing everything, not losing a single dream,
not a single slumber, sowing an animalcule here, crumbling to bits a
planet there, oscillating and winding, making of light a force and of
thought an element, disseminated and invisible, dissolving all,
except that geometrical point, the I; bringing everything back to the
soul-atom; expanding everything in God, entangling all activity, from
summit to base, in the obscurity of a dizzy mechanism, attaching the
flight of an insect to the movement of the earth, subordinating, who
knows? Were it only by the identity of the law, the evolution of the
comet in the firmament to the whirling of the infusoria in the drop
of water. A machine made of mind. Enormous gearing, the prime motor of
which is the gnat, and whose final wheel is the zodiac.




CHAPTER IV--CHANGE OF GATE

It seemed that this garden, created in olden days to conceal wanton
mysteries, had been transformed and become fitted to shelter chaste
mysteries. There were no longer either arbors, or bowling greens, or
tunnels, or grottos; there was a magnificent, dishevelled obscurity
falling like a veil over all. Paphos had been made over into Eden. It is
impossible to say what element of repentance had rendered this retreat
wholesome. This flower-girl now offered her blossom to the soul. This
coquettish garden, formerly decidedly compromised, had returned to
virginity and modesty. A justice assisted by a gardener, a goodman who
thought that he was a continuation of Lamoignon, and another goodman who
thought that he was a continuation of Lenotre, had turned it about, cut,
ruffled, decked, moulded it to gallantry; nature had taken possession of
it once more, had filled it with shade, and had arranged it for love.

There was, also, in this solitude, a heart which was quite ready. Love
had only to show himself; he had here a temple composed of verdure,
grass, moss, the sight of birds, tender shadows, agitated branches, and
a soul made of sweetness, of faith, of candor, of hope, of aspiration,
and of illusion.

Cosette had left the convent when she was still almost a child; she was
a little more than fourteen, and she was at the "ungrateful age"; we
have already said, that with the exception of her eyes, she was homely
rather than pretty; she had no ungraceful feature, but she was awkward,
thin, timid and bold at once, a grown-up little girl, in short.

Her education was finished, that is to say, she has been taught
religion, and even and above all, devotion; then "history," that is to
say the thing that bears that name in convents, geography, grammar,
the participles, the kings of France, a little music, a little drawing,
etc.; but in all other respects she was utterly ignorant, which is a
great charm and a great peril. The soul of a young girl should not be
left in the dark; later on, mirages that are too abrupt and too lively
are formed there, as in a dark chamber. She should be gently and
discreetly enlightened, rather with the reflection of realities than
with their harsh and direct light. A useful and graciously austere
half-light which dissipates puerile fears and obviates falls. There is
nothing but the maternal instinct, that admirable intuition composed of
the memories of the virgin and the experience of the woman, which knows
how this half-light is to be created and of what it should consist.

Nothing supplies the place of this instinct. All the nuns in the world
are not worth as much as one mother in the formation of a young girl's
soul.

Cosette had had no mother. She had only had many mothers, in the plural.

As for Jean Valjean, he was, indeed, all tenderness, all solicitude; but
he was only an old man and he knew nothing at all.

Now, in this work of education, in this grave matter of preparing a
woman for life, what science is required to combat that vast ignorance
which is called innocence!

Nothing prepares a young girl for passions like the convent. The convent
turns the thoughts in the direction of the unknown. The heart, thus
thrown back upon itself, works downward within itself, since it cannot
overflow, and grows deep, since it cannot expand. Hence visions,
suppositions, conjectures, outlines of romances, a desire for
adventures, fantastic constructions, edifices built wholly in the inner
obscurity of the mind, sombre and secret abodes where the passions
immediately find a lodgement as soon as the open gate permits them to
enter. The convent is a compression which, in order to triumph over the
human heart, should last during the whole life.

On quitting the convent, Cosette could have found nothing more sweet and
more dangerous than the house in the Rue Plumet. It was the continuation
of solitude with the beginning of liberty; a garden that was closed, but
a nature that was acrid, rich, voluptuous, and fragrant; the same dreams
as in the convent, but with glimpses of young men; a grating, but one
that opened on the street.

Still, when she arrived there, we repeat, she was only a child. Jean
Valjean gave this neglected garden over to her. "Do what you like with
it," he said to her. This amused Cosette; she turned over all the clumps
and all the stones, she hunted for "beasts"; she played in it, while
awaiting the time when she would dream in it; she loved this garden
for the insects that she found beneath her feet amid the grass, while
awaiting the day when she would love it for the stars that she would see
through the boughs above her head.

And then, she loved her father, that is to say, Jean Valjean, with
all her soul, with an innocent filial passion which made the goodman
a beloved and charming companion to her. It will be remembered that M.
Madeleine had been in the habit of reading a great deal. Jean Valjean
had continued this practice; he had come to converse well; he possessed
the secret riches and the eloquence of a true and humble mind which has
spontaneously cultivated itself. He retained just enough sharpness to
season his kindness; his mind was rough and his heart was soft. During
their conversations in the Luxembourg, he gave her explanations of
everything, drawing on what he had read, and also on what he had
suffered. As she listened to him, Cosette's eyes wandered vaguely about.

This simple man sufficed for Cosette's thought, the same as the wild
garden sufficed for her eyes. When she had had a good chase after the
butterflies, she came panting up to him and said: "Ah! How I have run!"
He kissed her brow.

Cosette adored the goodman. She was always at his heels. Where Jean
Valjean was, there happiness was. Jean Valjean lived neither in the
pavilion nor the garden; she took greater pleasure in the paved back
courtyard, than in the enclosure filled with flowers, and in his little
lodge furnished with straw-seated chairs than in the great drawing-room
hung with tapestry, against which stood tufted easy-chairs. Jean Valjean
sometimes said to her, smiling at his happiness in being importuned: "Do
go to your own quarters! Leave me alone a little!"

She gave him those charming and tender scoldings which are so graceful
when they come from a daughter to her father.

"Father, I am very cold in your rooms; why don't you have a carpet here
and a stove?"

"Dear child, there are so many people who are better than I and who have
not even a roof over their heads."

"Then why is there a fire in my rooms, and everything that is needed?"

"Because you are a woman and a child."

"Bah! must men be cold and feel uncomfortable?"

"Certain men."

"That is good, I shall come here so often that you will be obliged to
have a fire."

And again she said to him:--

"Father, why do you eat horrible bread like that?"

"Because, my daughter."

"Well, if you eat it, I will eat it too."

Then, in order to prevent Cosette eating black bread, Jean Valjean ate
white bread.

Cosette had but a confused recollection of her childhood. She prayed
morning and evening for her mother whom she had never known. The
Thenardiers had remained with her as two hideous figures in a dream. She
remembered that she had gone "one day, at night," to fetch water in a
forest. She thought that it had been very far from Paris. It seemed to
her that she had begun to live in an abyss, and that it was Jean Valjean
who had rescued her from it. Her childhood produced upon her the effect
of a time when there had been nothing around her but millepeds, spiders,
and serpents. When she meditated in the evening, before falling asleep,
as she had not a very clear idea that she was Jean Valjean's daughter,
and that he was her father, she fancied that the soul of her mother had
passed into that good man and had come to dwell near her.

When he was seated, she leaned her cheek against his white hair, and
dropped a silent tear, saying to herself: "Perhaps this man is my
mother."

Cosette, although this is a strange statement to make, in the profound
ignorance of a girl brought up in a convent,--maternity being also
absolutely unintelligible to virginity,--had ended by fancying that she
had had as little mother as possible. She did not even know her mother's
name. Whenever she asked Jean Valjean, Jean Valjean remained silent. If
she repeated her question, he responded with a smile. Once she insisted;
the smile ended in a tear.

This silence on the part of Jean Valjean covered Fantine with darkness.

Was it prudence? Was it respect? Was it a fear that he should deliver
this name to the hazards of another memory than his own?

So long as Cosette had been small, Jean Valjean had been willing to talk
to her of her mother; when she became a young girl, it was impossible
for him to do so. It seemed to him that he no longer dared. Was it
because of Cosette? Was it because of Fantine? He felt a certain
religious horror at letting that shadow enter Cosette's thought; and of
placing a third in their destiny. The more sacred this shade was to him,
the more did it seem that it was to be feared. He thought of Fantine,
and felt himself overwhelmed with silence.

Through the darkness, he vaguely perceived something which appeared
to have its finger on its lips. Had all the modesty which had been
in Fantine, and which had violently quitted her during her lifetime,
returned to rest upon her after her death, to watch in indignation over
the peace of that dead woman, and in its shyness, to keep her in her
grave? Was Jean Valjean unconsciously submitting to the pressure? We
who believe in death, are not among the number who will reject this
mysterious explanation.

Hence the impossibility of uttering, even for Cosette, that name of
Fantine.

One day Cosette said to him:--

"Father, I saw my mother in a dream last night. She had two big wings.
My mother must have been almost a saint during her life."

"Through martyrdom," replied Jean Valjean.

However, Jean Valjean was happy.

When Cosette went out with him, she leaned on his arm, proud and happy,
in the plenitude of her heart. Jean Valjean felt his heart melt within
him with delight, at all these sparks of a tenderness so exclusive, so
wholly satisfied with himself alone. The poor man trembled, inundated
with angelic joy; he declared to himself ecstatically that this would
last all their lives; he told himself that he really had not suffered
sufficiently to merit so radiant a bliss, and he thanked God, in the
depths of his soul, for having permitted him to be loved thus, he, a
wretch, by that innocent being.




CHAPTER V--THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR

One day, Cosette chanced to look at herself in her mirror, and she said
to herself: "Really!" It seemed to her almost that she was pretty. This
threw her in a singularly troubled state of mind. Up to that moment she
had never thought of her face. She saw herself in her mirror, but she
did not look at herself. And then, she had so often been told that she
was homely; Jean Valjean alone said gently: "No indeed! no indeed!" At
all events, Cosette had always thought herself homely, and had grown up
in that belief with the easy resignation of childhood. And here, all
at once, was her mirror saying to her, as Jean Valjean had said: "No
indeed!" That night, she did not sleep. "What if I were pretty!" she
thought. "How odd it would be if I were pretty!" And she recalled those
of her companions whose beauty had produced a sensation in the convent,
and she said to herself: "What! Am I to be like Mademoiselle So-and-So?"

The next morning she looked at herself again, not by accident this time,
and she was assailed with doubts: "Where did I get such an idea?" said
she; "no, I am ugly." She had not slept well, that was all, her eyes
were sunken and she was pale. She had not felt very joyous on the
preceding evening in the belief that she was beautiful, but it made her
very sad not to be able to believe in it any longer. She did not look at
herself again, and for more than a fortnight she tried to dress her hair
with her back turned to the mirror.

In the evening, after dinner, she generally embroidered in wool or
did some convent needlework in the drawing-room, and Jean Valjean read
beside her. Once she raised her eyes from her work, and was rendered
quite uneasy by the manner in which her father was gazing at her.

On another occasion, she was passing along the street, and it seemed
to her that some one behind her, whom she did not see, said: "A pretty
woman! but badly dressed." "Bah!" she thought, "he does not mean me.
I am well dressed and ugly." She was then wearing a plush hat and her
merino gown.

At last, one day when she was in the garden, she heard poor old
Toussaint saying: "Do you notice how pretty Cosette is growing, sir?"
Cosette did not hear her father's reply, but Toussaint's words caused
a sort of commotion within her. She fled from the garden, ran up to
her room, flew to the looking-glass,--it was three months since she
had looked at herself,--and gave vent to a cry. She had just dazzled
herself.

She was beautiful and lovely; she could not help agreeing with Toussaint
and her mirror. Her figure was formed, her skin had grown white, her
hair was lustrous, an unaccustomed splendor had been lighted in her blue
eyes. The consciousness of her beauty burst upon her in an instant, like
the sudden advent of daylight; other people noticed it also, Toussaint
had said so, it was evidently she of whom the passer-by had spoken,
there could no longer be any doubt of that; she descended to the garden
again, thinking herself a queen, imagining that she heard the birds
singing, though it was winter, seeing the sky gilded, the sun among
the trees, flowers in the thickets, distracted, wild, in inexpressible
delight.

Jean Valjean, on his side, experienced a deep and undefinable oppression
at heart.

In fact, he had, for some time past, been contemplating with terror that
beauty which seemed to grow more radiant every day on Cosette's sweet
face. The dawn that was smiling for all was gloomy for him.

Cosette had been beautiful for a tolerably long time before she became
aware of it herself. But, from the very first day, that unexpected light
which was rising slowly and enveloping the whole of the young girl's
person, wounded Jean Valjean's sombre eye. He felt that it was a change
in a happy life, a life so happy that he did not dare to move for fear
of disarranging something. This man, who had passed through all manner
of distresses, who was still all bleeding from the bruises of fate, who
had been almost wicked and who had become almost a saint, who, after
having dragged the chain of the galleys, was now dragging the invisible
but heavy chain of indefinite misery, this man whom the law had not
released from its grasp and who could be seized at any moment and
brought back from the obscurity of his virtue to the broad daylight of
public opprobrium, this man accepted all, excused all, pardoned all, and
merely asked of Providence, of man, of the law, of society, of nature,
of the world, one thing, that Cosette might love him!

That Cosette might continue to love him! That God would not prevent
the heart of the child from coming to him, and from remaining with him!
Beloved by Cosette, he felt that he was healed, rested, appeased, loaded
with benefits, recompensed, crowned. Beloved by Cosette, it was well
with him! He asked nothing more! Had any one said to him: "Do you want
anything better?" he would have answered: "No." God might have said to
him: "Do you desire heaven?" and he would have replied: "I should lose
by it."

Everything which could affect this situation, if only on the surface,
made him shudder like the beginning of something new. He had never
known very distinctly himself what the beauty of a woman means; but he
understood instinctively, that it was something terrible.

He gazed with terror on this beauty, which was blossoming out ever more
triumphant and superb beside him, beneath his very eyes, on the innocent
and formidable brow of that child, from the depths of her homeliness, of
his old age, of his misery, of his reprobation.

He said to himself: "How beautiful she is! What is to become of me?"

There, moreover, lay the difference between his tenderness and the
tenderness of a mother. What he beheld with anguish, a mother would have
gazed upon with joy.

The first symptoms were not long in making their appearance.

On the very morrow of the day on which she had said to herself:
"Decidedly I am beautiful!" Cosette began to pay attention to her
toilet. She recalled the remark of that passer-by: "Pretty, but badly
dressed," the breath of an oracle which had passed beside her and had
vanished, after depositing in her heart one of the two germs which are
destined, later on, to fill the whole life of woman, coquetry. Love is
the other.

With faith in her beauty, the whole feminine soul expanded within her.
She conceived a horror for her merinos, and shame for her plush hat. Her
father had never refused her anything. She at once acquired the whole
science of the bonnet, the gown, the mantle, the boot, the cuff, the
stuff which is in fashion, the color which is becoming, that science
which makes of the Parisian woman something so charming, so deep, and so
dangerous. The words heady woman were invented for the Parisienne.

In less than a month, little Cosette, in that Thebaid of the Rue de
Babylone, was not only one of the prettiest, but one of the "best
dressed" women in Paris, which means a great deal more.

She would have liked to encounter her "passer-by," to see what he would
say, and to "teach him a lesson!" The truth is, that she was ravishing
in every respect, and that she distinguished the difference between a
bonnet from Gerard and one from Herbaut in the most marvellous way.

Jean Valjean watched these ravages with anxiety. He who felt that
he could never do anything but crawl, walk at the most, beheld wings
sprouting on Cosette.

Moreover, from the mere inspection of Cosette's toilet, a woman
would have recognized the fact that she had no mother. Certain little
proprieties, certain special conventionalities, were not observed by
Cosette. A mother, for instance, would have told her that a young girl
does not dress in damask.

The first day that Cosette went out in her black damask gown and mantle,
and her white crape bonnet, she took Jean Valjean's arm, gay, radiant,
rosy, proud, dazzling. "Father," she said, "how do you like me in this
guise?" Jean Valjean replied in a voice which resembled the bitter voice
of an envious man: "Charming!" He was the same as usual during their
walk. On their return home, he asked Cosette:--

"Won't you put on that other gown and bonnet again,--you know the ones I
mean?"

This took place in Cosette's chamber. Cosette turned towards the
wardrobe where her cast-off schoolgirl's clothes were hanging.

"That disguise!" said she. "Father, what do you want me to do with it?
Oh no, the idea! I shall never put on those horrors again. With that
machine on my head, I have the air of Madame Mad-dog."

Jean Valjean heaved a deep sigh.

From that moment forth, he noticed that Cosette, who had always
heretofore asked to remain at home, saying: "Father, I enjoy myself more
here with you," now was always asking to go out. In fact, what is the
use of having a handsome face and a delicious costume if one does not
display them?

He also noticed that Cosette had no longer the same taste for the back
garden. Now she preferred the garden, and did not dislike to promenade
back and forth in front of the railed fence. Jean Valjean, who was shy,
never set foot in the garden. He kept to his back yard, like a dog.

Cosette, in gaining the knowledge that she was beautiful, lost the grace
of ignoring it. An exquisite grace, for beauty enhanced by ingenuousness
is ineffable, and nothing is so adorable as a dazzling and innocent
creature who walks along, holding in her hand the key to paradise
without being conscious of it. But what she had lost in ingenuous grace,
she gained in pensive and serious charm. Her whole person, permeated
with the joy of youth, of innocence, and of beauty, breathed forth a
splendid melancholy.

It was at this epoch that Marius, after the lapse of six months, saw her
once more at the Luxembourg.




CHAPTER VI--THE BATTLE BEGUN

Cosette in her shadow, like Marius in his, was all ready to take fire.
Destiny, with its mysterious and fatal patience, slowly drew together
these two beings, all charged and all languishing with the stormy
electricity of passion, these two souls which were laden with love as
two clouds are laden with lightning, and which were bound to overflow
and mingle in a look like the clouds in a flash of fire.

The glance has been so much abused in love romances that it has finally
fallen into disrepute. One hardly dares to say, nowadays, that two
beings fell in love because they looked at each other. That is the way
people do fall in love, nevertheless, and the only way. The rest is
nothing, but the rest comes afterwards. Nothing is more real than these
great shocks which two souls convey to each other by the exchange of
that spark.

At that particular hour when Cosette unconsciously darted that glance
which troubled Marius, Marius had no suspicion that he had also launched
a look which disturbed Cosette.

He caused her the same good and the same evil.

She had been in the habit of seeing him for a long time, and she had
scrutinized him as girls scrutinize and see, while looking elsewhere.
Marius still considered Cosette ugly, when she had already begun to
think Marius handsome. But as he paid no attention to her, the young man
was nothing to her.

Still, she could not refrain from saying to herself that he had
beautiful hair, beautiful eyes, handsome teeth, a charming tone of voice
when she heard him conversing with his comrades, that he held himself
badly when he walked, if you like, but with a grace that was all his
own, that he did not appear to be at all stupid, that his whole person
was noble, gentle, simple, proud, and that, in short, though he seemed
to be poor, yet his air was fine.

On the day when their eyes met at last, and said to each other those
first, obscure, and ineffable things which the glance lisps, Cosette did
not immediately understand. She returned thoughtfully to the house in
the Rue de l'Ouest, where Jean Valjean, according to his custom, had
come to spend six weeks. The next morning, on waking, she thought of
that strange young man, so long indifferent and icy, who now seemed to
pay attention to her, and it did not appear to her that this attention
was the least in the world agreeable to her. She was, on the contrary,
somewhat incensed at this handsome and disdainful individual. A
substratum of war stirred within her. It struck her, and the idea caused
her a wholly childish joy, that she was going to take her revenge at
last.

Knowing that she was beautiful, she was thoroughly conscious, though
in an indistinct fashion, that she possessed a weapon. Women play with
their beauty as children do with a knife. They wound themselves.

The reader will recall Marius' hesitations, his palpitations, his
terrors. He remained on his bench and did not approach. This vexed
Cosette. One day, she said to Jean Valjean: "Father, let us stroll about
a little in that direction." Seeing that Marius did not come to her,
she went to him. In such cases, all women resemble Mahomet. And then,
strange to say, the first symptom of true love in a young man is
timidity; in a young girl it is boldness. This is surprising, and yet
nothing is more simple. It is the two sexes tending to approach each
other and assuming, each the other's qualities.

That day, Cosette's glance drove Marius beside himself, and Marius'
glance set Cosette to trembling. Marius went away confident, and Cosette
uneasy. From that day forth, they adored each other.

The first thing that Cosette felt was a confused and profound
melancholy. It seemed to her that her soul had become black since the
day before. She no longer recognized it. The whiteness of soul in young
girls, which is composed of coldness and gayety, resembles snow. It
melts in love, which is its sun.

Cosette did not know what love was. She had never heard the word uttered
in its terrestrial sense. On the books of profane music which entered
the convent, amour (love) was replaced by tambour (drum) or pandour.
This created enigmas which exercised the imaginations of the big girls,
such as: Ah, how delightful is the drum! or, Pity is not a pandour. But
Cosette had left the convent too early to have occupied herself much
with the "drum." Therefore, she did not know what name to give to what
she now felt. Is any one the less ill because one does not know the name
of one's malady?

She loved with all the more passion because she loved ignorantly. She
did not know whether it was a good thing or a bad thing, useful or
dangerous, eternal or temporary, allowable or prohibited; she loved. She
would have been greatly astonished, had any one said to her: "You do not
sleep? But that is forbidden! You do not eat? Why, that is very bad! You
have oppressions and palpitations of the heart? That must not be! You
blush and turn pale, when a certain being clad in black appears at the
end of a certain green walk? But that is abominable!" She would not have
understood, and she would have replied: "What fault is there of mine in
a matter in which I have no power and of which I know nothing?"

It turned out that the love which presented itself was exactly suited to
the state of her soul. It was a sort of admiration at a distance, a mute
contemplation, the deification of a stranger. It was the apparition of
youth to youth, the dream of nights become a reality yet remaining
a dream, the longed-for phantom realized and made flesh at last, but
having as yet, neither name, nor fault, nor spot, nor exigence, nor
defect; in a word, the distant lover who lingered in the ideal, a
chimaera with a form. Any nearer and more palpable meeting would have
alarmed Cosette at this first stage, when she was still half immersed in
the exaggerated mists of the cloister. She had all the fears of children
and all the fears of nuns combined. The spirit of the convent, with
which she had been permeated for the space of five years, was still in
the process of slow evaporation from her person, and made everything
tremble around her. In this situation he was not a lover, he was not
even an admirer, he was a vision. She set herself to adoring Marius as
something charming, luminous, and impossible.

As extreme innocence borders on extreme coquetry, she smiled at him with
all frankness.

Every day, she looked forward to the hour for their walk with
impatience, she found Marius there, she felt herself unspeakably happy,
and thought in all sincerity that she was expressing her whole thought
when she said to Jean Valjean:--

"What a delicious garden that Luxembourg is!"

Marius and Cosette were in the dark as to one another. They did not
address each other, they did not salute each other, they did not know
each other; they saw each other; and like stars of heaven which are
separated by millions of leagues, they lived by gazing at each other.

It was thus that Cosette gradually became a woman and developed,
beautiful and loving, with a consciousness of her beauty, and in
ignorance of her love. She was a coquette to boot through her ignorance.




CHAPTER VII--TO ONE SADNESS OPPOSE A SADNESS AND A HALF

All situations have their instincts. Old and eternal Mother Nature
warned Jean Valjean in a dim way of the presence of Marius. Jean Valjean
shuddered to the very bottom of his soul. Jean Valjean saw nothing, knew
nothing, and yet he scanned with obstinate attention, the darkness
in which he walked, as though he felt on one side of him something in
process of construction, and on the other, something which was crumbling
away. Marius, also warned, and, in accordance with the deep law of God,
by that same Mother Nature, did all he could to keep out of sight of
"the father." Nevertheless, it came to pass that Jean Valjean sometimes
espied him. Marius' manners were no longer in the least natural. He
exhibited ambiguous prudence and awkward daring. He no longer came quite
close to them as formerly. He seated himself at a distance and pretended
to be reading; why did he pretend that? Formerly he had come in his old
coat, now he wore his new one every day; Jean Valjean was not sure
that he did not have his hair curled, his eyes were very queer, he wore
gloves; in short, Jean Valjean cordially detested this young man.

Cosette allowed nothing to be divined. Without knowing just what was the
matter with her she was convinced that there was something in it, and
that it must be concealed.

There was a coincidence between the taste for the toilet which had
recently come to Cosette, and the habit of new clothes developed by
that stranger which was very repugnant to Jean Valjean. It might be
accidental, no doubt, certainly, but it was a menacing accident.

He never opened his mouth to Cosette about this stranger. One day,
however, he could not refrain from so doing, and, with that vague
despair which suddenly casts the lead into the depths of its despair, he
said to her: "What a very pedantic air that young man has!"

Cosette, but a year before only an indifferent little girl, would have
replied: "Why, no, he is charming." Ten years later, with the love
of Marius in her heart, she would have answered: "A pedant, and
insufferable to the sight! You are right!"--At the moment in life
and the heart which she had then attained, she contented herself with
replying, with supreme calmness: "That young man!"

As though she now beheld him for the first time in her life.

"How stupid I am!" thought Jean Valjean. "She had not noticed him. It is
I who have pointed him out to her."

Oh, simplicity of the old! oh, the depth of children!

It is one of the laws of those fresh years of suffering and trouble, of
those vivacious conflicts between a first love and the first obstacles,
that the young girl does not allow herself to be caught in any trap
whatever, and that the young man falls into every one. Jean Valjean
had instituted an undeclared war against Marius, which Marius, with
the sublime stupidity of his passion and his age, did not divine. Jean
Valjean laid a host of ambushes for him; he changed his hour, he changed
his bench, he forgot his handkerchief, he came alone to the Luxembourg;
Marius dashed headlong into all these snares; and to all the
interrogation marks planted by Jean Valjean in his pathway, he
ingenuously answered "yes." But Cosette remained immured in her apparent
unconcern and in her imperturbable tranquillity, so that Jean Valjean
arrived at the following conclusion: "That ninny is madly in love with
Cosette, but Cosette does not even know that he exists."

None the less did he bear in his heart a mournful tremor. The minute
when Cosette would love might strike at any moment. Does not everything
begin with indifference?

Only once did Cosette make a mistake and alarm him. He rose from his
seat to depart, after a stay of three hours, and she said: "What,
already?"

Jean Valjean had not discontinued his trips to the Luxembourg, as he
did not wish to do anything out of the way, and as, above all things,
he feared to arouse Cosette; but during the hours which were so sweet
to the lovers, while Cosette was sending her smile to the intoxicated
Marius, who perceived nothing else now, and who now saw nothing in all
the world but an adored and radiant face, Jean Valjean was fixing on
Marius flashing and terrible eyes. He, who had finally come to believe
himself incapable of a malevolent feeling, experienced moments when
Marius was present, in which he thought he was becoming savage and
ferocious once more, and he felt the old depths of his soul, which
had formerly contained so much wrath, opening once more and rising up
against that young man. It almost seemed to him that unknown craters
were forming in his bosom.

What! he was there, that creature! What was he there for? He came
creeping about, smelling out, examining, trying! He came, saying: "Hey!
Why not?" He came to prowl about his, Jean Valjean's, life! to prowl
about his happiness, with the purpose of seizing it and bearing it away!

Jean Valjean added: "Yes, that's it! What is he in search of? An
adventure! What does he want? A love affair! A love affair! And I? What!
I have been first, the most wretched of men, and then the most unhappy,
and I have traversed sixty years of life on my knees, I have suffered
everything that man can suffer, I have grown old without having been
young, I have lived without a family, without relatives, without
friends, without life, without children, I have left my blood on every
stone, on every bramble, on every mile-post, along every wall, I have
been gentle, though others have been hard to me, and kind, although
others have been malicious, I have become an honest man once more, in
spite of everything, I have repented of the evil that I have done and
have forgiven the evil that has been done to me, and at the moment
when I receive my recompense, at the moment when it is all over, at the
moment when I am just touching the goal, at the moment when I have what
I desire, it is well, it is good, I have paid, I have earned it, all
this is to take flight, all this will vanish, and I shall lose Cosette,
and I shall lose my life, my joy, my soul, because it has pleased a
great booby to come and lounge at the Luxembourg."

Then his eyes were filled with a sad and extraordinary gleam.

It was no longer a man gazing at a man; it was no longer an enemy
surveying an enemy. It was a dog scanning a thief.

The reader knows the rest. Marius pursued his senseless course. One day
he followed Cosette to the Rue de l'Ouest. Another day he spoke to
the porter. The porter, on his side, spoke, and said to Jean Valjean:
"Monsieur, who is that curious young man who is asking for you?" On the
morrow Jean Valjean bestowed on Marius that glance which Marius at last
perceived. A week later, Jean Valjean had taken his departure. He swore
to himself that he would never again set foot either in the Luxembourg
or in the Rue de l'Ouest. He returned to the Rue Plumet.

Cosette did not complain, she said nothing, she asked no questions, she
did not seek to learn his reasons; she had already reached the point
where she was afraid of being divined, and of betraying herself. Jean
Valjean had no experience of these miseries, the only miseries which
are charming and the only ones with which he was not acquainted; the
consequence was that he did not understand the grave significance of
Cosette's silence.

He merely noticed that she had grown sad, and he grew gloomy. On his
side and on hers, inexperience had joined issue.

Once he made a trial. He asked Cosette:--

"Would you like to come to the Luxembourg?"

A ray illuminated Cosette's pale face.

"Yes," said she.

They went thither. Three months had elapsed. Marius no longer went
there. Marius was not there.

On the following day, Jean Valjean asked Cosette again:--

"Would you like to come to the Luxembourg?"

She replied, sadly and gently:--

"No."

Jean Valjean was hurt by this sadness, and heart-broken at this
gentleness.

What was going on in that mind which was so young and yet already so
impenetrable? What was on its way there within? What was taking place
in Cosette's soul? Sometimes, instead of going to bed, Jean Valjean
remained seated on his pallet, with his head in his hands, and he passed
whole nights asking himself: "What has Cosette in her mind?" and in
thinking of the things that she might be thinking about.

Oh! at such moments, what mournful glances did he cast towards that
cloister, that chaste peak, that abode of angels, that inaccessible
glacier of virtue! How he contemplated, with despairing ecstasy, that
convent garden, full of ignored flowers and cloistered virgins, where
all perfumes and all souls mount straight to heaven! How he adored that
Eden forever closed against him, whence he had voluntarily and madly
emerged! How he regretted his abnegation and his folly in having brought
Cosette back into the world, poor hero of sacrifice, seized and hurled
to the earth by his very self-devotion! How he said to himself, "What
have I done?"

However, nothing of all this was perceptible to Cosette. No ill-temper,
no harshness. His face was always serene and kind. Jean Valjean's
manners were more tender and more paternal than ever. If anything could
have betrayed his lack of joy, it was his increased suavity.

On her side, Cosette languished. She suffered from the absence of Marius
as she had rejoiced in his presence, peculiarly, without exactly being
conscious of it. When Jean Valjean ceased to take her on their customary
strolls, a feminine instinct murmured confusedly, at the bottom of her
heart, that she must not seem to set store on the Luxembourg garden, and
that if this proved to be a matter of indifference to her, her father
would take her thither once more. But days, weeks, months, elapsed. Jean
Valjean had tacitly accepted Cosette's tacit consent. She regretted it.
It was too late. So Marius had disappeared; all was over. The day on
which she returned to the Luxembourg, Marius was no longer there. What
was to be done? Should she ever find him again? She felt an anguish at
her heart, which nothing relieved, and which augmented every day; she no
longer knew whether it was winter or summer, whether it was raining or
shining, whether the birds were singing, whether it was the season for
dahlias or daisies, whether the Luxembourg was more charming than
the Tuileries, whether the linen which the laundress brought home
was starched too much or not enough, whether Toussaint had done "her
marketing" well or ill; and she remained dejected, absorbed, attentive
to but a single thought, her eyes vague and staring as when one gazes by
night at a black and fathomless spot where an apparition has vanished.

However, she did not allow Jean Valjean to perceive anything of this,
except her pallor.

She still wore her sweet face for him.

This pallor sufficed but too thoroughly to trouble Jean Valjean.
Sometimes he asked her:--

"What is the matter with you?"

She replied: "There is nothing the matter with me."

And after a silence, when she divined that he was sad also, she would
add:--

"And you, father--is there anything wrong with you?"

"With me? Nothing," said he.

These two beings who had loved each other so exclusively, and with so
touching an affection, and who had lived so long for each other
now suffered side by side, each on the other's account; without
acknowledging it to each other, without anger towards each other, and
with a smile.




CHAPTER VIII--THE CHAIN-GANG

Jean Valjean was the more unhappy of the two. Youth, even in its
sorrows, always possesses its own peculiar radiance.

At times, Jean Valjean suffered so greatly that he became puerile. It is
the property of grief to cause the childish side of man to reappear. He
had an unconquerable conviction that Cosette was escaping from him. He
would have liked to resist, to retain her, to arouse her enthusiasm by
some external and brilliant matter. These ideas, puerile, as we have
just said, and at the same time senile, conveyed to him, by their very
childishness, a tolerably just notion of the influence of gold lace on
the imaginations of young girls. He once chanced to see a general on
horseback, in full uniform, pass along the street, Comte Coutard, the
commandant of Paris. He envied that gilded man; what happiness it
would be, he said to himself, if he could put on that suit which was an
incontestable thing; and if Cosette could behold him thus, she would be
dazzled, and when he had Cosette on his arm and passed the gates of the
Tuileries, the guard would present arms to him, and that would suffice
for Cosette, and would dispel her idea of looking at young men.

An unforeseen shock was added to these sad reflections.

In the isolated life which they led, and since they had come to dwell
in the Rue Plumet, they had contracted one habit. They sometimes took
a pleasure trip to see the sun rise, a mild species of enjoyment which
befits those who are entering life and those who are quitting it.

For those who love solitude, a walk in the early morning is equivalent
to a stroll by night, with the cheerfulness of nature added. The streets
are deserted and the birds are singing. Cosette, a bird herself, liked
to rise early. These matutinal excursions were planned on the preceding
evening. He proposed, and she agreed. It was arranged like a plot, they
set out before daybreak, and these trips were so many small delights for
Cosette. These innocent eccentricities please young people.

Jean Valjean's inclination led him, as we have seen, to the least
frequented spots, to solitary nooks, to forgotten places. There then
existed, in the vicinity of the barriers of Paris, a sort of poor
meadows, which were almost confounded with the city, where grew in
summer sickly grain, and which, in autumn, after the harvest had been
gathered, presented the appearance, not of having been reaped, but
peeled. Jean Valjean loved to haunt these fields. Cosette was not bored
there. It meant solitude to him and liberty to her. There, she became a
little girl once more, she could run and almost play; she took off her
hat, laid it on Jean Valjean's knees, and gathered bunches of flowers.
She gazed at the butterflies on the flowers, but did not catch them;
gentleness and tenderness are born with love, and the young girl who
cherishes within her breast a trembling and fragile ideal has mercy on
the wing of a butterfly. She wove garlands of poppies, which she placed
on her head, and which, crossed and penetrated with sunlight, glowing
until they flamed, formed for her rosy face a crown of burning embers.

Even after their life had grown sad, they kept up their custom of early
strolls.

One morning in October, therefore, tempted by the serene perfection of
the autumn of 1831, they set out, and found themselves at break of
day near the Barriere du Maine. It was not dawn, it was daybreak; a
delightful and stern moment. A few constellations here and there in the
deep, pale azure, the earth all black, the heavens all white, a quiver
amid the blades of grass, everywhere the mysterious chill of twilight. A
lark, which seemed mingled with the stars, was carolling at a prodigious
height, and one would have declared that that hymn of pettiness calmed
immensity. In the East, the Valde-Grace projected its dark mass on the
clear horizon with the sharpness of steel; Venus dazzlingly brilliant
was rising behind that dome and had the air of a soul making its escape
from a gloomy edifice.

All was peace and silence; there was no one on the road; a few stray
laborers, of whom they caught barely a glimpse, were on their way to
their work along the side-paths.

Jean Valjean was sitting in a cross-walk on some planks deposited at the
gate of a timber-yard. His face was turned towards the highway, his back
towards the light; he had forgotten the sun which was on the point of
rising; he had sunk into one of those profound absorptions in which the
mind becomes concentrated, which imprison even the eye, and which are
equivalent to four walls. There are meditations which may be called
vertical; when one is at the bottom of them, time is required to return
to earth. Jean Valjean had plunged into one of these reveries. He was
thinking of Cosette, of the happiness that was possible if nothing came
between him and her, of the light with which she filled his life, a
light which was but the emanation of her soul. He was almost happy in
his revery. Cosette, who was standing beside him, was gazing at the
clouds as they turned rosy.

All at once Cosette exclaimed: "Father, I should think some one was
coming yonder." Jean Valjean raised his eyes.

Cosette was right. The causeway which leads to the ancient Barriere du
Maine is a prolongation, as the reader knows, of the Rue de Sevres,
and is cut at right angles by the inner boulevard. At the elbow of the
causeway and the boulevard, at the spot where it branches, they heard a
noise which it was difficult to account for at that hour, and a sort of
confused pile made its appearance. Some shapeless thing which was coming
from the boulevard was turning into the road.

It grew larger, it seemed to move in an orderly manner, though it was
bristling and quivering; it seemed to be a vehicle, but its load could
not be distinctly made out. There were horses, wheels, shouts; whips
were cracking. By degrees the outlines became fixed, although bathed
in shadows. It was a vehicle, in fact, which had just turned from the
boulevard into the highway, and which was directing its course towards
the barrier near which sat Jean Valjean; a second, of the same aspect,
followed, then a third, then a fourth; seven chariots made their
appearance in succession, the heads of the horses touching the rear of
the wagon in front. Figures were moving on these vehicles, flashes were
visible through the dusk as though there were naked swords there, a
clanking became audible which resembled the rattling of chains, and as
this something advanced, the sound of voices waxed louder, and it turned
into a terrible thing such as emerges from the cave of dreams.

As it drew nearer, it assumed a form, and was outlined behind the trees
with the pallid hue of an apparition; the mass grew white; the day,
which was slowly dawning, cast a wan light on this swarming heap which
was at once both sepulchral and living, the heads of the figures turned
into the faces of corpses, and this is what it proved to be:--

Seven wagons were driving in a file along the road. The first six were
singularly constructed. They resembled coopers' drays; they consisted
of long ladders placed on two wheels and forming barrows at their rear
extremities. Each dray, or rather let us say, each ladder, was attached
to four horses harnessed tandem. On these ladders strange clusters of
men were being drawn. In the faint light, these men were to be divined
rather than seen. Twenty-four on each vehicle, twelve on a side, back to
back, facing the passers-by, their legs dangling in the air,--this was
the manner in which these men were travelling, and behind their backs
they had something which clanked, and which was a chain, and on their
necks something which shone, and which was an iron collar. Each man had
his collar, but the chain was for all; so that if these four and twenty
men had occasion to alight from the dray and walk, they were seized with
a sort of inexorable unity, and were obliged to wind over the ground
with the chain for a backbone, somewhat after the fashion of millepeds.
In the back and front of each vehicle, two men armed with muskets
stood erect, each holding one end of the chain under his foot. The iron
necklets were square. The seventh vehicle, a huge rack-sided baggage
wagon, without a hood, had four wheels and six horses, and carried a
sonorous pile of iron boilers, cast-iron pots, braziers, and chains,
among which were mingled several men who were pinioned and stretched at
full length, and who seemed to be ill. This wagon, all lattice-work,
was garnished with dilapidated hurdles which appeared to have served for
former punishments. These vehicles kept to the middle of the road. On
each side marched a double hedge of guards of infamous aspect, wearing
three-cornered hats, like the soldiers under the Directory, shabby,
covered with spots and holes, muffled in uniforms of veterans and the
trousers of undertakers' men, half gray, half blue, which were almost
hanging in rags, with red epaulets, yellow shoulder belts, short sabres,
muskets, and cudgels; they were a species of soldier-blackguards.
These myrmidons seemed composed of the abjectness of the beggar and the
authority of the executioner. The one who appeared to be their chief
held a postilion's whip in his hand. All these details, blurred by the
dimness of dawn, became more and more clearly outlined as the light
increased. At the head and in the rear of the convoy rode mounted
gendarmes, serious and with sword in fist.

This procession was so long that when the first vehicle reached the
barrier, the last was barely debauching from the boulevard. A throng,
sprung, it is impossible to say whence, and formed in a twinkling, as
is frequently the case in Paris, pressed forward from both sides of
the road and looked on. In the neighboring lanes the shouts of people
calling to each other and the wooden shoes of market-gardeners hastening
up to gaze were audible.

The men massed upon the drays allowed themselves to be jolted along in
silence. They were livid with the chill of morning. They all wore linen
trousers, and their bare feet were thrust into wooden shoes. The rest
of their costume was a fantasy of wretchedness. Their accoutrements were
horribly incongruous; nothing is more funereal than the harlequin in
rags. Battered felt hats, tarpaulin caps, hideous woollen nightcaps,
and, side by side with a short blouse, a black coat broken at the elbow;
many wore women's headgear, others had baskets on their heads; hairy
breasts were visible, and through the rent in their garments tattooed
designs could be descried; temples of Love, flaming hearts, Cupids;
eruptions and unhealthy red blotches could also be seen. Two or three
had a straw rope attached to the cross-bar of the dray, and suspended
under them like a stirrup, which supported their feet. One of them held
in his hand and raised to his mouth something which had the appearance
of a black stone and which he seemed to be gnawing; it was bread which
he was eating. There were no eyes there which were not either dry,
dulled, or flaming with an evil light. The escort troop cursed, the men
in chains did not utter a syllable; from time to time the sound of
a blow became audible as the cudgels descended on shoulder-blades or
skulls; some of these men were yawning; their rags were terrible;
their feet hung down, their shoulders oscillated, their heads clashed
together, their fetters clanked, their eyes glared ferociously, their
fists clenched or fell open inertly like the hands of corpses; in the
rear of the convoy ran a band of children screaming with laughter.

This file of vehicles, whatever its nature was, was mournful. It
was evident that to-morrow, that an hour hence, a pouring rain might
descend, that it might be followed by another and another, and that
their dilapidated garments would be drenched, that once soaked, these
men would not get dry again, that once chilled, they would not again
get warm, that their linen trousers would be glued to their bones by the
downpour, that the water would fill their shoes, that no lashes from
the whips would be able to prevent their jaws from chattering, that the
chain would continue to bind them by the neck, that their legs would
continue to dangle, and it was impossible not to shudder at the sight
of these human beings thus bound and passive beneath the cold clouds of
autumn, and delivered over to the rain, to the blast, to all the furies
of the air, like trees and stones.

Blows from the cudgel were not omitted even in the case of the sick men,
who lay there knotted with ropes and motionless on the seventh wagon,
and who appeared to have been tossed there like sacks filled with
misery.

Suddenly, the sun made its appearance; the immense light of the Orient
burst forth, and one would have said that it had set fire to all those
ferocious heads. Their tongues were unloosed; a conflagration of grins,
oaths, and songs exploded. The broad horizontal sheet of light severed
the file in two parts, illuminating heads and bodies, leaving feet and
wheels in the obscurity. Thoughts made their appearance on these faces;
it was a terrible moment; visible demons with their masks removed,
fierce souls laid bare. Though lighted up, this wild throng remained in
gloom. Some, who were gay, had in their mouths quills through which they
blew vermin over the crowd, picking out the women; the dawn accentuated
these lamentable profiles with the blackness of its shadows; there
was not one of these creatures who was not deformed by reason of
wretchedness; and the whole was so monstrous that one would have
said that the sun's brilliancy had been changed into the glare of the
lightning. The wagon-load which headed the line had struck up a song,
and were shouting at the top of their voices with a haggard joviality,
a potpourri by Desaugiers, then famous, called The Vestal; the trees
shivered mournfully; in the cross-lanes, countenances of bourgeois
listened in an idiotic delight to these coarse strains droned by
spectres.

All sorts of distress met in this procession as in chaos; here were to
be found the facial angles of every sort of beast, old men, youths,
bald heads, gray beards, cynical monstrosities, sour resignation, savage
grins, senseless attitudes, snouts surmounted by caps, heads like those
of young girls with corkscrew curls on the temples, infantile visages,
and by reason of that, horrible thin skeleton faces, to which death
alone was lacking. On the first cart was a negro, who had been a slave,
in all probability, and who could make a comparison of his chains. The
frightful leveller from below, shame, had passed over these brows; at
that degree of abasement, the last transformations were suffered by all
in their extremest depths, and ignorance, converted into dulness, was
the equal of intelligence converted into despair. There was no choice
possible between these men who appeared to the eye as the flower of the
mud. It was evident that the person who had had the ordering of that
unclean procession had not classified them. These beings had been
fettered and coupled pell-mell, in alphabetical disorder, probably, and
loaded hap-hazard on those carts. Nevertheless, horrors, when grouped
together, always end by evolving a result; all additions of wretched men
give a sum total, each chain exhaled a common soul, and each dray-load
had its own physiognomy. By the side of the one where they were singing,
there was one where they were howling; a third where they were begging;
one could be seen in which they were gnashing their teeth; another load
menaced the spectators, another blasphemed God; the last was as silent
as the tomb. Dante would have thought that he beheld his seven circles
of hell on the march. The march of the damned to their tortures,
performed in sinister wise, not on the formidable and flaming chariot
of the Apocalypse, but, what was more mournful than that, on the gibbet
cart.

One of the guards, who had a hook on the end of his cudgel, made a
pretence from time to time, of stirring up this mass of human filth.
An old woman in the crowd pointed them out to her little boy five years
old, and said to him: "Rascal, let that be a warning to you!"

As the songs and blasphemies increased, the man who appeared to be the
captain of the escort cracked his whip, and at that signal a fearful
dull and blind flogging, which produced the sound of hail, fell upon the
seven dray-loads; many roared and foamed at the mouth; which redoubled
the delight of the street urchins who had hastened up, a swarm of flies
on these wounds.

Jean Valjean's eyes had assumed a frightful expression. They were no
longer eyes; they were those deep and glassy objects which replace the
glance in the case of certain wretched men, which seem unconscious
of reality, and in which flames the reflection of terrors and of
catastrophes. He was not looking at a spectacle, he was seeing a vision.
He tried to rise, to flee, to make his escape; he could not move his
feet. Sometimes, the things that you see seize upon you and hold you
fast. He remained nailed to the spot, petrified, stupid, asking himself,
athwart confused and inexpressible anguish, what this sepulchral
persecution signified, and whence had come that pandemonium which was
pursuing him. All at once, he raised his hand to his brow, a gesture
habitual to those whose memory suddenly returns; he remembered that this
was, in fact, the usual itinerary, that it was customary to make this
detour in order to avoid all possibility of encountering royalty on the
road to Fontainebleau, and that, five and thirty years before, he had
himself passed through that barrier.

Cosette was no less terrified, but in a different way. She did not
understand; what she beheld did not seem to her to be possible; at
length she cried:--

"Father! What are those men in those carts?"

Jean Valjean replied: "Convicts."

"Whither are they going?"

"To the galleys."

At that moment, the cudgelling, multiplied by a hundred hands, became
zealous, blows with the flat of the sword were mingled with it, it was a
perfect storm of whips and clubs; the convicts bent before it, a hideous
obedience was evoked by the torture, and all held their peace, darting
glances like chained wolves.

Cosette trembled in every limb; she resumed:--

"Father, are they still men?"

"Sometimes," answered the unhappy man.

It was the chain-gang, in fact, which had set out before daybreak from
Bicetre, and had taken the road to Mans in order to avoid Fontainebleau,
where the King then was. This caused the horrible journey to last three
or four days longer; but torture may surely be prolonged with the object
of sparing the royal personage a sight of it.

Jean Valjean returned home utterly overwhelmed. Such encounters are
shocks, and the memory that they leave behind them resembles a thorough
shaking up.

Nevertheless, Jean Valjean did not observe that, on his way back to
the Rue de Babylone with Cosette, the latter was plying him with other
questions on the subject of what they had just seen; perhaps he was
too much absorbed in his own dejection to notice her words and reply to
them. But when Cosette was leaving him in the evening, to betake herself
to bed, he heard her say in a low voice, and as though talking to
herself: "It seems to me, that if I were to find one of those men in my
pathway, oh, my God, I should die merely from the sight of him close at
hand."

Fortunately, chance ordained that on the morrow of that tragic day,
there was some official solemnity apropos of I know not what,--fetes in
Paris, a review in the Champ de Mars, jousts on the Seine, theatrical
performances in the Champs-Elysees, fireworks at the Arc de l'Etoile,
illuminations everywhere. Jean Valjean did violence to his habits, and
took Cosette to see these rejoicings, for the purpose of diverting her
from the memory of the day before, and of effacing, beneath the smiling
tumult of all Paris, the abominable thing which had passed before her.
The review with which the festival was spiced made the presence of
uniforms perfectly natural; Jean Valjean donned his uniform of a
national guard with the vague inward feeling of a man who is betaking
himself to shelter. However, this trip seemed to attain its object.
Cosette, who made it her law to please her father, and to whom,
moreover, all spectacles were a novelty, accepted this diversion
with the light and easy good grace of youth, and did not pout too
disdainfully at that flutter of enjoyment called a public fete; so that
Jean Valjean was able to believe that he had succeeded, and that no
trace of that hideous vision remained.

Some days later, one morning, when the sun was shining brightly, and
they were both on the steps leading to the garden, another infraction of
the rules which Jean Valjean seemed to have imposed upon himself, and
to the custom of remaining in her chamber which melancholy had caused
Cosette to adopt, Cosette, in a wrapper, was standing erect in that
negligent attire of early morning which envelops young girls in an
adorable way and which produces the effect of a cloud drawn over a star;
and, with her head bathed in light, rosy after a good sleep, submitting
to the gentle glances of the tender old man, she was picking a daisy
to pieces. Cosette did not know the delightful legend, I love a little,
passionately, etc.--who was there who could have taught her? She was
handling the flower instinctively, innocently, without a suspicion that
to pluck a daisy apart is to do the same by a heart. If there were a
fourth, and smiling Grace called Melancholy, she would have worn the air
of that Grace. Jean Valjean was fascinated by the contemplation of those
tiny fingers on that flower, and forgetful of everything in the radiance
emitted by that child. A red-breast was warbling in the thicket, on one
side. White cloudlets floated across the sky, so gayly, that one would
have said that they had just been set at liberty. Cosette went on
attentively tearing the leaves from her flower; she seemed to be
thinking about something; but whatever it was, it must be something
charming; all at once she turned her head over her shoulder with the
delicate languor of a swan, and said to Jean Valjean: "Father, what are
the galleys like?"




BOOK FOURTH.--SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH




CHAPTER I--A WOUND WITHOUT, HEALING WITHIN

Thus their life clouded over by degrees.

But one diversion, which had formerly been a happiness, remained to
them, which was to carry bread to those who were hungry, and clothing
to those who were cold. Cosette often accompanied Jean Valjean on these
visits to the poor, on which they recovered some remnants of their
former free intercourse; and sometimes, when the day had been a good
one, and they had assisted many in distress, and cheered and warmed many
little children, Cosette was rather merry in the evening. It was at this
epoch that they paid their visit to the Jondrette den.

On the day following that visit, Jean Valjean made his appearance in the
pavilion in the morning, calm as was his wont, but with a large wound on
his left arm which was much inflamed, and very angry, which resembled a
burn, and which he explained in some way or other. This wound resulted
in his being detained in the house for a month with fever. He would not
call in a doctor. When Cosette urged him, "Call the dog-doctor," said
he.

Cosette dressed the wound morning and evening with so divine an air and
such angelic happiness at being of use to him, that Jean Valjean felt
all his former joy returning, his fears and anxieties dissipating, and
he gazed at Cosette, saying: "Oh! what a kindly wound! Oh! what a good
misfortune!"

Cosette on perceiving that her father was ill, had deserted the pavilion
and again taken a fancy to the little lodging and the back courtyard.
She passed nearly all her days beside Jean Valjean and read to him
the books which he desired. Generally they were books of travel. Jean
Valjean was undergoing a new birth; his happiness was reviving in these
ineffable rays; the Luxembourg, the prowling young stranger, Cosette's
coldness,--all these clouds upon his soul were growing dim. He had
reached the point where he said to himself: "I imagined all that. I am
an old fool."

His happiness was so great that the horrible discovery of the
Thenardiers made in the Jondrette hovel, unexpected as it was, had,
after a fashion, glided over him unnoticed. He had succeeded in making
his escape; all trace of him was lost--what more did he care for! he
only thought of those wretched beings to pity them. "Here they are in
prison, and henceforth they will be incapacitated for doing any harm,"
he thought, "but what a lamentable family in distress!"

As for the hideous vision of the Barriere du Maine, Cosette had not
referred to it again.

Sister Sainte-Mechtilde had taught Cosette music in the convent; Cosette
had the voice of a linnet with a soul, and sometimes, in the evening,
in the wounded man's humble abode, she warbled melancholy songs which
delighted Jean Valjean.

Spring came; the garden was so delightful at that season of the year,
that Jean Valjean said to Cosette:--

"You never go there; I want you to stroll in it."

"As you like, father," said Cosette.

And for the sake of obeying her father, she resumed her walks in the
garden, generally alone, for, as we have mentioned, Jean Valjean, who
was probably afraid of being seen through the fence, hardly ever went
there.

Jean Valjean's wound had created a diversion.

When Cosette saw that her father was suffering less, that he was
convalescing, and that he appeared to be happy, she experienced a
contentment which she did not even perceive, so gently and naturally
had it come. Then, it was in the month of March, the days were growing
longer, the winter was departing, the winter always bears away with it a
portion of our sadness; then came April, that daybreak of summer, fresh
as dawn always is, gay like every childhood; a little inclined to weep
at times like the new-born being that it is. In that month, nature
has charming gleams which pass from the sky, from the trees, from the
meadows and the flowers into the heart of man.

Cosette was still too young to escape the penetrating influence of that
April joy which bore so strong a resemblance to herself. Insensibly, and
without her suspecting the fact, the blackness departed from her spirit.
In spring, sad souls grow light, as light falls into cellars at midday.
Cosette was no longer sad. However, though this was so, she did not
account for it to herself. In the morning, about ten o'clock, after
breakfast, when she had succeeded in enticing her father into the garden
for a quarter of an hour, and when she was pacing up and down in the
sunlight in front of the steps, supporting his left arm for him, she did
not perceive that she laughed every moment and that she was happy.

Jean Valjean, intoxicated, beheld her growing fresh and rosy once more.

"Oh! What a good wound!" he repeated in a whisper.

And he felt grateful to the Thenardiers.

His wound once healed, he resumed his solitary twilight strolls.

It is a mistake to suppose that a person can stroll alone in that
fashion in the uninhabited regions of Paris without meeting with some
adventure.




CHAPTER II--MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A
PHENOMENON

One evening, little Gavroche had had nothing to eat; he remembered
that he had not dined on the preceding day either; this was becoming
tiresome. He resolved to make an effort to secure some supper. He
strolled out beyond the Salpetriere into deserted regions; that is
where windfalls are to be found; where there is no one, one always
finds something. He reached a settlement which appeared to him to be the
village of Austerlitz.

In one of his preceding lounges he had noticed there an old garden
haunted by an old man and an old woman, and in that garden, a passable
apple-tree. Beside the apple-tree stood a sort of fruit-house, which was
not securely fastened, and where one might contrive to get an apple. One
apple is a supper; one apple is life. That which was Adam's ruin might
prove Gavroche's salvation. The garden abutted on a solitary, unpaved
lane, bordered with brushwood while awaiting the arrival of houses; the
garden was separated from it by a hedge.

Gavroche directed his steps towards this garden; he found the lane, he
recognized the apple-tree, he verified the fruit-house, he examined the
hedge; a hedge means merely one stride. The day was declining, there was
not even a cat in the lane, the hour was propitious. Gavroche began
the operation of scaling the hedge, then suddenly paused. Some one was
talking in the garden. Gavroche peeped through one of the breaks in the
hedge.

[Illustration: Succor from Below 4b4-1-succor-from-below]

A couple of paces distant, at the foot of the hedge on the other side,
exactly at the point where the gap which he was meditating would have
been made, there was a sort of recumbent stone which formed a bench, and
on this bench was seated the old man of the garden, while the old woman
was standing in front of him. The old woman was grumbling. Gavroche, who
was not very discreet, listened.

"Monsieur Mabeuf!" said the old woman.

"Mabeuf!" thought Gavroche, "that name is a perfect farce."

The old man who was thus addressed, did not stir. The old woman
repeated:--

"Monsieur Mabeuf!"

The old man, without raising his eyes from the ground, made up his mind
to answer:--

"What is it, Mother Plutarque?"

"Mother Plutarque!" thought Gavroche, "another farcical name."

Mother Plutarque began again, and the old man was forced to accept the
conversation:--

"The landlord is not pleased."

"Why?"

"We owe three quarters rent."

"In three months, we shall owe him for four quarters."

"He says that he will turn you out to sleep."

"I will go."

"The green-grocer insists on being paid. She will no longer leave her
fagots. What will you warm yourself with this winter? We shall have no
wood."

"There is the sun."

"The butcher refuses to give credit; he will not let us have any more
meat."

"That is quite right. I do not digest meat well. It is too heavy."

"What shall we have for dinner?"

"Bread."

"The baker demands a settlement, and says, 'no money, no bread.'"

"That is well."

"What will you eat?"

"We have apples in the apple-room."

"But, Monsieur, we can't live like that without money."

"I have none."

The old woman went away, the old man remained alone. He fell into
thought. Gavroche became thoughtful also. It was almost dark.

The first result of Gavroche's meditation was, that instead of scaling
the hedge, he crouched down under it. The branches stood apart a little
at the foot of the thicket.

"Come," exclaimed Gavroche mentally, "here's a nook!" and he curled up
in it. His back was almost in contact with Father Mabeuf's bench. He
could hear the octogenarian breathe.

Then, by way of dinner, he tried to sleep.

It was a cat-nap, with one eye open. While he dozed, Gavroche kept on
the watch.

The twilight pallor of the sky blanched the earth, and the lane formed a
livid line between two rows of dark bushes.

All at once, in this whitish band, two figures made their appearance.
One was in front, the other some distance in the rear.

"There come two creatures," muttered Gavroche.

The first form seemed to be some elderly bourgeois, who was bent and
thoughtful, dressed more than plainly, and who was walking slowly
because of his age, and strolling about in the open evening air.

The second was straight, firm, slender. It regulated its pace by that
of the first; but in the voluntary slowness of its gait, suppleness
and agility were discernible. This figure had also something fierce and
disquieting about it, the whole shape was that of what was then called
an elegant; the hat was of good shape, the coat black, well cut,
probably of fine cloth, and well fitted in at the waist. The head was
held erect with a sort of robust grace, and beneath the hat the pale
profile of a young man could be made out in the dim light. The profile
had a rose in its mouth. This second form was well known to Gavroche; it
was Montparnasse.

He could have told nothing about the other, except that he was a
respectable old man.

Gavroche immediately began to take observations.

One of these two pedestrians evidently had a project connected with
the other. Gavroche was well placed to watch the course of events. The
bedroom had turned into a hiding-place at a very opportune moment.

Montparnasse on the hunt at such an hour, in such a place, betokened
something threatening. Gavroche felt his gamin's heart moved with
compassion for the old man.

What was he to do? Interfere? One weakness coming to the aid of another!
It would be merely a laughing matter for Montparnasse. Gavroche did not
shut his eyes to the fact that the old man, in the first place, and the
child in the second, would make but two mouthfuls for that redoubtable
ruffian eighteen years of age.

While Gavroche was deliberating, the attack took place, abruptly and
hideously. The attack of the tiger on the wild ass, the attack of the
spider on the fly. Montparnasse suddenly tossed away his rose, bounded
upon the old man, seized him by the collar, grasped and clung to him,
and Gavroche with difficulty restrained a scream. A moment later one of
these men was underneath the other, groaning, struggling, with a knee
of marble upon his breast. Only, it was not just what Gavroche had
expected. The one who lay on the earth was Montparnasse; the one who
was on top was the old man. All this took place a few paces distant from
Gavroche.

The old man had received the shock, had returned it, and that in such
a terrible fashion, that in a twinkling, the assailant and the assailed
had exchanged roles.

"Here's a hearty veteran!" thought Gavroche.

He could not refrain from clapping his hands. But it was applause
wasted. It did not reach the combatants, absorbed and deafened as they
were, each by the other, as their breath mingled in the struggle.

Silence ensued. Montparnasse ceased his struggles. Gavroche indulged in
this aside: "Can he be dead!"

The goodman had not uttered a word, nor given vent to a cry. He rose to
his feet, and Gavroche heard him say to Montparnasse:--

"Get up."

Montparnasse rose, but the goodman held him fast. Montparnasse's
attitude was the humiliated and furious attitude of the wolf who has
been caught by a sheep.

Gavroche looked on and listened, making an effort to reinforce his eyes
with his ears. He was enjoying himself immensely.

He was repaid for his conscientious anxiety in the character of a
spectator. He was able to catch on the wing a dialogue which borrowed
from the darkness an indescribably tragic accent. The goodman
questioned, Montparnasse replied.

"How old are you?"

"Nineteen."

"You are strong and healthy. Why do you not work?"

"It bores me."

"What is your trade?"

"An idler."

"Speak seriously. Can anything be done for you? What would you like to
be?"

"A thief."

A pause ensued. The old man seemed absorbed in profound thought. He
stood motionless, and did not relax his hold on Montparnasse.

Every moment the vigorous and agile young ruffian indulged in the
twitchings of a wild beast caught in a snare. He gave a jerk, tried a
crook of the knee, twisted his limbs desperately, and made efforts to
escape.

The old man did not appear to notice it, and held both his arms with one
hand, with the sovereign indifference of absolute force.

The old man's revery lasted for some time, then, looking steadily at
Montparnasse, he addressed to him in a gentle voice, in the midst of the
darkness where they stood, a solemn harangue, of which Gavroche did not
lose a single syllable:--

"My child, you are entering, through indolence, on one of the most
laborious of lives. Ah! You declare yourself to be an idler! prepare to
toil. There is a certain formidable machine, have you seen it? It is
the rolling-mill. You must be on your guard against it, it is crafty
and ferocious; if it catches hold of the skirt of your coat, you will be
drawn in bodily. That machine is laziness. Stop while there is yet time,
and save yourself! Otherwise, it is all over with you; in a short time
you will be among the gearing. Once entangled, hope for nothing more.
Toil, lazybones! there is no more repose for you! The iron hand of
implacable toil has seized you. You do not wish to earn your living, to
have a task, to fulfil a duty! It bores you to be like other men? Well!
You will be different. Labor is the law; he who rejects it will find
ennui his torment. You do not wish to be a workingman, you will be a
slave. Toil lets go of you on one side only to grasp you again on the
other. You do not desire to be its friend, you shall be its negro slave.
Ah! You would have none of the honest weariness of men, you shall have
the sweat of the damned. Where others sing, you will rattle in your
throat. You will see afar off, from below, other men at work; it will
seem to you that they are resting. The laborer, the harvester, the
sailor, the blacksmith, will appear to you in glory like the blessed
spirits in paradise. What radiance surrounds the forge! To guide the
plough, to bind the sheaves, is joy. The bark at liberty in the wind,
what delight! Do you, lazy idler, delve, drag on, roll, march! Drag your
halter. You are a beast of burden in the team of hell! Ah! To do nothing
is your object. Well, not a week, not a day, not an hour shall you have
free from oppression. You will be able to lift nothing without anguish.
Every minute that passes will make your muscles crack. What is a feather
to others will be a rock to you. The simplest things will become steep
acclivities. Life will become monstrous all about you. To go, to come,
to breathe, will be just so many terrible labors. Your lungs will
produce on you the effect of weighing a hundred pounds. Whether you
shall walk here rather than there, will become a problem that must be
solved. Any one who wants to go out simply gives his door a push, and
there he is in the open air. If you wish to go out, you will be obliged
to pierce your wall. What does every one who wants to step into the
street do? He goes down stairs; you will tear up your sheets, little
by little you will make of them a rope, then you will climb out of your
window, and you will suspend yourself by that thread over an abyss, and
it will be night, amid storm, rain, and the hurricane, and if the rope
is too short, but one way of descending will remain to you, to fall. To
drop hap-hazard into the gulf, from an unknown height, on what? On what
is beneath, on the unknown. Or you will crawl up a chimney-flue, at the
risk of burning; or you will creep through a sewer-pipe, at the risk of
drowning; I do not speak of the holes that you will be obliged to mask,
of the stones which you will have to take up and replace twenty times a
day, of the plaster that you will have to hide in your straw pallet. A
lock presents itself; the bourgeois has in his pocket a key made by a
locksmith. If you wish to pass out, you will be condemned to execute a
terrible work of art; you will take a large sou, you will cut it in
two plates; with what tools? You will have to invent them. That is your
business. Then you will hollow out the interior of these plates, taking
great care of the outside, and you will make on the edges a thread, so
that they can be adjusted one upon the other like a box and its cover.
The top and bottom thus screwed together, nothing will be suspected. To
the overseers it will be only a sou; to you it will be a box. What will
you put in this box? A small bit of steel. A watch-spring, in which you
will have cut teeth, and which will form a saw. With this saw, as long
as a pin, and concealed in a sou, you will cut the bolt of the lock, you
will sever bolts, the padlock of your chain, and the bar at your window,
and the fetter on your leg. This masterpiece finished, this prodigy
accomplished, all these miracles of art, address, skill, and patience
executed, what will be your recompense if it becomes known that you
are the author? The dungeon. There is your future. What precipices are
idleness and pleasure! Do you know that to do nothing is a melancholy
resolution? To live in idleness on the property of society! to be
useless, that is to say, pernicious! This leads straight to the depth
of wretchedness. Woe to the man who desires to be a parasite! He will
become vermin! Ah! So it does not please you to work? Ah! You have but
one thought, to drink well, to eat well, to sleep well. You will drink
water, you will eat black bread, you will sleep on a plank with a fetter
whose cold touch you will feel on your flesh all night long, riveted to
your limbs. You will break those fetters, you will flee. That is well.
You will crawl on your belly through the brushwood, and you will eat
grass like the beasts of the forest. And you will be recaptured. And
then you will pass years in a dungeon, riveted to a wall, groping for
your jug that you may drink, gnawing at a horrible loaf of darkness
which dogs would not touch, eating beans that the worms have eaten
before you. You will be a wood-louse in a cellar. Ah! Have pity on
yourself, you miserable young child, who were sucking at nurse less
than twenty years ago, and who have, no doubt, a mother still alive! I
conjure you, listen to me, I entreat you. You desire fine black cloth,
varnished shoes, to have your hair curled and sweet-smelling oils on
your locks, to please low women, to be handsome. You will be shaven
clean, and you will wear a red blouse and wooden shoes. You want rings
on your fingers, you will have an iron necklet on your neck. If you
glance at a woman, you will receive a blow. And you will enter there at
the age of twenty. And you will come out at fifty! You will enter young,
rosy, fresh, with brilliant eyes, and all your white teeth, and your
handsome, youthful hair; you will come out broken, bent, wrinkled,
toothless, horrible, with white locks! Ah! my poor child, you are on the
wrong road; idleness is counselling you badly; the hardest of all work
is thieving. Believe me, do not undertake that painful profession of
an idle man. It is not comfortable to become a rascal. It is less
disagreeable to be an honest man. Now go, and ponder on what I have said
to you. By the way, what did you want of me? My purse? Here it is."

And the old man, releasing Montparnasse, put his purse in the latter's
hand; Montparnasse weighed it for a moment, after which he allowed it to
slide gently into the back pocket of his coat, with the same mechanical
precaution as though he had stolen it.

All this having been said and done, the goodman turned his back and
tranquilly resumed his stroll.

"The blockhead!" muttered Montparnasse.

Who was this goodman? The reader has, no doubt, already divined.

Montparnasse watched him with amazement, as he disappeared in the dusk.
This contemplation was fatal to him.

While the old man was walking away, Gavroche drew near.

Gavroche had assured himself, with a sidelong glance, that Father Mabeuf
was still sitting on his bench, probably sound asleep. Then the gamin
emerged from his thicket, and began to crawl after Montparnasse in the
dark, as the latter stood there motionless. In this manner he came up
to Montparnasse without being seen or heard, gently insinuated his hand
into the back pocket of that frock-coat of fine black cloth, seized the
purse, withdrew his hand, and having recourse once more to his crawling,
he slipped away like an adder through the shadows. Montparnasse, who
had no reason to be on his guard, and who was engaged in thought for the
first time in his life, perceived nothing. When Gavroche had once more
attained the point where Father Mabeuf was, he flung the purse over the
hedge, and fled as fast as his legs would carry him.

The purse fell on Father Mabeuf's foot. This commotion roused him.

He bent over and picked up the purse.

He did not understand in the least, and opened it.

The purse had two compartments; in one of them there was some small
change; in the other lay six napoleons.

M. Mabeuf, in great alarm, referred the matter to his housekeeper.

"That has fallen from heaven," said Mother Plutarque.




BOOK FIFTH.--THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING




CHAPTER I--SOLITUDE AND THE BARRACKS COMBINED

Cosette's grief, which had been so poignant and lively four or five
months previously, had, without her being conscious of the fact, entered
upon its convalescence. Nature, spring, youth, love for her father,
the gayety of the birds and flowers, caused something almost resembling
forgetfulness to filter gradually, drop by drop, into that soul, which
was so virgin and so young. Was the fire wholly extinct there? Or was
it merely that layers of ashes had formed? The truth is, that she hardly
felt the painful and burning spot any longer.

One day she suddenly thought of Marius: "Why!" said she, "I no longer
think of him."

That same week, she noticed a very handsome officer of lancers, with
a wasp-like waist, a delicious uniform, the cheeks of a young girl, a
sword under his arm, waxed mustaches, and a glazed schapka, passing the
gate. Moreover, he had light hair, prominent blue eyes, a round face,
was vain, insolent and good-looking; quite the reverse of Marius. He
had a cigar in his mouth. Cosette thought that this officer doubtless
belonged to the regiment in barracks in the Rue de Babylone.

On the following day, she saw him pass again. She took note of the hour.

From that time forth, was it chance? she saw him pass nearly every day.

The officer's comrades perceived that there was, in that "badly kept"
garden, behind that malicious rococo fence, a very pretty creature,
who was almost always there when the handsome lieutenant,--who is not
unknown to the reader, and whose name was Theodule Gillenormand,--passed
by.

"See here!" they said to him, "there's a little creature there who is
making eyes at you, look."

"Have I the time," replied the lancer, "to look at all the girls who
look at me?"

This was at the precise moment when Marius was descending heavily
towards agony, and was saying: "If I could but see her before I
die!"--Had his wish been realized, had he beheld Cosette at that moment
gazing at the lancer, he would not have been able to utter a word, and
he would have expired with grief.

Whose fault was it? No one's.

Marius possessed one of those temperaments which bury themselves in
sorrow and there abide; Cosette was one of those persons who plunge into
sorrow and emerge from it again.

Cosette was, moreover, passing through that dangerous period, the fatal
phase of feminine revery abandoned to itself, in which the isolated
heart of a young girl resembles the tendrils of the vine which cling,
as chance directs, to the capital of a marble column or to the post of
a wine-shop: A rapid and decisive moment, critical for every orphan, be
she rich or poor, for wealth does not prevent a bad choice; misalliances
are made in very high circles, real misalliance is that of souls; and as
many an unknown young man, without name, without birth, without fortune,
is a marble column which bears up a temple of grand sentiments and grand
ideas, so such and such a man of the world satisfied and opulent, who
has polished boots and varnished words, if looked at not outside, but
inside, a thing which is reserved for his wife, is nothing more than a
block obscurely haunted by violent, unclean, and vinous passions; the
post of a drinking-shop.

What did Cosette's soul contain? Passion calmed or lulled to sleep;
something limpid, brilliant, troubled to a certain depth, and gloomy
lower down. The image of the handsome officer was reflected in
the surface. Did a souvenir linger in the depths?--Quite at the
bottom?--Possibly. Cosette did not know.

A singular incident supervened.




CHAPTER II--COSETTE'S APPREHENSIONS

During the first fortnight in April, Jean Valjean took a journey. This,
as the reader knows, happened from time to time, at very long intervals.
He remained absent a day or two days at the utmost. Where did he go? No
one knew, not even Cosette. Once only, on the occasion of one of these
departures, she had accompanied him in a hackney-coach as far as a
little blind-alley at the corner of which she read: Impasse de la
Planchette. There he alighted, and the coach took Cosette back to the
Rue de Babylone. It was usually when money was lacking in the house that
Jean Valjean took these little trips.

So Jean Valjean was absent. He had said: "I shall return in three days."

That evening, Cosette was alone in the drawing-room. In order to get
rid of her ennui, she had opened her piano-organ, and had begun to sing,
accompanying herself the while, the chorus from Euryanthe: "Hunters
astray in the wood!" which is probably the most beautiful thing in all
the sphere of music. When she had finished, she remained wrapped in
thought.

All at once, it seemed to her that she heard the sound of footsteps in
the garden.

It could not be her father, he was absent; it could not be Toussaint,
she was in bed, and it was ten o'clock at night.

She stepped to the shutter of the drawing-room, which was closed, and
laid her ear against it.

It seemed to her that it was the tread of a man, and that he was walking
very softly.

She mounted rapidly to the first floor, to her own chamber, opened a
small wicket in her shutter, and peeped into the garden. The moon was at
the full. Everything could be seen as plainly as by day.

There was no one there.

She opened the window. The garden was absolutely calm, and all that was
visible was that the street was deserted as usual.

Cosette thought that she had been mistaken. She thought that she had
heard a noise. It was a hallucination produced by the melancholy and
magnificent chorus of Weber, which lays open before the mind terrified
depths, which trembles before the gaze like a dizzy forest, and in which
one hears the crackling of dead branches beneath the uneasy tread of the
huntsmen of whom one catches a glimpse through the twilight.

She thought no more about it.

Moreover, Cosette was not very timid by nature. There flowed in her
veins some of the blood of the bohemian and the adventuress who runs
barefoot. It will be remembered that she was more of a lark than a dove.
There was a foundation of wildness and bravery in her.

On the following day, at an earlier hour, towards nightfall, she was
strolling in the garden. In the midst of the confused thoughts which
occupied her, she fancied that she caught for an instant a sound similar
to that of the preceding evening, as though some one were walking
beneath the trees in the dusk, and not very far from her; but she told
herself that nothing so closely resembles a step on the grass as the
friction of two branches which have moved from side to side, and she
paid no heed to it. Besides, she could see nothing.

She emerged from "the thicket"; she had still to cross a small lawn to
regain the steps.

The moon, which had just risen behind her, cast Cosette's shadow in
front of her upon this lawn, as she came out from the shrubbery.

Cosette halted in alarm.

Beside her shadow, the moon outlined distinctly upon the turf another
shadow, which was particularly startling and terrible, a shadow which
had a round hat.

It was the shadow of a man, who must have been standing on the border of
the clump of shrubbery, a few paces in the rear of Cosette.

She stood for a moment without the power to speak, or cry, or call, or
stir, or turn her head.

Then she summoned up all her courage, and turned round resolutely.

There was no one there.

She glanced on the ground. The figure had disappeared.

She re-entered the thicket, searched the corners boldly, went as far as
the gate, and found nothing.

She felt herself absolutely chilled with terror. Was this another
hallucination? What! Two days in succession! One hallucination might
pass, but two hallucinations? The disquieting point about it was, that
the shadow had assuredly not been a phantom. Phantoms do not wear round
hats.

On the following day Jean Valjean returned. Cosette told him what she
thought she had heard and seen. She wanted to be reassured and to see
her father shrug his shoulders and say to her: "You are a little goose."

Jean Valjean grew anxious.

"It cannot be anything," said he.

He left her under some pretext, and went into the garden, and she saw
him examining the gate with great attention.

During the night she woke up; this time she was sure, and she distinctly
heard some one walking close to the flight of steps beneath her window.
She ran to her little wicket and opened it. In point of fact, there
was a man in the garden, with a large club in his hand. Just as she
was about to scream, the moon lighted up the man's profile. It was her
father. She returned to her bed, saying to herself: "He is very uneasy!"

Jean Valjean passed that night and the two succeeding nights in the
garden. Cosette saw him through the hole in her shutter.

On the third night, the moon was on the wane, and had begun to rise
later; at one o'clock in the morning, possibly, she heard a loud burst
of laughter and her father's voice calling her:--

"Cosette!"

She jumped out of bed, threw on her dressing-gown, and opened her
window.

Her father was standing on the grass-plot below.

"I have waked you for the purpose of reassuring you," said he; "look,
there is your shadow with the round hat."

And he pointed out to her on the turf a shadow cast by the moon, and
which did indeed, bear considerable resemblance to the spectre of a man
wearing a round hat. It was the shadow produced by a chimney-pipe of
sheet iron, with a hood, which rose above a neighboring roof.

Cosette joined in his laughter, all her lugubrious suppositions were
allayed, and the next morning, as she was at breakfast with her father,
she made merry over the sinister garden haunted by the shadows of iron
chimney-pots.

Jean Valjean became quite tranquil once more; as for Cosette, she did
not pay much attention to the question whether the chimney-pot was
really in the direction of the shadow which she had seen, or thought she
had seen, and whether the moon had been in the same spot in the sky.

She did not question herself as to the peculiarity of a chimney-pot
which is afraid of being caught in the act, and which retires when some
one looks at its shadow, for the shadow had taken the alarm when Cosette
had turned round, and Cosette had thought herself very sure of this.
Cosette's serenity was fully restored. The proof appeared to her to
be complete, and it quite vanished from her mind, whether there could
possibly be any one walking in the garden during the evening or at
night.

A few days later, however, a fresh incident occurred.




CHAPTER III--ENRICHED WITH COMMENTARIES BY TOUSSAINT

In the garden, near the railing on the street, there was a stone bench,
screened from the eyes of the curious by a plantation of yoke-elms,
but which could, in case of necessity, be reached by an arm from the
outside, past the trees and the gate.

One evening during that same month of April, Jean Valjean had gone out;
Cosette had seated herself on this bench after sundown. The breeze was
blowing briskly in the trees, Cosette was meditating; an objectless
sadness was taking possession of her little by little, that invincible
sadness evoked by the evening, and which arises, perhaps, who knows,
from the mystery of the tomb which is ajar at that hour.

Perhaps Fantine was within that shadow.

Cosette rose, slowly made the tour of the garden, walking on the
grass drenched in dew, and saying to herself, through the species of
melancholy somnambulism in which she was plunged: "Really, one needs
wooden shoes for the garden at this hour. One takes cold."

She returned to the bench.

As she was about to resume her seat there, she observed on the spot
which she had quitted, a tolerably large stone which had, evidently, not
been there a moment before.

Cosette gazed at the stone, asking herself what it meant. All at once
the idea occurred to her that the stone had not reached the bench all by
itself, that some one had placed it there, that an arm had been thrust
through the railing, and this idea appeared to alarm her. This time, the
fear was genuine; the stone was there. No doubt was possible; she did
not touch it, fled without glancing behind her, took refuge in the
house, and immediately closed with shutter, bolt, and bar the door-like
window opening on the flight of steps. She inquired of Toussaint:--

"Has my father returned yet?"

"Not yet, Mademoiselle."

[We have already noted once for all the fact that Toussaint stuttered.
May we be permitted to dispense with it for the future. The musical
notation of an infirmity is repugnant to us.]

Jean Valjean, a thoughtful man, and given to nocturnal strolls, often
returned quite late at night.

"Toussaint," went on Cosette, "are you careful to thoroughly barricade
the shutters opening on the garden, at least with bars, in the evening,
and to put the little iron things in the little rings that close them?"

"Oh! be easy on that score, Miss."

Toussaint did not fail in her duty, and Cosette was well aware of the
fact, but she could not refrain from adding:--

"It is so solitary here."

"So far as that is concerned," said Toussaint, "it is true. We might be
assassinated before we had time to say ouf! And Monsieur does not sleep
in the house, to boot. But fear nothing, Miss, I fasten the shutters up
like prisons. Lone women! That is enough to make one shudder, I believe
you! Just imagine, what if you were to see men enter your chamber at
night and say: 'Hold your tongue!' and begin to cut your throat. It's
not the dying so much; you die, for one must die, and that's all right;
it's the abomination of feeling those people touch you. And then, their
knives; they can't be able to cut well with them! Ah, good gracious!"

"Be quiet," said Cosette. "Fasten everything thoroughly."

Cosette, terrified by the melodrama improvised by Toussaint, and
possibly, also, by the recollection of the apparitions of the past week,
which recurred to her memory, dared not even say to her: "Go and look at
the stone which has been placed on the bench!" for fear of opening the
garden gate and allowing "the men" to enter. She saw that all the doors
and windows were carefully fastened, made Toussaint go all over the
house from garret to cellar, locked herself up in her own chamber,
bolted her door, looked under her couch, went to bed and slept badly.
All night long she saw that big stone, as large as a mountain and full
of caverns.

At sunrise,--the property of the rising sun is to make us laugh at all
our terrors of the past night, and our laughter is in direct proportion
to our terror which they have caused,--at sunrise Cosette, when she
woke, viewed her fright as a nightmare, and said to herself: "What have
I been thinking of? It is like the footsteps that I thought I heard a
week or two ago in the garden at night! It is like the shadow of the
chimney-pot! Am I becoming a coward?" The sun, which was glowing through
the crevices in her shutters, and turning the damask curtains crimson,
reassured her to such an extent that everything vanished from her
thoughts, even the stone.

"There was no more a stone on the bench than there was a man in a round
hat in the garden; I dreamed about the stone, as I did all the rest."

She dressed herself, descended to the garden, ran to the bench, and
broke out in a cold perspiration. The stone was there.

But this lasted only for a moment. That which is terror by night is
curiosity by day.

"Bah!" said she, "come, let us see what it is."

She lifted the stone, which was tolerably large. Beneath it was
something which resembled a letter. It was a white envelope. Cosette
seized it. There was no address on one side, no seal on the other.
Yet the envelope, though unsealed, was not empty. Papers could be seen
inside.

Cosette examined it. It was no longer alarm, it was no longer curiosity;
it was a beginning of anxiety.

Cosette drew from the envelope its contents, a little notebook of paper,
each page of which was numbered and bore a few lines in a very fine and
rather pretty handwriting, as Cosette thought.

Cosette looked for a name; there was none. To whom was this addressed?
To her, probably, since a hand had deposited the packet on her bench.
From whom did it come? An irresistible fascination took possession
of her; she tried to turn away her eyes from the leaflets which were
trembling in her hand, she gazed at the sky, the street, the acacias
all bathed in light, the pigeons fluttering over a neighboring roof,
and then her glance suddenly fell upon the manuscript, and she said to
herself that she must know what it contained.

This is what she read.




CHAPTER IV--A HEART BENEATH A STONE

[Illustration: Cosette with Letter  4b4-5-cosette-after-letter]

The reduction of the universe to a single being, the expansion of a
single being even to God, that is love.


Love is the salutation of the angels to the stars.


How sad is the soul, when it is sad through love!


What a void in the absence of the being who, by herself alone fills the
world! Oh! how true it is that the beloved being becomes God. One could
comprehend that God might be jealous of this had not God the Father of
all evidently made creation for the soul, and the soul for love.


The glimpse of a smile beneath a white crape bonnet with a lilac curtain
is sufficient to cause the soul to enter into the palace of dreams.


God is behind everything, but everything hides God. Things are
black, creatures are opaque. To love a being is to render that being
transparent.


Certain thoughts are prayers. There are moments when, whatever the
attitude of the body may be, the soul is on its knees.


Parted lovers beguile absence by a thousand chimerical devices, which
possess, however, a reality of their own. They are prevented from seeing
each other, they cannot write to each other; they discover a multitude
of mysterious means to correspond. They send each other the song of the
birds, the perfume of the flowers, the smiles of children, the light of
the sun, the sighings of the breeze, the rays of stars, all creation.
And why not? All the works of God are made to serve love. Love is
sufficiently potent to charge all nature with its messages.

Oh Spring! Thou art a letter that I write to her.


The future belongs to hearts even more than it does to minds. Love, that
is the only thing that can occupy and fill eternity. In the infinite,
the inexhaustible is requisite.


Love participates of the soul itself. It is of the same nature. Like
it, it is the divine spark; like it, it is incorruptible, indivisible,
imperishable. It is a point of fire that exists within us, which is
immortal and infinite, which nothing can confine, and which nothing can
extinguish. We feel it burning even to the very marrow of our bones, and
we see it beaming in the very depths of heaven.


Oh Love! Adorations! voluptuousness of two minds which understand each
other, of two hearts which exchange with each other, of two glances
which penetrate each other! You will come to me, will you not, bliss!
strolls by twos in the solitudes! Blessed and radiant days! I have
sometimes dreamed that from time to time hours detached themselves from
the lives of the angels and came here below to traverse the destinies of
men.


God can add nothing to the happiness of those who love, except to give
them endless duration. After a life of love, an eternity of love is, in
fact, an augmentation; but to increase in intensity even the ineffable
felicity which love bestows on the soul even in this world, is
impossible, even to God. God is the plenitude of heaven; love is the
plenitude of man.


You look at a star for two reasons, because it is luminous, and because
it is impenetrable. You have beside you a sweeter radiance and a greater
mystery, woman.


All of us, whoever we may be, have our respirable beings. We lack
air and we stifle. Then we die. To die for lack of love is horrible.
Suffocation of the soul.


When love has fused and mingled two beings in a sacred and angelic
unity, the secret of life has been discovered so far as they are
concerned; they are no longer anything more than the two boundaries of
the same destiny; they are no longer anything but the two wings of the
same spirit. Love, soar.


On the day when a woman as she passes before you emits light as she
walks, you are lost, you love. But one thing remains for you to do: to
think of her so intently that she is constrained to think of you.


What love commences can be finished by God alone.


True love is in despair and is enchanted over a glove lost or a
handkerchief found, and eternity is required for its devotion and its
hopes. It is composed both of the infinitely great and the infinitely
little.


If you are a stone, be adamant; if you are a plant, be the sensitive
plant; if you are a man, be love.


Nothing suffices for love. We have happiness, we desire paradise; we
possess paradise, we desire heaven.

Oh ye who love each other, all this is contained in love. Understand
how to find it there. Love has contemplation as well as heaven, and more
than heaven, it has voluptuousness.


"Does she still come to the Luxembourg?" "No, sir." "This is the church
where she attends mass, is it not?" "She no longer comes here." "Does
she still live in this house?" "She has moved away." "Where has she gone
to dwell?"

"She did not say."

What a melancholy thing not to know the address of one's soul!

Love has its childishness, other passions have their pettinesses. Shame
on the passions which belittle man! Honor to the one which makes a child
of him!


There is one strange thing, do you know it? I dwell in the night. There
is a being who carried off my sky when she went away.


Oh! would that we were lying side by side in the same grave, hand
in hand, and from time to time, in the darkness, gently caressing a
finger,--that would suffice for my eternity!


Ye who suffer because ye love, love yet more. To die of love, is to live
in it.


Love. A sombre and starry transfiguration is mingled with this torture.
There is ecstasy in agony.


Oh joy of the birds! It is because they have nests that they sing.


Love is a celestial respiration of the air of paradise.


Deep hearts, sage minds, take life as God has made it; it is a long
trial, an incomprehensible preparation for an unknown destiny. This
destiny, the true one, begins for a man with the first step inside the
tomb. Then something appears to him, and he begins to distinguish the
definitive. The definitive, meditate upon that word. The living perceive
the infinite; the definitive permits itself to be seen only by the dead.
In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to
him who shall have loved only bodies, forms, appearances! Death will
deprive him of all. Try to love souls, you will find them again.


I encountered in the street, a very poor young man who was in love. His
hat was old, his coat was worn, his elbows were in holes; water trickled
through his shoes, and the stars through his soul.


What a grand thing it is to be loved! What a far grander thing it is
to love! The heart becomes heroic, by dint of passion. It is no longer
composed of anything but what is pure; it no longer rests on anything
that is not elevated and great. An unworthy thought can no more
germinate in it, than a nettle on a glacier. The serene and lofty soul,
inaccessible to vulgar passions and emotions, dominating the clouds
and the shades of this world, its follies, its lies, its hatreds, its
vanities, its miseries, inhabits the blue of heaven, and no longer feels
anything but profound and subterranean shocks of destiny, as the crests
of mountains feel the shocks of earthquake.


If there did not exist some one who loved, the sun would become extinct.




CHAPTER V--COSETTE AFTER THE LETTER

As Cosette read, she gradually fell into thought. At the very moment
when she raised her eyes from the last line of the note-book, the
handsome officer passed triumphantly in front of the gate,--it was his
hour; Cosette thought him hideous.

She resumed her contemplation of the book. It was written in the most
charming of chirography, thought Cosette; in the same hand, but with
divers inks, sometimes very black, again whitish, as when ink has been
added to the inkstand, and consequently on different days. It was,
then, a mind which had unfolded itself there, sigh by sigh, irregularly,
without order, without choice, without object, hap-hazard. Cosette
had never read anything like it. This manuscript, in which she already
perceived more light than obscurity, produced upon her the effect of a
half-open sanctuary. Each one of these mysterious lines shone before
her eyes and inundated her heart with a strange radiance. The education
which she had received had always talked to her of the soul, and never
of love, very much as one might talk of the firebrand and not of the
flame. This manuscript of fifteen pages suddenly and sweetly revealed
to her all of love, sorrow, destiny, life, eternity, the beginning,
the end. It was as if a hand had opened and suddenly flung upon her
a handful of rays of light. In these few lines she felt a passionate,
ardent, generous, honest nature, a sacred will, an immense sorrow, and
an immense despair, a suffering heart, an ecstasy fully expanded. What
was this manuscript? A letter. A letter without name, without address,
without date, without signature, pressing and disinterested, an enigma
composed of truths, a message of love made to be brought by an angel and
read by a virgin, an appointment made beyond the bounds of earth, the
love-letter of a phantom to a shade. It was an absent one, tranquil and
dejected, who seemed ready to take refuge in death and who sent to the
absent love, his lady, the secret of fate, the key of life, love. This
had been written with one foot in the grave and one finger in heaven.
These lines, which had fallen one by one on the paper, were what might
be called drops of soul.

Now, from whom could these pages come? Who could have penned them?

Cosette did not hesitate a moment. One man only.

He!

Day had dawned once more in her spirit; all had reappeared. She felt an
unheard-of joy, and a profound anguish. It was he! he who had written!
he was there! it was he whose arm had been thrust through that railing!
While she was forgetful of him, he had found her again! But had she
forgotten him? No, never! She was foolish to have thought so for a
single moment. She had always loved him, always adored him. The fire had
been smothered, and had smouldered for a time, but she saw all plainly
now; it had but made headway, and now it had burst forth afresh, and
had inflamed her whole being. This note-book was like a spark which
had fallen from that other soul into hers. She felt the conflagration
starting up once more.

She imbued herself thoroughly with every word of the manuscript: "Oh
yes!" said she, "how perfectly I recognize all that! That is what I had
already read in his eyes." As she was finishing it for the third time,
Lieutenant Theodule passed the gate once more, and rattled his spurs
upon the pavement. Cosette was forced to raise her eyes. She thought him
insipid, silly, stupid, useless, foppish, displeasing, impertinent, and
extremely ugly. The officer thought it his duty to smile at her.

She turned away as in shame and indignation. She would gladly have
thrown something at his head.

She fled, re-entered the house, and shut herself up in her chamber to
peruse the manuscript once more, to learn it by heart, and to dream.
When she had thoroughly mastered it she kissed it and put it in her
bosom.

All was over, Cosette had fallen back into deep, seraphic love. The
abyss of Eden had yawned once more.

All day long, Cosette remained in a sort of bewilderment. She scarcely
thought, her ideas were in the state of a tangled skein in her brain,
she could not manage to conjecture anything, she hoped through a tremor,
what? vague things. She dared make herself no promises, and she did
not wish to refuse herself anything. Flashes of pallor passed over her
countenance, and shivers ran through her frame. It seemed to her, at
intervals, that she was entering the land of chimaeras; she said to
herself: "Is this reality?" Then she felt of the dear paper within her
bosom under her gown, she pressed it to her heart, she felt its angles
against her flesh; and if Jean Valjean had seen her at the moment, he
would have shuddered in the presence of that luminous and unknown joy,
which overflowed from beneath her eyelids.--"Oh yes!" she thought, "it
is certainly he! This comes from him, and is for me!"

And she told herself that an intervention of the angels, a celestial
chance, had given him back to her.

Oh transfiguration of love! Oh dreams! That celestial chance, that
intervention of the angels, was a pellet of bread tossed by one thief to
another thief, from the Charlemagne Courtyard to the Lion's Ditch, over
the roofs of La Force.




CHAPTER VI--OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY

When evening came, Jean Valjean went out; Cosette dressed herself. She
arranged her hair in the most becoming manner, and she put on a dress
whose bodice had received one snip of the scissors too much, and which,
through this slope, permitted a view of the beginning of her throat, and
was, as young girls say, "a trifle indecent." It was not in the least
indecent, but it was prettier than usual. She made her toilet thus
without knowing why she did so.

Did she mean to go out? No.

Was she expecting a visitor? No.

At dusk, she went down to the garden. Toussaint was busy in her kitchen,
which opened on the back yard.

She began to stroll about under the trees, thrusting aside the branches
from time to time with her hand, because there were some which hung very
low.

In this manner she reached the bench.

The stone was still there.

She sat down, and gently laid her white hand on this stone as though she
wished to caress and thank it.

All at once, she experienced that indefinable impression which one
undergoes when there is some one standing behind one, even when she does
not see the person.

She turned her head and rose to her feet.

It was he.

His head was bare. He appeared to have grown thin and pale. His black
clothes were hardly discernible. The twilight threw a wan light on
his fine brow, and covered his eyes in shadows. Beneath a veil of
incomparable sweetness, he had something about him that suggested death
and night. His face was illuminated by the light of the dying day, and
by the thought of a soul that is taking flight.

He seemed to be not yet a ghost, and he was no longer a man.

He had flung away his hat in the thicket, a few paces distant.

Cosette, though ready to swoon, uttered no cry. She retreated slowly,
for she felt herself attracted. He did not stir. By virtue of something
ineffable and melancholy which enveloped him, she felt the look in his
eyes which she could not see.

Cosette, in her retreat, encountered a tree and leaned against it. Had
it not been for this tree, she would have fallen.

Then she heard his voice, that voice which she had really never heard,
barely rising above the rustle of the leaves, and murmuring:--

"Pardon me, here I am. My heart is full. I could not live on as I was
living, and I have come. Have you read what I placed there on the bench?
Do you recognize me at all? Have no fear of me. It is a long time, you
remember the day, since you looked at me at the Luxembourg, near the
Gladiator. And the day when you passed before me? It was on the 16th of
June and the 2d of July. It is nearly a year ago. I have not seen you
for a long time. I inquired of the woman who let the chairs, and she
told me that she no longer saw you. You lived in the Rue de l'Ouest, on
the third floor, in the front apartments of a new house,--you see that
I know! I followed you. What else was there for me to do? And then you
disappeared. I thought I saw you pass once, while I was reading the
newspapers under the arcade of the Odeon. I ran after you. But no. It
was a person who had a bonnet like yours. At night I came hither. Do
not be afraid, no one sees me. I come to gaze upon your windows near
at hand. I walk very softly, so that you may not hear, for you might be
alarmed. The other evening I was behind you, you turned round, I fled.
Once, I heard you singing. I was happy. Did it affect you because I
heard you singing through the shutters? That could not hurt you. No,
it is not so? You see, you are my angel! Let me come sometimes; I think
that I am going to die. If you only knew! I adore you. Forgive me, I
speak to you, but I do not know what I am saying; I may have displeased
you; have I displeased you?"

"Oh! my mother!" said she.

And she sank down as though on the point of death.

He grasped her, she fell, he took her in his arms, he pressed her close,
without knowing what he was doing. He supported her, though he was
tottering himself. It was as though his brain were full of smoke;
lightnings darted between his lips; his ideas vanished; it seemed to him
that he was accomplishing some religious act, and that he was committing
a profanation. Moreover, he had not the least passion for this lovely
woman whose force he felt against his breast. He was beside himself with
love.

She took his hand and laid it on her heart. He felt the paper there, he
stammered:--

"You love me, then?"

She replied in a voice so low that it was no longer anything more than a
barely audible breath:--

"Hush! Thou knowest it!"

And she hid her blushing face on the breast of the superb and
intoxicated young man.

He fell upon the bench, and she beside him. They had no words more. The
stars were beginning to gleam. How did it come to pass that their lips
met? How comes it to pass that the birds sing, that snow melts, that
the rose unfolds, that May expands, that the dawn grows white behind the
black trees on the shivering crest of the hills?

A kiss, and that was all.

Both started, and gazed into the darkness with sparkling eyes.

They felt neither the cool night, nor the cold stone, nor the damp
earth, nor the wet grass; they looked at each other, and their hearts
were full of thoughts. They had clasped hands unconsciously.

She did not ask him, she did not even wonder, how he had entered there,
and how he had made his way into the garden. It seemed so simple to her
that he should be there!

From time to time, Marius' knee touched Cosette's knee, and both
shivered.

At intervals, Cosette stammered a word. Her soul fluttered on her lips
like a drop of dew on a flower.

Little by little they began to talk to each other. Effusion followed
silence, which is fulness. The night was serene and splendid overhead.
These two beings, pure as spirits, told each other everything, their
dreams, their intoxications, their ecstasies, their chimaeras, their
weaknesses, how they had adored each other from afar, how they had
longed for each other, their despair when they had ceased to see each
other. They confided to each other in an ideal intimacy, which nothing
could augment, their most secret and most mysterious thoughts. They
related to each other, with candid faith in their illusions, all that
love, youth, and the remains of childhood which still lingered about
them, suggested to their minds. Their two hearts poured themselves out
into each other in such wise, that at the expiration of a quarter of an
hour, it was the young man who had the young girl's soul, and the young
girl who had the young man's soul. Each became permeated with the other,
they were enchanted with each other, they dazzled each other.

When they had finished, when they had told each other everything, she
laid her head on his shoulder and asked him:--

"What is your name?"

"My name is Marius," said he. "And yours?"

"My name is Cosette."




BOOK SIXTH.--LITTLE GAVROCHE




CHAPTER I--THE MALICIOUS PLAYFULNESS OF THE WIND

Since 1823, when the tavern of Montfermeil was on the way to shipwreck
and was being gradually engulfed, not in the abyss of a bankruptcy, but
in the cesspool of petty debts, the Thenardier pair had had two other
children; both males. That made five; two girls and three boys.

Madame Thenardier had got rid of the last two, while they were still
young and very small, with remarkable luck.

Got rid of is the word. There was but a mere fragment of nature in that
woman. A phenomenon, by the way, of which there is more than one example
extant. Like the Marechale de La Mothe-Houdancourt, the Thenardier was
a mother to her daughters only. There her maternity ended. Her hatred of
the human race began with her own sons. In the direction of her sons her
evil disposition was uncompromising, and her heart had a lugubrious wall
in that quarter. As the reader has seen, she detested the eldest; she
cursed the other two. Why? Because. The most terrible of motives, the
most unanswerable of retorts--Because. "I have no need of a litter of
squalling brats," said this mother.

Let us explain how the Thenardiers had succeeded in getting rid of their
last two children; and even in drawing profit from the operation.

The woman Magnon, who was mentioned a few pages further back, was the
same one who had succeeded in making old Gillenormand support the two
children which she had had. She lived on the Quai des Celestins, at the
corner of this ancient street of the Petit-Musc which afforded her the
opportunity of changing her evil repute into good odor. The reader will
remember the great epidemic of croup which ravaged the river districts
of the Seine in Paris thirty-five years ago, and of which science took
advantage to make experiments on a grand scale as to the efficacy of
inhalations of alum, so beneficially replaced at the present day by the
external tincture of iodine. During this epidemic, the Magnon lost both
her boys, who were still very young, one in the morning, the other
in the evening of the same day. This was a blow. These children were
precious to their mother; they represented eighty francs a month. These
eighty francs were punctually paid in the name of M. Gillenormand, by
collector of his rents, M. Barge, a retired tip-staff, in the Rue du
Roi-de-Sicile. The children dead, the income was at an end. The Magnon
sought an expedient. In that dark free-masonry of evil of which she
formed a part, everything is known, all secrets are kept, and all lend
mutual aid. Magnon needed two children; the Thenardiers had two.
The same sex, the same age. A good arrangement for the one, a good
investment for the other. The little Thenardiers became little Magnons.
Magnon quitted the Quai des Celestins and went to live in the Rue
Clocheperce. In Paris, the identity which binds an individual to himself
is broken between one street and another.

The registry office being in no way warned, raised no objections, and
the substitution was effected in the most simple manner in the world.
Only, the Thenardier exacted for this loan of her children, ten francs a
month, which Magnon promised to pay, and which she actually did pay.
It is unnecessary to add that M. Gillenormand continued to perform
his compact. He came to see the children every six months. He did not
perceive the change. "Monsieur," Magnon said to him, "how much they
resemble you!"

Thenardier, to whom avatars were easy, seized this occasion to become
Jondrette. His two daughters and Gavroche had hardly had time to
discover that they had two little brothers. When a certain degree
of misery is reached, one is overpowered with a sort of spectral
indifference, and one regards human beings as though they were spectres.
Your nearest relations are often no more for you than vague shadowy
forms, barely outlined against a nebulous background of life and easily
confounded again with the invisible.

On the evening of the day when she had handed over her two little
ones to Magnon, with express intention of renouncing them forever, the
Thenardier had felt, or had appeared to feel, a scruple. She said to her
husband: "But this is abandoning our children!" Thenardier, masterful
and phlegmatic, cauterized the scruple with this saying: "Jean Jacques
Rousseau did even better!" From scruples, the mother proceeded to
uneasiness: "But what if the police were to annoy us? Tell me, Monsieur
Thenardier, is what we have done permissible?" Thenardier replied:
"Everything is permissible. No one will see anything but true blue in
it. Besides, no one has any interest in looking closely after children
who have not a sou."

Magnon was a sort of fashionable woman in the sphere of crime. She was
careful about her toilet. She shared her lodgings, which were furnished
in an affected and wretched style, with a clever gallicized English
thief. This English woman, who had become a naturalized Parisienne,
recommended by very wealthy relations, intimately connected with the
medals in the Library and Mademoiselle Mar's diamonds, became celebrated
later on in judicial accounts. She was called Mamselle Miss.

The two little creatures who had fallen to Magnon had no reason to
complain of their lot. Recommended by the eighty francs, they were well
cared for, as is everything from which profit is derived; they were
neither badly clothed, nor badly fed; they were treated almost like
"little gentlemen,"--better by their false mother than by their real
one. Magnon played the lady, and talked no thieves' slang in their
presence.

Thus passed several years. Thenardier augured well from the fact. One
day, he chanced to say to Magnon as she handed him his monthly stipend
of ten francs: "The father must give them some education."

All at once, these two poor children, who had up to that time been
protected tolerably well, even by their evil fate, were abruptly hurled
into life and forced to begin it for themselves.

A wholesale arrest of malefactors, like that in the Jondrette garret,
necessarily complicated by investigations and subsequent incarcerations,
is a veritable disaster for that hideous and occult counter-society
which pursues its existence beneath public society; an adventure of this
description entails all sorts of catastrophes in that sombre world. The
Thenardier catastrophe involved the catastrophe of Magnon.


One day, a short time after Magnon had handed to Eponine the note
relating to the Rue Plumet, a sudden raid was made by the police in the
Rue Clocheperce; Magnon was seized, as was also Mamselle Miss; and all
the inhabitants of the house, which was of a suspicious character, were
gathered into the net. While this was going on, the two little boys were
playing in the back yard, and saw nothing of the raid. When they tried
to enter the house again, they found the door fastened and the house
empty. A cobbler opposite called them to him, and delivered to them a
paper which "their mother" had left for them. On this paper there was an
address: M. Barge, collector of rents, Rue du Roi-de-Sicile, No. 8. The
proprietor of the stall said to them: "You cannot live here any longer.
Go there. It is near by. The first street on the left. Ask your way from
this paper."

The children set out, the elder leading the younger, and holding in his
hand the paper which was to guide them. It was cold, and his benumbed
little fingers could not close very firmly, and they did not keep a very
good hold on the paper. At the corner of the Rue Clocheperce, a gust of
wind tore it from him, and as night was falling, the child was not able
to find it again.

They began to wander aimlessly through the streets.




CHAPTER II--IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE
GREAT

Spring in Paris is often traversed by harsh and piercing breezes which
do not precisely chill but freeze one; these north winds which sadden
the most beautiful days produce exactly the effect of those puffs of
cold air which enter a warm room through the cracks of a badly fitting
door or window. It seems as though the gloomy door of winter had
remained ajar, and as though the wind were pouring through it. In the
spring of 1832, the epoch when the first great epidemic of this century
broke out in Europe, these north gales were more harsh and piercing
than ever. It was a door even more glacial than that of winter which
was ajar. It was the door of the sepulchre. In these winds one felt the
breath of the cholera.

From a meteorological point of view, these cold winds possessed this
peculiarity, that they did not preclude a strong electric tension.
Frequent storms, accompanied by thunder and lightning, burst forth at
this epoch.

One evening, when these gales were blowing rudely, to such a degree that
January seemed to have returned and that the bourgeois had resumed their
cloaks, Little Gavroche, who was always shivering gayly under his rags,
was standing as though in ecstasy before a wig-maker's shop in the
vicinity of the Orme-Saint-Gervais. He was adorned with a woman's
woollen shawl, picked up no one knows where, and which he had converted
into a neck comforter. Little Gavroche appeared to be engaged in intent
admiration of a wax bride, in a low-necked dress, and crowned with
orange-flowers, who was revolving in the window, and displaying her
smile to passers-by, between two argand lamps; but in reality, he was
taking an observation of the shop, in order to discover whether he
could not "prig" from the shop-front a cake of soap, which he would then
proceed to sell for a sou to a "hair-dresser" in the suburbs. He had
often managed to breakfast off of such a roll. He called his species of
work, for which he possessed special aptitude, "shaving barbers."

While contemplating the bride, and eyeing the cake of soap, he muttered
between his teeth: "Tuesday. It was not Tuesday. Was it Tuesday? Perhaps
it was Tuesday. Yes, it was Tuesday."

No one has ever discovered to what this monologue referred.

Yes, perchance, this monologue had some connection with the last
occasion on which he had dined, three days before, for it was now
Friday.

The barber in his shop, which was warmed by a good stove, was shaving
a customer and casting a glance from time to time at the enemy, that
freezing and impudent street urchin both of whose hands were in his
pockets, but whose mind was evidently unsheathed.

While Gavroche was scrutinizing the shop-window and the cakes of windsor
soap, two children of unequal stature, very neatly dressed, and still
smaller than himself, one apparently about seven years of age, the other
five, timidly turned the handle and entered the shop, with a request for
something or other, alms possibly, in a plaintive murmur which resembled
a groan rather than a prayer. They both spoke at once, and their words
were unintelligible because sobs broke the voice of the younger, and the
teeth of the elder were chattering with cold. The barber wheeled round
with a furious look, and without abandoning his razor, thrust back the
elder with his left hand and the younger with his knee, and slammed
his door, saying: "The idea of coming in and freezing everybody for
nothing!"

The two children resumed their march in tears. In the meantime, a cloud
had risen; it had begun to rain.

Little Gavroche ran after them and accosted them:--

"What's the matter with you, brats?"

"We don't know where we are to sleep," replied the elder.

"Is that all?" said Gavroche. "A great matter, truly. The idea of
bawling about that. They must be greenies!"

And adopting, in addition to his superiority, which was rather
bantering, an accent of tender authority and gentle patronage:--

"Come along with me, young 'uns!"

"Yes, sir," said the elder.

And the two children followed him as they would have followed an
archbishop. They had stopped crying.

Gavroche led them up the Rue Saint-Antoine in the direction of the
Bastille.

As Gavroche walked along, he cast an indignant backward glance at the
barber's shop.

"That fellow has no heart, the whiting,"[35] he muttered. "He's an
Englishman."

A woman who caught sight of these three marching in a file, with
Gavroche at their head, burst into noisy laughter. This laugh was
wanting in respect towards the group.

"Good day, Mamselle Omnibus," said Gavroche to her.

An instant later, the wig-maker occurred to his mind once more, and he
added:--

"I am making a mistake in the beast; he's not a whiting, he's a serpent.
Barber, I'll go and fetch a locksmith, and I'll have a bell hung to your
tail."

This wig-maker had rendered him aggressive. As he strode over a gutter,
he apostrophized a bearded portress who was worthy to meet Faust on the
Brocken, and who had a broom in her hand.

"Madam," said he, "so you are going out with your horse?"

And thereupon, he spattered the polished boots of a pedestrian.

"You scamp!" shouted the furious pedestrian.

Gavroche elevated his nose above his shawl.

"Is Monsieur complaining?"

"Of you!" ejaculated the man.

"The office is closed," said Gavroche, "I do not receive any more
complaints."

In the meanwhile, as he went on up the street, he perceived a
beggar-girl, thirteen or fourteen years old, and clad in so short a
gown that her knees were visible, lying thoroughly chilled under a
porte-cochere. The little girl was getting to be too old for such a
thing. Growth does play these tricks. The petticoat becomes short at the
moment when nudity becomes indecent.

"Poor girl!" said Gavroche. "She hasn't even trousers. Hold on, take
this."

And unwinding all the comfortable woollen which he had around his neck,
he flung it on the thin and purple shoulders of the beggar-girl, where
the scarf became a shawl once more.

The child stared at him in astonishment, and received the shawl in
silence. When a certain stage of distress has been reached in his
misery, the poor man no longer groans over evil, no longer returns
thanks for good.

That done: "Brrr!" said Gavroche, who was shivering more than Saint
Martin, for the latter retained one-half of his cloak.

At this brrr! the downpour of rain, redoubled in its spite, became
furious. The wicked skies punish good deeds.

"Ah, come now!" exclaimed Gavroche, "what's the meaning of this? It's
re-raining! Good Heavens, if it goes on like this, I shall stop my
subscription."

And he set out on the march once more.

"It's all right," he resumed, casting a glance at the beggar-girl, as
she coiled up under the shawl, "she's got a famous peel."

And looking up at the clouds he exclaimed:--

"Caught!"

The two children followed close on his heels.

As they were passing one of these heavy grated lattices, which indicate
a baker's shop, for bread is put behind bars like gold, Gavroche turned
round:--

"Ah, by the way, brats, have we dined?"

"Monsieur," replied the elder, "we have had nothing to eat since this
morning."

"So you have neither father nor mother?" resumed Gavroche majestically.

"Excuse us, sir, we have a papa and a mamma, but we don't know where
they are."

"Sometimes that's better than knowing where they are," said Gavroche,
who was a thinker.

"We have been wandering about these two hours," continued the elder, "we
have hunted for things at the corners of the streets, but we have found
nothing."

"I know," ejaculated Gavroche, "it's the dogs who eat everything."

He went on, after a pause:--

"Ah! we have lost our authors. We don't know what we have done with
them. This should not be, gamins. It's stupid to let old people stray
off like that. Come now! we must have a snooze all the same."

However, he asked them no questions. What was more simple than that they
should have no dwelling place!

The elder of the two children, who had almost entirely recovered the
prompt heedlessness of childhood, uttered this exclamation:--

"It's queer, all the same. Mamma told us that she would take us to get a
blessed spray on Palm Sunday."

"Bosh," said Gavroche.

"Mamma," resumed the elder, "is a lady who lives with Mamselle Miss."

"Tanflute!" retorted Gavroche.

Meanwhile he had halted, and for the last two minutes he had been
feeling and fumbling in all sorts of nooks which his rags contained.

At last he tossed his head with an air intended to be merely satisfied,
but which was triumphant, in reality.

"Let us be calm, young 'uns. Here's supper for three."

And from one of his pockets he drew forth a sou.

Without allowing the two urchins time for amazement, he pushed both of
them before him into the baker's shop, and flung his sou on the counter,
crying:--

"Boy! five centimes' worth of bread."

The baker, who was the proprietor in person, took up a loaf and a knife.

"In three pieces, my boy!" went on Gavroche.

And he added with dignity:--

"There are three of us."

And seeing that the baker, after scrutinizing the three customers, had
taken down a black loaf, he thrust his finger far up his nose with
an inhalation as imperious as though he had had a pinch of the great
Frederick's snuff on the tip of his thumb, and hurled this indignant
apostrophe full in the baker's face:--

"Keksekca?"

Those of our readers who might be tempted to espy in this interpellation
of Gavroche's to the baker a Russian or a Polish word, or one of those
savage cries which the Yoways and the Botocudos hurl at each other from
bank to bank of a river, athwart the solitudes, are warned that it is a
word which they [our readers] utter every day, and which takes the place
of the phrase: "Qu'est-ce que c'est que cela?" The baker understood
perfectly, and replied:--

"Well! It's bread, and very good bread of the second quality."

"You mean larton brutal [black bread]!" retorted Gavroche, calmly and
coldly disdainful. "White bread, boy! white bread [larton savonne]! I'm
standing treat."

The baker could not repress a smile, and as he cut the white bread he
surveyed them in a compassionate way which shocked Gavroche.

"Come, now, baker's boy!" said he, "what are you taking our measure like
that for?"

All three of them placed end to end would have hardly made a measure.

When the bread was cut, the baker threw the sou into his drawer, and
Gavroche said to the two children:--

"Grub away."

The little boys stared at him in surprise.

Gavroche began to laugh.

"Ah! hullo, that's so! they don't understand yet, they're too small."

And he repeated:--

"Eat away."

At the same time, he held out a piece of bread to each of them.

And thinking that the elder, who seemed to him the more worthy of
his conversation, deserved some special encouragement and ought to be
relieved from all hesitation to satisfy his appetite, he added, as be
handed him the largest share:--

"Ram that into your muzzle."

One piece was smaller than the others; he kept this for himself.

The poor children, including Gavroche, were famished. As they tore their
bread apart in big mouthfuls, they blocked up the shop of the baker,
who, now that they had paid their money, looked angrily at them.

"Let's go into the street again," said Gavroche.

They set off once more in the direction of the Bastille.

From time to time, as they passed the lighted shop-windows, the smallest
halted to look at the time on a leaden watch which was suspended from
his neck by a cord.

"Well, he is a very green 'un," said Gavroche.

Then, becoming thoughtful, he muttered between his teeth:--

"All the same, if I had charge of the babes I'd lock 'em up better than
that."

Just as they were finishing their morsel of bread, and had reached the
angle of that gloomy Rue des Ballets, at the other end of which the low
and threatening wicket of La Force was visible:--

"Hullo, is that you, Gavroche?" said some one.

"Hullo, is that you, Montparnasse?" said Gavroche.

A man had just accosted the street urchin, and the man was no other
than Montparnasse in disguise, with blue spectacles, but recognizable to
Gavroche.

"The bow-wows!" went on Gavroche, "you've got a hide the color of a
linseed plaster, and blue specs like a doctor. You're putting on style,
'pon my word!"

"Hush!" ejaculated Montparnasse, "not so loud."

And he drew Gavroche hastily out of range of the lighted shops.

The two little ones followed mechanically, holding each other by the
hand.

When they were ensconced under the arch of a portecochere, sheltered
from the rain and from all eyes:--

"Do you know where I'm going?" demanded Montparnasse.

"To the Abbey of Ascend-with-Regret,"[36] replied Gavroche.

"Joker!"

And Montparnasse went on:--

"I'm going to find Babet."

"Ah!" exclaimed Gavroche, "so her name is Babet."

Montparnasse lowered his voice:--

"Not she, he."

"Ah! Babet."

"Yes, Babet."

"I thought he was buckled."

"He has undone the buckle," replied Montparnasse.

And he rapidly related to the gamin how, on the morning of that very
day, Babet, having been transferred to La Conciergerie, had made his
escape, by turning to the left instead of to the right in "the police
office."

Gavroche expressed his admiration for this skill.

"What a dentist!" he cried.

Montparnasse added a few details as to Babet's flight, and ended with:--

"Oh! That's not all."

Gavroche, as he listened, had seized a cane that Montparnasse held in
his hand, and mechanically pulled at the upper part, and the blade of a
dagger made its appearance.

"Ah!" he exclaimed, pushing the dagger back in haste, "you have brought
along your gendarme disguised as a bourgeois."

Montparnasse winked.

"The deuce!" resumed Gavroche, "so you're going to have a bout with the
bobbies?"

"You can't tell," replied Montparnasse with an indifferent air. "It's
always a good thing to have a pin about one."

Gavroche persisted:--

"What are you up to to-night?"

Again Montparnasse took a grave tone, and said, mouthing every syllable:
"Things."

And abruptly changing the conversation:--

"By the way!"

"What?"

"Something happened t'other day. Fancy. I meet a bourgeois. He makes
me a present of a sermon and his purse. I put it in my pocket. A minute
later, I feel in my pocket. There's nothing there."

"Except the sermon," said Gavroche.

"But you," went on Montparnasse, "where are you bound for now?"

Gavroche pointed to his two proteges, and said:--

"I'm going to put these infants to bed."

"Whereabouts is the bed?"

"At my house."

"Where's your house?"

"At my house."

"So you have a lodging?"

"Yes, I have."

"And where is your lodging?"

"In the elephant," said Gavroche.

Montparnasse, though not naturally inclined to astonishment, could not
restrain an exclamation.

"In the elephant!"

"Well, yes, in the elephant!" retorted Gavroche. "Kekcaa?"

This is another word of the language which no one writes, and which
every one speaks.

Kekcaa signifies: Quest que c'est que cela a? [What's the matter with
that?]

The urchin's profound remark recalled Montparnasse to calmness and
good sense. He appeared to return to better sentiments with regard to
Gavroche's lodging.

"Of course," said he, "yes, the elephant. Is it comfortable there?"

"Very," said Gavroche. "It's really bully there. There ain't any
draughts, as there are under the bridges."

"How do you get in?"

"Oh, I get in."

"So there is a hole?" demanded Montparnasse.

"Parbleu! I should say so. But you mustn't tell. It's between the fore
legs. The bobbies haven't seen it."

"And you climb up? Yes, I understand."

"A turn of the hand, cric, crac, and it's all over, no one there."

After a pause, Gavroche added:--

"I shall have a ladder for these children."

Montparnasse burst out laughing:--

"Where the devil did you pick up those young 'uns?"

Gavroche replied with great simplicity:--

"They are some brats that a wig-maker made me a present of."

Meanwhile, Montparnasse had fallen to thinking:--

"You recognized me very readily," he muttered.

He took from his pocket two small objects which were nothing more than
two quills wrapped in cotton, and thrust one up each of his nostrils.
This gave him a different nose.

"That changes you," remarked Gavroche, "you are less homely so, you
ought to keep them on all the time."

Montparnasse was a handsome fellow, but Gavroche was a tease.

"Seriously," demanded Montparnasse, "how do you like me so?"

The sound of his voice was different also. In a twinkling, Montparnasse
had become unrecognizable.

"Oh! Do play Porrichinelle for us!" exclaimed Gavroche.

The two children, who had not been listening up to this point, being
occupied themselves in thrusting their fingers up their noses, drew
near at this name, and stared at Montparnasse with dawning joy and
admiration.

Unfortunately, Montparnasse was troubled.

He laid his hand on Gavroche's shoulder, and said to him, emphasizing
his words: "Listen to what I tell you, boy! if I were on the square with
my dog, my knife, and my wife, and if you were to squander ten sous on
me, I wouldn't refuse to work, but this isn't Shrove Tuesday."

This odd phrase produced a singular effect on the gamin. He wheeled
round hastily, darted his little sparkling eyes about him with profound
attention, and perceived a police sergeant standing with his back to
them a few paces off. Gavroche allowed an: "Ah! good!" to escape him,
but immediately suppressed it, and shaking Montparnasse's hand:--

"Well, good evening," said he, "I'm going off to my elephant with my
brats. Supposing that you should need me some night, you can come and
hunt me up there. I lodge on the entresol. There is no porter. You will
inquire for Monsieur Gavroche."

"Very good," said Montparnasse.

And they parted, Montparnasse betaking himself in the direction of
the Greve, and Gavroche towards the Bastille. The little one of five,
dragged along by his brother who was dragged by Gavroche, turned his
head back several times to watch "Porrichinelle" as he went.

The ambiguous phrase by means of which Montparnasse had warned Gavroche
of the presence of the policeman, contained no other talisman than
the assonance dig repeated five or six times in different forms. This
syllable, dig, uttered alone or artistically mingled with the words of
a phrase, means: "Take care, we can no longer talk freely." There was
besides, in Montparnasse's sentence, a literary beauty which was
lost upon Gavroche, that is mon dogue, ma dague et ma digue, a slang
expression of the Temple, which signifies my dog, my knife, and my wife,
greatly in vogue among clowns and the red-tails in the great century
when Moliere wrote and Callot drew.

Twenty years ago, there was still to be seen in the southwest corner of
the Place de la Bastille, near the basin of the canal, excavated in the
ancient ditch of the fortress-prison, a singular monument, which has
already been effaced from the memories of Parisians, and which deserved
to leave some trace, for it was the idea of a "member of the Institute,
the General-in-chief of the army of Egypt."

We say monument, although it was only a rough model. But this model
itself, a marvellous sketch, the grandiose skeleton of an idea of
Napoleon's, which successive gusts of wind have carried away and thrown,
on each occasion, still further from us, had become historical and had
acquired a certain definiteness which contrasted with its provisional
aspect. It was an elephant forty feet high, constructed of timber and
masonry, bearing on its back a tower which resembled a house, formerly
painted green by some dauber, and now painted black by heaven, the wind,
and time. In this deserted and unprotected corner of the place, the
broad brow of the colossus, his trunk, his tusks, his tower, his
enormous crupper, his four feet, like columns produced, at night, under
the starry heavens, a surprising and terrible form. It was a sort of
symbol of popular force. It was sombre, mysterious, and immense. It was
some mighty, visible phantom, one knew not what, standing erect beside
the invisible spectre of the Bastille.

Few strangers visited this edifice, no passer-by looked at it. It was
falling into ruins; every season the plaster which detached itself
from its sides formed hideous wounds upon it. "The aediles," as the
expression ran in elegant dialect, had forgotten it ever since 1814.
There it stood in its corner, melancholy, sick, crumbling, surrounded
by a rotten palisade, soiled continually by drunken coachmen; cracks
meandered athwart its belly, a lath projected from its tail, tall grass
flourished between its legs; and, as the level of the place had been
rising all around it for a space of thirty years, by that slow and
continuous movement which insensibly elevates the soil of large towns,
it stood in a hollow, and it looked as though the ground were giving way
beneath it. It was unclean, despised, repulsive, and superb, ugly in the
eyes of the bourgeois, melancholy in the eyes of the thinker. There was
something about it of the dirt which is on the point of being swept out,
and something of the majesty which is on the point of being decapitated.
As we have said, at night, its aspect changed. Night is the real element
of everything that is dark. As soon as twilight descended, the old
elephant became transfigured; he assumed a tranquil and redoubtable
appearance in the formidable serenity of the shadows. Being of the past,
he belonged to night; and obscurity was in keeping with his grandeur.

This rough, squat, heavy, hard, austere, almost misshapen, but assuredly
majestic monument, stamped with a sort of magnificent and savage
gravity, has disappeared, and left to reign in peace, a sort of gigantic
stove, ornamented with its pipe, which has replaced the sombre fortress
with its nine towers, very much as the bourgeoisie replaces the feudal
classes. It is quite natural that a stove should be the symbol of an
epoch in which a pot contains power. This epoch will pass away, people
have already begun to understand that, if there can be force in a
boiler, there can be no force except in the brain; in other words,
that which leads and drags on the world, is not locomotives, but ideas.
Harness locomotives to ideas,--that is well done; but do not mistake the
horse for the rider.

At all events, to return to the Place de la Bastille, the architect
of this elephant succeeded in making a grand thing out of plaster; the
architect of the stove has succeeded in making a pretty thing out of
bronze.

This stove-pipe, which has been baptized by a sonorous name, and called
the column of July, this monument of a revolution that miscarried,
was still enveloped in 1832, in an immense shirt of woodwork, which we
regret, for our part, and by a vast plank enclosure, which completed the
task of isolating the elephant.

It was towards this corner of the place, dimly lighted by the reflection
of a distant street lamp, that the gamin guided his two "brats."

The reader must permit us to interrupt ourselves here and to remind him
that we are dealing with simple reality, and that twenty years ago, the
tribunals were called upon to judge, under the charge of vagabondage,
and mutilation of a public monument, a child who had been caught asleep
in this very elephant of the Bastille. This fact noted, we proceed.

On arriving in the vicinity of the colossus, Gavroche comprehended the
effect which the infinitely great might produce on the infinitely small,
and said:--

"Don't be scared, infants."

Then he entered through a gap in the fence into the elephant's enclosure
and helped the young ones to clamber through the breach. The two
children, somewhat frightened, followed Gavroche without uttering a
word, and confided themselves to this little Providence in rags which
had given them bread and had promised them a shelter.

There, extended along the fence, lay a ladder which by day served
the laborers in the neighboring timber-yard. Gavroche raised it with
remarkable vigor, and placed it against one of the elephant's forelegs.
Near the point where the ladder ended, a sort of black hole in the belly
of the colossus could be distinguished.

Gavroche pointed out the ladder and the hole to his guests, and said to
them:--

"Climb up and go in."

The two little boys exchanged terrified glances.

"You're afraid, brats!" exclaimed Gavroche.

And he added:--

"You shall see!"

He clasped the rough leg of the elephant, and in a twinkling, without
deigning to make use of the ladder, he had reached the aperture. He
entered it as an adder slips through a crevice, and disappeared within,
and an instant later, the two children saw his head, which looked pale,
appear vaguely, on the edge of the shadowy hole, like a wan and whitish
spectre.

"Well!" he exclaimed, "climb up, young 'uns! You'll see how snug it is
here! Come up, you!" he said to the elder, "I'll lend you a hand."

The little fellows nudged each other, the gamin frightened and inspired
them with confidence at one and the same time, and then, it was raining
very hard. The elder one undertook the risk. The younger, on seeing his
brother climbing up, and himself left alone between the paws of this
huge beast, felt greatly inclined to cry, but he did not dare.

The elder lad climbed, with uncertain steps, up the rungs of the ladder;
Gavroche, in the meanwhile, encouraging him with exclamations like a
fencing-master to his pupils, or a muleteer to his mules.

"Don't be afraid!--That's it!--Come on!--Put your feet there!--Give us
your hand here!--Boldly!"

And when the child was within reach, he seized him suddenly and
vigorously by the arm, and pulled him towards him.

"Nabbed!" said he.

The brat had passed through the crack.

"Now," said Gavroche, "wait for me. Be so good as to take a seat,
Monsieur."

And making his way out of the hole as he had entered it, he slipped down
the elephant's leg with the agility of a monkey, landed on his feet in
the grass, grasped the child of five round the body, and planted him
fairly in the middle of the ladder, then he began to climb up behind
him, shouting to the elder:--

"I'm going to boost him, do you tug."

And in another instant, the small lad was pushed, dragged, pulled,
thrust, stuffed into the hole, before he had time to recover himself,
and Gavroche, entering behind him, and repulsing the ladder with a kick
which sent it flat on the grass, began to clap his hands and to cry:--

"Here we are! Long live General Lafayette!"

This explosion over, he added:--

"Now, young 'uns, you are in my house."

Gavroche was at home, in fact.

Oh, unforeseen utility of the useless! Charity of great things! Goodness
of giants! This huge monument, which had embodied an idea of the
Emperor's, had become the box of a street urchin. The brat had been
accepted and sheltered by the colossus. The bourgeois decked out in
their Sunday finery who passed the elephant of the Bastille, were fond
of saying as they scanned it disdainfully with their prominent eyes:
"What's the good of that?" It served to save from the cold, the frost,
the hail, and rain, to shelter from the winds of winter, to preserve
from slumber in the mud which produces fever, and from slumber in the
snow which produces death, a little being who had no father, no mother,
no bread, no clothes, no refuge. It served to receive the innocent whom
society repulsed. It served to diminish public crime. It was a lair
open to one against whom all doors were shut. It seemed as though the
miserable old mastodon, invaded by vermin and oblivion, covered with
warts, with mould, and ulcers, tottering, worm-eaten, abandoned,
condemned, a sort of mendicant colossus, asking alms in vain with a
benevolent look in the midst of the cross-roads, had taken pity on that
other mendicant, the poor pygmy, who roamed without shoes to his feet,
without a roof over his head, blowing on his fingers, clad in rags, fed
on rejected scraps. That was what the elephant of the Bastille was good
for. This idea of Napoleon, disdained by men, had been taken back by
God. That which had been merely illustrious, had become august. In order
to realize his thought, the Emperor should have had porphyry, brass,
iron, gold, marble; the old collection of planks, beams and plaster
sufficed for God. The Emperor had had the dream of a genius; in that
Titanic elephant, armed, prodigious, with trunk uplifted, bearing its
tower and scattering on all sides its merry and vivifying waters, he
wished to incarnate the people. God had done a grander thing with it, he
had lodged a child there.

The hole through which Gavroche had entered was a breach which was
hardly visible from the outside, being concealed, as we have stated,
beneath the elephant's belly, and so narrow that it was only cats and
homeless children who could pass through it.

"Let's begin," said Gavroche, "by telling the porter that we are not at
home."

And plunging into the darkness with the assurance of a person who is
well acquainted with his apartments, he took a plank and stopped up the
aperture.

Again Gavroche plunged into the obscurity. The children heard the
crackling of the match thrust into the phosphoric bottle. The chemical
match was not yet in existence; at that epoch the Fumade steel
represented progress.

A sudden light made them blink; Gavroche had just managed to ignite one
of those bits of cord dipped in resin which are called cellar rats. The
cellar rat, which emitted more smoke than light, rendered the interior
of the elephant confusedly visible.

Gavroche's two guests glanced about them, and the sensation which they
experienced was something like that which one would feel if shut up in
the great tun of Heidelberg, or, better still, like what Jonah must have
felt in the biblical belly of the whale. An entire and gigantic skeleton
appeared enveloping them. Above, a long brown beam, whence started at
regular distances, massive, arching ribs, represented the vertebral
column with its sides, stalactites of plaster depended from them like
entrails, and vast spiders' webs stretching from side to side, formed
dirty diaphragms. Here and there, in the corners, were visible large
blackish spots which had the appearance of being alive, and which
changed places rapidly with an abrupt and frightened movement.

Fragments which had fallen from the elephant's back into his belly had
filled up the cavity, so that it was possible to walk upon it as on a
floor.

The smaller child nestled up against his brother, and whispered to
him:--

"It's black."

This remark drew an exclamation from Gavroche. The petrified air of the
two brats rendered some shock necessary.

"What's that you are gabbling about there?" he exclaimed. "Are
you scoffing at me? Are you turning up your noses? Do you want the
tuileries? Are you brutes? Come, say! I warn you that I don't belong to
the regiment of simpletons. Ah, come now, are you brats from the Pope's
establishment?"

A little roughness is good in cases of fear. It is reassuring. The two
children drew close to Gavroche.

Gavroche, paternally touched by this confidence, passed from grave to
gentle, and addressing the smaller:--

"Stupid," said he, accenting the insulting word, with a caressing
intonation, "it's outside that it is black. Outside it's raining, here
it does not rain; outside it's cold, here there's not an atom of wind;
outside there are heaps of people, here there's no one; outside there
ain't even the moon, here there's my candle, confound it!"

The two children began to look upon the apartment with less terror; but
Gavroche allowed them no more time for contemplation.

"Quick," said he.

And he pushed them towards what we are very glad to be able to call the
end of the room.

There stood his bed.

Gavroche's bed was complete; that is to say, it had a mattress, a
blanket, and an alcove with curtains.

The mattress was a straw mat, the blanket a rather large strip of
gray woollen stuff, very warm and almost new. This is what the alcove
consisted of:--

Three rather long poles, thrust into and consolidated, with the rubbish
which formed the floor, that is to say, the belly of the elephant, two
in front and one behind, and united by a rope at their summits, so as to
form a pyramidal bundle. This cluster supported a trellis-work of brass
wire which was simply placed upon it, but artistically applied, and held
by fastenings of iron wire, so that it enveloped all three holes. A row
of very heavy stones kept this network down to the floor so that nothing
could pass under it. This grating was nothing else than a piece of the
brass screens with which aviaries are covered in menageries. Gavroche's
bed stood as in a cage, behind this net. The whole resembled an
Esquimaux tent.

This trellis-work took the place of curtains.

Gavroche moved aside the stones which fastened the net down in front,
and the two folds of the net which lapped over each other fell apart.

"Down on all fours, brats!" said Gavroche.

He made his guests enter the cage with great precaution, then he crawled
in after them, pulled the stones together, and closed the opening
hermetically again.

All three had stretched out on the mat. Gavroche still had the cellar
rat in his hand.

"Now," said he, "go to sleep! I'm going to suppress the candelabra."

"Monsieur," the elder of the brothers asked Gavroche, pointing to the
netting, "what's that for?"

"That," answered Gavroche gravely, "is for the rats. Go to sleep!"

Nevertheless, he felt obliged to add a few words of instruction for the
benefit of these young creatures, and he continued:--

"It's a thing from the Jardin des Plantes. It's used for fierce animals.
There's a whole shopful of them there. All you've got to do is to climb
over a wall, crawl through a window, and pass through a door. You can
get as much as you want."

As he spoke, he wrapped the younger one up bodily in a fold of the
blanket, and the little one murmured:--

"Oh! how good that is! It's warm!"

Gavroche cast a pleased eye on the blanket.

"That's from the Jardin des Plantes, too," said he. "I took that from
the monkeys."

And, pointing out to the eldest the mat on which he was lying, a very
thick and admirably made mat, he added:--

"That belonged to the giraffe."

After a pause he went on:--

"The beasts had all these things. I took them away from them. It didn't
trouble them. I told them: 'It's for the elephant.'"

He paused, and then resumed:--

"You crawl over the walls and you don't care a straw for the government.
So there now!"

The two children gazed with timid and stupefied respect on this
intrepid and ingenious being, a vagabond like themselves, isolated
like themselves, frail like themselves, who had something admirable
and all-powerful about him, who seemed supernatural to them, and whose
physiognomy was composed of all the grimaces of an old mountebank,
mingled with the most ingenuous and charming smiles.

"Monsieur," ventured the elder timidly, "you are not afraid of the
police, then?"

Gavroche contented himself with replying:--

"Brat! Nobody says 'police,' they say 'bobbies.'"

The smaller had his eyes wide open, but he said nothing. As he was on
the edge of the mat, the elder being in the middle, Gavroche tucked the
blanket round him as a mother might have done, and heightened the mat
under his head with old rags, in such a way as to form a pillow for the
child. Then he turned to the elder:--

"Hey! We're jolly comfortable here, ain't we?"

"Ah, yes!" replied the elder, gazing at Gavroche with the expression of
a saved angel.

The two poor little children who had been soaked through, began to grow
warm once more.

"Ah, by the way," continued Gavroche, "what were you bawling about?"

And pointing out the little one to his brother:--

"A mite like that, I've nothing to say about, but the idea of a big
fellow like you crying! It's idiotic; you looked like a calf."

"Gracious," replied the child, "we have no lodging."

"Bother!" retorted Gavroche, "you don't say 'lodgings,' you say 'crib.'"

"And then, we were afraid of being alone like that at night."

"You don't say 'night,' you say 'darkmans.'"

"Thank you, sir," said the child.

"Listen," went on Gavroche, "you must never bawl again over anything.
I'll take care of you. You shall see what fun we'll have. In summer,
we'll go to the Glaciere with Navet, one of my pals, we'll bathe in
the Gare, we'll run stark naked in front of the rafts on the bridge at
Austerlitz,--that makes the laundresses raging. They scream, they get
mad, and if you only knew how ridiculous they are! We'll go and see the
man-skeleton. And then I'll take you to the play. I'll take you to see
Frederick Lemaitre. I have tickets, I know some of the actors, I even
played in a piece once. There were a lot of us fellers, and we ran
under a cloth, and that made the sea. I'll get you an engagement at my
theatre. We'll go to see the savages. They ain't real, those savages
ain't. They wear pink tights that go all in wrinkles, and you can see
where their elbows have been darned with white. Then, we'll go to the
Opera. We'll get in with the hired applauders. The Opera claque is well
managed. I wouldn't associate with the claque on the boulevard. At the
Opera, just fancy! some of them pay twenty sous, but they're ninnies.
They're called dishclouts. And then we'll go to see the guillotine work.
I'll show you the executioner. He lives in the Rue des Marais. Monsieur
Sanson. He has a letter-box at his door. Ah! we'll have famous fun!"

At that moment a drop of wax fell on Gavroche's finger, and recalled him
to the realities of life.

"The deuce!" said he, "there's the wick giving out. Attention! I can't
spend more than a sou a month on my lighting. When a body goes to bed,
he must sleep. We haven't the time to read M. Paul de Kock's
romances. And besides, the light might pass through the cracks of the
porte-cochere, and all the bobbies need to do is to see it."

"And then," remarked the elder timidly,--he alone dared talk to
Gavroche, and reply to him, "a spark might fall in the straw, and we
must look out and not burn the house down."

"People don't say 'burn the house down,'" remarked Gavroche, "they say
'blaze the crib.'"

The storm increased in violence, and the heavy downpour beat upon the
back of the colossus amid claps of thunder. "You're taken in, rain!"
said Gavroche. "It amuses me to hear the decanter run down the legs of
the house. Winter is a stupid; it wastes its merchandise, it loses
its labor, it can't wet us, and that makes it kick up a row, old
water-carrier that it is."

This allusion to the thunder, all the consequences of which Gavroche, in
his character of a philosopher of the nineteenth century, accepted, was
followed by a broad flash of lightning, so dazzling that a hint of it
entered the belly of the elephant through the crack. Almost at the same
instant, the thunder rumbled with great fury. The two little creatures
uttered a shriek, and started up so eagerly that the network came near
being displaced, but Gavroche turned his bold face to them, and took
advantage of the clap of thunder to burst into a laugh.

"Calm down, children. Don't topple over the edifice. That's fine,
first-class thunder; all right. That's no slouch of a streak of
lightning. Bravo for the good God! Deuce take it! It's almost as good as
it is at the Ambigu."

That said, he restored order in the netting, pushed the two children
gently down on the bed, pressed their knees, in order to stretch them
out at full length, and exclaimed:--

"Since the good God is lighting his candle, I can blow out mine. Now,
babes, now, my young humans, you must shut your peepers. It's very bad
not to sleep. It'll make you swallow the strainer, or, as they say, in
fashionable society, stink in the gullet. Wrap yourself up well in the
hide! I'm going to put out the light. Are you ready?"

"Yes," murmured the elder, "I'm all right. I seem to have feathers under
my head."

"People don't say 'head,'" cried Gavroche, "they say 'nut'."

The two children nestled close to each other, Gavroche finished
arranging them on the mat, drew the blanket up to their very ears, then
repeated, for the third time, his injunction in the hieratical tongue:--

"Shut your peepers!"

And he snuffed out his tiny light.

Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.

It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.

The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--

"Sir?"

"Hey?" said Gavroche, who had just closed his eyes.

"What is that?"

"It's the rats," replied Gavroche.

And he laid his head down on the mat again.

The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.

Still the little one could not sleep.

"Sir?" he began again.

"Hey?" said Gavroche.

"What are rats?"

"They are mice."

This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.

"Sir?"

"Hey?" said Gavroche again.

"Why don't you have a cat?"

"I did have one," replied Gavroche, "I brought one here, but they ate
her."

This second explanation undid the work of the first, and the little
fellow began to tremble again.

The dialogue between him and Gavroche began again for the fourth time:--

"Monsieur?"

"Hey?"

"Who was it that was eaten?"

"The cat."

"And who ate the cat?"

"The rats."

"The mice?"

"Yes, the rats."

The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--

"Sir, would those mice eat us?"

"Wouldn't they just!" ejaculated Gavroche.

The child's terror had reached its climax. But Gavroche added:--

"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!"

At the same time Gavroche grasped the little fellow's hand across his
brother. The child pressed the hand close to him, and felt reassured.
Courage and strength have these mysterious ways of communicating
themselves. Silence reigned round them once more, the sound of their
voices had frightened off the rats; at the expiration of a few minutes,
they came raging back, but in vain, the three little fellows were fast
asleep and heard nothing more.

The hours of the night fled away. Darkness covered the vast Place de la
Bastille. A wintry gale, which mingled with the rain, blew in gusts, the
patrol searched all the doorways, alleys, enclosures, and obscure nooks,
and in their search for nocturnal vagabonds they passed in silence
before the elephant; the monster, erect, motionless, staring open-eyed
into the shadows, had the appearance of dreaming happily over his good
deed; and sheltered from heaven and from men the three poor sleeping
children.

In order to understand what is about to follow, the reader must
remember, that, at that epoch, the Bastille guard-house was situated at
the other end of the square, and that what took place in the vicinity of
the elephant could neither be seen nor heard by the sentinel.

Towards the end of that hour which immediately precedes the dawn, a
man turned from the Rue Saint-Antoine at a run, made the circuit of the
enclosure of the column of July, and glided between the palings until he
was underneath the belly of the elephant. If any light had illuminated
that man, it might have been divined from the thorough manner in which
he was soaked that he had passed the night in the rain. Arrived beneath
the elephant, he uttered a peculiar cry, which did not belong to any
human tongue, and which a paroquet alone could have imitated. Twice he
repeated this cry, of whose orthography the following barely conveys an
idea:--

"Kirikikiou!"

At the second cry, a clear, young, merry voice responded from the belly
of the elephant:--

"Yes!"

Almost immediately, the plank which closed the hole was drawn aside,
and gave passage to a child who descended the elephant's leg, and fell
briskly near the man. It was Gavroche. The man was Montparnasse.

As for his cry of Kirikikiou,--that was, doubtless, what the child had
meant, when he said:--

"You will ask for Monsieur Gavroche."

On hearing it, he had waked with a start, had crawled out of his
"alcove," pushing apart the netting a little, and carefully drawing it
together again, then he had opened the trap, and descended.

The man and the child recognized each other silently amid the gloom:
Montparnasse confined himself to the remark:--

"We need you. Come, lend us a hand."

The lad asked for no further enlightenment.

"I'm with you," said he.

And both took their way towards the Rue Saint-Antoine, whence
Montparnasse had emerged, winding rapidly through the long file of
market-gardeners' carts which descend towards the markets at that hour.

The market-gardeners, crouching, half-asleep, in their wagons, amid the
salads and vegetables, enveloped to their very eyes in their mufflers
on account of the beating rain, did not even glance at these strange
pedestrians.




CHAPTER III--THE VICISSITUDES OF FLIGHT

This is what had taken place that same night at the La Force:--

An escape had been planned between Babet, Brujon, Guelemer, and
Thenardier, although Thenardier was in close confinement. Babet had
arranged the matter for his own benefit, on the same day, as the reader
has seen from Montparnasse's account to Gavroche. Montparnasse was to
help them from outside.

Brujon, after having passed a month in the punishment cell, had had
time, in the first place, to weave a rope, in the second, to mature a
plan. In former times, those severe places where the discipline of the
prison delivers the convict into his own hands, were composed of four
stone walls, a stone ceiling, a flagged pavement, a camp bed, a grated
window, and a door lined with iron, and were called dungeons; but the
dungeon was judged to be too terrible; nowadays they are composed of an
iron door, a grated window, a camp bed, a flagged pavement, four stone
walls, and a stone ceiling, and are called chambers of punishment. A
little light penetrates towards mid-day. The inconvenient point about
these chambers which, as the reader sees, are not dungeons, is that they
allow the persons who should be at work to think.

So Brujon meditated, and he emerged from the chamber of punishment with
a rope. As he had the name of being very dangerous in the Charlemagne
courtyard, he was placed in the New Building. The first thing he found
in the New Building was Guelemer, the second was a nail; Guelemer, that
is to say, crime; a nail, that is to say, liberty. Brujon, of whom it
is high time that the reader should have a complete idea, was, with an
appearance of delicate health and a profoundly premeditated languor, a
polished, intelligent sprig, and a thief, who had a caressing glance,
and an atrocious smile. His glance resulted from his will, and his
smile from his nature. His first studies in his art had been directed
to roofs. He had made great progress in the industry of the men who tear
off lead, who plunder the roofs and despoil the gutters by the process
called double pickings.

The circumstance which put the finishing touch on the moment peculiarly
favorable for an attempt at escape, was that the roofers were re-laying
and re-jointing, at that very moment, a portion of the slates on the
prison. The Saint-Bernard courtyard was no longer absolutely isolated
from the Charlemagne and the Saint-Louis courts. Up above there were
scaffoldings and ladders; in other words, bridges and stairs in the
direction of liberty.

The New Building, which was the most cracked and decrepit thing to be
seen anywhere in the world, was the weak point in the prison. The walls
were eaten by saltpetre to such an extent that the authorities had been
obliged to line the vaults of the dormitories with a sheathing of wood,
because stones were in the habit of becoming detached and falling on
the prisoners in their beds. In spite of this antiquity, the authorities
committed the error of confining in the New Building the most
troublesome prisoners, of placing there "the hard cases," as they say in
prison parlance.

The New Building contained four dormitories, one above the other, and a
top story which was called the Bel-Air (Fine Air). A large chimney-flue,
probably from some ancient kitchen of the Dukes de la Force, started
from the groundfloor, traversed all four stories, cut the dormitories,
where it figured as a flattened pillar, into two portions, and finally
pierced the roof.

Guelemer and Brujon were in the same dormitory. They had been placed, by
way of precaution, on the lower story. Chance ordained that the heads of
their beds should rest against the chimney.

Thenardier was directly over their heads in the top story known as
Fine-Air. The pedestrian who halts on the Rue Culture-Sainte-Catherine,
after passing the barracks of the firemen, in front of the porte-cochere
of the bathing establishment, beholds a yard full of flowers and shrubs
in wooden boxes, at the extremity of which spreads out a little white
rotunda with two wings, brightened up with green shutters, the bucolic
dream of Jean Jacques.

Not more than ten years ago, there rose above that rotunda an enormous
black, hideous, bare wall by which it was backed up.

This was the outer wall of La Force.

This wall, beside that rotunda, was Milton viewed through Berquin.

Lofty as it was, this wall was overtopped by a still blacker roof, which
could be seen beyond. This was the roof of the New Building. There
one could descry four dormer-windows, guarded with bars; they were the
windows of the Fine-Air.

A chimney pierced the roof; this was the chimney which traversed the
dormitories.

The Bel-Air, that top story of the New Building, was a sort of large
hall, with a Mansard roof, guarded with triple gratings and double doors
of sheet iron, which were studded with enormous bolts. When one entered
from the north end, one had on one's left the four dormer-windows, on
one's right, facing the windows, at regular intervals, four square,
tolerably vast cages, separated by narrow passages, built of masonry
to about the height of the elbow, and the rest, up to the roof, of iron
bars.

Thenardier had been in solitary confinement in one of these cages since
the night of the 3d of February. No one was ever able to discover how,
and by what connivance, he succeeded in procuring, and secreting a
bottle of wine, invented, so it is said, by Desrues, with which
a narcotic is mixed, and which the band of the Endormeurs, or
Sleep-compellers, rendered famous.

There are, in many prisons, treacherous employees, half-jailers,
half-thieves, who assist in escapes, who sell to the police an
unfaithful service, and who turn a penny whenever they can.

On that same night, then, when Little Gavroche picked up the two lost
children, Brujon and Guelemer, who knew that Babet, who had escaped that
morning, was waiting for them in the street as well as Montparnasse,
rose softly, and with the nail which Brujon had found, began to pierce
the chimney against which their beds stood. The rubbish fell on Brujon's
bed, so that they were not heard. Showers mingled with thunder shook
the doors on their hinges, and created in the prison a terrible and
opportune uproar. Those of the prisoners who woke, pretended to fall
asleep again, and left Guelemer and Brujon to their own devices. Brujon
was adroit; Guelemer was vigorous. Before any sound had reached the
watcher, who was sleeping in the grated cell which opened into the
dormitory, the wall had, been pierced, the chimney scaled, the iron
grating which barred the upper orifice of the flue forced, and the two
redoubtable ruffians were on the roof. The wind and rain redoubled, the
roof was slippery.

"What a good night to leg it!" said Brujon.

An abyss six feet broad and eighty feet deep separated them from the
surrounding wall. At the bottom of this abyss, they could see the musket
of a sentinel gleaming through the gloom. They fastened one end of the
rope which Brujon had spun in his dungeon to the stumps of the iron bars
which they had just wrenched off, flung the other over the outer wall,
crossed the abyss at one bound, clung to the coping of the wall, got
astride of it, let themselves slip, one after the other, along the rope,
upon a little roof which touches the bath-house, pulled their rope after
them, jumped down into the courtyard of the bath-house, traversed it,
pushed open the porter's wicket, beside which hung his rope, pulled
this, opened the porte-cochere, and found themselves in the street.

Three-quarters of an hour had not elapsed since they had risen in bed in
the dark, nail in hand, and their project in their heads.

A few moments later they had joined Babet and Montparnasse, who were
prowling about the neighborhood.

They had broken their rope in pulling it after them, and a bit of it
remained attached to the chimney on the roof. They had sustained no
other damage, however, than that of scratching nearly all the skin off
their hands.

That night, Thenardier was warned, without any one being able to explain
how, and was not asleep.

Towards one o'clock in the morning, the night being very dark, he saw
two shadows pass along the roof, in the rain and squalls, in front of
the dormer-window which was opposite his cage. One halted at the window,
long enough to dart in a glance. This was Brujon.

Thenardier recognized him, and understood. This was enough.

Thenardier, rated as a burglar, and detained as a measure of precaution
under the charge of organizing a nocturnal ambush, with armed force, was
kept in sight. The sentry, who was relieved every two hours, marched
up and down in front of his cage with loaded musket. The Fine-Air was
lighted by a skylight. The prisoner had on his feet fetters weighing
fifty pounds. Every day, at four o'clock in the afternoon, a jailer,
escorted by two dogs,--this was still in vogue at that time,--entered
his cage, deposited beside his bed a loaf of black bread weighing two
pounds, a jug of water, a bowl filled with rather thin bouillon, in
which swam a few Mayagan beans, inspected his irons and tapped the bars.
This man and his dogs made two visits during the night.

Thenardier had obtained permission to keep a sort of iron bolt which he
used to spike his bread into a crack in the wall, "in order to preserve
it from the rats," as he said. As Thenardier was kept in sight,
no objection had been made to this spike. Still, it was remembered
afterwards, that one of the jailers had said: "It would be better to let
him have only a wooden spike."

At two o'clock in the morning, the sentinel, who was an old soldier, was
relieved, and replaced by a conscript. A few moments later, the man with
the dogs paid his visit, and went off without noticing anything, except,
possibly, the excessive youth and "the rustic air" of the "raw recruit."
Two hours afterwards, at four o'clock, when they came to relieve the
conscript, he was found asleep on the floor, lying like a log near
Thenardier's cage. As for Thenardier, he was no longer there. There was
a hole in the ceiling of his cage, and, above it, another hole in the
roof. One of the planks of his bed had been wrenched off, and probably
carried away with him, as it was not found. They also seized in his cell
a half-empty bottle which contained the remains of the stupefying wine
with which the soldier had been drugged. The soldier's bayonet had
disappeared.

At the moment when this discovery was made, it was assumed that
Thenardier was out of reach. The truth is, that he was no longer in the
New Building, but that he was still in great danger.

Thenardier, on reaching the roof of the New Building, had found the
remains of Brujon's rope hanging to the bars of the upper trap of the
chimney, but, as this broken fragment was much too short, he had not
been able to escape by the outer wall, as Brujon and Guelemer had done.

When one turns from the Rue des Ballets into the Rue du Roi-de-Sicile,
one almost immediately encounters a repulsive ruin. There stood on
that spot, in the last century, a house of which only the back wall now
remains, a regular wall of masonry, which rises to the height of the
third story between the adjoining buildings. This ruin can be recognized
by two large square windows which are still to be seen there; the middle
one, that nearest the right gable, is barred with a worm-eaten beam
adjusted like a prop. Through these windows there was formerly visible a
lofty and lugubrious wall, which was a fragment of the outer wall of La
Force.

The empty space on the street left by the demolished house is
half-filled by a fence of rotten boards, shored up by five stone posts.
In this recess lies concealed a little shanty which leans against the
portion of the ruin which has remained standing. The fence has a gate,
which, a few years ago, was fastened only by a latch.

It was the crest of this ruin that Thenardier had succeeded in reaching,
a little after one o'clock in the morning.

How had he got there? That is what no one has ever been able to explain
or understand. The lightning must, at the same time, have hindered
and helped him. Had he made use of the ladders and scaffoldings of the
slaters to get from roof to roof, from enclosure to enclosure, from
compartment to compartment, to the buildings of the Charlemagne court,
then to the buildings of the Saint-Louis court, to the outer wall, and
thence to the hut on the Rue du Roi-de-Sicile? But in that itinerary
there existed breaks which seemed to render it an impossibility. Had
he placed the plank from his bed like a bridge from the roof of the
Fine-Air to the outer wall, and crawled flat, on his belly on the coping
of the outer wall the whole distance round the prison as far as the hut?
But the outer wall of La Force formed a crenellated and unequal line;
it mounted and descended, it dropped at the firemen's barracks, it rose
towards the bath-house, it was cut in twain by buildings, it was not
even of the same height on the Hotel Lamoignon as on the Rue Pavee;
everywhere occurred falls and right angles; and then, the sentinels must
have espied the dark form of the fugitive; hence, the route taken by
Thenardier still remains rather inexplicable. In two manners, flight was
impossible. Had Thenardier, spurred on by that thirst for liberty which
changes precipices into ditches, iron bars into wattles of osier, a
legless man into an athlete, a gouty man into a bird, stupidity into
instinct, instinct into intelligence, and intelligence into genius, had
Thenardier invented a third mode? No one has ever found out.

The marvels of escape cannot always be accounted for. The man who makes
his escape, we repeat, is inspired; there is something of the star and
of the lightning in the mysterious gleam of flight; the effort towards
deliverance is no less surprising than the flight towards the sublime,
and one says of the escaped thief: "How did he contrive to scale that
wall?" in the same way that one says of Corneille: "Where did he find
the means of dying?"

At all events, dripping with perspiration, drenched with rain, with his
clothes hanging in ribbons, his hands flayed, his elbows bleeding, his
knees torn, Thenardier had reached what children, in their figurative
language, call the edge of the wall of the ruin, there he had stretched
himself out at full length, and there his strength had failed him. A
steep escarpment three stories high separated him from the pavement of
the street.

The rope which he had was too short.

There he waited, pale, exhausted, desperate with all the despair which
he had undergone, still hidden by the night, but telling himself that
the day was on the point of dawning, alarmed at the idea of hearing the
neighboring clock of Saint-Paul strike four within a few minutes, an
hour when the sentinel was relieved and when the latter would be found
asleep under the pierced roof, staring in horror at a terrible depth, at
the light of the street lanterns, the wet, black pavement, that pavement
longed for yet frightful, which meant death, and which meant liberty.

He asked himself whether his three accomplices in flight had succeeded,
if they had heard him, and if they would come to his assistance. He
listened. With the exception of the patrol, no one had passed through
the street since he had been there. Nearly the whole of the descent of
the market-gardeners from Montreuil, from Charonne, from Vincennes,
and from Bercy to the markets was accomplished through the Rue
Saint-Antoine.

Four o'clock struck. Thenardier shuddered. A few moments later, that
terrified and confused uproar which follows the discovery of an escape
broke forth in the prison. The sound of doors opening and shutting, the
creaking of gratings on their hinges, a tumult in the guard-house, the
hoarse shouts of the turnkeys, the shock of musket-butts on the pavement
of the courts, reached his ears. Lights ascended and descended past the
grated windows of the dormitories, a torch ran along the ridge-pole of
the top story of the New Building, the firemen belonging in the barracks
on the right had been summoned. Their helmets, which the torch lighted
up in the rain, went and came along the roofs. At the same time,
Thenardier perceived in the direction of the Bastille a wan whiteness
lighting up the edge of the sky in doleful wise.

He was on top of a wall ten inches wide, stretched out under the heavy
rains, with two gulfs to right and left, unable to stir, subject to the
giddiness of a possible fall, and to the horror of a certain arrest,
and his thoughts, like the pendulum of a clock, swung from one of these
ideas to the other: "Dead if I fall, caught if I stay." In the midst of
this anguish, he suddenly saw, the street being still dark, a man who
was gliding along the walls and coming from the Rue Pavee, halt in the
recess above which Thenardier was, as it were, suspended. Here this
man was joined by a second, who walked with the same caution, then by
a third, then by a fourth. When these men were re-united, one of them
lifted the latch of the gate in the fence, and all four entered
the enclosure in which the shanty stood. They halted directly under
Thenardier. These men had evidently chosen this vacant space in order
that they might consult without being seen by the passers-by or by the
sentinel who guards the wicket of La Force a few paces distant. It
must be added, that the rain kept this sentinel blocked in his box.
Thenardier, not being able to distinguish their visages, lent an ear to
their words with the desperate attention of a wretch who feels himself
lost.

Thenardier saw something resembling a gleam of hope flash before his
eyes,--these men conversed in slang.

The first said in a low but distinct voice:--

"Let's cut. What are we up to here?"

The second replied: "It's raining hard enough to put out the very
devil's fire. And the bobbies will be along instanter. There's a soldier
on guard yonder. We shall get nabbed here."

These two words, icigo and icicaille, both of which mean ici, and which
belong, the first to the slang of the barriers, the second to the slang
of the Temple, were flashes of light for Thenardier. By the icigo he
recognized Brujon, who was a prowler of the barriers, by the icicaille
he knew Babet, who, among his other trades, had been an old-clothes
broker at the Temple.

The antique slang of the great century is no longer spoken except in
the Temple, and Babet was really the only person who spoke it in all
its purity. Had it not been for the icicaille, Thenardier would not have
recognized him, for he had entirely changed his voice.

In the meanwhile, the third man had intervened.

"There's no hurry yet, let's wait a bit. How do we know that he doesn't
stand in need of us?"

By this, which was nothing but French, Thenardier recognized
Montparnasse, who made it a point in his elegance to understand all
slangs and to speak none of them.

As for the fourth, he held his peace, but his huge shoulders betrayed
him. Thenardier did not hesitate. It was Guelemer.

Brujon replied almost impetuously but still in a low tone:--

"What are you jabbering about? The tavern-keeper hasn't managed to cut
his stick. He don't tumble to the racket, that he don't! You have to be
a pretty knowing cove to tear up your shirt, cut up your sheet to make
a rope, punch holes in doors, get up false papers, make false keys, file
your irons, hang out your cord, hide yourself, and disguise yourself!
The old fellow hasn't managed to play it, he doesn't understand how to
work the business."

Babet added, still in that classical slang which was spoken by
Poulailler and Cartouche, and which is to the bold, new, highly colored
and risky argot used by Brujon what the language of Racine is to the
language of Andre Chenier:--

"Your tavern-keeper must have been nabbed in the act. You have to be
knowing. He's only a greenhorn. He must have let himself be taken in
by a bobby, perhaps even by a sheep who played it on him as his pal.
Listen, Montparnasse, do you hear those shouts in the prison? You have
seen all those lights. He's recaptured, there! He'll get off with twenty
years. I ain't afraid, I ain't a coward, but there ain't anything more
to do, or otherwise they'd lead us a dance. Don't get mad, come with us,
let's go drink a bottle of old wine together."

"One doesn't desert one's friends in a scrape," grumbled Montparnasse.

"I tell you he's nabbed!" retorted Brujon. "At the present moment, the
inn-keeper ain't worth a ha'penny. We can't do nothing for him. Let's be
off. Every minute I think a bobby has got me in his fist."

Montparnasse no longer offered more than a feeble resistance; the fact
is, that these four men, with the fidelity of ruffians who never abandon
each other, had prowled all night long about La Force, great as was
their peril, in the hope of seeing Thenardier make his appearance on the
top of some wall. But the night, which was really growing too fine,--for
the downpour was such as to render all the streets deserted,--the cold
which was overpowering them, their soaked garments, their hole-ridden
shoes, the alarming noise which had just burst forth in the prison, the
hours which had elapsed, the patrol which they had encountered, the
hope which was vanishing, all urged them to beat a retreat. Montparnasse
himself, who was, perhaps, almost Thenardier's son-in-law, yielded. A
moment more, and they would be gone. Thenardier was panting on his wall
like the shipwrecked sufferers of the Meduse on their raft when they
beheld the vessel which had appeared in sight vanish on the horizon.

He dared not call to them; a cry might be heard and ruin everything. An
idea occurred to him, a last idea, a flash of inspiration; he drew from
his pocket the end of Brujon's rope, which he had detached from the
chimney of the New Building, and flung it into the space enclosed by the
fence.

This rope fell at their feet.

"A widow,"[37] said Babet.

"My tortouse!"[38] said Brujon.

"The tavern-keeper is there," said Montparnasse.

They raised their eyes. Thenardier thrust out his head a very little.

"Quick!" said Montparnasse, "have you the other end of the rope,
Brujon?"

"Yes."

"Knot the two pieces together, we'll fling him the rope, he can fasten
it to the wall, and he'll have enough of it to get down with."

Thenardier ran the risk, and spoke:--

"I am paralyzed with cold."

"We'll warm you up."

"I can't budge."

"Let yourself slide, we'll catch you."

"My hands are benumbed."

"Only fasten the rope to the wall."

"I can't."

"Then one of us must climb up," said Montparnasse.

"Three stories!" ejaculated Brujon.

An ancient plaster flue, which had served for a stove that had been used
in the shanty in former times, ran along the wall and mounted almost
to the very spot where they could see Thenardier. This flue, then much
damaged and full of cracks, has since fallen, but the marks of it are
still visible.

It was very narrow.

"One might get up by the help of that," said Montparnasse.

"By that flue?" exclaimed Babet, "a grown-up cove, never! it would take
a brat."

"A brat must be got," resumed Brujon.

"Where are we to find a young 'un?" said Guelemer.

"Wait," said Montparnasse. "I've got the very article."

He opened the gate of the fence very softly, made sure that no one was
passing along the street, stepped out cautiously, shut the gate behind
him, and set off at a run in the direction of the Bastille.

Seven or eight minutes elapsed, eight thousand centuries to Thenardier;
Babet, Brujon, and Guelemer did not open their lips; at last the gate
opened once more, and Montparnasse appeared, breathless, and followed by
Gavroche. The rain still rendered the street completely deserted.

Little Gavroche entered the enclosure and gazed at the forms of these
ruffians with a tranquil air. The water was dripping from his hair.
Guelemer addressed him:--

"Are you a man, young 'un?"

Gavroche shrugged his shoulders, and replied:--

"A young 'un like me's a man, and men like you are babes."

"The brat's tongue's well hung!" exclaimed Babet.

"The Paris brat ain't made of straw," added Brujon.

"What do you want?" asked Gavroche.

Montparnasse answered:--

"Climb up that flue."

"With this rope," said Babet.

"And fasten it," continued Brujon.

"To the top of the wall," went on Babet.

"To the cross-bar of the window," added Brujon.

"And then?" said Gavroche.

"There!" said Guelemer.

The gamin examined the rope, the flue, the wall, the windows, and made
that indescribable and disdainful noise with his lips which signifies:--

"Is that all!"

"There's a man up there whom you are to save," resumed Montparnasse.

"Will you?" began Brujon again.

"Greenhorn!" replied the lad, as though the question appeared a most
unprecedented one to him.

And he took off his shoes.

Guelemer seized Gavroche by one arm, set him on the roof of the shanty,
whose worm-eaten planks bent beneath the urchin's weight, and handed
him the rope which Brujon had knotted together during Montparnasse's
absence. The gamin directed his steps towards the flue, which it was
easy to enter, thanks to a large crack which touched the roof. At the
moment when he was on the point of ascending, Thenardier, who saw life
and safety approaching, bent over the edge of the wall; the first light
of dawn struck white upon his brow dripping with sweat, upon his livid
cheek-bones, his sharp and savage nose, his bristling gray beard, and
Gavroche recognized him.

"Hullo! it's my father! Oh, that won't hinder."

And taking the rope in his teeth, he resolutely began the ascent.

He reached the summit of the hut, bestrode the old wall as though it had
been a horse, and knotted the rope firmly to the upper cross-bar of the
window.

A moment later, Thenardier was in the street.

As soon as he touched the pavement, as soon as he found himself out
of danger, he was no longer either weary, or chilled or trembling; the
terrible things from which he had escaped vanished like smoke, all that
strange and ferocious mind awoke once more, and stood erect and free,
ready to march onward.

These were this man's first words:--

"Now, whom are we to eat?"

It is useless to explain the sense of this frightfully transparent
remark, which signifies both to kill, to assassinate, and to plunder. To
eat, true sense: to devour.

"Let's get well into a corner," said Brujon. "Let's settle it in three
words, and part at once. There was an affair that promised well in the
Rue Plumet, a deserted street, an isolated house, an old rotten gate on
a garden, and lone women."

"Well! why not?" demanded Thenardier.

"Your girl, Eponine, went to see about the matter," replied Babet.

"And she brought a biscuit to Magnon," added Guelemer. "Nothing to be
made there."

"The girl's no fool," said Thenardier. "Still, it must be seen to."

"Yes, yes," said Brujon, "it must be looked up."

In the meanwhile, none of the men seemed to see Gavroche, who, during
this colloquy, had seated himself on one of the fence-posts; he waited
a few moments, thinking that perhaps his father would turn towards him,
then he put on his shoes again, and said:--

"Is that all? You don't want any more, my men? Now you're out of your
scrape. I'm off. I must go and get my brats out of bed."

And off he went.

The five men emerged, one after another, from the enclosure.

When Gavroche had disappeared at the corner of the Rue des Ballets,
Babet took Thenardier aside.

"Did you take a good look at that young 'un?" he asked.

"What young 'un?"

"The one who climbed the wall and carried you the rope."

"Not particularly."

"Well, I don't know, but it strikes me that it was your son."

"Bah!" said Thenardier, "do you think so?"




BOOK SEVENTH.--SLANG

[Illustration: Slang b7-1-slang]




CHAPTER I--ORIGIN

Pigritia is a terrible word.

It engenders a whole world, la pegre, for which read theft, and a hell,
la pegrenne, for which read hunger.

Thus, idleness is the mother.

She has a son, theft, and a daughter, hunger.

Where are we at this moment? In the land of slang.

What is slang? It is at one and the same time, a nation and a dialect;
it is theft in its two kinds; people and language.

When, four and thirty years ago, the narrator of this grave and sombre
history introduced into a work written with the same aim as this[39] a
thief who talked argot, there arose amazement and clamor.--"What! How!
Argot! Why, argot is horrible! It is the language of prisons, galleys,
convicts, of everything that is most abominable in society!" etc., etc.

We have never understood this sort of objections.

Since that time, two powerful romancers, one of whom is a profound
observer of the human heart, the other an intrepid friend of the people,
Balzac and Eugene Sue, having represented their ruffians as talking
their natural language, as the author of The Last Day of a Condemned
Man did in 1828, the same objections have been raised. People repeated:
"What do authors mean by that revolting dialect? Slang is odious! Slang
makes one shudder!"

Who denies that? Of course it does.

When it is a question of probing a wound, a gulf, a society, since when
has it been considered wrong to go too far? to go to the bottom? We have
always thought that it was sometimes a courageous act, and, at least, a
simple and useful deed, worthy of the sympathetic attention which duty
accepted and fulfilled merits. Why should one not explore everything,
and study everything? Why should one halt on the way? The halt is a
matter depending on the sounding-line, and not on the leadsman.

Certainly, too, it is neither an attractive nor an easy task to
undertake an investigation into the lowest depths of the social order,
where terra firma comes to an end and where mud begins, to rummage in
those vague, murky waves, to follow up, to seize and to fling, still
quivering, upon the pavement that abject dialect which is dripping with
filth when thus brought to the light, that pustulous vocabulary each
word of which seems an unclean ring from a monster of the mire and the
shadows. Nothing is more lugubrious than the contemplation thus in
its nudity, in the broad light of thought, of the horrible swarming of
slang. It seems, in fact, to be a sort of horrible beast made for the
night which has just been torn from its cesspool. One thinks one beholds
a frightful, living, and bristling thicket which quivers, rustles,
wavers, returns to shadow, threatens and glares. One word resembles a
claw, another an extinguished and bleeding eye, such and such a phrase
seems to move like the claw of a crab. All this is alive with
the hideous vitality of things which have been organized out of
disorganization.

Now, when has horror ever excluded study? Since when has malady banished
medicine? Can one imagine a naturalist refusing to study the viper, the
bat, the scorpion, the centipede, the tarantula, and one who would
cast them back into their darkness, saying: "Oh! how ugly that is!" The
thinker who should turn aside from slang would resemble a surgeon
who should avert his face from an ulcer or a wart. He would be like
a philologist refusing to examine a fact in language, a philosopher
hesitating to scrutinize a fact in humanity. For, it must be stated
to those who are ignorant of the case, that argot is both a literary
phenomenon and a social result. What is slang, properly speaking? It is
the language of wretchedness.

We may be stopped; the fact may be put to us in general terms, which is
one way of attenuating it; we may be told, that all trades, professions,
it may be added, all the accidents of the social hierarchy and all
forms of intelligence, have their own slang. The merchant who says:
"Montpellier not active, Marseilles fine quality," the broker on 'change
who says: "Assets at end of current month," the gambler who says: "Tiers
et tout, refait de pique," the sheriff of the Norman Isles who says:
"The holder in fee reverting to his landed estate cannot claim the
fruits of that estate during the hereditary seizure of the real estate
by the mortgagor," the playwright who says: "The piece was hissed,"
the comedian who says: "I've made a hit," the philosopher who says:
"Phenomenal triplicity," the huntsman who says: "Voileci allais,
Voileci fuyant," the phrenologist who says: "Amativeness, combativeness,
secretiveness," the infantry soldier who says: "My shooting-iron," the
cavalry-man who says: "My turkey-cock," the fencing-master who says:
"Tierce, quarte, break," the printer who says: "My shooting-stick and
galley,"--all, printer, fencing-master, cavalry dragoon, infantry-man,
phrenologist, huntsman, philosopher, comedian, playwright, sheriff,
gambler, stock-broker, and merchant, speak slang. The painter who says:
"My grinder," the notary who says: "My Skip-the-Gutter," the hairdresser
who says: "My mealyback," the cobbler who says: "My cub," talks slang.
Strictly speaking, if one absolutely insists on the point, all the
different fashions of saying the right and the left, the sailor's port
and starboard, the scene-shifter's court-side, and garden-side, the
beadle's Gospel-side and Epistle-side, are slang. There is the slang of
the affected lady as well as of the precieuses. The Hotel Rambouillet
nearly adjoins the Cour des Miracles. There is a slang of duchesses,
witness this phrase contained in a love-letter from a very great lady
and a very pretty woman of the Restoration: "You will find in this
gossip a fultitude of reasons why I should libertize."[40] Diplomatic
ciphers are slang; the pontifical chancellery by using 26 for Rome,
grkztntgzyal for despatch, and abfxustgrnogrkzu tu XI. for the Due de
Modena, speaks slang. The physicians of the Middle Ages who, for
carrot, radish, and turnip, said Opoponach, perfroschinum,
reptitalmus, dracatholicum, angelorum, postmegorum, talked slang. The
sugar-manufacturer who says: "Loaf, clarified, lumps, bastard, common,
burnt,"--this honest manufacturer talks slang. A certain school of
criticism twenty years ago, which used to say: "Half of the works of
Shakespeare consists of plays upon words and puns,"--talked slang. The
poet, and the artist who, with profound understanding, would designate
M. de Montmorency as "a bourgeois," if he were not a judge of verses and
statues, speak slang. The classic Academician who calls flowers "Flora,"
fruits, "Pomona," the sea, "Neptune," love, "fires," beauty, "charms,"
a horse, "a courser," the white or tricolored cockade, "the rose of
Bellona," the three-cornered hat, "Mars' triangle,"--that classical
Academician talks slang. Algebra, medicine, botany, have each their
slang. The tongue which is employed on board ship, that wonderful
language of the sea, which is so complete and so picturesque, which was
spoken by Jean Bart, Duquesne, Suffren, and Duperre, which mingles with
the whistling of the rigging, the sound of the speaking-trumpets, the
shock of the boarding-irons, the roll of the sea, the wind, the gale,
the cannon, is wholly a heroic and dazzling slang, which is to the
fierce slang of the thieves what the lion is to the jackal.

No doubt. But say what we will, this manner of understanding the word
slang is an extension which every one will not admit. For our part,
we reserve to the word its ancient and precise, circumscribed and
determined significance, and we restrict slang to slang. The veritable
slang and the slang that is pre-eminently slang, if the two words can be
coupled thus, the slang immemorial which was a kingdom, is nothing
else, we repeat, than the homely, uneasy, crafty, treacherous, venomous,
cruel, equivocal, vile, profound, fatal tongue of wretchedness. There
exists, at the extremity of all abasement and all misfortunes, a last
misery which revolts and makes up its mind to enter into conflict
with the whole mass of fortunate facts and reigning rights; a fearful
conflict, where, now cunning, now violent, unhealthy and ferocious
at one and the same time, it attacks the social order with pin-pricks
through vice, and with club-blows through crime. To meet the needs of
this conflict, wretchedness has invented a language of combat, which is
slang.

To keep afloat and to rescue from oblivion, to hold above the gulf, were
it but a fragment of some language which man has spoken and which would,
otherwise, be lost, that is to say, one of the elements, good or bad, of
which civilization is composed, or by which it is complicated, to extend
the records of social observation; is to serve civilization itself. This
service Plautus rendered, consciously or unconsciously, by making two
Carthaginian soldiers talk Phoenician; that service Moliere rendered,
by making so many of his characters talk Levantine and all sorts of
dialects. Here objections spring up afresh. Phoenician, very good!
Levantine, quite right! Even dialect, let that pass! They are tongues
which have belonged to nations or provinces; but slang! What is the use
of preserving slang? What is the good of assisting slang "to survive"?

To this we reply in one word, only. Assuredly, if the tongue which a
nation or a province has spoken is worthy of interest, the language
which has been spoken by a misery is still more worthy of attention and
study.

It is the language which has been spoken, in France, for example, for
more than four centuries, not only by a misery, but by every possible
human misery.

And then, we insist upon it, the study of social deformities and
infirmities, and the task of pointing them out with a view to remedy,
is not a business in which choice is permitted. The historian of manners
and ideas has no less austere a mission than the historian of events.
The latter has the surface of civilization, the conflicts of crowns, the
births of princes, the marriages of kings, battles, assemblages, great
public men, revolutions in the daylight, everything on the exterior;
the other historian has the interior, the depths, the people who toil,
suffer, wait, the oppressed woman, the agonizing child, the secret war
between man and man, obscure ferocities, prejudices, plotted
iniquities, the subterranean, the indistinct tremors of multitudes, the
die-of-hunger, the counter-blows of the law, the secret evolution of
souls, the go-bare-foot, the bare-armed, the disinherited, the orphans,
the unhappy, and the infamous, all the forms which roam through the
darkness. He must descend with his heart full of charity, and severity
at the same time, as a brother and as a judge, to those impenetrable
casemates where crawl, pell-mell, those who bleed and those who deal the
blow, those who weep and those who curse, those who fast and those
who devour, those who endure evil and those who inflict it. Have these
historians of hearts and souls duties at all inferior to the historians
of external facts? Does any one think that Alighieri has any fewer
things to say than Machiavelli? Is the under side of civilization any
less important than the upper side merely because it is deeper and more
sombre? Do we really know the mountain well when we are not acquainted
with the cavern?

Let us say, moreover, parenthetically, that from a few words of what
precedes a marked separation might be inferred between the two classes
of historians which does not exist in our mind. No one is a good
historian of the patent, visible, striking, and public life of peoples,
if he is not, at the same time, in a certain measure, the historian
of their deep and hidden life; and no one is a good historian of the
interior unless he understands how, at need, to be the historian of the
exterior also. The history of manners and ideas permeates the history
of events, and this is true reciprocally. They constitute two different
orders of facts which correspond to each other, which are always
interlaced, and which often bring forth results. All the lineaments
which providence traces on the surface of a nation have their parallels,
sombre but distinct, in their depths, and all convulsions of the depths
produce ebullitions on the surface. True history being a mixture of all
things, the true historian mingles in everything.

Man is not a circle with a single centre; he is an ellipse with a double
focus. Facts form one of these, and ideas the other.

Slang is nothing but a dressing-room where the tongue having some
bad action to perform, disguises itself. There it clothes itself in
word-masks, in metaphor-rags. In this guise it becomes horrible.

One finds it difficult to recognize. Is it really the French tongue, the
great human tongue? Behold it ready to step upon the stage and to retort
upon crime, and prepared for all the employments of the repertory of
evil. It no longer walks, it hobbles; it limps on the crutch of the
Court of Miracles, a crutch metamorphosable into a club; it is called
vagrancy; every sort of spectre, its dressers, have painted its face, it
crawls and rears, the double gait of the reptile. Henceforth, it is apt
at all roles, it is made suspicious by the counterfeiter, covered with
verdigris by the forger, blacked by the soot of the incendiary; and the
murderer applies its rouge.

When one listens, by the side of honest men, at the portals of society,
one overhears the dialogues of those who are on the outside.
One distinguishes questions and replies. One perceives, without
understanding it, a hideous murmur, sounding almost like human accents,
but more nearly resembling a howl than an articulate word. It is slang.
The words are misshapen and stamped with an indescribable and fantastic
bestiality. One thinks one hears hydras talking.

It is unintelligible in the dark. It gnashes and whispers, completing
the gloom with mystery. It is black in misfortune, it is blacker still
in crime; these two blacknesses amalgamated, compose slang. Obscurity
in the atmosphere, obscurity in acts, obscurity in voices. Terrible,
toad-like tongue which goes and comes, leaps, crawls, slobbers, and
stirs about in monstrous wise in that immense gray fog composed of rain
and night, of hunger, of vice, of falsehood, of injustice, of nudity, of
suffocation, and of winter, the high noonday of the miserable.

Let us have compassion on the chastised. Alas! Who are we ourselves? Who
am I who now address you? Who are you who are listening to me? And are
you very sure that we have done nothing before we were born? The earth
is not devoid of resemblance to a jail. Who knows whether man is not a
recaptured offender against divine justice? Look closely at life. It is
so made, that everywhere we feel the sense of punishment.

Are you what is called a happy man? Well! you are sad every day. Each
day has its own great grief or its little care. Yesterday you were
trembling for a health that is dear to you, to-day you fear for your
own; to-morrow it will be anxiety about money, the day after to-morrow
the diatribe of a slanderer, the day after that, the misfortune of some
friend; then the prevailing weather, then something that has been broken
or lost, then a pleasure with which your conscience and your vertebral
column reproach you; again, the course of public affairs. This without
reckoning in the pains of the heart. And so it goes on. One cloud is
dispelled, another forms. There is hardly one day out of a hundred which
is wholly joyous and sunny. And you belong to that small class who are
happy! As for the rest of mankind, stagnating night rests upon them.

Thoughtful minds make but little use of the phrase: the fortunate and
the unfortunate. In this world, evidently the vestibule of another,
there are no fortunate.

The real human division is this: the luminous and the shady. To diminish
the number of the shady, to augment the number of the luminous,--that
is the object. That is why we cry: Education! science! To teach reading,
means to light the fire; every syllable spelled out sparkles.

However, he who says light does not, necessarily, say joy. People suffer
in the light; excess burns. The flame is the enemy of the wing. To burn
without ceasing to fly,--therein lies the marvel of genius.

When you shall have learned to know, and to love, you will still suffer.
The day is born in tears. The luminous weep, if only over those in
darkness.




CHAPTER II--ROOTS

Slang is the tongue of those who sit in darkness.

Thought is moved in its most sombre depths, social philosophy is bidden
to its most poignant meditations, in the presence of that enigmatic
dialect at once so blighted and rebellious. Therein lies chastisement
made visible. Every syllable has an air of being marked. The words of
the vulgar tongue appear therein wrinkled and shrivelled, as it were,
beneath the hot iron of the executioner. Some seem to be still smoking.
Such and such a phrase produces upon you the effect of the shoulder of a
thief branded with the fleur-de-lys, which has suddenly been laid bare.
Ideas almost refuse to be expressed in these substantives which are
fugitives from justice. Metaphor is sometimes so shameless, that one
feels that it has worn the iron neck-fetter.

Moreover, in spite of all this, and because of all this, this strange
dialect has by rights, its own compartment in that great impartial case
of pigeon-holes where there is room for the rusty farthing as well as
for the gold medal, and which is called literature. Slang, whether the
public admit the fact or not has its syntax and its poetry. It is a
language. Yes, by the deformity of certain terms, we recognize the
fact that it was chewed by Mandrin, and by the splendor of certain
metonymies, we feel that Villon spoke it.

That exquisite and celebrated verse--

          Mais ou sont les neiges d'antan?
          But where are the snows of years gone by?

is a verse of slang. Antam--ante annum--is a word of Thunes slang, which
signified the past year, and by extension, formerly. Thirty-five years
ago, at the epoch of the departure of the great chain-gang, there could
be read in one of the cells at Bicetre, this maxim engraved with a
nail on the wall by a king of Thunes condemned to the galleys: Les dabs
d'antan trimaient siempre pour la pierre du Coesre. This means Kings in
days gone by always went and had themselves anointed. In the opinion of
that king, anointment meant the galleys.

The word decarade, which expresses the departure of heavy vehicles at
a gallop, is attributed to Villon, and it is worthy of him. This word,
which strikes fire with all four of its feet, sums up in a masterly
onomatopoeia the whole of La Fontaine's admirable verse:--

          Six forts chevaux tiraient un coche.
          Six stout horses drew a coach.


From a purely literary point of view, few studies would prove more
curious and fruitful than the study of slang. It is a whole language
within a language, a sort of sickly excrescence, an unhealthy graft
which has produced a vegetation, a parasite which has its roots in the
old Gallic trunk, and whose sinister foliage crawls all over one side of
the language. This is what may be called the first, the vulgar aspect of
slang. But, for those who study the tongue as it should be studied, that
is to say, as geologists study the earth, slang appears like a veritable
alluvial deposit. According as one digs a longer or shorter distance
into it, one finds in slang, below the old popular French, Provencal,
Spanish, Italian, Levantine, that language of the Mediterranean ports,
English and German, the Romance language in its three varieties, French,
Italian, and Romance Romance, Latin, and finally Basque and Celtic. A
profound and unique formation. A subterranean edifice erected in common
by all the miserable. Each accursed race has deposited its layer, each
suffering has dropped its stone there, each heart has contributed its
pebble. A throng of evil, base, or irritated souls, who have traversed
life and have vanished into eternity, linger there almost entirely
visible still beneath the form of some monstrous word.

Do you want Spanish? The old Gothic slang abounded in it. Here is
boffete, a box on the ear, which is derived from bofeton; vantane,
window (later on vanterne), which comes from vantana; gat, cat, which
comes from gato; acite, oil, which comes from aceyte. Do you want
Italian? Here is spade, sword, which comes from spada; carvel, boat,
which comes from caravella. Do you want English? Here is bichot, which
comes from bishop; raille, spy, which comes from rascal, rascalion;
pilche, a case, which comes from pilcher, a sheath. Do you want German?
Here is the caleur, the waiter, kellner; the hers, the master, herzog
(duke). Do you want Latin? Here is frangir, to break, frangere; affurer,
to steal, fur; cadene, chain, catena. There is one word which crops up
in every language of the continent, with a sort of mysterious power and
authority. It is the word magnus; the Scotchman makes of it his mac,
which designates the chief of the clan; Mac-Farlane, Mac-Callumore, the
great Farlane, the great Callumore[41]; slang turns it into meck and
later le meg, that is to say, God. Would you like Basque? Here is
gahisto, the devil, which comes from gaiztoa, evil; sorgabon, good
night, which comes from gabon, good evening. Do you want Celtic? Here is
blavin, a handkerchief, which comes from blavet, gushing water; menesse,
a woman (in a bad sense), which comes from meinec, full of stones;
barant, brook, from baranton, fountain; goffeur, locksmith, from goff,
blacksmith; guedouze, death, which comes from guenn-du, black-white.
Finally, would you like history? Slang calls crowns les malteses, a
souvenir of the coin in circulation on the galleys of Malta.

In addition to the philological origins just indicated, slang possesses
other and still more natural roots, which spring, so to speak, from the
mind of man itself.

In the first place, the direct creation of words. Therein lies the
mystery of tongues. To paint with words, which contains figures
one knows not how or why, is the primitive foundation of all human
languages, what may be called their granite.

Slang abounds in words of this description, immediate words, words
created instantaneously no one knows either where or by whom, without
etymology, without analogies, without derivatives, solitary, barbarous,
sometimes hideous words, which at times possess a singular power of
expression and which live. The executioner, le taule; the forest,
le sabri; fear, flight, taf; the lackey, le larbin; the mineral,
the prefect, the minister, pharos; the devil, le rabouin. Nothing is
stranger than these words which both mask and reveal. Some, le rabouin,
for example, are at the same time grotesque and terrible, and produce on
you the effect of a cyclopean grimace.

In the second place, metaphor. The peculiarity of a language which is
desirous of saying all yet concealing all is that it is rich in figures.
Metaphor is an enigma, wherein the thief who is plotting a stroke,
the prisoner who is arranging an escape, take refuge. No idiom is more
metaphorical than slang: devisser le coco (to unscrew the nut), to twist
the neck; tortiller (to wriggle), to eat; etre gerbe, to be tried; a
rat, a bread thief; il lansquine, it rains, a striking, ancient figure
which partly bears its date about it, which assimilates long oblique
lines of rain, with the dense and slanting pikes of the lancers, and
which compresses into a single word the popular expression: it rains
halberds. Sometimes, in proportion as slang progresses from the first
epoch to the second, words pass from the primitive and savage sense to
the metaphorical sense. The devil ceases to be le rabouin, and becomes
le boulanger (the baker), who puts the bread into the oven. This is
more witty, but less grand, something like Racine after Corneille, like
Euripides after AEschylus. Certain slang phrases which participate
in the two epochs and have at once the barbaric character and the
metaphorical character resemble phantasmagories. Les sorgueuers vont
solliciter des gails a la lune--the prowlers are going to steal horses
by night,--this passes before the mind like a group of spectres. One
knows not what one sees.

In the third place, the expedient. Slang lives on the language. It uses
it in accordance with its fancy, it dips into it hap-hazard, and it
often confines itself, when occasion arises, to alter it in a gross and
summary fashion. Occasionally, with the ordinary words thus deformed and
complicated with words of pure slang, picturesque phrases are formed, in
which there can be felt the mixture of the two preceding elements, the
direct creation and the metaphor: le cab jaspine, je marronne que la
roulotte de Pantin trime dans le sabri, the dog is barking, I suspect
that the diligence for Paris is passing through the woods. Le dab est
sinve, la dabuge est merloussiere, la fee est bative, the bourgeois is
stupid, the bourgeoise is cunning, the daughter is pretty. Generally,
to throw listeners off the track, slang confines itself to adding to
all the words of the language without distinction, an ignoble tail, a
termination in aille, in orgue, in iergue, or in uche. Thus: Vousiergue
trouvaille bonorgue ce gigotmuche? Do you think that leg of mutton
good? A phrase addressed by Cartouche to a turnkey in order to find out
whether the sum offered for his escape suited him.

The termination in mar has been added recently.

Slang, being the dialect of corruption, quickly becomes corrupted
itself. Besides this, as it is always seeking concealment, as soon as
it feels that it is understood, it changes its form. Contrary to what
happens with every other vegetation, every ray of light which falls
upon it kills whatever it touches. Thus slang is in constant process of
decomposition and recomposition; an obscure and rapid work which never
pauses. It passes over more ground in ten years than a language in ten
centuries. Thus le larton (bread) becomes le lartif; le gail (horse)
becomes le gaye; la fertanche (straw) becomes la fertille; le momignard
(brat), le momacque; les fiques (duds), frusques; la chique (the
church), l'egrugeoir; le colabre (neck), le colas. The devil is at
first, gahisto, then le rabouin, then the baker; the priest is a
ratichon, then the boar (le sanglier); the dagger is le vingt-deux
(twenty-two), then le surin, then le lingre; the police are railles,
then roussins, then rousses, then marchands de lacets (dealers in
stay-laces), then coquers, then cognes; the executioner is le taule,
then Charlot, l'atigeur, then le becquillard. In the seventeenth
century, to fight was "to give each other snuff"; in the nineteenth
it is "to chew each other's throats." There have been twenty different
phrases between these two extremes. Cartouche's talk would have been
Hebrew to Lacenaire. All the words of this language are perpetually
engaged in flight like the men who utter them.

Still, from time to time, and in consequence of this very movement,
the ancient slang crops up again and becomes new once more. It has its
headquarters where it maintains its sway. The Temple preserved the slang
of the seventeenth century; Bicetre, when it was a prison, preserved the
slang of Thunes. There one could hear the termination in anche of
the old Thuneurs. Boyanches-tu (bois-tu), do you drink? But perpetual
movement remains its law, nevertheless.

If the philosopher succeeds in fixing, for a moment, for purposes of
observation, this language which is incessantly evaporating, he falls
into doleful and useful meditation. No study is more efficacious and
more fecund in instruction. There is not a metaphor, not an analogy, in
slang, which does not contain a lesson. Among these men, to beat means
to feign; one beats a malady; ruse is their strength.

For them, the idea of the man is not separated from the idea of
darkness. The night is called la sorgue; man, l'orgue. Man is a
derivative of the night.

They have taken up the practice of considering society in the light
of an atmosphere which kills them, of a fatal force, and they speak of
their liberty as one would speak of his health. A man under arrest is a
sick man; one who is condemned is a dead man.

The most terrible thing for the prisoner within the four walls in which
he is buried, is a sort of glacial chastity, and he calls the dungeon
the castus. In that funereal place, life outside always presents itself
under its most smiling aspect. The prisoner has irons on his feet; you
think, perhaps, that his thought is that it is with the feet that one
walks? No; he is thinking that it is with the feet that one dances; so,
when he has succeeded in severing his fetters, his first idea is that
now he can dance, and he calls the saw the bastringue (public-house
ball).--A name is a centre; profound assimilation.--The ruffian has two
heads, one of which reasons out his actions and leads him all his life
long, and the other which he has upon his shoulders on the day of his
death; he calls the head which counsels him in crime la sorbonne,
and the head which expiates it la tronche.--When a man has no longer
anything but rags upon his body and vices in his heart, when he has
arrived at that double moral and material degradation which the word
blackguard characterizes in its two acceptations, he is ripe for crime;
he is like a well-whetted knife; he has two cutting edges, his
distress and his malice; so slang does not say a blackguard, it says
un reguise.--What are the galleys? A brazier of damnation, a hell. The
convict calls himself a fagot.--And finally, what name do malefactors
give to their prison? The college. A whole penitentiary system can be
evolved from that word.

Does the reader wish to know where the majority of the songs of the
galleys, those refrains called in the special vocabulary lirlonfa, have
had their birth?

Let him listen to what follows:--

There existed at the Chatelet in Paris a large and long cellar. This
cellar was eight feet below the level of the Seine. It had neither
windows nor air-holes, its only aperture was the door; men could enter
there, air could not. This vault had for ceiling a vault of stone, and
for floor ten inches of mud. It was flagged; but the pavement had rotted
and cracked under the oozing of the water. Eight feet above the floor,
a long and massive beam traversed this subterranean excavation from side
to side; from this beam hung, at short distances apart, chains three
feet long, and at the end of these chains there were rings for the
neck. In this vault, men who had been condemned to the galleys were
incarcerated until the day of their departure for Toulon. They were
thrust under this beam, where each one found his fetters swinging in the
darkness and waiting for him.

The chains, those pendant arms, and the necklets, those open hands,
caught the unhappy wretches by the throat. They were rivetted and
left there. As the chain was too short, they could not lie down. They
remained motionless in that cavern, in that night, beneath that beam,
almost hanging, forced to unheard-of efforts to reach their bread, jug,
or their vault overhead, mud even to mid-leg, filth flowing to their
very calves, broken asunder with fatigue, with thighs and knees giving
way, clinging fast to the chain with their hands in order to obtain some
rest, unable to sleep except when standing erect, and awakened every
moment by the strangling of the collar; some woke no more. In order to
eat, they pushed the bread, which was flung to them in the mud, along
their leg with their heel until it reached their hand.

How long did they remain thus? One month, two months, six months
sometimes; one stayed a year. It was the antechamber of the galleys.
Men were put there for stealing a hare from the king. In this
sepulchre-hell, what did they do? What man can do in a sepulchre, they
went through the agonies of death, and what can man do in hell, they
sang; for song lingers where there is no longer any hope. In the waters
of Malta, when a galley was approaching, the song could be heard before
the sound of the oars. Poor Survincent, the poacher, who had gone
through the prison-cellar of the Chatelet, said: "It was the rhymes that
kept me up." Uselessness of poetry. What is the good of rhyme?

It is in this cellar that nearly all the slang songs had their birth.
It is from the dungeon of the Grand-Chatelet of Paris that comes
the melancholy refrain of the Montgomery galley: "Timaloumisaine,
timaloumison." The majority of these:

       Icicaille est la theatre        Here is the theatre
       Du petit dardant.               Of the little archer (Cupid).


Do what you will, you cannot annihilate that eternal relic in the heart
of man, love.

In this world of dismal deeds, people keep their secrets. The secret is
the thing above all others. The secret, in the eyes of these wretches,
is unity which serves as a base of union. To betray a secret is to
tear from each member of this fierce community something of his own
personality. To inform against, in the energetic slang dialect, is
called: "to eat the bit." As though the informer drew to himself a
little of the substance of all and nourished himself on a bit of each
one's flesh.

What does it signify to receive a box on the ear? Commonplace metaphor
replies: "It is to see thirty-six candles."

Here slang intervenes and takes it up: Candle, camoufle. Thereupon, the
ordinary tongue gives camouflet[42] as the synonym for soufflet. Thus,
by a sort of infiltration from below upwards, with the aid of metaphor,
that incalculable, trajectory slang mounts from the cavern to the
Academy; and Poulailler saying: "I light my camoufle," causes Voltaire
to write: "Langleviel La Beaumelle deserves a hundred camouflets."

Researches in slang mean discoveries at every step. Study and
investigation of this strange idiom lead to the mysterious point of
intersection of regular society with society which is accursed.

The thief also has his food for cannon, stealable matter, you, I,
whoever passes by; le pantre. (Pan, everybody.)

Slang is language turned convict.

That the thinking principle of man be thrust down ever so low, that it
can be dragged and pinioned there by obscure tyrannies of fatality,
that it can be bound by no one knows what fetters in that abyss, is
sufficient to create consternation.

Oh, poor thought of miserable wretches!

Alas! will no one come to the succor of the human soul in that darkness?
Is it her destiny there to await forever the mind, the liberator, the
immense rider of Pegasi and hippo-griffs, the combatant of heroes of
the dawn who shall descend from the azure between two wings, the radiant
knight of the future? Will she forever summon in vain to her assistance
the lance of light of the ideal? Is she condemned to hear the fearful
approach of Evil through the density of the gulf, and to catch glimpses,
nearer and nearer at hand, beneath the hideous water of that dragon's
head, that maw streaked with foam, and that writhing undulation of
claws, swellings, and rings? Must it remain there, without a gleam
of light, without hope, given over to that terrible approach, vaguely
scented out by the monster, shuddering, dishevelled, wringing its arms,
forever chained to the rock of night, a sombre Andromeda white and naked
amid the shadows!




CHAPTER III--SLANG WHICH WEEPS AND SLANG WHICH LAUGHS

As the reader perceives, slang in its entirety, slang of four hundred
years ago, like the slang of to-day, is permeated with that sombre,
symbolical spirit which gives to all words a mien which is now mournful,
now menacing. One feels in it the wild and ancient sadness of those
vagrants of the Court of Miracles who played at cards with packs of
their own, some of which have come down to us. The eight of clubs, for
instance, represented a huge tree bearing eight enormous trefoil leaves,
a sort of fantastic personification of the forest. At the foot of this
tree a fire was burning, over which three hares were roasting a huntsman
on a spit, and behind him, on another fire, hung a steaming pot, whence
emerged the head of a dog. Nothing can be more melancholy than these
reprisals in painting, by a pack of cards, in the presence of stakes
for the roasting of smugglers and of the cauldron for the boiling of
counterfeiters. The diverse forms assumed by thought in the realm
of slang, even song, even raillery, even menace, all partook of this
powerless and dejected character. All the songs, the melodies of some
of which have been collected, were humble and lamentable to the point of
evoking tears. The pegre is always the poor pegre, and he is always
the hare in hiding, the fugitive mouse, the flying bird. He hardly
complains, he contents himself with sighing; one of his moans has come
down to us: "I do not understand how God, the father of men, can torture
his children and his grandchildren and hear them cry, without himself
suffering torture."[43] The wretch, whenever he has time to think, makes
himself small before the low, and frail in the presence of society;
he lies down flat on his face, he entreats, he appeals to the side of
compassion; we feel that he is conscious of his guilt.

Towards the middle of the last century a change took place, prison songs
and thieves' ritournelles assumed, so to speak, an insolent and jovial
mien. The plaintive malure was replaced by the larifla. We find in the
eighteenth century, in nearly all the songs of the galleys and prisons,
a diabolical and enigmatical gayety. We hear this strident and lilting
refrain which we should say had been lighted up by a phosphorescent
gleam, and which seems to have been flung into the forest by a
will-o'-the-wisp playing the fife:--

                    Miralabi suslababo
                    Mirliton ribonribette
                    Surlababi mirlababo
                    Mirliton ribonribo.


This was sung in a cellar or in a nook of the forest while cutting a
man's throat.

A serious symptom. In the eighteenth century, the ancient melancholy of
the dejected classes vanishes. They began to laugh. They rally the grand
meg and the grand dab. Given Louis XV. they call the King of France "le
Marquis de Pantin." And behold, they are almost gay. A sort of gleam
proceeds from these miserable wretches, as though their consciences were
not heavy within them any more. These lamentable tribes of darkness have
no longer merely the desperate audacity of actions, they possess the
heedless audacity of mind. A sign that they are losing the sense of
their criminality, and that they feel, even among thinkers and dreamers,
some indefinable support which the latter themselves know not of. A
sign that theft and pillage are beginning to filter into doctrines and
sophisms, in such a way as to lose somewhat of their ugliness, while
communicating much of it to sophisms and doctrines. A sign, in short, of
some outbreak which is prodigious and near unless some diversion shall
arise.

Let us pause a moment. Whom are we accusing here? Is it the eighteenth
century? Is it philosophy? Certainly not. The work of the eighteenth
century is healthy and good and wholesome. The encyclopedists, Diderot
at their head; the physiocrates, Turgot at their head; the philosophers,
Voltaire at their head; the Utopians, Rousseau at their head,--these are
four sacred legions. Humanity's immense advance towards the light is due
to them. They are the four vanguards of the human race, marching towards
the four cardinal points of progress. Diderot towards the beautiful,
Turgot towards the useful, Voltaire towards the true, Rousseau towards
the just. But by the side of and above the philosophers, there were the
sophists, a venomous vegetation mingled with a healthy growth, hemlock
in the virgin forest. While the executioner was burning the great
books of the liberators of the century on the grand staircase of the
court-house, writers now forgotten were publishing, with the King's
sanction, no one knows what strangely disorganizing writings, which were
eagerly read by the unfortunate. Some of these publications, odd to
say, which were patronized by a prince, are to be found in the Secret
Library. These facts, significant but unknown, were imperceptible on the
surface. Sometimes, in the very obscurity of a fact lurks its danger.
It is obscure because it is underhand. Of all these writers, the one
who probably then excavated in the masses the most unhealthy gallery was
Restif de La Bretonne.

This work, peculiar to the whole of Europe, effected more ravages in
Germany than anywhere else. In Germany, during a given period, summed up
by Schiller in his famous drama The Robbers, theft and pillage rose up
in protest against property and labor, assimilated certain specious and
false elementary ideas, which, though just in appearance, were absurd in
reality, enveloped themselves in these ideas, disappeared within them,
after a fashion, assumed an abstract name, passed into the state of
theory, and in that shape circulated among the laborious, suffering, and
honest masses, unknown even to the imprudent chemists who had prepared
the mixture, unknown even to the masses who accepted it. Whenever a fact
of this sort presents itself, the case is grave. Suffering engenders
wrath; and while the prosperous classes blind themselves or fall asleep,
which is the same thing as shutting one's eyes, the hatred of the
unfortunate classes lights its torch at some aggrieved or ill-made
spirit which dreams in a corner, and sets itself to the scrutiny of
society. The scrutiny of hatred is a terrible thing.

Hence, if the ill-fortune of the times so wills it, those fearful
commotions which were formerly called jacqueries, beside which purely
political agitations are the merest child's play, which are no longer
the conflict of the oppressed and the oppressor, but the revolt of
discomfort against comfort. Then everything crumbles.

Jacqueries are earthquakes of the people.

It is this peril, possibly imminent towards the close of the eighteenth
century, which the French Revolution, that immense act of probity, cut
short.

The French Revolution, which is nothing else than the idea armed with
the sword, rose erect, and, with the same abrupt movement, closed the
door of ill and opened the door of good.

It put a stop to torture, promulgated the truth, expelled miasma,
rendered the century healthy, crowned the populace.

It may be said of it that it created man a second time, by giving him a
second soul, the right.

The nineteenth century has inherited and profited by its work, and
to-day, the social catastrophe to which we lately alluded is simply
impossible. Blind is he who announces it! Foolish is he who fears it!
Revolution is the vaccine of Jacquerie.

Thanks to the Revolution, social conditions have changed. Feudal and
monarchical maladies no longer run in our blood. There is no more of
the Middle Ages in our constitution. We no longer live in the days when
terrible swarms within made irruptions, when one heard beneath his feet
the obscure course of a dull rumble, when indescribable elevations from
mole-like tunnels appeared on the surface of civilization, where the
soil cracked open, where the roofs of caverns yawned, and where one
suddenly beheld monstrous heads emerging from the earth.

The revolutionary sense is a moral sense. The sentiment of right, once
developed, develops the sentiment of duty. The law of all is
liberty, which ends where the liberty of others begins, according to
Robespierre's admirable definition. Since '89, the whole people has
been dilating into a sublime individual; there is not a poor man, who,
possessing his right, has not his ray of sun; the die-of-hunger feels
within him the honesty of France; the dignity of the citizen is an
internal armor; he who is free is scrupulous; he who votes reigns. Hence
incorruptibility; hence the miscarriage of unhealthy lusts; hence eyes
heroically lowered before temptations. The revolutionary wholesomeness
is such, that on a day of deliverance, a 14th of July, a 10th of August,
there is no longer any populace. The first cry of the enlightened and
increasing throngs is: death to thieves! Progress is an honest man; the
ideal and the absolute do not filch pocket-handkerchiefs. By whom were
the wagons containing the wealth of the Tuileries escorted in 1848? By
the rag-pickers of the Faubourg Saint-Antoine. Rags mounted guard over
the treasure. Virtue rendered these tatterdemalions resplendent. In
those wagons in chests, hardly closed, and some, even, half-open, amid a
hundred dazzling caskets, was that ancient crown of France, studded with
diamonds, surmounted by the carbuncle of royalty, by the Regent diamond,
which was worth thirty millions. Barefooted, they guarded that crown.

Hence, no more Jacquerie. I regret it for the sake of the skilful. The
old fear has produced its last effects in that quarter; and henceforth
it can no longer be employed in politics. The principal spring of the
red spectre is broken. Every one knows it now. The scare-crow scares
no longer. The birds take liberties with the mannikin, foul creatures
alight upon it, the bourgeois laugh at it.




CHAPTER IV--THE TWO DUTIES: TO WATCH AND TO HOPE

This being the case, is all social danger dispelled? Certainly not.
There is no Jacquerie; society may rest assured on that point; blood
will no longer rush to its head. But let society take heed to the manner
in which it breathes. Apoplexy is no longer to be feared, but phthisis
is there. Social phthisis is called misery.

One can perish from being undermined as well as from being struck by
lightning.

Let us not weary of repeating, and sympathetic souls must not forget
that this is the first of fraternal obligations, and selfish hearts must
understand that the first of political necessities consists in thinking
first of all of the disinherited and sorrowing throngs, in solacing,
airing, enlightening, loving them, in enlarging their horizon to a
magnificent extent, in lavishing upon them education in every form, in
offering them the example of labor, never the example of idleness,
in diminishing the individual burden by enlarging the notion of the
universal aim, in setting a limit to poverty without setting a limit
to wealth, in creating vast fields of public and popular activity, in
having, like Briareus, a hundred hands to extend in all directions to
the oppressed and the feeble, in employing the collective power for that
grand duty of opening workshops for all arms, schools for all aptitudes,
and laboratories for all degrees of intelligence, in augmenting
salaries, diminishing trouble, balancing what should be and what is,
that is to say, in proportioning enjoyment to effort and a glut to need;
in a word, in evolving from the social apparatus more light and more
comfort for the benefit of those who suffer and those who are ignorant.

And, let us say it, all this is but the beginning. The true question is
this: labor cannot be a law without being a right.

We will not insist upon this point; this is not the proper place for
that.

If nature calls itself Providence, society should call itself foresight.

Intellectual and moral growth is no less indispensable than material
improvement. To know is a sacrament, to think is the prime necessity,
truth is nourishment as well as grain. A reason which fasts from science
and wisdom grows thin. Let us enter equal complaint against stomachs and
minds which do not eat. If there is anything more heart-breaking than
a body perishing for lack of bread, it is a soul which is dying from
hunger for the light.

The whole of progress tends in the direction of solution. Some day we
shall be amazed. As the human race mounts upward, the deep layers emerge
naturally from the zone of distress. The obliteration of misery will be
accomplished by a simple elevation of level.

We should do wrong were we to doubt this blessed consummation.

The past is very strong, it is true, at the present moment. It censures.
This rejuvenation of a corpse is surprising. Behold, it is walking and
advancing. It seems a victor; this dead body is a conqueror. He arrives
with his legions, superstitions, with his sword, despotism, with his
banner, ignorance; a while ago, he won ten battles. He advances, he
threatens, he laughs, he is at our doors. Let us not despair, on our
side. Let us sell the field on which Hannibal is encamped.

What have we to fear, we who believe?

No such thing as a back-flow of ideas exists any more than there exists
a return of a river on its course.

But let those who do not desire a future reflect on this matter. When
they say "no" to progress, it is not the future but themselves that
they are condemning. They are giving themselves a sad malady; they are
inoculating themselves with the past. There is but one way of rejecting
To-morrow, and that is to die.

Now, no death, that of the body as late as possible, that of the soul
never,--this is what we desire.

Yes, the enigma will utter its word, the sphinx will speak, the problem
will be solved.

Yes, the people, sketched out by the eighteenth century, will be
finished by the nineteenth. He who doubts this is an idiot! The future
blossoming, the near blossoming forth of universal well-being, is a
divinely fatal phenomenon.

Immense combined propulsions direct human affairs and conduct them
within a given time to a logical state, that is to say, to a state of
equilibrium; that is to say, to equity. A force composed of earth and
heaven results from humanity and governs it; this force is a worker
of miracles; marvellous issues are no more difficult to it than
extraordinary vicissitudes. Aided by science, which comes from one man,
and by the event, which comes from another, it is not greatly alarmed
by these contradictions in the attitude of problems, which seem
impossibilities to the vulgar herd. It is no less skilful at causing a
solution to spring forth from the reconciliation of ideas, than a lesson
from the reconciliation of facts, and we may expect anything from that
mysterious power of progress, which brought the Orient and the Occident
face to face one fine day, in the depths of a sepulchre, and made the
imaums converse with Bonaparte in the interior of the Great Pyramid.

In the meantime, let there be no halt, no hesitation, no pause in the
grandiose onward march of minds. Social philosophy consists essentially
in science and peace. Its object is, and its result must be, to dissolve
wrath by the study of antagonisms. It examines, it scrutinizes, it
analyzes; then it puts together once more, it proceeds by means of
reduction, discarding all hatred.

More than once, a society has been seen to give way before the wind
which is let loose upon mankind; history is full of the shipwrecks of
nations and empires; manners, customs, laws, religions,--and some fine
day that unknown force, the hurricane, passes by and bears them all
away. The civilizations of India, of Chaldea, of Persia, of Syria, of
Egypt, have disappeared one after the other. Why? We know not. What are
the causes of these disasters? We do not know. Could these societies
have been saved? Was it their fault? Did they persist in the fatal vice
which destroyed them? What is the amount of suicide in these terrible
deaths of a nation and a race? Questions to which there exists no reply.
Darkness enwraps condemned civilizations. They sprung a leak, then they
sank. We have nothing more to say; and it is with a sort of terror that
we look on, at the bottom of that sea which is called the past, behind
those colossal waves, at the shipwreck of those immense vessels,
Babylon, Nineveh, Tarsus, Thebes, Rome, beneath the fearful gusts which
emerge from all the mouths of the shadows. But shadows are there, and
light is here. We are not acquainted with the maladies of these ancient
civilizations, we do not know the infirmities of our own. Everywhere
upon it we have the right of light, we contemplate its beauties, we
lay bare its defects. Where it is ill, we probe; and the sickness once
diagnosed, the study of the cause leads to the discovery of the remedy.
Our civilization, the work of twenty centuries, is its law and its
prodigy; it is worth the trouble of saving. It will be saved. It is
already much to have solaced it; its enlightenment is yet another point.
All the labors of modern social philosophies must converge towards
this point. The thinker of to-day has a great duty--to auscultate
civilization.

We repeat, that this auscultation brings encouragement; it is by this
persistence in encouragement that we wish to conclude these pages, an
austere interlude in a mournful drama. Beneath the social mortality, we
feel human imperishableness. The globe does not perish, because it has
these wounds, craters, eruptions, sulphur pits, here and there, nor
because of a volcano which ejects its pus. The maladies of the people do
not kill man.

And yet, any one who follows the course of social clinics shakes his
head at times. The strongest, the tenderest, the most logical have their
hours of weakness.

Will the future arrive? It seems as though we might almost put
this question, when we behold so much terrible darkness. Melancholy
face-to-face encounter of selfish and wretched. On the part of
the selfish, the prejudices, shadows of costly education, appetite
increasing through intoxication, a giddiness of prosperity which dulls,
a fear of suffering which, in some, goes as far as an aversion for the
suffering, an implacable satisfaction, the I so swollen that it bars the
soul; on the side of the wretched covetousness, envy, hatred of seeing
others enjoy, the profound impulses of the human beast towards assuaging
its desires, hearts full of mist, sadness, need, fatality, impure and
simple ignorance.

Shall we continue to raise our eyes to heaven? is the luminous point
which we distinguish there one of those which vanish? The ideal
is frightful to behold, thus lost in the depths, small, isolated,
imperceptible, brilliant, but surrounded by those great, black menaces,
monstrously heaped around it; yet no more in danger than a star in the
maw of the clouds.




BOOK EIGHTH.--ENCHANTMENTS AND DESOLATIONS




CHAPTER I--FULL LIGHT

The reader has probably understood that Eponine, having recognized
through the gate, the inhabitant of that Rue Plumet whither Magnon had
sent her, had begun by keeping the ruffians away from the Rue Plumet,
and had then conducted Marius thither, and that, after many days spent
in ecstasy before that gate, Marius, drawn on by that force which draws
the iron to the magnet and a lover towards the stones of which is built
the house of her whom he loves, had finally entered Cosette's garden as
Romeo entered the garden of Juliet. This had even proved easier for him
than for Romeo; Romeo was obliged to scale a wall, Marius had only
to use a little force on one of the bars of the decrepit gate which
vacillated in its rusty recess, after the fashion of old people's teeth.
Marius was slender and readily passed through.

As there was never any one in the street, and as Marius never entered
the garden except at night, he ran no risk of being seen.

Beginning with that blessed and holy hour when a kiss betrothed these
two souls, Marius was there every evening. If, at that period of
her existence, Cosette had fallen in love with a man in the least
unscrupulous or debauched, she would have been lost; for there are
generous natures which yield themselves, and Cosette was one of them.
One of woman's magnanimities is to yield. Love, at the height where it
is absolute, is complicated with some indescribably celestial blindness
of modesty. But what dangers you run, O noble souls! Often you give the
heart, and we take the body. Your heart remains with you, you gaze upon
it in the gloom with a shudder. Love has no middle course; it either
ruins or it saves. All human destiny lies in this dilemma. This dilemma,
ruin, or safety, is set forth no more inexorably by any fatality than
by love. Love is life, if it is not death. Cradle; also coffin. The same
sentiment says "yes" and "no" in the human heart. Of all the things that
God has made, the human heart is the one which sheds the most light,
alas! and the most darkness.

God willed that Cosette's love should encounter one of the loves which
save.

Throughout the whole of the month of May of that year 1832, there were
there, in every night, in that poor, neglected garden, beneath that
thicket which grew thicker and more fragrant day by day, two beings
composed of all chastity, all innocence, overflowing with all the
felicity of heaven, nearer to the archangels than to mankind, pure,
honest, intoxicated, radiant, who shone for each other amid the shadows.
It seemed to Cosette that Marius had a crown, and to Marius that Cosette
had a nimbus. They touched each other, they gazed at each other, they
clasped each other's hands, they pressed close to each other; but there
was a distance which they did not pass. Not that they respected it;
they did not know of its existence. Marius was conscious of a barrier,
Cosette's innocence; and Cosette of a support, Marius' loyalty. The
first kiss had also been the last. Marius, since that time, had not gone
further than to touch Cosette's hand, or her kerchief, or a lock of her
hair, with his lips. For him, Cosette was a perfume and not a woman.
He inhaled her. She refused nothing, and he asked nothing. Cosette was
happy, and Marius was satisfied. They lived in this ecstatic state which
can be described as the dazzling of one soul by another soul. It was
the ineffable first embrace of two maiden souls in the ideal. Two swans
meeting on the Jungfrau.

At that hour of love, an hour when voluptuousness is absolutely mute,
beneath the omnipotence of ecstasy, Marius, the pure and seraphic
Marius, would rather have gone to a woman of the town than have raised
Cosette's robe to the height of her ankle. Once, in the moonlight,
Cosette stooped to pick up something on the ground, her bodice fell
apart and permitted a glimpse of the beginning of her throat. Marius
turned away his eyes.

What took place between these two beings? Nothing. They adored each
other.

At night, when they were there, that garden seemed a living and a sacred
spot. All flowers unfolded around them and sent them incense; and they
opened their souls and scattered them over the flowers. The wanton and
vigorous vegetation quivered, full of strength and intoxication, around
these two innocents, and they uttered words of love which set the trees
to trembling.

What words were these? Breaths. Nothing more. These breaths sufficed to
trouble and to touch all nature round about. Magic power which we
should find it difficult to understand were we to read in a book these
conversations which are made to be borne away and dispersed like smoke
wreaths by the breeze beneath the leaves. Take from those murmurs of two
lovers that melody which proceeds from the soul and which accompanies
them like a lyre, and what remains is nothing more than a shade; you
say: "What! is that all!" eh! yes, childish prattle, repetitions,
laughter at nothing, nonsense, everything that is deepest and most
sublime in the world! The only things which are worth the trouble of
saying and hearing!

The man who has never heard, the man who has never uttered these
absurdities, these paltry remarks, is an imbecile and a malicious
fellow. Cosette said to Marius:--

"Dost thou know?--"

[In all this and athwart this celestial maidenliness, and without either
of them being able to say how it had come about, they had begun to call
each other thou.]

"Dost thou know? My name is Euphrasie."

"Euphrasie? Why, no, thy name is Cosette."

"Oh! Cosette is a very ugly name that was given to me when I was
a little thing. But my real name is Euphrasie. Dost thou like that
name--Euphrasie?"

"Yes. But Cosette is not ugly."

"Do you like it better than Euphrasie?"

"Why, yes."

"Then I like it better too. Truly, it is pretty, Cosette. Call me
Cosette."

And the smile that she added made of this dialogue an idyl worthy of a
grove situated in heaven. On another occasion she gazed intently at him
and exclaimed:--

"Monsieur, you are handsome, you are good-looking, you are witty, you
are not at all stupid, you are much more learned than I am, but I bid
you defiance with this word: I love you!"

And Marius, in the very heavens, thought he heard a strain sung by a
star.

Or she bestowed on him a gentle tap because he coughed, and she said to
him:--

"Don't cough, sir; I will not have people cough on my domain without my
permission. It's very naughty to cough and to disturb me. I want you to
be well, because, in the first place, if you were not well, I should be
very unhappy. What should I do then?"

And this was simply divine.

Once Marius said to Cosette:--

"Just imagine, I thought at one time that your name was Ursule."

This made both of them laugh the whole evening.

In the middle of another conversation, he chanced to exclaim:--

"Oh! One day, at the Luxembourg, I had a good mind to finish breaking
up a veteran!" But he stopped short, and went no further. He would have
been obliged to speak to Cosette of her garter, and that was impossible.
This bordered on a strange theme, the flesh, before which that immense
and innocent love recoiled with a sort of sacred fright.

Marius pictured life with Cosette to himself like this, without anything
else; to come every evening to the Rue Plumet, to displace the old and
accommodating bar of the chief-justice's gate, to sit elbow to elbow
on that bench, to gaze through the trees at the scintillation of the
on-coming night, to fit a fold of the knee of his trousers into the
ample fall of Cosette's gown, to caress her thumb-nail, to call her
thou, to smell of the same flower, one after the other, forever,
indefinitely. During this time, clouds passed above their heads. Every
time that the wind blows it bears with it more of the dreams of men than
of the clouds of heaven.

This chaste, almost shy love was not devoid of gallantry, by any means.
To pay compliments to the woman whom a man loves is the first method of
bestowing caresses, and he is half audacious who tries it. A compliment
is something like a kiss through a veil. Voluptuousness mingles there
with its sweet tiny point, while it hides itself. The heart draws back
before voluptuousness only to love the more. Marius' blandishments, all
saturated with fancy, were, so to speak, of azure hue. The birds when
they fly up yonder, in the direction of the angels, must hear such
words. There were mingled with them, nevertheless, life, humanity, all
the positiveness of which Marius was capable. It was what is said in
the bower, a prelude to what will be said in the chamber; a lyrical
effusion, strophe and sonnet intermingled, pleasing hyperboles of
cooing, all the refinements of adoration arranged in a bouquet and
exhaling a celestial perfume, an ineffable twitter of heart to heart.

"Oh!" murmured Marius, "how beautiful you are! I dare not look at you.
It is all over with me when I contemplate you. You are a grace. I know
not what is the matter with me. The hem of your gown, when the tip of
your shoe peeps from beneath, upsets me. And then, what an enchanted
gleam when you open your thought even but a little! You talk
astonishingly good sense. It seems to me at times that you are a
dream. Speak, I listen, I admire. Oh Cosette! how strange it is and how
charming! I am really beside myself. You are adorable, Mademoiselle. I
study your feet with the microscope and your soul with the telescope."

And Cosette answered:--

"I have been loving a little more all the time that has passed since
this morning."

Questions and replies took care of themselves in this dialogue, which
always turned with mutual consent upon love, as the little pith figures
always turn on their peg.

Cosette's whole person was ingenuousness, ingenuity, transparency,
whiteness, candor, radiance. It might have been said of Cosette that she
was clear. She produced on those who saw her the sensation of April
and dawn. There was dew in her eyes. Cosette was a condensation of the
auroral light in the form of a woman.

It was quite simple that Marius should admire her, since he adored her.
But the truth is, that this little school-girl, fresh from the convent,
talked with exquisite penetration and uttered, at times, all sorts of
true and delicate sayings. Her prattle was conversation. She never made
a mistake about anything, and she saw things justly. The woman feels and
speaks with the tender instinct of the heart, which is infallible.

No one understands so well as a woman, how to say things that are, at
once, both sweet and deep. Sweetness and depth, they are the whole of
woman; in them lies the whole of heaven.

In this full felicity, tears welled up to their eyes every instant. A
crushed lady-bug, a feather fallen from a nest, a branch of hawthorn
broken, aroused their pity, and their ecstasy, sweetly mingled with
melancholy, seemed to ask nothing better than to weep. The most
sovereign symptom of love is a tenderness that is, at times, almost
unbearable.

And, in addition to this,--all these contradictions are the lightning
play of love,--they were fond of laughing, they laughed readily and with
a delicious freedom, and so familiarly that they sometimes presented the
air of two boys.

Still, though unknown to hearts intoxicated with purity, nature is
always present and will not be forgotten. She is there with her brutal
and sublime object; and however great may be the innocence of souls, one
feels in the most modest private interview, the adorable and mysterious
shade which separates a couple of lovers from a pair of friends.

They idolized each other.

The permanent and the immutable are persistent. People live, they smile,
they laugh, they make little grimaces with the tips of their lips, they
interlace their fingers, they call each other thou, and that does not
prevent eternity.

Two lovers hide themselves in the evening, in the twilight, in the
invisible, with the birds, with the roses; they fascinate each other in
the darkness with their hearts which they throw into their eyes, they
murmur, they whisper, and in the meantime, immense librations of the
planets fill the infinite universe.




CHAPTER II--THE BEWILDERMENT OF PERFECT HAPPINESS

They existed vaguely, frightened at their happiness. They did not notice
the cholera which decimated Paris precisely during that very month. They
had confided in each other as far as possible, but this had not extended
much further than their names. Marius had told Cosette that he was an
orphan, that his name was Marius Pontmercy, that he was a lawyer, that
he lived by writing things for publishers, that his father had been a
colonel, that the latter had been a hero, and that he, Marius, was on
bad terms with his grandfather who was rich. He had also hinted at being
a baron, but this had produced no effect on Cosette. She did not
know the meaning of the word. Marius was Marius. On her side, she
had confided to him that she had been brought up at the Petit-Picpus
convent, that her mother, like his own, was dead, that her father's name
was M. Fauchelevent, that he was very good, that he gave a great deal
to the poor, but that he was poor himself, and that he denied himself
everything though he denied her nothing.

Strange to say, in the sort of symphony which Marius had lived since he
had been in the habit of seeing Cosette, the past, even the most recent
past, had become so confused and distant to him, that what Cosette told
him satisfied him completely. It did not even occur to him to tell her
about the nocturnal adventure in the hovel, about Thenardier, about the
burn, and about the strange attitude and singular flight of her father.
Marius had momentarily forgotten all this; in the evening he did not
even know that there had been a morning, what he had done, where he had
breakfasted, nor who had spoken to him; he had songs in his ears which
rendered him deaf to every other thought; he only existed at the hours
when he saw Cosette. Then, as he was in heaven, it was quite natural
that he should forget earth. Both bore languidly the indefinable burden
of immaterial pleasures. Thus lived these somnambulists who are called
lovers.

Alas! Who is there who has not felt all these things? Why does there
come an hour when one emerges from this azure, and why does life go on
afterwards?

Loving almost takes the place of thinking. Love is an ardent
forgetfulness of all the rest. Then ask logic of passion if you will.
There is no more absolute logical sequence in the human heart than there
is a perfect geometrical figure in the celestial mechanism. For Cosette
and Marius nothing existed except Marius and Cosette. The universe
around them had fallen into a hole. They lived in a golden minute. There
was nothing before them, nothing behind. It hardly occurred to Marius
that Cosette had a father. His brain was dazzled and obliterated. Of
what did these lovers talk then? We have seen, of the flowers, and
the swallows, the setting sun and the rising moon, and all sorts of
important things. They had told each other everything except everything.
The everything of lovers is nothing. But the father, the realities, that
lair, the ruffians, that adventure, to what purpose? And was he very
sure that this nightmare had actually existed? They were two, and they
adored each other, and beyond that there was nothing. Nothing else
existed. It is probable that this vanishing of hell in our rear is
inherent to the arrival of paradise. Have we beheld demons? Are there
any? Have we trembled? Have we suffered? We no longer know. A rosy cloud
hangs over it.

So these two beings lived in this manner, high aloft, with all that
improbability which is in nature; neither at the nadir nor at the
zenith, between man and seraphim, above the mire, below the ether, in
the clouds; hardly flesh and blood, soul and ecstasy from head to foot;
already too sublime to walk the earth, still too heavily charged with
humanity to disappear in the blue, suspended like atoms which are
waiting to be precipitated; apparently beyond the bounds of destiny;
ignorant of that rut; yesterday, to-day, to-morrow; amazed, rapturous,
floating, soaring; at times so light that they could take their flight
out into the infinite; almost prepared to soar away to all eternity.
They slept wide-awake, thus sweetly lulled. Oh! splendid lethargy of the
real overwhelmed by the ideal.

Sometimes, beautiful as Cosette was, Marius shut his eyes in her
presence. The best way to look at the soul is through closed eyes.

Marius and Cosette never asked themselves whither this was to lead them.
They considered that they had already arrived. It is a strange claim on
man's part to wish that love should lead to something.




CHAPTER III--THE BEGINNING OF SHADOW

Jean Valjean suspected nothing.

Cosette, who was rather less dreamy than Marius, was gay, and that
sufficed for Jean Valjean's happiness. The thoughts which Cosette
cherished, her tender preoccupations, Marius' image which filled her
heart, took away nothing from the incomparable purity of her beautiful,
chaste, and smiling brow. She was at the age when the virgin bears her
love as the angel his lily. So Jean Valjean was at ease. And then, when
two lovers have come to an understanding, things always go well; the
third party who might disturb their love is kept in a state of perfect
blindness by a restricted number of precautions which are always the
same in the case of all lovers. Thus, Cosette never objected to any of
Jean Valjean's proposals. Did she want to take a walk? "Yes, dear little
father." Did she want to stay at home? Very good. Did he wish to pass
the evening with Cosette? She was delighted. As he always went to bed at
ten o'clock, Marius did not come to the garden on such occasions until
after that hour, when, from the street, he heard Cosette open the long
glass door on the veranda. Of course, no one ever met Marius in the
daytime. Jean Valjean never even dreamed any longer that Marius was in
existence. Only once, one morning, he chanced to say to Cosette: "Why,
you have whitewash on your back!" On the previous evening, Marius, in a
transport, had pushed Cosette against the wall.

Old Toussaint, who retired early, thought of nothing but her sleep, and
was as ignorant of the whole matter as Jean Valjean.

Marius never set foot in the house. When he was with Cosette, they hid
themselves in a recess near the steps, in order that they might neither
be seen nor heard from the street, and there they sat, frequently
contenting themselves, by way of conversation, with pressing each
other's hands twenty times a minute as they gazed at the branches of the
trees. At such times, a thunderbolt might have fallen thirty paces from
them, and they would not have noticed it, so deeply was the revery of
the one absorbed and sunk in the revery of the other.

Limpid purity. Hours wholly white; almost all alike. This sort of love
is a recollection of lily petals and the plumage of the dove.

The whole extent of the garden lay between them and the street. Every
time that Marius entered and left, he carefully adjusted the bar of the
gate in such a manner that no displacement was visible.

He usually went away about midnight, and returned to Courfeyrac's
lodgings. Courfeyrac said to Bahorel:--

"Would you believe it? Marius comes home nowadays at one o'clock in the
morning."

Bahorel replied:--

"What do you expect? There's always a petard in a seminary fellow."

At times, Courfeyrac folded his arms, assumed a serious air, and said to
Marius:--

"You are getting irregular in your habits, young man."

Courfeyrac, being a practical man, did not take in good part this
reflection of an invisible paradise upon Marius; he was not much in the
habit of concealed passions; it made him impatient, and now and then he
called upon Marius to come back to reality.

One morning, he threw him this admonition:--

"My dear fellow, you produce upon me the effect of being located in
the moon, the realm of dreams, the province of illusions, capital,
soap-bubble. Come, be a good boy, what's her name?"

But nothing could induce Marius "to talk." They might have torn out his
nails before one of the two sacred syllables of which that ineffable
name, Cosette, was composed. True love is as luminous as the dawn and as
silent as the tomb. Only, Courfeyrac saw this change in Marius, that his
taciturnity was of the beaming order.

During this sweet month of May, Marius and Cosette learned to know these
immense delights. To dispute and to say you for thou, simply that they
might say thou the better afterwards. To talk at great length with very
minute details, of persons in whom they took not the slightest interest
in the world; another proof that in that ravishing opera called love,
the libretto counts for almost nothing.

For Marius, to listen to Cosette discussing finery.

For Cosette, to listen to Marius talk in politics;

To listen, knee pressed to knee, to the carriages rolling along the Rue
de Babylone;

To gaze upon the same planet in space, or at the same glowworm gleaming
in the grass;

To hold their peace together; a still greater delight than conversation;

Etc., etc.

In the meantime, divers complications were approaching.

One evening, Marius was on his way to the rendezvous, by way of the
Boulevard des Invalides. He habitually walked with drooping head. As he
was on the point of turning the corner of the Rue Plumet, he heard some
one quite close to him say:--

"Good evening, Monsieur Marius."

He raised his head and recognized Eponine.

This produced a singular effect upon him. He had not thought of that
girl a single time since the day when she had conducted him to the Rue
Plumet, he had not seen her again, and she had gone completely out of
his mind. He had no reasons for anything but gratitude towards her, he
owed her his happiness, and yet, it was embarrassing to him to meet her.

It is an error to think that passion, when it is pure and happy, leads
man to a state of perfection; it simply leads him, as we have noted, to
a state of oblivion. In this situation, man forgets to be bad, but
he also forgets to be good. Gratitude, duty, matters essential and
important to be remembered, vanish. At any other time, Marius would have
behaved quite differently to Eponine. Absorbed in Cosette, he had not
even clearly put it to himself that this Eponine was named Eponine
Thenardier, and that she bore the name inscribed in his father's will,
that name, for which, but a few months before, he would have so ardently
sacrificed himself. We show Marius as he was. His father himself was
fading out of his soul to some extent, under the splendor of his love.

He replied with some embarrassment:--

"Ah! so it's you, Eponine?"

"Why do you call me you? Have I done anything to you?"

"No," he answered.

Certainly, he had nothing against her. Far from it. Only, he felt that
he could not do otherwise, now that he used thou to Cosette, than say
you to Eponine.

As he remained silent, she exclaimed:--

"Say--"

Then she paused. It seemed as though words failed that creature formerly
so heedless and so bold. She tried to smile and could not. Then she
resumed:--

"Well?"

Then she paused again, and remained with downcast eyes.

"Good evening, Mr. Marius," said she suddenly and abruptly; and away she
went.




CHAPTER IV--A CAB RUNS IN ENGLISH AND BARKS IN SLANG

The following day was the 3d of June, 1832, a date which it is necessary
to indicate on account of the grave events which at that epoch hung on
the horizon of Paris in the state of lightning-charged clouds. Marius,
at nightfall, was pursuing the same road as on the preceding evening,
with the same thoughts of delight in his heart, when he caught sight
of Eponine approaching, through the trees of the boulevard. Two days
in succession--this was too much. He turned hastily aside, quitted the
boulevard, changed his course and went to the Rue Plumet through the Rue
Monsieur.

This caused Eponine to follow him to the Rue Plumet, a thing which
she had not yet done. Up to that time, she had contented herself with
watching him on his passage along the boulevard without ever seeking to
encounter him. It was only on the evening before that she had attempted
to address him.

So Eponine followed him, without his suspecting the fact. She saw him
displace the bar and slip into the garden.

She approached the railing, felt of the bars one after the other, and
readily recognized the one which Marius had moved.

She murmured in a low voice and in gloomy accents:--

"None of that, Lisette!"

She seated herself on the underpinning of the railing, close beside the
bar, as though she were guarding it. It was precisely at the point where
the railing touched the neighboring wall. There was a dim nook there, in
which Eponine was entirely concealed.

She remained thus for more than an hour, without stirring and without
breathing, a prey to her thoughts.

Towards ten o'clock in the evening, one of the two or three persons who
passed through the Rue Plumet, an old, belated bourgeois who was making
haste to escape from this deserted spot of evil repute, as he skirted
the garden railings and reached the angle which it made with the wall,
heard a dull and threatening voice saying:--

"I'm no longer surprised that he comes here every evening."

The passer-by cast a glance around him, saw no one, dared not peer into
the black niche, and was greatly alarmed. He redoubled his pace.

This passer-by had reason to make haste, for a very few instants later,
six men, who were marching separately and at some distance from each
other, along the wall, and who might have been taken for a gray patrol,
entered the Rue Plumet.

The first to arrive at the garden railing halted, and waited for the
others; a second later, all six were reunited.

These men began to talk in a low voice.

"This is the place," said one of them.

"Is there a cab [dog] in the garden?" asked another.

"I don't know. In any case, I have fetched a ball that we'll make him
eat."

"Have you some putty to break the pane with?"

"Yes."

"The railing is old," interpolated a fifth, who had the voice of a
ventriloquist.

"So much the better," said the second who had spoken. "It won't screech
under the saw, and it won't be hard to cut."

The sixth, who had not yet opened his lips, now began to inspect
the gate, as Eponine had done an hour earlier, grasping each bar in
succession, and shaking them cautiously.

Thus he came to the bar which Marius had loosened. As he was on the
point of grasping this bar, a hand emerged abruptly from the darkness,
fell upon his arm; he felt himself vigorously thrust aside by a push
in the middle of his breast, and a hoarse voice said to him, but not
loudly:--

"There's a dog."

At the same moment, he perceived a pale girl standing before him.

The man underwent that shock which the unexpected always brings. He
bristled up in hideous wise; nothing is so formidable to behold as
ferocious beasts who are uneasy; their terrified air evokes terror.

He recoiled and stammered:--

"What jade is this?"

"Your daughter."

It was, in fact, Eponine, who had addressed Thenardier.

At the apparition of Eponine, the other five, that is to say,
Claquesous, Guelemer, Babet, Brujon, and Montparnasse had noiselessly
drawn near, without precipitation, without uttering a word, with the
sinister slowness peculiar to these men of the night.

Some indescribable but hideous tools were visible in their hands.
Guelemer held one of those pairs of curved pincers which prowlers call
fanchons.

"Ah, see here, what are you about there? What do you want with us? Are
you crazy?" exclaimed Thenardier, as loudly as one can exclaim and still
speak low; "what have you come here to hinder our work for?"

Eponine burst out laughing, and threw herself on his neck.

"I am here, little father, because I am here. Isn't a person allowed to
sit on the stones nowadays? It's you who ought not to be here. What
have you come here for, since it's a biscuit? I told Magnon so. There's
nothing to be done here. But embrace me, my good little father! It's a
long time since I've seen you! So you're out?"

Thenardier tried to disentangle himself from Eponine's arms, and
grumbled:--

"That's good. You've embraced me. Yes, I'm out. I'm not in. Now, get
away with you."

But Eponine did not release her hold, and redoubled her caresses.

"But how did you manage it, little pa? You must have been very clever to
get out of that. Tell me about it! And my mother? Where is mother? Tell
me about mamma."

Thenardier replied:--

"She's well. I don't know, let me alone, and be off, I tell you."

"I won't go, so there now," pouted Eponine like a spoiled child; "you
send me off, and it's four months since I saw you, and I've hardly had
time to kiss you."

And she caught her father round the neck again.

"Come, now, this is stupid!" said Babet.

"Make haste!" said Guelemer, "the cops may pass."

The ventriloquist's voice repeated his distich:--


     "Nous n' sommes pas le jour de l'an,
                              "This isn't New Year's day
     A becoter papa, maman."
                               To peck at pa and ma."


Eponine turned to the five ruffians.

"Why, it's Monsieur Brujon. Good day, Monsieur Babet. Good day,
Monsieur Claquesous. Don't you know me, Monsieur Guelemer? How goes it,
Montparnasse?"

"Yes, they know you!" ejaculated Thenardier. "But good day, good
evening, sheer off! leave us alone!"

"It's the hour for foxes, not for chickens," said Montparnasse.

"You see the job we have on hand here," added Babet.

Eponine caught Montparnasse's hand.

"Take care," said he, "you'll cut yourself, I've a knife open."

"My little Montparnasse," responded Eponine very gently, "you must have
confidence in people. I am the daughter of my father, perhaps. Monsieur
Babet, Monsieur Guelemer, I'm the person who was charged to investigate
this matter."

It is remarkable that Eponine did not talk slang. That frightful tongue
had become impossible to her since she had known Marius.

She pressed in her hand, small, bony, and feeble as that of a skeleton,
Guelemer's huge, coarse fingers, and continued:--

"You know well that I'm no fool. Ordinarily, I am believed. I have
rendered you service on various occasions. Well, I have made inquiries;
you will expose yourselves to no purpose, you see. I swear to you that
there is nothing in this house."

"There are lone women," said Guelemer.

"No, the persons have moved away."

"The candles haven't, anyway!" ejaculated Babet.

And he pointed out to Eponine, across the tops of the trees, a light
which was wandering about in the mansard roof of the pavilion. It was
Toussaint, who had stayed up to spread out some linen to dry.

Eponine made a final effort.

"Well," said she, "they're very poor folks, and it's a hovel where there
isn't a sou."

"Go to the devil!" cried Thenardier. "When we've turned the house upside
down and put the cellar at the top and the attic below, we'll tell
you what there is inside, and whether it's francs or sous or
half-farthings."

And he pushed her aside with the intention of entering.

"My good friend, Mr. Montparnasse," said Eponine, "I entreat you, you
are a good fellow, don't enter."

"Take care, you'll cut yourself," replied Montparnasse.

Thenardier resumed in his decided tone:--

"Decamp, my girl, and leave men to their own affairs!"

Eponine released Montparnasse's hand, which she had grasped again, and
said:--

"So you mean to enter this house?"

"Rather!" grinned the ventriloquist.

Then she set her back against the gate, faced the six ruffians who were
armed to the teeth, and to whom the night lent the visages of demons,
and said in a firm, low voice:--

"Well, I don't mean that you shall."

They halted in amazement. The ventriloquist, however, finished his grin.
She went on:--

"Friends! Listen well. This is not what you want. Now I'm talking. In
the first place, if you enter this garden, if you lay a hand on this
gate, I'll scream, I'll beat on the door, I'll rouse everybody, I'll
have the whole six of you seized, I'll call the police."

"She'd do it, too," said Thenardier in a low tone to Brujon and the
ventriloquist.

She shook her head and added:--

"Beginning with my father!"

Thenardier stepped nearer.

"Not so close, my good man!" said she.

He retreated, growling between his teeth:--

"Why, what's the matter with her?"

And he added:--

"Bitch!"

She began to laugh in a terrible way:--

"As you like, but you shall not enter here. I'm not the daughter of
a dog, since I'm the daughter of a wolf. There are six of you, what
matters that to me? You are men. Well, I'm a woman. You don't frighten
me. I tell you that you shan't enter this house, because it doesn't suit
me. If you approach, I'll bark. I told you, I'm the dog, and I don't
care a straw for you. Go your way, you bore me! Go where you please, but
don't come here, I forbid it! You can use your knives. I'll use kicks;
it's all the same to me, come on!"

She advanced a pace nearer the ruffians, she was terrible, she burst out
laughing:--

"Pardine! I'm not afraid. I shall be hungry this summer, and I shall be
cold this winter. Aren't they ridiculous, these ninnies of men, to think
they can scare a girl! What! Scare? Oh, yes, much! Because you have
finical poppets of mistresses who hide under the bed when you put on a
big voice, forsooth! I ain't afraid of anything, that I ain't!"

She fastened her intent gaze upon Thenardier and said:--

"Not even of you, father!"

Then she continued, as she cast her blood-shot, spectre-like eyes upon
the ruffians in turn:--

"What do I care if I'm picked up to-morrow morning on the pavement of
the Rue Plumet, killed by the blows of my father's club, or whether I'm
found a year from now in the nets at Saint-Cloud or the Isle of Swans in
the midst of rotten old corks and drowned dogs?"

She was forced to pause; she was seized by a dry cough, her breath came
from her weak and narrow chest like the death-rattle.

She resumed:--

"I have only to cry out, and people will come, and then slap, bang!
There are six of you; I represent the whole world."

Thenardier made a movement towards her.

"Don't approach!" she cried.

He halted, and said gently:--

"Well, no; I won't approach, but don't speak so loud. So you intend to
hinder us in our work, my daughter? But we must earn our living all the
same. Have you no longer any kind feeling for your father?"

"You bother me," said Eponine.

"But we must live, we must eat--"

"Burst!"

So saying, she seated herself on the underpinning of the fence and
hummed:--

       "Mon bras si dodu,            "My arm so plump,
        Ma jambe bien faite           My leg well formed,
        Et le temps perdu."           And time wasted."


She had set her elbow on her knee and her chin in her hand, and she
swung her foot with an air of indifference. Her tattered gown permitted
a view of her thin shoulder-blades. The neighboring street lantern
illuminated her profile and her attitude. Nothing more resolute and more
surprising could be seen.

The six rascals, speechless and gloomy at being held in check by a girl,
retreated beneath the shadow cast by the lantern, and held counsel with
furious and humiliated shrugs.

In the meantime she stared at them with a stern but peaceful air.

"There's something the matter with her," said Babet. "A reason. Is she
in love with the dog? It's a shame to miss this, anyway. Two women, an
old fellow who lodges in the back-yard, and curtains that ain't so bad
at the windows. The old cove must be a Jew. I think the job's a good
one."

"Well, go in, then, the rest of you," exclaimed Montparnasse. "Do the
job. I'll stay here with the girl, and if she fails us--"

He flashed the knife, which he held open in his hand, in the light of
the lantern.

Thenardier said not a word, and seemed ready for whatever the rest
pleased.

Brujon, who was somewhat of an oracle, and who had, as the reader knows,
"put up the job," had not as yet spoken. He seemed thoughtful. He had
the reputation of not sticking at anything, and it was known that he
had plundered a police post simply out of bravado. Besides this he made
verses and songs, which gave him great authority.

Babet interrogated him:--

"You say nothing, Brujon?"

Brujon remained silent an instant longer, then he shook his head in
various ways, and finally concluded to speak:--

"See here; this morning I came across two sparrows fighting, this
evening I jostled a woman who was quarrelling. All that's bad. Let's
quit."

They went away.

As they went, Montparnasse muttered:--

"Never mind! if they had wanted, I'd have cut her throat."

Babet responded

"I wouldn't. I don't hit a lady."

At the corner of the street they halted and exchanged the following
enigmatical dialogue in a low tone:--

"Where shall we go to sleep to-night?"

"Under Pantin [Paris]."

"Have you the key to the gate, Thenardier?"

"Pardi."

Eponine, who never took her eyes off of them, saw them retreat by the
road by which they had come. She rose and began to creep after them
along the walls and the houses. She followed them thus as far as the
boulevard.

There they parted, and she saw these six men plunge into the gloom,
where they appeared to melt away.




CHAPTER V--THINGS OF THE NIGHT

After the departure of the ruffians, the Rue Plumet resumed its
tranquil, nocturnal aspect. That which had just taken place in this
street would not have astonished a forest. The lofty trees, the copses,
the heaths, the branches rudely interlaced, the tall grass, exist in
a sombre manner; the savage swarming there catches glimpses of sudden
apparitions of the invisible; that which is below man distinguishes,
through the mists, that which is beyond man; and the things of which we
living beings are ignorant there meet face to face in the night. Nature,
bristling and wild, takes alarm at certain approaches in which she
fancies that she feels the supernatural. The forces of the gloom know
each other, and are strangely balanced by each other. Teeth and claws
fear what they cannot grasp. Blood-drinking bestiality, voracious
appetites, hunger in search of prey, the armed instincts of nails
and jaws which have for source and aim the belly, glare and smell out
uneasily the impassive spectral forms straying beneath a shroud, erect
in its vague and shuddering robe, and which seem to them to live with
a dead and terrible life. These brutalities, which are only matter,
entertain a confused fear of having to deal with the immense obscurity
condensed into an unknown being. A black figure barring the way stops
the wild beast short. That which emerges from the cemetery intimidates
and disconcerts that which emerges from the cave; the ferocious fear the
sinister; wolves recoil when they encounter a ghoul.




CHAPTER VI--MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING
COSETTE HIS ADDRESS

While this sort of a dog with a human face was mounting guard over the
gate, and while the six ruffians were yielding to a girl, Marius was by
Cosette's side.

Never had the sky been more studded with stars and more charming, the
trees more trembling, the odor of the grass more penetrating; never had
the birds fallen asleep among the leaves with a sweeter noise; never had
all the harmonies of universal serenity responded more thoroughly to the
inward music of love; never had Marius been more captivated, more happy,
more ecstatic.

But he had found Cosette sad; Cosette had been weeping. Her eyes were
red.

This was the first cloud in that wonderful dream.

Marius' first word had been: "What is the matter?"

And she had replied: "This."

Then she had seated herself on the bench near the steps, and while he
tremblingly took his place beside her, she had continued:--

"My father told me this morning to hold myself in readiness, because he
has business, and we may go away from here."

Marius shivered from head to foot.

When one is at the end of one's life, to die means to go away; when one
is at the beginning of it, to go away means to die.

For the last six weeks, Marius had little by little, slowly, by degrees,
taken possession of Cosette each day. As we have already explained, in
the case of first love, the soul is taken long before the body; later
on, one takes the body long before the soul; sometimes one does not take
the soul at all; the Faublas and the Prudhommes add: "Because there is
none"; but the sarcasm is, fortunately, a blasphemy. So Marius possessed
Cosette, as spirits possess, but he enveloped her with all his soul, and
seized her jealously with incredible conviction. He possessed her smile,
her breath, her perfume, the profound radiance of her blue eyes, the
sweetness of her skin when he touched her hand, the charming mark which
she had on her neck, all her thoughts. Therefore, he possessed all
Cosette's dreams.

He incessantly gazed at, and he sometimes touched lightly with his
breath, the short locks on the nape of her neck, and he declared to
himself that there was not one of those short hairs which did not belong
to him, Marius. He gazed upon and adored the things that she wore, her
knot of ribbon, her gloves, her sleeves, her shoes, her cuffs, as sacred
objects of which he was the master. He dreamed that he was the lord of
those pretty shell combs which she wore in her hair, and he even said to
himself, in confused and suppressed stammerings of voluptuousness which
did not make their way to the light, that there was not a ribbon of her
gown, not a mesh in her stockings, not a fold in her bodice, which was
not his. Beside Cosette he felt himself beside his own property, his
own thing, his own despot and his slave. It seemed as though they had
so intermingled their souls, that it would have been impossible to tell
them apart had they wished to take them back again.--"This is mine."
"No, it is mine." "I assure you that you are mistaken. This is my
property." "What you are taking as your own is myself."--Marius was
something that made a part of Cosette, and Cosette was something which
made a part of Marius. Marius felt Cosette within him. To have Cosette,
to possess Cosette, this, to him, was not to be distinguished from
breathing. It was in the midst of this faith, of this intoxication, of
this virgin possession, unprecedented and absolute, of this sovereignty,
that these words: "We are going away," fell suddenly, at a blow, and
that the harsh voice of reality cried to him: "Cosette is not yours!"

Marius awoke. For six weeks Marius had been living, as we have said,
outside of life; those words, going away! caused him to re-enter it
harshly.

He found not a word to say. Cosette merely felt that his hand was very
cold. She said to him in her turn: "What is the matter?"

He replied in so low a tone that Cosette hardly heard him:--

"I did not understand what you said."

She began again:--

"This morning my father told me to settle all my little affairs and to
hold myself in readiness, that he would give me his linen to put in a
trunk, that he was obliged to go on a journey, that we were to go away,
that it is necessary to have a large trunk for me and a small one for
him, and that all is to be ready in a week from now, and that we might
go to England."

"But this is outrageous!" exclaimed Marius.

It is certain, that, at that moment, no abuse of power, no violence, not
one of the abominations of the worst tyrants, no action of Busiris, of
Tiberius, or of Henry VIII., could have equalled this in atrocity,
in the opinion of Marius; M. Fauchelevent taking his daughter off to
England because he had business there.

He demanded in a weak voice:--

"And when do you start?"

"He did not say when."

"And when shall you return?"

"He did not say when."

Marius rose and said coldly:--

"Cosette, shall you go?"

Cosette turned toward him her beautiful eyes, all filled with anguish,
and replied in a sort of bewilderment:--

"Where?"

"To England. Shall you go?"

"Why do you say you to me?"

"I ask you whether you will go?"

"What do you expect me to do?" she said, clasping her hands.

"So, you will go?"

"If my father goes."

"So, you will go?"

Cosette took Marius' hand, and pressed it without replying.

"Very well," said Marius, "then I will go elsewhere."

Cosette felt rather than understood the meaning of these words.
She turned so pale that her face shone white through the gloom. She
stammered:--

"What do you mean?"

Marius looked at her, then raised his eyes to heaven, and answered:
"Nothing."

When his eyes fell again, he saw Cosette smiling at him. The smile of a
woman whom one loves possesses a visible radiance, even at night.

"How silly we are! Marius, I have an idea."

"What is it?"

"If we go away, do you go too! I will tell you where! Come and join me
wherever I am."

Marius was now a thoroughly roused man. He had fallen back into reality.
He cried to Cosette:--

"Go away with you! Are you mad? Why, I should have to have money, and I
have none! Go to England? But I am in debt now, I owe, I don't know how
much, more than ten louis to Courfeyrac, one of my friends with whom you
are not acquainted! I have an old hat which is not worth three francs,
I have a coat which lacks buttons in front, my shirt is all ragged, my
elbows are torn, my boots let in the water; for the last six weeks I
have not thought about it, and I have not told you about it. You only
see me at night, and you give me your love; if you were to see me in the
daytime, you would give me a sou! Go to England! Eh! I haven't enough to
pay for a passport!"

He threw himself against a tree which was close at hand, erect, his brow
pressed close to the bark, feeling neither the wood which flayed his
skin, nor the fever which was throbbing in his temples, and there he
stood motionless, on the point of falling, like the statue of despair.

He remained a long time thus. One could remain for eternity in such
abysses. At last he turned round. He heard behind him a faint stifled
noise, which was sweet yet sad.

It was Cosette sobbing.

She had been weeping for more than two hours beside Marius as he
meditated.

He came to her, fell at her knees, and slowly prostrating himself, he
took the tip of her foot which peeped out from beneath her robe, and
kissed it.

She let him have his way in silence. There are moments when a woman
accepts, like a sombre and resigned goddess, the religion of love.

"Do not weep," he said.

She murmured:--

"Not when I may be going away, and you cannot come!"

He went on:--

"Do you love me?"

She replied, sobbing, by that word from paradise which is never more
charming than amid tears:--

"I adore you!"

He continued in a tone which was an indescribable caress:--

"Do not weep. Tell me, will you do this for me, and cease to weep?"

"Do you love me?" said she.

He took her hand.

"Cosette, I have never given my word of honor to any one, because my
word of honor terrifies me. I feel that my father is by my side. Well, I
give you my most sacred word of honor, that if you go away I shall die."

In the tone with which he uttered these words there lay a melancholy so
solemn and so tranquil, that Cosette trembled. She felt that chill which
is produced by a true and gloomy thing as it passes by. The shock made
her cease weeping.

"Now, listen," said he, "do not expect me to-morrow."

"Why?"

"Do not expect me until the day after to-morrow."

"Oh! Why?"

"You will see."

"A day without seeing you! But that is impossible!"

"Let us sacrifice one day in order to gain our whole lives, perhaps."

And Marius added in a low tone and in an aside:--

"He is a man who never changes his habits, and he has never received any
one except in the evening."

"Of what man are you speaking?" asked Cosette.

"I? I said nothing."

"What do you hope, then?"

"Wait until the day after to-morrow."

"You wish it?"

"Yes, Cosette."

She took his head in both her hands, raising herself on tiptoe in order
to be on a level with him, and tried to read his hope in his eyes.

Marius resumed:--

"Now that I think of it, you ought to know my address: something might
happen, one never knows; I live with that friend named Courfeyrac, Rue
de la Verrerie, No. 16."

He searched in his pocket, pulled out his penknife, and with the blade
he wrote on the plaster of the wall:--

"16 Rue de la Verrerie."

In the meantime, Cosette had begun to gaze into his eyes once more.

"Tell me your thought, Marius; you have some idea. Tell it to me. Oh!
tell me, so that I may pass a pleasant night."

"This is my idea: that it is impossible that God should mean to part us.
Wait; expect me the day after to-morrow."

"What shall I do until then?" said Cosette. "You are outside, you go,
and come! How happy men are! I shall remain entirely alone! Oh! How sad
I shall be! What is it that you are going to do to-morrow evening? tell
me."

"I am going to try something."

"Then I will pray to God and I will think of you here, so that you may
be successful. I will question you no further, since you do not wish it.
You are my master. I shall pass the evening to-morrow in singing that
music from Euryanthe that you love, and that you came one evening to
listen to, outside my shutters. But day after to-morrow you will come
early. I shall expect you at dusk, at nine o'clock precisely, I warn
you. Mon Dieu! how sad it is that the days are so long! On the stroke of
nine, do you understand, I shall be in the garden."

"And I also."

And without having uttered it, moved by the same thought, impelled by
those electric currents which place lovers in continual communication,
both being intoxicated with delight even in their sorrow, they fell into
each other's arms, without perceiving that their lips met while their
uplifted eyes, overflowing with rapture and full of tears, gazed upon
the stars.

When Marius went forth, the street was deserted. This was the moment
when Eponine was following the ruffians to the boulevard.

While Marius had been dreaming with his head pressed to the tree, an
idea had crossed his mind; an idea, alas! that he himself judged to be
senseless and impossible. He had come to a desperate decision.




CHAPTER VII--THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH
OTHER

At that epoch, Father Gillenormand was well past his ninety-first
birthday. He still lived with Mademoiselle Gillenormand in the Rue des
Filles-du-Calvaire, No. 6, in the old house which he owned. He was, as
the reader will remember, one of those antique old men who await death
perfectly erect, whom age bears down without bending, and whom even
sorrow cannot curve.

Still, his daughter had been saying for some time: "My father is
sinking." He no longer boxed the maids' ears; he no longer thumped
the landing-place so vigorously with his cane when Basque was slow in
opening the door. The Revolution of July had exasperated him for the
space of barely six months. He had viewed, almost tranquilly, that
coupling of words, in the Moniteur: M. Humblot-Conte, peer of France.
The fact is, that the old man was deeply dejected. He did not bend, he
did not yield; this was no more a characteristic of his physical than
of his moral nature, but he felt himself giving way internally. For four
years he had been waiting for Marius, with his foot firmly planted, that
is the exact word, in the conviction that that good-for-nothing young
scamp would ring at his door some day or other; now he had reached
the point, where, at certain gloomy hours, he said to himself, that
if Marius made him wait much longer--It was not death that was
insupportable to him; it was the idea that perhaps he should never see
Marius again. The idea of never seeing Marius again had never entered
his brain until that day; now the thought began to recur to him, and
it chilled him. Absence, as is always the case in genuine and natural
sentiments, had only served to augment the grandfather's love for the
ungrateful child, who had gone off like a flash. It is during December
nights, when the cold stands at ten degrees, that one thinks oftenest of
the son.

M. Gillenormand was, or thought himself, above all things, incapable
of taking a single step, he--the grandfather, towards his grandson; "I
would die rather," he said to himself. He did not consider himself
as the least to blame; but he thought of Marius only with profound
tenderness, and the mute despair of an elderly, kindly old man who is
about to vanish in the dark.

He began to lose his teeth, which added to his sadness.

M. Gillenormand, without however acknowledging it to himself, for it
would have rendered him furious and ashamed, had never loved a mistress
as he loved Marius.

He had had placed in his chamber, opposite the head of his bed, so that
it should be the first thing on which his eyes fell on waking, an
old portrait of his other daughter, who was dead, Madame Pontmercy,
a portrait which had been taken when she was eighteen. He gazed
incessantly at that portrait. One day, he happened to say, as he gazed
upon it:--

"I think the likeness is strong."

"To my sister?" inquired Mademoiselle Gillenormand. "Yes, certainly."

"The old man added:--

"And to him also."

Once as he sat with his knees pressed together, and his eyes almost
closed, in a despondent attitude, his daughter ventured to say to him:--

"Father, are you as angry with him as ever?"

She paused, not daring to proceed further.

"With whom?" he demanded.

"With that poor Marius."

He raised his aged head, laid his withered and emaciated fist on the
table, and exclaimed in his most irritated and vibrating tone:--

"Poor Marius, do you say! That gentleman is a knave, a wretched
scoundrel, a vain little ingrate, a heartless, soulless, haughty, and
wicked man!"

And he turned away so that his daughter might not see the tear that
stood in his eye.

Three days later he broke a silence which had lasted four hours, to say
to his daughter point-blank:--

"I had the honor to ask Mademoiselle Gillenormand never to mention him
to me."

Aunt Gillenormand renounced every effort, and pronounced this acute
diagnosis: "My father never cared very much for my sister after her
folly. It is clear that he detests Marius."

"After her folly" meant: "after she had married the colonel."

However, as the reader has been able to conjecture, Mademoiselle
Gillenormand had failed in her attempt to substitute her favorite, the
officer of lancers, for Marius. The substitute, Theodule, had not been a
success. M. Gillenormand had not accepted the quid pro quo. A vacancy
in the heart does not accommodate itself to a stop-gap. Theodule, on his
side, though he scented the inheritance, was disgusted at the task
of pleasing. The goodman bored the lancer; and the lancer shocked the
goodman. Lieutenant Theodule was gay, no doubt, but a chatter-box,
frivolous, but vulgar; a high liver, but a frequenter of bad company; he
had mistresses, it is true, and he had a great deal to say about them,
it is true also; but he talked badly. All his good qualities had a
defect. M. Gillenormand was worn out with hearing him tell about the
love affairs that he had in the vicinity of the barracks in the Rue
de Babylone. And then, Lieutenant Gillenormand sometimes came in his
uniform, with the tricolored cockade. This rendered him downright
intolerable. Finally, Father Gillenormand had said to his daughter:
"I've had enough of that Theodule. I haven't much taste for warriors
in time of peace. Receive him if you choose. I don't know but I prefer
slashers to fellows that drag their swords. The clash of blades in
battle is less dismal, after all, than the clank of the scabbard on
the pavement. And then, throwing out your chest like a bully and
lacing yourself like a girl, with stays under your cuirass, is doubly
ridiculous. When one is a veritable man, one holds equally aloof
from swagger and from affected airs. He is neither a blusterer nor a
finnicky-hearted man. Keep your Theodule for yourself."

It was in vain that his daughter said to him: "But he is your
grandnephew, nevertheless,"--it turned out that M. Gillenormand, who
was a grandfather to the very finger-tips, was not in the least a
grand-uncle.

In fact, as he had good sense, and as he had compared the two, Theodule
had only served to make him regret Marius all the more.

One evening,--it was the 24th of June, which did not prevent Father
Gillenormand having a rousing fire on the hearth,--he had dismissed his
daughter, who was sewing in a neighboring apartment. He was alone in
his chamber, amid its pastoral scenes, with his feet propped on the
andirons, half enveloped in his huge screen of coromandel lacquer, with
its nine leaves, with his elbow resting on a table where burned two
candles under a green shade, engulfed in his tapestry armchair, and in
his hand a book which he was not reading. He was dressed, according
to his wont, like an incroyable, and resembled an antique portrait by
Garat. This would have made people run after him in the street, had not
his daughter covered him up, whenever he went out, in a vast bishop's
wadded cloak, which concealed his attire. At home, he never wore a
dressing gown, except when he rose and retired. "It gives one a look of
age," said he.

Father Gillenormand was thinking of Marius lovingly and bitterly; and,
as usual, bitterness predominated. His tenderness once soured always
ended by boiling and turning to indignation. He had reached the point
where a man tries to make up his mind and to accept that which rends his
heart. He was explaining to himself that there was no longer any reason
why Marius should return, that if he intended to return, he should
have done it long ago, that he must renounce the idea. He was trying to
accustom himself to the thought that all was over, and that he should
die without having beheld "that gentleman" again. But his whole nature
revolted; his aged paternity would not consent to this. "Well!" said
he,--this was his doleful refrain,--"he will not return!" His bald head
had fallen upon his breast, and he fixed a melancholy and irritated gaze
upon the ashes on his hearth.

In the very midst of his revery, his old servant Basque entered, and
inquired:--

"Can Monsieur receive M. Marius?"

The old man sat up erect, pallid, and like a corpse which rises under
the influence of a galvanic shock. All his blood had retreated to his
heart. He stammered:--

"M. Marius what?"

"I don't know," replied Basque, intimidated and put out of countenance
by his master's air; "I have not seen him. Nicolette came in and said to
me: 'There's a young man here; say that it is M. Marius.'"

Father Gillenormand stammered in a low voice:--

"Show him in."

And he remained in the same attitude, with shaking head, and his eyes
fixed on the door. It opened once more. A young man entered. It was
Marius.

Marius halted at the door, as though waiting to be bidden to enter.

His almost squalid attire was not perceptible in the obscurity caused by
the shade. Nothing could be seen but his calm, grave, but strangely sad
face.

It was several minutes before Father Gillenormand, dulled with amazement
and joy, could see anything except a brightness as when one is in the
presence of an apparition. He was on the point of swooning; he saw
Marius through a dazzling light. It certainly was he, it certainly was
Marius.

At last! After the lapse of four years! He grasped him entire, so to
speak, in a single glance. He found him noble, handsome, distinguished,
well-grown, a complete man, with a suitable mien and a charming air. He
felt a desire to open his arms, to call him, to fling himself forward;
his heart melted with rapture, affectionate words swelled and overflowed
his breast; at length all his tenderness came to the light and reached
his lips, and, by a contrast which constituted the very foundation of
his nature, what came forth was harshness. He said abruptly:--

"What have you come here for?"

Marius replied with embarrassment:--

"Monsieur--"

M. Gillenormand would have liked to have Marius throw himself into his
arms. He was displeased with Marius and with himself. He was conscious
that he was brusque, and that Marius was cold. It caused the goodman
unendurable and irritating anxiety to feel so tender and forlorn
within, and only to be able to be hard outside. Bitterness returned. He
interrupted Marius in a peevish tone:--

"Then why did you come?"

That "then" signified: If you do not come to embrace me. Marius looked
at his grandfather, whose pallor gave him a face of marble.

"Monsieur--"

"Have you come to beg my pardon? Do you acknowledge your faults?"

He thought he was putting Marius on the right road, and that "the child"
would yield. Marius shivered; it was the denial of his father that was
required of him; he dropped his eyes and replied:--

"No, sir."

"Then," exclaimed the old man impetuously, with a grief that was
poignant and full of wrath, "what do you want of me?"

Marius clasped his hands, advanced a step, and said in a feeble and
trembling voice:--

"Sir, have pity on me."

These words touched M. Gillenormand; uttered a little sooner, they would
have rendered him tender, but they came too late. The grandfather rose;
he supported himself with both hands on his cane; his lips were white,
his brow wavered, but his lofty form towered above Marius as he bowed.

"Pity on you, sir! It is youth demanding pity of the old man of
ninety-one! You are entering into life, I am leaving it; you go to the
play, to balls, to the cafe, to the billiard-hall; you have wit, you
please the women, you are a handsome fellow; as for me, I spit on my
brands in the heart of summer; you are rich with the only riches that
are really such, I possess all the poverty of age; infirmity, isolation!
You have your thirty-two teeth, a good digestion, bright eyes, strength,
appetite, health, gayety, a forest of black hair; I have no longer even
white hair, I have lost my teeth, I am losing my legs, I am losing my
memory; there are three names of streets that I confound incessantly,
the Rue Charlot, the Rue du Chaume, and the Rue Saint-Claude, that
is what I have come to; you have before you the whole future, full of
sunshine, and I am beginning to lose my sight, so far am I advancing
into the night; you are in love, that is a matter of course, I am
beloved by no one in all the world; and you ask pity of me! Parbleu!
Moliere forgot that. If that is the way you jest at the courthouse,
Messieurs the lawyers, I sincerely compliment you. You are droll."

And the octogenarian went on in a grave and angry voice:--

"Come, now, what do you want of me?"

"Sir," said Marius, "I know that my presence is displeasing to you, but
I have come merely to ask one thing of you, and then I shall go away
immediately."

"You are a fool!" said the old man. "Who said that you were to go away?"

This was the translation of the tender words which lay at the bottom of
his heart:--

"Ask my pardon! Throw yourself on my neck!"

M. Gillenormand felt that Marius would leave him in a few moments, that
his harsh reception had repelled the lad, that his hardness was driving
him away; he said all this to himself, and it augmented his grief; and
as his grief was straightway converted into wrath, it increased his
harshness. He would have liked to have Marius understand, and Marius did
not understand, which made the goodman furious.

He began again:--

"What! you deserted me, your grandfather, you left my house to go no
one knows whither, you drove your aunt to despair, you went off, it is
easily guessed, to lead a bachelor life; it's more convenient, to play
the dandy, to come in at all hours, to amuse yourself; you have given me
no signs of life, you have contracted debts without even telling me to
pay them, you have become a smasher of windows and a blusterer, and, at
the end of four years, you come to me, and that is all you have to say
to me!"

This violent fashion of driving a grandson to tenderness was productive
only of silence on the part of Marius. M. Gillenormand folded his arms;
a gesture which with him was peculiarly imperious, and apostrophized
Marius bitterly:--

"Let us make an end of this. You have come to ask something of me, you
say? Well, what? What is it? Speak!"

"Sir," said Marius, with the look of a man who feels that he is falling
over a precipice, "I have come to ask your permission to marry."

M. Gillenormand rang the bell. Basque opened the door half-way.

"Call my daughter."

A second later, the door was opened once more, Mademoiselle Gillenormand
did not enter, but showed herself; Marius was standing, mute, with
pendant arms and the face of a criminal; M. Gillenormand was pacing back
and forth in the room. He turned to his daughter and said to her:--

"Nothing. It is Monsieur Marius. Say good day to him. Monsieur wishes to
marry. That's all. Go away."

The curt, hoarse sound of the old man's voice announced a strange degree
of excitement. The aunt gazed at Marius with a frightened air, hardly
appeared to recognize him, did not allow a gesture or a syllable to
escape her, and disappeared at her father's breath more swiftly than a
straw before the hurricane.

In the meantime, Father Gillenormand had returned and placed his back
against the chimney-piece once more.

"You marry! At one and twenty! You have arranged that! You have only
a permission to ask! a formality. Sit down, sir. Well, you have had a
revolution since I had the honor to see you last. The Jacobins got the
upper hand. You must have been delighted. Are you not a Republican since
you are a Baron? You can make that agree. The Republic makes a good
sauce for the barony. Are you one of those decorated by July? Have you
taken the Louvre at all, sir? Quite near here, in the Rue Saint-Antoine,
opposite the Rue des Nonamdieres, there is a cannon-ball incrusted in
the wall of the third story of a house with this inscription: 'July
28th, 1830.' Go take a look at that. It produces a good effect. Ah!
those friends of yours do pretty things. By the way, aren't they
erecting a fountain in the place of the monument of M. le Duc de Berry?
So you want to marry? Whom? Can one inquire without indiscretion?"

He paused, and, before Marius had time to answer, he added violently:--

"Come now, you have a profession? A fortune made? How much do you earn
at your trade of lawyer?"

"Nothing," said Marius, with a sort of firmness and resolution that was
almost fierce.

"Nothing? Then all that you have to live upon is the twelve hundred
livres that I allow you?"

Marius did not reply. M. Gillenormand continued:--

"Then I understand the girl is rich?"

"As rich as I am."

"What! No dowry?"

"No."

"Expectations?"

"I think not."

"Utterly naked! What's the father?"

"I don't know."

"And what's her name?"

"Mademoiselle Fauchelevent."

"Fauchewhat?"

"Fauchelevent."

"Pttt!" ejaculated the old gentleman.

"Sir!" exclaimed Marius.

M. Gillenormand interrupted him with the tone of a man who is speaking
to himself:--

"That's right, one and twenty years of age, no profession, twelve
hundred livres a year, Madame la Baronne de Pontmercy will go and
purchase a couple of sous' worth of parsley from the fruiterer."

"Sir," repeated Marius, in the despair at the last hope, which was
vanishing, "I entreat you! I conjure you in the name of Heaven, with
clasped hands, sir, I throw myself at your feet, permit me to marry
her!"

The old man burst into a shout of strident and mournful laughter,
coughing and laughing at the same time.

"Ah! ah! ah! You said to yourself: 'Pardine! I'll go hunt up that old
blockhead, that absurd numskull! What a shame that I'm not twenty-five!
How I'd treat him to a nice respectful summons! How nicely I'd get along
without him! It's nothing to me, I'd say to him: "You're only too happy
to see me, you old idiot, I want to marry, I desire to wed Mamselle
No-matter-whom, daughter of Monsieur No-matter-what, I have no shoes,
she has no chemise, that just suits; I want to throw my career, my
future, my youth, my life to the dogs; I wish to take a plunge into
wretchedness with a woman around my neck, that's an idea, and you must
consent to it!" and the old fossil will consent.' Go, my lad, do as
you like, attach your paving-stone, marry your Pousselevent, your
Coupelevent--Never, sir, never!"

"Father--"

"Never!"

At the tone in which that "never" was uttered, Marius lost all hope. He
traversed the chamber with slow steps, with bowed head, tottering and
more like a dying man than like one merely taking his departure. M.
Gillenormand followed him with his eyes, and at the moment when the
door opened, and Marius was on the point of going out, he advanced four
paces, with the senile vivacity of impetuous and spoiled old gentlemen,
seized Marius by the collar, brought him back energetically into the
room, flung him into an armchair and said to him:--

"Tell me all about it!"

"It was that single word "father" which had effected this revolution.

Marius stared at him in bewilderment. M. Gillenormand's mobile face was
no longer expressive of anything but rough and ineffable good-nature.
The grandsire had given way before the grandfather.

"Come, see here, speak, tell me about your love affairs, jabber, tell me
everything! Sapristi! how stupid young folks are!"

"Father--" repeated Marius.

The old man's entire countenance lighted up with indescribable radiance.

"Yes, that's right, call me father, and you'll see!"

There was now something so kind, so gentle, so openhearted, and so
paternal in this brusqueness, that Marius, in the sudden transition from
discouragement to hope, was stunned and intoxicated by it, as it were.
He was seated near the table, the light from the candles brought out
the dilapidation of his costume, which Father Gillenormand regarded with
amazement.

"Well, father--" said Marius.

"Ah, by the way," interrupted M. Gillenormand, "you really have not a
penny then? You are dressed like a pickpocket."

He rummaged in a drawer, drew forth a purse, which he laid on the table:
"Here are a hundred louis, buy yourself a hat."

"Father," pursued Marius, "my good father, if you only knew! I love her.
You cannot imagine it; the first time I saw her was at the Luxembourg,
she came there; in the beginning, I did not pay much heed to her, and
then, I don't know how it came about, I fell in love with her. Oh! how
unhappy that made me! Now, at last, I see her every day, at her own
home, her father does not know it, just fancy, they are going away, it
is in the garden that we meet, in the evening, her father means to take
her to England, then I said to myself: 'I'll go and see my grandfather
and tell him all about the affair. I should go mad first, I should die,
I should fall ill, I should throw myself into the water. I absolutely
must marry her, since I should go mad otherwise.' This is the whole
truth, and I do not think that I have omitted anything. She lives in a
garden with an iron fence, in the Rue Plumet. It is in the neighborhood
of the Invalides."

Father Gillenormand had seated himself, with a beaming countenance,
beside Marius. As he listened to him and drank in the sound of his
voice, he enjoyed at the same time a protracted pinch of snuff. At
the words "Rue Plumet" he interrupted his inhalation and allowed the
remainder of his snuff to fall upon his knees.

"The Rue Plumet, the Rue Plumet, did you say?--Let us see!--Are there
not barracks in that vicinity?--Why, yes, that's it. Your cousin
Theodule has spoken to me about it. The lancer, the officer. A gay girl,
my good friend, a gay girl!--Pardieu, yes, the Rue Plumet. It is what
used to be called the Rue Blomet.--It all comes back to me now. I have
heard of that little girl of the iron railing in the Rue Plumet. In a
garden, a Pamela. Your taste is not bad. She is said to be a very tidy
creature. Between ourselves, I think that simpleton of a lancer has been
courting her a bit. I don't know where he did it. However, that's not
to the purpose. Besides, he is not to be believed. He brags, Marius! I
think it quite proper that a young man like you should be in love. It's
the right thing at your age. I like you better as a lover than as a
Jacobin. I like you better in love with a petticoat, sapristi! with
twenty petticoats, than with M. de Robespierre. For my part, I will do
myself the justice to say, that in the line of sans-culottes, I have
never loved any one but women. Pretty girls are pretty girls, the deuce!
There's no objection to that. As for the little one, she receives you
without her father's knowledge. That's in the established order of
things. I have had adventures of that same sort myself. More than one.
Do you know what is done then? One does not take the matter ferociously;
one does not precipitate himself into the tragic; one does not make
one's mind to marriage and M. le Maire with his scarf. One simply
behaves like a fellow of spirit. One shows good sense. Slip along,
mortals; don't marry. You come and look up your grandfather, who is a
good-natured fellow at bottom, and who always has a few rolls of louis
in an old drawer; you say to him: 'See here, grandfather.' And the
grandfather says: 'That's a simple matter. Youth must amuse itself, and
old age must wear out. I have been young, you will be old. Come, my boy,
you shall pass it on to your grandson. Here are two hundred pistoles.
Amuse yourself, deuce take it!' Nothing better! That's the way the
affair should be treated. You don't marry, but that does no harm. You
understand me?"

Marius, petrified and incapable of uttering a syllable, made a sign with
his head that he did not.

The old man burst out laughing, winked his aged eye, gave him a slap on
the knee, stared him full in the face with a mysterious and beaming air,
and said to him, with the tenderest of shrugs of the shoulder:--

"Booby! make her your mistress."

Marius turned pale. He had understood nothing of what his grandfather
had just said. This twaddle about the Rue Blomet, Pamela, the barracks,
the lancer, had passed before Marius like a dissolving view. Nothing of
all that could bear any reference to Cosette, who was a lily. The good
man was wandering in his mind. But this wandering terminated in words
which Marius did understand, and which were a mortal insult to Cosette.
Those words, "make her your mistress," entered the heart of the strict
young man like a sword.

He rose, picked up his hat which lay on the floor, and walked to the
door with a firm, assured step. There he turned round, bowed deeply to
his grandfather, raised his head erect again, and said:--

"Five years ago you insulted my father; to-day you have insulted my
wife. I ask nothing more of you, sir. Farewell."

Father Gillenormand, utterly confounded, opened his mouth, extended his
arms, tried to rise, and before he could utter a word, the door closed
once more, and Marius had disappeared.

The old man remained for several minutes motionless and as though
struck by lightning, without the power to speak or breathe, as though
a clenched fist grasped his throat. At last he tore himself from his
arm-chair, ran, so far as a man can run at ninety-one, to the door,
opened it, and cried:--

"Help! Help!"

His daughter made her appearance, then the domestics. He began again,
with a pitiful rattle: "Run after him! Bring him back! What have I done
to him? He is mad! He is going away! Ah! my God! Ah! my God! This time
he will not come back!"

He went to the window which looked out on the street, threw it open with
his aged and palsied hands, leaned out more than half-way, while Basque
and Nicolette held him behind, and shouted:--

"Marius! Marius! Marius! Marius!"

But Marius could no longer hear him, for at that moment he was turning
the corner of the Rue Saint-Louis.

The octogenarian raised his hands to his temples two or three times
with an expression of anguish, recoiled tottering, and fell back into an
arm-chair, pulseless, voiceless, tearless, with quivering head and lips
which moved with a stupid air, with nothing in his eyes and nothing
any longer in his heart except a gloomy and profound something which
resembled night.




BOOK NINTH.--WHITHER ARE THEY GOING?




CHAPTER I--JEAN VALJEAN

That same day, towards four o'clock in the afternoon, Jean Valjean was
sitting alone on the back side of one of the most solitary slopes in the
Champ-de-Mars. Either from prudence, or from a desire to meditate, or
simply in consequence of one of those insensible changes of habit which
gradually introduce themselves into the existence of every one, he now
rarely went out with Cosette. He had on his workman's waistcoat,
and trousers of gray linen; and his long-visored cap concealed his
countenance.

He was calm and happy now beside Cosette; that which had, for a time,
alarmed and troubled him had been dissipated; but for the last week or
two, anxieties of another nature had come up. One day, while walking
on the boulevard, he had caught sight of Thenardier; thanks to his
disguise, Thenardier had not recognized him; but since that day, Jean
Valjean had seen him repeatedly, and he was now certain that Thenardier
was prowling about in their neighborhood.

This had been sufficient to make him come to a decision.

Moreover, Paris was not tranquil: political troubles presented this
inconvenient feature, for any one who had anything to conceal in his
life, that the police had grown very uneasy and very suspicious, and
that while seeking to ferret out a man like Pepin or Morey, they might
very readily discover a man like Jean Valjean.

Jean Valjean had made up his mind to quit Paris, and even France, and go
over to England.

He had warned Cosette. He wished to set out before the end of the week.

He had seated himself on the slope in the Champ-de-Mars, turning over
all sorts of thoughts in his mind,--Thenardier, the police, the journey,
and the difficulty of procuring a passport.

He was troubled from all these points of view.

Last of all, an inexplicable circumstance which had just attracted his
attention, and from which he had not yet recovered, had added to his
state of alarm.

On the morning of that very day, when he alone of the household was
stirring, while strolling in the garden before Cosette's shutters
were open, he had suddenly perceived on the wall, the following line,
engraved, probably with a nail:--

16 Rue de la Verrerie.

This was perfectly fresh, the grooves in the ancient black mortar were
white, a tuft of nettles at the foot of the wall was powdered with the
fine, fresh plaster.

This had probably been written on the preceding night.

What was this? A signal for others? A warning for himself?

In any case, it was evident that the garden had been violated, and that
strangers had made their way into it.

He recalled the odd incidents which had already alarmed the household.

His mind was now filling in this canvas.

He took good care not to speak to Cosette of the line written on the
wall, for fear of alarming her.

In the midst of his preoccupations, he perceived, from a shadow cast by
the sun, that some one had halted on the crest of the slope immediately
behind him.

He was on the point of turning round, when a paper folded in four fell
upon his knees as though a hand had dropped it over his head.

He took the paper, unfolded it, and read these words written in large
characters, with a pencil:--

"MOVE AWAY FROM YOUR HOUSE."

Jean Valjean sprang hastily to his feet; there was no one on the slope;
he gazed all around him and perceived a creature larger than a
child, not so large as a man, clad in a gray blouse and trousers of
dust-colored cotton velvet, who was jumping over the parapet and who
slipped into the moat of the Champde-Mars.

Jean Valjean returned home at once, in a very thoughtful mood.




CHAPTER II--MARIUS

Marius had left M. Gillenormand in despair. He had entered the house
with very little hope, and quitted it with immense despair.

However, and those who have observed the depths of the human heart will
understand this, the officer, the lancer, the ninny, Cousin Theodule,
had left no trace in his mind. Not the slightest. The dramatic poet
might, apparently, expect some complications from this revelation made
point-blank by the grandfather to the grandson. But what the drama would
gain thereby, truth would lose. Marius was at an age when one believes
nothing in the line of evil; later on comes the age when one believes
everything. Suspicions are nothing else than wrinkles. Early youth
has none of them. That which overwhelmed Othello glides innocuous over
Candide. Suspect Cosette! There are hosts of crimes which Marius could
sooner have committed.

He began to wander about the streets, the resource of those who suffer.
He thought of nothing, so far as he could afterwards remember. At two
o'clock in the morning he returned to Courfeyrac's quarters and flung
himself, without undressing, on his mattress. The sun was shining
brightly when he sank into that frightful leaden slumber which permits
ideas to go and come in the brain. When he awoke, he saw Courfeyrac,
Enjolras, Feuilly, and Combeferre standing in the room with their hats
on and all ready to go out.

Courfeyrac said to him:--

"Are you coming to General Lamarque's funeral?"

It seemed to him that Courfeyrac was speaking Chinese.

He went out some time after them. He put in his pocket the pistols which
Javert had given him at the time of the adventure on the 3d of February,
and which had remained in his hands. These pistols were still loaded. It
would be difficult to say what vague thought he had in his mind when he
took them with him.

All day long he prowled about, without knowing where he was going; it
rained at times, he did not perceive it; for his dinner, he purchased a
penny roll at a baker's, put it in his pocket and forgot it. It appears
that he took a bath in the Seine without being aware of it. There are
moments when a man has a furnace within his skull. Marius was passing
through one of those moments. He no longer hoped for anything; this
step he had taken since the preceding evening. He waited for night with
feverish impatience, he had but one idea clearly before his mind;--this
was, that at nine o'clock he should see Cosette. This last happiness
now constituted his whole future; after that, gloom. At intervals, as
he roamed through the most deserted boulevards, it seemed to him that he
heard strange noises in Paris. He thrust his head out of his revery and
said: "Is there fighting on hand?"

At nightfall, at nine o'clock precisely, as he had promised Cosette,
he was in the Rue Plumet. When he approached the grating he forgot
everything. It was forty-eight hours since he had seen Cosette; he was
about to behold her once more; every other thought was effaced, and
he felt only a profound and unheard-of joy. Those minutes in which one
lives centuries always have this sovereign and wonderful property, that
at the moment when they are passing they fill the heart completely.

Marius displaced the bar, and rushed headlong into the garden. Cosette
was not at the spot where she ordinarily waited for him. He traversed
the thicket, and approached the recess near the flight of steps: "She
is waiting for me there," said he. Cosette was not there. He raised his
eyes, and saw that the shutters of the house were closed. He made the
tour of the garden, the garden was deserted. Then he returned to
the house, and, rendered senseless by love, intoxicated, terrified,
exasperated with grief and uneasiness, like a master who returns home at
an evil hour, he tapped on the shutters. He knocked and knocked again,
at the risk of seeing the window open, and her father's gloomy face
make its appearance, and demand: "What do you want?" This was nothing in
comparison with what he dimly caught a glimpse of. When he had rapped,
he lifted up his voice and called Cosette.--"Cosette!" he cried;
"Cosette!" he repeated imperiously. There was no reply. All was over. No
one in the garden; no one in the house.

Marius fixed his despairing eyes on that dismal house, which was as
black and as silent as a tomb and far more empty. He gazed at the stone
seat on which he had passed so many adorable hours with Cosette. Then he
seated himself on the flight of steps, his heart filled with sweetness
and resolution, he blessed his love in the depths of his thought, and
he said to himself that, since Cosette was gone, all that there was left
for him was to die.

All at once he heard a voice which seemed to proceed from the street,
and which was calling to him through the trees:--

"Mr. Marius!"

He started to his feet.

"Hey?" said he.

"Mr. Marius, are you there?"

"Yes."

"Mr. Marius," went on the voice, "your friends are waiting for you at
the barricade of the Rue de la Chanvrerie."

This voice was not wholly unfamiliar to him. It resembled the hoarse,
rough voice of Eponine. Marius hastened to the gate, thrust aside the
movable bar, passed his head through the aperture, and saw some one who
appeared to him to be a young man, disappearing at a run into the gloom.




CHAPTER III--M. MABEUF

Jean Valjean's purse was of no use to M. Mabeuf. M. Mabeuf, in his
venerable, infantile austerity, had not accepted the gift of the stars;
he had not admitted that a star could coin itself into louis d'or. He
had not divined that what had fallen from heaven had come from Gavroche.
He had taken the purse to the police commissioner of the quarter, as
a lost article placed by the finder at the disposal of claimants. The
purse was actually lost. It is unnecessary to say that no one claimed
it, and that it did not succor M. Mabeuf.

Moreover, M. Mabeuf had continued his downward course.

His experiments on indigo had been no more successful in the Jardin des
Plantes than in his garden at Austerlitz. The year before he had owed
his housekeeper's wages; now, as we have seen, he owed three quarters
of his rent. The pawnshop had sold the plates of his Flora after the
expiration of thirteen months. Some coppersmith had made stewpans of
them. His copper plates gone, and being unable to complete even the
incomplete copies of his Flora which were in his possession, he had
disposed of the text, at a miserable price, as waste paper, to a
second-hand bookseller. Nothing now remained to him of his life's work.
He set to work to eat up the money for these copies. When he saw that
this wretched resource was becoming exhausted, he gave up his garden
and allowed it to run to waste. Before this, a long time before, he had
given up his two eggs and the morsel of beef which he ate from time
to time. He dined on bread and potatoes. He had sold the last of his
furniture, then all duplicates of his bedding, his clothing and his
blankets, then his herbariums and prints; but he still retained his most
precious books, many of which were of the greatest rarity, among others,
Les Quadrins Historiques de la Bible, edition of 1560; La Concordance
des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of
Jean de La Haye, with a dedication to the Queen of Navarre; the book de
la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers
Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this
magnificent inscription: Venetiis, in aedibus Manutianis; and lastly, a
Diogenes Laertius, printed at Lyons in 1644, which contained the famous
variant of the manuscript 411, thirteenth century, of the Vatican, and
those of the two manuscripts of Venice, 393 and 394, consulted with
such fruitful results by Henri Estienne, and all the passages in Doric
dialect which are only found in the celebrated manuscript of the twelfth
century belonging to the Naples Library. M. Mabeuf never had any fire
in his chamber, and went to bed at sundown, in order not to consume
any candles. It seemed as though he had no longer any neighbors: people
avoided him when he went out; he perceived the fact. The wretchedness of
a child interests a mother, the wretchedness of a young man interests a
young girl, the wretchedness of an old man interests no one. It is, of
all distresses, the coldest. Still, Father Mabeuf had not entirely lost
his childlike serenity. His eyes acquired some vivacity when they rested
on his books, and he smiled when he gazed at the Diogenes Laertius,
which was a unique copy. His bookcase with glass doors was the
only piece of furniture which he had kept beyond what was strictly
indispensable.

One day, Mother Plutarque said to him:--

"I have no money to buy any dinner."

What she called dinner was a loaf of bread and four or five potatoes.

"On credit?" suggested M. Mabeuf.

"You know well that people refuse me."

M. Mabeuf opened his bookcase, took a long look at all his books, one
after another, as a father obliged to decimate his children would gaze
upon them before making a choice, then seized one hastily, put it
in under his arm and went out. He returned two hours later, without
anything under his arm, laid thirty sous on the table, and said:--

"You will get something for dinner."

From that moment forth, Mother Plutarque saw a sombre veil, which was
never more lifted, descend over the old man's candid face.

On the following day, on the day after, and on the day after that, it
had to be done again.

M. Mabeuf went out with a book and returned with a coin. As the
second-hand dealers perceived that he was forced to sell, they purchased
of him for twenty sous that for which he had paid twenty francs,
sometimes at those very shops. Volume by volume, the whole library
went the same road. He said at times: "But I am eighty;" as though he
cherished some secret hope that he should arrive at the end of his days
before reaching the end of his books. His melancholy increased. Once,
however, he had a pleasure. He had gone out with a Robert Estienne,
which he had sold for thirty-five sous under the Quai Malaquais, and he
returned with an Aldus which he had bought for forty sous in the Rue des
Gres.--"I owe five sous," he said, beaming on Mother Plutarque. That day
he had no dinner.

He belonged to the Horticultural Society. His destitution became known
there. The president of the society came to see him, promised to
speak to the Minister of Agriculture and Commerce about him, and did
so.--"Why, what!" exclaimed the Minister, "I should think so! An old
savant! a botanist! an inoffensive man! Something must be done for him!"
On the following day, M. Mabeuf received an invitation to dine with the
Minister. Trembling with joy, he showed the letter to Mother Plutarque.
"We are saved!" said he. On the day appointed, he went to the Minister's
house. He perceived that his ragged cravat, his long, square coat, and
his waxed shoes astonished the ushers. No one spoke to him, not even the
Minister. About ten o'clock in the evening, while he was still waiting
for a word, he heard the Minister's wife, a beautiful woman in a
low-necked gown whom he had not ventured to approach, inquire: "Who is
that old gentleman?" He returned home on foot at midnight, in a driving
rain-storm. He had sold an Elzevir to pay for a carriage in which to go
thither.

He had acquired the habit of reading a few pages in his Diogenes
Laertius every night, before he went to bed. He knew enough Greek to
enjoy the peculiarities of the text which he owned. He had now no other
enjoyment. Several weeks passed. All at once, Mother Plutarque fell ill.
There is one thing sadder than having no money with which to buy bread
at the baker's and that is having no money to purchase drugs at the
apothecary's. One evening, the doctor had ordered a very expensive
potion. And the malady was growing worse; a nurse was required. M.
Mabeuf opened his bookcase; there was nothing there. The last volume had
taken its departure. All that was left to him was Diogenes Laertius.
He put this unique copy under his arm, and went out. It was the 4th of
June, 1832; he went to the Porte Saint-Jacques, to Royal's successor,
and returned with one hundred francs. He laid the pile of five-franc
pieces on the old serving-woman's nightstand, and returned to his
chamber without saying a word.

On the following morning, at dawn, he seated himself on the overturned
post in his garden, and he could be seen over the top of the hedge,
sitting the whole morning motionless, with drooping head, his eyes
vaguely fixed on the withered flower-beds. It rained at intervals; the
old man did not seem to perceive the fact.

In the afternoon, extraordinary noises broke out in Paris. They
resembled shots and the clamors of a multitude.

Father Mabeuf raised his head. He saw a gardener passing, and
inquired:--

"What is it?"

The gardener, spade on back, replied in the most unconcerned tone:--

"It is the riots."

"What riots?"

"Yes, they are fighting."

"Why are they fighting?"

"Ah, good Heavens!" ejaculated the gardener.

"In what direction?" went on M. Mabeuf.

"In the neighborhood of the Arsenal."

Father Mabeuf went to his room, took his hat, mechanically sought for a
book to place under his arm, found none, said: "Ah! truly!" and went off
with a bewildered air.




BOOK TENTH.--THE 5TH OF JUNE, 1832




CHAPTER I--THE SURFACE OF THE QUESTION

Of what is revolt composed? Of nothing and of everything. Of an
electricity disengaged, little by little, of a flame suddenly darting
forth, of a wandering force, of a passing breath. This breath encounters
heads which speak, brains which dream, souls which suffer, passions
which burn, wretchedness which howls, and bears them away.

Whither?

At random. Athwart the state, the laws, athwart prosperity and the
insolence of others.

Irritated convictions, embittered enthusiasms, agitated indignations,
instincts of war which have been repressed, youthful courage which has
been exalted, generous blindness; curiosity, the taste for change,
the thirst for the unexpected, the sentiment which causes one to
take pleasure in reading the posters for the new play, and love,
the prompter's whistle, at the theatre; the vague hatreds, rancors,
disappointments, every vanity which thinks that destiny has bankrupted
it; discomfort, empty dreams, ambitious that are hedged about, whoever
hopes for a downfall, some outcome, in short, at the very bottom, the
rabble, that mud which catches fire,--such are the elements of revolt.
That which is grandest and that which is basest; the beings who prowl
outside of all bounds, awaiting an occasion, bohemians, vagrants,
vagabonds of the cross-roads, those who sleep at night in a desert of
houses with no other roof than the cold clouds of heaven, those who,
each day, demand their bread from chance and not from toil, the unknown
of poverty and nothingness, the bare-armed, the bare-footed, belong to
revolt. Whoever cherishes in his soul a secret revolt against any deed
whatever on the part of the state, of life or of fate, is ripe for riot,
and, as soon as it makes its appearance, he begins to quiver, and to
feel himself borne away with the whirlwind.

Revolt is a sort of waterspout in the social atmosphere which forms
suddenly in certain conditions of temperature, and which, as it eddies
about, mounts, descends, thunders, tears, razes, crushes, demolishes,
uproots, bearing with it great natures and small, the strong man and the
feeble mind, the tree trunk and the stalk of straw. Woe to him whom it
bears away as well as to him whom it strikes! It breaks the one against
the other.

It communicates to those whom it seizes an indescribable and
extraordinary power. It fills the first-comer with the force of events;
it converts everything into projectiles. It makes a cannon-ball of a
rough stone, and a general of a porter.

If we are to believe certain oracles of crafty political views, a little
revolt is desirable from the point of view of power. System: revolt
strengthens those governments which it does not overthrow. It puts
the army to the test; it consecrates the bourgeoisie, it draws out
the muscles of the police; it demonstrates the force of the social
framework. It is an exercise in gymnastics; it is almost hygiene. Power
is in better health after a revolt, as a man is after a good rubbing
down.

Revolt, thirty years ago, was regarded from still other points of view.

There is for everything a theory, which proclaims itself "good sense";
Philintus against Alcestis; mediation offered between the false and the
true; explanation, admonition, rather haughty extenuation which, because
it is mingled with blame and excuse, thinks itself wisdom, and is often
only pedantry. A whole political school called "the golden mean" has
been the outcome of this. As between cold water and hot water, it is
the lukewarm water party. This school with its false depth, all on the
surface, which dissects effects without going back to first causes,
chides from its height of a demi-science, the agitation of the public
square.

If we listen to this school, "The riots which complicated the affair
of 1830 deprived that great event of a portion of its purity. The
Revolution of July had been a fine popular gale, abruptly followed
by blue sky. They made the cloudy sky reappear. They caused that
revolution, at first so remarkable for its unanimity, to degenerate into
a quarrel. In the Revolution of July, as in all progress accomplished by
fits and starts, there had been secret fractures; these riots rendered
them perceptible. It might have been said: 'Ah! this is broken.' After
the Revolution of July, one was sensible only of deliverance; after the
riots, one was conscious of a catastrophe.

"All revolt closes the shops, depresses the funds, throws the Exchange
into consternation, suspends commerce, clogs business, precipitates
failures; no more money, private fortunes rendered uneasy, public credit
shaken, industry disconcerted, capital withdrawing, work at a discount,
fear everywhere; counter-shocks in every town. Hence gulfs. It has been
calculated that the first day of a riot costs France twenty millions,
the second day forty, the third sixty, a three days' uprising costs
one hundred and twenty millions, that is to say, if only the financial
result be taken into consideration, it is equivalent to a disaster, a
shipwreck or a lost battle, which should annihilate a fleet of sixty
ships of the line.

"No doubt, historically, uprisings have their beauty; the war of the
pavements is no less grandiose, and no less pathetic, than the war of
thickets: in the one there is the soul of forests, in the other the
heart of cities; the one has Jean Chouan, the other has a Jeanne.
Revolts have illuminated with a red glare all the most original points
of the Parisian character, generosity, devotion, stormy gayety, students
proving that bravery forms part of intelligence, the National Guard
invincible, bivouacs of shopkeepers, fortresses of street urchins,
contempt of death on the part of passers-by. Schools and legions clashed
together. After all, between the combatants, there was only a difference
of age; the race is the same; it is the same stoical men who died at the
age of twenty for their ideas, at forty for their families. The
army, always a sad thing in civil wars, opposed prudence to audacity.
Uprisings, while proving popular intrepidity, also educated the courage
of the bourgeois.

"This is well. But is all this worth the bloodshed? And to the bloodshed
add the future darkness, progress compromised, uneasiness among the
best men, honest liberals in despair, foreign absolutism happy in these
wounds dealt to revolution by its own hand, the vanquished of 1830
triumphing and saying: 'We told you so!' Add Paris enlarged, possibly,
but France most assuredly diminished. Add, for all must needs be told,
the massacres which have too often dishonored the victory of order grown
ferocious over liberty gone mad. To sum up all, uprisings have been
disastrous."

Thus speaks that approximation to wisdom with which the bourgeoisie,
that approximation to the people, so willingly contents itself.

For our parts, we reject this word uprisings as too large, and
consequently as too convenient. We make a distinction between one
popular movement and another popular movement. We do not inquire whether
an uprising costs as much as a battle. Why a battle, in the first place?
Here the question of war comes up. Is war less of a scourge than an
uprising is of a calamity? And then, are all uprisings calamities? And
what if the revolt of July did cost a hundred and twenty millions? The
establishment of Philip V. in Spain cost France two milliards. Even at
the same price, we should prefer the 14th of July. However, we reject
these figures, which appear to be reasons and which are only words. An
uprising being given, we examine it by itself. In all that is said by
the doctrinarian objection above presented, there is no question of
anything but effect, we seek the cause.

We will be explicit.




CHAPTER II--THE ROOT OF THE MATTER

There is such a thing as an uprising, and there is such a thing as
insurrection; these are two separate phases of wrath; one is in the
wrong, the other is in the right. In democratic states, the only ones
which are founded on justice, it sometimes happens that the fraction
usurps; then the whole rises and the necessary claim of its rights may
proceed as far as resort to arms. In all questions which result from
collective sovereignty, the war of the whole against the fraction is
insurrection; the attack of the fraction against the whole is revolt;
according as the Tuileries contain a king or the Convention, they
are justly or unjustly attacked. The same cannon, pointed against the
populace, is wrong on the 10th of August, and right on the 14th of
Vendemiaire. Alike in appearance, fundamentally different in reality;
the Swiss defend the false, Bonaparte defends the true. That which
universal suffrage has effected in its liberty and in its sovereignty
cannot be undone by the street. It is the same in things pertaining
purely to civilization; the instinct of the masses, clear-sighted
to-day, may be troubled to-morrow. The same fury legitimate when
directed against Terray and absurd when directed against Turgot. The
destruction of machines, the pillage of warehouses, the breaking of
rails, the demolition of docks, the false routes of multitudes, the
refusal by the people of justice to progress, Ramus assassinated by
students, Rousseau driven out of Switzerland and stoned,--that is
revolt. Israel against Moses, Athens against Phocian, Rome against
Cicero,--that is an uprising; Paris against the Bastille,--that is
insurrection. The soldiers against Alexander, the sailors against
Christopher Columbus,--this is the same revolt; impious revolt;
why? Because Alexander is doing for Asia with the sword that which
Christopher Columbus is doing for America with the compass; Alexander
like Columbus, is finding a world. These gifts of a world to
civilization are such augmentations of light, that all resistance in
that case is culpable. Sometimes the populace counterfeits fidelity to
itself. The masses are traitors to the people. Is there, for example,
anything stranger than that long and bloody protest of dealers in
contraband salt, a legitimate chronic revolt, which, at the decisive
moment, on the day of salvation, at the very hour of popular victory,
espouses the throne, turns into chouannerie, and, from having been an
insurrection against, becomes an uprising for, sombre masterpieces of
ignorance! The contraband salt dealer escapes the royal gibbets, and
with a rope's end round his neck, mounts the white cockade. "Death to
the salt duties," brings forth, "Long live the King!" The assassins of
Saint-Barthelemy, the cut-throats of September, the manslaughterers of
Avignon, the assassins of Coligny, the assassins of Madam Lamballe, the
assassins of Brune, Miquelets, Verdets, Cadenettes, the companions of
Jehu, the chevaliers of Brassard,--behold an uprising. La Vendee is
a grand, catholic uprising. The sound of right in movement is
recognizable, it does not always proceed from the trembling of excited
masses; there are mad rages, there are cracked bells, all tocsins do not
give out the sound of bronze. The brawl of passions and ignorances
is quite another thing from the shock of progress. Show me in what
direction you are going. Rise, if you will, but let it be that you may
grow great. There is no insurrection except in a forward direction. Any
other sort of rising is bad; every violent step towards the rear is a
revolt; to retreat is to commit a deed of violence against the human
race. Insurrection is a fit of rage on the part of truth; the pavements
which the uprising disturbs give forth the spark of right. These
pavements bequeath to the uprising only their mud. Danton against Louis
XIV. is insurrection; Hebert against Danton is revolt.

Hence it results that if insurrection in given cases may be, as
Lafayette says, the most holy of duties, an uprising may be the most
fatal of crimes.

There is also a difference in the intensity of heat; insurrection is
often a volcano, revolt is often only a fire of straw.

Revolt, as we have said, is sometimes found among those in power.
Polignac is a rioter; Camille Desmoulins is one of the governing powers.

Insurrection is sometimes resurrection.

The solution of everything by universal suffrage being an absolutely
modern fact, and all history anterior to this fact being, for the space
of four thousand years, filled with violated right, and the suffering of
peoples, each epoch of history brings with it that protest of which it
is capable. Under the Caesars, there was no insurrection, but there was
Juvenal.

The facit indignatio replaces the Gracchi.

Under the Caesars, there is the exile to Syene; there is also the man of
the Annales. We do not speak of the immense exile of Patmos who, on his
part also, overwhelms the real world with a protest in the name of the
ideal world, who makes of his vision an enormous satire and casts on
Rome-Nineveh, on Rome-Babylon, on Rome-Sodom, the flaming reflection of
the Apocalypse. John on his rock is the sphinx on its pedestal; we may
understand him, he is a Jew, and it is Hebrew; but the man who writes
the Annales is of the Latin race, let us rather say he is a Roman.

As the Neros reign in a black way, they should be painted to match. The
work of the graving-tool alone would be too pale; there must be poured
into the channel a concentrated prose which bites.

Despots count for something in the question of philosophers. A word that
is chained is a terrible word. The writer doubles and trebles his style
when silence is imposed on a nation by its master. From this silence
there arises a certain mysterious plenitude which filters into thought
and there congeals into bronze. The compression of history produces
conciseness in the historian. The granite solidity of such and such a
celebrated prose is nothing but the accumulation effected by the tyrant.

Tyranny constrains the writer to conditions of diameter which are
augmentations of force. The Ciceronian period, which hardly sufficed
for Verres, would be blunted on Caligula. The less spread of sail in
the phrase, the more intensity in the blow. Tacitus thinks with all his
might.

The honesty of a great heart, condensed in justice and truth, overwhelms
as with lightning.

Be it remarked, in passing, that Tacitus is not historically superposed
upon Caesar. The Tiberii were reserved for him. Caesar and Tacitus
are two successive phenomena, a meeting between whom seems to be
mysteriously avoided, by the One who, when He sets the centuries on the
stage, regulates the entrances and the exits. Caesar is great, Tacitus
is great; God spares these two greatnesses by not allowing them to clash
with one another. The guardian of justice, in striking Caesar, might
strike too hard and be unjust. God does not will it. The great wars
of Africa and Spain, the pirates of Sicily destroyed, civilization
introduced into Gaul, into Britanny, into Germany,--all this glory
covers the Rubicon. There is here a sort of delicacy of the divine
justice, hesitating to let loose upon the illustrious usurper the
formidable historian, sparing Caesar Tacitus, and according extenuating
circumstances to genius.

Certainly, despotism remains despotism, even under the despot of genius.
There is corruption under all illustrious tyrants, but the moral pest is
still more hideous under infamous tyrants. In such reigns, nothing veils
the shame; and those who make examples, Tacitus as well as Juvenal,
slap this ignominy which cannot reply, in the face, more usefully in the
presence of all humanity.

Rome smells worse under Vitellius than under Sylla. Under Claudius and
under Domitian, there is a deformity of baseness corresponding to the
repulsiveness of the tyrant. The villainy of slaves is a direct product
of the despot; a miasma exhales from these cowering consciences wherein
the master is reflected; public powers are unclean; hearts are small;
consciences are dull, souls are like vermin; thus it is under Caracalla,
thus it is under Commodus, thus it is under Heliogabalus, while, from
the Roman Senate, under Caesar, there comes nothing but the odor of the
dung which is peculiar to the eyries of the eagles.

Hence the advent, apparently tardy, of the Tacituses and the Juvenals;
it is in the hour for evidence, that the demonstrator makes his
appearance.

But Juvenal and Tacitus, like Isaiah in Biblical times, like Dante in
the Middle Ages, is man; riot and insurrection are the multitude, which
is sometimes right and sometimes wrong.

In the majority of cases, riot proceeds from a material fact;
insurrection is always a moral phenomenon. Riot is Masaniello;
insurrection, Spartacus. Insurrection borders on mind, riot on the
stomach; Gaster grows irritated; but Gaster, assuredly, is not always in
the wrong. In questions of famine, riot, Buzancais, for example, holds a
true, pathetic, and just point of departure. Nevertheless, it remains
a riot. Why? It is because, right at bottom, it was wrong in form. Shy
although in the right, violent although strong, it struck at random; it
walked like a blind elephant; it left behind it the corpses of old
men, of women, and of children; it wished the blood of inoffensive and
innocent persons without knowing why. The nourishment of the people is a
good object; to massacre them is a bad means.

All armed protests, even the most legitimate, even that of the 10th of
August, even that of July 14th, begin with the same troubles. Before
the right gets set free, there is foam and tumult. In the beginning, the
insurrection is a riot, just as a river is a torrent. Ordinarily it ends
in that ocean: revolution. Sometimes, however, coming from those lofty
mountains which dominate the moral horizon, justice, wisdom, reason,
right, formed of the pure snow of the ideal, after a long fall from
rock to rock, after having reflected the sky in its transparency and
increased by a hundred affluents in the majestic mien of triumph,
insurrection is suddenly lost in some quagmire, as the Rhine is in a
swamp.

All this is of the past, the future is another thing. Universal suffrage
has this admirable property, that it dissolves riot in its inception,
and, by giving the vote to insurrection, it deprives it of its arms.
The disappearance of wars, of street wars as well as of wars on the
frontiers, such is the inevitable progression. Whatever To-day may be,
To-morrow will be peace.

However, insurrection, riot, and points of difference between the former
and the latter,--the bourgeois, properly speaking, knows nothing of such
shades. In his mind, all is sedition, rebellion pure and simple, the
revolt of the dog against his master, an attempt to bite whom must be
punished by the chain and the kennel, barking, snapping, until such day
as the head of the dog, suddenly enlarged, is outlined vaguely in the
gloom face to face with the lion.

Then the bourgeois shouts: "Long live the people!"

This explanation given, what does the movement of June, 1832, signify,
so far as history is concerned? Is it a revolt? Is it an insurrection?

It may happen to us, in placing this formidable event on the stage, to
say revolt now and then, but merely to distinguish superficial facts,
and always preserving the distinction between revolt, the form, and
insurrection, the foundation.

This movement of 1832 had, in its rapid outbreak and in its melancholy
extinction, so much grandeur, that even those who see in it only an
uprising, never refer to it otherwise than with respect. For them, it
is like a relic of 1830. Excited imaginations, say they, are not to be
calmed in a day. A revolution cannot be cut off short. It must needs
undergo some undulations before it returns to a state of rest, like a
mountain sinking into the plain. There are no Alps without their Jura,
nor Pyrenees without the Asturias.

This pathetic crisis of contemporary history which the memory of
Parisians calls "the epoch of the riots," is certainly a characteristic
hour amid the stormy hours of this century. A last word, before we enter
on the recital.

The facts which we are about to relate belong to that dramatic and
living reality, which the historian sometimes neglects for lack of time
and space. There, nevertheless, we insist upon it, is life, palpitation,
human tremor. Petty details, as we think we have already said, are, so
to speak, the foliage of great events, and are lost in the distance of
history. The epoch, surnamed "of the riots," abounds in details of
this nature. Judicial inquiries have not revealed, and perhaps have not
sounded the depths, for another reason than history. We shall therefore
bring to light, among the known and published peculiarities, things
which have not heretofore been known, about facts over which have passed
the forgetfulness of some, and the death of others. The majority of the
actors in these gigantic scenes have disappeared; beginning with the
very next day they held their peace; but of what we shall relate, we
shall be able to say: "We have seen this." We alter a few names, for
history relates and does not inform against, but the deed which we shall
paint will be genuine. In accordance with the conditions of the book
which we are now writing, we shall show only one side and one episode,
and certainly, the least known at that, of the two days, the 5th and the
6th of June, 1832, but we shall do it in such wise that the reader may
catch a glimpse, beneath the gloomy veil which we are about to lift, of
the real form of this frightful public adventure.




CHAPTER III--A BURIAL; AN OCCASION TO BE BORN AGAIN

In the spring of 1832, although the cholera had been chilling all
minds for the last three months and had cast over their agitation an
indescribable and gloomy pacification, Paris had already long been ripe
for commotion. As we have said, the great city resembles a piece of
artillery; when it is loaded, it suffices for a spark to fall, and the
shot is discharged. In June, 1832, the spark was the death of General
Lamarque.

Lamarque was a man of renown and of action. He had had in succession,
under the Empire and under the Restoration, the sorts of bravery
requisite for the two epochs, the bravery of the battle-field and the
bravery of the tribune. He was as eloquent as he had been valiant; a
sword was discernible in his speech. Like Foy, his predecessor, after
upholding the command, he upheld liberty; he sat between the left and
the extreme left, beloved of the people because he accepted the chances
of the future, beloved of the populace because he had served the
Emperor well; he was, in company with Comtes Gerard and Drouet, one
of Napoleon's marshals in petto. The treaties of 1815 removed him as
a personal offence. He hated Wellington with a downright hatred which
pleased the multitude; and, for seventeen years, he majestically
preserved the sadness of Waterloo, paying hardly any attention to
intervening events. In his death agony, at his last hour, he clasped to
his breast a sword which had been presented to him by the officers of
the Hundred Days. Napoleon had died uttering the word army, Lamarque
uttering the word country.

His death, which was expected, was dreaded by the people as a loss, and
by the government as an occasion. This death was an affliction. Like
everything that is bitter, affliction may turn to revolt. This is what
took place.

On the preceding evening, and on the morning of the 5th of June, the day
appointed for Lamarque's burial, the Faubourg Saint-Antoine, which the
procession was to touch at, assumed a formidable aspect. This tumultuous
network of streets was filled with rumors. They armed themselves as best
they might. Joiners carried off door-weights of their establishment
"to break down doors." One of them had made himself a dagger of a
stocking-weaver's hook by breaking off the hook and sharpening the
stump. Another, who was in a fever "to attack," slept wholly dressed
for three days. A carpenter named Lombier met a comrade, who asked him:
"Whither are you going?" "Eh! well, I have no weapons." "What then?"
"I'm going to my timber-yard to get my compasses." "What for?" "I don't
know," said Lombier. A certain Jacqueline, an expeditious man, accosted
some passing artisans: "Come here, you!" He treated them to ten sous'
worth of wine and said: "Have you work?" "No." "Go to Filspierre,
between the Barriere Charonne and the Barriere Montreuil, and you will
find work." At Filspierre's they found cartridges and arms. Certain
well-known leaders were going the rounds, that is to say, running from
one house to another, to collect their men. At Barthelemy's, near the
Barriere du Trone, at Capel's, near the Petit-Chapeau, the drinkers
accosted each other with a grave air. They were heard to say: "Have you
your pistol?" "Under my blouse." "And you?" "Under my shirt." In the
Rue Traversiere, in front of the Bland workshop, and in the yard of
the Maison-Brulee, in front of tool-maker Bernier's, groups whispered
together. Among them was observed a certain Mavot, who never remained
more than a week in one shop, as the masters always discharged him
"because they were obliged to dispute with him every day." Mavot was
killed on the following day at the barricade of the Rue Menilmontant.
Pretot, who was destined to perish also in the struggle, seconded Mavot,
and to the question: "What is your object?" he replied: "Insurrection."
Workmen assembled at the corner of the Rue de Bercy, waited for a
certain Lemarin, the revolutionary agent for the Faubourg Saint-Marceau.
Watchwords were exchanged almost publicly.

On the 5th of June, accordingly, a day of mingled rain and sun, General
Lamarque's funeral procession traversed Paris with official military
pomp, somewhat augmented through precaution. Two battalions, with draped
drums and reversed arms, ten thousand National Guards, with their swords
at their sides, escorted the coffin. The hearse was drawn by young men.
The officers of the Invalides came immediately behind it, bearing laurel
branches. Then came an innumerable, strange, agitated multitude, the
sectionaries of the Friends of the People, the Law School, the Medical
School, refugees of all nationalities, and Spanish, Italian, German,
and Polish flags, tricolored horizontal banners, every possible sort of
banner, children waving green boughs, stone-cutters and carpenters who
were on strike at the moment, printers who were recognizable by their
paper caps, marching two by two, three by three, uttering cries, nearly
all of them brandishing sticks, some brandishing sabres, without order
and yet with a single soul, now a tumultuous rout, again a column.
Squads chose themselves leaders; a man armed with a pair of pistols in
full view, seemed to pass the host in review, and the files separated
before him. On the side alleys of the boulevards, in the branches of the
trees, on balconies, in windows, on the roofs, swarmed the heads of men,
women, and children; all eyes were filled with anxiety. An armed throng
was passing, and a terrified throng looked on.

The Government, on its side, was taking observations. It observed with
its hand on its sword. Four squadrons of carabineers could be seen in
the Place Louis XV. in their saddles, with their trumpets at their head,
cartridge-boxes filled and muskets loaded, all in readiness to march;
in the Latin country and at the Jardin des Plantes, the Municipal Guard
echelonned from street to street; at the Halle-aux-Vins, a squadron of
dragoons; at the Greve half of the 12th Light Infantry, the other
half being at the Bastille; the 6th Dragoons at the Celestins; and the
courtyard of the Louvre full of artillery. The remainder of the troops
were confined to their barracks, without reckoning the regiments of the
environs of Paris. Power being uneasy, held suspended over the menacing
multitude twenty-four thousand soldiers in the city and thirty thousand
in the banlieue.

Divers reports were in circulation in the cortege. Legitimist tricks
were hinted at; they spoke of the Duc de Reichstadt, whom God had marked
out for death at that very moment when the populace were designating
him for the Empire. One personage, whose name has remained unknown,
announced that at a given hour two overseers who had been won over,
would throw open the doors of a factory of arms to the people. That
which predominated on the uncovered brows of the majority of those
present was enthusiasm mingled with dejection. Here and there, also, in
that multitude given over to such violent but noble emotions, there were
visible genuine visages of criminals and ignoble mouths which said: "Let
us plunder!" There are certain agitations which stir up the bottoms of
marshes and make clouds of mud rise through the water. A phenomenon to
which "well drilled" policemen are no strangers.

The procession proceeded, with feverish slowness, from the house of the
deceased, by way of the boulevards as far as the Bastille. It rained
from time to time; the rain mattered nothing to that throng. Many
incidents, the coffin borne round the Vendome column, stones thrown at
the Duc de Fitz-James, who was seen on a balcony with his hat on his
head, the Gallic cock torn from a popular flag and dragged in the mire,
a policeman wounded with a blow from a sword at the Porte Saint-Martin,
an officer of the 12th Light Infantry saying aloud: "I am a Republican,"
the Polytechnic School coming up unexpectedly against orders to remain
at home, the shouts of: "Long live the Polytechnique! Long live the
Republic!" marked the passage of the funeral train. At the Bastille,
long files of curious and formidable people who descended from the
Faubourg Saint-Antoine, effected a junction with the procession, and a
certain terrible seething began to agitate the throng.

One man was heard to say to another: "Do you see that fellow with a
red beard, he's the one who will give the word when we are to fire." It
appears that this red beard was present, at another riot, the Quenisset
affair, entrusted with this same function.

The hearse passed the Bastille, traversed the small bridge, and reached
the esplanade of the bridge of Austerlitz. There it halted. The crowd,
surveyed at that moment with a bird'seye view, would have presented the
aspect of a comet whose head was on the esplanade and whose tail spread
out over the Quai Bourdon, covered the Bastille, and was prolonged on
the boulevard as far as the Porte Saint-Martin. A circle was traced
around the hearse. The vast rout held their peace. Lafayette spoke and
bade Lamarque farewell. This was a touching and august instant, all
heads uncovered, all hearts beat high.

All at once, a man on horseback, clad in black, made his appearance
in the middle of the group with a red flag, others say, with a pike
surmounted with a red liberty-cap. Lafayette turned aside his head.
Exelmans quitted the procession.

This red flag raised a storm, and disappeared in the midst of it. From
the Boulevard Bourdon to the bridge of Austerlitz one of those clamors
which resemble billows stirred the multitude. Two prodigious shouts went
up: "Lamarque to the Pantheon!--Lafayette to the Town-hall!" Some young
men, amid the declamations of the throng, harnessed themselves and
began to drag Lamarque in the hearse across the bridge of Austerlitz and
Lafayette in a hackney-coach along the Quai Morland.

In the crowd which surrounded and cheered Lafayette, it was noticed
that a German showed himself named Ludwig Snyder, who died a centenarian
afterwards, who had also been in the war of 1776, and who had fought at
Trenton under Washington, and at Brandywine under Lafayette.

In the meantime, the municipal cavalry on the left bank had been set
in motion, and came to bar the bridge, on the right bank the dragoons
emerged from the Celestins and deployed along the Quai Morland. The men
who were dragging Lafayette suddenly caught sight of them at the corner
of the quay and shouted: "The dragoons!" The dragoons advanced at a
walk, in silence, with their pistols in their holsters, their swords in
their scabbards, their guns slung in their leather sockets, with an air
of gloomy expectation.

They halted two hundred paces from the little bridge. The carriage in
which sat Lafayette advanced to them, their ranks opened and allowed it
to pass, and then closed behind it. At that moment the dragoons and the
crowd touched. The women fled in terror. What took place during that
fatal minute? No one can say. It is the dark moment when two clouds come
together. Some declare that a blast of trumpets sounding the charge was
heard in the direction of the Arsenal others that a blow from a dagger
was given by a child to a dragoon. The fact is, that three shots were
suddenly discharged: the first killed Cholet, chief of the squadron,
the second killed an old deaf woman who was in the act of closing her
window, the third singed the shoulder of an officer; a woman screamed:
"They are beginning too soon!" and all at once, a squadron of dragoons
which had remained in the barracks up to this time, was seen to debouch
at a gallop with bared swords, through the Rue Bassompierre and the
Boulevard Bourdon, sweeping all before them.

Then all is said, the tempest is loosed, stones rain down, a fusillade
breaks forth, many precipitate themselves to the bottom of the bank, and
pass the small arm of the Seine, now filled in, the timber-yards of the
Isle Louviers, that vast citadel ready to hand, bristle with combatants,
stakes are torn up, pistol-shots fired, a barricade begun, the young men
who are thrust back pass the Austerlitz bridge with the hearse at a run,
and the municipal guard, the carabineers rush up, the dragoons ply their
swords, the crowd disperses in all directions, a rumor of war flies to
all four quarters of Paris, men shout: "To arms!" they run, tumble down,
flee, resist. Wrath spreads abroad the riot as wind spreads a fire.




CHAPTER IV--THE EBULLITIONS OF FORMER DAYS

Nothing is more extraordinary than the first breaking out of a riot.
Everything bursts forth everywhere at once. Was it foreseen? Yes. Was it
prepared? No. Whence comes it? From the pavements. Whence falls it? From
the clouds. Here insurrection assumes the character of a plot; there
of an improvisation. The first comer seizes a current of the throng
and leads it whither he wills. A beginning full of terror, in which is
mingled a sort of formidable gayety. First come clamors, the shops are
closed, the displays of the merchants disappear; then come isolated
shots; people flee; blows from gun-stocks beat against portes cocheres,
servants can be heard laughing in the courtyards of houses and saying:
"There's going to be a row!"

A quarter of an hour had not elapsed when this is what was taking place
at twenty different spots in Paris at once.

In the Rue Sainte-Croix-de-la-Bretonnerie, twenty young men, bearded and
with long hair, entered a dram-shop and emerged a moment later, carrying
a horizontal tricolored flag covered with crape, and having at their
head three men armed, one with a sword, one with a gun, and the third
with a pike.

In the Rue des Nonaindieres, a very well-dressed bourgeois, who had a
prominent belly, a sonorous voice, a bald head, a lofty brow, a black
beard, and one of these stiff mustaches which will not lie flat, offered
cartridges publicly to passers-by.

In the Rue Saint-Pierre-Montmartre, men with bare arms carried about a
black flag, on which could be read in white letters this inscription:
"Republic or Death!" In the Rue des Jeuneurs, Rue du Cadran, Rue
Montorgueil, Rue Mandar, groups appeared waving flags on which could be
distinguished in gold letters, the word section with a number. One of
these flags was red and blue with an almost imperceptible stripe of
white between.

They pillaged a factory of small-arms on the Boulevard Saint-Martin, and
three armorers' shops, the first in the Rue Beaubourg, the second in the
Rue Michel-le-Comte, the other in the Rue du Temple. In a few minutes,
the thousand hands of the crowd had seized and carried off two hundred
and thirty guns, nearly all double-barrelled, sixty-four swords, and
eighty-three pistols. In order to provide more arms, one man took the
gun, the other the bayonet.

Opposite the Quai de la Greve, young men armed with muskets installed
themselves in the houses of some women for the purpose of firing. One
of them had a flint-lock. They rang, entered, and set about making
cartridges. One of these women relates: "I did not know what cartridges
were; it was my husband who told me."

One cluster broke into a curiosity shop in the Rue des Vielles
Haudriettes, and seized yataghans and Turkish arms.

The body of a mason who had been killed by a gun-shot lay in the Rue de
la Perle.

And then on the right bank, the left bank, on the quays, on the
boulevards, in the Latin country, in the quarter of the Halles, panting
men, artisans, students, members of sections read proclamations and
shouted: "To arms!" broke street lanterns, unharnessed carriages,
unpaved the streets, broke in the doors of houses, uprooted trees,
rummaged cellars, rolled out hogsheads, heaped up paving-stones, rough
slabs, furniture and planks, and made barricades.

They forced the bourgeois to assist them in this. They entered the
dwellings of women, they forced them to hand over the swords and guns
of their absent husbands, and they wrote on the door, with whiting: "The
arms have been delivered"; some signed "their names" to receipts for
the guns and swords and said: "Send for them to-morrow at the Mayor's
office." They disarmed isolated sentinels and National Guardsmen in
the streets on their way to the Townhall. They tore the epaulets from
officers. In the Rue du Cimitiere-Saint-Nicholas, an officer of the
National Guard, on being pursued by a crowd armed with clubs and foils,
took refuge with difficulty in a house, whence he was only able to
emerge at nightfall and in disguise.

In the Quartier Saint-Jacques, the students swarmed out of their
hotels and ascended the Rue Saint-Hyacinthe to the Cafe du Progress,
or descended to the Cafe des Sept-Billards, in the Rue des Mathurins.
There, in front of the door, young men mounted on the stone
corner-posts, distributed arms. They plundered the timber-yard in the
Rue Transnonain in order to obtain material for barricades. On a single
point the inhabitants resisted, at the corner of the Rue Sainte-Avoye
and the Rue Simon-Le-Franc, where they destroyed the barricade with
their own hands. At a single point the insurgents yielded; they
abandoned a barricade begun in the Rue de Temple after having fired on
a detachment of the National Guard, and fled through the Rue de la
Corderie. The detachment picked up in the barricade a red flag, a
package of cartridges, and three hundred pistol-balls. The National
Guardsmen tore up the flag, and carried off its tattered remains on the
points of their bayonets.

All that we are here relating slowly and successively took place
simultaneously at all points of the city in the midst of a vast tumult,
like a mass of tongues of lightning in one clap of thunder. In less than
an hour, twenty-seven barricades sprang out of the earth in the quarter
of the Halles alone. In the centre was that famous house No. 50, which
was the fortress of Jeanne and her six hundred companions, and which,
flanked on the one hand by a barricade at Saint-Merry, and on the other
by a barricade of the Rue Maubuee, commanded three streets, the Rue
des Arcis, the Rue Saint-Martin, and the Rue Aubry-le-Boucher, which
it faced. The barricades at right angles fell back, the one of the
Rue Montorgueil on the Grande-Truanderie, the other of the Rue
Geoffroy-Langevin on the Rue Sainte-Avoye. Without reckoning innumerable
barricades in twenty other quarters of Paris, in the Marais, at
Mont-Sainte-Genevieve; one in the Rue Menilmontant, where was visible
a porte cochere torn from its hinges; another near the little bridge of
the Hotel-Dieu made with an "ecossais," which had been unharnessed and
overthrown, three hundred paces from the Prefecture of Police.

At the barricade of the Rue des Menetriers, a well-dressed man
distributed money to the workmen. At the barricade of the Rue Grenetat,
a horseman made his appearance and handed to the one who seemed to be
the commander of the barricade what had the appearance of a roll of
silver. "Here," said he, "this is to pay expenses, wine, et caetera."
A light-haired young man, without a cravat, went from barricade to
barricade, carrying pass-words. Another, with a naked sword, a blue
police cap on his head, placed sentinels. In the interior, beyond the
barricades, the wine-shops and porters' lodges were converted into
guard-houses. Otherwise the riot was conducted after the most scientific
military tactics. The narrow, uneven, sinuous streets, full of angles
and turns, were admirably chosen; the neighborhood of the Halles, in
particular, a network of streets more intricate than a forest. The
Society of the Friends of the People had, it was said, undertaken to
direct the insurrection in the Quartier Sainte-Avoye. A man killed in
the Rue du Ponceau who was searched had on his person a plan of Paris.

That which had really undertaken the direction of the uprising was a
sort of strange impetuosity which was in the air. The insurrection
had abruptly built barricades with one hand, and with the other seized
nearly all the posts of the garrison. In less than three hours, like a
train of powder catching fire, the insurgents had invaded and occupied,
on the right bank, the Arsenal, the Mayoralty of the Place Royale, the
whole of the Marais, the Popincourt arms manufactory, la Galiote, the
Chateau-d'Eau, and all the streets near the Halles; on the left bank,
the barracks of the Veterans, Sainte-Pelagie, the Place Maubert, the
powder magazine of the Deux-Moulins, and all the barriers. At five
o'clock in the evening, they were masters of the Bastille, of the
Lingerie, of the Blancs-Manteaux; their scouts had reached the Place
des Victoires, and menaced the Bank, the Petits-Peres barracks, and the
Post-Office. A third of Paris was in the hands of the rioters.

The conflict had been begun on a gigantic scale at all points; and, as a
result of the disarming domiciliary visits, and armorers' shops hastily
invaded, was, that the combat which had begun with the throwing of
stones was continued with gun-shots.

About six o'clock in the evening, the Passage du Saumon became the field
of battle. The uprising was at one end, the troops were at the other.
They fired from one gate to the other. An observer, a dreamer, the
author of this book, who had gone to get a near view of this volcano,
found himself in the passage between the two fires. All that he had to
protect him from the bullets was the swell of the two half-columns which
separate the shops; he remained in this delicate situation for nearly
half an hour.

Meanwhile the call to arms was beaten, the National Guard armed in
haste, the legions emerged from the Mayoralities, the regiments from
their barracks. Opposite the passage de l'Ancre a drummer received a
blow from a dagger. Another, in the Rue du Cygne, was assailed by thirty
young men who broke his instrument, and took away his sword. Another was
killed in the Rue Grenier-Saint-Lazare. In the Rue-Michelle-Comte, three
officers fell dead one after the other. Many of the Municipal Guards, on
being wounded, in the Rue des Lombards, retreated.

In front of the Cour-Batave, a detachment of National Guards found a red
flag bearing the following inscription: Republican revolution, No. 127.
Was this a revolution, in fact?

The insurrection had made of the centre of Paris a sort of inextricable,
tortuous, colossal citadel.

There was the hearth; there, evidently, was the question. All the rest
was nothing but skirmishes. The proof that all would be decided there
lay in the fact that there was no fighting going on there as yet.

In some regiments, the soldiers were uncertain, which added to the
fearful uncertainty of the crisis. They recalled the popular ovation
which had greeted the neutrality of the 53d of the Line in July, 1830.
Two intrepid men, tried in great wars, the Marshal Lobau and General
Bugeaud, were in command, Bugeaud under Lobau. Enormous patrols,
composed of battalions of the Line, enclosed in entire companies of the
National Guard, and preceded by a commissary of police wearing his scarf
of office, went to reconnoitre the streets in rebellion. The insurgents,
on their side, placed videttes at the corners of all open spaces, and
audaciously sent their patrols outside the barricades. Each side was
watching the other. The Government, with an army in its hand, hesitated;
the night was almost upon them, and the Saint-Merry tocsin began to make
itself heard. The Minister of War at that time, Marshal Soult, who had
seen Austerlitz, regarded this with a gloomy air.

These old sailors, accustomed to correct manoeuvres and having as
resource and guide only tactics, that compass of battles, are utterly
disconcerted in the presence of that immense foam which is called public
wrath.

The National Guards of the suburbs rushed up in haste and disorder. A
battalion of the 12th Light came at a run from Saint-Denis, the 14th of
the Line arrived from Courbevoie, the batteries of the Military School
had taken up their position on the Carrousel; cannons were descending
from Vincennes.

Solitude was formed around the Tuileries. Louis Philippe was perfectly
serene.




CHAPTER V--ORIGINALITY OF PARIS

During the last two years, as we have said, Paris had witnessed more
than one insurrection. Nothing is, generally, more singularly calm than
the physiognomy of Paris during an uprising beyond the bounds of
the rebellious quarters. Paris very speedily accustoms herself to
anything,--it is only a riot,--and Paris has so many affairs on hand,
that she does not put herself out for so small a matter. These colossal
cities alone can offer such spectacles. These immense enclosures alone
can contain at the same time civil war and an odd and indescribable
tranquillity. Ordinarily, when an insurrection commences, when the
shop-keeper hears the drum, the call to arms, the general alarm, he
contents himself with the remark:--

"There appears to be a squabble in the Rue Saint-Martin."

Or:--

"In the Faubourg Saint-Antoine."

Often he adds carelessly:--

"Or somewhere in that direction."

Later on, when the heart-rending and mournful hubbub of musketry and
firing by platoons becomes audible, the shopkeeper says:--

"It's getting hot! Hullo, it's getting hot!"

A moment later, the riot approaches and gains in force, he shuts up his
shop precipitately, hastily dons his uniform, that is to say, he places
his merchandise in safety and risks his own person.

Men fire in a square, in a passage, in a blind alley; they take and
re-take the barricade; blood flows, the grape-shot riddles the fronts
of the houses, the balls kill people in their beds, corpses encumber the
streets. A few streets away, the shock of billiard-balls can be heard in
the cafes.

The theatres open their doors and present vaudevilles; the curious laugh
and chat a couple of paces distant from these streets filled with
war. Hackney-carriages go their way; passers-by are going to a dinner
somewhere in town. Sometimes in the very quarter where the fighting is
going on.

In 1831, a fusillade was stopped to allow a wedding party to pass.

At the time of the insurrection of 1839, in the Rue Saint-Martin a
little, infirm old man, pushing a hand-cart surmounted by a tricolored
rag, in which he had carafes filled with some sort of liquid, went and
came from barricade to troops and from troops to the barricade, offering
his glasses of cocoa impartially,--now to the Government, now to
anarchy.

Nothing can be stranger; and this is the peculiar character of uprisings
in Paris, which cannot be found in any other capital. To this end, two
things are requisite, the size of Paris and its gayety. The city of
Voltaire and Napoleon is necessary.

On this occasion, however, in the resort to arms of June 25th, 1832, the
great city felt something which was, perhaps, stronger than itself. It
was afraid.

Closed doors, windows, and shutters were to be seen everywhere, in the
most distant and most "disinterested" quarters. The courageous took to
arms, the poltroons hid. The busy and heedless passer-by disappeared.
Many streets were empty at four o'clock in the morning.

Alarming details were hawked about, fatal news was disseminated,--that
they were masters of the Bank;--that there were six hundred of them
in the Cloister of Saint-Merry alone, entrenched and embattled in the
church; that the line was not to be depended on; that Armand Carrel
had been to see Marshal Clausel and that the Marshal had said: "Get a
regiment first"; that Lafayette was ill, but that he had said to them,
nevertheless: "I am with you. I will follow you wherever there is room
for a chair"; that one must be on one's guard; that at night there would
be people pillaging isolated dwellings in the deserted corners of Paris
(there the imagination of the police, that Anne Radcliffe mixed up with
the Government was recognizable); that a battery had been established
in the Rue Aubry le Boucher; that Lobau and Bugeaud were putting their
heads together, and that, at midnight, or at daybreak at latest, four
columns would march simultaneously on the centre of the uprising, the
first coming from the Bastille, the second from the Porte Saint-Martin,
the third from the Greve, the fourth from the Halles; that perhaps,
also, the troops would evacuate Paris and withdraw to the Champ-de-Mars;
that no one knew what would happen, but that this time, it certainly was
serious.

People busied themselves over Marshal Soult's hesitations. Why did not
he attack at once? It is certain that he was profoundly absorbed. The
old lion seemed to scent an unknown monster in that gloom.

Evening came, the theatres did not open; the patrols circulated with
an air of irritation; passers-by were searched; suspicious persons were
arrested. By nine o'clock, more than eight hundred persons had been
arrested, the Prefecture of Police was encumbered with them, so was the
Conciergerie, so was La Force.

At the Conciergerie in particular, the long vault which is called the
Rue de Paris was littered with trusses of straw upon which lay a heap
of prisoners, whom the man of Lyons, Lagrange, harangued valiantly.
All that straw rustled by all these men, produced the sound of a heavy
shower. Elsewhere prisoners slept in the open air in the meadows, piled
on top of each other.

Anxiety reigned everywhere, and a certain tremor which was not habitual
with Paris.

People barricaded themselves in their houses; wives and mothers were
uneasy; nothing was to be heard but this: "Ah! my God! He has not come
home!" There was hardly even the distant rumble of a vehicle to be
heard.

People listened on their thresholds, to the rumors, the shouts, the
tumult, the dull and indistinct sounds, to the things that were
said: "It is cavalry," or: "Those are the caissons galloping," to the
trumpets, the drums, the firing, and, above all, to that lamentable
alarm peal from Saint-Merry.

They waited for the first cannon-shot. Men sprang up at the corners of
the streets and disappeared, shouting: "Go home!" And people made haste
to bolt their doors. They said: "How will all this end?" From moment to
moment, in proportion as the darkness descended, Paris seemed to take on
a more mournful hue from the formidable flaming of the revolt.




BOOK ELEVENTH.--THE ATOM FRATERNIZES WITH THE HURRICANE




CHAPTER I--SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE'S
POETRY. THE INFLUENCE OF AN ACADEMICIAN ON THIS POETRY

At the instant when the insurrection, arising from the shock of the
populace and the military in front of the Arsenal, started a movement
in advance and towards the rear in the multitude which was following the
hearse and which, through the whole length of the boulevards, weighed,
so to speak, on the head of the procession, there arose a frightful ebb.
The rout was shaken, their ranks were broken, all ran, fled, made their
escape, some with shouts of attack, others with the pallor of flight.
The great river which covered the boulevards divided in a twinkling,
overflowed to right and left, and spread in torrents over two hundred
streets at once with the roar of a sewer that has broken loose.

At that moment, a ragged child who was coming down through the Rue
Menilmontant, holding in his hand a branch of blossoming laburnum which
he had just plucked on the heights of Belleville, caught sight of an old
holster-pistol in the show-window of a bric-a-brac merchant's shop.

"Mother What's-your-name, I'm going to borrow your machine."

And off he ran with the pistol.

Two minutes later, a flood of frightened bourgeois who were fleeing
through the Rue Amelot and the Rue Basse, encountered the lad
brandishing his pistol and singing:--

               La nuit on ne voit rien,
               Le jour on voit tres bien,
               D'un ecrit apocrypha
               Le bourgeois s'ebouriffe,
               Pratiquez la vertu,
               Tutu, chapeau pointu![44]


It was little Gavroche on his way to the wars.

On the boulevard he noticed that the pistol had no trigger.

Who was the author of that couplet which served to punctuate his march,
and of all the other songs which he was fond of singing on occasion? We
know not. Who does know? Himself, perhaps. However, Gavroche was well
up in all the popular tunes in circulation, and he mingled with them his
own chirpings. An observing urchin and a rogue, he made a potpourri of
the voices of nature and the voices of Paris. He combined the repertory
of the birds with the repertory of the workshops. He was acquainted with
thieves, a tribe contiguous to his own. He had, it appears, been
for three months apprenticed to a printer. He had one day executed a
commission for M. Baour-Lormian, one of the Forty. Gavroche was a gamin
of letters.

Moreover, Gavroche had no suspicion of the fact that when he had offered
the hospitality of his elephant to two brats on that villainously
rainy night, it was to his own brothers that he had played the part of
Providence. His brothers in the evening, his father in the morning;
that is what his night had been like. On quitting the Rue des Ballets
at daybreak, he had returned in haste to the elephant, had artistically
extracted from it the two brats, had shared with them some sort of
breakfast which he had invented, and had then gone away, confiding
them to that good mother, the street, who had brought him up, almost
entirely. On leaving them, he had appointed to meet them at the same
spot in the evening, and had left them this discourse by way of a
farewell: "I break a cane, otherwise expressed, I cut my stick, or, as
they say at the court, I file off. If you don't find papa and mamma,
young 'uns, come back here this evening. I'll scramble you up some
supper, and I'll give you a shakedown." The two children, picked up by
some policeman and placed in the refuge, or stolen by some mountebank,
or having simply strayed off in that immense Chinese puzzle of a Paris,
did not return. The lowest depths of the actual social world are full of
these lost traces. Gavroche did not see them again. Ten or twelve weeks
had elapsed since that night. More than once he had scratched the back
of his head and said: "Where the devil are my two children?"

In the meantime, he had arrived, pistol in hand, in the Rue du
Pont-aux-Choux. He noticed that there was but one shop open in that
street, and, a matter worthy of reflection, that was a pastry-cook's
shop. This presented a providential occasion to eat another
apple-turnover before entering the unknown. Gavroche halted, fumbled in
his fob, turned his pocket inside out, found nothing, not even a sou,
and began to shout: "Help!"

It is hard to miss the last cake.

Nevertheless, Gavroche pursued his way.

Two minutes later he was in the Rue Saint-Louis. While traversing the
Rue du Parc-Royal, he felt called upon to make good the loss of the
apple-turnover which had been impossible, and he indulged himself in the
immense delight of tearing down the theatre posters in broad daylight.

A little further on, on catching sight of a group of comfortable-looking
persons, who seemed to be landed proprietors, he shrugged his shoulders
and spit out at random before him this mouthful of philosophical bile as
they passed:

"How fat those moneyed men are! They're drunk! They just wallow in good
dinners. Ask 'em what they do with their money. They don't know. They
eat it, that's what they do! As much as their bellies will hold."




CHAPTER II--GAVROCHE ON THE MARCH

The brandishing of a triggerless pistol, grasped in one's hand in the
open street, is so much of a public function that Gavroche felt his
fervor increasing with every moment. Amid the scraps of the Marseillaise
which he was singing, he shouted:--

"All goes well. I suffer a great deal in my left paw, I'm all broken
up with rheumatism, but I'm satisfied, citizens. All that the bourgeois
have to do is to bear themselves well, I'll sneeze them out subversive
couplets. What are the police spies? Dogs. And I'd just like to have
one of them at the end of my pistol. I'm just from the boulevard, my
friends. It's getting hot there, it's getting into a little boil, it's
simmering. It's time to skim the pot. Forward march, men! Let an impure
blood inundate the furrows! I give my days to my country, I shall never
see my concubine more, Nini, finished, yes, Nini? But never mind! Long
live joy! Let's fight, crebleu! I've had enough of despotism."

At that moment, the horse of a lancer of the National Guard having
fallen, Gavroche laid his pistol on the pavement, and picked up the
man, then he assisted in raising the horse. After which he picked up his
pistol and resumed his way. In the Rue de Thorigny, all was peace and
silence. This apathy, peculiar to the Marais, presented a contrast with
the vast surrounding uproar. Four gossips were chatting in a doorway.

Scotland has trios of witches, Paris has quartettes of old gossiping
hags; and the "Thou shalt be King" could be quite as mournfully hurled
at Bonaparte in the Carrefour Baudoyer as at Macbeth on the heath of
Armuyr. The croak would be almost identical.

The gossips of the Rue de Thorigny busied themselves only with their own
concerns. Three of them were portresses, and the fourth was a rag-picker
with her basket on her back.

All four of them seemed to be standing at the four corners of old age,
which are decrepitude, decay, ruin, and sadness.

The rag-picker was humble. In this open-air society, it is the
rag-picker who salutes and the portress who patronizes. This is caused
by the corner for refuse, which is fat or lean, according to the will of
the portresses, and after the fancy of the one who makes the heap. There
may be kindness in the broom.

This rag-picker was a grateful creature, and she smiled, with what a
smile! on the three portresses. Things of this nature were said:--

"Ah, by the way, is your cat still cross?"

"Good gracious, cats are naturally the enemies of dogs, you know. It's
the dogs who complain."

"And people also."

"But the fleas from a cat don't go after people."

"That's not the trouble, dogs are dangerous. I remember one year
when there were so many dogs that it was necessary to put it in the
newspapers. That was at the time when there were at the Tuileries great
sheep that drew the little carriage of the King of Rome. Do you remember
the King of Rome?"

"I liked the Duc de Bordeau better."

"I knew Louis XVIII. I prefer Louis XVIII."

"Meat is awfully dear, isn't it, Mother Patagon?"

"Ah! don't mention it, the butcher's shop is a horror. A horrible
horror--one can't afford anything but the poor cuts nowadays."

Here the rag-picker interposed:--

"Ladies, business is dull. The refuse heaps are miserable. No one throws
anything away any more. They eat everything."

"There are poorer people than you, la Vargouleme."

"Ah, that's true," replied the rag-picker, with deference, "I have a
profession."

A pause succeeded, and the rag-picker, yielding to that necessity for
boasting which lies at the bottom of man, added:--

"In the morning, on my return home, I pick over my basket, I sort my
things. This makes heaps in my room. I put the rags in a basket, the
cores and stalks in a bucket, the linen in my cupboard, the woollen
stuff in my commode, the old papers in the corner of the window,
the things that are good to eat in my bowl, the bits of glass in my
fireplace, the old shoes behind my door, and the bones under my bed."

Gavroche had stopped behind her and was listening.

"Old ladies," said he, "what do you mean by talking politics?"

He was assailed by a broadside, composed of a quadruple howl.

"Here's another rascal."

"What's that he's got in his paddle? A pistol?"

"Well, I'd like to know what sort of a beggar's brat this is?"

"That sort of animal is never easy unless he's overturning the
authorities."

Gavroche disdainfully contented himself, by way of reprisal, with
elevating the tip of his nose with his thumb and opening his hand wide.

The rag-picker cried:--

"You malicious, bare-pawed little wretch!"

The one who answered to the name of Patagon clapped her hands together
in horror.

"There's going to be evil doings, that's certain. The errand-boy next
door has a little pointed beard, I have seen him pass every day with a
young person in a pink bonnet on his arm; to-day I saw him pass, and
he had a gun on his arm. Mame Bacheux says, that last week there was a
revolution at--at--at--where's the calf!--at Pontoise. And then, there
you see him, that horrid scamp, with his pistol! It seems that the
Celestins are full of pistols. What do you suppose the Government can
do with good-for-nothings who don't know how to do anything but contrive
ways of upsetting the world, when we had just begun to get a little
quiet after all the misfortunes that have happened, good Lord! to that
poor queen whom I saw pass in the tumbril! And all this is going to
make tobacco dearer. It's infamous! And I shall certainly go to see him
beheaded on the guillotine, the wretch!"

"You've got the sniffles, old lady," said Gavroche. "Blow your
promontory."

And he passed on. When he was in the Rue Pavee, the rag-picker occurred
to his mind, and he indulged in this soliloquy:--

"You're in the wrong to insult the revolutionists, Mother
Dust-Heap-Corner. This pistol is in your interests. It's so that you may
have more good things to eat in your basket."

All at once, he heard a shout behind him; it was the portress Patagon
who had followed him, and who was shaking her fist at him in the
distance and crying:--

"You're nothing but a bastard."

"Oh! Come now," said Gavroche, "I don't care a brass farthing for that!"

Shortly afterwards, he passed the Hotel Lamoignon. There he uttered this
appeal:--

"Forward march to the battle!"

And he was seized with a fit of melancholy. He gazed at his pistol with
an air of reproach which seemed an attempt to appease it:--

"I'm going off," said he, "but you won't go off!"

One dog may distract the attention from another dog.[45] A very gaunt
poodle came along at the moment. Gavroche felt compassion for him.

"My poor doggy," said he, "you must have gone and swallowed a cask, for
all the hoops are visible."

Then he directed his course towards l'Orme-Saint-Gervais.




CHAPTER III--JUST INDIGNATION OF A HAIR-DRESSER

The worthy hair-dresser who had chased from his shop the two little
fellows to whom Gavroche had opened the paternal interior of the
elephant was at that moment in his shop engaged in shaving an old
soldier of the legion who had served under the Empire. They were
talking. The hair-dresser had, naturally, spoken to the veteran of the
riot, then of General Lamarque, and from Lamarque they had passed to
the Emperor. Thence sprang up a conversation between barber and
soldier which Prudhomme, had he been present, would have enriched with
arabesques, and which he would have entitled: "Dialogue between the
razor and the sword."

"How did the Emperor ride, sir?" said the barber.

"Badly. He did not know how to fall--so he never fell."

"Did he have fine horses? He must have had fine horses!"

"On the day when he gave me my cross, I noticed his beast. It was a
racing mare, perfectly white. Her ears were very wide apart, her saddle
deep, a fine head marked with a black star, a very long neck, strongly
articulated knees, prominent ribs, oblique shoulders and a powerful
crupper. A little more than fifteen hands in height."

"A pretty horse," remarked the hair-dresser.

"It was His Majesty's beast."

The hair-dresser felt, that after this observation, a short silence
would be fitting, so he conformed himself to it, and then went on:--

"The Emperor was never wounded but once, was he, sir?"

The old soldier replied with the calm and sovereign tone of a man who
had been there:--

"In the heel. At Ratisbon. I never saw him so well dressed as on that
day. He was as neat as a new sou."

"And you, Mr. Veteran, you must have been often wounded?"

"I?" said the soldier, "ah! not to amount to anything. At Marengo, I
received two sabre-blows on the back of my neck, a bullet in the right
arm at Austerlitz, another in the left hip at Jena. At Friedland,
a thrust from a bayonet, there,--at the Moskowa seven or eight
lance-thrusts, no matter where, at Lutzen a splinter of a shell crushed
one of my fingers. Ah! and then at Waterloo, a ball from a biscaien in
the thigh, that's all."

"How fine that is!" exclaimed the hair-dresser, in Pindaric accents, "to
die on the field of battle! On my word of honor, rather than die in bed,
of an illness, slowly, a bit by bit each day, with drugs, cataplasms,
syringes, medicines, I should prefer to receive a cannon-ball in my
belly!"

"You're not over fastidious," said the soldier.

He had hardly spoken when a fearful crash shook the shop. The
show-window had suddenly been fractured.

The wig-maker turned pale.

"Ah, good God!" he exclaimed, "it's one of them!"

"What?"

"A cannon-ball."

"Here it is," said the soldier.

And he picked up something that was rolling about the floor. It was a
pebble.

The hair-dresser ran to the broken window and beheld Gavroche fleeing
at the full speed, towards the Marche Saint-Jean. As he passed the
hair-dresser's shop Gavroche, who had the two brats still in his mind,
had not been able to resist the impulse to say good day to him, and had
flung a stone through his panes.

"You see!" shrieked the hair-dresser, who from white had turned blue,
"that fellow returns and does mischief for the pure pleasure of it. What
has any one done to that gamin?"




CHAPTER IV--THE CHILD IS AMAZED AT THE OLD MAN

In the meantime, in the Marche Saint-Jean, where the post had already
been disarmed, Gavroche had just "effected a junction" with a band led
by Enjolras, Courfeyrac, Combeferre, and Feuilly. They were armed after
a fashion. Bahorel and Jean Prouvaire had found them and swelled the
group. Enjolras had a double-barrelled hunting-gun, Combeferre the gun
of a National Guard bearing the number of his legion, and in his belt,
two pistols which his unbuttoned coat allowed to be seen, Jean Prouvaire
an old cavalry musket, Bahorel a rifle; Courfeyrac was brandishing an
unsheathed sword-cane. Feuilly, with a naked sword in his hand, marched
at their head shouting: "Long live Poland!"

They reached the Quai Morland. Cravatless, hatless, breathless, soaked
by the rain, with lightning in their eyes. Gavroche accosted them
calmly:--

"Where are we going?"

"Come along," said Courfeyrac.

Behind Feuilly marched, or rather bounded, Bahorel, who was like a fish
in water in a riot. He wore a scarlet waistcoat, and indulged in
the sort of words which break everything. His waistcoat astounded a
passer-by, who cried in bewilderment:--

"Here are the reds!"

"The reds, the reds!" retorted Bahorel. "A queer kind of fear,
bourgeois. For my part I don't tremble before a poppy, the little red
hat inspires me with no alarm. Take my advice, bourgeois, let's leave
fear of the red to horned cattle."

He caught sight of a corner of the wall on which was placarded the
most peaceable sheet of paper in the world, a permission to eat eggs, a
Lenten admonition addressed by the Archbishop of Paris to his "flock."

Bahorel exclaimed:--

"'Flock'; a polite way of saying geese."

And he tore the charge from the nail. This conquered Gavroche. From that
instant Gavroche set himself to study Bahorel.

"Bahorel," observed Enjolras, "you are wrong. You should have let that
charge alone, he is not the person with whom we have to deal, you are
wasting your wrath to no purpose. Take care of your supply. One does not
fire out of the ranks with the soul any more than with a gun."

"Each one in his own fashion, Enjolras," retorted Bahorel. "This
bishop's prose shocks me; I want to eat eggs without being permitted.
Your style is the hot and cold; I am amusing myself. Besides, I'm not
wasting myself, I'm getting a start; and if I tore down that charge,
Hercle! 'twas only to whet my appetite."

This word, Hercle, struck Gavroche. He sought all occasions for
learning, and that tearer-down of posters possessed his esteem. He
inquired of him:--

"What does Hercle mean?"

Bahorel answered:--

"It means cursed name of a dog, in Latin."

Here Bahorel recognized at a window a pale young man with a black beard
who was watching them as they passed, probably a Friend of the A B C. He
shouted to him:--

"Quick, cartridges, para bellum."

"A fine man! that's true," said Gavroche, who now understood Latin.

A tumultuous retinue accompanied them,--students, artists, young men
affiliated to the Cougourde of Aix, artisans, longshoremen, armed with
clubs and bayonets; some, like Combeferre, with pistols thrust into
their trousers.

An old man, who appeared to be extremely aged, was walking in the band.

He had no arms, and he made great haste, so that he might not be left
behind, although he had a thoughtful air.

Gavroche caught sight of him:--

"Keksekca?" said he to Courfeyrac.

"He's an old duffer."

It was M. Mabeuf.




CHAPTER V--THE OLD MAN

Let us recount what had taken place.

Enjolras and his friends had been on the Boulevard Bourdon, near the
public storehouses, at the moment when the dragoons had made their
charge. Enjolras, Courfeyrac, and Combeferre were among those who had
taken to the Rue Bassompierre, shouting: "To the barricades!" In the Rue
Lesdiguieres they had met an old man walking along. What had attracted
their attention was that the goodman was walking in a zig-zag, as though
he were intoxicated. Moreover, he had his hat in his hand, although it
had been raining all the morning, and was raining pretty briskly at the
very time. Courfeyrac had recognized Father Mabeuf. He knew him through
having many times accompanied Marius as far as his door. As he was
acquainted with the peaceful and more than timid habits of the old
beadle-book-collector, and was amazed at the sight of him in the midst
of that uproar, a couple of paces from the cavalry charges, almost in
the midst of a fusillade, hatless in the rain, and strolling about among
the bullets, he had accosted him, and the following dialogue had been
exchanged between the rioter of fire and the octogenarian:--

"M. Mabeuf, go to your home."

"Why?"

"There's going to be a row."

"That's well."

"Thrusts with the sword and firing, M. Mabeuf."

"That is well."

"Firing from cannon."

"That is good. Where are the rest of you going?"

"We are going to fling the government to the earth."

"That is good."

And he had set out to follow them. From that moment forth he had not
uttered a word. His step had suddenly become firm; artisans had offered
him their arms; he had refused with a sign of the head. He advanced
nearly to the front rank of the column, with the movement of a man who
is marching and the countenance of a man who is sleeping.

"What a fierce old fellow!" muttered the students. The rumor spread
through the troop that he was a former member of the Convention,--an old
regicide. The mob had turned in through the Rue de la Verrerie.

Little Gavroche marched in front with that deafening song which made of
him a sort of trumpet.

He sang:       "Voici la lune qui paratt,
        Quand irons-nous dans la foret?
        Demandait Charlot a Charlotte.

             Tou tou tou
             Pour Chatou.
        Je n'ai qu'un Dieu, qu'un roi, qu'un liard, et qu'une botte.

        "Pour avoir bu de grand matin
         La rosee a meme le thym,
         Deux moineaux etaient en ribotte.

             Zi zi zi
             Pour Passy.
        Je n'ai qu'un Dieu, qu'un roi, qu'un liard, et qu'une botte.

       "Et ces deux pauvres petits loups,
        Comme deux grives estaient souls;
        Une tigre en riait dans sa grotte.

             Don don don
             Pour Meudon.
        Je n'ai qu'un Dieu, qu'un roi, qu'un liard, et qu'une botte.

       "L'un jurait et l'autre sacrait.
        Quand irons nous dans la foret?
        Demandait Charlot a Charlotte.

             Tin tin tin
             Pour Pantin.
         Je n'ai qu'un Dieu, qu'un roi, qu'un liard, et qu'une botte."[46]

They directed their course towards Saint-Merry.




CHAPTER VI--RECRUITS

The band augmented every moment. Near the Rue des Billettes, a man of
lofty stature, whose hair was turning gray, and whose bold and daring
mien was remarked by Courfeyrac, Enjolras, and Combeferre, but whom
none of them knew, joined them. Gavroche, who was occupied in singing,
whistling, humming, running on ahead and pounding on the shutters of the
shops with the butt of his triggerless pistol; paid no attention to this
man.

It chanced that in the Rue de la Verrerie, they passed in front of
Courfeyrac's door.

"This happens just right," said Courfeyrac, "I have forgotten my purse,
and I have lost my hat."

He quitted the mob and ran up to his quarters at full speed. He seized
an old hat and his purse.

He also seized a large square coffer, of the dimensions of a large
valise, which was concealed under his soiled linen.

As he descended again at a run, the portress hailed him:--

"Monsieur de Courfeyrac!"

"What's your name, portress?"

The portress stood bewildered.

"Why, you know perfectly well, I'm the concierge; my name is Mother
Veuvain."

"Well, if you call me Monsieur de Courfeyrac again, I shall call you
Mother de Veuvain. Now speak, what's the matter? What do you want?"

"There is some one who wants to speak with you."

"Who is it?"

"I don't know."

"Where is he?"

"In my lodge."

"The devil!" ejaculated Courfeyrac.

"But the person has been waiting your return for over an hour," said the
portress.

At the same time, a sort of pale, thin, small, freckled, and youthful
artisan, clad in a tattered blouse and patched trousers of ribbed
velvet, and who had rather the air of a girl accoutred as a man than of
a man, emerged from the lodge and said to Courfeyrac in a voice which
was not the least in the world like a woman's voice:--

"Monsieur Marius, if you please."

"He is not here."

"Will he return this evening?"

"I know nothing about it."

And Courfeyrac added:--

"For my part, I shall not return."

The young man gazed steadily at him and said:--

"Why not?"

"Because."

"Where are you going, then?"

"What business is that of yours?"

"Would you like to have me carry your coffer for you?"

"I am going to the barricades."

"Would you like to have me go with you?"

"If you like!" replied Courfeyrac. "The street is free, the pavements
belong to every one."

And he made his escape at a run to join his friends. When he had
rejoined them, he gave the coffer to one of them to carry. It was only
a quarter of an hour after this that he saw the young man, who had
actually followed them.

A mob does not go precisely where it intends. We have explained that
a gust of wind carries it away. They overshot Saint-Merry and found
themselves, without precisely knowing how, in the Rue Saint-Denis.




BOOK TWELFTH.--CORINTHE




CHAPTER I--HISTORY OF CORINTHE FROM ITS FOUNDATION

The Parisians who nowadays on entering on the Rue Rambuteau at the end
near the Halles, notice on their right, opposite the Rue Mondetour, a
basket-maker's shop having for its sign a basket in the form of Napoleon
the Great with this inscription:--

                    NAPOLEON IS MADE
                    WHOLLY OF WILLOW,

have no suspicion of the terrible scenes which this very spot witnessed
hardly thirty years ago.

It was there that lay the Rue de la Chanvrerie, which ancient deeds
spell Chanverrerie, and the celebrated public-house called Corinthe.

The reader will remember all that has been said about the barricade
effected at this point, and eclipsed, by the way, by the barricade
Saint-Merry. It was on this famous barricade of the Rue de la
Chanvrerie, now fallen into profound obscurity, that we are about to
shed a little light.

May we be permitted to recur, for the sake of clearness in the recital,
to the simple means which we have already employed in the case of
Waterloo. Persons who wish to picture to themselves in a tolerably exact
manner the constitution of the houses which stood at that epoch near the
Pointe Saint-Eustache, at the northeast angle of the Halles of Paris,
where to-day lies the embouchure of the Rue Rambuteau, have only to
imagine an N touching the Rue Saint-Denis with its summit and the Halles
with its base, and whose two vertical bars should form the Rue de la
Grande-Truanderie, and the Rue de la Chanvrerie, and whose transverse
bar should be formed by the Rue de la Petite-Truanderie. The old Rue
Mondetour cut the three strokes of the N at the most crooked angles,
so that the labyrinthine confusion of these four streets sufficed to
form, on a space three fathoms square, between the Halles and the Rue
Saint-Denis on the one hand, and between the Rue du Cygne and the Rue
des Precheurs on the other, seven islands of houses, oddly cut up, of
varying sizes, placed crosswise and hap-hazard, and barely separated,
like the blocks of stone in a dock, by narrow crannies.

We say narrow crannies, and we can give no more just idea of those dark,
contracted, many-angled alleys, lined with eight-story buildings. These
buildings were so decrepit that, in the Rue de la Chanvrerie and the Rue
de la Petite-Truanderie, the fronts were shored up with beams running
from one house to another. The street was narrow and the gutter broad,
the pedestrian there walked on a pavement that was always wet, skirting
little stalls resembling cellars, big posts encircled with iron hoops,
excessive heaps of refuse, and gates armed with enormous, century-old
gratings. The Rue Rambuteau has devastated all that.

The name of Mondetour paints marvellously well the sinuosities of that
whole set of streets. A little further on, they are found still better
expressed by the Rue Pirouette, which ran into the Rue Mondetour.

The passer-by who got entangled from the Rue Saint-Denis in the Rue de
la Chanvrerie beheld it gradually close in before him as though he had
entered an elongated funnel. At the end of this street, which was very
short, he found further passage barred in the direction of the Halles
by a tall row of houses, and he would have thought himself in a blind
alley, had he not perceived on the right and left two dark cuts through
which he could make his escape. This was the Rue Mondetour, which on
one side ran into the Rue de Precheurs, and on the other into the Rue
du Cygne and the Petite-Truanderie. At the bottom of this sort of
cul-de-sac, at the angle of the cutting on the right, there was to be
seen a house which was not so tall as the rest, and which formed a sort
of cape in the street. It is in this house, of two stories only, that
an illustrious wine-shop had been merrily installed three hundred years
before. This tavern created a joyous noise in the very spot which old
Theophilus described in the following couplet:--

               La branle le squelette horrible
               D'un pauvre amant qui se pendit.[47]


The situation was good, and tavern-keepers succeeded each other there,
from father to son.

In the time of Mathurin Regnier, this cabaret was called the
Pot-aux-Roses, and as the rebus was then in fashion, it had for its
sign-board, a post (poteau) painted rose-color. In the last century, the
worthy Natoire, one of the fantastic masters nowadays despised by the
stiff school, having got drunk many times in this wine-shop at the
very table where Regnier had drunk his fill, had painted, by way of
gratitude, a bunch of Corinth grapes on the pink post. The keeper of the
cabaret, in his joy, had changed his device and had caused to be placed
in gilt letters beneath the bunch these words: "At the Bunch of Corinth
Grapes" ("Au Raisin de Corinthe"). Hence the name of Corinthe. Nothing
is more natural to drunken men than ellipses. The ellipsis is the
zig-zag of the phrase. Corinthe gradually dethroned the Pot-aux-Roses.
The last proprietor of the dynasty, Father Hucheloup, no longer
acquainted even with the tradition, had the post painted blue.

A room on the ground floor, where the bar was situated, one on the first
floor containing a billiard-table, a wooden spiral staircase piercing
the ceiling, wine on the tables, smoke on the walls, candles in broad
daylight,--this was the style of this cabaret. A staircase with a
trap-door in the lower room led to the cellar. On the second floor were
the lodgings of the Hucheloup family. They were reached by a staircase
which was a ladder rather than a staircase, and had for their entrance
only a private door in the large room on the first floor. Under the
roof, in two mansard attics, were the nests for the servants. The
kitchen shared the ground-floor with the tap-room.

Father Hucheloup had, possibly, been born a chemist, but the fact is
that he was a cook; people did not confine themselves to drinking alone
in his wine-shop, they also ate there. Hucheloup had invented a capital
thing which could be eaten nowhere but in his house, stuffed carps,
which he called carpes au gras. These were eaten by the light of a
tallow candle or of a lamp of the time of Louis XVI., on tables to which
were nailed waxed cloths in lieu of table-cloths. People came thither
from a distance. Hucheloup, one fine morning, had seen fit to notify
passers-by of this "specialty"; he had dipped a brush in a pot of black
paint, and as he was an orthographer on his own account, as well as
a cook after his own fashion, he had improvised on his wall this
remarkable inscription:--

                    CARPES HO GRAS.


One winter, the rain-storms and the showers had taken a fancy to
obliterate the S which terminated the first word, and the G which began
the third; this is what remained:--

                      CARPE HO RAS.


Time and rain assisting, a humble gastronomical announcement had become
a profound piece of advice.

In this way it came about, that though he knew no French, Father
Hucheloup understood Latin, that he had evoked philosophy from his
kitchen, and that, desirous simply of effacing Lent, he had equalled
Horace. And the striking thing about it was, that that also meant:
"Enter my wine-shop."

Nothing of all this is in existence now. The Mondetour labyrinth was
disembowelled and widely opened in 1847, and probably no longer exists
at the present moment. The Rue de la Chanvrerie and Corinthe have
disappeared beneath the pavement of the Rue Rambuteau.

As we have already said, Corinthe was the meeting-place if not the
rallying-point, of Courfeyrac and his friends. It was Grantaire who had
discovered Corinthe. He had entered it on account of the Carpe horas,
and had returned thither on account of the Carpes au gras. There they
drank, there they ate, there they shouted; they did not pay much, they
paid badly, they did not pay at all, but they were always welcome.
Father Hucheloup was a jovial host.

Hucheloup, that amiable man, as was just said, was a wine-shop-keeper
with a mustache; an amusing variety. He always had an ill-tempered air,
seemed to wish to intimidate his customers, grumbled at the people who
entered his establishment, and had rather the mien of seeking a quarrel
with them than of serving them with soup. And yet, we insist upon
the word, people were always welcome there. This oddity had attracted
customers to his shop, and brought him young men, who said to each
other: "Come hear Father Hucheloup growl." He had been a fencing-master.
All of a sudden, he would burst out laughing. A big voice, a good
fellow. He had a comic foundation under a tragic exterior, he asked
nothing better than to frighten you, very much like those snuff-boxes
which are in the shape of a pistol. The detonation makes one sneeze.

Mother Hucheloup, his wife, was a bearded and a very homely creature.

About 1830, Father Hucheloup died. With him disappeared the secret of
stuffed carps. His inconsolable widow continued to keep the wine-shop.
But the cooking deteriorated, and became execrable; the wine, which had
always been bad, became fearfully bad. Nevertheless, Courfeyrac and his
friends continued to go to Corinthe,--out of pity, as Bossuet said.

The Widow Hucheloup was breathless and misshapen and given to rustic
recollections. She deprived them of their flatness by her pronunciation.
She had a way of her own of saying things, which spiced her
reminiscences of the village and of her springtime. It had formerly been
her delight, so she affirmed, to hear the loups-de-gorge (rouges-gorges)
chanter dans les ogrepines (aubepines)--to hear the redbreasts sing in
the hawthorn-trees.

The hall on the first floor, where "the restaurant" was situated, was
a large and long apartment encumbered with stools, chairs, benches, and
tables, and with a crippled, lame, old billiard-table. It was reached
by a spiral staircase which terminated in the corner of the room at a
square hole like the hatchway of a ship.

This room, lighted by a single narrow window, and by a lamp that was
always burning, had the air of a garret. All the four-footed furniture
comported itself as though it had but three legs--the whitewashed walls
had for their only ornament the following quatrain in honor of Mame
Hucheloup:--

          Elle etonne a dix pas, elle epouvente a deux,
          Une verrue habite en son nez hasardeux;
          On tremble a chaque instant qu'elle ne vous la mouche
          Et qu'un beau jour son nez ne tombe dans sa bouche.[48]


This was scrawled in charcoal on the wall.

Mame Hucheloup, a good likeness, went and came from morning till
night before this quatrain with the most perfect tranquillity. Two
serving-maids, named Matelote and Gibelotte,[49] and who had never been
known by any other names, helped Mame Hucheloup to set on the tables
the jugs of poor wine, and the various broths which were served to the
hungry patrons in earthenware bowls. Matelote, large, plump, redhaired,
and noisy, the favorite ex-sultana of the defunct Hucheloup, was
homelier than any mythological monster, be it what it may; still, as it
becomes the servant to always keep in the rear of the mistress, she was
less homely than Mame Hucheloup. Gibelotte, tall, delicate, white with a
lymphatic pallor, with circles round her eyes, and drooping lids, always
languid and weary, afflicted with what may be called chronic lassitude,
the first up in the house and the last in bed, waited on every one, even
the other maid, silently and gently, smiling through her fatigue with a
vague and sleepy smile.

Before entering the restaurant room, the visitor read on the door the
following line written there in chalk by Courfeyrac:--

          Regale si tu peux et mange si tu l'oses.[50]




CHAPTER II--PRELIMINARY GAYETIES

Laigle de Meaux, as the reader knows, lived more with Joly than
elsewhere. He had a lodging, as a bird has one on a branch. The
two friends lived together, ate together, slept together. They had
everything in common, even Musichetta, to some extent. They were, what
the subordinate monks who accompany monks are called, bini. On the
morning of the 5th of June, they went to Corinthe to breakfast. Joly,
who was all stuffed up, had a catarrh which Laigle was beginning to
share. Laigle's coat was threadbare, but Joly was well dressed.

It was about nine o'clock in the morning, when they opened the door of
Corinthe.

They ascended to the first floor.

Matelote and Gibelotte received them.

"Oysters, cheese, and ham," said Laigle.

And they seated themselves at a table.

The wine-shop was empty; there was no one there but themselves.

Gibelotte, knowing Joly and Laigle, set a bottle of wine on the table.

While they were busy with their first oysters, a head appeared at the
hatchway of the staircase, and a voice said:--

"I am passing by. I smell from the street a delicious odor of Brie
cheese. I enter." It was Grantaire.

Grantaire took a stool and drew up to the table.

At the sight of Grantaire, Gibelotte placed two bottles of wine on the
table.

That made three.

"Are you going to drink those two bottles?" Laigle inquired of
Grantaire.

Grantaire replied:--

"All are ingenious, thou alone art ingenuous. Two bottles never yet
astonished a man."

The others had begun by eating, Grantaire began by drinking. Half a
bottle was rapidly gulped down.

"So you have a hole in your stomach?" began Laigle again.

"You have one in your elbow," said Grantaire.

And after having emptied his glass, he added:--

"Ah, by the way, Laigle of the funeral oration, your coat is old."

"I should hope so," retorted Laigle. "That's why we get on well
together, my coat and I. It has acquired all my folds, it does not bind
me anywhere, it is moulded on my deformities, it falls in with all my
movements, I am only conscious of it because it keeps me warm. Old coats
are just like old friends."

"That's true," ejaculated Joly, striking into the dialogue, "an old goat
is an old abi" (ami, friend).

"Especially in the mouth of a man whose head is stuffed up," said
Grantaire.

"Grantaire," demanded Laigle, "have you just come from the boulevard?"

"No."

"We have just seen the head of the procession pass, Joly and I."

"It's a marvellous sight," said Joly.

"How quiet this street is!" exclaimed Laigle. "Who would suspect that
Paris was turned upside down? How plainly it is to be seen that in
former days there were nothing but convents here! In this neighborhood!
Du Breul and Sauval give a list of them, and so does the Abbe Lebeuf.
They were all round here, they fairly swarmed, booted and barefooted,
shaven, bearded, gray, black, white, Franciscans, Minims, Capuchins,
Carmelites, Little Augustines, Great Augustines, old Augustines--there
was no end of them."

"Don't let's talk of monks," interrupted Grantaire, "it makes one want
to scratch one's self."

Then he exclaimed:--

"Bouh! I've just swallowed a bad oyster. Now hypochondria is taking
possession of me again. The oysters are spoiled, the servants are ugly.
I hate the human race. I just passed through the Rue Richelieu, in front
of the big public library. That pile of oyster-shells which is called
a library is disgusting even to think of. What paper! What ink! What
scrawling! And all that has been written! What rascal was it who said
that man was a featherless biped?[51] And then, I met a pretty girl of
my acquaintance, who is as beautiful as the spring, worthy to be called
Floreal, and who is delighted, enraptured, as happy as the angels,
because a wretch yesterday, a frightful banker all spotted with
small-pox, deigned to take a fancy to her! Alas! woman keeps on the
watch for a protector as much as for a lover; cats chase mice as well
as birds. Two months ago that young woman was virtuous in an attic, she
adjusted little brass rings in the eyelet-holes of corsets, what do
you call it? She sewed, she had a camp bed, she dwelt beside a pot
of flowers, she was contented. Now here she is a bankeress. This
transformation took place last night. I met the victim this morning in
high spirits. The hideous point about it is, that the jade is as pretty
to-day as she was yesterday. Her financier did not show in her face.
Roses have this advantage or disadvantage over women, that the traces
left upon them by caterpillars are visible. Ah! there is no morality on
earth. I call to witness the myrtle, the symbol of love, the laurel,
the symbol of air, the olive, that ninny, the symbol of peace, the
apple-tree which came nearest rangling Adam with its pips, and the
fig-tree, the grandfather of petticoats. As for right, do you know what
right is? The Gauls covet Clusium, Rome protects Clusium, and demands
what wrong Clusium has done to them. Brennus answers: 'The wrong that
Alba did to you, the wrong that Fidenae did to you, the wrong that the
Eques, the Volsci, and the Sabines have done to you. They were your
neighbors. The Clusians are ours. We understand neighborliness just as
you do. You have stolen Alba, we shall take Clusium.' Rome said: 'You
shall not take Clusium.' Brennus took Rome. Then he cried: 'Vae victis!'
That is what right is. Ah! what beasts of prey there are in this world!
What eagles! It makes my flesh creep."

He held out his glass to Joly, who filled it, then he drank and went on,
having hardly been interrupted by this glass of wine, of which no one,
not even himself, had taken any notice:--

"Brennus, who takes Rome, is an eagle; the banker who takes the grisette
is an eagle. There is no more modesty in the one case than in the other.
So we believe in nothing. There is but one reality: drink. Whatever your
opinion may be in favor of the lean cock, like the Canton of Uri, or
in favor of the fat cock, like the Canton of Glaris, it matters little,
drink. You talk to me of the boulevard, of that procession, et caetera,
et caetera. Come now, is there going to be another revolution? This
poverty of means on the part of the good God astounds me. He has to keep
greasing the groove of events every moment. There is a hitch, it won't
work. Quick, a revolution! The good God has his hands perpetually black
with that cart-grease. If I were in his place, I'd be perfectly simple
about it, I would not wind up my mechanism every minute, I'd lead the
human race in a straightforward way, I'd weave matters mesh by mesh,
without breaking the thread, I would have no provisional arrangements,
I would have no extraordinary repertory. What the rest of you call
progress advances by means of two motors, men and events. But, sad to
say, from time to time, the exceptional becomes necessary. The ordinary
troupe suffices neither for event nor for men: among men geniuses are
required, among events revolutions. Great accidents are the law; the
order of things cannot do without them; and, judging from the apparition
of comets, one would be tempted to think that Heaven itself finds actors
needed for its performance. At the moment when one expects it the least,
God placards a meteor on the wall of the firmament. Some queer star
turns up, underlined by an enormous tail. And that causes the death
of Caesar. Brutus deals him a blow with a knife, and God a blow with a
comet. Crac, and behold an aurora borealis, behold a revolution, behold
a great man; '93 in big letters, Napoleon on guard, the comet of 1811
at the head of the poster. Ah! what a beautiful blue theatre all studded
with unexpected flashes! Boum! Boum! extraordinary show! Raise your
eyes, boobies. Everything is in disorder, the star as well as the drama.
Good God, it is too much and not enough. These resources, gathered from
exception, seem magnificence and poverty. My friends, Providence has
come down to expedients. What does a revolution prove? That God is in a
quandry. He effects a coup d'etat because he, God, has not been able to
make both ends meet. In fact, this confirms me in my conjectures as
to Jehovah's fortune; and when I see so much distress in heaven and on
earth, from the bird who has not a grain of millet to myself without a
hundred thousand livres of income, when I see human destiny, which is
very badly worn, and even royal destiny, which is threadbare, witness
the Prince de Conde hung, when I see winter, which is nothing but a rent
in the zenith through which the wind blows, when I see so many rags even
in the perfectly new purple of the morning on the crests of hills, when
I see the drops of dew, those mock pearls, when I see the frost, that
paste, when I see humanity ripped apart and events patched up, and so
many spots on the sun and so many holes in the moon, when I see so
much misery everywhere, I suspect that God is not rich. The appearance
exists, it is true, but I feel that he is hard up. He gives a revolution
as a tradesman whose money-box is empty gives a ball. God must not be
judged from appearances. Beneath the gilding of heaven I perceive
a poverty-stricken universe. Creation is bankrupt. That is why I am
discontented. Here it is the 4th of June, it is almost night; ever since
this morning I have been waiting for daylight to come; it has not come,
and I bet that it won't come all day. This is the inexactness of an
ill-paid clerk. Yes, everything is badly arranged, nothing fits anything
else, this old world is all warped, I take my stand on the opposition,
everything goes awry; the universe is a tease. It's like children, those
who want them have none, and those who don't want them have them. Total:
I'm vexed. Besides, Laigle de Meaux, that bald-head, offends my sight.
It humiliates me to think that I am of the same age as that baldy.
However, I criticise, but I do not insult. The universe is what it is.
I speak here without evil intent and to ease my conscience. Receive,
Eternal Father, the assurance of my distinguished consideration. Ah!
by all the saints of Olympus and by all the gods of paradise, I was not
intended to be a Parisian, that is to say, to rebound forever, like a
shuttlecock between two battledores, from the group of the loungers to
the group of the roysterers. I was made to be a Turk, watching oriental
houris all day long, executing those exquisite Egyptian dances, as
sensuous as the dream of a chaste man, or a Beauceron peasant, or a
Venetian gentleman surrounded by gentlewomen, or a petty German prince,
furnishing the half of a foot-soldier to the Germanic confederation, and
occupying his leisure with drying his breeches on his hedge, that is to
say, his frontier. Those are the positions for which I was born! Yes, I
have said a Turk, and I will not retract. I do not understand how people
can habitually take Turks in bad part; Mohammed had his good points;
respect for the inventor of seraglios with houris and paradises with
odalisques! Let us not insult Mohammedanism, the only religion which is
ornamented with a hen-roost! Now, I insist on a drink. The earth is a
great piece of stupidity. And it appears that they are going to fight,
all those imbeciles, and to break each other's profiles and to massacre
each other in the heart of summer, in the month of June, when they might
go off with a creature on their arm, to breathe the immense heaps of
new-mown hay in the meadows! Really, people do commit altogether
too many follies. An old broken lantern which I have just seen at a
bric-a-brac merchant's suggests a reflection to my mind; it is time to
enlighten the human race. Yes, behold me sad again. That's what comes
of swallowing an oyster and a revolution the wrong way! I am growing
melancholy once more. Oh! frightful old world. People strive, turn each
other out, prostitute themselves, kill each other, and get used to it!"

And Grantaire, after this fit of eloquence, had a fit of coughing, which
was well earned.

"A propos of revolution," said Joly, "it is decidedly abberent that
Barius is in lub."

"Does any one know with whom?" demanded Laigle.

"Do."

"No?"

"Do! I tell you."

"Marius' love affairs!" exclaimed Grantaire. "I can imagine it. Marius
is a fog, and he must have found a vapor. Marius is of the race of
poets. He who says poet, says fool, madman, Tymbraeus Apollo. Marius and
his Marie, or his Marion, or his Maria, or his Mariette. They must make
a queer pair of lovers. I know just what it is like. Ecstasies in which
they forget to kiss. Pure on earth, but joined in heaven. They are souls
possessed of senses. They lie among the stars."

Grantaire was attacking his second bottle and, possibly, his second
harangue, when a new personage emerged from the square aperture of the
stairs. It was a boy less than ten years of age, ragged, very small,
yellow, with an odd phiz, a vivacious eye, an enormous amount of hair
drenched with rain, and wearing a contented air.

The child unhesitatingly making his choice among the three, addressed
himself to Laigle de Meaux.

"Are you Monsieur Bossuet?"

"That is my nickname," replied Laigle. "What do you want with me?"

"This. A tall blonde fellow on the boulevard said to me: 'Do you know
Mother Hucheloup?' I said: 'Yes, Rue Chanvrerie, the old man's widow;'
he said to me: 'Go there. There you will find M. Bossuet. Tell him from
me: "A B C".' It's a joke that they're playing on you, isn't it. He gave
me ten sous."

"Joly, lend me ten sous," said Laigle; and, turning to Grantaire:
"Grantaire, lend me ten sous."

This made twenty sous, which Laigle handed to the lad.

"Thank you, sir," said the urchin.

"What is your name?" inquired Laigle.

"Navet, Gavroche's friend."

"Stay with us," said Laigle.

"Breakfast with us," said Grantaire.

The child replied:--

"I can't, I belong in the procession, I'm the one to shout 'Down with
Polignac!'"

And executing a prolonged scrape of his foot behind him, which is the
most respectful of all possible salutes, he took his departure.

The child gone, Grantaire took the word:--

"That is the pure-bred gamin. There are a great many varieties of the
gamin species. The notary's gamin is called Skip-the-Gutter, the cook's
gamin is called a scullion, the baker's gamin is called a mitron,
the lackey's gamin is called a groom, the marine gamin is called the
cabin-boy, the soldier's gamin is called the drummer-boy, the painter's
gamin is called paint-grinder, the tradesman's gamin is called an
errand-boy, the courtesan gamin is called the minion, the kingly gamin
is called the dauphin, the god gamin is called the bambino."

In the meantime, Laigle was engaged in reflection; he said half aloud:--

"A B C, that is to say: the burial of Lamarque."

"The tall blonde," remarked Grantaire, "is Enjolras, who is sending you
a warning."

"Shall we go?" ejaculated Bossuet.

"It's raiding," said Joly. "I have sworn to go through fire, but not
through water. I don't wand to ged a gold."

"I shall stay here," said Grantaire. "I prefer a breakfast to a hearse."

"Conclusion: we remain," said Laigle. "Well, then, let us drink.
Besides, we might miss the funeral without missing the riot."

"Ah! the riot, I am with you!" cried Joly.

Laigle rubbed his hands.

"Now we're going to touch up the revolution of 1830. As a matter of
fact, it does hurt the people along the seams."

"I don't think much of your revolution," said Grantaire. "I don't
execrate this Government. It is the crown tempered by the cotton
night-cap. It is a sceptre ending in an umbrella. In fact, I think
that to-day, with the present weather, Louis Philippe might utilize his
royalty in two directions, he might extend the tip of the sceptre end
against the people, and open the umbrella end against heaven."

The room was dark, large clouds had just finished the extinction of
daylight. There was no one in the wine-shop, or in the street, every one
having gone off "to watch events."

"Is it mid-day or midnight?" cried Bossuet. "You can't see your hand
before your face. Gibelotte, fetch a light."

Grantaire was drinking in a melancholy way.

"Enjolras disdains me," he muttered. "Enjolras said: 'Joly is ill,
Grantaire is drunk.' It was to Bossuet that he sent Navet. If he had
come for me, I would have followed him. So much the worse for Enjolras!
I won't go to his funeral."

This resolution once arrived at, Bossuet, Joly, and Grantaire did not
stir from the wine-shop. By two o'clock in the afternoon, the table at
which they sat was covered with empty bottles. Two candles were burning
on it, one in a flat copper candlestick which was perfectly green, the
other in the neck of a cracked carafe. Grantaire had seduced Joly and
Bossuet to wine; Bossuet and Joly had conducted Grantaire back towards
cheerfulness.

As for Grantaire, he had got beyond wine, that merely moderate
inspirer of dreams, ever since mid-day. Wine enjoys only a conventional
popularity with serious drinkers. There is, in fact, in the matter
of inebriety, white magic and black magic; wine is only white magic.
Grantaire was a daring drinker of dreams. The blackness of a terrible
fit of drunkenness yawning before him, far from arresting him, attracted
him. He had abandoned the bottle and taken to the beerglass. The
beer-glass is the abyss. Having neither opium nor hashish on hand, and
being desirous of filling his brain with twilight, he had had recourse
to that fearful mixture of brandy, stout, absinthe, which produces the
most terrible of lethargies. It is of these three vapors, beer, brandy,
and absinthe, that the lead of the soul is composed. They are three
grooms; the celestial butterfly is drowned in them; and there are formed
there in a membranous smoke, vaguely condensed into the wing of the bat,
three mute furies, Nightmare, Night, and Death, which hover about the
slumbering Psyche.

Grantaire had not yet reached that lamentable phase; far from it. He was
tremendously gay, and Bossuet and Joly retorted. They clinked glasses.
Grantaire added to the eccentric accentuation of words and ideas,
a peculiarity of gesture; he rested his left fist on his knee with
dignity, his arm forming a right angle, and, with cravat untied, seated
astride a stool, his full glass in his right hand, he hurled solemn
words at the big maid-servant Matelote:--

"Let the doors of the palace be thrown open! Let every one be a member
of the French Academy and have the right to embrace Madame Hucheloup.
Let us drink."

And turning to Madame Hucheloup, he added:--

"Woman ancient and consecrated by use, draw near that I may contemplate
thee!"

And Joly exclaimed:--

"Matelote and Gibelotte, dod't gib Grantaire anything more to drink.
He has already devoured, since this bording, in wild prodigality, two
francs and ninety-five centibes."

And Grantaire began again:--

"Who has been unhooking the stars without my permission, and putting
them on the table in the guise of candles?"

Bossuet, though very drunk, preserved his equanimity.

He was seated on the sill of the open window, wetting his back in the
falling rain, and gazing at his two friends.

All at once, he heard a tumult behind him, hurried footsteps, cries of
"To arms!" He turned round and saw in the Rue Saint-Denis, at the end
of the Rue de la Chanvrerie, Enjolras passing, gun in hand, and Gavroche
with his pistol, Feuilly with his sword, Courfeyrac with his sword, and
Jean Prouvaire with his blunderbuss, Combeferre with his gun, Bahorel
with his gun, and the whole armed and stormy rabble which was following
them.

The Rue de la Chanvrerie was not more than a gunshot long. Bossuet
improvised a speaking-trumpet from his two hands placed around his
mouth, and shouted:--

"Courfeyrac! Courfeyrac! Hohee!"

Courfeyrac heard the shout, caught sight of Bossuet, and advanced a few
paces into the Rue de la Chanvrerie, shouting: "What do you want?" which
crossed a "Where are you going?"

"To make a barricade," replied Courfeyrac.

"Well, here! This is a good place! Make it here!"

"That's true, Aigle," said Courfeyrac.

And at a signal from Courfeyrac, the mob flung themselves into the Rue
de la Chanvrerie.




CHAPTER III--NIGHT BEGINS TO DESCEND UPON GRANTAIRE

The spot was, in fact, admirably adapted, the entrance to the street
widened out, the other extremity narrowed together into a pocket
without exit. Corinthe created an obstacle, the Rue Mondetour was easily
barricaded on the right and the left, no attack was possible except
from the Rue Saint-Denis, that is to say, in front, and in full sight.
Bossuet had the comprehensive glance of a fasting Hannibal.

Terror had seized on the whole street at the irruption of the mob. There
was not a passer-by who did not get out of sight. In the space of a
flash of lightning, in the rear, to right and left, shops, stables,
area-doors, windows, blinds, attic skylights, shutters of every
description were closed, from the ground floor to the roof. A terrified
old woman fixed a mattress in front of her window on two clothes-poles
for drying linen, in order to deaden the effect of musketry. The
wine-shop alone remained open; and that for a very good reason, that the
mob had rushed into it.--"Ah my God! Ah my God!" sighed Mame Hucheloup.

Bossuet had gone down to meet Courfeyrac.

Joly, who had placed himself at the window, exclaimed:--

"Courfeyrac, you ought to have brought an umbrella. You will gatch
gold."

In the meantime, in the space of a few minutes, twenty iron bars had
been wrenched from the grated front of the wine-shop, ten fathoms of
street had been unpaved; Gavroche and Bahorel had seized in its passage,
and overturned, the dray of a lime-dealer named Anceau; this dray
contained three barrels of lime, which they placed beneath the piles
of paving-stones: Enjolras raised the cellar trap, and all the widow
Hucheloup's empty casks were used to flank the barrels of lime; Feuilly,
with his fingers skilled in painting the delicate sticks of fans, had
backed up the barrels and the dray with two massive heaps of blocks of
rough stone. Blocks which were improvised like the rest and procured
no one knows where. The beams which served as props were torn from
the neighboring house-fronts and laid on the casks. When Bossuet and
Courfeyrac turned round, half the street was already barred with
a rampart higher than a man. There is nothing like the hand of the
populace for building everything that is built by demolishing.

Matelote and Gibelotte had mingled with the workers. Gibelotte went and
came loaded with rubbish. Her lassitude helped on the barricade. She
served the barricade as she would have served wine, with a sleepy air.

An omnibus with two white horses passed the end of the street.

Bossuet strode over the paving-stones, ran to it, stopped the driver,
made the passengers alight, offered his hand to "the ladies," dismissed
the conductor, and returned, leading the vehicle and the horses by the
bridle.

"Omnibuses," said he, "do not pass the Corinthe. Non licet omnibus adire
Corinthum."

An instant later, the horses were unharnessed and went off at their
will, through the Rue Mondetour, and the omnibus lying on its side
completed the bar across the street.

Mame Hucheloup, quite upset, had taken refuge in the first story.

Her eyes were vague, and stared without seeing anything, and she cried
in a low tone. Her terrified shrieks did not dare to emerge from her
throat.

"The end of the world has come," she muttered.

Joly deposited a kiss on Mame Hucheloup's fat, red, wrinkled neck, and
said to Grantaire: "My dear fellow, I have always regarded a woman's
neck as an infinitely delicate thing."

But Grantaire attained to the highest regions of dithryamb. Matelote
had mounted to the first floor once more, Grantaire seized her round her
waist, and gave vent to long bursts of laughter at the window.

"Matelote is homely!" he cried: "Matelote is of a dream of ugliness!
Matelote is a chimaera. This is the secret of her birth: a Gothic
Pygmalion, who was making gargoyles for cathedrals, fell in love with
one of them, the most horrible, one fine morning. He besought Love to
give it life, and this produced Matelote. Look at her, citizens! She has
chromate-of-lead-colored hair, like Titian's mistress, and she is a good
girl. I guarantee that she will fight well. Every good girl contains
a hero. As for Mother Hucheloup, she's an old warrior. Look at her
moustaches! She inherited them from her husband. A hussar indeed! She
will fight too. These two alone will strike terror to the heart of the
banlieue. Comrades, we shall overthrow the government as true as there
are fifteen intermediary acids between margaric acid and formic acid;
however, that is a matter of perfect indifference to me. Gentlemen, my
father always detested me because I could not understand mathematics.
I understand only love and liberty. I am Grantaire, the good fellow.
Having never had any money, I never acquired the habit of it, and the
result is that I have never lacked it; but, if I had been rich, there
would have been no more poor people! You would have seen! Oh, if the
kind hearts only had fat purses, how much better things would go! I
picture myself Jesus Christ with Rothschild's fortune! How much good he
would do! Matelote, embrace me! You are voluptuous and timid! You have
cheeks which invite the kiss of a sister, and lips which claim the kiss
of a lover."

"Hold your tongue, you cask!" said Courfeyrac.

Grantaire retorted:--

"I am the capitoul[52] and the master of the floral games!"

Enjolras, who was standing on the crest of the barricade, gun in hand,
raised his beautiful, austere face. Enjolras, as the reader knows, had
something of the Spartan and of the Puritan in his composition. He would
have perished at Thermopylae with Leonidas, and burned at Drogheda with
Cromwell.

"Grantaire," he shouted, "go get rid of the fumes of your wine somewhere
else than here. This is the place for enthusiasm, not for drunkenness.
Don't disgrace the barricade!"

This angry speech produced a singular effect on Grantaire. One would
have said that he had had a glass of cold water flung in his face. He
seemed to be rendered suddenly sober.

He sat down, put his elbows on a table near the window, looked at
Enjolras with indescribable gentleness, and said to him:--

"Let me sleep here."

"Go and sleep somewhere else," cried Enjolras.

But Grantaire, still keeping his tender and troubled eyes fixed on him,
replied:--

"Let me sleep here,--until I die."

Enjolras regarded him with disdainful eyes:--

"Grantaire, you are incapable of believing, of thinking, of willing, of
living, and of dying."

Grantaire replied in a grave tone:--

"You will see."

He stammered a few more unintelligible words, then his head fell heavily
on the table, and, as is the usual effect of the second period of
inebriety, into which Enjolras had roughly and abruptly thrust him, an
instant later he had fallen asleep.




CHAPTER IV--AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP

Bahorel, in ecstasies over the barricade, shouted:--

"Here's the street in its low-necked dress! How well it looks!"

Courfeyrac, as he demolished the wine-shop to some extent, sought to
console the widowed proprietress.

"Mother Hucheloup, weren't you complaining the other day because you
had had a notice served on you for infringing the law, because Gibelotte
shook a counterpane out of your window?"

"Yes, my good Monsieur Courfeyrac. Ah! good Heavens, are you going
to put that table of mine in your horror, too? And it was for the
counterpane, and also for a pot of flowers which fell from the attic
window into the street, that the government collected a fine of a
hundred francs. If that isn't an abomination, what is!"

"Well, Mother Hucheloup, we are avenging you."

Mother Hucheloup did not appear to understand very clearly the benefit
which she was to derive from these reprisals made on her account. She
was satisfied after the manner of that Arab woman, who, having received
a box on the ear from her husband, went to complain to her father, and
cried for vengeance, saying: "Father, you owe my husband affront for
affront." The father asked: "On which cheek did you receive the blow?"
"On the left cheek." The father slapped her right cheek and said: "Now
you are satisfied. Go tell your husband that he boxed my daughter's
ears, and that I have accordingly boxed his wife's."

The rain had ceased. Recruits had arrived. Workmen had brought under
their blouses a barrel of powder, a basket containing bottles of
vitriol, two or three carnival torches, and a basket filled with
fire-pots, "left over from the King's festival." This festival was very
recent, having taken place on the 1st of May. It was said that these
munitions came from a grocer in the Faubourg Saint-Antoine named Pepin.
They smashed the only street lantern in the Rue de la Chanvrerie,
the lantern corresponding to one in the Rue Saint-Denis, and all
the lanterns in the surrounding streets, de Mondetour, du Cygne, des
Precheurs, and de la Grande and de la Petite-Truanderie.

Enjolras, Combeferre, and Courfeyrac directed everything. Two barricades
were now in process of construction at once, both of them resting on the
Corinthe house and forming a right angle; the larger shut off the Rue
de la Chanvrerie, the other closed the Rue Mondetour, on the side of
the Rue de Cygne. This last barricade, which was very narrow, was
constructed only of casks and paving-stones. There were about fifty
workers on it; thirty were armed with guns; for, on their way, they had
effected a wholesale loan from an armorer's shop.

Nothing could be more bizarre and at the same time more motley than this
troop. One had a round-jacket, a cavalry sabre, and two holster-pistols,
another was in his shirt-sleeves, with a round hat, and a powder-horn
slung at his side, a third wore a plastron of nine sheets of gray paper
and was armed with a saddler's awl. There was one who was shouting:
"Let us exterminate them to the last man and die at the point of our
bayonet." This man had no bayonet. Another spread out over his coat the
cross-belt and cartridge-box of a National Guardsman, the cover of the
cartridge-box being ornamented with this inscription in red worsted:
Public Order. There were a great many guns bearing the numbers of the
legions, few hats, no cravats, many bare arms, some pikes. Add to
this, all ages, all sorts of faces, small, pale young men, and bronzed
longshoremen. All were in haste; and as they helped each other, they
discussed the possible chances. That they would receive succor about
three o'clock in the morning--that they were sure of one regiment, that
Paris would rise. Terrible sayings with which was mingled a sort of
cordial joviality. One would have pronounced them brothers, but they did
not know each other's names. Great perils have this fine characteristic,
that they bring to light the fraternity of strangers. A fire had been
lighted in the kitchen, and there they were engaged in moulding into
bullets, pewter mugs, spoons, forks, and all the brass table-ware of
the establishment. In the midst of it all, they drank. Caps and
buckshot were mixed pell-mell on the tables with glasses of wine. In
the billiard-hall, Mame Hucheloup, Matelote, and Gibelotte, variously
modified by terror, which had stupefied one, rendered another
breathless, and roused the third, were tearing up old dish-cloths and
making lint; three insurgents were assisting them, three bushy-haired,
jolly blades with beards and moustaches, who plucked away at the linen
with the fingers of seamstresses and who made them tremble.

The man of lofty stature whom Courfeyrac, Combeferre, and Enjolras had
observed at the moment when he joined the mob at the corner of the
Rue des Billettes, was at work on the smaller barricade and was making
himself useful there. Gavroche was working on the larger one. As for the
young man who had been waiting for Courfeyrac at his lodgings, and who
had inquired for M. Marius, he had disappeared at about the time when
the omnibus had been overturned.

Gavroche, completely carried away and radiant, had undertaken to get
everything in readiness. He went, came, mounted, descended, re-mounted,
whistled, and sparkled. He seemed to be there for the encouragement of
all. Had he any incentive? Yes, certainly, his poverty; had he wings?
yes, certainly, his joy. Gavroche was a whirlwind. He was constantly
visible, he was incessantly audible. He filled the air, as he was
everywhere at once. He was a sort of almost irritating ubiquity; no halt
was possible with him. The enormous barricade felt him on its haunches.
He troubled the loungers, he excited the idle, he reanimated the weary,
he grew impatient over the thoughtful, he inspired gayety in some,
and breath in others, wrath in others, movement in all, now pricking
a student, now biting an artisan; he alighted, paused, flew off again,
hovered over the tumult, and the effort, sprang from one party to
another, murmuring and humming, and harassed the whole company; a fly on
the immense revolutionary coach.

Perpetual motion was in his little arms and perpetual clamor in his
little lungs.

"Courage! more paving-stones! more casks! more machines! Where are you
now? A hod of plaster for me to stop this hole with! Your barricade
is very small. It must be carried up. Put everything on it, fling
everything there, stick it all in. Break down the house. A barricade is
Mother Gibou's tea. Hullo, here's a glass door."

This elicited an exclamation from the workers.

"A glass door? what do you expect us to do with a glass door, tubercle?"

"Hercules yourselves!" retorted Gavroche. "A glass door is an excellent
thing in a barricade. It does not prevent an attack, but it prevents the
enemy taking it. So you've never prigged apples over a wall where there
were broken bottles? A glass door cuts the corns of the National Guard
when they try to mount on the barricade. Pardi! glass is a treacherous
thing. Well, you haven't a very wildly lively imagination, comrades."

However, he was furious over his triggerless pistol. He went from one to
another, demanding: "A gun, I want a gun! Why don't you give me a gun?"

"Give you a gun!" said Combeferre.

"Come now!" said Gavroche, "why not? I had one in 1830 when we had a
dispute with Charles X."

Enjolras shrugged his shoulders.

"When there are enough for the men, we will give some to the children."

Gavroche wheeled round haughtily, and answered:--

"If you are killed before me, I shall take yours."

"Gamin!" said Enjolras.

"Greenhorn!" said Gavroche.

A dandy who had lost his way and who lounged past the end of the street
created a diversion! Gavroche shouted to him:--

"Come with us, young fellow! well now, don't we do anything for this old
country of ours?"

The dandy fled.




CHAPTER V--PREPARATIONS

The journals of the day which said that that nearly impregnable
structure, of the barricade of the Rue de la Chanvrerie, as they call
it, reached to the level of the first floor, were mistaken. The fact is,
that it did not exceed an average height of six or seven feet. It was
built in such a manner that the combatants could, at their will, either
disappear behind it or dominate the barrier and even scale its crest by
means of a quadruple row of paving-stones placed on top of each other
and arranged as steps in the interior. On the outside, the front of the
barricade, composed of piles of paving-stones and casks bound together
by beams and planks, which were entangled in the wheels of Anceau's dray
and of the overturned omnibus, had a bristling and inextricable aspect.

An aperture large enough to allow a man to pass through had been made
between the wall of the houses and the extremity of the barricade which
was furthest from the wine-shop, so that an exit was possible at this
point. The pole of the omnibus was placed upright and held up with
ropes, and a red flag, fastened to this pole, floated over the
barricade.

The little Mondetour barricade, hidden behind the wine-shop building,
was not visible. The two barricades united formed a veritable redoubt.
Enjolras and Courfeyrac had not thought fit to barricade the other
fragment of the Rue Mondetour which opens through the Rue des Precheurs
an issue into the Halles, wishing, no doubt, to preserve a possible
communication with the outside, and not entertaining much fear of
an attack through the dangerous and difficult street of the Rue des
Precheurs.

With the exception of this issue which was left free, and which
constituted what Folard in his strategical style would have termed a
branch and taking into account, also, the narrow cutting arranged on the
Rue de la Chanvrerie, the interior of the barricade, where the wine-shop
formed a salient angle, presented an irregular square, closed on all
sides. There existed an interval of twenty paces between the grand
barrier and the lofty houses which formed the background of the street,
so that one might say that the barricade rested on these houses, all
inhabited, but closed from top to bottom.

All this work was performed without any hindrance, in less than an hour,
and without this handful of bold men seeing a single bear-skin cap or
a single bayonet make their appearance. The very bourgeois who still
ventured at this hour of riot to enter the Rue Saint-Denis cast a
glance at the Rue de la Chanvrerie, caught sight of the barricade, and
redoubled their pace.

The two barricades being finished, and the flag run up, a table was
dragged out of the wine-shop; and Courfeyrac mounted on the table.
Enjolras brought the square coffer, and Courfeyrac opened it. This
coffer was filled with cartridges. When the mob saw the cartridges, a
tremor ran through the bravest, and a momentary silence ensued.

Courfeyrac distributed them with a smile.

Each one received thirty cartridges. Many had powder, and set about
making others with the bullets which they had run. As for the barrel of
powder, it stood on a table on one side, near the door, and was held in
reserve.

The alarm beat which ran through all Paris, did not cease, but it had
finally come to be nothing more than a monotonous noise to which they no
longer paid any attention. This noise retreated at times, and again drew
near, with melancholy undulations.

They loaded the guns and carbines, all together, without haste, with
solemn gravity. Enjolras went and stationed three sentinels outside the
barricades, one in the Rue de la Chanvrerie, the second in the Rue des
Precheurs, the third at the corner of the Rue de la Petite Truanderie.

Then, the barricades having been built, the posts assigned, the guns
loaded, the sentinels stationed, they waited, alone in those redoubtable
streets through which no one passed any longer, surrounded by those
dumb houses which seemed dead and in which no human movement palpitated,
enveloped in the deepening shades of twilight which was drawing on,
in the midst of that silence through which something could be felt
advancing, and which had about it something tragic and terrifying,
isolated, armed, determined, and tranquil.




CHAPTER VI--WAITING

During those hours of waiting, what did they do?

We must needs tell, since this is a matter of history.

While the men made bullets and the women lint, while a large saucepan
of melted brass and lead, destined to the bullet-mould smoked over a
glowing brazier, while the sentinels watched, weapon in hand, on the
barricade, while Enjolras, whom it was impossible to divert, kept an
eye on the sentinels, Combeferre, Courfeyrac, Jean Prouvaire, Feuilly,
Bossuet, Joly, Bahorel, and some others, sought each other out and
united as in the most peaceful days of their conversations in their
student life, and, in one corner of this wine-shop which had been
converted into a casement, a couple of paces distant from the redoubt
which they had built, with their carbines loaded and primed resting
against the backs of their chairs, these fine young fellows, so close to
a supreme hour, began to recite love verses.

What verses? These:--

               Vous rappelez-vous notre douce vie,
                 Lorsque nous etions si jeunes tous deux,
               Et que nous n'avions au coeur d'autre envie
                 Que d'etre bien mis et d'etre amoureux,

               Lorsqu'en ajoutant votre age a mon age,
                 Nous ne comptions pas a deux quarante ans,
               Et que, dans notre humble et petit menage,
                 Tout, meme l'hiver, nous etait printemps?

               Beaux jours! Manuel etait fier et sage,
                 Paris s'asseyait a de saints banquets,
               Foy lancait la foudre, et votre corsage
                 Avait une epingle ou je me piquais.

               Tout vous contemplait. Avocat sans causes,
                 Quand je vous menais au Prado diner,
               Vous etiez jolie au point que les roses
                 Me faisaient l'effet de se retourner.

               Je les entendais dire: Est elle belle!
                 Comme elle sent bon!  Quels cheveux a flots!
               Sous son mantelet elle cache une aile,
                 Son bonnet charmant est a peine eclos.

               J'errais avec toi, pressant ton bras souple.
                 Les passants crovaient que l'amour charme
               Avait marie, dans notre heureux couple,
                 Le doux mois d'avril au beau mois de mai.

               Nous vivions caches, contents, porte close,
                 Devorant l'amour, bon fruit defendu,
               Ma bouche n'avait pas dit une chose
                 Que deja ton coeur avait repondu.

               La Sorbonne etait l'endroit bucolique
                 Ou je t'adorais du soir au matin.
               C'est ainsi qu'une ame amoureuse applique
                 La carte du Tendre au pays Latin.

               O place Maubert! o place Dauphine!
                 Quand, dans le taudis frais et printanier,
               Tu tirais ton bas sur ton jambe fine,
                 Je voyais un astre au fond du grenier.

               J'ai fort lu Platon, mais rien ne m'en reste;
                 Mieux que Malebranche et que Lamennais,
               Tu me demontrais la bonte celeste
                 Avec une fleur que tu me donnais.

               Je t'obeissais, tu m' etais soumise;
                 O grenier dore! te lacer! te voir
               Aller et venir des l'aube en chemise,
                 Mirant ton jeune front a ton vieux miroir.

               Et qui done pourrait perde la memoire
                 De ces temps d'aurore et de firmament,
               De rubans, de fleurs, de gaze et de moire,
                 Ou l'amour begaye un argot charmant?

               Nos jardins etaient un pot de tulipe;
                 Tu masquais la vitre avec un jupon;
               Je prenais le bol de terre de pipe,
                 Et je te donnais le tasse en japon.

               Et ces grands malheurs qui nous faisaient rire!
                 Ton manchon brule, ton boa perdu!
               Et ce cher portrait du divin Shakespeare
                 Qu'un soir pour souper nons avons vendu!

               J'etais mendiant et toi charitable.
                 Je baisais au vol tes bras frais et ronds.
               Dante in folio nous servait de table
                 Pour manger gaiment un cent de marrons.

               La premiere fois qu'en mon joyeux bouge
                 Je pris un baiser a ton levre en feu,
               Quand tu t'en allais decoiffee et rouge,
                 Je restai tout pale et je crus en Dieu!

               Te rappelles-tu nos bonheurs sans nombre,
                 Et tous ces fichus changes en chiffons?
               Oh que de soupirs, de nos coeurs pleins d'ombre,
                 Se sont envoles dans les cieux profonds![53]


The hour, the spot, these souvenirs of youth recalled, a few stars
which began to twinkle in the sky, the funeral repose of those deserted
streets, the imminence of the inexorable adventure, which was in
preparation, gave a pathetic charm to these verses murmured in a low
tone in the dusk by Jean Prouvaire, who, as we have said, was a gentle
poet.

In the meantime, a lamp had been lighted in the small barricade, and in
the large one, one of those wax torches such as are to be met with on
Shrove-Tuesday in front of vehicles loaded with masks, on their way
to la Courtille. These torches, as the reader has seen, came from the
Faubourg Saint-Antoine.

The torch had been placed in a sort of cage of paving-stones closed on
three sides to shelter it from the wind, and disposed in such a fashion
that all the light fell on the flag. The street and the barricade
remained sunk in gloom, and nothing was to be seen except the red flag
formidably illuminated as by an enormous dark-lantern.

This light enhanced the scarlet of the flag, with an indescribable and
terrible purple.




CHAPTER VII--THE MAN RECRUITED IN THE RUE DES BILLETTES

Night was fully come, nothing made its appearance. All that they heard
was confused noises, and at intervals, fusillades; but these were rare,
badly sustained and distant. This respite, which was thus prolonged,
was a sign that the Government was taking its time, and collecting its
forces. These fifty men were waiting for sixty thousand.

Enjolras felt attacked by that impatience which seizes on strong souls
on the threshold of redoubtable events. He went in search of Gavroche,
who had set to making cartridges in the tap-room, by the dubious light
of two candles placed on the counter by way of precaution, on account of
the powder which was scattered on the tables. These two candles cast no
gleam outside. The insurgents had, moreover, taken pains not to have any
light in the upper stories.

Gavroche was deeply preoccupied at that moment, but not precisely with
his cartridges. The man of the Rue des Billettes had just entered
the tap-room and had seated himself at the table which was the least
lighted. A musket of large model had fallen to his share, and he held it
between his legs. Gavroche, who had been, up to that moment, distracted
by a hundred "amusing" things, had not even seen this man.

When he entered, Gavroche followed him mechanically with his eyes,
admiring his gun; then, all at once, when the man was seated, the street
urchin sprang to his feet. Any one who had spied upon that man up to
that moment, would have seen that he was observing everything in the
barricade and in the band of insurgents, with singular attention; but,
from the moment when he had entered this room, he had fallen into a sort
of brown study, and no longer seemed to see anything that was going on.
The gamin approached this pensive personage, and began to step around
him on tiptoe, as one walks in the vicinity of a person whom one is
afraid of waking. At the same time, over his childish countenance which
was, at once so impudent and so serious, so giddy and so profound, so
gay and so heart-breaking, passed all those grimaces of an old man which
signify: Ah bah! impossible! My sight is bad! I am dreaming! can this
be? no, it is not! but yes! why, no! etc. Gavroche balanced on his
heels, clenched both fists in his pockets, moved his neck around like a
bird, expended in a gigantic pout all the sagacity of his lower lip. He
was astounded, uncertain, incredulous, convinced, dazzled. He had the
mien of the chief of the eunuchs in the slave mart, discovering a
Venus among the blowsy females, and the air of an amateur recognizing
a Raphael in a heap of daubs. His whole being was at work, the instinct
which scents out, and the intelligence which combines. It was evident
that a great event had happened in Gavroche's life.

It was at the most intense point of this preoccupation that Enjolras
accosted him.

"You are small," said Enjolras, "you will not be seen. Go out of the
barricade, slip along close to the houses, skirmish about a bit in the
streets, and come back and tell me what is going on."

Gavroche raised himself on his haunches.

"So the little chaps are good for something! that's very lucky! I'll
go! In the meanwhile, trust to the little fellows, and distrust the big
ones." And Gavroche, raising his head and lowering his voice, added,
as he indicated the man of the Rue des Billettes: "Do you see that big
fellow there?"

"Well?"

"He's a police spy."

"Are you sure of it?"

"It isn't two weeks since he pulled me off the cornice of the Port
Royal, where I was taking the air, by my ear."

Enjolras hastily quitted the urchin and murmured a few words in a very
low tone to a longshoreman from the winedocks who chanced to be at hand.
The man left the room, and returned almost immediately, accompanied by
three others. The four men, four porters with broad shoulders, went
and placed themselves without doing anything to attract his attention,
behind the table on which the man of the Rue des Billettes was leaning
with his elbows. They were evidently ready to hurl themselves upon him.

Then Enjolras approached the man and demanded of him:--

"Who are you?"

At this abrupt query, the man started. He plunged his gaze deep into
Enjolras' clear eyes and appeared to grasp the latter's meaning. He
smiled with a smile than which nothing more disdainful, more energetic,
and more resolute could be seen in the world, and replied with haughty
gravity:--

"I see what it is. Well, yes!"

"You are a police spy?"

"I am an agent of the authorities."

"And your name?"

"Javert."

Enjolras made a sign to the four men. In the twinkling of an eye, before
Javert had time to turn round, he was collared, thrown down, pinioned
and searched.

They found on him a little round card pasted between two pieces of
glass, and bearing on one side the arms of France, engraved, and with
this motto: Supervision and vigilance, and on the other this note:
"JAVERT, inspector of police, aged fifty-two," and the signature of the
Prefect of Police of that day, M. Gisquet.

Besides this, he had his watch and his purse, which contained several
gold pieces. They left him his purse and his watch. Under the watch,
at the bottom of his fob, they felt and seized a paper in an envelope,
which Enjolras unfolded, and on which he read these five lines, written
in the very hand of the Prefect of Police:--

"As soon as his political mission is accomplished, Inspector Javert
will make sure, by special supervision, whether it is true that the
malefactors have instituted intrigues on the right bank of the Seine,
near the Jena bridge."

The search ended, they lifted Javert to his feet, bound his arms behind
his back, and fastened him to that celebrated post in the middle of the
room which had formerly given the wine-shop its name.

Gavroche, who had looked on at the whole of this scene and had approved
of everything with a silent toss of his head, stepped up to Javert and
said to him:--

"It's the mouse who has caught the cat."

All this was so rapidly executed, that it was all over when those about
the wine-shop noticed it.

Javert had not uttered a single cry.

At the sight of Javert bound to the post, Courfeyrac, Bossuet, Joly,
Combeferre, and the men scattered over the two barricades came running
up.

Javert, with his back to the post, and so surrounded with ropes that he
could not make a movement, raised his head with the intrepid serenity of
the man who has never lied.

"He is a police spy," said Enjolras.

And turning to Javert: "You will be shot ten minutes before the
barricade is taken."

Javert replied in his most imperious tone:--

"Why not at once?"

"We are saving our powder."

"Then finish the business with a blow from a knife."

"Spy," said the handsome Enjolras, "we are judges and not assassins."

Then he called Gavroche:--

"Here you! go about your business! Do what I told you!"

"I'm going!" cried Gavroche.

And halting as he was on the point of setting out:--

"By the way, you will give me his gun!" and he added: "I leave you the
musician, but I want the clarionet."

The gamin made the military salute and passed gayly through the opening
in the large barricade.




CHAPTER VIII--MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE
CABUC WHOSE NAME MAY NOT HAVE BEEN LE CABUC

The tragic picture which we have undertaken would not be complete, the
reader would not see those grand moments of social birth-pangs in a
revolutionary birth, which contain convulsion mingled with effort,
in their exact and real relief, were we to omit, in the sketch here
outlined, an incident full of epic and savage horror which occurred
almost immediately after Gavroche's departure.

Mobs, as the reader knows, are like a snowball, and collect as they
roll along, a throng of tumultuous men. These men do not ask each other
whence they come. Among the passers-by who had joined the rabble led by
Enjolras, Combeferre, and Courfeyrac, there had been a person wearing
the jacket of a street porter, which was very threadbare on the
shoulders, who gesticulated and vociferated, and who had the look of a
drunken savage. This man, whose name or nickname was Le Cabuc, and who
was, moreover, an utter stranger to those who pretended to know him,
was very drunk, or assumed the appearance of being so, and had seated
himself with several others at a table which they had dragged outside
of the wine-shop. This Cabuc, while making those who vied with him drunk
seemed to be examining with a thoughtful air the large house at the
extremity of the barricade, whose five stories commanded the whole
street and faced the Rue Saint-Denis. All at once he exclaimed:--

"Do you know, comrades, it is from that house yonder that we must fire.
When we are at the windows, the deuce is in it if any one can advance
into the street!"

"Yes, but the house is closed," said one of the drinkers.

"Let us knock!"

"They will not open."

"Let us break in the door!"

Le Cabuc runs to the door, which had a very massive knocker, and knocks.
The door opens not. He strikes a second blow. No one answers. A third
stroke. The same silence.

"Is there any one here?" shouts Cabuc.

Nothing stirs.

Then he seizes a gun and begins to batter the door with the butt end.

It was an ancient alley door, low, vaulted, narrow, solid, entirely of
oak, lined on the inside with a sheet of iron and iron stays, a genuine
prison postern. The blows from the butt end of the gun made the house
tremble, but did not shake the door.

Nevertheless, it is probable that the inhabitants were disturbed, for a
tiny, square window was finally seen to open on the third story, and at
this aperture appeared the reverend and terrified face of a gray-haired
old man, who was the porter, and who held a candle.

The man who was knocking paused.

"Gentlemen," said the porter, "what do you want?"

"Open!" said Cabuc.

"That cannot be, gentlemen."

"Open, nevertheless."

"Impossible, gentlemen."

Le Cabuc took his gun and aimed at the porter; but as he was below, and
as it was very dark, the porter did not see him.

"Will you open, yes or no?"

"No, gentlemen."

"Do you say no?"

"I say no, my goo--"

The porter did not finish. The shot was fired; the ball entered under
his chin and came out at the nape of his neck, after traversing the
jugular vein.

The old man fell back without a sigh. The candle fell and was
extinguished, and nothing more was to be seen except a motionless head
lying on the sill of the small window, and a little whitish smoke which
floated off towards the roof.

"There!" said Le Cabuc, dropping the butt end of his gun to the
pavement.

He had hardly uttered this word, when he felt a hand laid on his
shoulder with the weight of an eagle's talon, and he heard a voice
saying to him:--

"On your knees."

The murderer turned round and saw before him Enjolras' cold, white face.

Enjolras held a pistol in his hand.

He had hastened up at the sound of the discharge.

He had seized Cabuc's collar, blouse, shirt, and suspender with his left
hand.

"On your knees!" he repeated.

And, with an imperious motion, the frail young man of twenty years bent
the thickset and sturdy porter like a reed, and brought him to his knees
in the mire.

Le Cabuc attempted to resist, but he seemed to have been seized by a
superhuman hand.

Enjolras, pale, with bare neck and dishevelled hair, and his woman's
face, had about him at that moment something of the antique Themis.
His dilated nostrils, his downcast eyes, gave to his implacable Greek
profile that expression of wrath and that expression of Chastity which,
as the ancient world viewed the matter, befit Justice.

The whole barricade hastened up, then all ranged themselves in a circle
at a distance, feeling that it was impossible to utter a word in the
presence of the thing which they were about to behold.

Le Cabuc, vanquished, no longer tried to struggle, and trembled in every
limb.

Enjolras released him and drew out his watch.

"Collect yourself," said he. "Think or pray. You have one minute."

"Mercy!" murmured the murderer; then he dropped his head and stammered a
few inarticulate oaths.

Enjolras never took his eyes off of him: he allowed a minute to pass,
then he replaced his watch in his fob. That done, he grasped Le Cabuc
by the hair, as the latter coiled himself into a ball at his knees and
shrieked, and placed the muzzle of the pistol to his ear. Many of those
intrepid men, who had so tranquilly entered upon the most terrible of
adventures, turned aside their heads.

An explosion was heard, the assassin fell to the pavement face
downwards.

Enjolras straightened himself up, and cast a convinced and severe glance
around him. Then he spurned the corpse with his foot and said:--

"Throw that outside."

Three men raised the body of the unhappy wretch, which was still
agitated by the last mechanical convulsions of the life that had fled,
and flung it over the little barricade into the Rue Mondetour.

Enjolras was thoughtful. It is impossible to say what grandiose shadows
slowly spread over his redoubtable serenity. All at once he raised his
voice.

A silence fell upon them.

"Citizens," said Enjolras, "what that man did is frightful, what I have
done is horrible. He killed, therefore I killed him. I had to do it,
because insurrection must have its discipline. Assassination is even
more of a crime here than elsewhere; we are under the eyes of the
Revolution, we are the priests of the Republic, we are the victims of
duty, and must not be possible to slander our combat. I have, therefore,
tried that man, and condemned him to death. As for myself, constrained
as I am to do what I have done, and yet abhorring it, I have judged
myself also, and you shall soon see to what I have condemned myself."

Those who listened to him shuddered.

"We will share thy fate," cried Combeferre.

"So be it," replied Enjolras. "One word more. In executing this man,
I have obeyed necessity; but necessity is a monster of the old world,
necessity's name is Fatality. Now, the law of progress is, that monsters
shall disappear before the angels, and that Fatality shall vanish before
Fraternity. It is a bad moment to pronounce the word love. No matter, I
do pronounce it. And I glorify it. Love, the future is thine. Death, I
make use of thee, but I hate thee. Citizens, in the future there will
be neither darkness nor thunderbolts; neither ferocious ignorance, nor
bloody retaliation. As there will be no more Satan, there will be no
more Michael. In the future no one will kill any one else, the earth
will beam with radiance, the human race will love. The day will come,
citizens, when all will be concord, harmony, light, joy and life; it
will come, and it is in order that it may come that we are about to
die."

Enjolras ceased. His virgin lips closed; and he remained for some time
standing on the spot where he had shed blood, in marble immobility. His
staring eye caused those about him to speak in low tones.

Jean Prouvaire and Combeferre pressed each other's hands silently, and,
leaning against each other in an angle of the barricade, they watched
with an admiration in which there was some compassion, that grave young
man, executioner and priest, composed of light, like crystal, and also
of rock.

Let us say at once that later on, after the action, when the bodies were
taken to the morgue and searched, a police agent's card was found on Le
Cabuc. The author of this book had in his hands, in 1848, the special
report on this subject made to the Prefect of Police in 1832.

We will add, that if we are to believe a tradition of the police, which
is strange but probably well founded, Le Cabuc was Claquesous. The fact
is, that dating from the death of Le Cabuc, there was no longer any
question of Claquesous. Claquesous had nowhere left any trace of his
disappearance; he would seem to have amalgamated himself with the
invisible. His life had been all shadows, his end was night.

The whole insurgent group was still under the influence of the emotion
of that tragic case which had been so quickly tried and so quickly
terminated, when Courfeyrac again beheld on the barricade, the small
young man who had inquired of him that morning for Marius.

This lad, who had a bold and reckless air, had come by night to join the
insurgents.




BOOK THIRTEENTH.--MARIUS ENTERS THE SHADOW




CHAPTER I--FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS

The voice which had summoned Marius through the twilight to the
barricade of the Rue de la Chanvrerie, had produced on him the effect
of the voice of destiny. He wished to die; the opportunity presented
itself; he knocked at the door of the tomb, a hand in the darkness
offered him the key. These melancholy openings which take place in the
gloom before despair, are tempting. Marius thrust aside the bar which
had so often allowed him to pass, emerged from the garden, and said: "I
will go."

Mad with grief, no longer conscious of anything fixed or solid in his
brain, incapable of accepting anything thenceforth of fate after those
two months passed in the intoxication of youth and love, overwhelmed at
once by all the reveries of despair, he had but one desire remaining, to
make a speedy end of all.

He set out at rapid pace. He found himself most opportunely armed, as he
had Javert's pistols with him.

The young man of whom he thought that he had caught a glimpse, had
vanished from his sight in the street.

Marius, who had emerged from the Rue Plumet by the boulevard, traversed
the Esplanade and the bridge of the Invalides, the Champs Elysees, the
Place Louis XV., and reached the Rue de Rivoli. The shops were open
there, the gas was burning under the arcades, women were making their
purchases in the stalls, people were eating ices in the Cafe Laiter,
and nibbling small cakes at the English pastry-cook's shop. Only a few
posting-chaises were setting out at a gallop from the Hotel des Princes
and the Hotel Meurice.

Marius entered the Rue Saint-Honore through the Passage Delorme. There
the shops were closed, the merchants were chatting in front of their
half-open doors, people were walking about, the street lanterns were
lighted, beginning with the first floor, all the windows were lighted as
usual. There was cavalry on the Place du Palais-Royal.

Marius followed the Rue Saint-Honore. In proportion as he left the
Palais-Royal behind him, there were fewer lighted windows, the shops
were fast shut, no one was chatting on the thresholds, the street grew
sombre, and, at the same time, the crowd increased in density. For the
passers-by now amounted to a crowd. No one could be seen to speak in
this throng, and yet there arose from it a dull, deep murmur.

Near the fountain of the Arbre-Sec, there were "assemblages", motionless
and gloomy groups which were to those who went and came as stones in the
midst of running water.

At the entrance to the Rue des Prouvaires, the crowd no longer walked.
It formed a resisting, massive, solid, compact, almost impenetrable
block of people who were huddled together, and conversing in low tones.
There were hardly any black coats or round hats now, but smock frocks,
blouses, caps, and bristling and cadaverous heads. This multitude
undulated confusedly in the nocturnal gloom. Its whisperings had the
hoarse accent of a vibration. Although not one of them was walking, a
dull trampling was audible in the mire. Beyond this dense portion of
the throng, in the Rue du Roule, in the Rue des Prouvaires, and in the
extension of the Rue Saint-Honore, there was no longer a single window
in which a candle was burning. Only the solitary and diminishing rows
of lanterns could be seen vanishing into the street in the distance. The
lanterns of that date resembled large red stars, hanging to ropes, and
shed upon the pavement a shadow which had the form of a huge spider.
These streets were not deserted. There could be descried piles of guns,
moving bayonets, and troops bivouacking. No curious observer passed that
limit. There circulation ceased. There the rabble ended and the army
began.

Marius willed with the will of a man who hopes no more. He had been
summoned, he must go. He found a means to traverse the throng and to
pass the bivouac of the troops, he shunned the patrols, he avoided the
sentinels. He made a circuit, reached the Rue de Bethisy, and directed
his course towards the Halles. At the corner of the Rue des Bourdonnais,
there were no longer any lanterns.

After having passed the zone of the crowd, he had passed the limits of
the troops; he found himself in something startling. There was no longer
a passer-by, no longer a soldier, no longer a light, there was no one;
solitude, silence, night, I know not what chill which seized hold upon
one. Entering a street was like entering a cellar.

He continued to advance.

He took a few steps. Some one passed close to him at a run. Was it a
man? Or a woman? Were there many of them? he could not have told. It had
passed and vanished.

Proceeding from circuit to circuit, he reached a lane which he judged
to be the Rue de la Poterie; near the middle of this street, he came in
contact with an obstacle. He extended his hands. It was an overturned
wagon; his foot recognized pools of water, gullies, and paving-stones
scattered and piled up. A barricade had been begun there and abandoned.
He climbed over the stones and found himself on the other side of the
barrier. He walked very near the street-posts, and guided himself along
the walls of the houses. A little beyond the barricade, it seemed to him
that he could make out something white in front of him. He approached,
it took on a form. It was two white horses; the horses of the omnibus
harnessed by Bossuet in the morning, who had been straying at random all
day from street to street, and had finally halted there, with the weary
patience of brutes who no more understand the actions of men, than man
understands the actions of Providence.

Marius left the horses behind him. As he was approaching a street which
seemed to him to be the Rue du Contrat-Social, a shot coming no one
knows whence, and traversing the darkness at random, whistled close by
him, and the bullet pierced a brass shaving-dish suspended above his
head over a hairdresser's shop. This pierced shaving-dish was still
to be seen in 1848, in the Rue du Contrat-Social, at the corner of the
pillars of the market.

This shot still betokened life. From that instant forth he encountered
nothing more.

The whole of this itinerary resembled a descent of black steps.

Nevertheless, Marius pressed forward.




CHAPTER II--AN OWL'S VIEW OF PARIS

A being who could have hovered over Paris that night with the wing of
the bat or the owl would have had beneath his eyes a gloomy spectacle.

All that old quarter of the Halles, which is like a city within a
city, through which run the Rues Saint-Denis and Saint-Martin, where a
thousand lanes cross, and of which the insurgents had made their
redoubt and their stronghold, would have appeared to him like a dark and
enormous cavity hollowed out in the centre of Paris. There the glance
fell into an abyss. Thanks to the broken lanterns, thanks to the closed
windows, there all radiance, all life, all sound, all movement ceased.
The invisible police of the insurrection were on the watch everywhere,
and maintained order, that is to say, night. The necessary tactics of
insurrection are to drown small numbers in a vast obscurity, to multiply
every combatant by the possibilities which that obscurity contains. At
dusk, every window where a candle was burning received a shot. The light
was extinguished, sometimes the inhabitant was killed. Hence nothing was
stirring. There was nothing but fright, mourning, stupor in the houses;
and in the streets, a sort of sacred horror. Not even the long rows of
windows and stores, the indentations of the chimneys, and the roofs,
and the vague reflections which are cast back by the wet and muddy
pavements, were visible. An eye cast upward at that mass of shadows
might, perhaps, have caught a glimpse here and there, at intervals,
of indistinct gleams which brought out broken and eccentric lines, and
profiles of singular buildings, something like the lights which go and
come in ruins; it was at such points that the barricades were situated.
The rest was a lake of obscurity, foggy, heavy, and funereal, above
which, in motionless and melancholy outlines, rose the tower of
Saint-Jacques, the church of Saint-Merry, and two or three more of those
grand edifices of which man makes giants and the night makes phantoms.

All around this deserted and disquieting labyrinth, in the quarters
where the Parisian circulation had not been annihilated, and where a
few street lanterns still burned, the aerial observer might have
distinguished the metallic gleam of swords and bayonets, the dull rumble
of artillery, and the swarming of silent battalions whose ranks were
swelling from minute to minute; a formidable girdle which was slowly
drawing in and around the insurrection.

The invested quarter was no longer anything more than a monstrous
cavern; everything there appeared to be asleep or motionless, and, as we
have just seen, any street which one might come to offered nothing but
darkness.

A wild darkness, full of traps, full of unseen and formidable shocks,
into which it was alarming to penetrate, and in which it was terrible to
remain, where those who entered shivered before those whom they awaited,
where those who waited shuddered before those who were coming. Invisible
combatants were entrenched at every corner of the street; snares of the
sepulchre concealed in the density of night. All was over. No more
light was to be hoped for, henceforth, except the lightning of guns,
no further encounter except the abrupt and rapid apparition of death.
Where? How? When? No one knew, but it was certain and inevitable. In
this place which had been marked out for the struggle, the Government
and the insurrection, the National Guard, and popular societies, the
bourgeois and the uprising, groping their way, were about to come into
contact. The necessity was the same for both. The only possible issue
thenceforth was to emerge thence killed or conquerors. A situation so
extreme, an obscurity so powerful, that the most timid felt themselves
seized with resolution, and the most daring with terror.

Moreover, on both sides, the fury, the rage, and the determination were
equal. For the one party, to advance meant death, and no one dreamed of
retreating; for the other, to remain meant death, and no one dreamed of
flight.

It was indispensable that all should be ended on the following day, that
triumph should rest either here or there, that the insurrection should
prove itself a revolution or a skirmish. The Government understood this
as well as the parties; the most insignificant bourgeois felt it. Hence
a thought of anguish which mingled with the impenetrable gloom of this
quarter where all was at the point of being decided; hence a redoubled
anxiety around that silence whence a catastrophe was on the point of
emerging. Here only one sound was audible, a sound as heart-rending
as the death rattle, as menacing as a malediction, the tocsin of
Saint-Merry. Nothing could be more blood-curdling than the clamor of
that wild and desperate bell, wailing amid the shadows.

As it often happens, nature seemed to have fallen into accord with what
men were about to do. Nothing disturbed the harmony of the whole effect.
The stars had disappeared, heavy clouds filled the horizon with their
melancholy folds. A black sky rested on these dead streets, as though an
immense winding-sheet were being outspread over this immense tomb.

While a battle that was still wholly political was in preparation in the
same locality which had already witnessed so many revolutionary events,
while youth, the secret associations, the schools, in the name of
principles, and the middle classes, in the name of interests, were
approaching preparatory to dashing themselves together, clasping and
throwing each other, while each one hastened and invited the last and
decisive hour of the crisis, far away and quite outside of this fatal
quarter, in the most profound depths of the unfathomable cavities of
that wretched old Paris which disappears under the splendor of happy
and opulent Paris, the sombre voice of the people could be heard giving
utterance to a dull roar.

A fearful and sacred voice which is composed of the roar of the brute
and of the word of God, which terrifies the weak and which warns the
wise, which comes both from below like the voice of the lion, and from
on high like the voice of the thunder.




CHAPTER III--THE EXTREME EDGE

Marius had reached the Halles.

There everything was still calmer, more obscure and more motionless than
in the neighboring streets. One would have said that the glacial peace
of the sepulchre had sprung forth from the earth and had spread over the
heavens.

Nevertheless, a red glow brought out against this black background the
lofty roofs of the houses which barred the Rue de la Chanvrerie on
the Saint-Eustache side. It was the reflection of the torch which was
burning in the Corinthe barricade. Marius directed his steps towards
that red light. It had drawn him to the Marche-aux-Poirees, and he
caught a glimpse of the dark mouth of the Rue des Precheurs. He entered
it. The insurgents' sentinel, who was guarding the other end, did not
see him. He felt that he was very close to that which he had come in
search of, and he walked on tiptoe. In this manner he reached the elbow
of that short section of the Rue Mondetour which was, as the reader will
remember, the only communication which Enjolras had preserved with the
outside world. At the corner of the last house, on his left, he thrust
his head forward, and looked into the fragment of the Rue Mondetour.

A little beyond the angle of the lane and the Rue de la Chanvrerie which
cast a broad curtain of shadow, in which he was himself engulfed,
he perceived some light on the pavement, a bit of the wine-shop, and
beyond, a flickering lamp within a sort of shapeless wall, and men
crouching down with guns on their knees. All this was ten fathoms
distant from him. It was the interior of the barricade.

The houses which bordered the lane on the right concealed the rest of
the wine-shop, the large barricade, and the flag from him.

Marius had but a step more to take.

Then the unhappy young man seated himself on a post, folded his arms,
and fell to thinking about his father.

He thought of that heroic Colonel Pontmercy, who had been so proud a
soldier, who had guarded the frontier of France under the Republic, and
had touched the frontier of Asia under Napoleon, who had beheld Genoa,
Alexandria, Milan, Turin, Madrid, Vienna, Dresden, Berlin, Moscow, who
had left on all the victorious battle-fields of Europe drops of that
same blood, which he, Marius, had in his veins, who had grown gray
before his time in discipline and command, who had lived with his
sword-belt buckled, his epaulets falling on his breast, his cockade
blackened with powder, his brow furrowed with his helmet, in barracks,
in camp, in the bivouac, in ambulances, and who, at the expiration of
twenty years, had returned from the great wars with a scarred cheek, a
smiling countenance, tranquil, admirable, pure as a child, having done
everything for France and nothing against her.

He said to himself that his day had also come now, that his hour had
struck, that following his father, he too was about to show himself
brave, intrepid, bold, to run to meet the bullets, to offer his breast
to bayonets, to shed his blood, to seek the enemy, to seek death, that
he was about to wage war in his turn and descend to the field of battle,
and that the field of battle upon which he was to descend was the
street, and that the war in which he was about to engage was civil war!

He beheld civil war laid open like a gulf before him, and into this he
was about to fall. Then he shuddered.

He thought of his father's sword, which his grandfather had sold to a
second-hand dealer, and which he had so mournfully regretted. He said to
himself that that chaste and valiant sword had done well to escape from
him, and to depart in wrath into the gloom; that if it had thus fled, it
was because it was intelligent and because it had foreseen the future;
that it had had a presentiment of this rebellion, the war of the
gutters, the war of the pavements, fusillades through cellar-windows,
blows given and received in the rear; it was because, coming from
Marengo and Friedland, it did not wish to go to the Rue de la
Chanvrerie; it was because, after what it had done with the father, it
did not wish to do this for the son! He told himself that if that sword
were there, if after taking possession of it at his father's pillow,
he had dared to take it and carry it off for this combat of darkness
between Frenchmen in the streets, it would assuredly have scorched his
hands and burst out aflame before his eyes, like the sword of the angel!
He told himself that it was fortunate that it was not there and that
it had disappeared, that that was well, that that was just, that his
grandfather had been the true guardian of his father's glory, and that
it was far better that the colonel's sword should be sold at auction,
sold to the old-clothes man, thrown among the old junk, than that it
should, to-day, wound the side of his country.

And then he fell to weeping bitterly.

This was horrible. But what was he to do? Live without Cosette he could
not. Since she was gone, he must needs die. Had he not given her his
word of honor that he would die? She had gone knowing that; this meant
that it pleased her that Marius should die. And then, it was clear that
she no longer loved him, since she had departed thus without warning,
without a word, without a letter, although she knew his address! What
was the good of living, and why should he live now? And then, what!
should he retreat after going so far? should he flee from danger after
having approached it? should he slip away after having come and peeped
into the barricade? slip away, all in a tremble, saying: "After all, I
have had enough of it as it is. I have seen it, that suffices, this is
civil war, and I shall take my leave!" Should he abandon his friends who
were expecting him? Who were in need of him possibly! who were a mere
handful against an army! Should he be untrue at once to his love, to
country, to his word? Should he give to his cowardice the pretext of
patriotism? But this was impossible, and if the phantom of his father
was there in the gloom, and beheld him retreating, he would beat him on
the loins with the flat of his sword, and shout to him: "March on, you
poltroon!"

Thus a prey to the conflicting movements of his thoughts, he dropped his
head.

All at once he raised it. A sort of splendid rectification had just been
effected in his mind. There is a widening of the sphere of thought which
is peculiar to the vicinity of the grave; it makes one see clearly to
be near death. The vision of the action into which he felt that he
was, perhaps, on the point of entering, appeared to him no more
as lamentable, but as superb. The war of the street was suddenly
transfigured by some unfathomable inward working of his soul, before the
eye of his thought. All the tumultuous interrogation points of revery
recurred to him in throngs, but without troubling him. He left none of
them unanswered.

Let us see, why should his father be indignant? Are there not cases
where insurrection rises to the dignity of duty? What was there that was
degrading for the son of Colonel Pontmercy in the combat which was about
to begin? It is no longer Montmirail nor Champaubert; it is something
quite different. The question is no longer one of sacred territory,--but
of a holy idea. The country wails, that may be, but humanity applauds.
But is it true that the country does wail? France bleeds, but liberty
smiles; and in the presence of liberty's smile, France forgets her
wound. And then if we look at things from a still more lofty point of
view, why do we speak of civil war?

Civil war--what does that mean? Is there a foreign war? Is not all war
between men, war between brothers? War is qualified only by its object.
There is no such thing as foreign or civil war; there is only just and
unjust war. Until that day when the grand human agreement is concluded,
war, that at least which is the effort of the future, which is hastening
on against the past, which is lagging in the rear, may be necessary.
What have we to reproach that war with? War does not become a disgrace,
the sword does not become a disgrace, except when it is used for
assassinating the right, progress, reason, civilization, truth. Then
war, whether foreign or civil, is iniquitous; it is called crime.
Outside the pale of that holy thing, justice, by what right does
one form of man despise another? By what right should the sword of
Washington disown the pike of Camille Desmoulins? Leonidas against the
stranger, Timoleon against the tyrant, which is the greater? the one is
the defender, the other the liberator. Shall we brand every appeal
to arms within a city's limits without taking the object into a
consideration? Then note the infamy of Brutus, Marcel, Arnould von
Blankenheim, Coligny, Hedgerow war? War of the streets? Why not? That
was the war of Ambiorix, of Artevelde, of Marnix, of Pelagius. But
Ambiorix fought against Rome, Artevelde against France, Marnix against
Spain, Pelagius against the Moors; all against the foreigner. Well, the
monarchy is a foreigner; oppression is a stranger; the right divine is
a stranger. Despotism violates the moral frontier, an invasion violates
the geographical frontier. Driving out the tyrant or driving out the
English, in both cases, regaining possession of one's own territory.
There comes an hour when protestation no longer suffices; after
philosophy, action is required; live force finishes what the idea
has sketched out; Prometheus chained begins, Arostogeiton ends; the
encyclopedia enlightens souls, the 10th of August electrifies them.
After AEschylus, Thrasybulus; after Diderot, Danton. Multitudes have
a tendency to accept the master. Their mass bears witness to apathy.
A crowd is easily led as a whole to obedience. Men must be stirred up,
pushed on, treated roughly by the very benefit of their deliverance,
their eyes must be wounded by the true, light must be hurled at them
in terrible handfuls. They must be a little thunderstruck themselves at
their own well-being; this dazzling awakens them. Hence the necessity
of tocsins and wars. Great combatants must rise, must enlighten nations
with audacity, and shake up that sad humanity which is covered
with gloom by the right divine, Caesarian glory, force, fanaticism,
irresponsible power, and absolute majesty; a rabble stupidly occupied in
the contemplation, in their twilight splendor, of these sombre triumphs
of the night. Down with the tyrant! Of whom are you speaking? Do you
call Louis Philippe the tyrant? No; no more than Louis XVI. Both of them
are what history is in the habit of calling good kings; but principles
are not to be parcelled out, the logic of the true is rectilinear, the
peculiarity of truth is that it lacks complaisance; no concessions,
then; all encroachments on man should be repressed. There is a divine
right in Louis XVI., there is because a Bourbon in Louis Philippe; both
represent in a certain measure the confiscation of right, and, in order
to clear away universal insurrection, they must be combated; it must
be done, France being always the one to begin. When the master falls
in France, he falls everywhere. In short, what cause is more just, and
consequently, what war is greater, than that which re-establishes
social truth, restores her throne to liberty, restores the people to the
people, restores sovereignty to man, replaces the purple on the head of
France, restores equity and reason in their plenitude, suppresses every
germ of antagonism by restoring each one to himself, annihilates the
obstacle which royalty presents to the whole immense universal concord,
and places the human race once more on a level with the right? These
wars build up peace. An enormous fortress of prejudices, privileges,
superstitions, lies, exactions, abuses, violences, iniquities, and
darkness still stands erect in this world, with its towers of hatred.
It must be cast down. This monstrous mass must be made to crumble. To
conquer at Austerlitz is grand; to take the Bastille is immense.

There is no one who has not noticed it in his own case--the soul,--and
therein lies the marvel of its unity complicated with ubiquity, has
a strange aptitude for reasoning almost coldly in the most violent
extremities, and it often happens that heartbroken passion and profound
despair in the very agony of their blackest monologues, treat subjects
and discuss theses. Logic is mingled with convulsion, and the thread
of the syllogism floats, without breaking, in the mournful storm of
thought. This was the situation of Marius' mind.

As he meditated thus, dejected but resolute, hesitating in every
direction, and, in short, shuddering at what he was about to do, his
glance strayed to the interior of the barricade. The insurgents
were here conversing in a low voice, without moving, and there
was perceptible that quasi-silence which marks the last stage of
expectation. Overhead, at the small window in the third story Marius
descried a sort of spectator who appeared to him to be singularly
attentive. This was the porter who had been killed by Le Cabuc. Below,
by the lights of the torch, which was thrust between the paving-stones,
this head could be vaguely distinguished. Nothing could be stranger, in
that sombre and uncertain gleam, than that livid, motionless, astonished
face, with its bristling hair, its eyes fixed and staring, and its
yawning mouth, bent over the street in an attitude of curiosity. One
would have said that the man who was dead was surveying those who were
about to die. A long trail of blood which had flowed from that head,
descended in reddish threads from the window to the height of the first
floor, where it stopped.




BOOK FOURTEENTH.--THE GRANDEURS OF DESPAIR

[Illustration: The Grandeurs of Despair 4b-14-1-despair]




CHAPTER I--THE FLAG: ACT FIRST

As yet, nothing had come. Ten o'clock had sounded from Saint-Merry.
Enjolras and Combeferre had gone and seated themselves, carbines in
hand, near the outlet of the grand barricade. They no longer addressed
each other, they listened, seeking to catch even the faintest and most
distant sound of marching.

Suddenly, in the midst of the dismal calm, a clear, gay, young voice,
which seemed to come from the Rue Saint-Denis, rose and began to sing
distinctly, to the old popular air of "By the Light of the Moon," this
bit of poetry, terminated by a cry like the crow of a cock:--

               Mon nez est en larmes,
               Mon ami Bugeaud,
               Prete moi tes gendarmes
               Pour leur dire un mot.

                  En capote bleue,
                  La poule au shako,
                  Voici la banlieue!
                  Co-cocorico![54]


They pressed each other's hands.

"That is Gavroche," said Enjolras.

"He is warning us," said Combeferre.

A hasty rush troubled the deserted street; they beheld a being more
agile than a clown climb over the omnibus, and Gavroche bounded into the
barricade, all breathless, saying:--

"My gun! Here they are!"

An electric quiver shot through the whole barricade, and the sound of
hands seeking their guns became audible.

"Would you like my carbine?" said Enjolras to the lad.

"I want a big gun," replied Gavroche.

And he seized Javert's gun.

Two sentinels had fallen back, and had come in almost at the same moment
as Gavroche. They were the sentinels from the end of the street, and the
vidette of the Rue de la Petite-Truanderie. The vidette of the Lane des
Precheurs had remained at his post, which indicated that nothing was
approaching from the direction of the bridges and Halles.

The Rue de la Chanvrerie, of which a few paving-stones alone were dimly
visible in the reflection of the light projected on the flag, offered
to the insurgents the aspect of a vast black door vaguely opened into a
smoke.

Each man had taken up his position for the conflict.

Forty-three insurgents, among whom were Enjolras, Combeferre,
Courfeyrac, Bossuet, Joly, Bahorel, and Gavroche, were kneeling inside
the large barricade, with their heads on a level with the crest of the
barrier, the barrels of their guns and carbines aimed on the stones as
though at loop-holes, attentive, mute, ready to fire. Six, commanded
by Feuilly, had installed themselves, with their guns levelled at their
shoulders, at the windows of the two stories of Corinthe.

Several minutes passed thus, then a sound of footsteps, measured, heavy,
and numerous, became distinctly audible in the direction of Saint-Leu.
This sound, faint at first, then precise, then heavy and sonorous,
approached slowly, without halt, without intermission, with a tranquil
and terrible continuity. Nothing was to be heard but this. It was that
combined silence and sound, of the statue of the commander, but this
stony step had something indescribably enormous and multiple about it
which awakened the idea of a throng, and, at the same time, the idea
of a spectre. One thought one heard the terrible statue Legion marching
onward. This tread drew near; it drew still nearer, and stopped. It
seemed as though the breathing of many men could be heard at the end of
the street. Nothing was to be seen, however, but at the bottom of that
dense obscurity there could be distinguished a multitude of metallic
threads, as fine as needles and almost imperceptible, which moved about
like those indescribable phosphoric networks which one sees beneath
one's closed eyelids, in the first mists of slumber at the moment
when one is dropping off to sleep. These were bayonets and gun-barrels
confusedly illuminated by the distant reflection of the torch.

A pause ensued, as though both sides were waiting. All at once, from the
depths of this darkness, a voice, which was all the more sinister, since
no one was visible, and which appeared to be the gloom itself speaking,
shouted:--

"Who goes there?"

At the same time, the click of guns, as they were lowered into position,
was heard.

Enjolras replied in a haughty and vibrating tone:--

"The French Revolution!"

"Fire!" shouted the voice.

A flash empurpled all the facades in the street as though the door of a
furnace had been flung open, and hastily closed again.

A fearful detonation burst forth on the barricade. The red flag fell.
The discharge had been so violent and so dense that it had cut the
staff, that is to say, the very tip of the omnibus pole.

Bullets which had rebounded from the cornices of the houses penetrated
the barricade and wounded several men.

The impression produced by this first discharge was freezing. The attack
had been rough, and of a nature to inspire reflection in the boldest.
It was evident that they had to deal with an entire regiment at the very
least.

"Comrades!" shouted Courfeyrac, "let us not waste our powder. Let us
wait until they are in the street before replying."

"And, above all," said Enjolras, "let us raise the flag again."

He picked up the flag, which had fallen precisely at his feet.

Outside, the clatter of the ramrods in the guns could be heard; the
troops were re-loading their arms.

Enjolras went on:--

"Who is there here with a bold heart? Who will plant the flag on the
barricade again?"

Not a man responded. To mount on the barricade at the very moment when,
without any doubt, it was again the object of their aim, was simply
death. The bravest hesitated to pronounce his own condemnation. Enjolras
himself felt a thrill. He repeated:--

"Does no one volunteer?"




CHAPTER II--THE FLAG: ACT SECOND

Since they had arrived at Corinthe, and had begun the construction of
the barricade, no attention had been paid to Father Mabeuf. M. Mabeuf
had not quitted the mob, however; he had entered the ground-floor of the
wine-shop and had seated himself behind the counter. There he had, so to
speak, retreated into himself. He no longer seemed to look or to think.
Courfeyrac and others had accosted him two or three times, warning him
of his peril, beseeching him to withdraw, but he did not hear them.
When they were not speaking to him, his mouth moved as though he were
replying to some one, and as soon as he was addressed, his lips became
motionless and his eyes no longer had the appearance of being alive.

Several hours before the barricade was attacked, he had assumed an
attitude which he did not afterwards abandon, with both fists planted
on his knees and his head thrust forward as though he were gazing over a
precipice. Nothing had been able to move him from this attitude; it did
not seem as though his mind were in the barricade. When each had gone
to take up his position for the combat, there remained in the tap-room
where Javert was bound to the post, only a single insurgent with a naked
sword, watching over Javert, and himself, Mabeuf. At the moment of the
attack, at the detonation, the physical shock had reached him and had,
as it were, awakened him; he started up abruptly, crossed the room,
and at the instant when Enjolras repeated his appeal: "Does no one
volunteer?" the old man was seen to make his appearance on the threshold
of the wine-shop. His presence produced a sort of commotion in the
different groups. A shout went up:--

"It is the voter! It is the member of the Convention! It is the
representative of the people!"

It is probable that he did not hear them.

He strode straight up to Enjolras, the insurgents withdrawing before him
with a religious fear; he tore the flag from Enjolras, who recoiled in
amazement and then, since no one dared to stop or to assist him, this
old man of eighty, with shaking head but firm foot, began slowly to
ascend the staircase of paving-stones arranged in the barricade. This
was so melancholy and so grand that all around him cried: "Off with your
hats!" At every step that he mounted, it was a frightful spectacle; his
white locks, his decrepit face, his lofty, bald, and wrinkled brow,
his amazed and open mouth, his aged arm upholding the red banner, rose
through the gloom and were enlarged in the bloody light of the torch,
and the bystanders thought that they beheld the spectre of '93 emerging
from the earth, with the flag of terror in his hand.

When he had reached the last step, when this trembling and terrible
phantom, erect on that pile of rubbish in the presence of twelve hundred
invisible guns, drew himself up in the face of death and as though
he were more powerful than it, the whole barricade assumed amid the
darkness, a supernatural and colossal form.

There ensued one of those silences which occur only in the presence of
prodigies. In the midst of this silence, the old man waved the red flag
and shouted:--

"Long live the Revolution! Long live the Republic! Fraternity! Equality!
and Death!"

Those in the barricade heard a low and rapid whisper, like the murmur
of a priest who is despatching a prayer in haste. It was probably the
commissary of police who was making the legal summons at the other end
of the street.

Then the same piercing voice which had shouted: "Who goes there?"
shouted:--

"Retire!"

M. Mabeuf, pale, haggard, his eyes lighted up with the mournful flame of
aberration, raised the flag above his head and repeated:--

"Long live the Republic!"

"Fire!" said the voice.

A second discharge, similar to the first, rained down upon the
barricade.

The old man fell on his knees, then rose again, dropped the flag
and fell backwards on the pavement, like a log, at full length, with
outstretched arms.

Rivulets of blood flowed beneath him. His aged head, pale and sad,
seemed to be gazing at the sky.

One of those emotions which are superior to man, which make him forget
even to defend himself, seized upon the insurgents, and they approached
the body with respectful awe.

"What men these regicides were!" said Enjolras.

Courfeyrac bent down to Enjolras' ear:--

"This is for yourself alone, I do not wish to dampen the enthusiasm. But
this man was anything rather than a regicide. I knew him. His name was
Father Mabeuf. I do not know what was the matter with him to-day. But he
was a brave blockhead. Just look at his head."

"The head of a blockhead and the heart of a Brutus," replied Enjolras.

Then he raised his voice:--

"Citizens! This is the example which the old give to the young. We
hesitated, he came! We were drawing back, he advanced! This is what
those who are trembling with age teach to those who tremble with fear!
This aged man is august in the eyes of his country. He has had a long
life and a magnificent death! Now, let us place the body under cover,
that each one of us may defend this old man dead as he would his
father living, and may his presence in our midst render the barricade
impregnable!"

A murmur of gloomy and energetic assent followed these words.

Enjolras bent down, raised the old man's head, and fierce as he was, he
kissed him on the brow, then, throwing wide his arms, and handling this
dead man with tender precaution, as though he feared to hurt it, he
removed his coat, showed the bloody holes in it to all, and said:--

"This is our flag now."




CHAPTER III--GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS' CARBINE

They threw a long black shawl of Widow Hucheloup's over Father Mabeuf.
Six men made a litter of their guns; on this they laid the body, and
bore it, with bared heads, with solemn slowness, to the large table in
the tap-room.

These men, wholly absorbed in the grave and sacred task in which they
were engaged, thought no more of the perilous situation in which they
stood.

When the corpse passed near Javert, who was still impassive, Enjolras
said to the spy:--

"It will be your turn presently!"

During all this time, Little Gavroche, who alone had not quitted his
post, but had remained on guard, thought he espied some men stealthily
approaching the barricade. All at once he shouted:--

"Look out!"

Courfeyrac, Enjolras, Jean Prouvaire, Combeferre, Joly, Bahorel,
Bossuet, and all the rest ran tumultuously from the wine-shop. It was
almost too late. They saw a glistening density of bayonets undulating
above the barricade. Municipal guards of lofty stature were making
their way in, some striding over the omnibus, others through the cut,
thrusting before them the urchin, who retreated, but did not flee.

The moment was critical. It was that first, redoubtable moment of
inundation, when the stream rises to the level of the levee and when the
water begins to filter through the fissures of dike. A second more and
the barricade would have been taken.

Bahorel dashed upon the first municipal guard who was entering, and
killed him on the spot with a blow from his gun; the second killed
Bahorel with a blow from his bayonet. Another had already overthrown
Courfeyrac, who was shouting: "Follow me!" The largest of all, a sort of
colossus, marched on Gavroche with his bayonet fixed. The urchin took in
his arms Javert's immense gun, levelled it resolutely at the giant, and
fired. No discharge followed. Javert's gun was not loaded. The municipal
guard burst into a laugh and raised his bayonet at the child.

Before the bayonet had touched Gavroche, the gun slipped from the
soldier's grasp, a bullet had struck the municipal guardsman in the
centre of the forehead, and he fell over on his back. A second bullet
struck the other guard, who had assaulted Courfeyrac in the breast, and
laid him low on the pavement.

This was the work of Marius, who had just entered the barricade.




CHAPTER IV--THE BARREL OF POWDER

Marius, still concealed in the turn of the Rue Mondetour, had witnessed,
shuddering and irresolute, the first phase of the combat. But he had not
long been able to resist that mysterious and sovereign vertigo which may
be designated as the call of the abyss. In the presence of the imminence
of the peril, in the presence of the death of M. Mabeuf, that melancholy
enigma, in the presence of Bahorel killed, and Courfeyrac shouting:
"Follow me!" of that child threatened, of his friends to succor or to
avenge, all hesitation had vanished, and he had flung himself into the
conflict, his two pistols in hand. With his first shot he had saved
Gavroche, and with the second delivered Courfeyrac.

Amid the sound of the shots, amid the cries of the assaulted guards,
the assailants had climbed the entrenchment, on whose summit Municipal
Guards, soldiers of the line and National Guards from the suburbs could
now be seen, gun in hand, rearing themselves to more than half the
height of their bodies.

They already covered more than two-thirds of the barrier, but they did
not leap into the enclosure, as though wavering in the fear of some
trap. They gazed into the dark barricade as one would gaze into a lion's
den. The light of the torch illuminated only their bayonets, their
bear-skin caps, and the upper part of their uneasy and angry faces.

Marius had no longer any weapons; he had flung away his discharged
pistols after firing them; but he had caught sight of the barrel of
powder in the tap-room, near the door.

As he turned half round, gazing in that direction, a soldier took aim at
him. At the moment when the soldier was sighting Marius, a hand was laid
on the muzzle of the gun and obstructed it. This was done by some one
who had darted forward,--the young workman in velvet trousers. The shot
sped, traversed the hand and possibly, also, the workman, since he fell,
but the ball did not strike Marius. All this, which was rather to be
apprehended than seen through the smoke, Marius, who was entering the
tap-room, hardly noticed. Still, he had, in a confused way, perceived
that gun-barrel aimed at him, and the hand which had blocked it, and he
had heard the discharge. But in moments like this, the things which one
sees vacillate and are precipitated, and one pauses for nothing. One
feels obscurely impelled towards more darkness still, and all is cloud.

The insurgents, surprised but not terrified, had rallied. Enjolras had
shouted: "Wait! Don't fire at random!" In the first confusion, they
might, in fact, wound each other. The majority of them had ascended
to the window on the first story and to the attic windows, whence they
commanded the assailants.

The most determined, with Enjolras, Courfeyrac, Jean Prouvaire, and
Combeferre, had proudly placed themselves with their backs against the
houses at the rear, unsheltered and facing the ranks of soldiers and
guards who crowned the barricade.

All this was accomplished without haste, with that strange and
threatening gravity which precedes engagements. They took aim, point
blank, on both sides: they were so close that they could talk together
without raising their voices.

When they had reached this point where the spark is on the brink of
darting forth, an officer in a gorget extended his sword and said:--

"Lay down your arms!"

"Fire!" replied Enjolras.

The two discharges took place at the same moment, and all disappeared in
smoke.

An acrid and stifling smoke in which dying and wounded lay with weak,
dull groans. When the smoke cleared away, the combatants on both sides
could be seen to be thinned out, but still in the same positions,
reloading in silence. All at once, a thundering voice was heard,
shouting:--

"Be off with you, or I'll blow up the barricade!"

All turned in the direction whence the voice proceeded.

Marius had entered the tap-room, and had seized the barrel of powder,
then he had taken advantage of the smoke, and the sort of obscure mist
which filled the entrenched enclosure, to glide along the barricade as
far as that cage of paving-stones where the torch was fixed. To tear
it from the torch, to replace it by the barrel of powder, to thrust the
pile of stones under the barrel, which was instantly staved in, with
a sort of horrible obedience,--all this had cost Marius but the time
necessary to stoop and rise again; and now all, National Guards,
Municipal Guards, officers, soldiers, huddled at the other extremity of
the barricade, gazed stupidly at him, as he stood with his foot on the
stones, his torch in his hand, his haughty face illuminated by a fatal
resolution, drooping the flame of the torch towards that redoubtable
pile where they could make out the broken barrel of powder, and giving
vent to that startling cry:--

"Be off with you, or I'll blow up the barricade!"

Marius on that barricade after the octogenarian was the vision of the
young revolution after the apparition of the old.

"Blow up the barricade!" said a sergeant, "and yourself with it!"

Marius retorted: "And myself also."

And he dropped the torch towards the barrel of powder.

But there was no longer any one on the barrier. The assailants,
abandoning their dead and wounded, flowed back pell-mell and in disorder
towards the extremity of the street, and there were again lost in the
night. It was a headlong flight.

The barricade was free.




CHAPTER V--END OF THE VERSES OF JEAN PROUVAIRE

All flocked around Marius. Courfeyrac flung himself on his neck.

"Here you are!"

"What luck!" said Combeferre.

"You came in opportunely!" ejaculated Bossuet.

"If it had not been for you, I should have been dead!" began Courfeyrac
again.

"If it had not been for you, I should have been gobbled up!" added
Gavroche.

Marius asked:--

"Where is the chief?"

"You are he!" said Enjolras.

Marius had had a furnace in his brain all day long; now it was a
whirlwind. This whirlwind which was within him, produced on him the
effect of being outside of him and of bearing him away. It seemed to him
that he was already at an immense distance from life. His two luminous
months of joy and love, ending abruptly at that frightful precipice,
Cosette lost to him, that barricade, M. Mabeuf getting himself killed
for the Republic, himself the leader of the insurgents,--all these
things appeared to him like a tremendous nightmare. He was obliged to
make a mental effort to recall the fact that all that surrounded him was
real. Marius had already seen too much of life not to know that nothing
is more imminent than the impossible, and that what it is always
necessary to foresee is the unforeseen. He had looked on at his own
drama as a piece which one does not understand.

In the mists which enveloped his thoughts, he did not recognize Javert,
who, bound to his post, had not so much as moved his head during the
whole of the attack on the barricade, and who had gazed on the revolt
seething around him with the resignation of a martyr and the majesty of
a judge. Marius had not even seen him.

In the meanwhile, the assailants did not stir, they could be heard
marching and swarming through at the end of the street but they did not
venture into it, either because they were awaiting orders or because
they were awaiting reinforcements before hurling themselves afresh on
this impregnable redoubt. The insurgents had posted sentinels, and some
of them, who were medical students, set about caring for the wounded.

They had thrown the tables out of the wine-shop, with the exception of
the two tables reserved for lint and cartridges, and of the one on
which lay Father Mabeuf; they had added them to the barricade, and had
replaced them in the tap-room with mattresses from the bed of the
widow Hucheloup and her servants. On these mattresses they had laid the
wounded. As for the three poor creatures who inhabited Corinthe, no one
knew what had become of them. They were finally found, however, hidden
in the cellar.

A poignant emotion clouded the joy of the disencumbered barricade.

The roll was called. One of the insurgents was missing. And who was
it? One of the dearest. One of the most valiant. Jean Prouvaire. He
was sought among the wounded, he was not there. He was sought among the
dead, he was not there. He was evidently a prisoner. Combeferre said to
Enjolras:--

"They have our friend; we have their agent. Are you set on the death of
that spy?"

"Yes," replied Enjolras; "but less so than on the life of Jean
Prouvaire."

This took place in the tap-room near Javert's post.

"Well," resumed Combeferre, "I am going to fasten my handkerchief to
my cane, and go as a flag of truce, to offer to exchange our man for
theirs."

"Listen," said Enjolras, laying his hand on Combeferre's arm.

At the end of the street there was a significant clash of arms.

They heard a manly voice shout:--

"Vive la France! Long live France! Long live the future!"

They recognized the voice of Prouvaire.

A flash passed, a report rang out.

Silence fell again.

"They have killed him," exclaimed Combeferre.

Enjolras glanced at Javert, and said to him:--

"Your friends have just shot you."




CHAPTER VI--THE AGONY OF DEATH AFTER THE AGONY OF LIFE

A peculiarity of this species of war is, that the attack of the
barricades is almost always made from the front, and that the assailants
generally abstain from turning the position, either because they
fear ambushes, or because they are afraid of getting entangled in the
tortuous streets. The insurgents' whole attention had been directed,
therefore, to the grand barricade, which was, evidently, the spot always
menaced, and there the struggle would infallibly recommence. But Marius
thought of the little barricade, and went thither. It was deserted and
guarded only by the fire-pot which trembled between the paving-stones.
Moreover, the Mondetour alley, and the branches of the Rue de la Petite
Truanderie and the Rue du Cygne were profoundly calm.

As Marius was withdrawing, after concluding his inspection, he heard his
name pronounced feebly in the darkness.

"Monsieur Marius!"

He started, for he recognized the voice which had called to him two
hours before through the gate in the Rue Plumet.

Only, the voice now seemed to be nothing more than a breath.

He looked about him, but saw no one.

Marius thought he had been mistaken, that it was an illusion added by
his mind to the extraordinary realities which were clashing around
him. He advanced a step, in order to quit the distant recess where the
barricade lay.

"Monsieur Marius!" repeated the voice.

This time he could not doubt that he had heard it distinctly; he looked
and saw nothing.

"At your feet," said the voice.

He bent down, and saw in the darkness a form which was dragging itself
towards him.

It was crawling along the pavement. It was this that had spoken to him.

The fire-pot allowed him to distinguish a blouse, torn trousers of
coarse velvet, bare feet, and something which resembled a pool of blood.
Marius indistinctly made out a pale head which was lifted towards him
and which was saying to him:--

"You do not recognize me?"

"No."

"Eponine."

Marius bent hastily down. It was, in fact, that unhappy child. She was
dressed in men's clothes.

"How come you here? What are you doing here?"

"I am dying," said she.

There are words and incidents which arouse dejected beings. Marius cried
out with a start:--

"You are wounded! Wait, I will carry you into the room! They will attend
to you there. Is it serious? How must I take hold of you in order not
to hurt you? Where do you suffer? Help! My God! But why did you come
hither?"

And he tried to pass his arm under her, in order to raise her.

She uttered a feeble cry.

"Have I hurt you?" asked Marius.

"A little."

"But I only touched your hand."

She raised her hand to Marius, and in the middle of that hand Marius saw
a black hole.

"What is the matter with your hand?" said he.

"It is pierced."

"Pierced?"

"Yes."

"What with?"

"A bullet."

"How?"

"Did you see a gun aimed at you?"

"Yes, and a hand stopping it."

"It was mine."

Marius was seized with a shudder.

"What madness! Poor child! But so much the better, if that is all, it is
nothing, let me carry you to a bed. They will dress your wound; one does
not die of a pierced hand."

She murmured:--

"The bullet traversed my hand, but it came out through my back. It is
useless to remove me from this spot. I will tell you how you can care
for me better than any surgeon. Sit down near me on this stone."

He obeyed; she laid her head on Marius' knees, and, without looking at
him, she said:--

"Oh! How good this is! How comfortable this is! There; I no longer
suffer."

She remained silent for a moment, then she turned her face with an
effort, and looked at Marius.

"Do you know what, Monsieur Marius? It puzzled me because you entered
that garden; it was stupid, because it was I who showed you that house;
and then, I ought to have said to myself that a young man like you--"

She paused, and overstepping the sombre transitions that undoubtedly
existed in her mind, she resumed with a heartrending smile:--

"You thought me ugly, didn't you?"

She continued:--

"You see, you are lost! Now, no one can get out of the barricade. It was
I who led you here, by the way! You are going to die, I count upon that.
And yet, when I saw them taking aim at you, I put my hand on the muzzle
of the gun. How queer it is! But it was because I wanted to die before
you. When I received that bullet, I dragged myself here, no one saw
me, no one picked me up, I was waiting for you, I said: 'So he is not
coming!' Oh, if you only knew. I bit my blouse, I suffered so! Now I am
well. Do you remember the day I entered your chamber and when I
looked at myself in your mirror, and the day when I came to you on the
boulevard near the washerwomen? How the birds sang! That was a long time
ago. You gave me a hundred sous, and I said to you: 'I don't want your
money.' I hope you picked up your coin? You are not rich. I did not
think to tell you to pick it up. The sun was shining bright, and it was
not cold. Do you remember, Monsieur Marius? Oh! How happy I am! Every
one is going to die."

She had a mad, grave, and heart-breaking air. Her torn blouse disclosed
her bare throat.

As she talked, she pressed her pierced hand to her breast, where there
was another hole, and whence there spurted from moment to moment a
stream of blood, like a jet of wine from an open bung-hole.

Marius gazed at this unfortunate creature with profound compassion.

"Oh!" she resumed, "it is coming again, I am stifling!"

She caught up her blouse and bit it, and her limbs stiffened on the
pavement.

At that moment the young cock's crow executed by little Gavroche
resounded through the barricade.

The child had mounted a table to load his gun, and was singing gayly the
song then so popular:--


   "En voyant Lafayette,             "On beholding Lafayette,
    Le gendarme repete:--             The gendarme repeats:--
    Sauvons nous! sauvons nous!       Let us flee! let us flee!
          sauvons nous!"                     let us flee!


Eponine raised herself and listened; then she murmured:--

"It is he."

And turning to Marius:--

"My brother is here. He must not see me. He would scold me."

"Your brother?" inquired Marius, who was meditating in the most bitter
and sorrowful depths of his heart on the duties to the Thenardiers which
his father had bequeathed to him; "who is your brother?"

"That little fellow."

"The one who is singing?"

"Yes."

Marius made a movement.

"Oh! don't go away," said she, "it will not be long now."

She was sitting almost upright, but her voice was very low and broken by
hiccoughs.

At intervals, the death rattle interrupted her. She put her face as near
that of Marius as possible. She added with a strange expression:--

"Listen, I do not wish to play you a trick. I have a letter in my pocket
for you. I was told to put it in the post. I kept it. I did not want to
have it reach you. But perhaps you will be angry with me for it when we
meet again presently? Take your letter."

She grasped Marius' hand convulsively with her pierced hand, but she no
longer seemed to feel her sufferings. She put Marius' hand in the pocket
of her blouse. There, in fact, Marius felt a paper.

"Take it," said she.

Marius took the letter.

She made a sign of satisfaction and contentment.

"Now, for my trouble, promise me--"

And she stopped.

"What?" asked Marius.

"Promise me!"

"I promise."

"Promise to give me a kiss on my brow when I am dead.--I shall feel it."

She dropped her head again on Marius' knees, and her eyelids closed. He
thought the poor soul had departed. Eponine remained motionless. All
at once, at the very moment when Marius fancied her asleep forever, she
slowly opened her eyes in which appeared the sombre profundity of death,
and said to him in a tone whose sweetness seemed already to proceed from
another world:--

"And by the way, Monsieur Marius, I believe that I was a little bit in
love with you."

She tried to smile once more and expired.




CHAPTER VII--GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES

Marius kept his promise. He dropped a kiss on that livid brow, where the
icy perspiration stood in beads.

This was no infidelity to Cosette; it was a gentle and pensive farewell
to an unhappy soul.

It was not without a tremor that he had taken the letter which Eponine
had given him. He had immediately felt that it was an event of weight.
He was impatient to read it. The heart of man is so constituted that the
unhappy child had hardly closed her eyes when Marius began to think of
unfolding this paper.

He laid her gently on the ground, and went away. Something told him that
he could not peruse that letter in the presence of that body.

He drew near to a candle in the tap-room. It was a small note, folded
and sealed with a woman's elegant care. The address was in a woman's
hand and ran:--

"To Monsieur, Monsieur Marius Pontmercy, at M. Courfeyrac's, Rue de la
Verrerie, No. 16."

He broke the seal and read:--

 "My dearest, alas! my father insists on our setting out immediately.
 We shall be this evening in the Rue de l'Homme Arme, No. 7.
 In a week we shall be in England.  COSETTE.  June 4th."

Such was the innocence of their love that Marius was not even acquainted
with Cosette's handwriting.

What had taken place may be related in a few words. Eponine had been
the cause of everything. After the evening of the 3d of June she had
cherished a double idea, to defeat the projects of her father and the
ruffians on the house of the Rue Plumet, and to separate Marius and
Cosette. She had exchanged rags with the first young scamp she came
across who had thought it amusing to dress like a woman, while Eponine
disguised herself like a man. It was she who had conveyed to Jean
Valjean in the Champ de Mars the expressive warning: "Leave your house."
Jean Valjean had, in fact, returned home, and had said to Cosette:
"We set out this evening and we go to the Rue de l'Homme Arme with
Toussaint. Next week, we shall be in London." Cosette, utterly
overwhelmed by this unexpected blow, had hastily penned a couple of
lines to Marius. But how was she to get the letter to the post? She
never went out alone, and Toussaint, surprised at such a commission,
would certainly show the letter to M. Fauchelevent. In this dilemma,
Cosette had caught sight through the fence of Eponine in man's clothes,
who now prowled incessantly around the garden. Cosette had called to
"this young workman" and had handed him five francs and the letter,
saying: "Carry this letter immediately to its address." Eponine had put
the letter in her pocket. The next day, on the 5th of June, she went
to Courfeyrac's quarters to inquire for Marius, not for the purpose of
delivering the letter, but,--a thing which every jealous and loving soul
will comprehend,--"to see." There she had waited for Marius, or at least
for Courfeyrac, still for the purpose of seeing. When Courfeyrac had
told her: "We are going to the barricades," an idea flashed through her
mind, to fling herself into that death, as she would have done into any
other, and to thrust Marius into it also. She had followed Courfeyrac,
had made sure of the locality where the barricade was in process of
construction; and, quite certain, since Marius had received no warning,
and since she had intercepted the letter, that he would go at dusk to
his trysting place for every evening, she had betaken herself to the Rue
Plumet, had there awaited Marius, and had sent him, in the name of his
friends, the appeal which would, she thought, lead him to the barricade.
She reckoned on Marius' despair when he should fail to find Cosette; she
was not mistaken. She had returned to the Rue de la Chanvrerie herself.
What she did there the reader has just seen. She died with the tragic
joy of jealous hearts who drag the beloved being into their own death,
and who say: "No one shall have him!"

Marius covered Cosette's letter with kisses. So she loved him! For one
moment the idea occurred to him that he ought not to die now. Then
he said to himself: "She is going away. Her father is taking her to
England, and my grandfather refuses his consent to the marriage. Nothing
is changed in our fates." Dreamers like Marius are subject to supreme
attacks of dejection, and desperate resolves are the result. The fatigue
of living is insupportable; death is sooner over with. Then he reflected
that he had still two duties to fulfil: to inform Cosette of his
death and send her a final farewell, and to save from the impending
catastrophe which was in preparation, that poor child, Eponine's brother
and Thenardier's son.

He had a pocket-book about him; the same one which had contained
the note-book in which he had inscribed so many thoughts of love for
Cosette. He tore out a leaf and wrote on it a few lines in pencil:--

"Our marriage was impossible. I asked my grandfather, he refused; I have
no fortune, neither hast thou. I hastened to thee, thou wert no longer
there. Thou knowest the promise that I gave thee, I shall keep it. I
die. I love thee. When thou readest this, my soul will be near thee, and
thou wilt smile."

Having nothing wherewith to seal this letter, he contented himself with
folding the paper in four, and added the address:--

"To Mademoiselle Cosette Fauchelevent, at M. Fauchelevent's, Rue de
l'Homme Arme, No. 7."

Having folded the letter, he stood in thought for a moment, drew out
his pocket-book again, opened it, and wrote, with the same pencil, these
four lines on the first page:--

"My name is Marius Pontmercy. Carry my body to my grandfather, M.
Gillenormand, Rue des Filles-du-Calvaire, No. 6, in the Marais."

He put his pocketbook back in his pocket, then he called Gavroche.

The gamin, at the sound of Marius' voice, ran up to him with his merry
and devoted air.

"Will you do something for me?"

"Anything," said Gavroche. "Good God! if it had not been for you, I
should have been done for."

"Do you see this letter?"

"Yes."

"Take it. Leave the barricade instantly" (Gavroche began to scratch his
ear uneasily) "and to-morrow morning, you will deliver it at its address
to Mademoiselle Cosette, at M. Fauchelevent's, Rue de l'Homme Arme, No.
7."

The heroic child replied

"Well, but! in the meanwhile the barricade will be taken, and I shall
not be there."

"The barricade will not be attacked until daybreak, according to all
appearances, and will not be taken before to-morrow noon."

The fresh respite which the assailants were granting to the barricade
had, in fact, been prolonged. It was one of those intermissions which
frequently occur in nocturnal combats, which are always followed by an
increase of rage.

"Well," said Gavroche, "what if I were to go and carry your letter
to-morrow?"

"It will be too late. The barricade will probably be blockaded, all
the streets will be guarded, and you will not be able to get out. Go at
once."

Gavroche could think of no reply to this, and stood there in indecision,
scratching his ear sadly.

All at once, he took the letter with one of those birdlike movements
which were common with him.

"All right," said he.

And he started off at a run through Mondetour lane.

An idea had occurred to Gavroche which had brought him to a decision,
but he had not mentioned it for fear that Marius might offer some
objection to it.

This was the idea:--

"It is barely midnight, the Rue de l'Homme Arme is not far off; I will
go and deliver the letter at once, and I shall get back in time."




BOOK FIFTEENTH.--THE RUE DE L'HOMME ARME




CHAPTER I--A DRINKER IS A BABBLER

What are the convulsions of a city in comparison with the insurrections
of the soul? Man is a depth still greater than the people. Jean Valjean
at that very moment was the prey of a terrible upheaval. Every sort of
gulf had opened again within him. He also was trembling, like Paris,
on the brink of an obscure and formidable revolution. A few hours
had sufficed to bring this about. His destiny and his conscience had
suddenly been covered with gloom. Of him also, as well as of Paris, it
might have been said: "Two principles are face to face. The white angel
and the black angel are about to seize each other on the bridge of the
abyss. Which of the two will hurl the other over? Who will carry the
day?"

On the evening preceding this same 5th of June, Jean Valjean,
accompanied by Cosette and Toussaint had installed himself in the Rue de
l'Homme Arme. A change awaited him there.

Cosette had not quitted the Rue Plumet without making an effort at
resistance. For the first time since they had lived side by side,
Cosette's will and the will of Jean Valjean had proved to be distinct,
and had been in opposition, at least, if they had not clashed. There had
been objections on one side and inflexibility on the other. The abrupt
advice: "Leave your house," hurled at Jean Valjean by a stranger, had
alarmed him to the extent of rendering him peremptory. He thought that
he had been traced and followed. Cosette had been obliged to give way.

Both had arrived in the Rue de l'Homme Arme without opening their lips,
and without uttering a word, each being absorbed in his own personal
preoccupation; Jean Valjean so uneasy that he did not notice Cosette's
sadness, Cosette so sad that she did not notice Jean Valjean's
uneasiness.

Jean Valjean had taken Toussaint with him, a thing which he had never
done in his previous absences. He perceived the possibility of not
returning to the Rue Plumet, and he could neither leave Toussaint behind
nor confide his secret to her. Besides, he felt that she was devoted and
trustworthy. Treachery between master and servant begins in curiosity.
Now Toussaint, as though she had been destined to be Jean Valjean's
servant, was not curious. She stammered in her peasant dialect of
Barneville: "I am made so; I do my work; the rest is no affair of mine."

In this departure from the Rue Plumet, which had been almost a flight,
Jean Valjean had carried away nothing but the little embalmed valise,
baptized by Cosette "the inseparable." Full trunks would have required
porters, and porters are witnesses. A fiacre had been summoned to the
door on the Rue de Babylone, and they had taken their departure.

It was with difficulty that Toussaint had obtained permission to pack up
a little linen and clothes and a few toilet articles. Cosette had taken
only her portfolio and her blotting-book.

Jean Valjean, with a view to augmenting the solitude and the mystery of
this departure, had arranged to quit the pavilion of the Rue Plumet only
at dusk, which had allowed Cosette time to write her note to Marius.
They had arrived in the Rue de l'Homme Arme after night had fully
fallen.

They had gone to bed in silence.

The lodgings in the Rue de l'Homme Arme were situated on a back
court, on the second floor, and were composed of two sleeping-rooms, a
dining-room and a kitchen adjoining the dining-room, with a garret
where there was a folding-bed, and which fell to Toussaint's share. The
dining-room was an antechamber as well, and separated the two bedrooms.
The apartment was provided with all necessary utensils.

People re-acquire confidence as foolishly as they lose it; human nature
is so constituted. Hardly had Jean Valjean reached the Rue de l'Homme
Arme when his anxiety was lightened and by degrees dissipated. There
are soothing spots which act in some sort mechanically on the mind.
An obscure street, peaceable inhabitants. Jean Valjean experienced an
indescribable contagion of tranquillity in that alley of ancient Paris,
which is so narrow that it is barred against carriages by a transverse
beam placed on two posts, which is deaf and dumb in the midst of the
clamorous city, dimly lighted at mid-day, and is, so to speak, incapable
of emotions between two rows of lofty houses centuries old, which hold
their peace like ancients as they are. There was a touch of stagnant
oblivion in that street. Jean Valjean drew his breath once more there.
How could he be found there?

His first care was to place the inseparable beside him.

He slept well. Night brings wisdom; we may add, night soothes. On the
following morning he awoke in a mood that was almost gay. He thought the
dining-room charming, though it was hideous, furnished with an old round
table, a long sideboard surmounted by a slanting mirror, a dilapidated
arm-chair, and several plain chairs which were encumbered with
Toussaint's packages. In one of these packages Jean Valjean's uniform of
a National Guard was visible through a rent.

As for Cosette, she had had Toussaint take some broth to her room, and
did not make her appearance until evening.

About five o'clock, Toussaint, who was going and coming and busying
herself with the tiny establishment, set on the table a cold chicken,
which Cosette, out of deference to her father, consented to glance at.

That done, Cosette, under the pretext of an obstinate sick headache,
had bade Jean Valjean good night and had shut herself up in her chamber.
Jean Valjean had eaten a wing of the chicken with a good appetite, and
with his elbows on the table, having gradually recovered his serenity,
had regained possession of his sense of security.

While he was discussing this modest dinner, he had, twice or thrice,
noticed in a confused way, Toussaint's stammering words as she said
to him: "Monsieur, there is something going on, they are fighting in
Paris." But absorbed in a throng of inward calculations, he had paid no
heed to it. To tell the truth, he had not heard her. He rose and began
to pace from the door to the window and from the window to the door,
growing ever more serene.

With this calm, Cosette, his sole anxiety, recurred to his thoughts. Not
that he was troubled by this headache, a little nervous crisis, a young
girl's fit of sulks, the cloud of a moment, there would be nothing left
of it in a day or two; but he meditated on the future, and, as was his
habit, he thought of it with pleasure. After all, he saw no obstacle to
their happy life resuming its course. At certain hours, everything seems
impossible, at others everything appears easy; Jean Valjean was in the
midst of one of these good hours. They generally succeed the bad
ones, as day follows night, by virtue of that law of succession and
of contrast which lies at the very foundation of nature, and which
superficial minds call antithesis. In this peaceful street where he had
taken refuge, Jean Valjean got rid of all that had been troubling him
for some time past. This very fact, that he had seen many shadows, made
him begin to perceive a little azure. To have quitted the Rue
Plumet without complications or incidents was one good step already
accomplished. Perhaps it would be wise to go abroad, if only for a few
months, and to set out for London. Well, they would go. What difference
did it make to him whether he was in France or in England, provided he
had Cosette beside him? Cosette was his nation. Cosette sufficed for
his happiness; the idea that he, perhaps, did not suffice for Cosette's
happiness, that idea which had formerly been the cause of his fever
and sleeplessness, did not even present itself to his mind. He was in a
state of collapse from all his past sufferings, and he was fully entered
on optimism. Cosette was by his side, she seemed to be his; an optical
illusion which every one has experienced. He arranged in his own mind,
with all sorts of felicitous devices, his departure for England with
Cosette, and he beheld his felicity reconstituted wherever he pleased,
in the perspective of his revery.

As he paced to and fro with long strides, his glance suddenly
encountered something strange.

In the inclined mirror facing him which surmounted the sideboard, he saw
the four lines which follow:--

"My dearest, alas! my father insists on our setting out immediately. We
shall be this evening in the Rue de l'Homme Arme, No. 7. In a week we
shall be in England. COSETTE. June 4th."

Jean Valjean halted, perfectly haggard.

Cosette on her arrival had placed her blotting-book on the sideboard in
front of the mirror, and, utterly absorbed in her agony of grief, had
forgotten it and left it there, without even observing that she had left
it wide open, and open at precisely the page on which she had laid to
dry the four lines which she had penned, and which she had given in
charge of the young workman in the Rue Plumet. The writing had been
printed off on the blotter.

The mirror reflected the writing.

The result was, what is called in geometry, the symmetrical image; so
that the writing, reversed on the blotter, was righted in the mirror and
presented its natural appearance; and Jean Valjean had beneath his eyes
the letter written by Cosette to Marius on the preceding evening.

It was simple and withering.

Jean Valjean stepped up to the mirror. He read the four lines again, but
he did not believe them. They produced on him the effect of appearing in
a flash of lightning. It was a hallucination, it was impossible. It was
not so.

Little by little, his perceptions became more precise; he looked at
Cosette's blotting-book, and the consciousness of the reality returned
to him. He caught up the blotter and said: "It comes from there."
He feverishly examined the four lines imprinted on the blotter, the
reversal of the letters converted into an odd scrawl, and he saw no
sense in it. Then he said to himself: "But this signifies nothing; there
is nothing written here." And he drew a long breath with inexpressible
relief. Who has not experienced those foolish joys in horrible instants?
The soul does not surrender to despair until it has exhausted all
illusions.

He held the blotter in his hand and contemplated it in stupid delight,
almost ready to laugh at the hallucination of which he had been the
dupe. All at once his eyes fell upon the mirror again, and again he
beheld the vision. There were the four lines outlined with inexorable
clearness. This time it was no mirage. The recurrence of a vision is a
reality; it was palpable, it was the writing restored in the mirror. He
understood.

Jean Valjean tottered, dropped the blotter, and fell into the old
arm-chair beside the buffet, with drooping head, and glassy eyes, in
utter bewilderment. He told himself that it was plain, that the light of
the world had been eclipsed forever, and that Cosette had written that
to some one. Then he heard his soul, which had become terrible once
more, give vent to a dull roar in the gloom. Try then the effect of
taking from the lion the dog which he has in his cage!

Strange and sad to say, at that very moment, Marius had not yet received
Cosette's letter; chance had treacherously carried it to Jean Valjean
before delivering it to Marius. Up to that day, Jean Valjean had not
been vanquished by trial. He had been subjected to fearful proofs; no
violence of bad fortune had been spared him; the ferocity of fate, armed
with all vindictiveness and all social scorn, had taken him for her prey
and had raged against him. He had accepted every extremity when it had
been necessary; he had sacrificed his inviolability as a reformed man,
had yielded up his liberty, risked his head, lost everything, suffered
everything, and he had remained disinterested and stoical to such a
point that he might have been thought to be absent from himself like a
martyr. His conscience inured to every assault of destiny, might have
appeared to be forever impregnable. Well, any one who had beheld his
spiritual self would have been obliged to concede that it weakened at
that moment. It was because, of all the tortures which he had undergone
in the course of this long inquisition to which destiny had doomed him,
this was the most terrible. Never had such pincers seized him hitherto.
He felt the mysterious stirring of all his latent sensibilities. He felt
the plucking at the strange chord. Alas! the supreme trial, let us say
rather, the only trial, is the loss of the beloved being.

Poor old Jean Valjean certainly did not love Cosette otherwise than as
a father; but we have already remarked, above, that into this paternity
the widowhood of his life had introduced all the shades of love; he
loved Cosette as his daughter, and he loved her as his mother, and he
loved her as his sister; and, as he had never had either a woman to
love or a wife, as nature is a creditor who accepts no protest, that
sentiment also, the most impossible to lose, was mingled with the
rest, vague, ignorant, pure with the purity of blindness, unconscious,
celestial, angelic, divine; less like a sentiment than like an instinct,
less like an instinct than like an imperceptible and invisible but real
attraction; and love, properly speaking, was, in his immense tenderness
for Cosette, like the thread of gold in the mountain, concealed and
virgin.

Let the reader recall the situation of heart which we have already
indicated. No marriage was possible between them; not even that of
souls; and yet, it is certain that their destinies were wedded. With the
exception of Cosette, that is to say, with the exception of a childhood,
Jean Valjean had never, in the whole of his long life, known anything of
that which may be loved. The passions and loves which succeed each other
had not produced in him those successive green growths, tender green or
dark green, which can be seen in foliage which passes through the winter
and in men who pass fifty. In short, and we have insisted on it more
than once, all this interior fusion, all this whole, of which the sum
total was a lofty virtue, ended in rendering Jean Valjean a father to
Cosette. A strange father, forged from the grandfather, the son, the
brother, and the husband, that existed in Jean Valjean; a father in whom
there was included even a mother; a father who loved Cosette and adored
her, and who held that child as his light, his home, his family, his
country, his paradise.

Thus when he saw that the end had absolutely come, that she was escaping
from him, that she was slipping from his hands, that she was gliding
from him, like a cloud, like water, when he had before his eyes this
crushing proof: "another is the goal of her heart, another is the wish
of her life; there is a dearest one, I am no longer anything but her
father, I no longer exist"; when he could no longer doubt, when he
said to himself: "She is going away from me!" the grief which he felt
surpassed the bounds of possibility. To have done all that he had done
for the purpose of ending like this! And the very idea of being nothing!
Then, as we have just said, a quiver of revolt ran through him from
head to foot. He felt, even in the very roots of his hair, the immense
reawakening of egotism, and the _I_ in this man's abyss howled.

There is such a thing as the sudden giving way of the inward subsoil. A
despairing certainty does not make its way into a man without thrusting
aside and breaking certain profound elements which, in some cases, are
the very man himself. Grief, when it attains this shape, is a headlong
flight of all the forces of the conscience. These are fatal crises. Few
among us emerge from them still like ourselves and firm in duty. When
the limit of endurance is overstepped, the most imperturbable virtue is
disconcerted. Jean Valjean took the blotter again, and convinced himself
afresh; he remained bowed and as though petrified and with staring eyes,
over those four unobjectionable lines; and there arose within him such
a cloud that one might have thought that everything in this soul was
crumbling away.

He examined this revelation, athwart the exaggerations of revery, with
an apparent and terrifying calmness, for it is a fearful thing when a
man's calmness reaches the coldness of the statue.

He measured the terrible step which his destiny had taken without his
having a suspicion of the fact; he recalled his fears of the preceding
summer, so foolishly dissipated; he recognized the precipice, it was
still the same; only, Jean Valjean was no longer on the brink, he was at
the bottom of it.

The unprecedented and heart-rending thing about it was that he had
fallen without perceiving it. All the light of his life had departed,
while he still fancied that he beheld the sun.

His instinct did not hesitate. He put together certain circumstances,
certain dates, certain blushes and certain pallors on Cosette's part,
and he said to himself: "It is he."

The divination of despair is a sort of mysterious bow which never misses
its aim. He struck Marius with his first conjecture. He did not know the
name, but he found the man instantly. He distinctly perceived, in the
background of the implacable conjuration of his memories, the unknown
prowler of the Luxembourg, that wretched seeker of love adventures, that
idler of romance, that idiot, that coward, for it is cowardly to come
and make eyes at young girls who have beside them a father who loves
them.

After he had thoroughly verified the fact that this young man was at
the bottom of this situation, and that everything proceeded from that
quarter, he, Jean Valjean, the regenerated man, the man who had so
labored over his soul, the man who had made so many efforts to resolve
all life, all misery, and all unhappiness into love, looked into his own
breast and there beheld a spectre, Hate.

Great griefs contain something of dejection. They discourage one with
existence. The man into whom they enter feels something within him
withdraw from him. In his youth, their visits are lugubrious; later on
they are sinister. Alas, if despair is a fearful thing when the blood is
hot, when the hair is black, when the head is erect on the body like
the flame on the torch, when the roll of destiny still retains its full
thickness, when the heart, full of desirable love, still possesses beats
which can be returned to it, when one has time for redress, when all
women and all smiles and all the future and all the horizon are before
one, when the force of life is complete, what is it in old age, when
the years hasten on, growing ever paler, to that twilight hour when one
begins to behold the stars of the tomb?

While he was meditating, Toussaint entered. Jean Valjean rose and asked
her:--

"In what quarter is it? Do you know?"

Toussaint was struck dumb, and could only answer him:--

"What is it, sir?"

Jean Valjean began again: "Did you not tell me that just now that there
is fighting going on?"

"Ah! yes, sir," replied Toussaint. "It is in the direction of
Saint-Merry."

There is a mechanical movement which comes to us, unconsciously, from
the most profound depths of our thought. It was, no doubt, under
the impulse of a movement of this sort, and of which he was hardly
conscious, that Jean Valjean, five minutes later, found himself in the
street.

Bareheaded, he sat upon the stone post at the door of his house. He
seemed to be listening.

Night had come.




CHAPTER II--THE STREET URCHIN AN ENEMY OF LIGHT

How long did he remain thus? What was the ebb and flow of this tragic
meditation? Did he straighten up? Did he remain bowed? Had he been
bent to breaking? Could he still rise and regain his footing in his
conscience upon something solid? He probably would not have been able to
tell himself.

The street was deserted. A few uneasy bourgeois, who were rapidly
returning home, hardly saw him. Each one for himself in times of peril.
The lamp-lighter came as usual to light the lantern which was situated
precisely opposite the door of No. 7, and then went away. Jean Valjean
would not have appeared like a living man to any one who had examined
him in that shadow. He sat there on the post of his door, motionless as
a form of ice. There is congealment in despair. The alarm bells and
a vague and stormy uproar were audible. In the midst of all these
convulsions of the bell mingled with the revolt, the clock of Saint-Paul
struck eleven, gravely and without haste; for the tocsin is man; the
hour is God. The passage of the hour produced no effect on Jean Valjean;
Jean Valjean did not stir. Still, at about that moment, a brusque report
burst forth in the direction of the Halles, a second yet more violent
followed; it was probably that attack on the barricade in the Rue de la
Chanvrerie which we have just seen repulsed by Marius. At this double
discharge, whose fury seemed augmented by the stupor of the night, Jean
Valjean started; he rose, turning towards the quarter whence the noise
proceeded; then he fell back upon the post again, folded his arms, and
his head slowly sank on his bosom again.

He resumed his gloomy dialogue with himself.

All at once, he raised his eyes; some one was walking in the street, he
heard steps near him. He looked, and by the light of the lanterns, in
the direction of the street which ran into the Rue-aux-Archives, he
perceived a young, livid, and beaming face.

Gavroche had just arrived in the Rue l'Homme Arme.

Gavroche was staring into the air, apparently in search of something. He
saw Jean Valjean perfectly well but he took no notice of him.

Gavroche after staring into the air, stared below; he raised himself on
tiptoe, and felt of the doors and windows of the ground floor; they were
all shut, bolted, and padlocked. After having authenticated the fronts
of five or six barricaded houses in this manner, the urchin shrugged his
shoulders, and took himself to task in these terms:--

"Pardi!"

Then he began to stare into the air again.

Jean Valjean, who, an instant previously, in his then state of mind,
would not have spoken to or even answered any one, felt irresistibly
impelled to accost that child.

"What is the matter with you, my little fellow?" he said.

"The matter with me is that I am hungry," replied Gavroche frankly. And
he added: "Little fellow yourself."

Jean Valjean fumbled in his fob and pulled out a five-franc piece.

But Gavroche, who was of the wagtail species, and who skipped
vivaciously from one gesture to another, had just picked up a stone. He
had caught sight of the lantern.

"See here," said he, "you still have your lanterns here. You are
disobeying the regulations, my friend. This is disorderly. Smash that
for me."

And he flung the stone at the lantern, whose broken glass fell with
such a clatter that the bourgeois in hiding behind their curtains in the
opposite house cried: "There is 'Ninety-three' come again."

The lantern oscillated violently, and went out. The street had suddenly
become black.

"That's right, old street," ejaculated Gavroche, "put on your
night-cap."

And turning to Jean Valjean:--

"What do you call that gigantic monument that you have there at the end
of the street? It's the Archives, isn't it? I must crumble up those big
stupids of pillars a bit and make a nice barricade out of them."

Jean Valjean stepped up to Gavroche.

"Poor creature," he said in a low tone, and speaking to himself, "he is
hungry."

And he laid the hundred-sou piece in his hand.

Gavroche raised his face, astonished at the size of this sou; he stared
at it in the darkness, and the whiteness of the big sou dazzled him.
He knew five-franc pieces by hearsay; their reputation was agreeable to
him; he was delighted to see one close to. He said:--

"Let us contemplate the tiger."

He gazed at it for several minutes in ecstasy; then, turning to Jean
Valjean, he held out the coin to him, and said majestically to him:--

"Bourgeois, I prefer to smash lanterns. Take back your ferocious beast.
You can't bribe me. That has got five claws; but it doesn't scratch me."

"Have you a mother?" asked Jean Valjean.

Gavroche replied:--

"More than you have, perhaps."

"Well," returned Jean Valjean, "keep the money for your mother!"

Gavroche was touched. Moreover, he had just noticed that the man who was
addressing him had no hat, and this inspired him with confidence.

"Truly," said he, "so it wasn't to keep me from breaking the lanterns?"

"Break whatever you please."

"You're a fine man," said Gavroche.

And he put the five-franc piece into one of his pockets.

His confidence having increased, he added:--

"Do you belong in this street?"

"Yes, why?"

"Can you tell me where No. 7 is?"

"What do you want with No. 7?"

Here the child paused, he feared that he had said too much; he thrust
his nails energetically into his hair and contented himself with
replying:--

"Ah! Here it is."

An idea flashed through Jean Valjean's mind. Anguish does have these
gleams. He said to the lad:--

"Are you the person who is bringing a letter that I am expecting?"

"You?" said Gavroche. "You are not a woman."

"The letter is for Mademoiselle Cosette, is it not?"

"Cosette," muttered Gavroche. "Yes, I believe that is the queer name."

"Well," resumed Jean Valjean, "I am the person to whom you are to
deliver the letter. Give it here."

"In that case, you must know that I was sent from the barricade."

"Of course," said Jean Valjean.

Gavroche engulfed his hand in another of his pockets and drew out a
paper folded in four.

Then he made the military salute.

"Respect for despatches," said he. "It comes from the Provisional
Government."

"Give it to me," said Jean Valjean.

Gavroche held the paper elevated above his head.

"Don't go and fancy it's a love letter. It is for a woman, but it's for
the people. We men fight and we respect the fair sex. We are not as
they are in fine society, where there are lions who send chickens[55] to
camels."

"Give it to me."

"After all," continued Gavroche, "you have the air of an honest man."

"Give it to me quick."

"Catch hold of it."

And he handed the paper to Jean Valjean.

"And make haste, Monsieur What's-your-name, for Mamselle Cosette is
waiting."

Gavroche was satisfied with himself for having produced this remark.

Jean Valjean began again:--

"Is it to Saint-Merry that the answer is to be sent?"

"There you are making some of those bits of pastry vulgarly called
brioches [blunders]. This letter comes from the barricade of the Rue de
la Chanvrerie, and I'm going back there. Good evening, citizen."

That said, Gavroche took himself off, or, to describe it more exactly,
fluttered away in the direction whence he had come with a flight like
that of an escaped bird. He plunged back into the gloom as though he
made a hole in it, with the rigid rapidity of a projectile; the alley of
l'Homme Arme became silent and solitary once more; in a twinkling, that
strange child, who had about him something of the shadow and of the
dream, had buried himself in the mists of the rows of black houses, and
was lost there, like smoke in the dark; and one might have thought that
he had dissipated and vanished, had there not taken place, a few minutes
after his disappearance, a startling shiver of glass, and had not the
magnificent crash of a lantern rattling down on the pavement once more
abruptly awakened the indignant bourgeois. It was Gavroche upon his way
through the Rue du Chaume.




CHAPTER III--WHILE COSETTE AND TOUSSAINT ARE ASLEEP

Jean Valjean went into the house with Marius' letter.

He groped his way up the stairs, as pleased with the darkness as an owl
who grips his prey, opened and shut his door softly, listened to see
whether he could hear any noise,--made sure that, to all appearances,
Cosette and Toussaint were asleep, and plunged three or four matches
into the bottle of the Fumade lighter before he could evoke a spark, so
greatly did his hand tremble. What he had just done smacked of theft. At
last the candle was lighted; he leaned his elbows on the table, unfolded
the paper, and read.

In violent emotions, one does not read, one flings to the earth, so to
speak, the paper which one holds, one clutches it like a victim, one
crushes it, one digs into it the nails of one's wrath, or of one's joy;
one hastens to the end, one leaps to the beginning; attention is at
fever heat; it takes up in the gross, as it were, the essential points;
it seizes on one point, and the rest disappears. In Marius' note to
Cosette, Jean Valjean saw only these words:--

"I die. When thou readest this, my soul will be near thee."

In the presence of these two lines, he was horribly dazzled; he remained
for a moment, crushed, as it were, by the change of emotion which
was taking place within him, he stared at Marius' note with a sort of
intoxicated amazement, he had before his eyes that splendor, the death
of a hated individual.

He uttered a frightful cry of inward joy. So it was all over. The
catastrophe had arrived sooner than he had dared to hope. The being who
obstructed his destiny was disappearing. That man had taken himself off
of his own accord, freely, willingly. This man was going to his death,
and he, Jean Valjean, had had no hand in the matter, and it was through
no fault of his. Perhaps, even, he is already dead. Here his fever
entered into calculations. No, he is not dead yet. The letter had
evidently been intended for Cosette to read on the following morning;
after the two discharges that were heard between eleven o'clock and
midnight, nothing more has taken place; the barricade will not be
attacked seriously until daybreak; but that makes no difference, from
the moment when "that man" is concerned in this war, he is lost; he is
caught in the gearing. Jean Valjean felt himself delivered. So he was
about to find himself alone with Cosette once more. The rivalry would
cease; the future was beginning again. He had but to keep this note in
his pocket. Cosette would never know what had become of that man. All
that there requires to be done is to let things take their own course.
This man cannot escape. If he is not already dead, it is certain that he
is about to die. What good fortune!

Having said all this to himself, he became gloomy.

Then he went down stairs and woke up the porter.

About an hour later, Jean Valjean went out in the complete costume of
a National Guard, and with his arms. The porter had easily found in the
neighborhood the wherewithal to complete his equipment. He had a loaded
gun and a cartridge-box filled with cartridges.

He strode off in the direction of the markets.




CHAPTER IV--GAVROCHE'S EXCESS OF ZEAL

In the meantime, Gavroche had had an adventure.

Gavroche, after having conscientiously stoned the lantern in the Rue du
Chaume, entered the Rue des Vielles-Haudriettes, and not seeing "even a
cat" there, he thought the opportunity a good one to strike up all the
song of which he was capable. His march, far from being retarded by his
singing, was accelerated by it. He began to sow along the sleeping or
terrified houses these incendiary couplets:--

               "L'oiseau medit dans les charmilles,
               Et pretend qu'hier Atala
               Avec un Russe s'en alla.
                    Ou vont les belles filles,
                         Lon la.

               "Mon ami Pierrot, tu babilles,
               Parce que l'autre jour Mila
               Cogna sa vitre et m'appela,
                    Ou vont les belles filles,
                         Lon la.

               "Les drolesses sont fort gentilles,
               Leur poison qui m'ensorcela
               Griserait Monsieur Orfila.
                    Ou vont les belles filles,
                         Lon la.

               "J'aime l'amour et les bisbilles,
               J'aime Agnes, j'aime Pamela,
               Lisa en m'allumant se brula.
                    Ou vont les belles filles,
                         Lon la.

               "Jadis, quand je vis les mantilles
               De Suzette et de Zeila,
               Mon ame aleurs plis se mela,
                    Ou vont les belles filles,
                         Lon la.

               "Amour, quand dans l'ombre ou tu brilles,
                Tu coiffes de roses Lola,
               Je me damnerais pour cela.
                    Ou vont les belles filles,
                         Lon la.

               "Jeanne a ton miroir tu t'habilles!
               Mon coeur un beau jour s'envola.
               Je crois que c'est Jeanne qui l'a.
                    Ou vont les belles filles,
                         Lon la.

               "Le soir, en sortant des quadrilles,
               Je montre aux etoiles Stella,
               Et je leur dis: 'Regardez-la.'
                    Ou vont les belles filles,
                         Lon la."[56]

Gavroche, as he sang, was lavish of his pantomime. Gesture is the strong
point of the refrain. His face, an inexhaustible repertory of masks,
produced grimaces more convulsing and more fantastic than the rents of a
cloth torn in a high gale. Unfortunately, as he was alone, and as it was
night, this was neither seen nor even visible. Such wastes of riches do
occur.

All at once, he stopped short.

"Let us interrupt the romance," said he.

His feline eye had just descried, in the recess of a carriage door,
what is called in painting, an ensemble, that is to say, a person and
a thing; the thing was a hand-cart, the person was a man from Auvergene
who was sleeping therein.

The shafts of the cart rested on the pavement, and the Auvergnat's head
was supported against the front of the cart. His body was coiled up on
this inclined plane and his feet touched the ground.

Gavroche, with his experience of the things of this world, recognized
a drunken man. He was some corner errand-man who had drunk too much and
was sleeping too much.

"There now," thought Gavroche, "that's what the summer nights are good
for. We'll take the cart for the Republic, and leave the Auvergnat for
the Monarchy."

His mind had just been illuminated by this flash of light:--

"How bully that cart would look on our barricade!"

The Auvergnat was snoring.

Gavroche gently tugged at the cart from behind, and at the Auvergnat
from the front, that is to say, by the feet, and at the expiration of
another minute the imperturbable Auvergnat was reposing flat on the
pavement.

The cart was free.

Gavroche, habituated to facing the unexpected in all quarters, had
everything about him. He fumbled in one of his pockets, and pulled from
it a scrap of paper and a bit of red pencil filched from some carpenter.

He wrote:--

                         "French Republic."

    "Received thy cart."

    And he signed it:  "GAVROCHE."

That done, he put the paper in the pocket of the still snoring
Auvergnat's velvet vest, seized the cart shafts in both hands, and set
off in the direction of the Halles, pushing the cart before him at a
hard gallop with a glorious and triumphant uproar.

This was perilous. There was a post at the Royal Printing Establishment.
Gavroche did not think of this. This post was occupied by the National
Guards of the suburbs. The squad began to wake up, and heads were raised
from camp beds. Two street lanterns broken in succession, that ditty
sung at the top of the lungs. This was a great deal for those cowardly
streets, which desire to go to sleep at sunset, and which put the
extinguisher on their candles at such an early hour. For the last hour,
that boy had been creating an uproar in that peaceable arrondissement,
the uproar of a fly in a bottle. The sergeant of the banlieue lent an
ear. He waited. He was a prudent man.

The mad rattle of the cart, filled to overflowing the possible measure
of waiting, and decided the sergeant to make a reconnaisance.

"There's a whole band of them there!" said he, "let us proceed gently."

It was clear that the hydra of anarchy had emerged from its box and that
it was stalking abroad through the quarter.

And the sergeant ventured out of the post with cautious tread.

All at once, Gavroche, pushing his cart in front of him, and at the very
moment when he was about to turn into the Rue des Vielles-Haudriettes,
found himself face to face with a uniform, a shako, a plume, and a gun.

For the second time, he stopped short.

"Hullo," said he, "it's him. Good day, public order."

Gavroche's amazement was always brief and speedily thawed.

"Where are you going, you rascal?" shouted the sergeant.

"Citizen," retorted Gavroche, "I haven't called you 'bourgeois' yet. Why
do you insult me?"

"Where are you going, you rogue?"

"Monsieur," retorted Gavroche, "perhaps you were a man of wit yesterday,
but you have degenerated this morning."

"I ask you where are you going, you villain?"

Gavroche replied:--

"You speak prettily. Really, no one would suppose you as old as you are.
You ought to sell all your hair at a hundred francs apiece. That would
yield you five hundred francs."

"Where are you going? Where are you going? Where are you going, bandit?"

Gavroche retorted again:--

"What villainous words! You must wipe your mouth better the first time
that they give you suck."

The sergeant lowered his bayonet.

"Will you tell me where you are going, you wretch?"

"General," said Gavroche "I'm on my way to look for a doctor for my wife
who is in labor."

"To arms!" shouted the sergeant.

The master-stroke of strong men consists in saving themselves by the
very means that have ruined them; Gavroche took in the whole situation
at a glance. It was the cart which had told against him, it was the
cart's place to protect him.

At the moment when the sergeant was on the point of making his descent
on Gavroche, the cart, converted into a projectile and launched with all
the latter's might, rolled down upon him furiously, and the sergeant,
struck full in the stomach, tumbled over backwards into the gutter while
his gun went off in the air.

The men of the post had rushed out pell-mell at the sergeant's shout;
the shot brought on a general random discharge, after which they
reloaded their weapons and began again.

This blind-man's-buff musketry lasted for a quarter of an hour and
killed several panes of glass.

In the meanwhile, Gavroche, who had retraced his steps at full speed,
halted five or six streets distant and seated himself, panting, on the
stone post which forms the corner of the Enfants-Rouges.

He listened.

After panting for a few minutes, he turned in the direction where the
fusillade was raging, lifted his left hand to a level with his nose and
thrust it forward three times, as he slapped the back of his head with
his right hand; an imperious gesture in which Parisian street-urchindom
has condensed French irony, and which is evidently efficacious, since it
has already lasted half a century.

This gayety was troubled by one bitter reflection.

"Yes," said he, "I'm splitting with laughter, I'm twisting with
delight, I abound in joy, but I'm losing my way, I shall have to take a
roundabout way. If I only reach the barricade in season!"

Thereupon he set out again on a run.

And as he ran:--

"Ah, by the way, where was I?" said he.

And he resumed his ditty, as he plunged rapidly through the streets, and
this is what died away in the gloom:--

               "Mais il reste encore des bastilles,
               Et je vais mettre le hola
               Dans l'orde public que voila.
                    Ou vont les belles filles,
                         Lon la.

               "Quelqu'un veut-il jouer aux quilles?
               Tout l'ancien monde s'ecroula
               Quand la grosse boule roula.
                    Ou vont les belles filles,
                         Lon la.

               "Vieux bon peuple, a coups de bequilles,
               Cassons ce Louvre ou s'etala
               La monarchie en falbala.
                    Ou vont les belles filles,
                         Lon la.

               "Nous en avons force les grilles,
               Le roi Charles-Dix ce jour la,
               Tenait mal et se decolla.
                    Ou vont les belles filles,
                         Lon la."[57]

The post's recourse to arms was not without result. The cart was
conquered, the drunken man was taken prisoner. The first was put in the
pound, the second was later on somewhat harassed before the councils
of war as an accomplice. The public ministry of the day proved its
indefatigable zeal in the defence of society, in this instance.

Gavroche's adventure, which has lingered as a tradition in the quarters
of the Temple, is one of the most terrible souvenirs of the elderly
bourgeois of the Marais, and is entitled in their memories: "The
nocturnal attack by the post of the Royal Printing Establishment."


[THE END OF VOLUME IV. "SAINT DENIS"]






VOLUME V--JEAN VALJEAN

[Illustration: Frontispiece Volume Five ]

[Illustration: Titlepage Volume Five ]




BOOK FIRST.--THE WAR BETWEEN FOUR WALLS




CHAPTER I--THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF
THE FAUBOURG DU TEMPLE

The two most memorable barricades which the observer of social maladies
can name do not belong to the period in which the action of this work
is laid. These two barricades, both of them symbols, under two different
aspects, of a redoubtable situation, sprang from the earth at the time
of the fatal insurrection of June, 1848, the greatest war of the streets
that history has ever beheld.

It sometimes happens that, even contrary to principles, even contrary to
liberty, equality, and fraternity, even contrary to the universal vote,
even contrary to the government, by all for all, from the depths of its
anguish, of its discouragements and its destitutions, of its fevers, of
its distresses, of its miasmas, of its ignorances, of its darkness, that
great and despairing body, the rabble, protests against, and that the
populace wages battle against, the people.

Beggars attack the common right; the ochlocracy rises against demos.

These are melancholy days; for there is always a certain amount of night
even in this madness, there is suicide in this duel, and those words
which are intended to be insults--beggars, canaille, ochlocracy,
populace--exhibit, alas! rather the fault of those who reign than the
fault of those who suffer; rather the fault of the privileged than the
fault of the disinherited.

For our own part, we never pronounce those words without pain and
without respect, for when philosophy fathoms the facts to which they
correspond, it often finds many a grandeur beside these miseries. Athens
was an ochlocracy; the beggars were the making of Holland; the populace
saved Rome more than once; and the rabble followed Jesus Christ.

There is no thinker who has not at times contemplated the magnificences
of the lower classes.

It was of this rabble that Saint Jerome was thinking, no doubt, and of
all these poor people and all these vagabonds and all these miserable
people whence sprang the apostles and the martyrs, when he uttered this
mysterious saying: "Fex urbis, lex orbis,"--the dregs of the city, the
law of the earth.

The exasperations of this crowd which suffers and bleeds, its violences
contrary to all sense, directed against the principles which are its
life, its masterful deeds against the right, are its popular coups
d'etat and should be repressed. The man of probity sacrifices himself,
and out of his very love for this crowd, he combats it. But how
excusable he feels it even while holding out against it! How he
venerates it even while resisting it! This is one of those rare moments
when, while doing that which it is one's duty to do, one feels something
which disconcerts one, and which would dissuade one from proceeding
further; one persists, it is necessary, but conscience, though
satisfied, is sad, and the accomplishment of duty is complicated with a
pain at the heart.

June, 1848, let us hasten to say, was an exceptional fact, and almost
impossible of classification, in the philosophy of history. All the
words which we have just uttered, must be discarded, when it becomes
a question of this extraordinary revolt, in which one feels the holy
anxiety of toil claiming its rights. It was necessary to combat it, and
this was a duty, for it attacked the republic. But what was June, 1848,
at bottom? A revolt of the people against itself.

Where the subject is not lost sight of, there is no digression; may we,
then, be permitted to arrest the reader's attention for a moment on the
two absolutely unique barricades of which we have just spoken and which
characterized this insurrection.

One blocked the entrance to the Faubourg Saint Antoine; the other
defended the approach to the Faubourg du Temple; those before whom these
two fearful masterpieces of civil war reared themselves beneath the
brilliant blue sky of June, will never forget them.

The Saint-Antoine barricade was tremendous; it was three stories high,
and seven hundred feet wide. It barred the vast opening of the faubourg,
that is to say, three streets, from angle to angle; ravined, jagged,
cut up, divided, crenelated, with an immense rent, buttressed with piles
that were bastions in themselves throwing out capes here and there,
powerfully backed up by two great promontories of houses of the
faubourg, it reared itself like a cyclopean dike at the end of the
formidable place which had seen the 14th of July. Nineteen barricades
were ranged, one behind the other, in the depths of the streets
behind this principal barricade. At the very sight of it, one felt the
agonizing suffering in the immense faubourg, which had reached that
point of extremity when a distress may become a catastrophe. Of what was
that barricade made? Of the ruins of three six-story houses demolished
expressly, said some. Of the prodigy of all wraths, said others. It wore
the lamentable aspect of all constructions of hatred, ruin. It might be
asked: Who built this? It might also be said: Who destroyed this? It was
the improvisation of the ebullition. Hold! take this door! this grating!
this penthouse! this chimney-piece! this broken brazier! this cracked
pot! Give all! cast away all! Push this roll, dig, dismantle, overturn,
ruin everything! It was the collaboration of the pavement, the block of
stone, the beam, the bar of iron, the rag, the scrap, the broken pane,
the unseated chair, the cabbage-stalk, the tatter, the rag, and the
malediction. It was grand and it was petty. It was the abyss parodied
on the public place by hubbub. The mass beside the atom; the strip of
ruined wall and the broken bowl,--threatening fraternization of
every sort of rubbish. Sisyphus had thrown his rock there and Job his
potsherd. Terrible, in short. It was the acropolis of the barefooted.
Overturned carts broke the uniformity of the slope; an immense dray was
spread out there crossways, its axle pointing heavenward, and seemed a
scar on that tumultuous facade; an omnibus hoisted gayly, by main force,
to the very summit of the heap, as though the architects of this bit of
savagery had wished to add a touch of the street urchin humor to their
terror, presented its horseless, unharnessed pole to no one knows what
horses of the air. This gigantic heap, the alluvium of the revolt,
figured to the mind an Ossa on Pelion of all revolutions; '93 on '89,
the 9th of Thermidor on the 10th of August, the 18th of Brumaire on the
11th of January, Vendemiaire on Prairial, 1848 on 1830. The situation
deserved the trouble and this barricade was worthy to figure on the very
spot whence the Bastille had disappeared. If the ocean made dikes, it
is thus that it would build. The fury of the flood was stamped upon this
shapeless mass. What flood? The crowd. One thought one beheld hubbub
petrified. One thought one heard humming above this barricade as though
there had been over their hive, enormous, dark bees of violent progress.
Was it a thicket? Was it a bacchanalia? Was it a fortress? Vertigo
seemed to have constructed it with blows of its wings. There was
something of the cess-pool in that redoubt and something Olympian in
that confusion. One there beheld in a pell-mell full of despair, the
rafters of roofs, bits of garret windows with their figured paper,
window sashes with their glass planted there in the ruins awaiting
the cannon, wrecks of chimneys, cupboards, tables, benches, howling
topsyturveydom, and those thousand poverty-stricken things, the very
refuse of the mendicant, which contain at the same time fury and
nothingness. One would have said that it was the tatters of a people,
rags of wood, of iron, of bronze, of stone, and that the Faubourg Saint
Antoine had thrust it there at its door, with a colossal flourish of the
broom making of its misery its barricade. Blocks resembling headsman's
blocks, dislocated chains, pieces of woodwork with brackets having
the form of gibbets, horizontal wheels projecting from the rubbish,
amalgamated with this edifice of anarchy the sombre figure of the old
tortures endured by the people. The barricade Saint Antoine converted
everything into a weapon; everything that civil war could throw at the
head of society proceeded thence; it was not combat, it was a paroxysm;
the carbines which defended this redoubt, among which there were some
blunderbusses, sent bits of earthenware bones, coat-buttons, even the
casters from night-stands, dangerous projectiles on account of
the brass. This barricade was furious; it hurled to the clouds an
inexpressible clamor; at certain moments, when provoking the army, it
was covered with throngs and tempest; a tumultuous crowd of flaming
heads crowned it; a swarm filled it; it had a thorny crest of guns, of
sabres, of cudgels, of axes, of pikes and of bayonets; a vast red flag
flapped in the wind; shouts of command, songs of attack, the roll of
drums, the sobs of women and bursts of gloomy laughter from the starving
were to be heard there. It was huge and living, and, like the back of an
electric beast, there proceeded from it little flashes of lightning. The
spirit of revolution covered with its cloud this summit where rumbled
that voice of the people which resembles the voice of God; a strange
majesty was emitted by this titanic basket of rubbish. It was a heap of
filth and it was Sinai.

As we have said previously, it attacked in the name of the
revolution--what? The revolution. It--that barricade, chance, hazard,
disorder, terror, misunderstanding, the unknown--had facing it the
Constituent Assembly, the sovereignty of the people, universal suffrage,
the nation, the republic; and it was the Carmagnole bidding defiance to
the Marseillaise.

Immense but heroic defiance, for the old faubourg is a hero.

The faubourg and its redoubt lent each other assistance. The faubourg
shouldered the redoubt, the redoubt took its stand under cover of the
faubourg. The vast barricade spread out like a cliff against which
the strategy of the African generals dashed itself. Its caverns, its
excrescences, its warts, its gibbosities, grimaced, so to speak, and
grinned beneath the smoke. The mitraille vanished in shapelessness; the
bombs plunged into it; bullets only succeeded in making holes in it;
what was the use of cannonading chaos? and the regiments, accustomed to
the fiercest visions of war, gazed with uneasy eyes on that species of
redoubt, a wild beast in its boar-like bristling and a mountain by its
enormous size.

A quarter of a league away, from the corner of the Rue du Temple which
debouches on the boulevard near the Chateaud'Eau, if one thrust one's
head bodily beyond the point formed by the front of the Dallemagne shop,
one perceived in the distance, beyond the canal, in the street which
mounts the slopes of Belleville at the culminating point of the rise, a
strange wall reaching to the second story of the house fronts, a sort
of hyphen between the houses on the right and the houses on the left, as
though the street had folded back on itself its loftiest wall in order
to close itself abruptly. This wall was built of paving-stones. It was
straight, correct, cold, perpendicular, levelled with the square, laid
out by rule and line. Cement was lacking, of course, but, as in the case
of certain Roman walls, without interfering with its rigid architecture.
The entablature was mathematically parallel with the base. From distance
to distance, one could distinguish on the gray surface, almost invisible
loopholes which resembled black threads. These loopholes were separated
from each other by equal spaces. The street was deserted as far as the
eye could reach. All windows and doors were closed. In the background
rose this barrier, which made a blind thoroughfare of the street, a
motionless and tranquil wall; no one was visible, nothing was audible;
not a cry, not a sound, not a breath. A sepulchre.

The dazzling sun of June inundated this terrible thing with light.

It was the barricade of the Faubourg of the Temple.

As soon as one arrived on the spot, and caught sight of it, it was
impossible, even for the boldest, not to become thoughtful before
this mysterious apparition. It was adjusted, jointed, imbricated,
rectilinear, symmetrical and funereal. Science and gloom met there. One
felt that the chief of this barricade was a geometrician or a spectre.
One looked at it and spoke low.

From time to time, if some soldier, an officer or representative of the
people, chanced to traverse the deserted highway, a faint, sharp whistle
was heard, and the passer-by fell dead or wounded, or, if he escaped the
bullet, sometimes a biscaien was seen to ensconce itself in some closed
shutter, in the interstice between two blocks of stone, or in the
plaster of a wall. For the men in the barricade had made themselves two
small cannons out of two cast-iron lengths of gas-pipe, plugged up at
one end with tow and fire-clay. There was no waste of useless powder.
Nearly every shot told. There were corpses here and there, and pools of
blood on the pavement. I remember a white butterfly which went and came
in the street. Summer does not abdicate.

In the neighborhood, the spaces beneath the portes cocheres were
encumbered with wounded.

One felt oneself aimed at by some person whom one did not see, and one
understood that guns were levelled at the whole length of the street.

Massed behind the sort of sloping ridge which the vaulted canal forms
at the entrance to the Faubourg du Temple, the soldiers of the attacking
column, gravely and thoughtfully, watched this dismal redoubt, this
immobility, this passivity, whence sprang death. Some crawled flat on
their faces as far as the crest of the curve of the bridge, taking care
that their shakos did not project beyond it.

The valiant Colonel Monteynard admired this barricade with a
shudder.--"How that is built!" he said to a Representative. "Not one
paving-stone projects beyond its neighbor. It is made of porcelain."--At
that moment, a bullet broke the cross on his breast, and he fell.

"The cowards!" people said. "Let them show themselves. Let us see them!
They dare not! They are hiding!"

The barricade of the Faubourg du Temple, defended by eighty men,
attacked by ten thousand, held out for three days. On the fourth, they
did as at Zaatcha, as at Constantine, they pierced the houses, they came
over the roofs, the barricade was taken. Not one of the eighty cowards
thought of flight, all were killed there with the exception of the
leader, Barthelemy, of whom we shall speak presently.

The Saint-Antoine barricade was the tumult of thunders; the barricade
of the Temple was silence. The difference between these two redoubts
was the difference between the formidable and the sinister. One seemed a
maw; the other a mask.

Admitting that the gigantic and gloomy insurrection of June was composed
of a wrath and of an enigma, one divined in the first barricade the
dragon, and behind the second the sphinx.

These two fortresses had been erected by two men named, the one,
Cournet, the other, Barthelemy. Cournet made the Saint-Antoine
barricade; Barthelemy the barricade of the Temple. Each was the image of
the man who had built it.

Cournet was a man of lofty stature; he had broad shoulders, a red face,
a crushing fist, a bold heart, a loyal soul, a sincere and terrible eye.
Intrepid, energetic, irascible, stormy; the most cordial of men, the
most formidable of combatants. War, strife, conflict, were the very air
he breathed and put him in a good humor. He had been an officer in the
navy, and, from his gestures and his voice, one divined that he sprang
from the ocean, and that he came from the tempest; he carried the
hurricane on into battle. With the exception of the genius, there was
in Cournet something of Danton, as, with the exception of the divinity,
there was in Danton something of Hercules.

Barthelemy, thin, feeble, pale, taciturn, was a sort of tragic street
urchin, who, having had his ears boxed by a policeman, lay in wait for
him, and killed him, and at seventeen was sent to the galleys. He came
out and made this barricade.

Later on, fatal circumstance, in London, proscribed by all, Barthelemy
slew Cournet. It was a funereal duel. Some time afterwards, caught in
the gearing of one of those mysterious adventures in which passion
plays a part, a catastrophe in which French justice sees extenuating
circumstances, and in which English justice sees only death, Barthelemy
was hanged. The sombre social construction is so made that, thanks to
material destitution, thanks to moral obscurity, that unhappy being
who possessed an intelligence, certainly firm, possibly great, began
in France with the galleys, and ended in England with the gallows.
Barthelemy, on occasion, flew but one flag, the black flag.




CHAPTER II--WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE

Sixteen years count in the subterranean education of insurrection, and
June, 1848, knew a great deal more about it than June, 1832. So the
barricade of the Rue de la Chanvrerie was only an outline, and an embryo
compared to the two colossal barricades which we have just sketched; but
it was formidable for that epoch.

The insurgents under the eye of Enjolras, for Marius no longer looked
after anything, had made good use of the night. The barricade had been
not only repaired, but augmented. They had raised it two feet. Bars
of iron planted in the pavement resembled lances in rest. All sorts of
rubbish brought and added from all directions complicated the external
confusion. The redoubt had been cleverly made over, into a wall on the
inside and a thicket on the outside.

The staircase of paving-stones which permitted one to mount it like the
wall of a citadel had been reconstructed.

The barricade had been put in order, the tap-room disencumbered, the
kitchen appropriated for the ambulance, the dressing of the wounded
completed, the powder scattered on the ground and on the tables had been
gathered up, bullets run, cartridges manufactured, lint scraped, the
fallen weapons re-distributed, the interior of the redoubt cleaned, the
rubbish swept up, corpses removed.

They laid the dead in a heap in the Mondetour lane, of which they were
still the masters. The pavement was red for a long time at that spot.
Among the dead there were four National Guardsmen of the suburbs.
Enjolras had their uniforms laid aside.

Enjolras had advised two hours of sleep. Advice from Enjolras was a
command. Still, only three or four took advantage of it.

Feuilly employed these two hours in engraving this inscription on the
wall which faced the tavern:--

                     LONG LIVE THE PEOPLES!

These four words, hollowed out in the rough stone with a nail, could be
still read on the wall in 1848.

The three women had profited by the respite of the night to vanish
definitely; which allowed the insurgents to breathe more freely.

They had found means of taking refuge in some neighboring house.

The greater part of the wounded were able, and wished, to fight still.
On a litter of mattresses and trusses of straw in the kitchen, which had
been converted into an ambulance, there were five men gravely wounded,
two of whom were municipal guardsmen. The municipal guardsmen were
attended to first.

In the tap-room there remained only Mabeuf under his black cloth and
Javert bound to his post.

"This is the hall of the dead," said Enjolras.

In the interior of this hall, barely lighted by a candle at one end, the
mortuary table being behind the post like a horizontal bar, a sort of
vast, vague cross resulted from Javert erect and Mabeuf lying prone.

The pole of the omnibus, although snapped off by the fusillade, was
still sufficiently upright to admit of their fastening the flag to it.

Enjolras, who possessed that quality of a leader, of always doing what
he said, attached to this staff the bullet-ridden and bloody coat of the
old man's.

No repast had been possible. There was neither bread nor meat. The fifty
men in the barricade had speedily exhausted the scanty provisions of
the wine-shop during the sixteen hours which they had passed there. At a
given moment, every barricade inevitably becomes the raft of la Meduse.
They were obliged to resign themselves to hunger. They had then reached
the first hours of that Spartan day of the 6th of June when, in the
barricade Saint-Merry, Jeanne, surrounded by the insurgents who demanded
bread, replied to all combatants crying: "Something to eat!" with: "Why?
It is three o'clock; at four we shall be dead."

As they could no longer eat, Enjolras forbade them to drink. He
interdicted wine, and portioned out the brandy.

They had found in the cellar fifteen full bottles hermetically sealed.
Enjolras and Combeferre examined them. Combeferre when he came up again
said:--"It's the old stock of Father Hucheloup, who began business as
a grocer."--"It must be real wine," observed Bossuet. "It's lucky that
Grantaire is asleep. If he were on foot, there would be a good deal of
difficulty in saving those bottles."--Enjolras, in spite of all murmurs,
placed his veto on the fifteen bottles, and, in order that no one might
touch them, he had them placed under the table on which Father Mabeuf
was lying.

About two o'clock in the morning, they reckoned up their strength. There
were still thirty-seven of them.

The day began to dawn. The torch, which had been replaced in its
cavity in the pavement, had just been extinguished. The interior of the
barricade, that species of tiny courtyard appropriated from the street,
was bathed in shadows, and resembled, athwart the vague, twilight
horror, the deck of a disabled ship. The combatants, as they went
and came, moved about there like black forms. Above that terrible
nesting-place of gloom the stories of the mute houses were lividly
outlined; at the very top, the chimneys stood palely out. The sky was of
that charming, undecided hue, which may be white and may be blue. Birds
flew about in it with cries of joy. The lofty house which formed the
back of the barricade, being turned to the East, had upon its roof a
rosy reflection. The morning breeze ruffled the gray hair on the head of
the dead man at the third-story window.

"I am delighted that the torch has been extinguished," said Courfeyrac
to Feuilly. "That torch flickering in the wind annoyed me. It had the
appearance of being afraid. The light of torches resembles the wisdom of
cowards; it gives a bad light because it trembles."

Dawn awakens minds as it does the birds; all began to talk.

Joly, perceiving a cat prowling on a gutter, extracted philosophy from
it.

"What is the cat?" he exclaimed. "It is a corrective. The good God,
having made the mouse, said: 'Hullo! I have committed a blunder.' And
so he made the cat. The cat is the erratum of the mouse. The mouse, plus
the cat, is the proof of creation revised and corrected."

Combeferre, surrounded by students and artisans, was speaking of the
dead, of Jean Prouvaire, of Bahorel, of Mabeuf, and even of Cabuc, and
of Enjolras' sad severity. He said:--

"Harmodius and Aristogiton, Brutus, Chereas, Stephanus, Cromwell,
Charlotte Corday, Sand, have all had their moment of agony when it was
too late. Our hearts quiver so, and human life is such a mystery that,
even in the case of a civic murder, even in a murder for liberation, if
there be such a thing, the remorse for having struck a man surpasses the
joy of having served the human race."

And, such are the windings of the exchange of speech, that, a moment
later, by a transition brought about through Jean Prouvaire's verses,
Combeferre was comparing the translators of the Georgics, Raux with
Cournand, Cournand with Delille, pointing out the passages translated
by Malfilatre, particularly the prodigies of Caesar's death; and at that
word, Caesar, the conversation reverted to Brutus.

"Caesar," said Combeferre, "fell justly. Cicero was severe towards
Caesar, and he was right. That severity is not diatribe. When Zoilus
insults Homer, when Maevius insults Virgil, when Vise insults Moliere,
when Pope insults Shakspeare, when Frederic insults Voltaire, it is an
old law of envy and hatred which is being carried out; genius attracts
insult, great men are always more or less barked at. But Zoilus and
Cicero are two different persons. Cicero is an arbiter in thought, just
as Brutus is an arbiter by the sword. For my own part, I blame that last
justice, the blade; but, antiquity admitted it. Caesar, the violator
of the Rubicon, conferring, as though they came from him, the dignities
which emanated from the people, not rising at the entrance of the
senate, committed the acts of a king and almost of a tyrant, regia ac
pene tyrannica. He was a great man; so much the worse, or so much the
better; the lesson is but the more exalted. His twenty-three wounds
touch me less than the spitting in the face of Jesus Christ. Caesar is
stabbed by the senators; Christ is cuffed by lackeys. One feels the God
through the greater outrage."

Bossuet, who towered above the interlocutors from the summit of a heap
of paving-stones, exclaimed, rifle in hand:--

"Oh Cydathenaeum, Oh Myrrhinus, Oh Probalinthus, Oh graces of the
AEantides! Oh! Who will grant me to pronounce the verses of Homer like a
Greek of Laurium or of Edapteon?"




CHAPTER III--LIGHT AND SHADOW

Enjolras had been to make a reconnaissance. He had made his way out
through Mondetour lane, gliding along close to the houses.

The insurgents, we will remark, were full of hope. The manner in which
they had repulsed the attack of the preceding night had caused them to
almost disdain in advance the attack at dawn. They waited for it with
a smile. They had no more doubt as to their success than as to their
cause. Moreover, succor was, evidently, on the way to them. They
reckoned on it. With that facility of triumphant prophecy which is one
of the sources of strength in the French combatant, they divided the
day which was at hand into three distinct phases. At six o'clock in the
morning a regiment "which had been labored with," would turn; at noon,
the insurrection of all Paris; at sunset, revolution.

They heard the alarm bell of Saint-Merry, which had not been silent for
an instant since the night before; a proof that the other barricade, the
great one, Jeanne's, still held out.

All these hopes were exchanged between the different groups in a sort of
gay and formidable whisper which resembled the warlike hum of a hive of
bees.

Enjolras reappeared. He returned from his sombre eagle flight into outer
darkness. He listened for a moment to all this joy with folded arms, and
one hand on his mouth. Then, fresh and rosy in the growing whiteness of
the dawn, he said:

"The whole army of Paris is to strike. A third of the army is bearing
down upon the barricades in which you now are. There is the National
Guard in addition. I have picked out the shakos of the fifth of the
line, and the standard-bearers of the sixth legion. In one hour you will
be attacked. As for the populace, it was seething yesterday, to-day
it is not stirring. There is nothing to expect; nothing to hope for.
Neither from a faubourg nor from a regiment. You are abandoned."

These words fell upon the buzzing of the groups, and produced on them
the effect caused on a swarm of bees by the first drops of a storm. A
moment of indescribable silence ensued, in which death might have been
heard flitting by.

This moment was brief.

A voice from the obscurest depths of the groups shouted to Enjolras:

"So be it. Let us raise the barricade to a height of twenty feet, and
let us all remain in it. Citizens, let us offer the protests of corpses.
Let us show that, if the people abandon the republicans, the republicans
do not abandon the people."

These words freed the thought of all from the painful cloud of
individual anxieties. It was hailed with an enthusiastic acclamation.

No one ever has known the name of the man who spoke thus; he was some
unknown blouse-wearer, a stranger, a man forgotten, a passing hero, that
great anonymous, always mingled in human crises and in social geneses
who, at a given moment, utters in a supreme fashion the decisive word,
and who vanishes into the shadows after having represented for a minute,
in a lightning flash, the people and God.

This inexorable resolution so thoroughly impregnated the air of the
6th of June, 1832, that, almost at the very same hour, on the barricade
Saint-Merry, the insurgents were raising that clamor which has become a
matter of history and which has been consigned to the documents in the
case:--"What matters it whether they come to our assistance or not? Let
us get ourselves killed here, to the very last man."

As the reader sees, the two barricades, though materially isolated, were
in communication with each other.




CHAPTER IV--MINUS FIVE, PLUS ONE

After the man who decreed the "protest of corpses" had spoken, and had
given this formula of their common soul, there issued from all mouths a
strangely satisfied and terrible cry, funereal in sense and triumphant
in tone:

"Long live death! Let us all remain here!"

"Why all?" said Enjolras.

"All! All!"

Enjolras resumed:

"The position is good; the barricade is fine. Thirty men are enough. Why
sacrifice forty?"

They replied:

"Because not one will go away."

"Citizens," cried Enjolras, and there was an almost irritated vibration
in his voice, "this republic is not rich enough in men to indulge in
useless expenditure of them. Vain-glory is waste. If the duty of some is
to depart, that duty should be fulfilled like any other."

Enjolras, the man-principle, had over his co-religionists that sort of
omnipotent power which emanates from the absolute. Still, great as was
this omnipotence, a murmur arose. A leader to the very finger-tips,
Enjolras, seeing that they murmured, insisted. He resumed haughtily:

"Let those who are afraid of not numbering more than thirty say so."

The murmurs redoubled.

"Besides," observed a voice in one group, "it is easy enough to talk
about leaving. The barricade is hemmed in."

"Not on the side of the Halles," said Enjolras. "The Rue Mondetour is
free, and through the Rue des Precheurs one can reach the Marche des
Innocents."

"And there," went on another voice, "you would be captured. You would
fall in with some grand guard of the line or the suburbs; they will spy
a man passing in blouse and cap. 'Whence come you?' 'Don't you belong to
the barricade?' And they will look at your hands. You smell of powder.
Shot."

Enjolras, without making any reply, touched Combeferre's shoulder, and
the two entered the tap-room.

They emerged thence a moment later. Enjolras held in his outstretched
hands the four uniforms which he had laid aside. Combeferre followed,
carrying the shoulder-belts and the shakos.

"With this uniform," said Enjolras, "you can mingle with the ranks and
escape; here is enough for four." And he flung on the ground, deprived
of its pavement, the four uniforms.

No wavering took place in his stoical audience. Combeferre took the
word.

"Come," said he, "you must have a little pity. Do you know what the
question is here? It is a question of women. See here. Are there
women or are there not? Are there children or are there not? Are there
mothers, yes or no, who rock cradles with their foot and who have a lot
of little ones around them? Let that man of you who has never beheld a
nurse's breast raise his hand. Ah! you want to get yourselves killed, so
do I--I, who am speaking to you; but I do not want to feel the phantoms
of women wreathing their arms around me. Die, if you will, but
don't make others die. Suicides like that which is on the brink of
accomplishment here are sublime; but suicide is narrow, and does not
admit of extension; and as soon as it touches your neighbors, suicide
is murder. Think of the little blond heads; think of the white locks.
Listen, Enjolras has just told me that he saw at the corner of the Rue
du Cygne a lighted casement, a candle in a poor window, on the fifth
floor, and on the pane the quivering shadow of the head of an old woman,
who had the air of having spent the night in watching. Perhaps she is
the mother of some one of you. Well, let that man go, and make haste, to
say to his mother: 'Here I am, mother!' Let him feel at ease, the task
here will be performed all the same. When one supports one's relatives
by one's toil, one has not the right to sacrifice one's self. That
is deserting one's family. And those who have daughters! what are you
thinking of? You get yourselves killed, you are dead, that is well. And
tomorrow? Young girls without bread--that is a terrible thing. Man begs,
woman sells. Ah! those charming and gracious beings, so gracious and so
sweet, who have bonnets of flowers, who fill the house with purity, who
sing and prattle, who are like a living perfume, who prove the existence
of angels in heaven by the purity of virgins on earth, that Jeanne,
that Lise, that Mimi, those adorable and honest creatures who are your
blessings and your pride, ah! good God, they will suffer hunger! What do
you want me to say to you? There is a market for human flesh; and it
is not with your shadowy hands, shuddering around them, that you
will prevent them from entering it! Think of the street, think of the
pavement covered with passers-by, think of the shops past which women
go and come with necks all bare, and through the mire. These women,
too, were pure once. Think of your sisters, those of you who have them.
Misery, prostitution, the police, Saint-Lazare--that is what those
beautiful, delicate girls, those fragile marvels of modesty, gentleness
and loveliness, fresher than lilacs in the month of May, will come to.
Ah! you have got yourselves killed! You are no longer on hand! That
is well; you have wished to release the people from Royalty, and you
deliver over your daughters to the police. Friends, have a care, have
mercy. Women, unhappy women, we are not in the habit of bestowing much
thought on them. We trust to the women not having received a man's
education, we prevent their reading, we prevent their thinking, we
prevent their occupying themselves with politics; will you prevent them
from going to the dead-house this evening, and recognizing your bodies?
Let us see, those who have families must be tractable, and shake hands
with us and take themselves off, and leave us here alone to attend to
this affair. I know well that courage is required to leave, that it is
hard; but the harder it is, the more meritorious. You say: 'I have a
gun, I am at the barricade; so much the worse, I shall remain there.' So
much the worse is easily said. My friends, there is a morrow; you will
not be here to-morrow, but your families will; and what sufferings! See,
here is a pretty, healthy child, with cheeks like an apple, who babbles,
prattles, chatters, who laughs, who smells sweet beneath your kiss,--and
do you know what becomes of him when he is abandoned? I have seen one,
a very small creature, no taller than that. His father was dead. Poor
people had taken him in out of charity, but they had bread only for
themselves. The child was always hungry. It was winter. He did not cry.
You could see him approach the stove, in which there was never any fire,
and whose pipe, you know, was of mastic and yellow clay. His breathing
was hoarse, his face livid, his limbs flaccid, his belly prominent. He
said nothing. If you spoke to him, he did not answer. He is dead. He was
taken to the Necker Hospital, where I saw him. I was house-surgeon in
that hospital. Now, if there are any fathers among you, fathers whose
happiness it is to stroll on Sundays holding their child's tiny hand in
their robust hand, let each one of those fathers imagine that this child
is his own. That poor brat, I remember, and I seem to see him now, when
he lay nude on the dissecting table, how his ribs stood out on his skin
like the graves beneath the grass in a cemetery. A sort of mud was found
in his stomach. There were ashes in his teeth. Come, let us examine
ourselves conscientiously and take counsel with our heart. Statistics
show that the mortality among abandoned children is fifty-five per cent.
I repeat, it is a question of women, it concerns mothers, it concerns
young girls, it concerns little children. Who is talking to you of
yourselves? We know well what you are; we know well that you are all
brave, parbleu! we know well that you all have in your souls the joy and
the glory of giving your life for the great cause; we know well that you
feel yourselves elected to die usefully and magnificently, and that each
one of you clings to his share in the triumph. Very well. But you are
not alone in this world. There are other beings of whom you must think.
You must not be egoists."

All dropped their heads with a gloomy air.

Strange contradictions of the human heart at its most sublime moments.
Combeferre, who spoke thus, was not an orphan. He recalled the mothers
of other men, and forgot his own. He was about to get himself killed. He
was "an egoist."

Marius, fasting, fevered, having emerged in succession from all hope,
and having been stranded in grief, the most sombre of shipwrecks, and
saturated with violent emotions and conscious that the end was near,
had plunged deeper and deeper into that visionary stupor which always
precedes the fatal hour voluntarily accepted.

A physiologist might have studied in him the growing symptoms of that
febrile absorption known to, and classified by, science, and which is
to suffering what voluptuousness is to pleasure. Despair, also, has its
ecstasy. Marius had reached this point. He looked on at everything as
from without; as we have said, things which passed before him seemed far
away; he made out the whole, but did not perceive the details. He beheld
men going and coming as through a flame. He heard voices speaking as at
the bottom of an abyss.

But this moved him. There was in this scene a point which pierced and
roused even him. He had but one idea now, to die; and he did not wish to
be turned aside from it, but he reflected, in his gloomy somnambulism,
that while destroying himself, he was not prohibited from saving some
one else.

He raised his voice.

"Enjolras and Combeferre are right," said he; "no unnecessary sacrifice.
I join them, and you must make haste. Combeferre has said convincing
things to you. There are some among you who have families, mothers,
sisters, wives, children. Let such leave the ranks."

No one stirred.

"Married men and the supporters of families, step out of the ranks!"
repeated Marius.

His authority was great. Enjolras was certainly the head of the
barricade, but Marius was its savior.

"I order it," cried Enjolras.

"I entreat you," said Marius.

Then, touched by Combeferre's words, shaken by Enjolras' order, touched
by Marius' entreaty, these heroic men began to denounce each other.--"It
is true," said one young man to a full grown man, "you are the father
of a family. Go."--"It is your duty rather," retorted the man, "you have
two sisters whom you maintain."--And an unprecedented controversy broke
forth. Each struggled to determine which should not allow himself to be
placed at the door of the tomb.

"Make haste," said Courfeyrac, "in another quarter of an hour it will be
too late."

"Citizens," pursued Enjolras, "this is the Republic, and universal
suffrage reigns. Do you yourselves designate those who are to go."

They obeyed. After the expiration of a few minutes, five were
unanimously selected and stepped out of the ranks.

"There are five of them!" exclaimed Marius.

There were only four uniforms.

"Well," began the five, "one must stay behind."

And then a struggle arose as to who should remain, and who should find
reasons for the others not remaining. The generous quarrel began afresh.

"You have a wife who loves you."--"You have your aged mother."--" You
have neither father nor mother, and what is to become of your three
little brothers?"--"You are the father of five children."--"You have a
right to live, you are only seventeen, it is too early for you to die."

These great revolutionary barricades were assembling points for heroism.
The improbable was simple there. These men did not astonish each other.

"Be quick," repeated Courfeyrac.

Men shouted to Marius from the groups:

"Do you designate who is to remain."

"Yes," said the five, "choose. We will obey you."

Marius did not believe that he was capable of another emotion. Still,
at this idea, that of choosing a man for death, his blood rushed back
to his heart. He would have turned pale, had it been possible for him to
become any paler.

He advanced towards the five, who smiled upon him, and each, with his
eyes full of that grand flame which one beholds in the depths of history
hovering over Thermopylae, cried to him:

"Me! me! me!"

And Marius stupidly counted them; there were still five of them! Then
his glance dropped to the four uniforms.

At that moment, a fifth uniform fell, as if from heaven, upon the other
four.

The fifth man was saved.

Marius raised his eyes and recognized M. Fauchelevent.

Jean Valjean had just entered the barricade.

He had arrived by way of Mondetour lane, whither by dint of inquiries
made, or by instinct, or chance. Thanks to his dress of a National
Guardsman, he had made his way without difficulty.

The sentinel stationed by the insurgents in the Rue Mondetour had no
occasion to give the alarm for a single National Guardsman, and he had
allowed the latter to entangle himself in the street, saying to himself:
"Probably it is a reinforcement, in any case it is a prisoner." The
moment was too grave to admit of the sentinel abandoning his duty and
his post of observation.

At the moment when Jean Valjean entered the redoubt, no one had noticed
him, all eyes being fixed on the five chosen men and the four uniforms.
Jean Valjean also had seen and heard, and he had silently removed his
coat and flung it on the pile with the rest.

The emotion aroused was indescribable.

"Who is this man?" demanded Bossuet.

"He is a man who saves others," replied Combeferre.

Marius added in a grave voice:

"I know him."

This guarantee satisfied every one.

Enjolras turned to Jean Valjean.

"Welcome, citizen."

And he added:

"You know that we are about to die."

Jean Valjean, without replying, helped the insurgent whom he was saving
to don his uniform.




CHAPTER V--THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE

The situation of all in that fatal hour and that pitiless place, had as
result and culminating point Enjolras' supreme melancholy.

Enjolras bore within him the plenitude of the revolution; he was
incomplete, however, so far as the absolute can be so; he had too much
of Saint-Just about him, and not enough of Anacharsis Cloots; still,
his mind, in the society of the Friends of the A B C, had ended by
undergoing a certain polarization from Combeferre's ideas; for some time
past, he had been gradually emerging from the narrow form of dogma, and
had allowed himself to incline to the broadening influence of progress,
and he had come to accept, as a definitive and magnificent evolution,
the transformation of the great French Republic, into the immense
human republic. As far as the immediate means were concerned, a violent
situation being given, he wished to be violent; on that point, he never
varied; and he remained of that epic and redoubtable school which is
summed up in the words: "Eighty-three." Enjolras was standing erect on
the staircase of paving-stones, one elbow resting on the stock of
his gun. He was engaged in thought; he quivered, as at the passage of
prophetic breaths; places where death is have these effects of tripods.
A sort of stifled fire darted from his eyes, which were filled with an
inward look. All at once he threw back his head, his blond locks fell
back like those of an angel on the sombre quadriga made of stars, they
were like the mane of a startled lion in the flaming of an halo, and
Enjolras cried:

"Citizens, do you picture the future to yourselves? The streets of
cities inundated with light, green branches on the thresholds, nations
sisters, men just, old men blessing children, the past loving the
present, thinkers entirely at liberty, believers on terms of full
equality, for religion heaven, God the direct priest, human conscience
become an altar, no more hatreds, the fraternity of the workshop and the
school, for sole penalty and recompense fame, work for all, right for
all, peace over all, no more bloodshed, no more wars, happy mothers! To
conquer matter is the first step; to realize the ideal is the second.
Reflect on what progress has already accomplished. Formerly, the
first human races beheld with terror the hydra pass before their eyes,
breathing on the waters, the dragon which vomited flame, the griffin who
was the monster of the air, and who flew with the wings of an eagle
and the talons of a tiger; fearful beasts which were above man. Man,
nevertheless, spread his snares, consecrated by intelligence, and
finally conquered these monsters. We have vanquished the hydra, and
it is called the locomotive; we are on the point of vanquishing the
griffin, we already grasp it, and it is called the balloon. On the day
when this Promethean task shall be accomplished, and when man shall have
definitely harnessed to his will the triple Chimaera of antiquity, the
hydra, the dragon and the griffin, he will be the master of water, fire,
and of air, and he will be for the rest of animated creation that which
the ancient gods formerly were to him. Courage, and onward! Citizens,
whither are we going? To science made government, to the force of things
become the sole public force, to the natural law, having in itself its
sanction and its penalty and promulgating itself by evidence, to a dawn
of truth corresponding to a dawn of day. We are advancing to the union
of peoples; we are advancing to the unity of man. No more fictions;
no more parasites. The real governed by the true, that is the goal.
Civilization will hold its assizes at the summit of Europe, and,
later on, at the centre of continents, in a grand parliament of the
intelligence. Something similar has already been seen. The amphictyons
had two sittings a year, one at Delphos the seat of the gods, the other
at Thermopylae, the place of heroes. Europe will have her amphictyons;
the globe will have its amphictyons. France bears this sublime future in
her breast. This is the gestation of the nineteenth century. That which
Greece sketched out is worthy of being finished by France. Listen to me,
you, Feuilly, valiant artisan, man of the people. I revere you. Yes, you
clearly behold the future, yes, you are right. You had neither father
nor mother, Feuilly; you adopted humanity for your mother and right
for your father. You are about to die, that is to say to triumph, here.
Citizens, whatever happens to-day, through our defeat as well as
through our victory, it is a revolution that we are about to create.
As conflagrations light up a whole city, so revolutions illuminate the
whole human race. And what is the revolution that we shall cause? I have
just told you, the Revolution of the True. From a political point of
view, there is but a single principle; the sovereignty of man over
himself. This sovereignty of myself over myself is called Liberty. Where
two or three of these sovereignties are combined, the state begins. But
in that association there is no abdication. Each sovereignty concedes a
certain quantity of itself, for the purpose of forming the common right.
This quantity is the same for all of us. This identity of concession
which each makes to all, is called Equality. Common right is nothing
else than the protection of all beaming on the right of each. This
protection of all over each is called Fraternity. The point of
intersection of all these assembled sovereignties is called society.
This intersection being a junction, this point is a knot. Hence what
is called the social bond. Some say social contract; which is the same
thing, the word contract being etymologically formed with the idea of a
bond. Let us come to an understanding about equality; for, if liberty
is the summit, equality is the base. Equality, citizens, is not wholly a
surface vegetation, a society of great blades of grass and tiny oaks; a
proximity of jealousies which render each other null and void; legally
speaking, it is all aptitudes possessed of the same opportunity;
politically, it is all votes possessed of the same weight; religiously,
it is all consciences possessed of the same right. Equality has an
organ: gratuitous and obligatory instruction. The right to the alphabet,
that is where the beginning must be made. The primary school imposed
on all, the secondary school offered to all, that is the law. From an
identical school, an identical society will spring. Yes, instruction!
light! light! everything comes from light, and to it everything returns.
Citizens, the nineteenth century is great, but the twentieth century
will be happy. Then, there will be nothing more like the history of old,
we shall no longer, as to-day, have to fear a conquest, an invasion,
a usurpation, a rivalry of nations, arms in hand, an interruption of
civilization depending on a marriage of kings, on a birth in hereditary
tyrannies, a partition of peoples by a congress, a dismemberment because
of the failure of a dynasty, a combat of two religions meeting face
to face, like two bucks in the dark, on the bridge of the infinite; we
shall no longer have to fear famine, farming out, prostitution arising
from distress, misery from the failure of work and the scaffold and the
sword, and battles and the ruffianism of chance in the forest of events.
One might almost say: There will be no more events. We shall be happy.
The human race will accomplish its law, as the terrestrial globe
accomplishes its law; harmony will be re-established between the soul
and the star; the soul will gravitate around the truth, as the planet
around the light. Friends, the present hour in which I am addressing
you, is a gloomy hour; but these are terrible purchases of the future.
A revolution is a toll. Oh! the human race will be delivered, raised up,
consoled! We affirm it on this barrier. Whence should proceed that cry
of love, if not from the heights of sacrifice? Oh my brothers, this is
the point of junction, of those who think and of those who suffer; this
barricade is not made of paving-stones, nor of joists, nor of bits of
iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here
misery meets the ideal. The day embraces the night, and says to it: 'I
am about to die, and thou shalt be born again with me.' From the embrace
of all desolations faith leaps forth. Sufferings bring hither their
agony and ideas their immortality. This agony and this immortality are
about to join and constitute our death. Brothers, he who dies here dies
in the radiance of the future, and we are entering a tomb all flooded
with the dawn."

Enjolras paused rather than became silent; his lips continued to move
silently, as though he were talking to himself, which caused them all
to gaze attentively at him, in the endeavor to hear more. There was no
applause; but they whispered together for a long time. Speech being a
breath, the rustling of intelligences resembles the rustling of leaves.




CHAPTER VI--MARIUS HAGGARD, JAVERT LACONIC

Let us narrate what was passing in Marius' thoughts.

Let the reader recall the state of his soul. We have just recalled it,
everything was a vision to him now. His judgment was disturbed. Marius,
let us insist on this point, was under the shadow of the great, dark
wings which are spread over those in the death agony. He felt that he
had entered the tomb, it seemed to him that he was already on the other
side of the wall, and he no longer beheld the faces of the living except
with the eyes of one dead.

How did M. Fauchelevent come there? Why was he there? What had he come
there to do? Marius did not address all these questions to himself.
Besides, since our despair has this peculiarity, that it envelops others
as well as ourselves, it seemed logical to him that all the world should
come thither to die.

Only, he thought of Cosette with a pang at his heart.

However, M. Fauchelevent did not speak to him, did not look at him, and
had not even the air of hearing him, when Marius raised his voice to
say: "I know him."

As far as Marius was concerned, this attitude of M. Fauchelevent was
comforting, and, if such a word can be used for such impressions,
we should say that it pleased him. He had always felt the absolute
impossibility of addressing that enigmatical man, who was, in his eyes,
both equivocal and imposing. Moreover, it had been a long time since
he had seen him; and this still further augmented the impossibility for
Marius' timid and reserved nature.

The five chosen men left the barricade by way of Mondetour lane; they
bore a perfect resemblance to members of the National Guard. One of them
wept as he took his leave. Before setting out, they embraced those who
remained.

When the five men sent back to life had taken their departure, Enjolras
thought of the man who had been condemned to death.

He entered the tap-room. Javert, still bound to the post, was engaged in
meditation.

"Do you want anything?" Enjolras asked him.

Javert replied: "When are you going to kill me?"

"Wait. We need all our cartridges just at present."

"Then give me a drink," said Javert.

Enjolras himself offered him a glass of water, and, as Javert was
pinioned, he helped him to drink.

"Is that all?" inquired Enjolras.

"I am uncomfortable against this post," replied Javert. "You are not
tender to have left me to pass the night here. Bind me as you please,
but you surely might lay me out on a table like that other man."

And with a motion of the head, he indicated the body of M. Mabeuf.

There was, as the reader will remember, a long, broad table at the
end of the room, on which they had been running bullets and making
cartridges. All the cartridges having been made, and all the powder
used, this table was free.

At Enjolras' command, four insurgents unbound Javert from the post.
While they were loosing him, a fifth held a bayonet against his breast.

Leaving his arms tied behind his back, they placed about his feet a
slender but stout whip-cord, as is done to men on the point of mounting
the scaffold, which allowed him to take steps about fifteen inches in
length, and made him walk to the table at the end of the room, where
they laid him down, closely bound about the middle of the body.

By way of further security, and by means of a rope fastened to his neck,
they added to the system of ligatures which rendered every attempt
at escape impossible, that sort of bond which is called in prisons a
martingale, which, starting at the neck, forks on the stomach, and meets
the hands, after passing between the legs.

While they were binding Javert, a man standing on the threshold was
surveying him with singular attention. The shadow cast by this man made
Javert turn his head. He raised his eyes, and recognized Jean Valjean.
He did not even start, but dropped his lids proudly and confined himself
to the remark: "It is perfectly simple."




CHAPTER VII--THE SITUATION BECOMES AGGRAVATED

The daylight was increasing rapidly. Not a window was opened, not a door
stood ajar; it was the dawn but not the awaking. The end of the Rue de
la Chanvrerie, opposite the barricade, had been evacuated by the
troops, as we have stated it seemed to be free, and presented itself to
passers-by with a sinister tranquillity. The Rue Saint-Denis was as
dumb as the avenue of Sphinxes at Thebes. Not a living being in the
cross-roads, which gleamed white in the light of the sun. Nothing is so
mournful as this light in deserted streets. Nothing was to be seen, but
there was something to be heard. A mysterious movement was going on at
a certain distance. It was evident that the critical moment was
approaching. As on the previous evening, the sentinels had come in; but
this time all had come.

The barricade was stronger than on the occasion of the first attack.
Since the departure of the five, they had increased its height still
further.

On the advice of the sentinel who had examined the region of the
Halles, Enjolras, for fear of a surprise in the rear, came to a serious
decision. He had the small gut of the Mondetour lane, which had been
left open up to that time, barricaded. For this purpose, they tore up
the pavement for the length of several houses more. In this manner,
the barricade, walled on three streets, in front on the Rue de
la Chanvrerie, to the left on the Rues du Cygne and de la Petite
Truanderie, to the right on the Rue Mondetour, was really almost
impregnable; it is true that they were fatally hemmed in there. It
had three fronts, but no exit.--"A fortress but a rat hole too," said
Courfeyrac with a laugh.

Enjolras had about thirty paving-stones "torn up in excess," said
Bossuet, piled up near the door of the wine-shop.

The silence was now so profound in the quarter whence the attack must
needs come, that Enjolras had each man resume his post of battle.

An allowance of brandy was doled out to each.

Nothing is more curious than a barricade preparing for an assault. Each
man selects his place as though at the theatre. They jostle, and elbow
and crowd each other. There are some who make stalls of paving-stones.
Here is a corner of the wall which is in the way, it is removed; here
is a redan which may afford protection, they take shelter behind it.
Left-handed men are precious; they take the places that are inconvenient
to the rest. Many arrange to fight in a sitting posture. They wish to be
at ease to kill, and to die comfortably. In the sad war of June, 1848,
an insurgent who was a formidable marksman, and who was firing from the
top of a terrace upon a roof, had a reclining-chair brought there for
his use; a charge of grape-shot found him out there.

As soon as the leader has given the order to clear the decks for action,
all disorderly movements cease; there is no more pulling from one
another; there are no more coteries; no more asides, there is no more
holding aloof; everything in their spirits converges in, and changes
into, a waiting for the assailants. A barricade before the arrival of
danger is chaos; in danger, it is discipline itself. Peril produces
order.

As soon as Enjolras had seized his double-barrelled rifle, and had
placed himself in a sort of embrasure which he had reserved for himself,
all the rest held their peace. A series of faint, sharp noises resounded
confusedly along the wall of paving-stones. It was the men cocking their
guns.

Moreover, their attitudes were prouder, more confident than ever; the
excess of sacrifice strengthens; they no longer cherished any hope,
but they had despair, despair,--the last weapon, which sometimes gives
victory; Virgil has said so. Supreme resources spring from extreme
resolutions. To embark in death is sometimes the means of escaping a
shipwreck; and the lid of the coffin becomes a plank of safety.

As on the preceding evening, the attention of all was directed, we
might almost say leaned upon, the end of the street, now lighted up and
visible.

They had not long to wait. A stir began distinctly in the Saint-Leu
quarter, but it did not resemble the movement of the first attack. A
clashing of chains, the uneasy jolting of a mass, the click of brass
skipping along the pavement, a sort of solemn uproar, announced that
some sinister construction of iron was approaching. There arose a tremor
in the bosoms of these peaceful old streets, pierced and built for the
fertile circulation of interests and ideas, and which are not made for
the horrible rumble of the wheels of war.

The fixity of eye in all the combatants upon the extremity of the street
became ferocious.

A cannon made its appearance.

Artillery-men were pushing the piece; it was in firing trim; the
fore-carriage had been detached; two upheld the gun-carriage, four were
at the wheels; others followed with the caisson. They could see the
smoke of the burning lint-stock.

"Fire!" shouted Enjolras.

The whole barricade fired, the report was terrible; an avalanche of
smoke covered and effaced both cannon and men; after a few seconds, the
cloud dispersed, and the cannon and men re-appeared; the gun-crew had
just finished rolling it slowly, correctly, without haste, into position
facing the barricade. Not one of them had been struck. Then the captain
of the piece, bearing down upon the breech in order to raise the muzzle,
began to point the cannon with the gravity of an astronomer levelling a
telescope.

"Bravo for the cannoneers!" cried Bossuet.

And the whole barricade clapped their hands.

A moment later, squarely planted in the very middle of the street,
astride of the gutter, the piece was ready for action. A formidable pair
of jaws yawned on the barricade.

"Come, merrily now!" ejaculated Courfeyrac. "That's the brutal part of
it. After the fillip on the nose, the blow from the fist. The army is
reaching out its big paw to us. The barricade is going to be severely
shaken up. The fusillade tries, the cannon takes."

"It is a piece of eight, new model, brass," added Combeferre. "Those
pieces are liable to burst as soon as the proportion of ten parts of tin
to one hundred of brass is exceeded. The excess of tin renders them too
tender. Then it comes to pass that they have caves and chambers when
looked at from the vent hole. In order to obviate this danger, and
to render it possible to force the charge, it may become necessary
to return to the process of the fourteenth century, hooping, and to
encircle the piece on the outside with a series of unwelded steel bands,
from the breech to the trunnions. In the meantime, they remedy this
defect as best they may; they manage to discover where the holes are
located in the vent of a cannon, by means of a searcher. But there is a
better method, with Gribeauval's movable star."

"In the sixteenth century," remarked Bossuet, "they used to rifle
cannon."

"Yes," replied Combeferre, "that augments the projectile force, but
diminishes the accuracy of the firing. In firing at short range,
the trajectory is not as rigid as could be desired, the parabola is
exaggerated, the line of the projectile is no longer sufficiently
rectilinear to allow of its striking intervening objects, which is,
nevertheless, a necessity of battle, the importance of which increases
with the proximity of the enemy and the precipitation of the discharge.
This defect of the tension of the curve of the projectile in the rifled
cannon of the sixteenth century arose from the smallness of the charge;
small charges for that sort of engine are imposed by the ballistic
necessities, such, for instance, as the preservation of the
gun-carriage. In short, that despot, the cannon, cannot do all that
it desires; force is a great weakness. A cannon-ball only travels
six hundred leagues an hour; light travels seventy thousand leagues a
second. Such is the superiority of Jesus Christ over Napoleon."

"Reload your guns," said Enjolras.

How was the casing of the barricade going to behave under the
cannon-balls? Would they effect a breach? That was the question. While
the insurgents were reloading their guns, the artillery-men were loading
the cannon.

The anxiety in the redoubt was profound.

The shot sped the report burst forth.

"Present!" shouted a joyous voice.

And Gavroche flung himself into the barricade just as the ball dashed
against it.

He came from the direction of the Rue du Cygne, and he had nimbly
climbed over the auxiliary barricade which fronted on the labyrinth of
the Rue de la Petite Truanderie.

Gavroche produced a greater sensation in the barricade than the
cannon-ball.

The ball buried itself in the mass of rubbish. At the most there was an
omnibus wheel broken, and the old Anceau cart was demolished. On seeing
this, the barricade burst into a laugh.

"Go on!" shouted Bossuet to the artillerists.




CHAPTER VIII--THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY

They flocked round Gavroche. But he had no time to tell anything. Marius
drew him aside with a shudder.

"What are you doing here?"

"Hullo!" said the child, "what are you doing here yourself?"

And he stared at Marius intently with his epic effrontery. His eyes grew
larger with the proud light within them.

It was with an accent of severity that Marius continued:

"Who told you to come back? Did you deliver my letter at the address?"

Gavroche was not without some compunctions in the matter of that letter.
In his haste to return to the barricade, he had got rid of it rather
than delivered it. He was forced to acknowledge to himself that he had
confided it rather lightly to that stranger whose face he had not been
able to make out. It is true that the man was bareheaded, but that was
not sufficient. In short, he had been administering to himself little
inward remonstrances and he feared Marius' reproaches. In order to
extricate himself from the predicament, he took the simplest course; he
lied abominably.

"Citizen, I delivered the letter to the porter. The lady was asleep. She
will have the letter when she wakes up."

Marius had had two objects in sending that letter: to bid farewell to
Cosette and to save Gavroche. He was obliged to content himself with the
half of his desire.

The despatch of his letter and the presence of M. Fauchelevent in the
barricade, was a coincidence which occurred to him. He pointed out M.
Fauchelevent to Gavroche.

"Do you know that man?"

"No," said Gavroche.

Gavroche had, in fact, as we have just mentioned, seen Jean Valjean only
at night.

The troubled and unhealthy conjectures which had outlined themselves in
Marius' mind were dissipated. Did he know M. Fauchelevent's opinions?
Perhaps M. Fauchelevent was a republican. Hence his very natural
presence in this combat.

In the meanwhile, Gavroche was shouting, at the other end of the
barricade: "My gun!"

Courfeyrac had it returned to him.

Gavroche warned "his comrades" as he called them, that the barricade was
blocked. He had had great difficulty in reaching it. A battalion of the
line whose arms were piled in the Rue de la Petite Truanderie was on
the watch on the side of the Rue du Cygne; on the opposite side, the
municipal guard occupied the Rue des Precheurs. The bulk of the army was
facing them in front.

This information given, Gavroche added:

"I authorize you to hit 'em a tremendous whack."

Meanwhile, Enjolras was straining his ears and watching at his
embrasure.

The assailants, dissatisfied, no doubt, with their shot, had not
repeated it.

A company of infantry of the line had come up and occupied the end of
the street behind the piece of ordnance. The soldiers were tearing up
the pavement and constructing with the stones a small, low wall, a
sort of side-work not more than eighteen inches high, and facing the
barricade. In the angle at the left of this epaulement, there was
visible the head of the column of a battalion from the suburbs massed in
the Rue Saint-Denis.

Enjolras, on the watch, thought he distinguished the peculiar sound
which is produced when the shells of grape-shot are drawn from the
caissons, and he saw the commander of the piece change the elevation
and incline the mouth of the cannon slightly to the left. Then the
cannoneers began to load the piece. The chief seized the lint-stock
himself and lowered it to the vent.

"Down with your heads, hug the wall!" shouted Enjolras, "and all on your
knees along the barricade!"

The insurgents who were straggling in front of the wine-shop, and
who had quitted their posts of combat on Gavroche's arrival, rushed
pell-mell towards the barricade; but before Enjolras' order could be
executed, the discharge took place with the terrifying rattle of a round
of grape-shot. This is what it was, in fact.

The charge had been aimed at the cut in the redoubt, and had there
rebounded from the wall; and this terrible rebound had produced two dead
and three wounded.

If this were continued, the barricade was no longer tenable. The
grape-shot made its way in.

A murmur of consternation arose.

"Let us prevent the second discharge," said Enjolras.

And, lowering his rifle, he took aim at the captain of the gun, who, at
that moment, was bearing down on the breach of his gun and rectifying
and definitely fixing its pointing.

The captain of the piece was a handsome sergeant of artillery, very
young, blond, with a very gentle face, and the intelligent air peculiar
to that predestined and redoubtable weapon which, by dint of perfecting
itself in horror, must end in killing war.

Combeferre, who was standing beside Enjolras, scrutinized this young
man.

"What a pity!" said Combeferre. "What hideous things these butcheries
are! Come, when there are no more kings, there will be no more war.
Enjolras, you are taking aim at that sergeant, you are not looking at
him. Fancy, he is a charming young man; he is intrepid; it is evident
that he is thoughtful; those young artillery-men are very well educated;
he has a father, a mother, a family; he is probably in love; he is not
more than five and twenty at the most; he might be your brother."

"He is," said Enjolras.

"Yes," replied Combeferre, "he is mine too. Well, let us not kill him."

"Let me alone. It must be done."

And a tear trickled slowly down Enjolras' marble cheek.

At the same moment, he pressed the trigger of his rifle. The flame
leaped forth. The artillery-man turned round twice, his arms extended in
front of him, his head uplifted, as though for breath, then he fell with
his side on the gun, and lay there motionless. They could see his back,
from the centre of which there flowed directly a stream of blood. The
ball had traversed his breast from side to side. He was dead.

He had to be carried away and replaced by another. Several minutes were
thus gained, in fact.




CHAPTER IX--EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT
INFALLIBLE MARKSMANSHIP WHICH INFLUENCED THE CONDEMNATION OF 1796

Opinions were exchanged in the barricade. The firing from the gun was
about to begin again. Against that grape-shot, they could not hold out
a quarter of an hour longer. It was absolutely necessary to deaden the
blows.

Enjolras issued this command:

"We must place a mattress there."

"We have none," said Combeferre, "the wounded are lying on them."

Jean Valjean, who was seated apart on a stone post, at the corner of the
tavern, with his gun between his knees, had, up to that moment, taken
no part in anything that was going on. He did not appear to hear the
combatants saying around him: "Here is a gun that is doing nothing."

At the order issued by Enjolras, he rose.

It will be remembered that, on the arrival of the rabble in the Rue
de la Chanvrerie, an old woman, foreseeing the bullets, had placed her
mattress in front of her window. This window, an attic window, was on
the roof of a six-story house situated a little beyond the barricade.
The mattress, placed cross-wise, supported at the bottom on two poles
for drying linen, was upheld at the top by two ropes, which, at that
distance, looked like two threads, and which were attached to two nails
planted in the window frames. These ropes were distinctly visible, like
hairs, against the sky.

"Can some one lend me a double-barrelled rifle?" said Jean Valjean.

Enjolras, who had just re-loaded his, handed it to him.

Jean Valjean took aim at the attic window and fired.

One of the mattress ropes was cut.

The mattress now hung by one thread only.

Jean Valjean fired the second charge. The second rope lashed the panes
of the attic window. The mattress slipped between the two poles and fell
into the street.

The barricade applauded.

All voices cried:

"Here is a mattress!"

"Yes," said Combeferre, "but who will go and fetch it?"

The mattress had, in fact, fallen outside the barricade, between
besiegers and besieged. Now, the death of the sergeant of artillery
having exasperated the troop, the soldiers had, for several minutes,
been lying flat on their stomachs behind the line of paving-stones which
they had erected, and, in order to supply the forced silence of
the piece, which was quiet while its service was in course of
reorganization, they had opened fire on the barricade. The insurgents
did not reply to this musketry, in order to spare their ammunition The
fusillade broke against the barricade; but the street, which it filled,
was terrible.

Jean Valjean stepped out of the cut, entered the street, traversed the
storm of bullets, walked up to the mattress, hoisted it upon his back,
and returned to the barricade.

He placed the mattress in the cut with his own hands. He fixed it there
against the wall in such a manner that the artillery-men should not see
it.

That done, they awaited the next discharge of grape-shot.

It was not long in coming.

The cannon vomited forth its package of buck-shot with a roar. But there
was no rebound. The effect which they had foreseen had been attained.
The barricade was saved.

"Citizen," said Enjolras to Jean Valjean, "the Republic thanks you."

Bossuet admired and laughed. He exclaimed:

"It is immoral that a mattress should have so much power. Triumph of
that which yields over that which strikes with lightning. But never
mind, glory to the mattress which annuls a cannon!"




CHAPTER X--DAWN

At that moment, Cosette awoke.

Her chamber was narrow, neat, unobtrusive, with a long sash-window,
facing the East on the back court-yard of the house.

Cosette knew nothing of what was going on in Paris. She had not been
there on the preceding evening, and she had already retired to her
chamber when Toussaint had said:

"It appears that there is a row."

Cosette had slept only a few hours, but soundly. She had had sweet
dreams, which possibly arose from the fact that her little bed was very
white. Some one, who was Marius, had appeared to her in the light. She
awoke with the sun in her eyes, which, at first, produced on her the
effect of being a continuation of her dream. Her first thought on
emerging from this dream was a smiling one. Cosette felt herself
thoroughly reassured. Like Jean Valjean, she had, a few hours
previously, passed through that reaction of the soul which absolutely
will not hear of unhappiness. She began to cherish hope, with all her
might, without knowing why. Then she felt a pang at her heart. It was
three days since she had seen Marius. But she said to herself that he
must have received her letter, that he knew where she was, and that
he was so clever that he would find means of reaching her.--And that
certainly to-day, and perhaps that very morning.--It was broad daylight,
but the rays of light were very horizontal; she thought that it was very
early, but that she must rise, nevertheless, in order to receive Marius.

She felt that she could not live without Marius, and that, consequently,
that was sufficient and that Marius would come. No objection was valid.
All this was certain. It was monstrous enough already to have suffered
for three days. Marius absent three days, this was horrible on the part
of the good God. Now, this cruel teasing from on high had been gone
through with. Marius was about to arrive, and he would bring good news.
Youth is made thus; it quickly dries its eyes; it finds sorrow useless
and does not accept it. Youth is the smile of the future in the presence
of an unknown quantity, which is itself. It is natural to it to be
happy. It seems as though its respiration were made of hope.

Moreover, Cosette could not remember what Marius had said to her on
the subject of this absence which was to last only one day, and what
explanation of it he had given her. Every one has noticed with what
nimbleness a coin which one has dropped on the ground rolls away and
hides, and with what art it renders itself undiscoverable. There are
thoughts which play us the same trick; they nestle away in a corner of
our brain; that is the end of them; they are lost; it is impossible to
lay the memory on them. Cosette was somewhat vexed at the useless little
effort made by her memory. She told herself, that it was very naughty
and very wicked of her, to have forgotten the words uttered by Marius.

She sprang out of bed and accomplished the two ablutions of soul and
body, her prayers and her toilet.

One may, in a case of exigency, introduce the reader into a nuptial
chamber, not into a virginal chamber. Verse would hardly venture it,
prose must not.

It is the interior of a flower that is not yet unfolded, it is whiteness
in the dark, it is the private cell of a closed lily, which must not be
gazed upon by man so long as the sun has not gazed upon it. Woman in the
bud is sacred. That innocent bud which opens, that adorable half-nudity
which is afraid of itself, that white foot which takes refuge in a
slipper, that throat which veils itself before a mirror as though
a mirror were an eye, that chemise which makes haste to rise up and
conceal the shoulder for a creaking bit of furniture or a passing
vehicle, those cords tied, those clasps fastened, those laces drawn,
those tremors, those shivers of cold and modesty, that exquisite
affright in every movement, that almost winged uneasiness where there
is no cause for alarm, the successive phases of dressing, as charming as
the clouds of dawn,--it is not fitting that all this should be narrated,
and it is too much to have even called attention to it.

The eye of man must be more religious in the presence of the rising of a
young girl than in the presence of the rising of a star. The possibility
of hurting should inspire an augmentation of respect. The down on the
peach, the bloom on the plum, the radiated crystal of the snow, the wing
of the butterfly powdered with feathers, are coarse compared to that
chastity which does not even know that it is chaste. The young girl is
only the flash of a dream, and is not yet a statue. Her bed-chamber is
hidden in the sombre part of the ideal. The indiscreet touch of a glance
brutalizes this vague penumbra. Here, contemplation is profanation.

We shall, therefore, show nothing of that sweet little flutter of
Cosette's rising.

An oriental tale relates how the rose was made white by God, but that
Adam looked upon her when she was unfolding, and she was ashamed and
turned crimson. We are of the number who fall speechless in the presence
of young girls and flowers, since we think them worthy of veneration.

Cosette dressed herself very hastily, combed and dressed her hair, which
was a very simple matter in those days, when women did not swell out
their curls and bands with cushions and puffs, and did not put crinoline
in their locks. Then she opened the window and cast her eyes around her
in every direction, hoping to descry some bit of the street, an angle of
the house, an edge of pavement, so that she might be able to watch for
Marius there. But no view of the outside was to be had. The back court
was surrounded by tolerably high walls, and the outlook was only on
several gardens. Cosette pronounced these gardens hideous: for the first
time in her life, she found flowers ugly. The smallest scrap of the
gutter of the street would have met her wishes better. She decided to
gaze at the sky, as though she thought that Marius might come from that
quarter.

All at once, she burst into tears. Not that this was fickleness of
soul; but hopes cut in twain by dejection--that was her case. She had a
confused consciousness of something horrible. Thoughts were rife in the
air, in fact. She told herself that she was not sure of anything, that
to withdraw herself from sight was to be lost; and the idea that Marius
could return to her from heaven appeared to her no longer charming but
mournful.

Then, as is the nature of these clouds, calm returned to her, and hope
and a sort of unconscious smile, which yet indicated trust in God.

Every one in the house was still asleep. A country-like silence reigned.
Not a shutter had been opened. The porter's lodge was closed. Toussaint
had not risen, and Cosette, naturally, thought that her father was
asleep. She must have suffered much, and she must have still been
suffering greatly, for she said to herself, that her father had been
unkind; but she counted on Marius. The eclipse of such a light was
decidedly impossible. Now and then, she heard sharp shocks in the
distance, and she said: "It is odd that people should be opening and
shutting their carriage gates so early." They were the reports of the
cannon battering the barricade.

A few feet below Cosette's window, in the ancient and perfectly black
cornice of the wall, there was a martin's nest; the curve of this nest
formed a little projection beyond the cornice, so that from above it
was possible to look into this little paradise. The mother was there,
spreading her wings like a fan over her brood; the father fluttered
about, flew away, then came back, bearing in his beak food and kisses.
The dawning day gilded this happy thing, the great law, "Multiply," lay
there smiling and august, and that sweet mystery unfolded in the
glory of the morning. Cosette, with her hair in the sunlight, her
soul absorbed in chimeras, illuminated by love within and by the dawn
without, bent over mechanically, and almost without daring to avow to
herself that she was thinking at the same time of Marius, began to gaze
at these birds, at this family, at that male and female, that mother and
her little ones, with the profound trouble which a nest produces on a
virgin.




CHAPTER XI--THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE

The assailants' fire continued. Musketry and grape-shot alternated, but
without committing great ravages, to tell the truth. The top alone of
the Corinthe facade suffered; the window on the first floor, and the
attic window in the roof, riddled with buck-shot and biscaiens, were
slowly losing their shape. The combatants who had been posted there had
been obliged to withdraw. However, this is according to the tactics
of barricades; to fire for a long while, in order to exhaust the
insurgents' ammunition, if they commit the mistake of replying. When it
is perceived, from the slackening of their fire, that they have no more
powder and ball, the assault is made. Enjolras had not fallen into this
trap; the barricade did not reply.

At every discharge by platoons, Gavroche puffed out his cheek with his
tongue, a sign of supreme disdain.

"Good for you," said he, "rip up the cloth. We want some lint."

Courfeyrac called the grape-shot to order for the little effect which it
produced, and said to the cannon:

"You are growing diffuse, my good fellow."

One gets puzzled in battle, as at a ball. It is probable that this
silence on the part of the redoubt began to render the besiegers uneasy,
and to make them fear some unexpected incident, and that they felt the
necessity of getting a clear view behind that heap of paving-stones, and
of knowing what was going on behind that impassable wall which received
blows without retorting. The insurgents suddenly perceived a helmet
glittering in the sun on a neighboring roof. A fireman had placed his
back against a tall chimney, and seemed to be acting as sentinel. His
glance fell directly down into the barricade.

"There's an embarrassing watcher," said Enjolras.

Jean Valjean had returned Enjolras' rifle, but he had his own gun.

Without saying a word, he took aim at the fireman, and, a second later,
the helmet, smashed by a bullet, rattled noisily into the street. The
terrified soldier made haste to disappear. A second observer took his
place. This one was an officer. Jean Valjean, who had re-loaded his
gun, took aim at the newcomer and sent the officer's casque to join the
soldier's. The officer did not persist, and retired speedily. This time
the warning was understood. No one made his appearance thereafter on
that roof; and the idea of spying on the barricade was abandoned.

"Why did you not kill the man?" Bossuet asked Jean Valjean.

Jean Valjean made no reply.




CHAPTER XII--DISORDER A PARTISAN OF ORDER

Bossuet muttered in Combeferre's ear:

"He did not answer my question."

"He is a man who does good by gun-shots," said Combeferre.

Those who have preserved some memory of this already distant epoch
know that the National Guard from the suburbs was valiant against
insurrections. It was particularly zealous and intrepid in the days of
June, 1832. A certain good dram-shop keeper of Pantin des Vertus or
la Cunette, whose "establishment" had been closed by the riots, became
leonine at the sight of his deserted dance-hall, and got himself killed
to preserve the order represented by a tea-garden. In that bourgeois and
heroic time, in the presence of ideas which had their knights, interests
had their paladins. The prosiness of the originators detracted nothing
from the bravery of the movement. The diminution of a pile of crowns
made bankers sing the Marseillaise. They shed their blood lyrically for
the counting-house; and they defended the shop, that immense diminutive
of the fatherland, with Lacedaemonian enthusiasm.

At bottom, we will observe, there was nothing in all this that was not
extremely serious. It was social elements entering into strife, while
awaiting the day when they should enter into equilibrium.

Another sign of the times was the anarchy mingled with governmentalism
[the barbarous name of the correct party]. People were for order in
combination with lack of discipline.

The drum suddenly beat capricious calls, at the command of such or
such a Colonel of the National Guard; such and such a captain went into
action through inspiration; such and such National Guardsmen fought,
"for an idea," and on their own account. At critical moments, on "days"
they took counsel less of their leaders than of their instincts. There
existed in the army of order, veritable guerilleros, some of the sword,
like Fannicot, others of the pen, like Henri Fonfrede.

Civilization, unfortunately, represented at this epoch rather by an
aggregation of interests than by a group of principles, was or thought
itself, in peril; it set up the cry of alarm; each, constituting himself
a centre, defended it, succored it, and protected it with his own head;
and the first comer took it upon himself to save society.

Zeal sometimes proceeded to extermination. A platoon of the National
Guard would constitute itself on its own authority a private council of
war, and judge and execute a captured insurgent in five minutes. It
was an improvisation of this sort that had slain Jean Prouvaire. Fierce
Lynch law, with which no one party had any right to reproach the rest,
for it has been applied by the Republic in America, as well as by the
monarchy in Europe. This Lynch law was complicated with mistakes. On one
day of rioting, a young poet, named Paul Aime Garnier, was pursued
in the Place Royale, with a bayonet at his loins, and only escaped by
taking refuge under the porte-cochere of No. 6. They shouted:--"There's
another of those Saint-Simonians!" and they wanted to kill him. Now, he
had under his arm a volume of the memoirs of the Duc de Saint-Simon.
A National Guard had read the words Saint-Simon on the book, and had
shouted: "Death!"

On the 6th of June, 1832, a company of the National Guards from the
suburbs, commanded by the Captain Fannicot, above mentioned, had itself
decimated in the Rue de la Chanvrerie out of caprice and its own good
pleasure. This fact, singular though it may seem, was proved at the
judicial investigation opened in consequence of the insurrection of
1832. Captain Fannicot, a bold and impatient bourgeois, a sort of
condottiere of the order of those whom we have just characterized,
a fanatical and intractable governmentalist, could not resist the
temptation to fire prematurely, and the ambition of capturing the
barricade alone and unaided, that is to say, with his company.
Exasperated by the successive apparition of the red flag and the old
coat which he took for the black flag, he loudly blamed the generals and
chiefs of the corps, who were holding council and did not think that the
moment for the decisive assault had arrived, and who were allowing "the
insurrection to fry in its own fat," to use the celebrated expression
of one of them. For his part, he thought the barricade ripe, and as that
which is ripe ought to fall, he made the attempt.

He commanded men as resolute as himself, "raging fellows," as a witness
said. His company, the same which had shot Jean Prouvaire the poet, was
the first of the battalion posted at the angle of the street. At the
moment when they were least expecting it, the captain launched his men
against the barricade. This movement, executed with more good will than
strategy, cost the Fannicot company dear. Before it had traversed two
thirds of the street it was received by a general discharge from the
barricade. Four, the most audacious, who were running on in front,
were mown down point-blank at the very foot of the redoubt, and this
courageous throng of National Guards, very brave men but lacking in
military tenacity, were forced to fall back, after some hesitation,
leaving fifteen corpses on the pavement. This momentary hesitation gave
the insurgents time to re-load their weapons, and a second and very
destructive discharge struck the company before it could regain the
corner of the street, its shelter. A moment more, and it was caught
between two fires, and it received the volley from the battery piece
which, not having received the order, had not discontinued its firing.

The intrepid and imprudent Fannicot was one of the dead from this
grape-shot. He was killed by the cannon, that is to say, by order.

This attack, which was more furious than serious, irritated
Enjolras.--"The fools!" said he. "They are getting their own men killed
and they are using up our ammunition for nothing."

Enjolras spoke like the real general of insurrection which he
was. Insurrection and repression do not fight with equal weapons.
Insurrection, which is speedily exhausted, has only a certain number
of shots to fire and a certain number of combatants to expend. An empty
cartridge-box, a man killed, cannot be replaced. As repression has the
army, it does not count its men, and, as it has Vincennes, it does not
count its shots. Repression has as many regiments as the barricade has
men, and as many arsenals as the barricade has cartridge-boxes. Thus
they are struggles of one against a hundred, which always end in
crushing the barricade; unless the revolution, uprising suddenly,
flings into the balance its flaming archangel's sword. This does happen
sometimes. Then everything rises, the pavements begin to seethe, popular
redoubts abound. Paris quivers supremely, the quid divinum is given
forth, a 10th of August is in the air, a 29th of July is in the air, a
wonderful light appears, the yawning maw of force draws back, and the
army, that lion, sees before it, erect and tranquil, that prophet,
France.




CHAPTER XIII--PASSING GLEAMS

In the chaos of sentiments and passions which defend a barricade, there
is a little of everything; there is bravery, there is youth, honor,
enthusiasm, the ideal, conviction, the rage of the gambler, and, above
all, intermittences of hope.

One of these intermittences, one of these vague quivers of hope suddenly
traversed the barricade of the Rue de la Chanvrerie at the moment when
it was least expected.

"Listen," suddenly cried Enjolras, who was still on the watch, "it seems
to me that Paris is waking up."

It is certain that, on the morning of the 6th of June, the insurrection
broke out afresh for an hour or two, to a certain extent. The obstinacy
of the alarm peal of Saint-Merry reanimated some fancies. Barricades
were begun in the Rue du Poirier and the Rue des Gravilliers. In front
of the Porte Saint-Martin, a young man, armed with a rifle, attacked
alone a squadron of cavalry. In plain sight, on the open boulevard, he
placed one knee on the ground, shouldered his weapon, fired, killed the
commander of the squadron, and turned away, saying: "There's another who
will do us no more harm."

He was put to the sword. In the Rue Saint-Denis, a woman fired on the
National Guard from behind a lowered blind. The slats of the blind could
be seen to tremble at every shot. A child fourteen years of age
was arrested in the Rue de la Cossonerie, with his pockets full of
cartridges. Many posts were attacked. At the entrance to the Rue
Bertin-Poiree, a very lively and utterly unexpected fusillade welcomed
a regiment of cuirrassiers, at whose head marched Marshal General
Cavaignac de Barague. In the Rue Planche-Mibray, they threw old pieces
of pottery and household utensils down on the soldiers from the roofs; a
bad sign; and when this matter was reported to Marshal Soult, Napoleon's
old lieutenant grew thoughtful, as he recalled Suchet's saying at
Saragossa: "We are lost when the old women empty their pots de chambre
on our heads."

These general symptoms which presented themselves at the moment when
it was thought that the uprising had been rendered local, this fever
of wrath, these sparks which flew hither and thither above those deep
masses of combustibles which are called the faubourgs of Paris,--all
this, taken together, disturbed the military chiefs. They made haste to
stamp out these beginnings of conflagration.

They delayed the attack on the barricades Maubuee, de la Chanvrerie and
Saint-Merry until these sparks had been extinguished, in order that they
might have to deal with the barricades only and be able to finish
them at one blow. Columns were thrown into the streets where there was
fermentation, sweeping the large, sounding the small, right and left,
now slowly and cautiously, now at full charge. The troops broke in
the doors of houses whence shots had been fired; at the same time,
manoeuvres by the cavalry dispersed the groups on the boulevards. This
repression was not effected without some commotion, and without that
tumultuous uproar peculiar to collisions between the army and the
people. This was what Enjolras had caught in the intervals of the
cannonade and the musketry. Moreover, he had seen wounded men passing
the end of the street in litters, and he said to Courfeyrac:--"Those
wounded do not come from us."

Their hope did not last long; the gleam was quickly eclipsed. In less
than half an hour, what was in the air vanished, it was a flash of
lightning unaccompanied by thunder, and the insurgents felt that sort of
leaden cope, which the indifference of the people casts over obstinate
and deserted men, fall over them once more.

The general movement, which seemed to have assumed a vague outline, had
miscarried; and the attention of the minister of war and the strategy of
the generals could now be concentrated on the three or four barricades
which still remained standing.

The sun was mounting above the horizon.

An insurgent hailed Enjolras.

"We are hungry here. Are we really going to die like this, without
anything to eat?"

Enjolras, who was still leaning on his elbows at his embrasure, made an
affirmative sign with his head, but without taking his eyes from the end
of the street.




CHAPTER XIV--WHEREIN WILL APPEAR THE NAME OF ENJOLRAS' MISTRESS

Courfeyrac, seated on a paving-stone beside Enjolras, continued to
insult the cannon, and each time that that gloomy cloud of projectiles
which is called grape-shot passed overhead with its terrible sound he
assailed it with a burst of irony.

"You are wearing out your lungs, poor, brutal, old fellow, you pain me,
you are wasting your row. That's not thunder, it's a cough."

And the bystanders laughed.

Courfeyrac and Bossuet, whose brave good humor increased with the peril,
like Madame Scarron, replaced nourishment with pleasantry, and, as wine
was lacking, they poured out gayety to all.

"I admire Enjolras," said Bossuet. "His impassive temerity astounds
me. He lives alone, which renders him a little sad, perhaps; Enjolras
complains of his greatness, which binds him to widowhood. The rest of us
have mistresses, more or less, who make us crazy, that is to say, brave.
When a man is as much in love as a tiger, the least that he can do is to
fight like a lion. That is one way of taking our revenge for the capers
that mesdames our grisettes play on us. Roland gets himself killed for
Angelique; all our heroism comes from our women. A man without a woman
is a pistol without a trigger; it is the woman that sets the man off.
Well, Enjolras has no woman. He is not in love, and yet he manages to be
intrepid. It is a thing unheard of that a man should be as cold as ice
and as bold as fire."

Enjolras did not appear to be listening, but had any one been near him,
that person would have heard him mutter in a low voice: "Patria."

Bossuet was still laughing when Courfeyrac exclaimed:

"News!"

And assuming the tone of an usher making an announcement, he added:

"My name is Eight-Pounder."

In fact, a new personage had entered on the scene. This was a second
piece of ordnance.

The artillery-men rapidly performed their manoeuvres in force and placed
this second piece in line with the first.

This outlined the catastrophe.

A few minutes later, the two pieces, rapidly served, were firing
point-blank at the redoubt; the platoon firing of the line and of the
soldiers from the suburbs sustained the artillery.

Another cannonade was audible at some distance. At the same time that
the two guns were furiously attacking the redoubt from the Rue de la
Chanvrerie, two other cannons, trained one from the Rue Saint-Denis,
the other from the Rue Aubry-le-Boucher, were riddling the Saint-Merry
barricade. The four cannons echoed each other mournfully.

The barking of these sombre dogs of war replied to each other.

One of the two pieces which was now battering the barricade on the Rue
de la Chanvrerie was firing grape-shot, the other balls.

The piece which was firing balls was pointed a little high, and the aim
was calculated so that the ball struck the extreme edge of the upper
crest of the barricade, and crumbled the stone down upon the insurgents,
mingled with bursts of grape-shot.

The object of this mode of firing was to drive the insurgents from
the summit of the redoubt, and to compel them to gather close in the
interior, that is to say, this announced the assault.

The combatants once driven from the crest of the barricade by balls,
and from the windows of the cabaret by grape-shot, the attacking columns
could venture into the street without being picked off, perhaps, even,
without being seen, could briskly and suddenly scale the redoubt, as on
the preceding evening, and, who knows? take it by surprise.

"It is absolutely necessary that the inconvenience of those guns
should be diminished," said Enjolras, and he shouted: "Fire on the
artillery-men!"

All were ready. The barricade, which had long been silent, poured forth
a desperate fire; seven or eight discharges followed, with a sort of
rage and joy; the street was filled with blinding smoke, and, at the end
of a few minutes, athwart this mist all streaked with flame, two thirds
of the gunners could be distinguished lying beneath the wheels of the
cannons. Those who were left standing continued to serve the pieces with
severe tranquillity, but the fire had slackened.

"Things are going well now," said Bossuet to Enjolras. "Success."

Enjolras shook his head and replied:

"Another quarter of an hour of this success, and there will not be any
cartridges left in the barricade."

It appears that Gavroche overheard this remark.




CHAPTER XV--GAVROCHE OUTSIDE

Courfeyrac suddenly caught sight of some one at the base of the
barricade, outside in the street, amid the bullets.

Gavroche had taken a bottle basket from the wine-shop, had made his
way out through the cut, and was quietly engaged in emptying the full
cartridge-boxes of the National Guardsmen who had been killed on the
slope of the redoubt, into his basket.

"What are you doing there?" asked Courfeyrac.

Gavroche raised his face:--

"I'm filling my basket, citizen."

"Don't you see the grape-shot?"

Gavroche replied:

"Well, it is raining. What then?"

Courfeyrac shouted:--"Come in!"

"Instanter," said Gavroche.

And with a single bound he plunged into the street.

It will be remembered that Fannicot's company had left behind it a trail
of bodies. Twenty corpses lay scattered here and there on the pavement,
through the whole length of the street. Twenty cartouches for Gavroche
meant a provision of cartridges for the barricade.

The smoke in the street was like a fog. Whoever has beheld a cloud which
has fallen into a mountain gorge between two peaked escarpments can
imagine this smoke rendered denser and thicker by two gloomy rows of
lofty houses. It rose gradually and was incessantly renewed; hence a
twilight which made even the broad daylight turn pale. The combatants
could hardly see each other from one end of the street to the other,
short as it was.

This obscurity, which had probably been desired and calculated on by the
commanders who were to direct the assault on the barricade, was useful
to Gavroche.

Beneath the folds of this veil of smoke, and thanks to his small size,
he could advance tolerably far into the street without being seen. He
rifled the first seven or eight cartridge-boxes without much danger.

He crawled flat on his belly, galloped on all fours, took his basket
in his teeth, twisted, glided, undulated, wound from one dead body to
another, and emptied the cartridge-box or cartouche as a monkey opens a
nut.

They did not dare to shout to him to return from the barricade, which
was quite near, for fear of attracting attention to him.

On one body, that of a corporal, he found a powder-flask.

"For thirst," said he, putting it in his pocket.

By dint of advancing, he reached a point where the fog of the fusillade
became transparent. So that the sharpshooters of the line ranged on
the outlook behind their paving-stone dike and the sharpshooters of the
banlieue massed at the corner of the street suddenly pointed out to each
other something moving through the smoke.

At the moment when Gavroche was relieving a sergeant, who was lying near
a stone door-post, of his cartridges, a bullet struck the body.

"Fichtre!" ejaculated Gavroche. "They are killing my dead men for me."

A second bullet struck a spark from the pavement beside him.--A third
overturned his basket.

Gavroche looked and saw that this came from the men of the banlieue.

He sprang to his feet, stood erect, with his hair flying in the wind,
his hands on his hips, his eyes fixed on the National Guardsmen who were
firing, and sang:

      "On est laid a Nanterre,       "Men are ugly at Nanterre,
       C'est la faute a Voltaire;     'Tis the  fault of Voltaire;
       Et bete a Palaiseau,           And dull at Palaiseau,
       C'est la faute a Rousseau."    'Tis the fault of Rousseau."


Then he picked up his basket, replaced the cartridges which had fallen
from it, without missing a single one, and, advancing towards the
fusillade, set about plundering another cartridge-box. There a fourth
bullet missed him, again. Gavroche sang:

       "Je ne suis pas notaire,      "I am not a notary,
        C'est la faute a Voltaire;    'Tis the fault of Voltaire;
        Je suis un petit oiseau,      I'm a little bird,
        C'est la faute a Rousseau."   'Tis the fault of Rousseau."

A fifth bullet only succeeded in drawing from him a third couplet.

       "Joie est mon caractere,      "Joy is my character,
        C'est la faute a Voltaire;    'Tis the fault of Voltaire;
        Misere est mon trousseau,     Misery is my trousseau,
        C'est la faute a Rousseau."   'Tis the fault of Rousseau."


Thus it went on for some time.

It was a charming and terrible sight. Gavroche, though shot at, was
teasing the fusillade. He had the air of being greatly diverted. It was
the sparrow pecking at the sportsmen. To each discharge he retorted
with a couplet. They aimed at him constantly, and always missed him. The
National Guardsmen and the soldiers laughed as they took aim at him. He
lay down, sprang to his feet, hid in the corner of a doorway, then made
a bound, disappeared, re-appeared, scampered away, returned, replied to
the grape-shot with his thumb at his nose, and, all the while, went on
pillaging the cartouches, emptying the cartridge-boxes, and filling his
basket. The insurgents, panting with anxiety, followed him with their
eyes. The barricade trembled; he sang. He was not a child, he was not
a man; he was a strange gamin-fairy. He might have been called the
invulnerable dwarf of the fray. The bullets flew after him, he was more
nimble than they. He played a fearful game of hide and seek with death;
every time that the flat-nosed face of the spectre approached, the
urchin administered to it a fillip.

One bullet, however, better aimed or more treacherous than the rest,
finally struck the will-o'-the-wisp of a child. Gavroche was seen to
stagger, then he sank to the earth. The whole barricade gave vent to a
cry; but there was something of Antaeus in that pygmy; for the gamin
to touch the pavement is the same as for the giant to touch the earth;
Gavroche had fallen only to rise again; he remained in a sitting
posture, a long thread of blood streaked his face, he raised both arms
in the air, glanced in the direction whence the shot had come, and began
to sing:


      "Je suis tombe par terre,     "I have fallen to the earth,
       C'est la faute a Voltaire;    'Tis the fault of Voltaire;
       Le nez dans le ruisseau,      With my nose in the gutter,
       C'est la faute a . . . "      'Tis the fault of . . . "


He did not finish. A second bullet from the same marksman stopped him
short. This time he fell face downward on the pavement, and moved no
more. This grand little soul had taken its flight.




CHAPTER XVI--HOW FROM A BROTHER ONE BECOMES A FATHER

At that same moment, in the garden of the Luxembourg,--for the gaze of
the drama must be everywhere present,--two children were holding each
other by the hand. One might have been seven years old, the other five.
The rain having soaked them, they were walking along the paths on
the sunny side; the elder was leading the younger; they were pale and
ragged; they had the air of wild birds. The smaller of them said: "I am
very hungry."

The elder, who was already somewhat of a protector, was leading his
brother with his left hand and in his right he carried a small stick.

They were alone in the garden. The garden was deserted, the gates had
been closed by order of the police, on account of the insurrection. The
troops who had been bivouacking there had departed for the exigencies of
combat.

How did those children come there? Perhaps they had escaped from some
guard-house which stood ajar; perhaps there was in the vicinity, at
the Barriere d'Enfer; or on the Esplanade de l'Observatoire, or in the
neighboring carrefour, dominated by the pediment on which could be read:
Invenerunt parvulum pannis involutum, some mountebank's booth from which
they had fled; perhaps they had, on the preceding evening, escaped the
eye of the inspectors of the garden at the hour of closing, and had
passed the night in some one of those sentry-boxes where people read the
papers? The fact is, they were stray lambs and they seemed free. To be
astray and to seem free is to be lost. These poor little creatures were,
in fact, lost.

These two children were the same over whom Gavroche had been put to
some trouble, as the reader will recollect. Children of the Thenardiers,
leased out to Magnon, attributed to M. Gillenormand, and now leaves
fallen from all these rootless branches, and swept over the ground by
the wind. Their clothing, which had been clean in Magnon's day, and
which had served her as a prospectus with M. Gillenormand, had been
converted into rags.

Henceforth these beings belonged to the statistics as "Abandoned
children," whom the police take note of, collect, mislay and find again
on the pavements of Paris.

It required the disturbance of a day like that to account for these
miserable little creatures being in that garden. If the superintendents
had caught sight of them, they would have driven such rags forth. Poor
little things do not enter public gardens; still, people should reflect
that, as children, they have a right to flowers.

These children were there, thanks to the locked gates. They were there
contrary to the regulations. They had slipped into the garden and there
they remained. Closed gates do not dismiss the inspectors, oversight
is supposed to continue, but it grows slack and reposes; and the
inspectors, moved by the public anxiety and more occupied with the
outside than the inside, no longer glanced into the garden, and had not
seen the two delinquents.

It had rained the night before, and even a little in the morning. But
in June, showers do not count for much. An hour after a storm, it can
hardly be seen that the beautiful blonde day has wept. The earth, in
summer, is as quickly dried as the cheek of a child. At that period of
the solstice, the light of full noonday is, so to speak, poignant. It
takes everything. It applies itself to the earth, and superposes itself
with a sort of suction. One would say that the sun was thirsty. A shower
is but a glass of water; a rainstorm is instantly drunk up. In the
morning everything was dripping, in the afternoon everything is powdered
over.

Nothing is so worthy of admiration as foliage washed by the rain and
wiped by the rays of sunlight; it is warm freshness. The gardens and
meadows, having water at their roots, and sun in their flowers, become
perfuming-pans of incense, and smoke with all their odors at
once. Everything smiles, sings and offers itself. One feels gently
intoxicated. The springtime is a provisional paradise, the sun helps man
to have patience.

There are beings who demand nothing further; mortals, who, having
the azure of heaven, say: "It is enough!" dreamers absorbed in the
wonderful, dipping into the idolatry of nature, indifferent to good and
evil, contemplators of cosmos and radiantly forgetful of man, who do not
understand how people can occupy themselves with the hunger of these,
and the thirst of those, with the nudity of the poor in winter, with the
lymphatic curvature of the little spinal column, with the pallet, the
attic, the dungeon, and the rags of shivering young girls, when they
can dream beneath the trees; peaceful and terrible spirits they, and
pitilessly satisfied. Strange to say, the infinite suffices them. That
great need of man, the finite, which admits of embrace, they ignore.
The finite which admits of progress and sublime toil, they do not
think about. The indefinite, which is born from the human and divine
combination of the infinite and the finite, escapes them. Provided that
they are face to face with immensity, they smile. Joy never, ecstasy
forever. Their life lies in surrendering their personality in
contemplation. The history of humanity is for them only a detailed
plan. All is not there; the true All remains without; what is the use
of busying oneself over that detail, man? Man suffers, that is quite
possible; but look at Aldebaran rising! The mother has no more milk, the
new-born babe is dying. I know nothing about that, but just look at this
wonderful rosette which a slice of wood-cells of the pine presents under
the microscope! Compare the most beautiful Mechlin lace to that if you
can! These thinkers forget to love. The zodiac thrives with them to such
a point that it prevents their seeing the weeping child. God eclipses
their souls. This is a family of minds which are, at once, great and
petty. Horace was one of them; so was Goethe. La Fontaine perhaps;
magnificent egoists of the infinite, tranquil spectators of sorrow, who
do not behold Nero if the weather be fair, for whom the sun conceals the
funeral pile, who would look on at an execution by the guillotine in the
search for an effect of light, who hear neither the cry nor the sob, nor
the death rattle, nor the alarm peal, for whom everything is well, since
there is a month of May, who, so long as there are clouds of purple
and gold above their heads, declare themselves content, and who are
determined to be happy until the radiance of the stars and the songs of
the birds are exhausted.

These are dark radiances. They have no suspicion that they are to be
pitied. Certainly they are so. He who does not weep does not see. They
are to be admired and pitied, as one would both pity and admire a being
at once night and day, without eyes beneath his lashes but with a star
on his brow.

The indifference of these thinkers, is, according to some, a superior
philosophy. That may be; but in this superiority there is some
infirmity. One may be immortal and yet limp: witness Vulcan. One may
be more than man and less than man. There is incomplete immensity in
nature. Who knows whether the sun is not a blind man?

But then, what? In whom can we trust? Solem quis dicere falsum audeat?
Who shall dare to say that the sun is false? Thus certain geniuses,
themselves, certain Very-Lofty mortals, man-stars, may be mistaken? That
which is on high at the summit, at the crest, at the zenith, that which
sends down so much light on the earth, sees but little, sees badly, sees
not at all? Is not this a desperate state of things? No. But what is
there, then, above the sun? The god.

On the 6th of June, 1832, about eleven o'clock in the morning, the
Luxembourg, solitary and depopulated, was charming. The quincunxes and
flower-beds shed forth balm and dazzling beauty into the sunlight. The
branches, wild with the brilliant glow of midday, seemed endeavoring
to embrace. In the sycamores there was an uproar of linnets, sparrows
triumphed, woodpeckers climbed along the chestnut trees, administering
little pecks on the bark. The flower-beds accepted the legitimate
royalty of the lilies; the most august of perfumes is that which
emanates from whiteness. The peppery odor of the carnations was
perceptible. The old crows of Marie de Medici were amorous in the tall
trees. The sun gilded, empurpled, set fire to and lighted up the tulips,
which are nothing but all the varieties of flame made into flowers. All
around the banks of tulips the bees, the sparks of these flame-flowers,
hummed. All was grace and gayety, even the impending rain; this relapse,
by which the lilies of the valley and the honeysuckles were destined to
profit, had nothing disturbing about it; the swallows indulged in the
charming threat of flying low. He who was there aspired to happiness;
life smelled good; all nature exhaled candor, help, assistance,
paternity, caress, dawn. The thoughts which fell from heaven were as
sweet as the tiny hand of a baby when one kisses it.

The statues under the trees, white and nude, had robes of shadow pierced
with light; these goddesses were all tattered with sunlight; rays hung
from them on all sides. Around the great fountain, the earth was already
dried up to the point of being burnt. There was sufficient breeze to
raise little insurrections of dust here and there. A few yellow leaves,
left over from the autumn, chased each other merrily, and seemed to be
playing tricks on each other.

This abundance of light had something indescribably reassuring about it.
Life, sap, heat, odors overflowed; one was conscious, beneath creation,
of the enormous size of the source; in all these breaths permeated with
love, in this interchange of reverberations and reflections, in this
marvellous expenditure of rays, in this infinite outpouring of liquid
gold, one felt the prodigality of the inexhaustible; and, behind this
splendor as behind a curtain of flame, one caught a glimpse of God, that
millionaire of stars.

Thanks to the sand, there was not a speck of mud; thanks to the rain,
there was not a grain of ashes. The clumps of blossoms had just been
bathed; every sort of velvet, satin, gold and varnish, which springs
from the earth in the form of flowers, was irreproachable. This
magnificence was cleanly. The grand silence of happy nature filled the
garden. A celestial silence that is compatible with a thousand sorts of
music, the cooing of nests, the buzzing of swarms, the flutterings of
the breeze. All the harmony of the season was complete in one gracious
whole; the entrances and exits of spring took place in proper order; the
lilacs ended; the jasmines began; some flowers were tardy, some insects
in advance of their time; the van-guard of the red June butterflies
fraternized with the rear-guard of the white butterflies of May. The
plantain trees were getting their new skins. The breeze hollowed out
undulations in the magnificent enormity of the chestnut-trees. It
was splendid. A veteran from the neighboring barracks, who was gazing
through the fence, said: "Here is the Spring presenting arms and in full
uniform."

All nature was breakfasting; creation was at table; this was its hour;
the great blue cloth was spread in the sky, and the great green cloth
on earth; the sun lighted it all up brilliantly. God was serving
the universal repast. Each creature had his pasture or his mess. The
ring-dove found his hemp-seed, the chaffinch found his millet, the
goldfinch found chickweed, the red-breast found worms, the green finch
found flies, the fly found infusoriae, the bee found flowers. They ate
each other somewhat, it is true, which is the misery of evil mixed with
good; but not a beast of them all had an empty stomach.

The two little abandoned creatures had arrived in the vicinity of the
grand fountain, and, rather bewildered by all this light, they tried to
hide themselves, the instinct of the poor and the weak in the presence
of even impersonal magnificence; and they kept behind the swans' hutch.

Here and there, at intervals, when the wind blew, shouts, clamor, a sort
of tumultuous death rattle, which was the firing, and dull blows, which
were discharges of cannon, struck the ear confusedly. Smoke hung over
the roofs in the direction of the Halles. A bell, which had the air of
an appeal, was ringing in the distance.

These children did not appear to notice these noises. The little one
repeated from time to time: "I am hungry."

Almost at the same instant with the children, another couple approached
the great basin. They consisted of a goodman, about fifty years of age,
who was leading by the hand a little fellow of six. No doubt, a father
and his son. The little man of six had a big brioche.

At that epoch, certain houses abutting on the river, in the Rues Madame
and d'Enfer, had keys to the Luxembourg garden, of which the lodgers
enjoyed the use when the gates were shut, a privilege which was
suppressed later on. This father and son came from one of these houses,
no doubt.

The two poor little creatures watched "that gentleman" approaching, and
hid themselves a little more thoroughly.

He was a bourgeois. The same person, perhaps, whom Marius had one day
heard, through his love fever, near the same grand basin, counselling
his son "to avoid excesses." He had an affable and haughty air, and a
mouth which was always smiling, since it did not shut. This mechanical
smile, produced by too much jaw and too little skin, shows the teeth
rather than the soul. The child, with his brioche, which he had bitten
into but had not finished eating, seemed satiated. The child was dressed
as a National Guardsman, owing to the insurrection, and the father had
remained clad as a bourgeois out of prudence.

Father and son halted near the fountain where two swans were sporting.
This bourgeois appeared to cherish a special admiration for the swans.
He resembled them in this sense, that he walked like them.

For the moment, the swans were swimming, which is their principal
talent, and they were superb.

If the two poor little beings had listened and if they had been of an
age to understand, they might have gathered the words of this grave man.
The father was saying to his son:

"The sage lives content with little. Look at me, my son. I do not love
pomp. I am never seen in clothes decked with gold lace and stones; I
leave that false splendor to badly organized souls."

Here the deep shouts which proceeded from the direction of the Halles
burst out with fresh force of bell and uproar.

"What is that?" inquired the child.

The father replied:

"It is the Saturnalia."

All at once, he caught sight of the two little ragged boys behind the
green swan-hutch.

"There is the beginning," said he.

And, after a pause, he added:

"Anarchy is entering this garden."

In the meanwhile, his son took a bite of his brioche, spit it out, and,
suddenly burst out crying.

"What are you crying about?" demanded his father.

"I am not hungry any more," said the child.

The father's smile became more accentuated.

"One does not need to be hungry in order to eat a cake."

"My cake tires me. It is stale."

"Don't you want any more of it?"

"No."

The father pointed to the swans.

"Throw it to those palmipeds."

The child hesitated. A person may not want any more of his cake; but
that is no reason for giving it away.

The father went on:

"Be humane. You must have compassion on animals."

And, taking the cake from his son, he flung it into the basin.

The cake fell very near the edge.

The swans were far away, in the centre of the basin, and busy with some
prey. They had seen neither the bourgeois nor the brioche.

The bourgeois, feeling that the cake was in danger of being wasted, and
moved by this useless shipwreck, entered upon a telegraphic agitation,
which finally attracted the attention of the swans.

They perceived something floating, steered for the edge like ships, as
they are, and slowly directed their course toward the brioche, with the
stupid majesty which befits white creatures.

"The swans [cygnes] understand signs [signes]," said the bourgeois,
delighted to make a jest.

At that moment, the distant tumult of the city underwent another sudden
increase. This time it was sinister. There are some gusts of wind which
speak more distinctly than others. The one which was blowing at that
moment brought clearly defined drum-beats, clamors, platoon firing, and
the dismal replies of the tocsin and the cannon. This coincided with a
black cloud which suddenly veiled the sun.

The swans had not yet reached the brioche.

"Let us return home," said the father, "they are attacking the
Tuileries."

He grasped his son's hand again. Then he continued:

"From the Tuileries to the Luxembourg, there is but the distance which
separates Royalty from the peerage; that is not far. Shots will soon
rain down."

He glanced at the cloud.

"Perhaps it is rain itself that is about to shower down; the sky
is joining in; the younger branch is condemned. Let us return home
quickly."

"I should like to see the swans eat the brioche," said the child.

The father replied:

"That would be imprudent."

And he led his little bourgeois away.

The son, regretting the swans, turned his head back toward the basin
until a corner of the quincunxes concealed it from him.

In the meanwhile, the two little waifs had approached the brioche at
the same time as the swans. It was floating on the water. The smaller of
them stared at the cake, the elder gazed after the retreating bourgeois.

Father and son entered the labyrinth of walks which leads to the grand
flight of steps near the clump of trees on the side of the Rue Madame.

As soon as they had disappeared from view, the elder child hastily
flung himself flat on his stomach on the rounding curb of the basin, and
clinging to it with his left hand, and leaning over the water, on the
verge of falling in, he stretched out his right hand with his stick
towards the cake. The swans, perceiving the enemy, made haste, and in so
doing, they produced an effect of their breasts which was of service to
the little fisher; the water flowed back before the swans, and one of
these gentle concentric undulations softly floated the brioche towards
the child's wand. Just as the swans came up, the stick touched the cake.
The child gave it a brisk rap, drew in the brioche, frightened away the
swans, seized the cake, and sprang to his feet. The cake was wet;
but they were hungry and thirsty. The elder broke the cake into two
portions, a large one and a small one, took the small one for himself,
gave the large one to his brother, and said to him:

"Ram that into your muzzle."




CHAPTER XVII--MORTUUS PATER FILIUM MORITURUM EXPECTAT

Marius dashed out of the barricade, Combeferre followed him. But he
was too late. Gavroche was dead. Combeferre brought back the basket of
cartridges; Marius bore the child.

"Alas!" he thought, "that which the father had done for his father, he
was requiting to the son; only, Thenardier had brought back his father
alive; he was bringing back the child dead."

When Marius re-entered the redoubt with Gavroche in his arms, his face,
like the child, was inundated with blood.

At the moment when he had stooped to lift Gavroche, a bullet had grazed
his head; he had not noticed it.

Courfeyrac untied his cravat and with it bandaged Marius' brow.

They laid Gavroche on the same table with Mabeuf, and spread over the
two corpses the black shawl. There was enough of it for both the old man
and the child.

Combeferre distributed the cartridges from the basket which he had
brought in.

This gave each man fifteen rounds to fire.

Jean Valjean was still in the same place, motionless on his stone post.
When Combeferre offered him his fifteen cartridges, he shook his head.

"Here's a rare eccentric," said Combeferre in a low voice to Enjolras.
"He finds a way of not fighting in this barricade."

"Which does not prevent him from defending it," responded Enjolras.

"Heroism has its originals," resumed Combeferre.

And Courfeyrac, who had overheard, added:

"He is another sort from Father Mabeuf."

One thing which must be noted is, that the fire which was battering the
barricade hardly disturbed the interior. Those who have never traversed
the whirlwind of this sort of war can form no idea of the singular
moments of tranquillity mingled with these convulsions. Men go and
come, they talk, they jest, they lounge. Some one whom we know heard a
combatant say to him in the midst of the grape-shot: "We are here as
at a bachelor breakfast." The redoubt of the Rue de la Chanvrerie, we
repeat, seemed very calm within. All mutations and all phases had been,
or were about to be, exhausted. The position, from critical, had become
menacing, and, from menacing, was probably about to become desperate. In
proportion as the situation grew gloomy, the glow of heroism empurpled
the barricade more and more. Enjolras, who was grave, dominated it,
in the attitude of a young Spartan sacrificing his naked sword to the
sombre genius, Epidotas.

Combeferre, wearing an apron, was dressing the wounds: Bossuet and
Feuilly were making cartridges with the powder-flask picked up by
Gavroche on the dead corporal, and Bossuet said to Feuilly: "We are soon
to take the diligence for another planet"; Courfeyrac was disposing and
arranging on some paving-stones which he had reserved for himself near
Enjolras, a complete arsenal, his sword-cane, his gun, two holster
pistols, and a cudgel, with the care of a young girl setting a small
dunkerque in order. Jean Valjean stared silently at the wall opposite
him. An artisan was fastening Mother Hucheloup's big straw hat on his
head with a string, "for fear of sun-stroke," as he said. The young
men from the Cougourde d'Aix were chatting merrily among themselves,
as though eager to speak patois for the last time. Joly, who had taken
Widow Hucheloup's mirror from the wall, was examining his tongue in it.
Some combatants, having discovered a few crusts of rather mouldy bread,
in a drawer, were eagerly devouring them. Marius was disturbed with
regard to what his father was about to say to him.




CHAPTER XVIII--THE VULTURE BECOME PREY

We must insist upon one psychological fact peculiar to barricades.
Nothing which is characteristic of that surprising war of the streets
should be omitted.

Whatever may have been the singular inward tranquillity which we have
just mentioned, the barricade, for those who are inside it, remains,
none the less, a vision.

There is something of the apocalypse in civil war, all the mists of the
unknown are commingled with fierce flashes, revolutions are sphinxes,
and any one who has passed through a barricade thinks he has traversed a
dream.

The feelings to which one is subject in these places we have pointed out
in the case of Marius, and we shall see the consequences; they are both
more and less than life. On emerging from a barricade, one no longer
knows what one has seen there. One has been terrible, but one knows
it not. One has been surrounded with conflicting ideas which had human
faces; one's head has been in the light of the future. There were
corpses lying prone there, and phantoms standing erect. The hours were
colossal and seemed hours of eternity. One has lived in death. Shadows
have passed by. What were they?

One has beheld hands on which there was blood; there was a deafening
horror; there was also a frightful silence; there were open mouths which
shouted, and other open mouths which held their peace; one was in the
midst of smoke, of night, perhaps. One fancied that one had touched the
sinister ooze of unknown depths; one stares at something red on one's
finger nails. One no longer remembers anything.

Let us return to the Rue de la Chanvrerie.

All at once, between two discharges, the distant sound of a clock
striking the hour became audible.

"It is midday," said Combeferre.

The twelve strokes had not finished striking when Enjolras sprang to his
feet, and from the summit of the barricade hurled this thundering shout:

"Carry stones up into the houses; line the windowsills and the
roofs with them. Half the men to their guns, the other half to the
paving-stones. There is not a minute to be lost."

A squad of sappers and miners, axe on shoulder, had just made their
appearance in battle array at the end of the street.

This could only be the head of a column; and of what column? The
attacking column, evidently; the sappers charged with the demolition of
the barricade must always precede the soldiers who are to scale it.

They were, evidently, on the brink of that moment which M.
Clermont-Tonnerre, in 1822, called "the tug of war."

Enjolras' order was executed with the correct haste which is peculiar
to ships and barricades, the only two scenes of combat where escape
is impossible. In less than a minute, two thirds of the stones which
Enjolras had had piled up at the door of Corinthe had been carried up to
the first floor and the attic, and before a second minute had elapsed,
these stones, artistically set one upon the other, walled up the
sash-window on the first floor and the windows in the roof to half their
height. A few loop-holes carefully planned by Feuilly, the principal
architect, allowed of the passage of the gun-barrels. This armament of
the windows could be effected all the more easily since the firing of
grape-shot had ceased. The two cannons were now discharging ball
against the centre of the barrier in order to make a hole there, and, if
possible, a breach for the assault.

When the stones destined to the final defence were in place, Enjolras
had the bottles which he had set under the table where Mabeuf lay,
carried to the first floor.

"Who is to drink that?" Bossuet asked him.

"They," replied Enjolras.

Then they barricaded the window below, and held in readiness the iron
cross-bars which served to secure the door of the wine-shop at night.

The fortress was complete. The barricade was the rampart, the wine-shop
was the dungeon. With the stones which remained they stopped up the
outlet.

As the defenders of a barricade are always obliged to be sparing of
their ammunition, and as the assailants know this, the assailants
combine their arrangements with a sort of irritating leisure, expose
themselves to fire prematurely, though in appearance more than in
reality, and take their ease. The preparations for attack are always
made with a certain methodical deliberation; after which, the lightning
strikes.

This deliberation permitted Enjolras to take a review of everything and
to perfect everything. He felt that, since such men were to die, their
death ought to be a masterpiece.

He said to Marius: "We are the two leaders. I will give the last orders
inside. Do you remain outside and observe."

Marius posted himself on the lookout upon the crest of the barricade.

Enjolras had the door of the kitchen, which was the ambulance, as the
reader will remember, nailed up.

"No splashing of the wounded," he said.

He issued his final orders in the tap-room in a curt, but profoundly
tranquil tone; Feuilly listened and replied in the name of all.

"On the first floor, hold your axes in readiness to cut the staircase.
Have you them?"

"Yes," said Feuilly.

"How many?"

"Two axes and a pole-axe."

"That is good. There are now twenty-six combatants of us on foot. How
many guns are there?"

"Thirty-four."

"Eight too many. Keep those eight guns loaded like the rest and at
hand. Swords and pistols in your belts. Twenty men to the barricade. Six
ambushed in the attic windows, and at the window on the first floor to
fire on the assailants through the loop-holes in the stones. Let not a
single worker remain inactive here. Presently, when the drum beats the
assault, let the twenty below stairs rush to the barricade. The first to
arrive will have the best places."

These arrangements made, he turned to Javert and said:

"I am not forgetting you."

And, laying a pistol on the table, he added:

"The last man to leave this room will smash the skull of this spy."

"Here?" inquired a voice.

"No, let us not mix their corpses with our own. The little barricade of
the Mondetour lane can be scaled. It is only four feet high. The man is
well pinioned. He shall be taken thither and put to death."

There was some one who was more impassive at that moment than Enjolras,
it was Javert. Here Jean Valjean made his appearance.

He had been lost among the group of insurgents. He stepped forth and
said to Enjolras:

"You are the commander?"

"Yes."

"You thanked me a while ago."

"In the name of the Republic. The barricade has two saviors, Marius
Pontmercy and yourself."

"Do you think that I deserve a recompense?"

"Certainly."

"Well, I request one."

"What is it?"

"That I may blow that man's brains out."

Javert raised his head, saw Jean Valjean, made an almost imperceptible
movement, and said:

"That is just."

As for Enjolras, he had begun to re-load his rifle; he cut his eyes
about him:

"No objections."

And he turned to Jean Valjean:

"Take the spy."

Jean Valjean did, in fact, take possession of Javert, by seating
himself on the end of the table. He seized the pistol, and a faint click
announced that he had cocked it.

Almost at the same moment, a blast of trumpets became audible.

"Take care!" shouted Marius from the top of the barricade.

Javert began to laugh with that noiseless laugh which was peculiar to
him, and gazing intently at the insurgents, he said to them:

"You are in no better case than I am."

"All out!" shouted Enjolras.

The insurgents poured out tumultuously, and, as they went, received in
the back,--may we be permitted the expression,--this sally of Javert's:

"We shall meet again shortly!"




CHAPTER XIX--JEAN VALJEAN TAKES HIS REVENGE

When Jean Valjean was left alone with Javert, he untied the rope which
fastened the prisoner across the middle of the body, and the knot of
which was under the table. After this he made him a sign to rise.

Javert obeyed with that indefinable smile in which the supremacy of
enchained authority is condensed.

Jean Valjean took Javert by the martingale, as one would take a beast of
burden by the breast-band, and, dragging the latter after him, emerged
from the wine-shop slowly, because Javert, with his impeded limbs, could
take only very short steps.

Jean Valjean had the pistol in his hand.

In this manner they crossed the inner trapezium of the barricade. The
insurgents, all intent on the attack, which was imminent, had their
backs turned to these two.

Marius alone, stationed on one side, at the extreme left of the
barricade, saw them pass. This group of victim and executioner was
illuminated by the sepulchral light which he bore in his own soul.

Jean Valjean with some difficulty, but without relaxing his hold for
a single instant, made Javert, pinioned as he was, scale the little
entrenchment in the Mondetour lane.

When they had crossed this barrier, they found themselves alone in the
lane. No one saw them. Among the heap they could distinguish a livid
face, streaming hair, a pierced hand and the half nude breast of a
woman. It was Eponine. The corner of the houses hid them from the
insurgents. The corpses carried away from the barricade formed a
terrible pile a few paces distant.

Javert gazed askance at this body, and, profoundly calm, said in a low
tone:

"It strikes me that I know that girl."

Then he turned to Jean Valjean.

Jean Valjean thrust the pistol under his arm and fixed on Javert a look
which it required no words to interpret: "Javert, it is I."

Javert replied:

"Take your revenge."

Jean Valjean drew from his pocket a knife, and opened it.

"A clasp-knife!" exclaimed Javert, "you are right. That suits you
better."

Jean Valjean cut the martingale which Javert had about his neck, then he
cut the cords on his wrists, then, stooping down, he cut the cord on his
feet; and, straightening himself up, he said to him:

"You are free."

Javert was not easily astonished. Still, master of himself though
he was, he could not repress a start. He remained open-mouthed and
motionless.

Jean Valjean continued:

"I do not think that I shall escape from this place. But if, by chance,
I do, I live, under the name of Fauchelevent, in the Rue de l'Homme
Arme, No. 7."

Javert snarled like a tiger, which made him half open one corner of his
mouth, and he muttered between his teeth:

"Have a care."

"Go," said Jean Valjean.

Javert began again:

"Thou saidst Fauchelevent, Rue de l'Homme Arme?"

"Number 7."

Javert repeated in a low voice:--"Number 7."

He buttoned up his coat once more, resumed the military stiffness
between his shoulders, made a half turn, folded his arms and, supporting
his chin on one of his hands, he set out in the direction of the Halles.
Jean Valjean followed him with his eyes:

A few minutes later, Javert turned round and shouted to Jean Valjean:

"You annoy me. Kill me, rather."

Javert himself did not notice that he no longer addressed Jean Valjean
as "thou."

"Be off with you," said Jean Valjean.

Javert retreated slowly. A moment later he turned the corner of the Rue
des Precheurs.

When Javert had disappeared, Jean Valjean fired his pistol in the air.

Then he returned to the barricade and said:

"It is done."

In the meanwhile, this is what had taken place.

Marius, more intent on the outside than on the interior, had not, up to
that time, taken a good look at the pinioned spy in the dark background
of the tap-room.

When he beheld him in broad daylight, striding over the barricade in
order to proceed to his death, he recognized him. Something suddenly
recurred to his mind. He recalled the inspector of the Rue de Pontoise,
and the two pistols which the latter had handed to him and which he,
Marius, had used in this very barricade, and not only did he recall his
face, but his name as well.

This recollection was misty and troubled, however, like all his ideas.

It was not an affirmation that he made, but a question which he put to
himself:

"Is not that the inspector of police who told me that his name was
Javert?"

Perhaps there was still time to intervene in behalf of that man. But, in
the first place, he must know whether this was Javert.

Marius called to Enjolras, who had just stationed himself at the other
extremity of the barricade:

"Enjolras!"

"What?"

"What is the name of yonder man?"

"What man?"

"The police agent. Do you know his name?"

"Of course. He told us."

"What is it?"

"Javert."

Marius sprang to his feet.

At that moment, they heard the report of the pistol.

Jean Valjean re-appeared and cried: "It is done."

A gloomy chill traversed Marius' heart.




CHAPTER XX--THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE
WRONG

The death agony of the barricade was about to begin.

Everything contributed to its tragic majesty at that supreme moment; a
thousand mysterious crashes in the air, the breath of armed masses set
in movement in the streets which were not visible, the intermittent
gallop of cavalry, the heavy shock of artillery on the march, the firing
by squads, and the cannonades crossing each other in the labyrinth
of Paris, the smokes of battle mounting all gilded above the roofs,
indescribable and vaguely terrible cries, lightnings of menace
everywhere, the tocsin of Saint-Merry, which now had the accents of a
sob, the mildness of the weather, the splendor of the sky filled with
sun and clouds, the beauty of the day, and the alarming silence of the
houses.

For, since the preceding evening, the two rows of houses in the Rue
de la Chanvrerie had become two walls; ferocious walls, doors closed,
windows closed, shutters closed.

In those days, so different from those in which we live, when the hour
was come, when the people wished to put an end to a situation, which had
lasted too long, with a charter granted or with a legal country, when
universal wrath was diffused in the atmosphere, when the city consented
to the tearing up of the pavements, when insurrection made the
bourgeoisie smile by whispering its password in its ear, then the
inhabitant, thoroughly penetrated with the revolt, so to speak, was
the auxiliary of the combatant, and the house fraternized with the
improvised fortress which rested on it. When the situation was not
ripe, when the insurrection was not decidedly admitted, when the masses
disowned the movement, all was over with the combatants, the city was
changed into a desert around the revolt, souls grew chilled, refuges
were nailed up, and the street turned into a defile to help the army to
take the barricade.

A people cannot be forced, through surprise, to walk more quickly than
it chooses. Woe to whomsoever tries to force its hand! A people does not
let itself go at random. Then it abandons the insurrection to itself.
The insurgents become noxious, infected with the plague. A house is an
escarpment, a door is a refusal, a facade is a wall. This wall hears,
sees and will not. It might open and save you. No. This wall is a judge.
It gazes at you and condemns you. What dismal things are closed houses.
They seem dead, they are living. Life which is, as it were, suspended
there, persists there. No one has gone out of them for four and twenty
hours, but no one is missing from them. In the interior of that rock,
people go and come, go to bed and rise again; they are a family party
there; there they eat and drink; they are afraid, a terrible thing! Fear
excuses this fearful lack of hospitality; terror is mixed with it, an
extenuating circumstance. Sometimes, even, and this has been actually
seen, fear turns to passion; fright may change into fury, as prudence
does into rage; hence this wise saying: "The enraged moderates." There
are outbursts of supreme terror, whence springs wrath like a mournful
smoke.--"What do these people want? What have they come there to do?
Let them get out of the scrape. So much the worse for them. It is their
fault. They are only getting what they deserve. It does not concern
us. Here is our poor street all riddled with balls. They are a pack of
rascals. Above all things, don't open the door."--And the house assumes
the air of a tomb. The insurgent is in the death-throes in front of
that house; he sees the grape-shot and naked swords drawing near; if
he cries, he knows that they are listening to him, and that no one will
come; there stand walls which might protect him, there are men who might
save him; and these walls have ears of flesh, and these men have bowels
of stone.

Whom shall he reproach?

No one and every one.

The incomplete times in which we live.

It is always at its own risk and peril that Utopia is converted into
revolution, and from philosophical protest becomes an armed protest, and
from Minerva turns to Pallas.

The Utopia which grows impatient and becomes revolt knows what awaits
it; it almost always comes too soon. Then it becomes resigned, and
stoically accepts catastrophe in lieu of triumph. It serves those who
deny it without complaint, even excusing them, and even disculpates
them, and its magnanimity consists in consenting to abandonment. It is
indomitable in the face of obstacles and gentle towards ingratitude.

Is this ingratitude, however?

Yes, from the point of view of the human race.

No, from the point of view of the individual.

Progress is man's mode of existence. The general life of the human race
is called Progress, the collective stride of the human race is called
Progress. Progress advances; it makes the great human and terrestrial
journey towards the celestial and the divine; it has its halting
places where it rallies the laggard troop, it has its stations where it
meditates, in the presence of some splendid Canaan suddenly unveiled
on its horizon, it has its nights when it sleeps; and it is one of the
poignant anxieties of the thinker that he sees the shadow resting on the
human soul, and that he gropes in darkness without being able to awaken
that slumbering Progress.

"God is dead, perhaps," said Gerard de Nerval one day to the writer of
these lines, confounding progress with God, and taking the interruption
of movement for the death of Being.

He who despairs is in the wrong. Progress infallibly awakes, and, in
short, we may say that it marches on, even when it is asleep, for it has
increased in size. When we behold it erect once more, we find it taller.
To be always peaceful does not depend on progress any more than it does
on the stream; erect no barriers, cast in no boulders; obstacles make
water froth and humanity boil. Hence arise troubles; but after these
troubles, we recognize the fact that ground has been gained. Until
order, which is nothing else than universal peace, has been established,
until harmony and unity reign, progress will have revolutions as its
halting-places.

What, then, is progress? We have just enunciated it; the permanent life
of the peoples.

Now, it sometimes happens, that the momentary life of individuals offers
resistance to the eternal life of the human race.

Let us admit without bitterness, that the individual has his distinct
interests, and can, without forfeiture, stipulate for his interest, and
defend it; the present has its pardonable dose of egotism; momentary
life has its rights, and is not bound to sacrifice itself constantly to
the future. The generation which is passing in its turn over the earth,
is not forced to abridge it for the sake of the generations, its equal,
after all, who will have their turn later on.--"I exist," murmurs that
some one whose name is All. "I am young and in love, I am old and I
wish to repose, I am the father of a family, I toil, I prosper, I am
successful in business, I have houses to lease, I have money in the
government funds, I am happy, I have a wife and children, I have all
this, I desire to live, leave me in peace."--Hence, at certain hours, a
profound cold broods over the magnanimous vanguard of the human race.

Utopia, moreover, we must admit, quits its radiant sphere when it makes
war. It, the truth of to-morrow, borrows its mode of procedure, battle,
from the lie of yesterday. It, the future, behaves like the past. It,
pure idea, becomes a deed of violence. It complicates its heroism with
a violence for which it is just that it should be held to answer; a
violence of occasion and expedient, contrary to principle, and for which
it is fatally punished. The Utopia, insurrection, fights with the old
military code in its fist; it shoots spies, it executes traitors; it
suppresses living beings and flings them into unknown darkness. It makes
use of death, a serious matter. It seems as though Utopia had no longer
any faith in radiance, its irresistible and incorruptible force. It
strikes with the sword. Now, no sword is simple. Every blade has two
edges; he who wounds with the one is wounded with the other.

Having made this reservation, and made it with all severity, it is
impossible for us not to admire, whether they succeed or not, those the
glorious combatants of the future, the confessors of Utopia. Even when
they miscarry, they are worthy of veneration; and it is, perhaps, in
failure, that they possess the most majesty. Victory, when it is in
accord with progress, merits the applause of the people; but a heroic
defeat merits their tender compassion. The one is magnificent, the other
sublime. For our own part, we prefer martyrdom to success. John Brown is
greater than Washington, and Pisacane is greater than Garibaldi.

It certainly is necessary that some one should take the part of the
vanquished.

We are unjust towards these great men who attempt the future, when they
fail.

Revolutionists are accused of sowing fear abroad. Every barricade seems
a crime. Their theories are incriminated, their aim suspected, their
ulterior motive is feared, their conscience denounced. They are
reproached with raising, erecting, and heaping up, against the reigning
social state, a mass of miseries, of griefs, of iniquities, of wrongs,
of despairs, and of tearing from the lowest depths blocks of shadow
in order therein to embattle themselves and to combat. People shout
to them: "You are tearing up the pavements of hell!" They might reply:
"That is because our barricade is made of good intentions."

The best thing, assuredly, is the pacific solution. In short, let us
agree that when we behold the pavement, we think of the bear, and it is
a good will which renders society uneasy. But it depends on society
to save itself, it is to its own good will that we make our appeal.
No violent remedy is necessary. To study evil amiably, to prove its
existence, then to cure it. It is to this that we invite it.

However that may be, even when fallen, above all when fallen, these men,
who at every point of the universe, with their eyes fixed on France, are
striving for the grand work with the inflexible logic of the ideal,
are august; they give their life a free offering to progress; they
accomplish the will of providence; they perform a religious act. At the
appointed hour, with as much disinterestedness as an actor who answers
to his cue, in obedience to the divine stage-manager, they enter the
tomb. And this hopeless combat, this stoical disappearance they accept
in order to bring about the supreme and universal consequences, the
magnificent and irresistibly human movement begun on the 14th of July,
1789; these soldiers are priests. The French revolution is an act of
God.

Moreover, there are, and it is proper to add this distinction to the
distinctions already pointed out in another chapter,--there are accepted
revolutions, revolutions which are called revolutions; there are refused
revolutions, which are called riots.

An insurrection which breaks out, is an idea which is passing its
examination before the people. If the people lets fall a black ball, the
idea is dried fruit; the insurrection is a mere skirmish.

Waging war at every summons and every time that Utopia desires it, is
not the thing for the peoples. Nations have not always and at every hour
the temperament of heroes and martyrs.

They are positive. A priori, insurrection is repugnant to them, in the
first place, because it often results in a catastrophe, in the second
place, because it always has an abstraction as its point of departure.

Because, and this is a noble thing, it is always for the ideal, and for
the ideal alone, that those who sacrifice themselves do thus sacrifice
themselves. An insurrection is an enthusiasm. Enthusiasm may wax wroth;
hence the appeal to arms. But every insurrection, which aims at a
government or a regime, aims higher. Thus, for instance, and we
insist upon it, what the chiefs of the insurrection of 1832, and, in
particular, the young enthusiasts of the Rue de la Chanvrerie were
combating, was not precisely Louis Philippe. The majority of them,
when talking freely, did justice to this king who stood midway between
monarchy and revolution; no one hated him. But they attacked the younger
branch of the divine right in Louis Philippe as they had attacked its
elder branch in Charles X.; and that which they wished to overturn in
overturning royalty in France, was, as we have explained, the usurpation
of man over man, and of privilege over right in the entire universe.
Paris without a king has as result the world without despots. This is
the manner in which they reasoned. Their aim was distant no doubt,
vague perhaps, and it retreated in the face of their efforts; but it was
great.

Thus it is. And we sacrifice ourselves for these visions, which are
almost always illusions for the sacrificed, but illusions with which,
after all, the whole of human certainty is mingled. We throw ourselves
into these tragic affairs and become intoxicated with that which we are
about to do. Who knows? We may succeed. We are few in number, we have a
whole army arrayed against us; but we are defending right, the natural
law, the sovereignty of each one over himself from which no abdication
is possible, justice and truth, and in case of need, we die like the
three hundred Spartans. We do not think of Don Quixote but of Leonidas.
And we march straight before us, and once pledged, we do not draw
back, and we rush onwards with head held low, cherishing as our hope an
unprecedented victory, revolution completed, progress set free again,
the aggrandizement of the human race, universal deliverance; and in the
event of the worst, Thermopylae.

These passages of arms for the sake of progress often suffer shipwreck,
and we have just explained why. The crowd is restive in the presence of
the impulses of paladins. Heavy masses, the multitudes which are fragile
because of their very weight, fear adventures; and there is a touch of
adventure in the ideal.

Moreover, and we must not forget this, interests which are not very
friendly to the ideal and the sentimental are in the way. Sometimes the
stomach paralyzes the heart.

The grandeur and beauty of France lies in this, that she takes less from
the stomach than other nations: she more easily knots the rope about her
loins. She is the first awake, the last asleep. She marches forwards.
She is a seeker.

This arises from the fact that she is an artist.

The ideal is nothing but the culminating point of logic, the same as the
beautiful is nothing but the summit of the true. Artistic peoples are
also consistent peoples. To love beauty is to see the light. That is why
the torch of Europe, that is to say of civilization, was first borne by
Greece, who passed it on to Italy, who handed it on to France. Divine,
illuminating nations of scouts! Vitaelampada tradunt.

It is an admirable thing that the poetry of a people is the element of
its progress. The amount of civilization is measured by the quantity
of imagination. Only, a civilizing people should remain a manly people.
Corinth, yes; Sybaris, no. Whoever becomes effeminate makes himself a
bastard. He must be neither a dilettante nor a virtuoso: but he must be
artistic. In the matter of civilization, he must not refine, but he must
sublime. On this condition, one gives to the human race the pattern of
the ideal.

The modern ideal has its type in art, and its means is science. It is
through science that it will realize that august vision of the poets,
the socially beautiful. Eden will be reconstructed by A+B. At the point
which civilization has now reached, the exact is a necessary element
of the splendid, and the artistic sentiment is not only served, but
completed by the scientific organ; dreams must be calculated. Art, which
is the conqueror, should have for support science, which is the walker;
the solidity of the creature which is ridden is of importance. The
modern spirit is the genius of Greece with the genius of India as its
vehicle; Alexander on the elephant.

Races which are petrified in dogma or demoralized by lucre are unfit to
guide civilization. Genuflection before the idol or before money wastes
away the muscles which walk and the will which advances. Hieratic or
mercantile absorption lessens a people's power of radiance, lowers its
horizon by lowering its level, and deprives it of that intelligence,
at once both human and divine of the universal goal, which makes
missionaries of nations. Babylon has no ideal; Carthage has no ideal.
Athens and Rome have and keep, throughout all the nocturnal darkness of
the centuries, halos of civilization.

France is in the same quality of race as Greece and Italy. She is
Athenian in the matter of beauty, and Roman in her greatness. Moreover,
she is good. She gives herself. Oftener than is the case with other
races, is she in the humor for self-devotion and sacrifice. Only, this
humor seizes upon her, and again abandons her. And therein lies the
great peril for those who run when she desires only to walk, or who walk
on when she desires to halt. France has her relapses into materialism,
and, at certain instants, the ideas which obstruct that sublime brain
have no longer anything which recalls French greatness and are of the
dimensions of a Missouri or a South Carolina. What is to be done in
such a case? The giantess plays at being a dwarf; immense France has her
freaks of pettiness. That is all.

To this there is nothing to say. Peoples, like planets, possess the
right to an eclipse. And all is well, provided that the light
returns and that the eclipse does not degenerate into night. Dawn and
resurrection are synonymous. The reappearance of the light is identical
with the persistence of the _I_.

Let us state these facts calmly. Death on the barricade or the tomb in
exile, is an acceptable occasion for devotion. The real name of
devotion is disinterestedness. Let the abandoned allow themselves to
be abandoned, let the exiled allow themselves to be exiled, and let us
confine ourselves to entreating great nations not to retreat too far,
when they do retreat. One must not push too far in descent under pretext
of a return to reason.

Matter exists, the minute exists, interest exists, the stomach exists;
but the stomach must not be the sole wisdom. The life of the moment has
its rights, we admit, but permanent life has its rights also. Alas! the
fact that one is mounted does not preclude a fall. This can be seen in
history more frequently than is desirable: A nation is great, it tastes
the ideal, then it bites the mire, and finds it good; and if it be asked
how it happens that it has abandoned Socrates for Falstaff, it replies:
"Because I love statesmen."

One word more before returning to our subject, the conflict.

A battle like the one which we are engaged in describing is nothing else
than a convulsion towards the ideal. Progress trammelled is sickly, and
is subject to these tragic epilepsies. With that malady of progress,
civil war, we have been obliged to come in contact in our passage. This
is one of the fatal phases, at once act and entr'acte of that drama
whose pivot is a social condemnation, and whose veritable title is
Progress.

Progress!

The cry to which we frequently give utterance is our whole thought; and,
at the point of this drama which we have now reached, the idea which it
contains having still more than one trial to undergo, it is, perhaps,
permitted to us, if not to lift the veil from it, to at least allow its
light to shine through.

The book which the reader has under his eye at this moment is, from
one end to the other, as a whole and in detail, whatever may be its
intermittences, exceptions and faults, the march from evil to good, from
the unjust to the just, from night to day, from appetite to conscience,
from rottenness to life, from hell to heaven, from nothingness to God.
Point of departure: matter; point of arrival: the soul. The hydra at the
beginning, the angel at the end.




CHAPTER XXI--THE HEROES

All at once, the drum beat the charge.

The attack was a hurricane. On the evening before, in the darkness,
the barricade had been approached silently, as by a boa. Now, in broad
daylight, in that widening street, surprise was decidedly impossible,
rude force had, moreover, been unmasked, the cannon had begun the
roar, the army hurled itself on the barricade. Fury now became skill.
A powerful detachment of infantry of the line, broken at regular
intervals, by the National Guard and the Municipal Guard on foot,
and supported by serried masses which could be heard though not seen,
debauched into the street at a run, with drums beating, trumpets
braying, bayonets levelled, the sappers at their head, and,
imperturbable under the projectiles, charged straight for the barricade
with the weight of a brazen beam against a wall.

The wall held firm.

The insurgents fired impetuously. The barricade once scaled had a mane
of lightning flashes. The assault was so furious, that for one moment,
it was inundated with assailants; but it shook off the soldiers as the
lion shakes off the dogs, and it was only covered with besiegers as
the cliff is covered with foam, to re-appear, a moment later, beetling,
black and formidable.

The column, forced to retreat, remained massed in the street,
unprotected but terrible, and replied to the redoubt with a terrible
discharge of musketry. Any one who has seen fireworks will recall the
sheaf formed of interlacing lightnings which is called a bouquet. Let
the reader picture to himself this bouquet, no longer vertical but
horizontal, bearing a bullet, buck-shot or a biscaien at the tip of each
one of its jets of flame, and picking off dead men one after another
from its clusters of lightning. The barricade was underneath it.

On both sides, the resolution was equal. The bravery exhibited there
was almost barbarous and was complicated with a sort of heroic ferocity
which began by the sacrifice of self.

This was the epoch when a National Guardsman fought like a Zouave.
The troop wished to make an end of it, insurrection was desirous of
fighting. The acceptance of the death agony in the flower of youth and
in the flush of health turns intrepidity into frenzy. In this fray, each
one underwent the broadening growth of the death hour. The street was
strewn with corpses.

The barricade had Enjolras at one of its extremities and Marius at the
other. Enjolras, who carried the whole barricade in his head, reserved
and sheltered himself; three soldiers fell, one after the other, under
his embrasure, without having even seen him; Marius fought unprotected.
He made himself a target. He stood with more than half his body above
the breastworks. There is no more violent prodigal than the avaricious
man who takes the bit in his teeth; there is no man more terrible in
action than a dreamer. Marius was formidable and pensive. In battle he
was as in a dream. One would have pronounced him a phantom engaged in
firing a gun.

The insurgents' cartridges were giving out; but not their sarcasms. In
this whirlwind of the sepulchre in which they stood, they laughed.

Courfeyrac was bare-headed.

"What have you done with your hat?" Bossuet asked him.

Courfeyrac replied:

"They have finally taken it away from me with cannon-balls."

Or they uttered haughty comments.

"Can any one understand," exclaimed Feuilly bitterly, "those men,--[and
he cited names, well-known names, even celebrated names, some belonging
to the old army]--who had promised to join us, and taken an oath to aid
us, and who had pledged their honor to it, and who are our generals, and
who abandon us!"

And Combeferre restricted himself to replying with a grave smile.

"There are people who observe the rules of honor as one observes the
stars, from a great distance."

The interior of the barricade was so strewn with torn cartridges that
one would have said that there had been a snowstorm.

The assailants had numbers in their favor; the insurgents had position.
They were at the top of a wall, and they thundered point-blank upon
the soldiers tripping over the dead and wounded and entangled in
the escarpment. This barricade, constructed as it was and admirably
buttressed, was really one of those situations where a handful of men
hold a legion in check. Nevertheless, the attacking column, constantly
recruited and enlarged under the shower of bullets, drew inexorably
nearer, and now, little by little, step by step, but surely, the army
closed in around the barricade as the vice grasps the wine-press.

One assault followed another. The horror of the situation kept
increasing.

Then there burst forth on that heap of paving-stones, in that Rue de la
Chanvrerie, a battle worthy of a wall of Troy. These haggard, ragged,
exhausted men, who had had nothing to eat for four and twenty hours, who
had not slept, who had but a few more rounds to fire, who were fumbling
in their pockets which had been emptied of cartridges, nearly all
of whom were wounded, with head or arm bandaged with black and
blood-stained linen, with holes in their clothes from which the blood
trickled, and who were hardly armed with poor guns and notched swords,
became Titans. The barricade was ten times attacked, approached,
assailed, scaled, and never captured.

In order to form an idea of this struggle, it is necessary to imagine
fire set to a throng of terrible courages, and then to gaze at the
conflagration. It was not a combat, it was the interior of a furnace;
there mouths breathed the flame; there countenances were extraordinary.
The human form seemed impossible there, the combatants flamed forth
there, and it was formidable to behold the going and coming in that red
glow of those salamanders of the fray.

The successive and simultaneous scenes of this grand slaughter we
renounce all attempts at depicting. The epic alone has the right to fill
twelve thousand verses with a battle.

One would have pronounced this that hell of Brahmanism, the most
redoubtable of the seventeen abysses, which the Veda calls the Forest of
Swords.

They fought hand to hand, foot to foot, with pistol shots, with blows of
the sword, with their fists, at a distance, close at hand, from above,
from below, from everywhere, from the roofs of the houses, from the
windows of the wine-shop, from the cellar windows, whither some had
crawled. They were one against sixty.

The facade of Corinthe, half demolished, was hideous. The window,
tattooed with grape-shot, had lost glass and frame and was nothing now
but a shapeless hole, tumultuously blocked with paving-stones.

Bossuet was killed; Feuilly was killed; Courfeyrac was killed;
Combeferre, transfixed by three blows from a bayonet in the breast at
the moment when he was lifting up a wounded soldier, had only time to
cast a glance to heaven when he expired.

Marius, still fighting, was so riddled with wounds, particularly in the
head, that his countenance disappeared beneath the blood, and one would
have said that his face was covered with a red kerchief.

Enjolras alone was not struck. When he had no longer any weapon, he
reached out his hands to right and left and an insurgent thrust some arm
or other into his fist. All he had left was the stumps of four swords;
one more than Francois I. at Marignan. Homer says: "Diomedes cuts
the throat of Axylus, son of Teuthranis, who dwelt in happy Arisba;
Euryalus, son of Mecistaeus, exterminates Dresos and Opheltios,
Esepius, and that Pedasus whom the naiad Abarbarea bore to the blameless
Bucolion; Ulysses overthrows Pidytes of Percosius; Antilochus, Ablerus;
Polypaetes, Astyalus; Polydamas, Otos, of Cyllene; and Teucer, Aretaon.
Meganthios dies under the blows of Euripylus' pike. Agamemnon, king
of the heroes, flings to earth Elatos, born in the rocky city which
is laved by the sounding river Satnois." In our old poems of exploits,
Esplandian attacks the giant marquis Swantibore with a cobbler's
shoulder-stick of fire, and the latter defends himself by stoning the
hero with towers which he plucks up by the roots. Our ancient mural
frescoes show us the two Dukes of Bretagne and Bourbon, armed,
emblazoned and crested in war-like guise, on horseback and approaching
each other, their battle-axes in hand, masked with iron, gloved with
iron, booted with iron, the one caparisoned in ermine, the other draped
in azure: Bretagne with his lion between the two horns of his crown,
Bourbon helmeted with a monster fleur de lys on his visor. But, in order
to be superb, it is not necessary to wear, like Yvon, the ducal morion,
to have in the fist, like Esplandian, a living flame, or, like Phyles,
father of Polydamas, to have brought back from Ephyra a good suit of
mail, a present from the king of men, Euphetes; it suffices to give
one's life for a conviction or a loyalty. This ingenuous little
soldier, yesterday a peasant of Bauce or Limousin, who prowls with his
clasp-knife by his side, around the children's nurses in the Luxembourg
garden, this pale young student bent over a piece of anatomy or a book,
a blond youth who shaves his beard with scissors,--take both of them,
breathe upon them with a breath of duty, place them face to face in the
Carrefour Boucherat or in the blind alley Planche-Mibray, and let the
one fight for his flag, and the other for his ideal, and let both of
them imagine that they are fighting for their country; the struggle will
be colossal; and the shadow which this raw recruit and this sawbones
in conflict will produce in that grand epic field where humanity
is striving, will equal the shadow cast by Megaryon, King of Lycia,
tiger-filled, crushing in his embrace the immense body of Ajax, equal to
the gods.




CHAPTER XXII--FOOT TO FOOT

When there were no longer any of the leaders left alive, except Enjolras
and Marius at the two extremities of the barricade, the centre, which
had so long sustained Courfeyrac, Joly, Bossuet, Feuilly and Combeferre,
gave way. The cannon, though it had not effected a practicable breach,
had made a rather large hollow in the middle of the redoubt; there, the
summit of the wall had disappeared before the balls, and had crumbled
away; and the rubbish which had fallen, now inside, now outside, had,
as it accumulated, formed two piles in the nature of slopes on the two
sides of the barrier, one on the inside, the other on the outside. The
exterior slope presented an inclined plane to the attack.

A final assault was there attempted, and this assault succeeded. The
mass bristling with bayonets and hurled forward at a run, came up with
irresistible force, and the serried front of battle of the attacking
column made its appearance through the smoke on the crest of the
battlements. This time, it was decisive. The group of insurgents who
were defending the centre retreated in confusion.

Then the gloomy love of life awoke once more in some of them. Many,
finding themselves under the muzzles of this forest of guns, did not
wish to die. This is a moment when the instinct of self-preservation
emits howls, when the beast re-appears in men. They were hemmed in by
the lofty, six-story house which formed the background of their redoubt.
This house might prove their salvation. The building was barricaded, and
walled, as it were, from top to bottom. Before the troops of the line
had reached the interior of the redoubt, there was time for a door to
open and shut, the space of a flash of lightning was sufficient for
that, and the door of that house, suddenly opened a crack and closed
again instantly, was life for these despairing men. Behind this house,
there were streets, possible flight, space. They set to knocking at that
door with the butts of their guns, and with kicks, shouting, calling,
entreating, wringing their hands. No one opened. From the little window
on the third floor, the head of the dead man gazed down upon them.

But Enjolras and Marius, and the seven or eight rallied about them,
sprang forward and protected them. Enjolras had shouted to the soldiers:
"Don't advance!" and as an officer had not obeyed, Enjolras had killed
the officer. He was now in the little inner court of the redoubt, with
his back planted against the Corinthe building, a sword in one hand,
a rifle in the other, holding open the door of the wine-shop which he
barred against assailants. He shouted to the desperate men:--"There is
but one door open; this one."--And shielding them with his body, and
facing an entire battalion alone, he made them pass in behind him. All
precipitated themselves thither. Enjolras, executing with his rifle,
which he now used like a cane, what single-stick players call a "covered
rose" round his head, levelled the bayonets around and in front of him,
and was the last to enter; and then ensued a horrible moment, when the
soldiers tried to make their way in, and the insurgents strove to bar
them out. The door was slammed with such violence, that, as it fell back
into its frame, it showed the five fingers of a soldier who had been
clinging to it, cut off and glued to the post.

Marius remained outside. A shot had just broken his collar bone, he
felt that he was fainting and falling. At that moment, with eyes already
shut, he felt the shock of a vigorous hand seizing him, and the swoon
in which his senses vanished, hardly allowed him time for the thought,
mingled with a last memory of Cosette:--"I am taken prisoner. I shall be
shot."

Enjolras, not seeing Marius among those who had taken refuge in the
wine-shop, had the same idea. But they had reached a moment when each
man has not the time to meditate on his own death. Enjolras fixed the
bar across the door, and bolted it, and double-locked it with key and
chain, while those outside were battering furiously at it, the soldiers
with the butts of their muskets, the sappers with their axes. The
assailants were grouped about that door. The siege of the wine-shop was
now beginning.

The soldiers, we will observe, were full of wrath.

The death of the artillery-sergeant had enraged them, and then, a still
more melancholy circumstance. During the few hours which had preceded
the attack, it had been reported among them that the insurgents were
mutilating their prisoners, and that there was the headless body of
a soldier in the wine-shop. This sort of fatal rumor is the usual
accompaniment of civil wars, and it was a false report of this kind
which, later on, produced the catastrophe of the Rue Transnonain.

When the door was barricaded, Enjolras said to the others:

"Let us sell our lives dearly."

Then he approached the table on which lay Mabeuf and Gavroche. Beneath
the black cloth two straight and rigid forms were visible, one large,
the other small, and the two faces were vaguely outlined beneath the
cold folds of the shroud. A hand projected from beneath the winding
sheet and hung near the floor. It was that of the old man.

Enjolras bent down and kissed that venerable hand, just as he had kissed
his brow on the preceding evening.

These were the only two kisses which he had bestowed in the course of
his life.

Let us abridge the tale. The barricade had fought like a gate of Thebes;
the wine-shop fought like a house of Saragossa. These resistances are
dogged. No quarter. No flag of truce possible. Men are willing to die,
provided their opponent will kill them.

When Suchet says:--"Capitulate,"--Palafox replies: "After the war with
cannon, the war with knives." Nothing was lacking in the capture by
assault of the Hucheloup wine-shop; neither paving-stones raining from
the windows and the roof on the besiegers and exasperating the soldiers
by crushing them horribly, nor shots fired from the attic-windows and
the cellar, nor the fury of attack, nor, finally, when the door yielded,
the frenzied madness of extermination. The assailants, rushing into the
wine-shop, their feet entangled in the panels of the door which had been
beaten in and flung on the ground, found not a single combatant there.
The spiral staircase, hewn asunder with the axe, lay in the middle of
the tap-room, a few wounded men were just breathing their last, every
one who was not killed was on the first floor, and from there, through
the hole in the ceiling, which had formed the entrance of the stairs,
a terrific fire burst forth. It was the last of their cartridges. When
they were exhausted, when these formidable men on the point of death had
no longer either powder or ball, each grasped in his hands two of the
bottles which Enjolras had reserved, and of which we have spoken, and
held the scaling party in check with these frightfully fragile clubs.
They were bottles of aquafortis.

We relate these gloomy incidents of carnage as they occurred. The
besieged man, alas! converts everything into a weapon. Greek fire did
not disgrace Archimedes, boiling pitch did not disgrace Bayard. All war
is a thing of terror, and there is no choice in it. The musketry of the
besiegers, though confined and embarrassed by being directed from below
upwards, was deadly. The rim of the hole in the ceiling was speedily
surrounded by heads of the slain, whence dripped long, red and smoking
streams, the uproar was indescribable; a close and burning smoke almost
produced night over this combat. Words are lacking to express horror
when it has reached this pitch. There were no longer men in this
conflict, which was now infernal. They were no longer giants matched
with colossi. It resembled Milton and Dante rather than Homer. Demons
attacked, spectres resisted.

It was heroism become monstrous.




CHAPTER XXIII--ORESTES FASTING AND PYLADES DRUNK

At length, by dint of mounting on each other's backs, aiding themselves
with the skeleton of the staircase, climbing up the walls, clinging to
the ceiling, slashing away at the very brink of the trap-door, the last
one who offered resistance, a score of assailants, soldiers, National
Guardsmen, municipal guardsmen, in utter confusion, the majority
disfigured by wounds in the face during that redoubtable ascent, blinded
by blood, furious, rendered savage, made an irruption into the apartment
on the first floor. There they found only one man still on his feet,
Enjolras. Without cartridges, without sword, he had nothing in his hand
now but the barrel of his gun whose stock he had broken over the head
of those who were entering. He had placed the billiard table between his
assailants and himself; he had retreated into the corner of the room,
and there, with haughty eye, and head borne high, with this stump of a
weapon in his hand, he was still so alarming as to speedily create an
empty space around him. A cry arose:

"He is the leader! It was he who slew the artillery-man. It is well that
he has placed himself there. Let him remain there. Let us shoot him down
on the spot."

"Shoot me," said Enjolras.

And flinging away his bit of gun-barrel, and folding his arms, he
offered his breast.

The audacity of a fine death always affects men. As soon as Enjolras
folded his arms and accepted his end, the din of strife ceased in
the room, and this chaos suddenly stilled into a sort of sepulchral
solemnity. The menacing majesty of Enjolras disarmed and motionless,
appeared to oppress this tumult, and this young man, haughty, bloody,
and charming, who alone had not a wound, who was as indifferent as an
invulnerable being, seemed, by the authority of his tranquil glance, to
constrain this sinister rabble to kill him respectfully. His beauty, at
that moment augmented by his pride, was resplendent, and he was fresh
and rosy after the fearful four and twenty hours which had just elapsed,
as though he could no more be fatigued than wounded. It was of him,
possibly, that a witness spoke afterwards, before the council of
war: "There was an insurgent whom I heard called Apollo." A National
Guardsman who had taken aim at Enjolras, lowered his gun, saying: "It
seems to me that I am about to shoot a flower."

Twelve men formed into a squad in the corner opposite Enjolras, and
silently made ready their guns.

Then a sergeant shouted:

"Take aim!"

An officer intervened.

"Wait."

And addressing Enjolras:

"Do you wish to have your eyes bandaged?"

"No."

"Was it you who killed the artillery sergeant?"

"Yes."

Grantaire had waked up a few moments before.

Grantaire, it will be remembered, had been asleep ever since the
preceding evening in the upper room of the wine-shop, seated on a chair
and leaning on the table.

He realized in its fullest sense the old metaphor of "dead drunk." The
hideous potion of absinthe-porter and alcohol had thrown him into a
lethargy. His table being small, and not suitable for the barricade,
he had been left in possession of it. He was still in the same posture,
with his breast bent over the table, his head lying flat on his arms,
surrounded by glasses, beer-jugs and bottles. His was the overwhelming
slumber of the torpid bear and the satiated leech. Nothing had had any
effect upon it, neither the fusillade, nor the cannon-balls, nor the
grape-shot which had made its way through the window into the room where
he was. Nor the tremendous uproar of the assault. He merely replied to
the cannonade, now and then, by a snore. He seemed to be waiting there
for a bullet which should spare him the trouble of waking. Many corpses
were strewn around him; and, at the first glance, there was nothing to
distinguish him from those profound sleepers of death.

Noise does not rouse a drunken man; silence awakens him. The fall
of everything around him only augmented Grantaire's prostration; the
crumbling of all things was his lullaby. The sort of halt which the
tumult underwent in the presence of Enjolras was a shock to this heavy
slumber. It had the effect of a carriage going at full speed, which
suddenly comes to a dead stop. The persons dozing within it wake up.
Grantaire rose to his feet with a start, stretched out his arms, rubbed
his eyes, stared, yawned, and understood.

A fit of drunkenness reaching its end resembles a curtain which is torn
away. One beholds, at a single glance and as a whole, all that it has
concealed. All suddenly presents itself to the memory; and the drunkard
who has known nothing of what has been taking place during the last
twenty-four hours, has no sooner opened his eyes than he is perfectly
informed. Ideas recur to him with abrupt lucidity; the obliteration
of intoxication, a sort of steam which has obscured the brain, is
dissipated, and makes way for the clear and sharply outlined importunity
of realities.

Relegated, as he was, to one corner, and sheltered behind the
billiard-table, the soldiers whose eyes were fixed on Enjolras, had not
even noticed Grantaire, and the sergeant was preparing to repeat his
order: "Take aim!" when all at once, they heard a strong voice shout
beside them:

"Long live the Republic! I'm one of them."

Grantaire had risen. The immense gleam of the whole combat which he
had missed, and in which he had had no part, appeared in the brilliant
glance of the transfigured drunken man.

He repeated: "Long live the Republic!" crossed the room with a firm
stride and placed himself in front of the guns beside Enjolras.

"Finish both of us at one blow," said he.

And turning gently to Enjolras, he said to him:

"Do you permit it?"

Enjolras pressed his hand with a smile.

This smile was not ended when the report resounded.

Enjolras, pierced by eight bullets, remained leaning against the wall,
as though the balls had nailed him there. Only, his head was bowed.

Grantaire fell at his feet, as though struck by a thunderbolt.

A few moments later, the soldiers dislodged the last remaining
insurgents, who had taken refuge at the top of the house. They fired
into the attic through a wooden lattice. They fought under the very
roof. They flung bodies, some of them still alive, out through the
windows. Two light-infantrymen, who tried to lift the shattered omnibus,
were slain by two shots fired from the attic. A man in a blouse was
flung down from it, with a bayonet wound in the abdomen, and breathed
his last on the ground. A soldier and an insurgent slipped together
on the sloping slates of the roof, and, as they would not release each
other, they fell, clasped in a ferocious embrace. A similar conflict
went on in the cellar. Shouts, shots, a fierce trampling. Then silence.
The barricade was captured.

The soldiers began to search the houses round about, and to pursue the
fugitives.




CHAPTER XXIV--PRISONER

Marius was, in fact, a prisoner.

The hand which had seized him from behind and whose grasp he had felt
at the moment of his fall and his loss of consciousness was that of Jean
Valjean.

Jean Valjean had taken no other part in the combat than to expose
himself in it. Had it not been for him, no one, in that supreme phase
of agony, would have thought of the wounded. Thanks to him, everywhere
present in the carnage, like a providence, those who fell were picked
up, transported to the tap-room, and cared for. In the intervals, he
reappeared on the barricade. But nothing which could resemble a blow,
an attack or even personal defence proceeded from his hands. He held his
peace and lent succor. Moreover he had received only a few scratches.
The bullets would have none of him. If suicide formed part of what he
had meditated on coming to this sepulchre, to that spot, he had
not succeeded. But we doubt whether he had thought of suicide, an
irreligious act.

Jean Valjean, in the thick cloud of the combat, did not appear to see
Marius; the truth is, that he never took his eyes from the latter. When
a shot laid Marius low, Jean Valjean leaped forward with the agility of
a tiger, fell upon him as on his prey, and bore him off.

The whirlwind of the attack was, at that moment, so violently
concentrated upon Enjolras and upon the door of the wine-shop, that
no one saw Jean Valjean sustaining the fainting Marius in his arms,
traverse the unpaved field of the barricade and disappear behind the
angle of the Corinthe building.

The reader will recall this angle which formed a sort of cape on the
street; it afforded shelter from the bullets, the grape-shot, and all
eyes, and a few square feet of space. There is sometimes a chamber
which does not burn in the midst of a conflagration, and in the midst of
raging seas, beyond a promontory or at the extremity of a blind alley
of shoals, a tranquil nook. It was in this sort of fold in the interior
trapezium of the barricade, that Eponine had breathed her last.

There Jean Valjean halted, let Marius slide to the ground, placed his
back against the wall, and cast his eyes about him.

The situation was alarming.

For an instant, for two or three perhaps, this bit of wall was a
shelter, but how was he to escape from this massacre? He recalled the
anguish which he had suffered in the Rue Polonceau eight years before,
and in what manner he had contrived to make his escape; it was difficult
then, to-day it was impossible. He had before him that deaf and
implacable house, six stories in height, which appeared to be inhabited
only by a dead man leaning out of his window; he had on his right the
rather low barricade, which shut off the Rue de la Petite Truanderie;
to pass this obstacle seemed easy, but beyond the crest of the barrier a
line of bayonets was visible. The troops of the line were posted on the
watch behind that barricade. It was evident, that to pass the barricade
was to go in quest of the fire of the platoon, and that any head which
should run the risk of lifting itself above the top of that wall of
stones would serve as a target for sixty shots. On his left he had the
field of battle. Death lurked round the corner of that wall.

What was to be done?

Only a bird could have extricated itself from this predicament.

And it was necessary to decide on the instant, to devise some expedient,
to come to some decision. Fighting was going on a few paces away;
fortunately, all were raging around a single point, the door of the
wine-shop; but if it should occur to one soldier, to one single soldier,
to turn the corner of the house, or to attack him on the flank, all was
over.

Jean Valjean gazed at the house facing him, he gazed at the barricade at
one side of him, then he looked at the ground, with the violence of the
last extremity, bewildered, and as though he would have liked to pierce
a hole there with his eyes.

By dint of staring, something vaguely striking in such an agony began
to assume form and outline at his feet, as though it had been a power
of glance which made the thing desired unfold. A few paces distant he
perceived, at the base of the small barrier so pitilessly guarded and
watched on the exterior, beneath a disordered mass of paving-stones
which partly concealed it, an iron grating, placed flat and on a level
with the soil. This grating, made of stout, transverse bars, was about
two feet square. The frame of paving-stones which supported it had been
torn up, and it was, as it were, unfastened.

Through the bars a view could be had of a dark aperture, something like
the flue of a chimney, or the pipe of a cistern. Jean Valjean darted
forward. His old art of escape rose to his brain like an illumination.
To thrust aside the stones, to raise the grating, to lift Marius, who
was as inert as a dead body, upon his shoulders, to descend, with this
burden on his loins, and with the aid of his elbows and knees into that
sort of well, fortunately not very deep, to let the heavy trap, upon
which the loosened stones rolled down afresh, fall into its place behind
him, to gain his footing on a flagged surface three metres below the
surface,--all this was executed like that which one does in dreams, with
the strength of a giant and the rapidity of an eagle; this took only a
few minutes.

Jean Valjean found himself with Marius, who was still unconscious, in a
sort of long, subterranean corridor.

There reigned profound peace, absolute silence, night.

The impression which he had formerly experienced when falling from the
wall into the convent recurred to him. Only, what he was carrying to-day
was not Cosette; it was Marius. He could barely hear the formidable
tumult in the wine-shop, taken by assault, like a vague murmur overhead.




BOOK SECOND.--THE INTESTINE OF THE LEVIATHAN




CHAPTER I--THE LAND IMPOVERISHED BY THE SEA

Paris casts twenty-five millions yearly into the water. And this without
metaphor. How, and in what manner? Day and night. With what object? With
no object. With what intention? With no intention. Why? For no
reason. By means of what organ? By means of its intestine. What is its
intestine? The sewer.

Twenty-five millions is the most moderate approximative figure which the
valuations of special science have set upon it.

Science, after having long groped about, now knows that the most
fecundating and the most efficacious of fertilizers is human manure.
The Chinese, let us confess it to our shame, knew it before us. Not
a Chinese peasant--it is Eckberg who says this,--goes to town without
bringing back with him, at the two extremities of his bamboo pole, two
full buckets of what we designate as filth. Thanks to human dung, the
earth in China is still as young as in the days of Abraham. Chinese
wheat yields a hundred fold of the seed. There is no guano comparable
in fertility with the detritus of a capital. A great city is the most
mighty of dung-makers. Certain success would attend the experiment
of employing the city to manure the plain. If our gold is manure, our
manure, on the other hand, is gold.

What is done with this golden manure? It is swept into the abyss.

Fleets of vessels are despatched, at great expense, to collect the dung
of petrels and penguins at the South Pole, and the incalculable element
of opulence which we have on hand, we send to the sea. All the human and
animal manure which the world wastes, restored to the land instead of
being cast into the water, would suffice to nourish the world.

Those heaps of filth at the gate-posts, those tumbrils of mud which
jolt through the street by night, those terrible casks of the street
department, those fetid drippings of subterranean mire, which the
pavements hide from you,--do you know what they are? They are the meadow
in flower, the green grass, wild thyme, thyme and sage, they are game,
they are cattle, they are the satisfied bellows of great oxen in the
evening, they are perfumed hay, they are golden wheat, they are the
bread on your table, they are the warm blood in your veins, they are
health, they are joy, they are life. This is the will of that mysterious
creation which is transformation on earth and transfiguration in heaven.

Restore this to the great crucible; your abundance will flow forth from
it. The nutrition of the plains furnishes the nourishment of men.

You have it in your power to lose this wealth, and to consider me
ridiculous to boot. This will form the master-piece of your ignorance.

Statisticians have calculated that France alone makes a deposit of
half a milliard every year, in the Atlantic, through the mouths of her
rivers. Note this: with five hundred millions we could pay one quarter
of the expenses of our budget. The cleverness of man is such that he
prefers to get rid of these five hundred millions in the gutter. It is
the very substance of the people that is carried off, here drop by
drop, there wave after wave, the wretched outpour of our sewers into the
rivers, and the gigantic collection of our rivers into the ocean. Every
hiccough of our sewers costs us a thousand francs. From this spring two
results, the land impoverished, and the water tainted. Hunger arising
from the furrow, and disease from the stream.

It is notorious, for example, that at the present hour, the Thames is
poisoning London.

So far as Paris is concerned, it has become indispensable of late, to
transport the mouths of the sewers down stream, below the last bridge.

A double tubular apparatus, provided with valves and sluices, sucking up
and driving back, a system of elementary drainage, simple as the lungs
of a man, and which is already in full working order in many communities
in England, would suffice to conduct the pure water of the fields into
our cities, and to send back to the fields the rich water of the cities,
and this easy exchange, the simplest in the world, would retain among us
the five hundred millions now thrown away. People are thinking of other
things.

The process actually in use does evil, with the intention of doing good.
The intention is good, the result is melancholy. Thinking to purge the
city, the population is blanched like plants raised in cellars. A sewer
is a mistake. When drainage, everywhere, with its double function,
restoring what it takes, shall have replaced the sewer, which is a
simple impoverishing washing, then, this being combined with the data
of a now social economy, the product of the earth will be increased
tenfold, and the problem of misery will be singularly lightened. Add the
suppression of parasitism, and it will be solved.

In the meanwhile, the public wealth flows away to the river, and leakage
takes place. Leakage is the word. Europe is being ruined in this manner
by exhaustion.

As for France, we have just cited its figures. Now, Paris contains one
twenty-fifth of the total population of France, and Parisian guano being
the richest of all, we understate the truth when we value the loss on
the part of Paris at twenty-five millions in the half milliard which
France annually rejects. These twenty-five millions, employed in
assistance and enjoyment, would double the splendor of Paris. The
city spends them in sewers. So that we may say that Paris's great
prodigality, its wonderful festival, its Beaujon folly, its orgy, its
stream of gold from full hands, its pomp, its luxury, its magnificence,
is its sewer system.

It is in this manner that, in the blindness of a poor political economy,
we drown and allow to float down stream and to be lost in the gulfs the
well-being of all. There should be nets at Saint-Cloud for the public
fortune.

Economically considered, the matter can be summed up thus: Paris is
a spendthrift. Paris, that model city, that patron of well-arranged
capitals, of which every nation strives to possess a copy, that
metropolis of the ideal, that august country of the initiative, of
impulse and of effort, that centre and that dwelling of minds, that
nation-city, that hive of the future, that marvellous combination of
Babylon and Corinth, would make a peasant of the Fo-Kian shrug his
shoulders, from the point of view which we have just indicated.

Imitate Paris and you will ruin yourselves.

Moreover, and particularly in this immemorial and senseless waste, Paris
is itself an imitator.

These surprising exhibitions of stupidity are not novel; this is no
young folly. The ancients did like the moderns. "The sewers of Rome,"
says Liebig, "have absorbed all the well-being of the Roman peasant."
When the Campagna of Rome was ruined by the Roman sewer, Rome exhausted
Italy, and when she had put Italy in her sewer, she poured in Sicily,
then Sardinia, then Africa. The sewer of Rome has engulfed the world.
This cess-pool offered its engulfment to the city and the universe. Urbi
et orbi. Eternal city, unfathomable sewer.

Rome sets the example for these things as well as for others.

Paris follows this example with all the stupidity peculiar to
intelligent towns.

For the requirements of the operation upon the subject of which we have
just explained our views, Paris has beneath it another Paris; a Paris
of sewers; which has its streets, its cross-roads, its squares, its
blind-alleys, its arteries, and its circulation, which is of mire and
minus the human form.

For nothing must be flattered, not even a great people; where there
is everything there is also ignominy by the side of sublimity; and,
if Paris contains Athens, the city of light, Tyre, the city of might,
Sparta, the city of virtue, Nineveh, the city of marvels, it also
contains Lutetia, the city of mud.

However, the stamp of its power is there also, and the Titanic sink of
Paris realizes, among monuments, that strange ideal realized in humanity
by some men like Macchiavelli, Bacon and Mirabeau, grandiose vileness.

The sub-soil of Paris, if the eye could penetrate its surface, would
present the aspect of a colossal madrepore. A sponge has no more
partitions and ducts than the mound of earth for a circuit of six
leagues round about, on which rests the great and ancient city. Not to
mention its catacombs, which are a separate cellar, not to mention
the inextricable trellis-work of gas pipes, without reckoning the vast
tubular system for the distribution of fresh water which ends in the
pillar fountains, the sewers alone form a tremendous, shadowy net-work
under the two banks; a labyrinth which has its slope for its guiding
thread.

There appears, in the humid mist, the rat which seems the product to
which Paris has given birth.




CHAPTER II--ANCIENT HISTORY OF THE SEWER

Let the reader imagine Paris lifted off like a cover, the subterranean
net-work of sewers, from a bird's eye view, will outline on the banks
a species of large branch grafted on the river. On the right bank, the
belt sewer will form the trunk of this branch, the secondary ducts will
form the branches, and those without exit the twigs.

This figure is but a summary one and half exact, the right angle, which
is the customary angle of this species of subterranean ramifications,
being very rare in vegetation.

A more accurate image of this strange geometrical plan can be formed
by supposing that one is viewing some eccentric oriental alphabet,
as intricate as a thicket, against a background of shadows, and the
misshapen letters should be welded one to another in apparent confusion,
and as at haphazard, now by their angles, again by their extremities.

Sinks and sewers played a great part in the Middle Ages, in the Lower
Empire and in the Orient of old. The masses regarded these beds of
decomposition, these monstrous cradles of death, with a fear that was
almost religious. The vermin ditch of Benares is no less conducive to
giddiness than the lions' ditch of Babylon. Teglath-Phalasar, according
to the rabbinical books, swore by the sink of Nineveh. It was from the
sewer of Munster that John of Leyden produced his false moon, and it
was from the cess-pool of Kekscheb that oriental menalchme, Mokanna, the
veiled prophet of Khorassan, caused his false sun to emerge.

The history of men is reflected in the history of sewers. The
Germoniae[58] narrated Rome. The sewer of Paris has been an ancient and
formidable thing. It has been a sepulchre, it has served as an asylum.
Crime, intelligence, social protest, liberty of conscience, thought,
theft, all that human laws persecute or have persecuted, is hidden in
that hole; the maillotins in the fourteenth century, the tire-laine of
the fifteenth, the Huguenots in the sixteenth, Morin's illuminated in
the seventeenth, the chauffeurs [brigands] in the eighteenth. A
hundred years ago, the nocturnal blow of the dagger emerged thence, the
pickpocket in danger slipped thither; the forest had its cave, Paris had
its sewer. Vagrancy, that Gallic picareria, accepted the sewer as the
adjunct of the Cour des Miracles, and at evening, it returned thither,
fierce and sly, through the Maubuee outlet, as into a bed-chamber.

It was quite natural, that those who had the blind-alley Vide-Gousset,
[Empty-Pocket] or the Rue Coupe-Gorge [Cut-Throat], for the scene of
their daily labor, should have for their domicile by night the culvert
of the Chemin-Vert, or the catch basin of Hurepoix. Hence a throng of
souvenirs. All sorts of phantoms haunt these long, solitary
corridors; everywhere is putrescence and miasma; here and there are
breathing-holes, where Villon within converses with Rabelais without.

The sewer in ancient Paris is the rendezvous of all exhaustions and
of all attempts. Political economy therein spies a detritus, social
philosophy there beholds a residuum.

The sewer is the conscience of the city. Everything there converges
and confronts everything else. In that livid spot there are shades, but
there are no longer any secrets. Each thing bears its true form, or at
least, its definitive form. The mass of filth has this in its favor,
that it is not a liar. Ingenuousness has taken refuge there. The mask
of Basil is to be found there, but one beholds its cardboard and its
strings and the inside as well as the outside, and it is accentuated
by honest mud. Scapin's false nose is its next-door neighbor. All the
uncleannesses of civilization, once past their use, fall into this
trench of truth, where the immense social sliding ends. They are
there engulfed, but they display themselves there. This mixture is a
confession. There, no more false appearances, no plastering over is
possible, filth removes its shirt, absolute denudation puts to the rout
all illusions and mirages, there is nothing more except what really
exists, presenting the sinister form of that which is coming to an end.
There, the bottom of a bottle indicates drunkenness, a basket-handle
tells a tale of domesticity; there the core of an apple which has
entertained literary opinions becomes an apple-core once more; the
effigy on the big sou becomes frankly covered with verdigris, Caiphas'
spittle meets Falstaff's puking, the louis-d'or which comes from
the gaming-house jostles the nail whence hangs the rope's end of the
suicide. A livid foetus rolls along, enveloped in the spangles which
danced at the Opera last Shrove-Tuesday, a cap which has pronounced
judgment on men wallows beside a mass of rottenness which was formerly
Margoton's petticoat; it is more than fraternization, it is equivalent
to addressing each other as thou. All which was formerly rouged, is
washed free. The last veil is torn away. A sewer is a cynic. It tells
everything.

The sincerity of foulness pleases us, and rests the soul. When one has
passed one's time in enduring upon earth the spectacle of the great airs
which reasons of state, the oath, political sagacity, human justice,
professional probity, the austerities of situation, incorruptible robes
all assume, it solaces one to enter a sewer and to behold the mire which
befits it.

This is instructive at the same time. We have just said that history
passes through the sewer. The Saint-Barthelemys filter through there,
drop by drop, between the paving-stones. Great public assassinations,
political and religious butcheries, traverse this underground passage
of civilization, and thrust their corpses there. For the eye of the
thinker, all historic murderers are to be found there, in that hideous
penumbra, on their knees, with a scrap of their winding-sheet for
an apron, dismally sponging out their work. Louis XI. is there with
Tristan, Francois I. with Duprat, Charles IX. is there with his mother,
Richelieu is there with Louis XIII., Louvois is there, Letellier is
there, Hebert and Maillard are there, scratching the stones, and trying
to make the traces of their actions disappear. Beneath these vaults one
hears the brooms of spectres. One there breathes the enormous fetidness
of social catastrophes. One beholds reddish reflections in the corners.
There flows a terrible stream, in which bloody hands have been washed.

The social observer should enter these shadows. They form a part of
his laboratory. Philosophy is the microscope of the thought. Everything
desires to flee from it, but nothing escapes it. Tergiversation is
useless. What side of oneself does one display in evasions? the shameful
side. Philosophy pursues with its glance, probes the evil, and does
not permit it to escape into nothingness. In the obliteration of things
which disappear, in the watching of things which vanish, it recognizes
all. It reconstructs the purple from the rag, and the woman from the
scrap of her dress. From the cess-pool, it re-constitutes the city; from
mud, it reconstructs manners; from the potsherd it infers the amphora
or the jug. By the imprint of a finger-nail on a piece of parchment, it
recognizes the difference which separates the Jewry of the Judengasse
from the Jewry of the Ghetto. It re-discovers in what remains that
which has been, good, evil, the true, the blood-stain of the palace,
the ink-blot of the cavern, the drop of sweat from the brothel, trials
undergone, temptations welcomed, orgies cast forth, the turn which
characters have taken as they became abased, the trace of prostitution
in souls of which their grossness rendered them capable, and on the
vesture of the porters of Rome the mark of Messalina's elbowing.




CHAPTER III--BRUNESEAU

The sewer of Paris in the Middle Ages was legendary. In the sixteenth
century, Henri II. attempted a bore, which failed. Not a hundred years
ago, the cess-pool, Mercier attests the fact, was abandoned to itself,
and fared as best it might.

Such was this ancient Paris, delivered over to quarrels, to indecision,
and to gropings. It was tolerably stupid for a long time. Later on, '89
showed how understanding comes to cities. But in the good, old times,
the capital had not much head. It did not know how to manage its own
affairs either morally or materially, and could not sweep out filth
any better than it could abuses. Everything presented an obstacle,
everything raised a question. The sewer, for example, was refractory to
every itinerary. One could no more find one's bearings in the sewer
than one could understand one's position in the city; above the
unintelligible, below the inextricable; beneath the confusion of tongues
there reigned the confusion of caverns; Daedalus backed up Babel.

Sometimes the Paris sewer took a notion to overflow, as though this
misunderstood Nile were suddenly seized with a fit of rage. There
occurred, infamous to relate, inundations of the sewer. At times, that
stomach of civilization digested badly, the cess-pool flowed back into
the throat of the city, and Paris got an after-taste of her own filth.
These resemblances of the sewer to remorse had their good points; they
were warnings; very badly accepted, however; the city waxed indignant
at the audacity of its mire, and did not admit that the filth should
return. Drive it out better.

The inundation of 1802 is one of the actual memories of Parisians of
the age of eighty. The mud spread in cross-form over the Place des
Victoires, where stands the statue of Louis XIV.; it entered the Rue
Saint-Honore by the two mouths to the sewer in the Champs-Elysees,
the Rue Saint-Florentin through the Saint-Florentin sewer, the Rue
Pierre-a-Poisson through the sewer de la Sonnerie, the Rue Popincourt,
through the sewer of the Chemin-Vert, the Rue de la Roquette, through
the sewer of the Rue de Lappe; it covered the drain of the Rue des
Champs-Elysees to the height of thirty-five centimetres; and, to the
South, through the vent of the Seine, performing its functions in
inverse sense, it penetrated the Rue Mazarine, the Rue de l'Echaude, and
the Rue des Marais, where it stopped at a distance of one hundred and
nine metres, a few paces distant from the house in which Racine had
lived, respecting, in the seventeenth century, the poet more than the
King. It attained its maximum depth in the Rue Saint-Pierre, where
it rose to the height of three feet above the flag-stones of the
water-spout, and its maximum length in the Rue Saint-Sabin, where it
spread out over a stretch two hundred and thirty-eight metres in length.

At the beginning of this century, the sewer of Paris was still a
mysterious place. Mud can never enjoy a good fame; but in this case its
evil renown reached the verge of the terrible. Paris knew, in a confused
way, that she had under her a terrible cavern. People talked of it as
of that monstrous bed of Thebes in which swarmed centipedes fifteen long
feet in length, and which might have served Behemoth for a bathtub.
The great boots of the sewermen never ventured further than certain
well-known points. We were then very near the epoch when the scavenger's
carts, from the summit of which Sainte-Foix fraternized with the Marquis
de Crequi, discharged their loads directly into the sewer. As for
cleaning out,--that function was entrusted to the pouring rains which
encumbered rather than swept away. Rome left some poetry to her sewer,
and called it the Gemoniae; Paris insulted hers, and entitled it the
Polypus-Hole. Science and superstition were in accord, in horror. The
Polypus hole was no less repugnant to hygiene than to legend. The goblin
was developed under the fetid covering of the Mouffetard sewer; the
corpses of the Marmousets had been cast into the sewer de la Barillerie;
Fagon attributed the redoubtable malignant fever of 1685 to the great
hiatus of the sewer of the Marais, which remained yawning until 1833 in
the Rue Saint-Louis, almost opposite the sign of the Gallant Messenger.
The mouth of the sewer of the Rue de la Mortellerie was celebrated for
the pestilences which had their source there; with its grating of iron,
with points simulating a row of teeth, it was like a dragon's maw
in that fatal street, breathing forth hell upon men. The popular
imagination seasoned the sombre Parisian sink with some indescribably
hideous intermixture of the infinite. The sewer had no bottom. The sewer
was the lower world. The idea of exploring these leprous regions did not
even occur to the police. To try that unknown thing, to cast the plummet
into that shadow, to set out on a voyage of discovery in that abyss--who
would have dared? It was alarming. Nevertheless, some one did present
himself. The cess-pool had its Christopher Columbus.

One day, in 1805, during one of the rare apparitions which the Emperor
made in Paris, the Minister of the Interior, some Decres or Cretet or
other, came to the master's intimate levee. In the Carrousel there was
audible the clanking of swords of all those extraordinary soldiers of
the great Republic, and of the great Empire; then Napoleon's door was
blocked with heroes; men from the Rhine, from the Escaut, from the
Adige, and from the Nile; companions of Joubert, of Desaix, of Marceau,
of Hoche, of Kleber; the aerostiers of Fleurus, the grenadiers of
Mayence, the pontoon-builders of Genoa, hussars whom the Pyramids had
looked down upon, artillerists whom Junot's cannon-ball had spattered
with mud, cuirassiers who had taken by assault the fleet lying at anchor
in the Zuyderzee; some had followed Bonaparte upon the bridge of Lodi,
others had accompanied Murat in the trenches of Mantua, others had
preceded Lannes in the hollow road of Montebello. The whole army of that
day was present there, in the court-yard of the Tuileries, represented
by a squadron or a platoon, and guarding Napoleon in repose; and that
was the splendid epoch when the grand army had Marengo behind it and
Austerlitz before it.--"Sire," said the Minister of the Interior to
Napoleon, "yesterday I saw the most intrepid man in your Empire."--"What
man is that?" said the Emperor brusquely, "and what has he done?"--"He
wants to do something, Sire."--"What is it?"--"To visit the sewers of
Paris."

This man existed and his name was Bruneseau.




CHAPTER IV--BRUNESEAU.

The visit took place. It was a formidable campaign; a nocturnal battle
against pestilence and suffocation. It was, at the same time, a voyage
of discovery. One of the survivors of this expedition, an intelligent
workingman, who was very young at the time, related curious details with
regard to it, several years ago, which Bruneseau thought himself obliged
to omit in his report to the prefect of police, as unworthy of official
style. The processes of disinfection were, at that epoch, extremely
rudimentary. Hardly had Bruneseau crossed the first articulations of
that subterranean network, when eight laborers out of the twenty refused
to go any further. The operation was complicated; the visit entailed the
necessity of cleaning; hence it was necessary to cleanse and at the same
time, to proceed; to note the entrances of water, to count the gratings
and the vents, to lay out in detail the branches, to indicate the
currents at the point where they parted, to define the respective bounds
of the divers basins, to sound the small sewers grafted on the principal
sewer, to measure the height under the key-stone of each drain, and the
width, at the spring of the vaults as well as at the bottom, in order
to determine the arrangements with regard to the level of each
water-entrance, either of the bottom of the arch, or on the soil of the
street. They advanced with toil. The lanterns pined away in the foul
atmosphere. From time to time, a fainting sewerman was carried out.
At certain points, there were precipices. The soil had given away, the
pavement had crumbled, the sewer had changed into a bottomless well;
they found nothing solid; a man disappeared suddenly; they had great
difficulty in getting him out again. On the advice of Fourcroy, they
lighted large cages filled with tow steeped in resin, from time to time,
in spots which had been sufficiently disinfected. In some places, the
wall was covered with misshapen fungi,--one would have said tumors; the
very stone seemed diseased within this unbreathable atmosphere.

Bruneseau, in his exploration, proceeded down hill. At the point of
separation of the two water-conduits of the Grand-Hurleur, he deciphered
upon a projecting stone the date of 1550; this stone indicated the
limits where Philibert Delorme, charged by Henri II. with visiting the
subterranean drains of Paris, had halted. This stone was the mark of
the sixteenth century on the sewer; Bruneseau found the handiwork of
the seventeenth century once more in the Ponceau drain of the old Rue
Vielle-du-Temple, vaulted between 1600 and 1650; and the handiwork of
the eighteenth in the western section of the collecting canal, walled
and vaulted in 1740. These two vaults, especially the less ancient, that
of 1740, were more cracked and decrepit than the masonry of the belt
sewer, which dated from 1412, an epoch when the brook of fresh water of
Menilmontant was elevated to the dignity of the Grand Sewer of Paris, an
advancement analogous to that of a peasant who should become first valet
de chambre to the King; something like Gros-Jean transformed into Lebel.

Here and there, particularly beneath the Court-House, they thought they
recognized the hollows of ancient dungeons, excavated in the very sewer
itself. Hideous place! An iron neck-collar was hanging in one of these
cells. They walled them all up. Some of their finds were singular; among
others, the skeleton of an ourang-outan, who had disappeared from the
Jardin des Plantes in 1800, a disappearance probably connected with
the famous and indisputable apparition of the devil in the Rue des
Bernardins, in the last year of the eighteenth century. The poor devil
had ended by drowning himself in the sewer.

Beneath this long, arched drain which terminated at the Arche-Marion,
a perfectly preserved rag-picker's basket excited the admiration of all
connoisseurs. Everywhere, the mire, which the sewermen came to handle
with intrepidity, abounded in precious objects, jewels of gold and
silver, precious stones, coins. If a giant had filtered this cesspool,
he would have had the riches of centuries in his lair. At the point
where the two branches of the Rue du Temple and of the Rue Sainte-Avoye
separate, they picked up a singular Huguenot medal in copper, bearing on
one side the pig hooded with a cardinal's hat, and on the other, a wolf
with a tiara on his head.

The most surprising encounter was at the entrance to the Grand Sewer.
This entrance had formerly been closed by a grating of which nothing but
the hinges remained. From one of these hinges hung a dirty and shapeless
rag which, arrested there in its passage, no doubt, had floated there
in the darkness and finished its process of being torn apart. Bruneseau
held his lantern close to this rag and examined it. It was of very fine
batiste, and in one of the corners, less frayed than the rest, they
made out a heraldic coronet and embroidered above these seven letters:
LAVBESP. The crown was the coronet of a Marquis, and the seven letters
signified Laubespine. They recognized the fact, that what they had
before their eyes was a morsel of the shroud of Marat. Marat in his
youth had had amorous intrigues. This was when he was a member of the
household of the Comte d'Artois, in the capacity of physician to the
Stables. From these love affairs, historically proved, with a great
lady, he had retained this sheet. As a waif or a souvenir. At his death,
as this was the only linen of any fineness which he had in his house,
they buried him in it. Some old women had shrouded him for the tomb in
that swaddling-band in which the tragic Friend of the people had enjoyed
voluptuousness. Bruneseau passed on. They left that rag where it hung;
they did not put the finishing touch to it. Did this arise from scorn
or from respect? Marat deserved both. And then, destiny was there
sufficiently stamped to make them hesitate to touch it. Besides, the
things of the sepulchre must be left in the spot which they select. In
short, the relic was a strange one. A Marquise had slept in it; Marat
had rotted in it; it had traversed the Pantheon to end with the rats
of the sewer. This chamber rag, of which Watteau would formerly have
joyfully sketched every fold, had ended in becoming worthy of the fixed
gaze of Dante.

The whole visit to the subterranean stream of filth of Paris lasted
seven years, from 1805 to 1812. As he proceeded, Bruneseau drew,
directed, and completed considerable works; in 1808 he lowered the arch
of the Ponceau, and, everywhere creating new lines, he pushed the
sewer, in 1809, under the Rue Saint-Denis as far as the fountain of
the Innocents; in 1810, under the Rue Froidmanteau and under the
Salpetriere; in 1811 under the Rue Neuve-des-Petits-Peres, under the Rue
du Mail, under the Rue de l'Echarpe, under the Place Royale; in 1812,
under the Rue de la Paix, and under the Chaussee d'Antin. At the same
time, he had the whole net-work disinfected and rendered healthful. In
the second year of his work, Bruneseau engaged the assistance of his
son-in-law Nargaud.

It was thus that, at the beginning of the century, ancient society
cleansed its double bottom, and performed the toilet of its sewer. There
was that much clean, at all events.

Tortuous, cracked, unpaved, full of fissures, intersected by gullies,
jolted by eccentric elbows, mounting and descending illogically, fetid,
wild, fierce, submerged in obscurity, with cicatrices on its pavements
and scars on its walls, terrible,--such was, retrospectively viewed, the
antique sewer of Paris. Ramifications in every direction, crossings,
of trenches, branches, goose-feet, stars, as in military mines, coecum,
blind alleys, vaults lined with saltpetre, pestiferous pools, scabby
sweats, on the walls, drops dripping from the ceilings, darkness;
nothing could equal the horror of this old, waste crypt, the digestive
apparatus of Babylon, a cavern, ditch, gulf pierced with streets, a
titanic mole-burrow, where the mind seems to behold that enormous blind
mole, the past, prowling through the shadows, in the filth which has
been splendor.

This, we repeat, was the sewer of the past.




CHAPTER V--PRESENT PROGRESS

To-day the sewer is clean, cold, straight, correct. It almost realizes
the ideal of what is understood in England by the word "respectable." It
is proper and grayish; laid out by rule and line; one might almost say
as though it came out of a bandbox. It resembles a tradesman who has
become a councillor of state. One can almost see distinctly there. The
mire there comports itself with decency. At first, one might readily
mistake it for one of those subterranean corridors, which were so common
in former days, and so useful in flights of monarchs and princes, in
those good old times, "when the people loved their kings." The present
sewer is a beautiful sewer; the pure style reigns there; the classical
rectilinear alexandrine which, driven out of poetry, appears to have
taken refuge in architecture, seems mingled with all the stones of
that long, dark and whitish vault; each outlet is an arcade; the Rue de
Rivoli serves as pattern even in the sewer. However, if the geometrical
line is in place anywhere, it is certainly in the drainage trench of
a great city. There, everything should be subordinated to the shortest
road. The sewer has, nowadays, assumed a certain official aspect. The
very police reports, of which it sometimes forms the subject, no longer
are wanting in respect towards it. The words which characterize it in
administrative language are sonorous and dignified. What used to be
called a gut is now called a gallery; what used to be called a hole is
now called a surveying orifice. Villon would no longer meet with his
ancient temporary provisional lodging. This net-work of cellars has its
immemorial population of prowlers, rodents, swarming in greater numbers
than ever; from time to time, an aged and veteran rat risks his head at
the window of the sewer and surveys the Parisians; but even these vermin
grow tame, so satisfied are they with their subterranean palace. The
cesspool no longer retains anything of its primitive ferocity. The rain,
which in former days soiled the sewer, now washes it. Nevertheless, do
not trust yourself too much to it. Miasmas still inhabit it. It is
more hypocritical than irreproachable. The prefecture of police and
the commission of health have done their best. But, in spite of all the
processes of disinfection, it exhales, a vague, suspicious odor like
Tartuffe after confession.

Let us confess, that, taking it all in all, this sweeping is a homage
which the sewer pays to civilization, and as, from this point of view,
Tartuffe's conscience is a progress over the Augean stables, it is
certain that the sewers of Paris have been improved.

It is more than progress; it is transmutation. Between the ancient
and the present sewer there is a revolution. What has effected this
revolution?

The man whom all the world forgets, and whom we have mentioned,
Bruneseau.




CHAPTER VI--FUTURE PROGRESS

The excavation of the sewer of Paris has been no slight task. The last
ten centuries have toiled at it without being able to bring it to a
termination, any more than they have been able to finish Paris. The
sewer, in fact, receives all the counter-shocks of the growth of Paris.
Within the bosom of the earth, it is a sort of mysterious polyp with a
thousand antennae, which expands below as the city expands above. Every
time that the city cuts a street, the sewer stretches out an arm. The
old monarchy had constructed only twenty-three thousand three hundred
metres of sewers; that was where Paris stood in this respect on the
first of January, 1806. Beginning with this epoch, of which we shall
shortly speak, the work was usefully and energetically resumed and
prosecuted; Napoleon built--the figures are curious--four thousand eight
hundred and four metres; Louis XVIII., five thousand seven hundred
and nine; Charles X., ten thousand eight hundred and thirty-six;
Louis-Philippe, eighty-nine thousand and twenty; the Republic of
1848, twenty-three thousand three hundred and eighty-one; the present
government, seventy thousand five hundred; in all, at the present time,
two hundred and twenty-six thousand six hundred and ten metres;
sixty leagues of sewers; the enormous entrails of Paris. An obscure
ramification ever at work; a construction which is immense and ignored.

As the reader sees, the subterranean labyrinth of Paris is to-day
more than ten times what it was at the beginning of the century. It is
difficult to form any idea of all the perseverance and the efforts which
have been required to bring this cess-pool to the point of relative
perfection in which it now is. It was with great difficulty that the
ancient monarchical provostship and, during the last ten years of
the eighteenth century, the revolutionary mayoralty, had succeeded in
perforating the five leagues of sewer which existed previous to 1806.
All sorts of obstacles hindered this operation, some peculiar to the
soil, others inherent in the very prejudices of the laborious population
of Paris. Paris is built upon a soil which is singularly rebellious to
the pick, the hoe, the bore, and to human manipulation. There is nothing
more difficult to pierce and to penetrate than the geological formation
upon which is superposed the marvellous historical formation called
Paris; as soon as work in any form whatsoever is begun and adventures
upon this stretch of alluvium, subterranean resistances abound. There
are liquid clays, springs, hard rocks, and those soft and deep quagmires
which special science calls moutardes.[59] The pick advances laboriously
through the calcareous layers alternating with very slender threads of
clay, and schistose beds in plates incrusted with oyster-shells, the
contemporaries of the pre-Adamite oceans. Sometimes a rivulet suddenly
bursts through a vault that has been begun, and inundates the laborers;
or a layer of marl is laid bare, and rolls down with the fury of a
cataract, breaking the stoutest supporting beams like glass. Quite
recently, at Villette, when it became necessary to pass the collecting
sewer under the Saint-Martin canal without interrupting navigation or
emptying the canal, a fissure appeared in the basin of the canal, water
suddenly became abundant in the subterranean tunnel, which was beyond
the power of the pumping engines; it was necessary to send a diver to
explore the fissure which had been made in the narrow entrance of the
grand basin, and it was not without great difficulty that it was stopped
up. Elsewhere near the Seine, and even at a considerable distance
from the river, as for instance, at Belleville, Grand-Rue and Lumiere
Passage, quicksands are encountered in which one sticks fast, and in
which a man sinks visibly. Add suffocation by miasmas, burial by slides,
and sudden crumbling of the earth. Add the typhus, with which the
workmen become slowly impregnated. In our own day, after having
excavated the gallery of Clichy, with a banquette to receive the
principal water-conduit of Ourcq, a piece of work which was executed in
a trench ten metres deep; after having, in the midst of land-slides, and
with the aid of excavations often putrid, and of shoring up, vaulted
the Bievre from the Boulevard de l'Hopital, as far as the Seine; after
having, in order to deliver Paris from the floods of Montmartre and in
order to provide an outlet for that river-like pool nine hectares in
extent, which crouched near the Barriere des Martyrs, after having, let
us state, constructed the line of sewers from the Barriere Blanche to
the road of Aubervilliers, in four months, working day and night, at a
depth of eleven metres; after having--a thing heretofore unseen--made a
subterranean sewer in the Rue Barre-du-Bec, without a trench, six
metres below the surface, the superintendent, Monnot, died. After having
vaulted three thousand metres of sewer in all quarters of the city, from
the Rue Traversiere-Saint-Antoine to the Rue de l'Ourcine, after having
freed the Carrefour Censier-Mouffetard from inundations of rain by means
of the branch of the Arbalete, after having built the Saint-Georges
sewer, on rock and concrete in the fluid sands, after having directed
the formidable lowering of the flooring of the vault timber in the
Notre-Dame-de-Nazareth branch, Duleau the engineer died. There are no
bulletins for such acts of bravery as these, which are more useful,
nevertheless, than the brutal slaughter of the field of battle.

The sewers of Paris in 1832 were far from being what they are to-day.
Bruneseau had given the impulse, but the cholera was required to
bring about the vast reconstruction which took place later on. It is
surprising to say, for example, that in 1821, a part of the belt sewer,
called the Grand Canal, as in Venice, still stood stagnating uncovered
to the sky, in the Rue des Gourdes. It was only in 1821 that the city
of Paris found in its pocket the two hundred and sixty-thousand eighty
francs and six centimes required for covering this mass of filth. The
three absorbing wells, of the Combat, the Cunette, and Saint-Mande, with
their discharging mouths, their apparatus, their cesspools, and their
depuratory branches, only date from 1836. The intestinal sewer of Paris
has been made over anew, and, as we have said, it has been extended more
than tenfold within the last quarter of a century.

Thirty years ago, at the epoch of the insurrection of the 5th and 6th of
June, it was still, in many localities, nearly the same ancient sewer.
A very great number of streets which are now convex were then sunken
causeways. At the end of a slope, where the tributaries of a street or
cross-roads ended, there were often to be seen large, square gratings
with heavy bars, whose iron, polished by the footsteps of the throng,
gleamed dangerous and slippery for vehicles, and caused horses to fall.
The official language of the Roads and Bridges gave to these gratings
the expressive name of Cassis.[60]

In 1832, in a number of streets, in the Rue de l'Etoile, the Rue
Saint-Louis, the Rue du Temple, the Rue Vielle-duTemple, the Rue
Notre-Dame de Nazareth, the Rue Folie-Mericourt, the Quai aux Fleurs,
the Rue du Petit-Muse, the Rue du Normandie, the Rue Pont-Aux-Biches,
the Rue des Marais, the Faubourg Saint-Martin, the Rue Notre Dame
des-Victoires, the Faubourg Montmartre, the Rue Grange-Bateliere, in the
Champs-Elysees, the Rue Jacob, the Rue de Tournon, the ancient gothic
sewer still cynically displayed its maw. It consisted of enormous
voids of stone catch-basins sometimes surrounded by stone posts, with
monumental effrontery.

Paris in 1806 still had nearly the same sewers numerically as stated in
1663; five thousand three hundred fathoms. After Bruneseau, on the 1st
of January, 1832, it had forty thousand three hundred metres. Between
1806 and 1831, there had been built, on an average, seven hundred and
fifty metres annually, afterwards eight and even ten thousand metres of
galleries were constructed every year, in masonry, of small stones, with
hydraulic mortar which hardens under water, on a cement foundation. At
two hundred francs the metre, the sixty leagues of Paris' sewers of the
present day represent forty-eight millions.

In addition to the economic progress which we have indicated at the
beginning, grave problems of public hygiene are connected with that
immense question: the sewers of Paris.

Paris is the centre of two sheets, a sheet of water and a sheet of air.
The sheet of water, lying at a tolerably great depth underground, but
already sounded by two bores, is furnished by the layer of green clay
situated between the chalk and the Jurassic lime-stone; this layer may
be represented by a disk five and twenty leagues in circumference; a
multitude of rivers and brooks ooze there; one drinks the Seine, the
Marne, the Yonne, the Oise, the Aisne, the Cher, the Vienne and the
Loire in a glass of water from the well of Grenelle. The sheet of water
is healthy, it comes from heaven in the first place and next from the
earth; the sheet of air is unhealthy, it comes from the sewer. All the
miasms of the cess-pool are mingled with the breath of the city; hence
this bad breath. The air taken from above a dung-heap, as has been
scientifically proved, is purer than the air taken from above Paris. In
a given time, with the aid of progress, mechanisms become perfected, and
as light increases, the sheet of water will be employed to purify the
sheet of air; that is to say, to wash the sewer. The reader knows, that
by "washing the sewer" we mean: the restitution of the filth to the
earth; the return to the soil of dung and of manure to the fields.
Through this simple act, the entire social community will experience a
diminution of misery and an augmentation of health. At the present hour,
the radiation of diseases from Paris extends to fifty leagues around the
Louvre, taken as the hub of this pestilential wheel.

We might say that, for ten centuries, the cess-pool has been the disease
of Paris. The sewer is the blemish which Paris has in her blood. The
popular instinct has never been deceived in it. The occupation of
sewermen was formerly almost as perilous, and almost as repugnant to the
people, as the occupation of knacker, which was so long held in horror
and handed over to the executioner. High wages were necessary to induce
a mason to disappear in that fetid mine; the ladder of the cess-pool
cleaner hesitated to plunge into it; it was said, in proverbial form:
"to descend into the sewer is to enter the grave;" and all sorts of
hideous legends, as we have said, covered this colossal sink with
terror; a dread sink-hole which bears the traces of the revolutions
of the globe as of the revolutions of man, and where are to be found
vestiges of all cataclysms from the shells of the Deluge to the rag of
Marat.




BOOK THIRD.--MUD BUT THE SOUL




CHAPTER I--THE SEWER AND ITS SURPRISES

It was in the sewers of Paris that Jean Valjean found himself.

Still another resemblance between Paris and the sea. As in the ocean,
the diver may disappear there.

The transition was an unheard-of one. In the very heart of the city,
Jean Valjean had escaped from the city, and, in the twinkling of an eye,
in the time required to lift the cover and to replace it, he had passed
from broad daylight to complete obscurity, from midday to midnight, from
tumult to silence, from the whirlwind of thunders to the stagnation of
the tomb, and, by a vicissitude far more tremendous even than that of
the Rue Polonceau, from the most extreme peril to the most absolute
obscurity.

An abrupt fall into a cavern; a disappearance into the secret trap-door
of Paris; to quit that street where death was on every side, for that
sort of sepulchre where there was life, was a strange instant. He
remained for several seconds as though bewildered; listening, stupefied.
The waste-trap of safety had suddenly yawned beneath him. Celestial
goodness had, in a manner, captured him by treachery. Adorable
ambuscades of providence!

Only, the wounded man did not stir, and Jean Valjean did not know
whether that which he was carrying in that grave was a living being or a
dead corpse.

His first sensation was one of blindness. All of a sudden, he could see
nothing. It seemed to him too, that, in one instant, he had become deaf.
He no longer heard anything. The frantic storm of murder which had been
let loose a few feet above his head did not reach him, thanks to the
thickness of the earth which separated him from it, as we have said,
otherwise than faintly and indistinctly, and like a rumbling, in the
depths. He felt that the ground was solid under his feet; that was all;
but that was enough. He extended one arm and then the other, touched
the walls on both sides, and perceived that the passage was narrow; he
slipped, and thus perceived that the pavement was wet. He cautiously put
forward one foot, fearing a hole, a sink, some gulf; he discovered that
the paving continued. A gust of fetidness informed him of the place in
which he stood.

After the lapse of a few minutes, he was no longer blind. A little light
fell through the man-hole through which he had descended, and his eyes
became accustomed to this cavern. He began to distinguish something. The
passage in which he had burrowed--no other word can better express the
situation--was walled in behind him. It was one of those blind alleys,
which the special jargon terms branches. In front of him there was
another wall, a wall like night. The light of the air-hole died out ten
or twelve paces from the point where Jean Valjean stood, and barely cast
a wan pallor on a few metres of the damp walls of the sewer. Beyond,
the opaqueness was massive; to penetrate thither seemed horrible, an
entrance into it appeared like an engulfment. A man could, however,
plunge into that wall of fog and it was necessary so to do. Haste was
even requisite. It occurred to Jean Valjean that the grating which he
had caught sight of under the flag-stones might also catch the eye of
the soldiery, and that everything hung upon this chance. They also might
descend into that well and search it. There was not a minute to be lost.
He had deposited Marius on the ground, he picked him up again,--that is
the real word for it,--placed him on his shoulders once more, and set
out. He plunged resolutely into the gloom.

The truth is, that they were less safe than Jean Valjean fancied. Perils
of another sort and no less serious were awaiting them, perchance. After
the lightning-charged whirlwind of the combat, the cavern of miasmas and
traps; after chaos, the sewer. Jean Valjean had fallen from one circle
of hell into another.

When he had advanced fifty paces, he was obliged to halt. A problem
presented itself. The passage terminated in another gut which he
encountered across his path. There two ways presented themselves. Which
should he take? Ought he to turn to the left or to the right? How was he
to find his bearings in that black labyrinth? This labyrinth, to which
we have already called the reader's attention, has a clue, which is its
slope. To follow to the slope is to arrive at the river.

This Jean Valjean instantly comprehended.

He said to himself that he was probably in the sewer des Halles; that
if he were to choose the path to the left and follow the slope, he would
arrive, in less than a quarter of an hour, at some mouth on the Seine
between the Pont au Change and the Pont-Neuf, that is to say, he would
make his appearance in broad daylight on the most densely peopled spot
in Paris. Perhaps he would come out on some man-hole at the intersection
of streets. Amazement of the passers-by at beholding two bleeding men
emerge from the earth at their feet. Arrival of the police, a call to
arms of the neighboring post of guards. Thus they would be seized before
they had even got out. It would be better to plunge into that labyrinth,
to confide themselves to that black gloom, and to trust to Providence
for the outcome.

He ascended the incline, and turned to the right.

When he had turned the angle of the gallery, the distant glimmer of an
air-hole disappeared, the curtain of obscurity fell upon him once more,
and he became blind again. Nevertheless, he advanced as rapidly as
possible. Marius' two arms were passed round his neck, and the former's
feet dragged behind him. He held both these arms with one hand, and
groped along the wall with the other. Marius' cheek touched his, and
clung there, bleeding. He felt a warm stream which came from Marius
trickling down upon him and making its way under his clothes. But a
humid warmth near his ear, which the mouth of the wounded man touched,
indicated respiration, and consequently, life. The passage along which
Jean Valjean was now proceeding was not so narrow as the first. Jean
Valjean walked through it with considerable difficulty. The rain of the
preceding day had not, as yet, entirely run off, and it created a little
torrent in the centre of the bottom, and he was forced to hug the wall
in order not to have his feet in the water.

Thus he proceeded in the gloom. He resembled the beings of the night
groping in the invisible and lost beneath the earth in veins of shadow.

Still, little by little, whether it was that the distant air-holes
emitted a little wavering light in this opaque gloom, or whether his
eyes had become accustomed to the obscurity, some vague vision returned
to him, and he began once more to gain a confused idea, now of the wall
which he touched, now of the vault beneath which he was passing. The
pupil dilates in the dark, and the soul dilates in misfortune and ends
by finding God there.

It was not easy to direct his course.

The line of the sewer re-echoes, so to speak, the line of the streets
which lie above it. There were then in Paris two thousand two hundred
streets. Let the reader imagine himself beneath that forest of gloomy
branches which is called the sewer. The system of sewers existing at
that epoch, placed end to end, would have given a length of eleven
leagues. We have said above, that the actual net-work, thanks to the
special activity of the last thirty years, was no less than sixty
leagues in extent.

Jean Valjean began by committing a blunder. He thought that he was
beneath the Rue Saint-Denis, and it was a pity that it was not so. Under
the Rue Saint-Denis there is an old stone sewer which dates from Louis
XIII. and which runs straight to the collecting sewer, called the Grand
Sewer, with but a single elbow, on the right, on the elevation of the
ancient Cour des Miracles, and a single branch, the Saint-Martin sewer,
whose four arms describe a cross. But the gut of the Petite-Truanderie
the entrance to which was in the vicinity of the Corinthe wine-shop has
never communicated with the sewer of the Rue Saint-Denis; it ended
at the Montmartre sewer, and it was in this that Jean Valjean was
entangled. There opportunities of losing oneself abound. The Montmartre
sewer is one of the most labyrinthine of the ancient network.
Fortunately, Jean Valjean had left behind him the sewer of the markets
whose geometrical plan presents the appearance of a multitude of
parrots' roosts piled on top of each other; but he had before him more
than one embarrassing encounter and more than one street corner--for
they are streets--presenting itself in the gloom like an interrogation
point; first, on his left, the vast sewer of the Platriere, a sort of
Chinese puzzle, thrusting out and entangling its chaos of Ts and Zs
under the Post-Office and under the rotunda of the Wheat Market, as far
as the Seine, where it terminates in a Y; secondly, on his right, the
curving corridor of the Rue du Cadran with its three teeth, which
are also blind courts; thirdly, on his left, the branch of the
Mail, complicated, almost at its inception, with a sort of fork, and
proceeding from zig-zag to zig-zag until it ends in the grand crypt of
the outlet of the Louvre, truncated and ramified in every direction; and
lastly, the blind alley of a passage of the Rue des Jeuneurs, without
counting little ducts here and there, before reaching the belt sewer,
which alone could conduct him to some issue sufficiently distant to be
safe.

Had Jean Valjean had any idea of all that we have here pointed out, he
would speedily have perceived, merely by feeling the wall, that he was
not in the subterranean gallery of the Rue Saint-Denis. Instead of the
ancient stone, instead of the antique architecture, haughty and royal
even in the sewer, with pavement and string courses of granite and
mortar costing eight hundred livres the fathom, he would have felt under
his hand contemporary cheapness, economical expedients, porous stone
filled with mortar on a concrete foundation, which costs two hundred
francs the metre, and the bourgeoise masonry known as a petits
materiaux--small stuff; but of all this he knew nothing.

He advanced with anxiety, but with calmness, seeing nothing, knowing
nothing, buried in chance, that is to say, engulfed in providence.

By degrees, we will admit, a certain horror seized upon him. The gloom
which enveloped him penetrated his spirit. He walked in an enigma. This
aqueduct of the sewer is formidable; it interlaces in a dizzy fashion.
It is a melancholy thing to be caught in this Paris of shadows. Jean
Valjean was obliged to find and even to invent his route without seeing
it. In this unknown, every step that he risked might be his last. How
was he to get out? should he find an issue? should he find it in time?
would that colossal subterranean sponge with its stone cavities, allow
itself to be penetrated and pierced? should he there encounter some
unexpected knot in the darkness? should he arrive at the inextricable
and the impassable? would Marius die there of hemorrhage and he of
hunger? should they end by both getting lost, and by furnishing two
skeletons in a nook of that night? He did not know. He put all these
questions to himself without replying to them. The intestines of Paris
form a precipice. Like the prophet, he was in the belly of the monster.

All at once, he had a surprise. At the most unforeseen moment, and
without having ceased to walk in a straight line, he perceived that he
was no longer ascending; the water of the rivulet was beating against
his heels, instead of meeting him at his toes. The sewer was now
descending. Why? Was he about to arrive suddenly at the Seine? This
danger was a great one, but the peril of retreating was still greater.
He continued to advance.

It was not towards the Seine that he was proceeding. The ridge which
the soil of Paris forms on its right bank empties one of its water-sheds
into the Seine and the other into the Grand Sewer. The crest of this
ridge which determines the division of the waters describes a very
capricious line. The culminating point, which is the point of
separation of the currents, is in the Sainte-Avoye sewer, beyond the Rue
Michelle-Comte, in the sewer of the Louvre, near the boulevards, and
in the Montmartre sewer, near the Halles. It was this culminating point
that Jean Valjean had reached. He was directing his course towards the
belt sewer; he was on the right path. But he did not know it.

Every time that he encountered a branch, he felt of its angles, and if
he found that the opening which presented itself was smaller than the
passage in which he was, he did not enter but continued his route,
rightly judging that every narrower way must needs terminate in a blind
alley, and could only lead him further from his goal, that is to say,
the outlet. Thus he avoided the quadruple trap which was set for him in
the darkness by the four labyrinths which we have just enumerated.

At a certain moment, he perceived that he was emerging from beneath
the Paris which was petrified by the uprising, where the barricades had
suppressed circulation, and that he was entering beneath the living and
normal Paris. Overhead he suddenly heard a noise as of thunder, distant
but continuous. It was the rumbling of vehicles.

He had been walking for about half an hour, at least according to the
calculation which he made in his own mind, and he had not yet thought of
rest; he had merely changed the hand with which he was holding Marius.
The darkness was more profound than ever, but its very depth reassured
him.

All at once, he saw his shadow in front of him. It was outlined on
a faint, almost indistinct reddish glow, which vaguely empurpled the
flooring vault underfoot, and the vault overhead, and gilded to his
right and to his left the two viscous walls of the passage. Stupefied,
he turned round.

Behind him, in the portion of the passage which he had just passed
through, at a distance which appeared to him immense, piercing the dense
obscurity, flamed a sort of horrible star which had the air of surveying
him.

It was the gloomy star of the police which was rising in the sewer.

In the rear of that star eight or ten forms were moving about in a
confused way, black, upright, indistinct, horrible.




CHAPTER II--EXPLANATION

On the day of the sixth of June, a battue of the sewers had been
ordered. It was feared that the vanquished might have taken to them for
refuge, and Prefect Gisquet was to search occult Paris while General
Bugeaud swept public Paris; a double and connected operation which
exacted a double strategy on the part of the public force, represented
above by the army and below by the police. Three squads of agents and
sewermen explored the subterranean drain of Paris, the first on the
right bank, the second on the left bank, the third in the city. The
agents of police were armed with carabines, with bludgeons, swords and
poignards.

That which was directed at Jean Valjean at that moment, was the lantern
of the patrol of the right bank.

This patrol had just visited the curving gallery and the three blind
alleys which lie beneath the Rue du Cadran. While they were passing
their lantern through the depths of these blind alleys, Jean Valjean had
encountered on his path the entrance to the gallery, had perceived
that it was narrower than the principal passage and had not penetrated
thither. He had passed on. The police, on emerging from the gallery
du Cadran, had fancied that they heard the sound of footsteps in the
direction of the belt sewer. They were, in fact, the steps of Jean
Valjean. The sergeant in command of the patrol had raised his lantern,
and the squad had begun to gaze into the mist in the direction whence
the sound proceeded.

This was an indescribable moment for Jean Valjean.

Happily, if he saw the lantern well, the lantern saw him but ill. It
was light and he was shadow. He was very far off, and mingled with the
darkness of the place. He hugged the wall and halted. Moreover, he did
not understand what it was that was moving behind him. The lack of sleep
and food, and his emotions had caused him also to pass into the state of
a visionary. He beheld a gleam, and around that gleam, forms. What was
it? He did not comprehend.

Jean Valjean having paused, the sound ceased.

The men of the patrol listened, and heard nothing, they looked and saw
nothing. They held a consultation.

There existed at that epoch at this point of the Montmartre sewer a sort
of cross-roads called de service, which was afterwards suppressed, on
account of the little interior lake which formed there, swallowing up
the torrent of rain in heavy storms. The patrol could form a cluster in
this open space. Jean Valjean saw these spectres form a sort of circle.
These bull-dogs' heads approached each other closely and whispered
together.

The result of this council held by the watch dogs was, that they had
been mistaken, that there had been no noise, that it was useless to get
entangled in the belt sewer, that it would only be a waste of time,
but that they ought to hasten towards Saint-Merry; that if there
was anything to do, and any "bousingot" to track out, it was in that
quarter.

From time to time, parties re-sole their old insults. In 1832, the word
bousingot formed the interim between the word jacobin, which had become
obsolete, and the word demagogue which has since rendered such excellent
service.

The sergeant gave orders to turn to the left, towards the watershed of
the Seine.

If it had occurred to them to separate into two squads, and to go in
both directions, Jean Valjean would have been captured. All hung on
that thread. It is probable that the instructions of the prefecture,
foreseeing a possibility of combat and insurgents in force, had
forbidden the patrol to part company. The patrol resumed its march,
leaving Jean Valjean behind it. Of all this movement, Jean Valjean
perceived nothing, except the eclipse of the lantern which suddenly
wheeled round.

Before taking his departure, the Sergeant, in order to acquit his
policeman's conscience, discharged his gun in the direction of Jean
Valjean. The detonation rolled from echo to echo in the crypt, like the
rumbling of that titanic entrail. A bit of plaster which fell into the
stream and splashed up the water a few paces away from Jean Valjean,
warned him that the ball had struck the arch over his head.

Slow and measured steps resounded for some time on the timber work,
gradually dying away as they retreated to a greater distance; the group
of black forms vanished, a glimmer of light oscillated and floated,
communicating to the vault a reddish glow which grew fainter, then
disappeared; the silence became profound once more, the obscurity became
complete, blindness and deafness resumed possession of the shadows;
and Jean Valjean, not daring to stir as yet, remained for a long time
leaning with his back against the wall, with straining ears, and dilated
pupils, watching the disappearance of that phantom patrol.




CHAPTER III--THE "SPUN" MAN

This justice must be rendered to the police of that period, that even in
the most serious public junctures, it imperturbably fulfilled its duties
connected with the sewers and surveillance. A revolt was, in its eyes,
no pretext for allowing malefactors to take the bit in their own mouths,
and for neglecting society for the reason that the government was in
peril. The ordinary service was performed correctly in company with the
extraordinary service, and was not troubled by the latter. In the midst
of an incalculable political event already begun, under the pressure of
a possible revolution, a police agent, "spun" a thief without allowing
himself to be distracted by insurrection and barricades.

It was something precisely parallel which took place on the afternoon
of the 6th of June on the banks of the Seine, on the slope of the right
shore, a little beyond the Pont des Invalides.

There is no longer any bank there now. The aspect of the locality has
changed.

On that bank, two men, separated by a certain distance, seemed to be
watching each other while mutually avoiding each other. The one who was
in advance was trying to get away, the one in the rear was trying to
overtake the other.

It was like a game of checkers played at a distance and in silence.
Neither seemed to be in any hurry, and both walked slowly, as though
each of them feared by too much haste to make his partner redouble his
pace.

One would have said that it was an appetite following its prey, and
purposely without wearing the air of doing so. The prey was crafty and
on its guard.

The proper relations between the hunted pole-cat and the hunting dog
were observed. The one who was seeking to escape had an insignificant
mien and not an impressive appearance; the one who was seeking to seize
him was rude of aspect, and must have been rude to encounter.

The first, conscious that he was the more feeble, avoided the second;
but he avoided him in a manner which was deeply furious; any one who
could have observed him would have discerned in his eyes the sombre
hostility of flight, and all the menace that fear contains.

The shore was deserted; there were no passers-by; not even a boatman nor
a lighter-man was in the skiffs which were moored here and there.

It was not easy to see these two men, except from the quay opposite, and
to any person who had scrutinized them at that distance, the man who was
in advance would have appeared like a bristling, tattered, and equivocal
being, who was uneasy and trembling beneath a ragged blouse, and the
other like a classic and official personage, wearing the frock-coat of
authority buttoned to the chin.

Perchance the reader might recognize these two men, if he were to see
them closer at hand.

What was the object of the second man?

Probably to succeed in clothing the first more warmly.

When a man clothed by the state pursues a man in rags, it is in order
to make of him a man who is also clothed by the state. Only, the whole
question lies in the color. To be dressed in blue is glorious; to be
dressed in red is disagreeable.

There is a purple from below.

It is probably some unpleasantness and some purple of this sort which
the first man is desirous of shirking.

If the other allowed him to walk on, and had not seized him as yet, it
was, judging from all appearances, in the hope of seeing him lead up to
some significant meeting-place and to some group worth catching. This
delicate operation is called "spinning."

What renders this conjecture entirely probable is that the buttoned-up
man, on catching sight from the shore of a hackney-coach on the quay
as it was passing along empty, made a sign to the driver; the driver
understood, evidently recognized the person with whom he had to deal,
turned about and began to follow the two men at the top of the quay,
at a foot-pace. This was not observed by the slouching and tattered
personage who was in advance.

The hackney-coach rolled along the trees of the Champs-Elysees. The
bust of the driver, whip in hand, could be seen moving along above the
parapet.

One of the secret instructions of the police authorities to their agents
contains this article: "Always have on hand a hackney-coach, in case of
emergency."

While these two men were manoeuvring, each on his own side, with
irreproachable strategy, they approached an inclined plane on the quay
which descended to the shore, and which permitted cab-drivers arriving
from Passy to come to the river and water their horses. This inclined
plane was suppressed later on, for the sake of symmetry; horses may die
of thirst, but the eye is gratified.

It is probable that the man in the blouse had intended to ascend
this inclined plane, with a view to making his escape into the
Champs-Elysees, a place ornamented with trees, but, in return, much
infested with policemen, and where the other could easily exercise
violence.

This point on the quay is not very far distant from the house brought to
Paris from Moret in 1824, by Colonel Brack, and designated as "the house
of Francois I." A guard house is situated close at hand.

To the great surprise of his watcher, the man who was being tracked did
not mount by the inclined plane for watering. He continued to advance
along the quay on the shore.

His position was visibly becoming critical.

What was he intending to do, if not to throw himself into the Seine?

Henceforth, there existed no means of ascending to the quay; there was
no other inclined plane, no staircase; and they were near the spot,
marked by the bend in the Seine towards the Pont de Jena, where the
bank, growing constantly narrower, ended in a slender tongue, and
was lost in the water. There he would inevitably find himself blocked
between the perpendicular wall on his right, the river on his left and
in front of him, and the authorities on his heels.

It is true that this termination of the shore was hidden from sight by a
heap of rubbish six or seven feet in height, produced by some demolition
or other. But did this man hope to conceal himself effectually behind
that heap of rubbish, which one need but skirt? The expedient would
have been puerile. He certainly was not dreaming of such a thing. The
innocence of thieves does not extend to that point.

The pile of rubbish formed a sort of projection at the water's edge,
which was prolonged in a promontory as far as the wall of the quay.

The man who was being followed arrived at this little mound and went
round it, so that he ceased to be seen by the other.

The latter, as he did not see, could not be seen; he took advantage of
this fact to abandon all dissimulation and to walk very rapidly. In a
few moments, he had reached the rubbish heap and passed round it. There
he halted in sheer amazement. The man whom he had been pursuing was no
longer there.

Total eclipse of the man in the blouse.

The shore, beginning with the rubbish heap, was only about thirty paces
long, then it plunged into the water which beat against the wall of the
quay. The fugitive could not have thrown himself into the Seine without
being seen by the man who was following him. What had become of him?

The man in the buttoned-up coat walked to the extremity of the shore,
and remained there in thought for a moment, his fists clenched, his eyes
searching. All at once he smote his brow. He had just perceived, at the
point where the land came to an end and the water began, a large iron
grating, low, arched, garnished with a heavy lock and with three massive
hinges. This grating, a sort of door pierced at the base of the quay,
opened on the river as well as on the shore. A blackish stream passed
under it. This stream discharged into the Seine.

Beyond the heavy, rusty iron bars, a sort of dark and vaulted corridor
could be descried. The man folded his arms and stared at the grating
with an air of reproach.

As this gaze did not suffice, he tried to thrust it aside; he shook
it, it resisted solidly. It is probable that it had just been opened,
although no sound had been heard, a singular circumstance in so rusty a
grating; but it is certain that it had been closed again. This indicated
that the man before whom that door had just opened had not a hook but a
key.

This evidence suddenly burst upon the mind of the man who was trying to
move the grating, and evoked from him this indignant ejaculation:

"That is too much! A government key!"

Then, immediately regaining his composure, he expressed a whole world
of interior ideas by this outburst of monosyllables accented almost
ironically: "Come! Come! Come! Come!"

That said, and in the hope of something or other, either that he should
see the man emerge or other men enter, he posted himself on the watch
behind a heap of rubbish, with the patient rage of a pointer.

The hackney-coach, which regulated all its movements on his, had, in its
turn, halted on the quay above him, close to the parapet. The coachman,
foreseeing a prolonged wait, encased his horses' muzzles in the bag of
oats which is damp at the bottom, and which is so familiar to Parisians,
to whom, be it said in parenthesis, the Government sometimes applies it.
The rare passers-by on the Pont de Jena turned their heads, before they
pursued their way, to take a momentary glance at these two motionless
items in the landscape, the man on the shore, the carriage on the quay.




CHAPTER IV--HE ALSO BEARS HIS CROSS

Jean Valjean had resumed his march and had not again paused.

This march became more and more laborious. The level of these vaults
varies; the average height is about five feet, six inches, and has been
calculated for the stature of a man; Jean Valjean was forced to bend
over, in order not to strike Marius against the vault; at every step
he had to bend, then to rise, and to feel incessantly of the wall. The
moisture of the stones, and the viscous nature of the timber framework
furnished but poor supports to which to cling, either for hand or foot.
He stumbled along in the hideous dung-heap of the city. The intermittent
gleams from the air-holes only appeared at very long intervals, and were
so wan that the full sunlight seemed like the light of the moon; all
the rest was mist, miasma, opaqueness, blackness. Jean Valjean was both
hungry and thirsty; especially thirsty; and this, like the sea, was a
place full of water where a man cannot drink. His strength, which was
prodigious, as the reader knows, and which had been but little decreased
by age, thanks to his chaste and sober life, began to give way,
nevertheless. Fatigue began to gain on him; and as his strength
decreased, it made the weight of his burden increase. Marius, who was,
perhaps, dead, weighed him down as inert bodies weigh. Jean Valjean
held him in such a manner that his chest was not oppressed, and so that
respiration could proceed as well as possible. Between his legs he felt
the rapid gliding of the rats. One of them was frightened to such a
degree that he bit him. From time to time, a breath of fresh air reached
him through the vent-holes of the mouths of the sewer, and re-animated
him.

It might have been three hours past midday when he reached the
belt-sewer.

He was, at first, astonished at this sudden widening. He found himself,
all at once, in a gallery where his outstretched hands could not reach
the two walls, and beneath a vault which his head did not touch. The
Grand Sewer is, in fact, eight feet wide and seven feet high.

At the point where the Montmartre sewer joins the Grand Sewer, two other
subterranean galleries, that of the Rue de Provence, and that of the
Abattoir, form a square. Between these four ways, a less sagacious man
would have remained undecided. Jean Valjean selected the broadest, that
is to say, the belt-sewer. But here the question again came up--should
he descend or ascend? He thought that the situation required haste, and
that he must now gain the Seine at any risk. In other terms, he must
descend. He turned to the left.

It was well that he did so, for it is an error to suppose that the
belt-sewer has two outlets, the one in the direction of Bercy, the other
towards Passy, and that it is, as its name indicates, the subterranean
girdle of the Paris on the right bank. The Grand Sewer, which is, it
must be remembered, nothing else than the old brook of Menilmontant,
terminates, if one ascends it, in a blind sack, that is to say, at its
ancient point of departure which was its source, at the foot of the
knoll of Menilmontant. There is no direct communication with the
branch which collects the waters of Paris beginning with the Quartier
Popincourt, and which falls into the Seine through the Amelot sewer
above the ancient Isle Louviers. This branch, which completes the
collecting sewer, is separated from it, under the Rue Menilmontant
itself, by a pile which marks the dividing point of the waters, between
upstream and downstream. If Jean Valjean had ascended the gallery he
would have arrived, after a thousand efforts, and broken down with
fatigue, and in an expiring condition, in the gloom, at a wall. He would
have been lost.

In case of necessity, by retracing his steps a little way, and entering
the passage of the Filles-du-Calvaire, on condition that he did not
hesitate at the subterranean crossing of the Carrefour Boucherat, and by
taking the corridor Saint-Louis, then the Saint-Gilles gut on the left,
then turning to the right and avoiding the Saint-Sebastian gallery, he
might have reached the Amelot sewer, and thence, provided that he did
not go astray in the sort of F which lies under the Bastille, he might
have attained the outlet on the Seine near the Arsenal. But in order
to do this, he must have been thoroughly familiar with the enormous
madrepore of the sewer in all its ramifications and in all its openings.
Now, we must again insist that he knew nothing of that frightful drain
which he was traversing; and had any one asked him in what he was, he
would have answered: "In the night."

His instinct served him well. To descend was, in fact, possible safety.

He left on his right the two narrow passages which branch out in the
form of a claw under the Rue Laffitte and the Rue Saint-Georges and the
long, bifurcated corridor of the Chaussee d'Antin.

A little beyond an affluent, which was, probably, the Madeleine branch,
he halted. He was extremely weary. A passably large air-hole, probably
the man-hole in the Rue d'Anjou, furnished a light that was almost
vivid. Jean Valjean, with the gentleness of movement which a brother
would exercise towards his wounded brother, deposited Marius on the
banquette of the sewer. Marius' blood-stained face appeared under the
wan light of the air-hole like the ashes at the bottom of a tomb. His
eyes were closed, his hair was plastered down on his temples like a
painter's brushes dried in red wash; his hands hung limp and dead. A
clot of blood had collected in the knot of his cravat; his limbs were
cold, and blood was clotted at the corners of his mouth; his shirt had
thrust itself into his wounds, the cloth of his coat was chafing the
yawning gashes in the living flesh. Jean Valjean, pushing aside the
garments with the tips of his fingers, laid his hand upon Marius'
breast; his heart was still beating. Jean Valjean tore up his shirt,
bandaged the young man's wounds as well as he was able and stopped the
flowing blood; then bending over Marius, who still lay unconscious
and almost without breathing, in that half light, he gazed at him with
inexpressible hatred.

On disarranging Marius' garments, he had found two things in his
pockets, the roll which had been forgotten there on the preceding
evening, and Marius' pocketbook. He ate the roll and opened the
pocketbook. On the first page he found the four lines written by Marius.
The reader will recall them:

"My name is Marius Pontmercy. Carry my body to my grandfather, M.
Gillenormand, Rue des Filles-du-Calvaire, No. 6, in the Marais."

Jean Valjean read these four lines by the light of the air-hole, and
remained for a moment as though absorbed in thought, repeating in a low
tone: "Rue des Filles-du-Calvaire, number 6, Monsieur Gillenormand." He
replaced the pocketbook in Marius' pocket. He had eaten, his strength
had returned to him; he took Marius up once more upon his back, placed
the latter's head carefully on his right shoulder, and resumed his
descent of the sewer.

The Grand Sewer, directed according to the course of the valley of
Menilmontant, is about two leagues long. It is paved throughout a
notable portion of its extent.

This torch of the names of the streets of Paris, with which we are
illuminating for the reader Jean Valjean's subterranean march, Jean
Valjean himself did not possess. Nothing told him what zone of the city
he was traversing, nor what way he had made. Only the growing pallor of
the pools of light which he encountered from time to time indicated to
him that the sun was withdrawing from the pavement, and that the day
would soon be over; and the rolling of vehicles overhead, having become
intermittent instead of continuous, then having almost ceased, he
concluded that he was no longer under central Paris, and that he
was approaching some solitary region, in the vicinity of the outer
boulevards, or the extreme outer quays. Where there are fewer houses and
streets, the sewer has fewer air-holes. The gloom deepened around Jean
Valjean. Nevertheless, he continued to advance, groping his way in the
dark.

Suddenly this darkness became terrible.




CHAPTER V--IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS
WHICH IS TREACHEROUS

He felt that he was entering the water, and that he no longer had a
pavement under his feet, but only mud.

It sometimes happens, that on certain shores of Bretagne or Scotland a
man, either a traveller or a fisherman, while walking at low tide on the
beach far from shore, suddenly notices that for several minutes past,
he has been walking with some difficulty. The beach under foot is
like pitch; his soles stick fast to it; it is no longer sand, it is
bird-lime. The strand is perfectly dry, but at every step that he takes,
as soon as the foot is raised, the print is filled with water. The
eye, however, has perceived no change; the immense beach is smooth and
tranquil, all the sand has the same aspect, nothing distinguishes the
soil that is solid from that which is not solid; the joyous little
cloud of sand-lice continues to leap tumultuously under the feet of the
passer-by.

The man pursues his way, he walks on, turns towards the land, endeavors
to approach the shore. He is not uneasy. Uneasy about what? Only he is
conscious that the heaviness of his feet seems to be increasing at every
step that he takes. All at once he sinks in. He sinks in two or three
inches. Decidedly, he is not on the right road; he halts to get his
bearings. Suddenly he glances at his feet; his feet have disappeared.
The sand has covered them. He draws his feet out of the sand, he tries
to retrace his steps, he turns back, he sinks in more deeply than
before. The sand is up to his ankles, he tears himself free from it
and flings himself to the left, the sand reaches to mid-leg, he flings
himself to the right, the sand comes up to his knees. Then, with
indescribable terror, he recognizes the fact that he is caught in a
quicksand, and that he has beneath him that frightful medium in which
neither man can walk nor fish can swim. He flings away his burden, if he
have one, he lightens himself, like a ship in distress; it is too late,
the sand is above his knees.

He shouts, he waves his hat, or his handkerchief, the sand continually
gains on him; if the beach is deserted, if the land is too far away, if
the bank of sand is too ill-famed, there is no hero in the neighborhood,
all is over, he is condemned to be engulfed. He is condemned to that
terrible interment, long, infallible, implacable, which it is impossible
to either retard or hasten, which lasts for hours, which will not come
to an end, which seizes you erect, free, in the flush of health, which
drags you down by the feet, which, at every effort that you attempt, at
every shout that you utter, draws you a little lower, which has the air
of punishing you for your resistance by a redoubled grasp, which forces
a man to return slowly to earth, while leaving him time to survey the
horizon, the trees, the verdant country, the smoke of the villages on
the plain, the sails of the ships on the sea, the birds which fly
and sing, the sun and the sky. This engulfment is the sepulchre which
assumes a tide, and which mounts from the depths of the earth towards
a living man. Each minute is an inexorable layer-out of the dead. The
wretched man tries to sit down, to lie down, to climb; every movement
that he makes buries him deeper; he straightens himself up, he sinks; he
feels that he is being swallowed up; he shrieks, implores, cries to the
clouds, wrings his hands, grows desperate. Behold him in the sand up
to his belly, the sand reaches to his breast, he is only a bust now.
He uplifts his hands, utters furious groans, clenches his nails on the
beach, tries to cling fast to that ashes, supports himself on his elbows
in order to raise himself from that soft sheath, and sobs frantically;
the sand mounts higher. The sand has reached his shoulders, the sand
reaches to his throat; only his face is visible now. His mouth cries
aloud, the sand fills it; silence. His eyes still gaze forth, the sand
closes them, night. Then his brow decreases, a little hair quivers above
the sand; a hand projects, pierces the surface of the beach, waves and
disappears. Sinister obliteration of a man.

Sometimes a rider is engulfed with his horse; sometimes the carter is
swallowed up with his cart; all founders in that strand. It is shipwreck
elsewhere than in the water. It is the earth drowning a man. The earth,
permeated with the ocean, becomes a pitfall. It presents itself in the
guise of a plain, and it yawns like a wave. The abyss is subject to
these treacheries.

This melancholy fate, always possible on certain sea beaches, was also
possible, thirty years ago, in the sewers of Paris.

Before the important works, undertaken in 1833, the subterranean drain
of Paris was subject to these sudden slides.

The water filtered into certain subjacent strata, which were
particularly friable; the foot-way, which was of flag-stones, as in
the ancient sewers, or of cement on concrete, as in the new galleries,
having no longer an underpinning, gave way. A fold in a flooring of this
sort means a crack, means crumbling. The framework crumbled away for a
certain length. This crevice, the hiatus of a gulf of mire, was called a
fontis, in the special tongue. What is a fontis? It is the quicksands of
the seashore suddenly encountered under the surface of the earth; it is
the beach of Mont Saint-Michel in a sewer. The soaked soil is in a
state of fusion, as it were; all its molecules are in suspension in soft
medium; it is not earth and it is not water. The depth is sometimes very
great. Nothing can be more formidable than such an encounter. If the
water predominates, death is prompt, the man is swallowed up; if earth
predominates, death is slow.

Can any one picture to himself such a death? If being swallowed by the
earth is terrible on the seashore, what is it in a cess-pool? Instead of
the open air, the broad daylight, the clear horizon, those vast sounds,
those free clouds whence rains life, instead of those barks descried
in the distance, of that hope under all sorts of forms, of probable
passers-by, of succor possible up to the very last moment,--instead
of all this, deafness, blindness, a black vault, the inside of a tomb
already prepared, death in the mire beneath a cover! slow suffocation
by filth, a stone box where asphyxia opens its claw in the mire and
clutches you by the throat; fetidness mingled with the death-rattle;
slime instead of the strand, sulfuretted hydrogen in place of the
hurricane, dung in place of the ocean! And to shout, to gnash one's
teeth, and to writhe, and to struggle, and to agonize, with that
enormous city which knows nothing of it all, over one's head!

Inexpressible is the horror of dying thus! Death sometimes redeems
his atrocity by a certain terrible dignity. On the funeral pile, in
shipwreck, one can be great; in the flames as in the foam, a superb
attitude is possible; one there becomes transfigured as one perishes.
But not here. Death is filthy. It is humiliating to expire. The supreme
floating visions are abject. Mud is synonymous with shame. It is
petty, ugly, infamous. To die in a butt of Malvoisie, like Clarence, is
permissible; in the ditch of a scavenger, like Escoubleau, is horrible.
To struggle therein is hideous; at the same time that one is going
through the death agony, one is floundering about. There are shadows
enough for hell, and mire enough to render it nothing but a slough, and
the dying man knows not whether he is on the point of becoming a spectre
or a frog.

Everywhere else the sepulchre is sinister; here it is deformed.

The depth of the fontis varied, as well as their length and their
density, according to the more or less bad quality of the sub-soil.
Sometimes a fontis was three or four feet deep, sometimes eight or ten;
sometimes the bottom was unfathomable. Here the mire was almost solid,
there almost liquid. In the Luniere fontis, it would have taken a man a
day to disappear, while he would have been devoured in five minutes by
the Philippeaux slough. The mire bears up more or less, according to its
density. A child can escape where a man will perish. The first law of
safety is to get rid of every sort of load. Every sewerman who felt the
ground giving way beneath him began by flinging away his sack of tools,
or his back-basket, or his hod.

The fontis were due to different causes: the friability of the soil;
some landslip at a depth beyond the reach of man; the violent summer
rains; the incessant flooding of winter; long, drizzling showers.
Sometimes the weight of the surrounding houses on a marly or sandy soil
forced out the vaults of the subterranean galleries and caused them to
bend aside, or it chanced that a flooring vault burst and split under
this crushing thrust. In this manner, the heaping up of the Parthenon,
obliterated, a century ago, a portion of the vaults of Saint-Genevieve
hill. When a sewer was broken in under the pressure of the houses, the
mischief was sometimes betrayed in the street above by a sort of space,
like the teeth of a saw, between the paving-stones; this crevice was
developed in an undulating line throughout the entire length of the
cracked vault, and then, the evil being visible, the remedy could be
promptly applied. It also frequently happened, that the interior ravages
were not revealed by any external scar, and in that case, woe to the
sewermen. When they entered without precaution into the sewer, they were
liable to be lost. Ancient registers make mention of several scavengers
who were buried in fontis in this manner. They give many names; among
others, that of the sewerman who was swallowed up in a quagmire under
the man-hole of the Rue Careme-Prenant, a certain Blaise Poutrain; this
Blaise Poutrain was the brother of Nicholas Poutrain, who was the last
grave-digger of the cemetery called the Charnier des Innocents, in 1785,
the epoch when that cemetery expired.

There was also that young and charming Vicomte d'Escoubleau, of whom we
have just spoken, one of the heroes of the siege of Lerida, where they
delivered the assault in silk stockings, with violins at their head.
D'Escoubleau, surprised one night at his cousin's, the Duchess de
Sourdis', was drowned in a quagmire of the Beautreillis sewer, in which
he had taken refuge in order to escape from the Duke. Madame de Sourdis,
when informed of his death, demanded her smelling-bottle, and forgot to
weep, through sniffling at her salts. In such cases, there is no love
which holds fast; the sewer extinguishes it. Hero refuses to wash the
body of Leander. Thisbe stops her nose in the presence of Pyramus and
says: "Phew!"




CHAPTER VI--THE FONTIS

Jean Valjean found himself in the presence of a fontis.

This sort of quagmire was common at that period in the subsoil of the
Champs-Elysees, difficult to handle in the hydraulic works and a bad
preservative of the subterranean constructions, on account of its
excessive fluidity. This fluidity exceeds even the inconsistency of the
sands of the Quartier Saint-Georges, which could only be conquered by
a stone construction on a concrete foundation, and the clayey strata,
infected with gas, of the Quartier des Martyrs, which are so liquid
that the only way in which a passage was effected under the gallery des
Martyrs was by means of a cast-iron pipe. When, in 1836, the old stone
sewer beneath the Faubourg Saint-Honore, in which we now see Jean
Valjean, was demolished for the purpose of reconstructing it, the
quicksand, which forms the subsoil of the Champs-Elysees as far as the
Seine, presented such an obstacle, that the operation lasted nearly
six months, to the great clamor of the dwellers on the riverside,
particularly those who had hotels and carriages. The work was more than
unhealthy; it was dangerous. It is true that they had four months and a
half of rain, and three floods of the Seine.

The fontis which Jean Valjean had encountered was caused by the downpour
of the preceding day. The pavement, badly sustained by the subjacent
sand, had given way and had produced a stoppage of the water.
Infiltration had taken place, a slip had followed. The dislocated bottom
had sunk into the ooze. To what extent? Impossible to say. The obscurity
was more dense there than elsewhere. It was a pit of mire in a cavern of
night.

Jean Valjean felt the pavement vanishing beneath his feet. He entered
this slime. There was water on the surface, slime at the bottom. He must
pass it. To retrace his steps was impossible. Marius was dying, and Jean
Valjean exhausted. Besides, where was he to go? Jean Valjean advanced.
Moreover, the pit seemed, for the first few steps, not to be very deep.
But in proportion as he advanced, his feet plunged deeper. Soon he had
the slime up to his calves and water above his knees. He walked on,
raising Marius in his arms, as far above the water as he could. The mire
now reached to his knees, and the water to his waist. He could no longer
retreat. This mud, dense enough for one man, could not, obviously,
uphold two. Marius and Jean Valjean would have stood a chance of
extricating themselves singly. Jean Valjean continued to advance,
supporting the dying man, who was, perhaps, a corpse.

The water came up to his arm-pits; he felt that he was sinking; it was
only with difficulty that he could move in the depth of ooze which
he had now reached. The density, which was his support, was also
an obstacle. He still held Marius on high, and with an unheard-of
expenditure of force, he advanced still; but he was sinking. He had only
his head above the water now and his two arms holding up Marius. In the
old paintings of the deluge there is a mother holding her child thus.

He sank still deeper, he turned his face to the rear, to escape the
water, and in order that he might be able to breathe; anyone who had
seen him in that gloom would have thought that what he beheld was a
mask floating on the shadows; he caught a faint glimpse above him of the
drooping head and livid face of Marius; he made a desperate effort and
launched his foot forward; his foot struck something solid; a point of
support. It was high time.

He straightened himself up, and rooted himself upon that point of
support with a sort of fury. This produced upon him the effect of the
first step in a staircase leading back to life.

The point of support, thus encountered in the mire at the supreme
moment, was the beginning of the other water-shed of the pavement, which
had bent but had not given way, and which had curved under the water
like a plank and in a single piece. Well built pavements form a vault
and possess this sort of firmness. This fragment of the vaulting, partly
submerged, but solid, was a veritable inclined plane, and, once on this
plane, he was safe. Jean Valjean mounted this inclined plane and reached
the other side of the quagmire.

As he emerged from the water, he came in contact with a stone and fell
upon his knees. He reflected that this was but just, and he remained
there for some time, with his soul absorbed in words addressed to God.

He rose to his feet, shivering, chilled, foul-smelling, bowed beneath
the dying man whom he was dragging after him, all dripping with slime,
and his soul filled with a strange light.




CHAPTER VII--ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS
DISEMBARKING

He set out on his way once more.

However, although he had not left his life in the fontis, he seemed
to have left his strength behind him there. That supreme effort had
exhausted him. His lassitude was now such that he was obliged to pause
for breath every three or four steps, and lean against the wall. Once
he was forced to seat himself on the banquette in order to alter Marius'
position, and he thought that he should have to remain there. But if his
vigor was dead, his energy was not. He rose again.

He walked on desperately, almost fast, proceeded thus for a hundred
paces, almost without drawing breath, and suddenly came in contact with
the wall. He had reached an elbow of the sewer, and, arriving at the
turn with head bent down, he had struck the wall. He raised his eyes,
and at the extremity of the vault, far, very far away in front of him,
he perceived a light. This time it was not that terrible light; it was
good, white light. It was daylight. Jean Valjean saw the outlet.

A damned soul, who, in the midst of the furnace, should suddenly
perceive the outlet of Gehenna, would experience what Jean Valjean felt.
It would fly wildly with the stumps of its burned wings towards that
radiant portal. Jean Valjean was no longer conscious of fatigue, he no
longer felt Marius' weight, he found his legs once more of steel, he ran
rather than walked. As he approached, the outlet became more and more
distinctly defined. It was a pointed arch, lower than the vault, which
gradually narrowed, and narrower than the gallery, which closed in as
the vault grew lower. The tunnel ended like the interior of a funnel;
a faulty construction, imitated from the wickets of penitentiaries,
logical in a prison, illogical in a sewer, and which has since been
corrected.

Jean Valjean reached the outlet.

There he halted.

It certainly was the outlet, but he could not get out.

The arch was closed by a heavy grating, and the grating, which, to all
appearance, rarely swung on its rusty hinges, was clamped to its stone
jamb by a thick lock, which, red with rust, seemed like an enormous
brick. The keyhole could be seen, and the robust latch, deeply sunk in
the iron staple. The door was plainly double-locked. It was one of those
prison locks which old Paris was so fond of lavishing.

Beyond the grating was the open air, the river, the daylight, the shore,
very narrow but sufficient for escape. The distant quays, Paris, that
gulf in which one so easily hides oneself, the broad horizon, liberty.
On the right, down stream, the bridge of Jena was discernible, on the
left, upstream, the bridge of the Invalides; the place would have been a
propitious one in which to await the night and to escape. It was one
of the most solitary points in Paris; the shore which faces the
Grand-Caillou. Flies were entering and emerging through the bars of the
grating.

It might have been half-past eight o'clock in the evening. The day was
declining.

Jean Valjean laid Marius down along the wall, on the dry portion of the
vaulting, then he went to the grating and clenched both fists round the
bars; the shock which he gave it was frenzied, but it did not move. The
grating did not stir. Jean Valjean seized the bars one after the other,
in the hope that he might be able to tear away the least solid, and to
make of it a lever wherewith to raise the door or to break the lock. Not
a bar stirred. The teeth of a tiger are not more firmly fixed in their
sockets. No lever; no prying possible. The obstacle was invincible.
There was no means of opening the gate.

Must he then stop there? What was he to do? What was to become of him?
He had not the strength to retrace his steps, to recommence the journey
which he had already taken. Besides, how was he to again traverse that
quagmire whence he had only extricated himself as by a miracle? And
after the quagmire, was there not the police patrol, which assuredly
could not be twice avoided? And then, whither was he to go? What
direction should he pursue? To follow the incline would not conduct
him to his goal. If he were to reach another outlet, he would find it
obstructed by a plug or a grating. Every outlet was, undoubtedly, closed
in that manner. Chance had unsealed the grating through which he had
entered, but it was evident that all the other sewer mouths were barred.
He had only succeeded in escaping into a prison.

All was over. Everything that Jean Valjean had done was useless.
Exhaustion had ended in failure.

They were both caught in the immense and gloomy web of death, and Jean
Valjean felt the terrible spider running along those black strands and
quivering in the shadows. He turned his back to the grating, and fell
upon the pavement, hurled to earth rather than seated, close to Marius,
who still made no movement, and with his head bent between his knees.
This was the last drop of anguish.

Of what was he thinking during this profound depression? Neither of
himself nor of Marius. He was thinking of Cosette.




CHAPTER VIII--THE TORN COAT-TAIL

In the midst of this prostration, a hand was laid on his shoulder, and a
low voice said to him:

"Half shares."

Some person in that gloom? Nothing so closely resembles a dream as
despair. Jean Valjean thought that he was dreaming. He had heard no
footsteps. Was it possible? He raised his eyes.

A man stood before him.

This man was clad in a blouse; his feet were bare; he held his shoes
in his left hand; he had evidently removed them in order to reach Jean
Valjean, without allowing his steps to be heard.

Jean Valjean did not hesitate for an instant. Unexpected as was this
encounter, this man was known to him. The man was Thenardier.

Although awakened, so to speak, with a start, Jean Valjean, accustomed
to alarms, and steeled to unforeseen shocks that must be promptly
parried, instantly regained possession of his presence of mind.
Moreover, the situation could not be made worse, a certain degree of
distress is no longer capable of a crescendo, and Thenardier himself
could add nothing to this blackness of this night.

A momentary pause ensued.

Thenardier, raising his right hand to a level with his forehead, formed
with it a shade, then he brought his eyelashes together, by screwing up
his eyes, a motion which, in connection with a slight contraction of the
mouth, characterizes the sagacious attention of a man who is endeavoring
to recognize another man. He did not succeed. Jean Valjean, as we have
just stated, had his back turned to the light, and he was, moreover,
so disfigured, so bemired, so bleeding that he would have been
unrecognizable in full noonday. On the contrary, illuminated by the
light from the grating, a cellar light, it is true, livid, yet precise
in its lividness, Thenardier, as the energetic popular metaphor
expresses it, immediately "leaped into" Jean Valjean's eyes. This
inequality of conditions sufficed to assure some advantage to Jean
Valjean in that mysterious duel which was on the point of beginning
between the two situations and the two men. The encounter took place
between Jean Valjean veiled and Thenardier unmasked.

Jean Valjean immediately perceived that Thenardier did not recognize
him.

They surveyed each other for a moment in that half-gloom, as though
taking each other's measure. Thenardier was the first to break the
silence.

"How are you going to manage to get out?"

Jean Valjean made no reply. Thenardier continued:

"It's impossible to pick the lock of that gate. But still you must get
out of this."

"That is true," said Jean Valjean.

"Well, half shares then."

"What do you mean by that?"

"You have killed that man; that's all right. I have the key."

Thenardier pointed to Marius. He went on:

"I don't know you, but I want to help you. You must be a friend."

Jean Valjean began to comprehend. Thenardier took him for an assassin.

Thenardier resumed:

"Listen, comrade. You didn't kill that man without looking to see what
he had in his pockets. Give me my half. I'll open the door for you."

And half drawing from beneath his tattered blouse a huge key, he added:

"Do you want to see how a key to liberty is made? Look here."

Jean Valjean "remained stupid"--the expression belongs to the elder
Corneille--to such a degree that he doubted whether what he beheld was
real. It was providence appearing in horrible guise, and his good angel
springing from the earth in the form of Thenardier.

Thenardier thrust his fist into a large pocket concealed under his
blouse, drew out a rope and offered it to Jean Valjean.

"Hold on," said he, "I'll give you the rope to boot."

"What is the rope for?"

"You will need a stone also, but you can find one outside. There's a
heap of rubbish."

"What am I to do with a stone?"

"Idiot, you'll want to sling that stiff into the river, you'll need a
stone and a rope, otherwise it would float on the water."

Jean Valjean took the rope. There is no one who does not occasionally
accept in this mechanical way.

Thenardier snapped his fingers as though an idea had suddenly occurred
to him.

"Ah, see here, comrade, how did you contrive to get out of that slough
yonder? I haven't dared to risk myself in it. Phew! you don't smell
good."

After a pause he added:

"I'm asking you questions, but you're perfectly right not to answer.
It's an apprenticeship against that cursed quarter of an hour before the
examining magistrate. And then, when you don't talk at all, you run no
risk of talking too loud. That's no matter, as I can't see your face and
as I don't know your name, you are wrong in supposing that I don't know
who you are and what you want. I twig. You've broken up that gentleman
a bit; now you want to tuck him away somewhere. The river, that great
hider of folly, is what you want. I'll get you out of your scrape.
Helping a good fellow in a pinch is what suits me to a hair."

While expressing his approval of Jean Valjean's silence, he endeavored
to force him to talk. He jostled his shoulder in an attempt to catch a
sight of his profile, and he exclaimed, without, however, raising his
tone:

"Apropos of that quagmire, you're a hearty animal. Why didn't you toss
the man in there?"

Jean Valjean preserved silence.

Thenardier resumed, pushing the rag which served him as a cravat to the
level of his Adam's apple, a gesture which completes the capable air of
a serious man:

"After all, you acted wisely. The workmen, when they come to-morrow to
stop up that hole, would certainly have found the stiff abandoned there,
and it might have been possible, thread by thread, straw by straw, to
pick up the scent and reach you. Some one has passed through the sewer.
Who? Where did he get out? Was he seen to come out? The police are full
of cleverness. The sewer is treacherous and tells tales of you. Such a
find is a rarity, it attracts attention, very few people make use of
the sewers for their affairs, while the river belongs to everybody. The
river is the true grave. At the end of a month they fish up your man
in the nets at Saint-Cloud. Well, what does one care for that? It's
carrion! Who killed that man? Paris. And justice makes no inquiries. You
have done well."

The more loquacious Thenardier became, the more mute was Jean Valjean.

Again Thenardier shook him by the shoulder.

"Now let's settle this business. Let's go shares. You have seen my key,
show me your money."

Thenardier was haggard, fierce, suspicious, rather menacing, yet
amicable.

There was one singular circumstance; Thenardier's manners were not
simple; he had not the air of being wholly at his ease; while affecting
an air of mystery, he spoke low; from time to time he laid his finger on
his mouth, and muttered, "hush!" It was difficult to divine why. There
was no one there except themselves. Jean Valjean thought that other
ruffians might possibly be concealed in some nook, not very far off, and
that Thenardier did not care to share with them.

Thenardier resumed:

"Let's settle up. How much did the stiff have in his bags?"

Jean Valjean searched his pockets.

It was his habit, as the reader will remember, to always have some
money about him. The mournful life of expedients to which he had been
condemned imposed this as a law upon him. On this occasion, however,
he had been caught unprepared. When donning his uniform of a National
Guardsman on the preceding evening, he had forgotten, dolefully absorbed
as he was, to take his pocket-book. He had only some small change in his
fob. He turned out his pocket, all soaked with ooze, and spread out on
the banquette of the vault one louis d'or, two five-franc pieces, and
five or six large sous.

Thenardier thrust out his lower lip with a significant twist of the
neck.

"You knocked him over cheap," said he.

He set to feeling the pockets of Jean Valjean and Marius, with the
greatest familiarity. Jean Valjean, who was chiefly concerned in keeping
his back to the light, let him have his way.

While handling Marius' coat, Thenardier, with the skill of a pickpocket,
and without being noticed by Jean Valjean, tore off a strip which he
concealed under his blouse, probably thinking that this morsel of
stuff might serve, later on, to identify the assassinated man and the
assassin. However, he found no more than the thirty francs.

"That's true," said he, "both of you together have no more than that."

And, forgetting his motto: "half shares," he took all.

He hesitated a little over the large sous. After due reflection, he took
them also, muttering:

"Never mind! You cut folks' throats too cheap altogether."

That done, he once more drew the big key from under his blouse.

"Now, my friend, you must leave. It's like the fair here, you pay when
you go out. You have paid, now clear out."

And he began to laugh.

Had he, in lending to this stranger the aid of his key, and in making
some other man than himself emerge from that portal, the pure and
disinterested intention of rescuing an assassin? We may be permitted to
doubt this.

Thenardier helped Jean Valjean to replace Marius on his shoulders, then
he betook himself to the grating on tiptoe, and barefooted, making Jean
Valjean a sign to follow him, looked out, laid his finger on his mouth,
and remained for several seconds, as though in suspense; his inspection
finished, he placed the key in the lock. The bolt slipped back and the
gate swung open. It neither grated nor squeaked. It moved very softly.

It was obvious that this gate and those hinges, carefully oiled, were
in the habit of opening more frequently than was supposed. This
softness was suspicious; it hinted at furtive goings and comings, silent
entrances and exits of nocturnal men, and the wolf-like tread of crime.

The sewer was evidently an accomplice of some mysterious band. This
taciturn grating was a receiver of stolen goods.

Thenardier opened the gate a little way, allowing just sufficient space
for Jean Valjean to pass out, closed the grating again, gave the key
a double turn in the lock and plunged back into the darkness, without
making any more noise than a breath. He seemed to walk with the velvet
paws of a tiger.

A moment later, that hideous providence had retreated into the
invisibility.

Jean Valjean found himself in the open air.




CHAPTER IX--MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER,
THE EFFECT OF BEING DEAD

He allowed Marius to slide down upon the shore.

They were in the open air!

The miasmas, darkness, horror lay behind him. The pure, healthful,
living, joyous air that was easy to breathe inundated him. Everywhere
around him reigned silence, but that charming silence when the sun has
set in an unclouded azure sky. Twilight had descended; night was drawing
on, the great deliverer, the friend of all those who need a mantle of
darkness that they may escape from an anguish. The sky presented itself
in all directions like an enormous calm. The river flowed to his feet
with the sound of a kiss. The aerial dialogue of the nests bidding each
other good night in the elms of the Champs-Elysees was audible. A few
stars, daintily piercing the pale blue of the zenith, and visible to
revery alone, formed imperceptible little splendors amid the immensity.
Evening was unfolding over the head of Jean Valjean all the sweetness of
the infinite.

It was that exquisite and undecided hour which says neither yes nor no.
Night was already sufficiently advanced to render it possible to lose
oneself at a little distance and yet there was sufficient daylight to
permit of recognition at close quarters.

For several seconds, Jean Valjean was irresistibly overcome by that
august and caressing serenity; such moments of oblivion do come to men;
suffering refrains from harassing the unhappy wretch; everything is
eclipsed in the thoughts; peace broods over the dreamer like night; and,
beneath the twilight which beams and in imitation of the sky which is
illuminated, the soul becomes studded with stars. Jean Valjean could
not refrain from contemplating that vast, clear shadow which rested
over him; thoughtfully he bathed in the sea of ecstasy and prayer in the
majestic silence of the eternal heavens. Then he bent down swiftly
to Marius, as though the sentiment of duty had returned to him, and,
dipping up water in the hollow of his hand, he gently sprinkled a
few drops on the latter's face. Marius' eyelids did not open; but his
half-open mouth still breathed.

Jean Valjean was on the point of dipping his hand in the river once
more, when, all at once, he experienced an indescribable embarrassment,
such as a person feels when there is some one behind him whom he does
not see.

We have already alluded to this impression, with which everyone is
familiar.

He turned round.

Some one was, in fact, behind him, as there had been a short while
before.

A man of lofty stature, enveloped in a long coat, with folded arms,
and bearing in his right fist a bludgeon of which the leaden head was
visible, stood a few paces in the rear of the spot where Jean Valjean
was crouching over Marius.

With the aid of the darkness, it seemed a sort of apparition. An
ordinary man would have been alarmed because of the twilight, a
thoughtful man on account of the bludgeon. Jean Valjean recognized
Javert.

The reader has divined, no doubt, that Thenardier's pursuer was no other
than Javert. Javert, after his unlooked-for escape from the barricade,
had betaken himself to the prefecture of police, had rendered a
verbal account to the Prefect in person in a brief audience, had then
immediately gone on duty again, which implied--the note, the reader will
recollect, which had been captured on his person--a certain surveillance
of the shore on the right bank of the Seine near the Champs-Elysees,
which had, for some time past, aroused the attention of the police.
There he had caught sight of Thenardier and had followed him. The reader
knows the rest.

Thus it will be easily understood that that grating, so obligingly
opened to Jean Valjean, was a bit of cleverness on Thenardier's part.
Thenardier intuitively felt that Javert was still there; the man spied
upon has a scent which never deceives him; it was necessary to fling
a bone to that sleuth-hound. An assassin, what a godsend! Such an
opportunity must never be allowed to slip. Thenardier, by putting Jean
Valjean outside in his stead, provided a prey for the police, forced
them to relinquish his scent, made them forget him in a bigger
adventure, repaid Javert for his waiting, which always flatters a spy,
earned thirty francs, and counted with certainty, so far as he himself
was concerned, on escaping with the aid of this diversion.

Jean Valjean had fallen from one danger upon another.

These two encounters, this falling one after the other, from Thenardier
upon Javert, was a rude shock.

Javert did not recognize Jean Valjean, who, as we have stated, no longer
looked like himself. He did not unfold his arms, he made sure of his
bludgeon in his fist, by an imperceptible movement, and said in a curt,
calm voice:

"Who are you?"

"I."

"Who is 'I'?"

"Jean Valjean."

Javert thrust his bludgeon between his teeth, bent his knees, inclined
his body, laid his two powerful hands on the shoulders of Jean Valjean,
which were clamped within them as in a couple of vices, scrutinized
him, and recognized him. Their faces almost touched. Javert's look was
terrible.

Jean Valjean remained inert beneath Javert's grasp, like a lion
submitting to the claws of a lynx.

"Inspector Javert," said he, "you have me in your power. Moreover, I
have regarded myself as your prisoner ever since this morning. I did not
give you my address with any intention of escaping from you. Take me.
Only grant me one favor."

Javert did not appear to hear him. He kept his eyes riveted on Jean
Valjean. His chin being contracted, thrust his lips upwards towards
his nose, a sign of savage revery. At length he released Jean Valjean,
straightened himself stiffly up without bending, grasped his bludgeon
again firmly, and, as though in a dream, he murmured rather than uttered
this question:

"What are you doing here? And who is this man?"

He still abstained from addressing Jean Valjean as thou.

Jean Valjean replied, and the sound of his voice appeared to rouse
Javert:

"It is with regard to him that I desire to speak to you. Dispose of me
as you see fit; but first help me to carry him home. That is all that I
ask of you."

Javert's face contracted as was always the case when any one seemed to
think him capable of making a concession. Nevertheless, he did not say
"no."

Again he bent over, drew from his pocket a handkerchief which
he moistened in the water and with which he then wiped Marius'
blood-stained brow.

"This man was at the barricade," said he in a low voice and as though
speaking to himself. "He is the one they called Marius."

A spy of the first quality, who had observed everything, listened to
everything, and taken in everything, even when he thought that he was to
die; who had played the spy even in his agony, and who, with his elbows
leaning on the first step of the sepulchre, had taken notes.

He seized Marius' hand and felt his pulse.

"He is wounded," said Jean Valjean.

"He is a dead man," said Javert.

Jean Valjean replied:

"No. Not yet."

"So you have brought him thither from the barricade?" remarked Javert.

His preoccupation must indeed have been very profound for him not to
insist on this alarming rescue through the sewer, and for him not to
even notice Jean Valjean's silence after his question.

Jean Valjean, on his side, seemed to have but one thought. He resumed:

"He lives in the Marais, Rue des Filles-du-Calvaire, with his
grandfather. I do not recollect his name."

Jean Valjean fumbled in Marius' coat, pulled out his pocket-book, opened
it at the page which Marius had pencilled, and held it out to Javert.

There was still sufficient light to admit of reading. Besides this,
Javert possessed in his eye the feline phosphorescence of night
birds. He deciphered the few lines written by Marius, and muttered:
"Gillenormand, Rue des Filles-du Calvaire, No. 6."

Then he exclaimed: "Coachman!"

The reader will remember that the hackney-coach was waiting in case of
need.

Javert kept Marius' pocket-book.

A moment later, the carriage, which had descended by the inclined plane
of the watering-place, was on the shore. Marius was laid upon the back
seat, and Javert seated himself on the front seat beside Jean Valjean.

The door slammed, and the carriage drove rapidly away, ascending the
quays in the direction of the Bastille.

They quitted the quays and entered the streets. The coachman, a black
form on his box, whipped up his thin horses. A glacial silence reigned
in the carriage. Marius, motionless, with his body resting in the
corner, and his head drooping on his breast, his arms hanging, his legs
stiff, seemed to be awaiting only a coffin; Jean Valjean seemed made of
shadow, and Javert of stone, and in that vehicle full of night, whose
interior, every time that it passed in front of a street lantern,
appeared to be turned lividly wan, as by an intermittent flash of
lightning, chance had united and seemed to be bringing face to face
the three forms of tragic immobility, the corpse, the spectre, and the
statue.




CHAPTER X--RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE

At every jolt over the pavement, a drop of blood trickled from Marius'
hair.

Night had fully closed in when the carriage arrived at No. 6, Rue des
Filles-du-Calvaire.

Javert was the first to alight; he made sure with one glance of the
number on the carriage gate, and, raising the heavy knocker of beaten
iron, embellished in the old style, with a male goat and a satyr
confronting each other, he gave a violent peal. The gate opened a little
way and Javert gave it a push. The porter half made his appearance
yawning, vaguely awake, and with a candle in his hand.

Everyone in the house was asleep. People go to bed betimes in the
Marais, especially on days when there is a revolt. This good, old
quarter, terrified at the Revolution, takes refuge in slumber, as
children, when they hear the Bugaboo coming, hide their heads hastily
under their coverlet.

In the meantime Jean Valjean and the coachman had taken Marius out of
the carriage, Jean Valjean supporting him under the armpits, and the
coachman under the knees.

As they thus bore Marius, Jean Valjean slipped his hand under the
latter's clothes, which were broadly rent, felt his breast, and assured
himself that his heart was still beating. It was even beating a little
less feebly, as though the movement of the carriage had brought about a
certain fresh access of life.

Javert addressed the porter in a tone befitting the government, and the
presence of the porter of a factious person.

"Some person whose name is Gillenormand?"

"Here. What do you want with him?"

"His son is brought back."

"His son?" said the porter stupidly.

"He is dead."

Jean Valjean, who, soiled and tattered, stood behind Javert, and whom
the porter was surveying with some horror, made a sign to him with his
head that this was not so.

The porter did not appear to understand either Javert's words or Jean
Valjean's sign.

Javert continued:

"He went to the barricade, and here he is."

"To the barricade?" ejaculated the porter.

"He has got himself killed. Go waken his father."

The porter did not stir.

"Go along with you!" repeated Javert.

And he added:

"There will be a funeral here to-morrow."

For Javert, the usual incidents of the public highway were categorically
classed, which is the beginning of foresight and surveillance, and each
contingency had its own compartment; all possible facts were arranged
in drawers, as it were, whence they emerged on occasion, in variable
quantities; in the street, uproar, revolt, carnival, and funeral.

The porter contented himself with waking Basque. Basque woke Nicolette;
Nicolette roused great-aunt Gillenormand.

As for the grandfather, they let him sleep on, thinking that he would
hear about the matter early enough in any case.

Marius was carried up to the first floor, without any one in the other
parts of the house being aware of the fact, and deposited on an old sofa
in M. Gillenormand's antechamber; and while Basque went in search of a
physician, and while Nicolette opened the linen-presses, Jean Valjean
felt Javert touch him on the shoulder. He understood and descended the
stairs, having behind him the step of Javert who was following him.

The porter watched them take their departure as he had watched their
arrival, in terrified somnolence.

They entered the carriage once more, and the coachman mounted his box.

"Inspector Javert," said Jean, "grant me yet another favor."

"What is it?" demanded Javert roughly.

"Let me go home for one instant. Then you shall do whatever you like
with me."

Javert remained silent for a few moments, with his chin drawn back into
the collar of his great-coat, then he lowered the glass and front:

"Driver," said he, "Rue de l'Homme Arme, No. 7."




CHAPTER XI--CONCUSSION IN THE ABSOLUTE

They did not open their lips again during the whole space of their ride.

What did Jean Valjean want? To finish what he had begun; to warn
Cosette, to tell her where Marius was, to give her, possibly, some other
useful information, to take, if he could, certain final measures. As
for himself, so far as he was personally concerned, all was over; he had
been seized by Javert and had not resisted; any other man than himself
in like situation would, perhaps, have had some vague thoughts connected
with the rope which Thenardier had given him, and of the bars of the
first cell that he should enter; but, let us impress it upon the
reader, after the Bishop, there had existed in Jean Valjean a profound
hesitation in the presence of any violence, even when directed against
himself.

Suicide, that mysterious act of violence against the unknown which may
contain, in a measure, the death of the soul, was impossible to Jean
Valjean.

At the entrance to the Rue de l'Homme Arme, the carriage halted, the way
being too narrow to admit of the entrance of vehicles. Javert and Jean
Valjean alighted.

The coachman humbly represented to "monsieur l'Inspecteur," that the
Utrecht velvet of his carriage was all spotted with the blood of the
assassinated man, and with mire from the assassin. That is the way he
understood it. He added that an indemnity was due him. At the same time,
drawing his certificate book from his pocket, he begged the inspector to
have the goodness to write him "a bit of an attestation."

Javert thrust aside the book which the coachman held out to him, and
said:

"How much do you want, including your time of waiting and the drive?"

"It comes to seven hours and a quarter," replied the man, "and my velvet
was perfectly new. Eighty francs, Mr. Inspector."

Javert drew four napoleons from his pocket and dismissed the carriage.

Jean Valjean fancied that it was Javert's intention to conduct him on
foot to the post of the Blancs-Manteaux or to the post of the Archives,
both of which are close at hand.

They entered the street. It was deserted as usual. Javert followed Jean
Valjean. They reached No. 7. Jean Valjean knocked. The door opened.

"It is well," said Javert. "Go up stairs."

He added with a strange expression, and as though he were exerting an
effort in speaking in this manner:

"I will wait for you here."

Jean Valjean looked at Javert. This mode of procedure was but little in
accord with Javert's habits. However, he could not be greatly surprised
that Javert should now have a sort of haughty confidence in him, the
confidence of the cat which grants the mouse liberty to the length of
its claws, seeing that Jean Valjean had made up his mind to surrender
himself and to make an end of it. He pushed open the door, entered the
house, called to the porter who was in bed and who had pulled the cord
from his couch: "It is I!" and ascended the stairs.

On arriving at the first floor, he paused. All sorrowful roads
have their stations. The window on the landing-place, which was a
sash-window, was open. As in many ancient houses, the staircase got its
light from without and had a view on the street. The street-lantern,
situated directly opposite, cast some light on the stairs, and thus
effected some economy in illumination.

Jean Valjean, either for the sake of getting the air, or mechanically,
thrust his head out of this window. He leaned out over the street. It
is short, and the lantern lighted it from end to end. Jean Valjean was
overwhelmed with amazement; there was no longer any one there.

Javert had taken his departure.




CHAPTER XII--THE GRANDFATHER

Basque and the porter had carried Marius into the drawing-room, as he
still lay stretched out, motionless, on the sofa upon which he had been
placed on his arrival. The doctor who had been sent for had hastened
thither. Aunt Gillenormand had risen.

Aunt Gillenormand went and came, in affright, wringing her hands and
incapable of doing anything but saying: "Heavens! is it possible?" At
times she added: "Everything will be covered with blood." When her first
horror had passed off, a certain philosophy of the situation penetrated
her mind, and took form in the exclamation: "It was bound to end in this
way!" She did not go so far as: "I told you so!" which is customary on
this sort of occasion. At the physician's orders, a camp bed had been
prepared beside the sofa. The doctor examined Marius, and after having
found that his pulse was still beating, that the wounded man had no very
deep wound on his breast, and that the blood on the corners of his lips
proceeded from his nostrils, he had him placed flat on the bed, without
a pillow, with his head on the same level as his body, and even a
trifle lower, and with his bust bare in order to facilitate respiration.
Mademoiselle Gillenormand, on perceiving that they were undressing
Marius, withdrew. She set herself to telling her beads in her own
chamber.

The trunk had not suffered any internal injury; a bullet, deadened by
the pocket-book, had turned aside and made the tour of his ribs with a
hideous laceration, which was of no great depth, and consequently, not
dangerous. The long, underground journey had completed the dislocation
of the broken collar-bone, and the disorder there was serious. The arms
had been slashed with sabre cuts. Not a single scar disfigured his face;
but his head was fairly covered with cuts; what would be the result of
these wounds on the head? Would they stop short at the hairy cuticle, or
would they attack the brain? As yet, this could not be decided. A grave
symptom was that they had caused a swoon, and that people do not always
recover from such swoons. Moreover, the wounded man had been exhausted
by hemorrhage. From the waist down, the barricade had protected the
lower part of the body from injury.

Basque and Nicolette tore up linen and prepared bandages; Nicolette
sewed them, Basque rolled them. As lint was lacking, the doctor, for
the time being, arrested the bleeding with layers of wadding. Beside
the bed, three candles burned on a table where the case of surgical
instruments lay spread out. The doctor bathed Marius' face and hair with
cold water. A full pail was reddened in an instant. The porter, candle
in hand, lighted them.

The doctor seemed to be pondering sadly. From time to time, he made a
negative sign with his head, as though replying to some question which
he had inwardly addressed to himself.

A bad sign for the sick man are these mysterious dialogues of the doctor
with himself.

At the moment when the doctor was wiping Marius' face, and lightly
touching his still closed eyes with his finger, a door opened at the end
of the drawing-room, and a long, pallid figure made its appearance.

This was the grandfather.

The revolt had, for the past two days, deeply agitated, enraged and
engrossed the mind of M. Gillenormand. He had not been able to sleep
on the previous night, and he had been in a fever all day long. In the
evening, he had gone to bed very early, recommending that everything in
the house should be well barred, and he had fallen into a doze through
sheer fatigue.

Old men sleep lightly; M. Gillenormand's chamber adjoined the
drawing-room, and in spite of all the precautions that had been taken,
the noise had awakened him. Surprised at the rift of light which he
saw under his door, he had risen from his bed, and had groped his way
thither.

He stood astonished on the threshold, one hand on the handle of the
half-open door, with his head bent a little forward and quivering,
his body wrapped in a white dressing-gown, which was straight and as
destitute of folds as a winding-sheet; and he had the air of a phantom
who is gazing into a tomb.

He saw the bed, and on the mattress that young man, bleeding, white with
a waxen whiteness, with closed eyes and gaping mouth, and pallid lips,
stripped to the waist, slashed all over with crimson wounds, motionless
and brilliantly lighted up.

The grandfather trembled from head to foot as powerfully as ossified
limbs can tremble, his eyes, whose corneae were yellow on account of
his great age, were veiled in a sort of vitreous glitter, his whole
face assumed in an instant the earthy angles of a skull, his arms fell
pendent, as though a spring had broken, and his amazement was betrayed
by the outspreading of the fingers of his two aged hands, which quivered
all over, his knees formed an angle in front, allowing, through
the opening in his dressing-gown, a view of his poor bare legs, all
bristling with white hairs, and he murmured:

"Marius!"

"Sir," said Basque, "Monsieur has just been brought back. He went to the
barricade, and . . ."

"He is dead!" cried the old man in a terrible voice. "Ah! The rascal!"

Then a sort of sepulchral transformation straightened up this
centenarian as erect as a young man.

"Sir," said he, "you are the doctor. Begin by telling me one thing. He
is dead, is he not?"

The doctor, who was at the highest pitch of anxiety, remained silent.

M. Gillenormand wrung his hands with an outburst of terrible laughter.

"He is dead! He is dead! He is dead! He has got himself killed on
the barricades! Out of hatred to me! He did that to spite me! Ah! You
blood-drinker! This is the way he returns to me! Misery of my life, he
is dead!"

He went to the window, threw it wide open as though he were stifling,
and, erect before the darkness, he began to talk into the street, to the
night:

"Pierced, sabred, exterminated, slashed, hacked in pieces! Just look at
that, the villain! He knew well that I was waiting for him, and that I
had had his room arranged, and that I had placed at the head of my bed
his portrait taken when he was a little child! He knew well that he had
only to come back, and that I had been recalling him for years, and that
I remained by my fireside, with my hands on my knees, not knowing what
to do, and that I was mad over it! You knew well, that you had but to
return and to say: 'It is I,' and you would have been the master of the
house, and that I should have obeyed you, and that you could have done
whatever you pleased with your old numskull of a grandfather! you knew
that well, and you said:

"No, he is a Royalist, I will not go! And you went to the barricades,
and you got yourself killed out of malice! To revenge yourself for what
I said to you about Monsieur le Duc de Berry. It is infamous! Go to bed
then and sleep tranquilly! he is dead, and this is my awakening."

The doctor, who was beginning to be uneasy in both quarters, quitted
Marius for a moment, went to M. Gillenormand, and took his arm.
The grandfather turned round, gazed at him with eyes which seemed
exaggerated in size and bloodshot, and said to him calmly:

"I thank you, sir. I am composed, I am a man, I witnessed the death of
Louis XVI., I know how to bear events. One thing is terrible and that is
to think that it is your newspapers which do all the mischief. You will
have scribblers, chatterers, lawyers, orators, tribunes, discussions,
progress, enlightenment, the rights of man, the liberty of the press,
and this is the way that your children will be brought home to you. Ah!
Marius! It is abominable! Killed! Dead before me! A barricade! Ah, the
scamp! Doctor, you live in this quarter, I believe? Oh! I know you well.
I see your cabriolet pass my window. I am going to tell you. You are
wrong to think that I am angry. One does not fly into a rage against a
dead man. That would be stupid. This is a child whom I have reared.
I was already old while he was very young. He played in the Tuileries
garden with his little shovel and his little chair, and in order that
the inspectors might not grumble, I stopped up the holes that he made in
the earth with his shovel, with my cane. One day he exclaimed: Down with
Louis XVIII.! and off he went. It was no fault of mine. He was all rosy
and blond. His mother is dead. Have you ever noticed that all little
children are blond? Why is it so? He is the son of one of those brigands
of the Loire, but children are innocent of their fathers' crimes.
I remember when he was no higher than that. He could not manage
to pronounce his Ds. He had a way of talking that was so sweet and
indistinct that you would have thought it was a bird chirping. I
remember that once, in front of the Hercules Farnese, people formed a
circle to admire him and marvel at him, he was so handsome, was that
child! He had a head such as you see in pictures. I talked in a deep
voice, and I frightened him with my cane, but he knew very well that it
was only to make him laugh. In the morning, when he entered my room, I
grumbled, but he was like the sunlight to me, all the same. One cannot
defend oneself against those brats. They take hold of you, they hold you
fast, they never let you go again. The truth is, that there never was a
cupid like that child. Now, what can you say for your Lafayettes, your
Benjamin Constants, and your Tirecuir de Corcelles who have killed him?
This cannot be allowed to pass in this fashion."

He approached Marius, who still lay livid and motionless, and to whom
the physician had returned, and began once more to wring his hands. The
old man's pallid lips moved as though mechanically, and permitted the
passage of words that were barely audible, like breaths in the death
agony:

"Ah! heartless lad! Ah! clubbist! Ah! wretch! Ah! Septembrist!"

Reproaches in the low voice of an agonizing man, addressed to a corpse.

Little by little, as it is always indispensable that internal eruptions
should come to the light, the sequence of words returned, but the
grandfather appeared no longer to have the strength to utter them, his
voice was so weak, and extinct, that it seemed to come from the other
side of an abyss:

"It is all the same to me, I am going to die too, that I am. And
to think that there is not a hussy in Paris who would not have been
delighted to make this wretch happy! A scamp who, instead of amusing
himself and enjoying life, went off to fight and get himself shot down
like a brute! And for whom? Why? For the Republic! Instead of going to
dance at the Chaumiere, as it is the duty of young folks to do! What's
the use of being twenty years old? The Republic, a cursed pretty folly!
Poor mothers, beget fine boys, do! Come, he is dead. That will make two
funerals under the same carriage gate. So you have got yourself arranged
like this for the sake of General Lamarque's handsome eyes! What had
that General Lamarque done to you? A slasher! A chatter-box! To get
oneself killed for a dead man! If that isn't enough to drive any one
mad! Just think of it! At twenty! And without so much as turning his
head to see whether he was not leaving something behind him! That's the
way poor, good old fellows are forced to die alone, now-adays. Perish
in your corner, owl! Well, after all, so much the better, that is what
I was hoping for, this will kill me on the spot. I am too old, I am
a hundred years old, I am a hundred thousand years old, I ought, by
rights, to have been dead long ago. This blow puts an end to it. So all
is over, what happiness! What is the good of making him inhale ammonia
and all that parcel of drugs? You are wasting your trouble, you fool of
a doctor! Come, he's dead, completely dead. I know all about it, I
am dead myself too. He hasn't done things by half. Yes, this age is
infamous, infamous and that's what I think of you, of your ideas, of
your systems, of your masters, of your oracles, of your doctors, of your
scape-graces of writers, of your rascally philosophers, and of all the
revolutions which, for the last sixty years, have been frightening
the flocks of crows in the Tuileries! But you were pitiless in getting
yourself killed like this, I shall not even grieve over your death, do
you understand, you assassin?"

At that moment, Marius slowly opened his eyes, and his glance, still
dimmed by lethargic wonder, rested on M. Gillenormand.

"Marius!" cried the old man. "Marius! My little Marius! my child! my
well-beloved son! You open your eyes, you gaze upon me, you are alive,
thanks!"

And he fell fainting.




BOOK FOURTH.--JAVERT DERAILED




CHAPTER I--JAVERT

Javert passed slowly down the Rue de l'Homme Arme.

He walked with drooping head for the first time in his life, and
likewise, for the first time in his life, with his hands behind his
back.

Up to that day, Javert had borrowed from Napoleon's attitudes, only that
which is expressive of resolution, with arms folded across the chest;
that which is expressive of uncertainty--with the hands behind the
back--had been unknown to him. Now, a change had taken place; his whole
person, slow and sombre, was stamped with anxiety.

He plunged into the silent streets.

Nevertheless, he followed one given direction.

He took the shortest cut to the Seine, reached the Quai des Ormes,
skirted the quay, passed the Greve, and halted at some distance from
the post of the Place du Chatelet, at the angle of the Pont Notre-Dame.
There, between the Notre-Dame and the Pont au Change on the one hand,
and the Quai de la Megisserie and the Quai aux Fleurs on the other, the
Seine forms a sort of square lake, traversed by a rapid.

This point of the Seine is dreaded by mariners. Nothing is more
dangerous than this rapid, hemmed in, at that epoch, and irritated by
the piles of the mill on the bridge, now demolished. The two bridges,
situated thus close together, augment the peril; the water hurries in
formidable wise through the arches. It rolls in vast and terrible waves;
it accumulates and piles up there; the flood attacks the piles of the
bridges as though in an effort to pluck them up with great liquid ropes.
Men who fall in there never re-appear; the best of swimmers are drowned
there.

Javert leaned both elbows on the parapet, his chin resting in both
hands, and, while his nails were mechanically twined in the abundance of
his whiskers, he meditated.

A novelty, a revolution, a catastrophe had just taken place in the
depths of his being; and he had something upon which to examine himself.

Javert was undergoing horrible suffering.

For several hours, Javert had ceased to be simple. He was troubled;
that brain, so limpid in its blindness, had lost its transparency; that
crystal was clouded. Javert felt duty divided within his conscience, and
he could not conceal the fact from himself. When he had so unexpectedly
encountered Jean Valjean on the banks of the Seine, there had been in
him something of the wolf which regains his grip on his prey, and of the
dog who finds his master again.

He beheld before him two paths, both equally straight, but he beheld
two; and that terrified him; him, who had never in all his life known
more than one straight line. And, the poignant anguish lay in this, that
the two paths were contrary to each other. One of these straight lines
excluded the other. Which of the two was the true one?

His situation was indescribable.

To owe his life to a malefactor, to accept that debt and to repay it; to
be, in spite of himself, on a level with a fugitive from justice, and to
repay his service with another service; to allow it to be said to him,
"Go," and to say to the latter in his turn: "Be free"; to sacrifice to
personal motives duty, that general obligation, and to be conscious,
in those personal motives, of something that was also general, and,
perchance, superior, to betray society in order to remain true to his
conscience; that all these absurdities should be realized and should
accumulate upon him,--this was what overwhelmed him.

One thing had amazed him,--this was that Jean Valjean should have done
him a favor, and one thing petrified him,--that he, Javert, should have
done Jean Valjean a favor.

Where did he stand? He sought to comprehend his position, and could no
longer find his bearings.

What was he to do now? To deliver up Jean Valjean was bad; to leave Jean
Valjean at liberty was bad. In the first case, the man of authority fell
lower than the man of the galleys, in the second, a convict rose above
the law, and set his foot upon it. In both cases, dishonor for him,
Javert. There was disgrace in any resolution at which he might arrive.
Destiny has some extremities which rise perpendicularly from the
impossible, and beyond which life is no longer anything but a precipice.
Javert had reached one of those extremities.

One of his anxieties consisted in being constrained to think. The very
violence of all these conflicting emotions forced him to it. Thought was
something to which he was unused, and which was peculiarly painful.

In thought there always exists a certain amount of internal rebellion;
and it irritated him to have that within him.

Thought on any subject whatever, outside of the restricted circle of his
functions, would have been for him in any case useless and a fatigue;
thought on the day which had just passed was a torture. Nevertheless, it
was indispensable that he should take a look into his conscience, after
such shocks, and render to himself an account of himself.

What he had just done made him shudder. He, Javert, had seen fit to
decide, contrary to all the regulations of the police, contrary to the
whole social and judicial organization, contrary to the entire code,
upon a release; this had suited him; he had substituted his own affairs
for the affairs of the public; was not this unjustifiable? Every time
that he brought himself face to face with this deed without a name which
he had committed, he trembled from head to foot. Upon what should he
decide? One sole resource remained to him; to return in all haste to
the Rue de l'Homme Arme, and commit Jean Valjean to prison. It was clear
that that was what he ought to do. He could not.

Something barred his way in that direction.

Something? What? Is there in the world, anything outside of the
tribunals, executory sentences, the police and the authorities? Javert
was overwhelmed.

A galley-slave sacred! A convict who could not be touched by the law!
And that the deed of Javert!

Was it not a fearful thing that Javert and Jean Valjean, the man made to
proceed with vigor, the man made to submit,--that these two men who were
both the things of the law, should have come to such a pass, that both
of them had set themselves above the law? What then! such enormities
were to happen and no one was to be punished! Jean Valjean, stronger
than the whole social order, was to remain at liberty, and he, Javert,
was to go on eating the government's bread!

His revery gradually became terrible.

He might, athwart this revery, have also reproached himself on
the subject of that insurgent who had been taken to the Rue des
Filles-du-Calvaire; but he never even thought of that. The lesser fault
was lost in the greater. Besides, that insurgent was, obviously, a dead
man, and, legally, death puts an end to pursuit.

Jean Valjean was the load which weighed upon his spirit.

Jean Valjean disconcerted him. All the axioms which had served him as
points of support all his life long, had crumbled away in the presence
of this man. Jean Valjean's generosity towards him, Javert, crushed him.
Other facts which he now recalled, and which he had formerly treated
as lies and folly, now recurred to him as realities. M. Madeleine
re-appeared behind Jean Valjean, and the two figures were superposed in
such fashion that they now formed but one, which was venerable. Javert
felt that something terrible was penetrating his soul--admiration for
a convict. Respect for a galley-slave--is that a possible thing? He
shuddered at it, yet could not escape from it. In vain did he struggle,
he was reduced to confess, in his inmost heart, the sublimity of that
wretch. This was odious.

A benevolent malefactor, merciful, gentle, helpful, clement, a convict,
returning good for evil, giving back pardon for hatred, preferring pity
to vengeance, preferring to ruin himself rather than to ruin his enemy,
saving him who had smitten him, kneeling on the heights of virtue, more
nearly akin to an angel than to a man. Javert was constrained to admit
to himself that this monster existed.

Things could not go on in this manner.

Certainly, and we insist upon this point, he had not yielded without
resistance to that monster, to that infamous angel, to that hideous
hero, who enraged almost as much as he amazed him. Twenty times, as he
sat in that carriage face to face with Jean Valjean, the legal tiger had
roared within him. A score of times he had been tempted to fling himself
upon Jean Valjean, to seize him and devour him, that is to say, to
arrest him. What more simple, in fact? To cry out at the first post that
they passed:--"Here is a fugitive from justice, who has broken his ban!"
to summon the gendarmes and say to them: "This man is yours!" then to
go off, leaving that condemned man there, to ignore the rest and not to
meddle further in the matter. This man is forever a prisoner of the law;
the law may do with him what it will. What could be more just? Javert
had said all this to himself; he had wished to pass beyond, to act, to
apprehend the man, and then, as at present, he had not been able to do
it; and every time that his arm had been raised convulsively towards
Jean Valjean's collar, his hand had fallen back again, as beneath an
enormous weight, and in the depths of his thought he had heard a voice,
a strange voice crying to him:--"It is well. Deliver up your savior.
Then have the basin of Pontius Pilate brought and wash your claws."

Then his reflections reverted to himself and beside Jean Valjean
glorified he beheld himself, Javert, degraded.

A convict was his benefactor!

But then, why had he permitted that man to leave him alive? He had
the right to be killed in that barricade. He should have asserted that
right. It would have been better to summon the other insurgents to his
succor against Jean Valjean, to get himself shot by force.

His supreme anguish was the loss of certainty. He felt that he had been
uprooted. The code was no longer anything more than a stump in his hand.
He had to deal with scruples of an unknown species. There had taken
place within him a sentimental revelation entirely distinct from legal
affirmation, his only standard of measurement hitherto. To remain in his
former uprightness did not suffice. A whole order of unexpected facts
had cropped up and subjugated him. A whole new world was dawning on
his soul: kindness accepted and repaid, devotion, mercy, indulgence,
violences committed by pity on austerity, respect for persons, no more
definitive condemnation, no more conviction, the possibility of a tear
in the eye of the law, no one knows what justice according to God,
running in inverse sense to justice according to men. He perceived amid
the shadows the terrible rising of an unknown moral sun; it horrified
and dazzled him. An owl forced to the gaze of an eagle.

He said to himself that it was true that there were exceptional cases,
that authority might be put out of countenance, that the rule might
be inadequate in the presence of a fact, that everything could not
be framed within the text of the code, that the unforeseen compelled
obedience, that the virtue of a convict might set a snare for the virtue
of the functionary, that destiny did indulge in such ambushes, and
he reflected with despair that he himself had not even been fortified
against a surprise.

He was forced to acknowledge that goodness did exist. This convict had
been good. And he himself, unprecedented circumstance, had just been
good also. So he was becoming depraved.

He found that he was a coward. He conceived a horror of himself.

Javert's ideal, was not to be human, to be grand, to be sublime; it was
to be irreproachable.

Now, he had just failed in this.

How had he come to such a pass? How had all this happened? He could not
have told himself. He clasped his head in both hands, but in spite of
all that he could do, he could not contrive to explain it to himself.

He had certainly always entertained the intention of restoring Jean
Valjean to the law of which Jean Valjean was the captive, and of which
he, Javert, was the slave. Not for a single instant while he held him
in his grasp had he confessed to himself that he entertained the idea of
releasing him. It was, in some sort, without his consciousness, that his
hand had relaxed and had let him go free.

All sorts of interrogation points flashed before his eyes. He put
questions to himself, and made replies to himself, and his replies
frightened him. He asked himself: "What has that convict done, that
desperate fellow, whom I have pursued even to persecution, and who has
had me under his foot, and who could have avenged himself, and who
owed it both to his rancor and to his safety, in leaving me my life, in
showing mercy upon me? His duty? No. Something more. And I in showing
mercy upon him in my turn--what have I done? My duty? No. Something
more. So there is something beyond duty?" Here he took fright; his
balance became disjointed; one of the scales fell into the abyss, the
other rose heavenward, and Javert was no less terrified by the one which
was on high than by the one which was below. Without being in the least
in the world what is called Voltairian or a philosopher, or incredulous,
being, on the contrary, respectful by instinct, towards the established
church, he knew it only as an august fragment of the social whole; order
was his dogma, and sufficed for him; ever since he had attained to man's
estate and the rank of a functionary, he had centred nearly all his
religion in the police. Being,--and here we employ words without the
least irony and in their most serious acceptation, being, as we have
said, a spy as other men are priests. He had a superior, M. Gisquet; up
to that day he had never dreamed of that other superior, God.

This new chief, God, he became unexpectedly conscious of, and he felt
embarrassed by him. This unforeseen presence threw him off his bearings;
he did not know what to do with this superior, he, who was not ignorant
of the fact that the subordinate is bound always to bow, that he must
not disobey, nor find fault, nor discuss, and that, in the presence of a
superior who amazes him too greatly, the inferior has no other resource
than that of handing in his resignation.

But how was he to set about handing in his resignation to God?

However things might stand,--and it was to this point that he reverted
constantly,--one fact dominated everything else for him, and that was,
that he had just committed a terrible infraction of the law. He had just
shut his eyes on an escaped convict who had broken his ban. He had just
set a galley-slave at large. He had just robbed the laws of a man who
belonged to them. That was what he had done. He no longer understood
himself. The very reasons for his action escaped him; only their vertigo
was left with him. Up to that moment he had lived with that blind faith
which gloomy probity engenders. This faith had quitted him, this probity
had deserted him. All that he had believed in melted away. Truths which
he did not wish to recognize were besieging him, inexorably. Henceforth,
he must be a different man. He was suffering from the strange pains of
a conscience abruptly operated on for the cataract. He saw that which
it was repugnant to him to behold. He felt himself emptied, useless, put
out of joint with his past life, turned out, dissolved. Authority was
dead within him. He had no longer any reason for existing.

A terrible situation! to be touched.

To be granite and to doubt! to be the statue of Chastisement cast in one
piece in the mould of the law, and suddenly to become aware of the fact
that one cherishes beneath one's breast of bronze something absurd
and disobedient which almost resembles a heart! To come to the pass of
returning good for good, although one has said to oneself up to that day
that that good is evil! to be the watch-dog, and to lick the intruder's
hand! to be ice and melt! to be the pincers and to turn into a hand!
to suddenly feel one's fingers opening! to relax one's grip,--what a
terrible thing!

The man-projectile no longer acquainted with his route and retreating!

To be obliged to confess this to oneself: infallibility is not
infallible, there may exist error in the dogma, all has not been said
when a code speaks, society is not perfect, authority is complicated
with vacillation, a crack is possible in the immutable, judges are but
men, the law may err, tribunals may make a mistake! to behold a rift in
the immense blue pane of the firmament!

That which was passing in Javert was the Fampoux of a rectilinear
conscience, the derailment of a soul, the crushing of a probity which
had been irresistibly launched in a straight line and was breaking
against God. It certainly was singular that the stoker of order, that
the engineer of authority, mounted on the blind iron horse with its
rigid road, could be unseated by a flash of light! that the immovable,
the direct, the correct, the geometrical, the passive, the perfect,
could bend! that there should exist for the locomotive a road to
Damascus!

God, always within man, and refractory, He, the true conscience, to the
false; a prohibition to the spark to die out; an order to the ray to
remember the sun; an injunction to the soul to recognize the veritable
absolute when confronted with the fictitious absolute, humanity
which cannot be lost; the human heart indestructible; that splendid
phenomenon, the finest, perhaps, of all our interior marvels, did Javert
understand this? Did Javert penetrate it? Did Javert account for it
to himself? Evidently he did not. But beneath the pressure of that
incontestable incomprehensibility he felt his brain bursting.

He was less the man transfigured than the victim of this prodigy. In all
this he perceived only the tremendous difficulty of existence. It seemed
to him that, henceforth, his respiration was repressed forever. He was
not accustomed to having something unknown hanging over his head.

Up to this point, everything above him had been, to his gaze, merely a
smooth, limpid and simple surface; there was nothing incomprehensible,
nothing obscure; nothing that was not defined, regularly disposed,
linked, precise, circumscribed, exact, limited, closed, fully provided
for; authority was a plane surface; there was no fall in it, no
dizziness in its presence. Javert had never beheld the unknown except
from below. The irregular, the unforeseen, the disordered opening of
chaos, the possible slip over a precipice--this was the work of the
lower regions, of rebels, of the wicked, of wretches. Now Javert threw
himself back, and he was suddenly terrified by this unprecedented
apparition: a gulf on high.

What! one was dismantled from top to bottom! one was disconcerted,
absolutely! In what could one trust! That which had been agreed upon was
giving way! What! the defect in society's armor could be discovered by
a magnanimous wretch! What! an honest servitor of the law could suddenly
find himself caught between two crimes--the crime of allowing a man to
escape and the crime of arresting him! everything was not settled in
the orders given by the State to the functionary! There might be
blind alleys in duty! What,--all this was real! was it true that an
ex-ruffian, weighed down with convictions, could rise erect and end by
being in the right? Was this credible? were there cases in which the law
should retire before transfigured crime, and stammer its excuses?--Yes,
that was the state of the case! and Javert saw it! and Javert had
touched it! and not only could he not deny it, but he had taken part
in it. These were realities. It was abominable that actual facts could
reach such deformity. If facts did their duty, they would confine
themselves to being proofs of the law; facts--it is God who sends them.
Was anarchy, then, on the point of now descending from on high?

Thus,--and in the exaggeration of anguish, and the optical illusion
of consternation, all that might have corrected and restrained this
impression was effaced, and society, and the human race, and the
universe were, henceforth, summed up in his eyes, in one simple and
terrible feature,--thus the penal laws, the thing judged, the force due
to legislation, the decrees of the sovereign courts, the magistracy,
the government, prevention, repression, official cruelty, wisdom, legal
infallibility, the principle of authority, all the dogmas on which rest
political and civil security, sovereignty, justice, public truth, all
this was rubbish, a shapeless mass, chaos; he himself, Javert, the spy
of order, incorruptibility in the service of the police, the bull-dog
providence of society, vanquished and hurled to earth; and, erect, at
the summit of all that ruin, a man with a green cap on his head and a
halo round his brow; this was the astounding confusion to which he had
come; this was the fearful vision which he bore within his soul.

Was this to be endured? No.

A violent state, if ever such existed. There were only two ways of
escaping from it. One was to go resolutely to Jean Valjean, and restore
to his cell the convict from the galleys. The other . . .

Javert quitted the parapet, and, with head erect this time, betook
himself, with a firm tread, towards the station-house indicated by a
lantern at one of the corners of the Place du Chatelet.

On arriving there, he saw through the window a sergeant of police, and
he entered. Policemen recognize each other by the very way in which they
open the door of a station-house. Javert mentioned his name, showed his
card to the sergeant, and seated himself at the table of the post on
which a candle was burning. On a table lay a pen, a leaden inkstand and
paper, provided in the event of possible reports and the orders of the
night patrols. This table, still completed by its straw-seated chair,
is an institution; it exists in all police stations; it is invariably
ornamented with a box-wood saucer filled with sawdust and a wafer box
of cardboard filled with red wafers, and it forms the lowest stage of
official style. It is there that the literature of the State has its
beginning.

Javert took a pen and a sheet of paper, and began to write. This is what
he wrote:

      A FEW OBSERVATIONS FOR THE GOOD OF THE SERVICE.


 "In the first place:  I beg Monsieur le Prefet to cast his eyes
 on this.

 "Secondly:  prisoners, on arriving after examination, take off
 their shoes and stand barefoot on the flagstones while they are
 being searched.  Many of them cough on their return to prison.
 This entails hospital expenses.

 "Thirdly:  the mode of keeping track of a man with relays of police
 agents from distance to distance, is good, but, on important occasions,
 it is requisite that at least two agents should never lose sight
 of each other, so that, in case one agent should, for any cause,
 grow weak in his service, the other may supervise him and take
 his place.

 "Fourthly:  it is inexplicable why the special regulation of the prison
 of the Madelonettes interdicts the prisoner from having a chair,
 even by paying for it.

 "Fifthly:  in the Madelonettes there are only two bars to the canteen,
 so that the canteen woman can touch the prisoners with her hand.

 "Sixthly:  the prisoners called barkers, who summon the other
 prisoners to the parlor, force the prisoner to pay them two sous
 to call his name distinctly.  This is a theft.

 "Seventhly:  for a broken thread ten sous are withheld in the
 weaving shop; this is an abuse of the contractor, since the cloth
 is none the worse for it.

 "Eighthly:  it is annoying for visitors to La Force to be
 obliged to traverse the boys' court in order to reach the parlor
 of Sainte-Marie-l'Egyptienne.

 "Ninthly:  it is a fact that any day gendarmes can be overheard
 relating in the court-yard of the prefecture the interrogations put
 by the magistrates to prisoners.  For a gendarme, who should be
 sworn to secrecy, to repeat what he has heard in the examination
 room is a grave disorder.

 "Tenthly:  Mme. Henry is an honest woman; her canteen is very neat;
 but it is bad to have a woman keep the wicket to the mouse-trap
 of the secret cells.  This is unworthy of the Conciergerie of a
 great civilization."

 Javert wrote these lines in his calmest and most correct chirography,
 not omitting a single comma, and making the paper screech under his pen.
 Below the last line he signed:

                                               "JAVERT,
                                    "Inspector of the 1st class.
       "The Post of the Place du Chatelet.
                 "June 7th, 1832, about one o'clock in the morning."


Javert dried the fresh ink on the paper, folded it like a letter, sealed
it, wrote on the back: Note for the administration, left it on the
table, and quitted the post. The glazed and grated door fell to behind
him.

Again he traversed the Place du Chatelet diagonally, regained the quay,
and returned with automatic precision to the very point which he had
abandoned a quarter of an hour previously, leaned on his elbows and
found himself again in the same attitude on the same paving-stone of the
parapet. He did not appear to have stirred.

The darkness was complete. It was the sepulchral moment which follows
midnight. A ceiling of clouds concealed the stars. Not a single light
burned in the houses of the city; no one was passing; all of the streets
and quays which could be seen were deserted; Notre-Dame and the towers
of the Court-House seemed features of the night. A street lantern
reddened the margin of the quay. The outlines of the bridges lay
shapeless in the mist one behind the other. Recent rains had swollen the
river.

The spot where Javert was leaning was, it will be remembered, situated
precisely over the rapids of the Seine, perpendicularly above that
formidable spiral of whirlpools which loose and knot themselves again
like an endless screw.

Javert bent his head and gazed. All was black. Nothing was to be
distinguished. A sound of foam was audible; but the river could not be
seen. At moments, in that dizzy depth, a gleam of light appeared, and
undulated vaguely, water possessing the power of taking light, no one
knows whence, and converting it into a snake. The light vanished, and
all became indistinct once more. Immensity seemed thrown open there.
What lay below was not water, it was a gulf. The wall of the quay,
abrupt, confused, mingled with the vapors, instantly concealed from
sight, produced the effect of an escarpment of the infinite. Nothing was
to be seen, but the hostile chill of the water and the stale odor of
the wet stones could be felt. A fierce breath rose from this abyss. The
flood in the river, divined rather than perceived, the tragic whispering
of the waves, the melancholy vastness of the arches of the bridge, the
imaginable fall into that gloomy void, into all that shadow was full of
horror.

Javert remained motionless for several minutes, gazing at this opening
of shadow; he considered the invisible with a fixity that resembled
attention. The water roared. All at once he took off his hat and placed
it on the edge of the quay. A moment later, a tall black figure, which
a belated passer-by in the distance might have taken for a phantom,
appeared erect upon the parapet of the quay, bent over towards the
Seine, then drew itself up again, and fell straight down into the
shadows; a dull splash followed; and the shadow alone was in the secret
of the convulsions of that obscure form which had disappeared beneath
the water.




BOOK FIFTH.--GRANDSON AND GRANDFATHER




CHAPTER I--IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN

Some time after the events which we have just recorded, Sieur
Boulatruelle experienced a lively emotion.

Sieur Boulatruelle was that road-mender of Montfermeil whom the reader
has already seen in the gloomy parts of this book.

Boulatruelle, as the reader may, perchance, recall, was a man who
was occupied with divers and troublesome matters. He broke stones and
damaged travellers on the highway.

Road-mender and thief as he was, he cherished one dream; he believed in
the treasures buried in the forest of Montfermeil. He hoped some day to
find the money in the earth at the foot of a tree; in the meanwhile, he
lived to search the pockets of passers-by.

Nevertheless, for an instant, he was prudent. He had just escaped
neatly. He had been, as the reader is aware, picked up in Jondrette's
garret in company with the other ruffians. Utility of a vice: his
drunkenness had been his salvation. The authorities had never been able
to make out whether he had been there in the quality of a robber or a
man who had been robbed. An order of nolle prosequi, founded on his well
authenticated state of intoxication on the evening of the ambush, had
set him at liberty. He had taken to his heels. He had returned to his
road from Gagny to Lagny, to make, under administrative supervision,
broken stone for the good of the state, with downcast mien, in a very
pensive mood, his ardor for theft somewhat cooled; but he was addicted
none the less tenderly to the wine which had recently saved him.

As for the lively emotion which he had experienced a short time after
his return to his road-mender's turf-thatched cot, here it is:

One morning, Boulatruelle, while on his way as was his wont, to his
work, and possibly also to his ambush, a little before daybreak caught
sight, through the branches of the trees, of a man, whose back alone
he saw, but the shape of whose shoulders, as it seemed to him at that
distance and in the early dusk, was not entirely unfamiliar to him.
Boulatruelle, although intoxicated, had a correct and lucid memory, a
defensive arm that is indispensable to any one who is at all in conflict
with legal order.

"Where the deuce have I seen something like that man yonder?" he said
to himself. But he could make himself no answer, except that the man
resembled some one of whom his memory preserved a confused trace.

However, apart from the identity which he could not manage to catch,
Boulatruelle put things together and made calculations. This man did
not belong in the country-side. He had just arrived there. On foot,
evidently. No public conveyance passes through Montfermeil at that hour.
He had walked all night. Whence came he? Not from a very great distance;
for he had neither haversack, nor bundle. From Paris, no doubt. Why was
he in these woods? why was he there at such an hour? what had he come
there for?

Boulatruelle thought of the treasure. By dint of ransacking his memory,
he recalled in a vague way that he had already, many years before, had
a similar alarm in connection with a man who produced on him the effect
that he might well be this very individual.

"By the deuce," said Boulatruelle, "I'll find him again. I'll discover
the parish of that parishioner. This prowler of Patron-Minette has a
reason, and I'll know it. People can't have secrets in my forest if I
don't have a finger in the pie."

He took his pick-axe which was very sharply pointed.

"There now," he grumbled, "is something that will search the earth and a
man."

And, as one knots one thread to another thread, he took up the line of
march at his best pace in the direction which the man must follow, and
set out across the thickets.

When he had compassed a hundred strides, the day, which was already
beginning to break, came to his assistance. Footprints stamped in the
sand, weeds trodden down here and there, heather crushed, young branches
in the brushwood bent and in the act of straightening themselves up
again with the graceful deliberation of the arms of a pretty woman who
stretches herself when she wakes, pointed out to him a sort of track. He
followed it, then lost it. Time was flying. He plunged deeper into the
woods and came to a sort of eminence. An early huntsman who was passing
in the distance along a path, whistling the air of Guillery, suggested
to him the idea of climbing a tree. Old as he was, he was agile. There
stood close at hand a beech-tree of great size, worthy of Tityrus and of
Boulatruelle. Boulatruelle ascended the beech as high as he was able.

The idea was a good one. On scrutinizing the solitary waste on the side
where the forest is thoroughly entangled and wild, Boulatruelle suddenly
caught sight of his man.

Hardly had he got his eye upon him when he lost sight of him.

The man entered, or rather, glided into, an open glade, at a
considerable distance, masked by large trees, but with which
Boulatruelle was perfectly familiar, on account of having noticed, near
a large pile of porous stones, an ailing chestnut-tree bandaged with
a sheet of zinc nailed directly upon the bark. This glade was the one
which was formerly called the Blaru-bottom. The heap of stones, destined
for no one knows what employment, which was visible there thirty years
ago, is doubtless still there. Nothing equals a heap of stones in
longevity, unless it is a board fence. They are temporary expedients.
What a reason for lasting!

Boulatruelle, with the rapidity of joy, dropped rather than descended
from the tree. The lair was unearthed, the question now was to seize the
beast. That famous treasure of his dreams was probably there.

It was no small matter to reach that glade. By the beaten paths, which
indulge in a thousand teasing zigzags, it required a good quarter of an
hour. In a bee-line, through the underbrush, which is peculiarly dense,
very thorny, and very aggressive in that locality, a full half hour was
necessary. Boulatruelle committed the error of not comprehending this.
He believed in the straight line; a respectable optical illusion which
ruins many a man. The thicket, bristling as it was, struck him as the
best road.

"Let's take to the wolves' Rue de Rivoli," said he.

Boulatruelle, accustomed to taking crooked courses, was on this occasion
guilty of the fault of going straight.

He flung himself resolutely into the tangle of undergrowth.

He had to deal with holly bushes, nettles, hawthorns, eglantines,
thistles, and very irascible brambles. He was much lacerated.

At the bottom of the ravine he found water which he was obliged to
traverse.

At last he reached the Blaru-bottom, after the lapse of forty minutes,
sweating, soaked, breathless, scratched, and ferocious.

There was no one in the glade. Boulatruelle rushed to the heap of
stones. It was in its place. It had not been carried off.

As for the man, he had vanished in the forest. He had made his escape.
Where? in what direction? into what thicket? Impossible to guess.

And, heartrending to say, there, behind the pile of stones, in front of
the tree with the sheet of zinc, was freshly turned earth, a pick-axe,
abandoned or forgotten, and a hole.

The hole was empty.

"Thief!" shrieked Boulatruelle, shaking his fist at the horizon.




CHAPTER II--MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC
WAR

For a long time, Marius was neither dead nor alive. For many weeks he
lay in a fever accompanied by delirium, and by tolerably grave cerebral
symptoms, caused more by the shocks of the wounds on the head than by
the wounds themselves.

He repeated Cosette's name for whole nights in the melancholy loquacity
of fever, and with the sombre obstinacy of agony. The extent of some of
the lesions presented a serious danger, the suppuration of large wounds
being always liable to become re-absorbed, and consequently, to kill
the sick man, under certain atmospheric conditions; at every change of
weather, at the slightest storm, the physician was uneasy.

"Above all things," he repeated, "let the wounded man be subjected to no
emotion." The dressing of the wounds was complicated and difficult,
the fixation of apparatus and bandages by cerecloths not having been
invented as yet, at that epoch. Nicolette used up a sheet "as big as the
ceiling," as she put it, for lint. It was not without difficulty
that the chloruretted lotions and the nitrate of silver overcame the
gangrene. As long as there was any danger, M. Gillenormand, seated in
despair at his grandson's pillow, was, like Marius, neither alive nor
dead.

Every day, sometimes twice a day, a very well dressed gentleman with
white hair,--such was the description given by the porter,--came to
inquire about the wounded man, and left a large package of lint for the
dressings.

Finally, on the 7th of September, four months to a day, after the
sorrowful night when he had been brought back to his grandfather in a
dying condition, the doctor declared that he would answer for Marius.
Convalescence began. But Marius was forced to remain for two months more
stretched out on a long chair, on account of the results called up by
the fracture of his collar-bone. There always is a last wound like that
which will not close, and which prolongs the dressings indefinitely, to
the great annoyance of the sick person.

However, this long illness and this long convalescence saved him
from all pursuit. In France, there is no wrath, not even of a public
character, which six months will not extinguish. Revolts, in the present
state of society, are so much the fault of every one, that they are
followed by a certain necessity of shutting the eyes.

Let us add, that the inexcusable Gisquet order, which enjoined doctors
to lodge information against the wounded, having outraged public
opinion, and not opinion alone, but the King first of all, the wounded
were covered and protected by this indignation; and, with the exception
of those who had been made prisoners in the very act of combat, the
councils of war did not dare to trouble any one. So Marius was left in
peace.

M. Gillenormand first passed through all manner of anguish, and then
through every form of ecstasy. It was found difficult to prevent his
passing every night beside the wounded man; he had his big arm-chair
carried to Marius' bedside; he required his daughter to take the
finest linen in the house for compresses and bandages. Mademoiselle
Gillenormand, like a sage and elderly person, contrived to spare the
fine linen, while allowing the grandfather to think that he was obeyed.
M. Gillenormand would not permit any one to explain to him, that for the
preparation of lint batiste is not nearly so good as coarse linen,
nor new linen as old linen. He was present at all the dressings of the
wounds from which Mademoiselle Gillenormand modestly absented herself.
When the dead flesh was cut away with scissors, he said: "Aie! aie!"
Nothing was more touching than to see him with his gentle, senile palsy,
offer the wounded man a cup of his cooling-draught. He overwhelmed the
doctor with questions. He did not observe that he asked the same ones
over and over again.

On the day when the doctor announced to him that Marius was out of
danger, the good man was in a delirium. He made his porter a present of
three louis. That evening, on his return to his own chamber, he danced
a gavotte, using his thumb and forefinger as castanets, and he sang the
following song:

      "Jeanne est nee a Fougere     "Amour, tu vis en elle;
       Vrai nid d'une bergere;       Car c'est dans sa prunelle
       J'adore son jupon,            Que tu mets ton carquois.
           Fripon.                       Narquois!

                "Moi, je la chante, et j'aime,
                 Plus que Diane meme,
                 Jeanne et ses durs tetons
                     Bretons."[61]


"Love, thou dwellest in her; For 'tis in her eyes that thou placest thy
quiver, sly scamp!

"As for me, I sing her, and I love, more than Diana herself, Jeanne and
her firm Breton breasts."


Then he knelt upon a chair, and Basque, who was watching him through the
half-open door, made sure that he was praying.

Up to that time, he had not believed in God.

At each succeeding phase of improvement, which became more and more
pronounced, the grandfather raved. He executed a multitude of mechanical
actions full of joy; he ascended and descended the stairs, without
knowing why. A pretty female neighbor was amazed one morning at
receiving a big bouquet; it was M. Gillenormand who had sent it to
her. The husband made a jealous scene. M. Gillenormand tried to draw
Nicolette upon his knees. He called Marius, "M. le Baron." He shouted:
"Long live the Republic!"

Every moment, he kept asking the doctor: "Is he no longer in danger?"
He gazed upon Marius with the eyes of a grandmother. He brooded over him
while he ate. He no longer knew himself, he no longer rendered himself
an account of himself. Marius was the master of the house, there was
abdication in his joy, he was the grandson of his grandson.

In the state of joy in which he then was, he was the most venerable of
children. In his fear lest he might fatigue or annoy the convalescent,
he stepped behind him to smile. He was content, joyous, delighted,
charming, young. His white locks added a gentle majesty to the gay
radiance of his visage. When grace is mingled with wrinkles, it is
adorable. There is an indescribable aurora in beaming old age.

As for Marius, as he allowed them to dress his wounds and care for him,
he had but one fixed idea: Cosette.

After the fever and delirium had left him, he did not again pronounce
her name, and it might have been supposed that he no longer thought of
her. He held his peace, precisely because his soul was there.

He did not know what had become of Cosette; the whole affair of the
Rue de la Chanvrerie was like a cloud in his memory; shadows that were
almost indistinct, floated through his mind, Eponine, Gavroche, Mabeuf,
the Thenardiers, all his friends gloomily intermingled with the smoke
of the barricade; the strange passage of M. Fauchelevent through that
adventure produced on him the effect of a puzzle in a tempest; he
understood nothing connected with his own life, he did not know how nor
by whom he had been saved, and no one of those around him knew this; all
that they had been able to tell him was, that he had been brought home
at night in a hackney-coach, to the Rue des Filles-du-Calvaire; past,
present, future were nothing more to him than the mist of a vague idea;
but in that fog there was one immovable point, one clear and precise
outline, something made of granite, a resolution, a will; to find
Cosette once more. For him, the idea of life was not distinct from the
idea of Cosette. He had decreed in his heart that he would not accept
the one without the other, and he was immovably resolved to exact of
any person whatever, who should desire to force him to live,--from his
grandfather, from fate, from hell,--the restitution of his vanished
Eden.

He did not conceal from himself the fact that obstacles existed.

Let us here emphasize one detail, he was not won over and was but little
softened by all the solicitude and tenderness of his grandfather. In
the first place, he was not in the secret; then, in his reveries of
an invalid, which were still feverish, possibly, he distrusted this
tenderness as a strange and novel thing, which had for its object his
conquest. He remained cold. The grandfather absolutely wasted his poor
old smile. Marius said to himself that it was all right so long as he,
Marius, did not speak, and let things take their course; but that when
it became a question of Cosette, he would find another face, and that
his grandfather's true attitude would be unmasked. Then there would
be an unpleasant scene; a recrudescence of family questions, a
confrontation of positions, every sort of sarcasm and all manner of
objections at one and the same time, Fauchelevent, Coupelevent, fortune,
poverty, a stone about his neck, the future. Violent resistance;
conclusion: a refusal. Marius stiffened himself in advance.

And then, in proportion as he regained life, the old ulcers of his
memory opened once more, he reflected again on the past, Colonel
Pontmercy placed himself once more between M. Gillenormand and him,
Marius, he told himself that he had no true kindness to expect from
a person who had been so unjust and so hard to his father. And
with health, there returned to him a sort of harshness towards his
grandfather. The old man was gently pained by this. M. Gillenormand,
without however allowing it to appear, observed that Marius, ever since
the latter had been brought back to him and had regained consciousness,
had not once called him father. It is true that he did not say
"monsieur" to him; but he contrived not to say either the one or the
other, by means of a certain way of turning his phrases. Obviously, a
crisis was approaching.

As almost always happens in such cases, Marius skirmished before giving
battle, by way of proving himself. This is called "feeling the ground."
One morning it came to pass that M. Gillenormand spoke slightingly of
the Convention, apropos of a newspaper which had fallen into his
hands, and gave vent to a Royalist harangue on Danton, Saint-Juste and
Robespierre.--"The men of '93 were giants," said Marius with severity.
The old man held his peace, and uttered not a sound during the remainder
of that day.

Marius, who had always present to his mind the inflexible grandfather of
his early years, interpreted this silence as a profound concentration
of wrath, augured from it a hot conflict, and augmented his preparations
for the fray in the inmost recesses of his mind.

He decided that, in case of a refusal, he would tear off his bandages,
dislocate his collar-bone, that he would lay bare all the wounds which
he had left, and would reject all food. His wounds were his munitions of
war. He would have Cosette or die.

He awaited the propitious moment with the crafty patience of the sick.

That moment arrived.




CHAPTER III--MARIUS ATTACKED

One day, M. Gillenormand, while his daughter was putting in order the
phials and cups on the marble of the commode, bent over Marius and said
to him in his tenderest accents: "Look here, my little Marius, if I were
in your place, I would eat meat now in preference to fish. A fried sole
is excellent to begin a convalescence with, but a good cutlet is needed
to put a sick man on his feet."

Marius, who had almost entirely recovered his strength, collected
the whole of it, drew himself up into a sitting posture, laid his two
clenched fists on the sheets of his bed, looked his grandfather in the
face, assumed a terrible air, and said:

"This leads me to say something to you."

"What is it?"

"That I wish to marry."

"Agreed," said his grandfather.--And he burst out laughing.

"How agreed?"

"Yes, agreed. You shall have your little girl."

Marius, stunned and overwhelmed with the dazzling shock, trembled in
every limb.

M. Gillenormand went on:

"Yes, you shall have her, that pretty little girl of yours. She comes
every day in the shape of an old gentleman to inquire after you. Ever
since you were wounded, she has passed her time in weeping and making
lint. I have made inquiries. She lives in the Rue de l'Homme Arme, No.
7. Ah! There we have it! Ah! so you want her! Well, you shall have
her. You're caught. You had arranged your little plot, you had said to
yourself:--'I'm going to signify this squarely to my grandfather, to
that mummy of the Regency and of the Directory, to that ancient beau,
to that Dorante turned Geronte; he has indulged in his frivolities also,
that he has, and he has had his love affairs, and his grisettes and his
Cosettes; he has made his rustle, he has had his wings, he has eaten of
the bread of spring; he certainly must remember it.' Ah! you take the
cockchafer by the horns. That's good. I offer you a cutlet and you
answer me: 'By the way, I want to marry.' There's a transition for
you! Ah! you reckoned on a bickering! You do not know that I am an old
coward. What do you say to that? You are vexed? You did not expect to
find your grandfather still more foolish than yourself, you are wasting
the discourse which you meant to bestow upon me, Mr. Lawyer, and that's
vexatious. Well, so much the worse, rage away. I'll do whatever
you wish, and that cuts you short, imbecile! Listen. I have made my
inquiries, I'm cunning too; she is charming, she is discreet, it is not
true about the lancer, she has made heaps of lint, she's a jewel, she
adores you, if you had died, there would have been three of us, her
coffin would have accompanied mine. I have had an idea, ever since you
have been better, of simply planting her at your bedside, but it is only
in romances that young girls are brought to the bedsides of handsome
young wounded men who interest them. It is not done. What would your
aunt have said to it? You were nude three quarters of the time, my good
fellow. Ask Nicolette, who has not left you for a moment, if there was
any possibility of having a woman here. And then, what would the doctor
have said? A pretty girl does not cure a man of fever. In short, it's
all right, let us say no more about it, all's said, all's done, it's all
settled, take her. Such is my ferocity. You see, I perceived that you
did not love me. I said to myself: 'Here now, I have my little Cosette
right under my hand, I'm going to give her to him, he will be obliged
to love me a little then, or he must tell the reason why.' Ah! so you
thought that the old man was going to storm, to put on a big voice,
to shout no, and to lift his cane at all that aurora. Not a bit of it.
Cosette, so be it; love, so be it; I ask nothing better. Pray take the
trouble of getting married, sir. Be happy, my well-beloved child."

That said, the old man burst forth into sobs.

And he seized Marius' head, and pressed it with both arms against his
breast, and both fell to weeping. This is one of the forms of supreme
happiness.

"Father!" cried Marius.

"Ah, so you love me!" said the old man.

An ineffable moment ensued. They were choking and could not speak.

At length the old man stammered:

"Come! his mouth is unstopped at last. He has said: 'Father' to me."

Marius disengaged his head from his grandfather's arms, and said gently:

"But, father, now that I am quite well, it seems to me that I might see
her."

"Agreed again, you shall see her to-morrow."

"Father!"

"What?"

"Why not to-day?"

"Well, to-day then. Let it be to-day. You have called me 'father' three
times, and it is worth it. I will attend to it. She shall be brought
hither. Agreed, I tell you. It has already been put into verse. This is
the ending of the elegy of the 'Jeune Malade' by Andre Chenier, by Andre
Chenier whose throat was cut by the ras . . . by the giants of '93."

M. Gillenormand fancied that he detected a faint frown on the part of
Marius, who, in truth, as we must admit, was no longer listening to him,
and who was thinking far more of Cosette than of 1793.

The grandfather, trembling at having so inopportunely introduced Andre
Chenier, resumed precipitately:

"Cut his throat is not the word. The fact is that the great
revolutionary geniuses, who were not malicious, that is incontestable,
who were heroes, pardi! found that Andre Chenier embarrassed them
somewhat, and they had him guillot . . . that is to say, those great
men on the 7th of Thermidor, besought Andre Chenier, in the interests of
public safety, to be so good as to go . . ."

M. Gillenormand, clutched by the throat by his own phrase, could not
proceed. Being able neither to finish it nor to retract it, while his
daughter arranged the pillow behind Marius, who was overwhelmed with so
many emotions, the old man rushed headlong, with as much rapidity as
his age permitted, from the bed-chamber, shut the door behind him, and,
purple, choking and foaming at the mouth, his eyes starting from his
head, he found himself nose to nose with honest Basque, who was blacking
boots in the anteroom. He seized Basque by the collar, and shouted full
in his face in fury:--"By the hundred thousand Javottes of the devil,
those ruffians did assassinate him!"

"Who, sir?"

"Andre Chenier!"

"Yes, sir," said Basque in alarm.




CHAPTER IV--MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A
BAD THING THAT M. FAUCHELEVENT SHOULD HAVE ENTERED WITH SOMETHING UNDER
HIS ARM

Cosette and Marius beheld each other once more.

What that interview was like we decline to say. There are things which
one must not attempt to depict; the sun is one of them.

The entire family, including Basque and Nicolette, were assembled in
Marius' chamber at the moment when Cosette entered it.

Precisely at that moment, the grandfather was on the point of blowing
his nose; he stopped short, holding his nose in his handkerchief, and
gazing over it at Cosette.

She appeared on the threshold; it seemed to him that she was surrounded
by a glory.

"Adorable!" he exclaimed.

Then he blew his nose noisily.

Cosette was intoxicated, delighted, frightened, in heaven. She was as
thoroughly alarmed as any one can be by happiness. She stammered all
pale, yet flushed, she wanted to fling herself into Marius' arms, and
dared not. Ashamed of loving in the presence of all these people. People
are pitiless towards happy lovers; they remain when the latter most
desire to be left alone. Lovers have no need of any people whatever.

With Cosette, and behind her, there had entered a man with white hair
who was grave yet smiling, though with a vague and heartrending smile.
It was "Monsieur Fauchelevent"; it was Jean Valjean.

He was very well dressed, as the porter had said, entirely in black, in
perfectly new garments, and with a white cravat.

The porter was a thousand leagues from recognizing in this correct
bourgeois, in this probable notary, the fear-inspiring bearer of the
corpse, who had sprung up at his door on the night of the 7th of June,
tattered, muddy, hideous, haggard, his face masked in blood and mire,
supporting in his arms the fainting Marius; still, his porter's scent
was aroused. When M. Fauchelevent arrived with Cosette, the porter had
not been able to refrain from communicating to his wife this aside: "I
don't know why it is, but I can't help fancying that I've seen that face
before."

M. Fauchelevent in Marius' chamber, remained apart near the door. He
had under his arm, a package which bore considerable resemblance to an
octavo volume enveloped in paper. The enveloping paper was of a greenish
hue, and appeared to be mouldy.

"Does the gentleman always have books like that under his arm?"
Mademoiselle Gillenormand, who did not like books, demanded in a low
tone of Nicolette.

"Well," retorted M. Gillenormand, who had overheard her, in the same
tone, "he's a learned man. What then? Is that his fault? Monsieur
Boulard, one of my acquaintances, never walked out without a book under
his arm either, and he always had some old volume hugged to his heart
like that."

And, with a bow, he said aloud:

"Monsieur Tranchelevent . . ."

Father Gillenormand did not do it intentionally, but inattention to
proper names was an aristocratic habit of his.

"Monsieur Tranchelevent, I have the honor of asking you, on behalf of my
grandson, Baron Marius Pontmercy, for the hand of Mademoiselle."

Monsieur Tranchelevent bowed.

"That's settled," said the grandfather.

And, turning to Marius and Cosette, with both arms extended in blessing,
he cried:

"Permission to adore each other!"

They did not require him to repeat it twice. So much the worse! the
chirping began. They talked low. Marius, resting on his elbow on his
reclining chair, Cosette standing beside him. "Oh, heavens!" murmured
Cosette, "I see you once again! it is thou! it is you! The idea of going
and fighting like that! But why? It is horrible. I have been dead for
four months. Oh! how wicked it was of you to go to that battle! What had
I done to you? I pardon you, but you will never do it again. A little
while ago, when they came to tell us to come to you, I still thought
that I was about to die, but it was from joy. I was so sad! I have not
taken the time to dress myself, I must frighten people with my looks!
What will your relatives say to see me in a crumpled collar? Do speak!
You let me do all the talking. We are still in the Rue de l'Homme Arme.
It seems that your shoulder was terrible. They told me that you could
put your fist in it. And then, it seems that they cut your flesh with
the scissors. That is frightful. I have cried till I have no eyes left.
It is queer that a person can suffer like that. Your grandfather has a
very kindly air. Don't disturb yourself, don't rise on your elbow, you
will injure yourself. Oh! how happy I am! So our unhappiness is over!
I am quite foolish. I had things to say to you, and I no longer know in
the least what they were. Do you still love me? We live in the Rue de
l'Homme Arme. There is no garden. I made lint all the time; stay, sir,
look, it is your fault, I have a callous on my fingers."

"Angel!" said Marius.

Angel is the only word in the language which cannot be worn out. No
other word could resist the merciless use which lovers make of it.

Then as there were spectators, they paused and said not a word more,
contenting themselves with softly touching each other's hands.

M. Gillenormand turned towards those who were in the room and cried:

"Talk loud, the rest of you. Make a noise, you people behind the scenes.
Come, a little uproar, the deuce! so that the children can chatter at
their ease."

And, approaching Marius and Cosette, he said to them in a very low
voice:

"Call each other thou. Don't stand on ceremony."

Aunt Gillenormand looked on in amazement at this irruption of light
in her elderly household. There was nothing aggressive about this
amazement; it was not the least in the world like the scandalized and
envious glance of an owl at two turtle-doves, it was the stupid eye of a
poor innocent seven and fifty years of age; it was a life which had been
a failure gazing at that triumph, love.

"Mademoiselle Gillenormand senior," said her father to her, "I told you
that this is what would happen to you."

He remained silent for a moment, and then added:

"Look at the happiness of others."

Then he turned to Cosette.

"How pretty she is! how pretty she is! She's a Greuze. So you are going
to have that all to yourself, you scamp! Ah! my rogue, you are getting
off nicely with me, you are happy; if I were not fifteen years too old,
we would fight with swords to see which of us should have her. Come now!
I am in love with you, mademoiselle. It's perfectly simple. It is your
right. You are in the right. Ah! what a sweet, charming little wedding
this will make! Our parish is Saint-Denis du Saint Sacrament, but I will
get a dispensation so that you can be married at Saint-Paul. The church
is better. It was built by the Jesuits. It is more coquettish. It is
opposite the fountain of Cardinal de Birague. The masterpiece of Jesuit
architecture is at Namur. It is called Saint-Loup. You must go there
after you are married. It is worth the journey. Mademoiselle, I am quite
of your mind, I think girls ought to marry; that is what they are made
for. There is a certain Sainte-Catherine whom I should always like to
see uncoiffed.[62] It's a fine thing to remain a spinster, but it is
chilly. The Bible says: Multiply. In order to save the people, Jeanne
d'Arc is needed; but in order to make people, what is needed is Mother
Goose. So, marry, my beauties. I really do not see the use in remaining
a spinster! I know that they have their chapel apart in the church,
and that they fall back on the Society of the Virgin; but, sapristi, a
handsome husband, a fine fellow, and at the expiration of a year, a
big, blond brat who nurses lustily, and who has fine rolls of fat on his
thighs, and who musses up your breast in handfuls with his little rosy
paws, laughing the while like the dawn,--that's better than holding a
candle at vespers, and chanting Turris eburnea!"

The grandfather executed a pirouette on his eighty-year-old heels, and
began to talk again like a spring that has broken loose once more:

           "Ainsi, bornant les cours de tes revasseries,
            Alcippe, il est donc vrai, dans peu tu te maries."[63]


"By the way!"

"What is it, father?"

"Have not you an intimate friend?"

"Yes, Courfeyrac."

"What has become of him?"

"He is dead."

"That is good."

He seated himself near them, made Cosette sit down, and took their four
hands in his aged and wrinkled hands:

"She is exquisite, this darling. She's a masterpiece, this Cosette!
She is a very little girl and a very great lady. She will only be a
Baroness, which is a come down for her; she was born a Marquise. What
eyelashes she has! Get it well fixed in your noddles, my children, that
you are in the true road. Love each other. Be foolish about it. Love is
the folly of men and the wit of God. Adore each other. Only," he added,
suddenly becoming gloomy, "what a misfortune! It has just occurred to
me! More than half of what I possess is swallowed up in an annuity; so
long as I live, it will not matter, but after my death, a score of years
hence, ah! my poor children, you will not have a sou! Your beautiful
white hands, Madame la Baronne, will do the devil the honor of pulling
him by the tail."[64]

At this point they heard a grave and tranquil voice say:

"Mademoiselle Euphrasie Fauchelevent possesses six hundred thousand
francs."

It was the voice of Jean Valjean.

So far he had not uttered a single word, no one seemed to be aware that
he was there, and he had remained standing erect and motionless, behind
all these happy people.

"What has Mademoiselle Euphrasie to do with the question?" inquired the
startled grandfather.

"I am she," replied Cosette.

"Six hundred thousand francs?" resumed M. Gillenormand.

"Minus fourteen or fifteen thousand francs, possibly," said Jean
Valjean.

And he laid on the table the package which Mademoiselle Gillenormand had
mistaken for a book.

Jean Valjean himself opened the package; it was a bundle of bank-notes.
They were turned over and counted. There were five hundred notes for a
thousand francs each, and one hundred and sixty-eight of five hundred.
In all, five hundred and eighty-four thousand francs.

"This is a fine book," said M. Gillenormand.

"Five hundred and eighty-four thousand francs!" murmured the aunt.

"This arranges things well, does it not, Mademoiselle Gillenormand
senior?" said the grandfather. "That devil of a Marius has ferreted out
the nest of a millionaire grisette in his tree of dreams! Just trust
to the love affairs of young folks now, will you! Students find
studentesses with six hundred thousand francs. Cherubino works better
than Rothschild."

"Five hundred and eighty-four thousand francs!" repeated Mademoiselle
Gillenormand, in a low tone. "Five hundred and eighty-four! one might as
well say six hundred thousand!"

As for Marius and Cosette, they were gazing at each other while this was
going on; they hardly heeded this detail.




CHAPTER V--DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY

The reader has, no doubt, understood, without necessitating a lengthy
explanation, that Jean Valjean, after the Champmathieu affair, had been
able, thanks to his first escape of a few days' duration, to come to
Paris and to withdraw in season, from the hands of Laffitte, the
sum earned by him, under the name of Monsieur Madeleine, at
Montreuil-sur-Mer; and that fearing that he might be recaptured,--which
eventually happened--he had buried and hidden that sum in the forest
of Montfermeil, in the locality known as the Blaru-bottom. The sum,
six hundred and thirty thousand francs, all in bank-bills, was not very
bulky, and was contained in a box; only, in order to preserve the
box from dampness, he had placed it in a coffer filled with chestnut
shavings. In the same coffer he had placed his other treasures, the
Bishop's candlesticks. It will be remembered that he had carried off
the candlesticks when he made his escape from Montreuil-sur-Mer. The man
seen one evening for the first time by Boulatruelle, was Jean Valjean.
Later on, every time that Jean Valjean needed money, he went to get it
in the Blaru-bottom. Hence the absences which we have mentioned. He had
a pickaxe somewhere in the heather, in a hiding-place known to himself
alone. When he beheld Marius convalescent, feeling that the hour was at
hand, when that money might prove of service, he had gone to get it;
it was he again, whom Boulatruelle had seen in the woods, but on
this occasion, in the morning instead of in the evening. Boulatreulle
inherited his pickaxe.

The actual sum was five hundred and eighty-four thousand, five hundred
francs. Jean Valjean withdrew the five hundred francs for himself.--"We
shall see hereafter," he thought.

The difference between that sum and the six hundred and thirty thousand
francs withdrawn from Laffitte represented his expenditure in ten years,
from 1823 to 1833. The five years of his stay in the convent had cost
only five thousand francs.

Jean Valjean set the two candlesticks on the chimney-piece, where they
glittered to the great admiration of Toussaint.

Moreover, Jean Valjean knew that he was delivered from Javert. The
story had been told in his presence, and he had verified the fact in
the Moniteur, how a police inspector named Javert had been found drowned
under a boat belonging to some laundresses, between the Pont au Change
and the Pont-Neuf, and that a writing left by this man, otherwise
irreproachable and highly esteemed by his superiors, pointed to a fit
of mental aberration and a suicide.--"In fact," thought Jean Valjean,
"since he left me at liberty, once having got me in his power, he must
have been already mad."




CHAPTER VI--THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN
FASHION, TO RENDER COSETTE HAPPY

Everything was made ready for the wedding. The doctor, on being
consulted, declared that it might take place in February. It was then
December. A few ravishing weeks of perfect happiness passed.

The grandfather was not the least happy of them all. He remained for a
quarter of an hour at a time gazing at Cosette.

"The wonderful, beautiful girl!" he exclaimed. "And she has so sweet and
good an air! she is, without exception, the most charming girl that I
have ever seen in my life. Later on, she'll have virtues with an odor of
violets. How graceful! one cannot live otherwise than nobly with such
a creature. Marius, my boy, you are a Baron, you are rich, don't go to
pettifogging, I beg of you."

Cosette and Marius had passed abruptly from the sepulchre to paradise.
The transition had not been softened, and they would have been stunned,
had they not been dazzled by it.

"Do you understand anything about it?" said Marius to Cosette.

"No," replied Cosette, "but it seems to me that the good God is caring
for us."

Jean Valjean did everything, smoothed away every difficulty, arranged
everything, made everything easy. He hastened towards Cosette's
happiness with as much ardor, and, apparently with as much joy, as
Cosette herself.

As he had been a mayor, he understood how to solve that delicate
problem, with the secret of which he alone was acquainted, Cosette's
civil status. If he were to announce her origin bluntly, it might
prevent the marriage, who knows? He extricated Cosette from all
difficulties. He concocted for her a family of dead people, a sure means
of not encountering any objections. Cosette was the only scion of an
extinct family; Cosette was not his own daughter, but the daughter of
the other Fauchelevent. Two brothers Fauchelevent had been gardeners to
the convent of the Petit-Picpus. Inquiry was made at that convent; the
very best information and the most respectable references abounded; the
good nuns, not very apt and but little inclined to fathom questions of
paternity, and not attaching any importance to the matter, had never
understood exactly of which of the two Fauchelevents Cosette was the
daughter. They said what was wanted and they said it with zeal. An
acte de notoriete was drawn up. Cosette became in the eyes of the law,
Mademoiselle Euphrasie Fauchelevent. She was declared an orphan, both
father and mother being dead. Jean Valjean so arranged it that he was
appointed, under the name of Fauchelevent, as Cosette's guardian, with
M. Gillenormand as supervising guardian over him.

As for the five hundred and eighty thousand francs, they constituted
a legacy bequeathed to Cosette by a dead person, who desired to
remain unknown. The original legacy had consisted of five hundred and
ninety-four thousand francs; but ten thousand francs had been expended
on the education of Mademoiselle Euphrasie, five thousand francs of that
amount having been paid to the convent. This legacy, deposited in
the hands of a third party, was to be turned over to Cosette at her
majority, or at the date of her marriage. This, taken as a whole, was
very acceptable, as the reader will perceive, especially when the sum
due was half a million. There were some peculiarities here and there,
it is true, but they were not noticed; one of the interested parties
had his eyes blindfolded by love, the others by the six hundred thousand
francs.

Cosette learned that she was not the daughter of that old man whom she
had so long called father. He was merely a kinsman; another Fauchelevent
was her real father. At any other time this would have broken her heart.
But at the ineffable moment which she was then passing through, it cast
but a slight shadow, a faint cloud, and she was so full of joy that the
cloud did not last long. She had Marius. The young man arrived, the old
man was effaced; such is life.

And then, Cosette had, for long years, been habituated to seeing enigmas
around her; every being who has had a mysterious childhood is always
prepared for certain renunciations.

Nevertheless, she continued to call Jean Valjean: Father.

Cosette, happy as the angels, was enthusiastic over Father Gillenormand.
It is true that he overwhelmed her with gallant compliments and
presents. While Jean Valjean was building up for Cosette a normal
situation in society and an unassailable status, M. Gillenormand was
superintending the basket of wedding gifts. Nothing so amused him as
being magnificent. He had given to Cosette a robe of Binche guipure
which had descended to him from his own grandmother.

"These fashions come up again," said he, "ancient things are the
rage, and the young women of my old age dress like the old women of my
childhood."

He rifled his respectable chests of drawers in Coromandel lacquer, with
swelling fronts, which had not been opened for years.--"Let us hear the
confession of these dowagers," he said, "let us see what they have in
their paunches." He noisily violated the pot-bellied drawers of all
his wives, of all his mistresses and of all his grandmothers. Pekins,
damasks, lampas, painted moires, robes of shot gros de Tours, India
kerchiefs embroidered in gold that could be washed, dauphines without a
right or wrong side, in the piece, Genoa and Alencon point lace,
parures in antique goldsmith's work, ivory bon-bon boxes ornamented
with microscopic battles, gewgaws and ribbons--he lavished everything on
Cosette. Cosette, amazed, desperately in love with Marius, and wild with
gratitude towards M. Gillenormand, dreamed of a happiness without limit
clothed in satin and velvet. Her wedding basket seemed to her to be
upheld by seraphim. Her soul flew out into the azure depths, with wings
of Mechlin lace.

The intoxication of the lovers was only equalled, as we have already
said, by the ecstasy of the grandfather. A sort of flourish of trumpets
went on in the Rue des Filles-du-Calvaire.

Every morning, a fresh offering of bric-a-brac from the grandfather to
Cosette. All possible knickknacks glittered around her.

One day Marius, who was fond of talking gravely in the midst of his
bliss, said, apropos of I know not what incident:

"The men of the revolution are so great, that they have the prestige of
the ages, like Cato and like Phocion, and each one of them seems to me
an antique memory."

"Moire antique!" exclaimed the old gentleman. "Thanks, Marius. That is
precisely the idea of which I was in search."

And on the following day, a magnificent dress of tea-rose colored moire
antique was added to Cosette's wedding presents.

From these fripperies, the grandfather extracted a bit of wisdom.

"Love is all very well; but there must be something else to go with
it. The useless must be mingled with happiness. Happiness is only the
necessary. Season that enormously with the superfluous for me. A
palace and her heart. Her heart and the Louvre. Her heart and the grand
waterworks of Versailles. Give me my shepherdess and try to make her a
duchess. Fetch me Phyllis crowned with corn-flowers, and add a hundred
thousand francs income. Open for me a bucolic perspective as far as you
can see, beneath a marble colonnade. I consent to the bucolic and also
to the fairy spectacle of marble and gold. Dry happiness resembles dry
bread. One eats, but one does not dine. I want the superfluous, the
useless, the extravagant, excess, that which serves no purpose. I
remember to have seen, in the Cathedral of Strasburg, a clock, as tall
as a three-story house which marked the hours, which had the kindness to
indicate the hour, but which had not the air of being made for that; and
which, after having struck midday, or midnight,--midday, the hour of the
sun, or midnight, the hour of love,--or any other hour that you like,
gave you the moon and the stars, the earth and the sea, birds and
fishes, Phoebus and Phoebe, and a host of things which emerged from a
niche, and the twelve apostles, and the Emperor Charles the Fifth, and
Eponine, and Sabinus, and a throng of little gilded goodmen, who played
on the trumpet to boot. Without reckoning delicious chimes which it
sprinkled through the air, on every occasion, without any one's knowing
why. Is a petty bald clock-face which merely tells the hour equal to
that? For my part, I am of the opinion of the big clock of Strasburg,
and I prefer it to the cuckoo clock from the Black Forest."

M. Gillenormand talked nonsense in connection with the wedding, and all
the fripperies of the eighteenth century passed pell-mell through his
dithyrambs.

"You are ignorant of the art of festivals. You do not know how to
organize a day of enjoyment in this age," he exclaimed. "Your nineteenth
century is weak. It lacks excess. It ignores the rich, it ignores the
noble. In everything it is clean-shaven. Your third estate is insipid,
colorless, odorless, and shapeless. The dreams of your bourgeois who
set up, as they express it: a pretty boudoir freshly decorated, violet,
ebony and calico. Make way! Make way! the Sieur Curmudgeon is marrying
Mademoiselle Clutch-penny. Sumptuousness and splendor. A louis d'or has
been stuck to a candle. There's the epoch for you. My demand is that I
may flee from it beyond the Sarmatians. Ah! in 1787, I predict that all
was lost, from the day when I beheld the Duc de Rohan, Prince de Leon,
Duc de Chabot, Duc de Montbazon, Marquis de Sonbise, Vicomte de Thouars,
peer of France, go to Longchamps in a tapecu! That has borne its fruits.
In this century, men attend to business, they gamble on 'Change, they
win money, they are stingy. People take care of their surfaces and
varnish them; every one is dressed as though just out of a band-box,
washed, soaped, scraped, shaved, combed, waked, smoothed, rubbed,
brushed, cleaned on the outside, irreproachable, polished as a pebble,
discreet, neat, and at the same time, death of my life, in the depths of
their consciences they have dung-heaps and cesspools that are enough to
make a cow-herd who blows his nose in his fingers, recoil. I grant to
this age the device: 'Dirty Cleanliness.' Don't be vexed, Marius, give
me permission to speak; I say no evil of the people as you see, I am
always harping on your people, but do look favorably on my dealing a bit
of a slap to the bourgeoisie. I belong to it. He who loves well lashes
well. Thereupon, I say plainly, that now-a-days people marry, but that
they no longer know how to marry. Ah! it is true, I regret the grace
of the ancient manners. I regret everything about them, their elegance,
their chivalry, those courteous and delicate ways, that joyous luxury
which every one possessed, music forming part of the wedding, a symphony
above stairs, a beating of drums below stairs, the dances, the joyous
faces round the table, the fine-spun gallant compliments, the songs, the
fireworks, the frank laughter, the devil's own row, the huge knots of
ribbon. I regret the bride's garter. The bride's garter is cousin to the
girdle of Venus. On what does the war of Troy turn? On Helen's garter,
parbleu! Why did they fight, why did Diomed the divine break over
the head of Meriones that great brazen helmet of ten points? why did
Achilles and Hector hew each other up with vast blows of their lances?
Because Helen allowed Paris to take her garter. With Cosette's garter,
Homer would construct the Iliad. He would put in his poem, a loquacious
old fellow, like me, and he would call him Nestor. My friends, in bygone
days, in those amiable days of yore, people married wisely; they had a
good contract, and then they had a good carouse. As soon as Cujas had
taken his departure, Gamacho entered. But, in sooth! the stomach is
an agreeable beast which demands its due, and which wants to have its
wedding also. People supped well, and had at table a beautiful neighbor
without a guimpe so that her throat was only moderately concealed. Oh!
the large laughing mouths, and how gay we were in those days! youth was
a bouquet; every young man terminated in a branch of lilacs or a tuft
of roses; whether he was a shepherd or a warrior; and if, by chance,
one was a captain of dragoons, one found means to call oneself Florian.
People thought much of looking well. They embroidered and tinted
themselves. A bourgeois had the air of a flower, a Marquis had the air
of a precious stone. People had no straps to their boots, they had no
boots. They were spruce, shining, waved, lustrous, fluttering, dainty,
coquettish, which did not at all prevent their wearing swords by their
sides. The humming-bird has beak and claws. That was the day of the
Galland Indies. One of the sides of that century was delicate, the other
was magnificent; and by the green cabbages! people amused themselves.
To-day, people are serious. The bourgeois is avaricious, the bourgeoise
is a prude; your century is unfortunate. People would drive away the
Graces as being too low in the neck. Alas! beauty is concealed as
though it were ugliness. Since the revolution, everything, including the
ballet-dancers, has had its trousers; a mountebank dancer must be grave;
your rigadoons are doctrinarian. It is necessary to be majestic. People
would be greatly annoyed if they did not carry their chins in their
cravats. The ideal of an urchin of twenty when he marries, is to
resemble M. Royer-Collard. And do you know what one arrives at with
that majesty? at being petty. Learn this: joy is not only joyous; it is
great. But be in love gayly then, what the deuce! marry, when you marry,
with fever and giddiness, and tumult, and the uproar of happiness! Be
grave in church, well and good. But, as soon as the mass is finished,
sarpejou! you must make a dream whirl around the bride. A marriage
should be royal and chimerical; it should promenade its ceremony from
the cathedral of Rheims to the pagoda of Chanteloup. I have a horror
of a paltry wedding. Ventregoulette! be in Olympus for that one day,
at least. Be one of the gods. Ah! people might be sylphs. Games and
Laughter, argiraspides; they are stupids. My friends, every recently
made bridegroom ought to be Prince Aldobrandini. Profit by that unique
minute in life to soar away to the empyrean with the swans and the
eagles, even if you do have to fall back on the morrow into the
bourgeoisie of the frogs. Don't economize on the nuptials, do not prune
them of their splendors; don't scrimp on the day when you beam. The
wedding is not the housekeeping. Oh! if I were to carry out my fancy,
it would be gallant, violins would be heard under the trees. Here is
my programme: sky-blue and silver. I would mingle with the festival
the rural divinities, I would convoke the Dryads and the Nereids. The
nuptials of Amphitrite, a rosy cloud, nymphs with well dressed locks
and entirely naked, an Academician offering quatrains to the goddess, a
chariot drawn by marine monsters.

     "Triton trottait devant, et tirait de sa conque
      Des sons si ravissants qu'il ravissait quiconque!"[65]

--there's a festive programme, there's a good one, or else I know
nothing of such matters, deuce take it!"

While the grandfather, in full lyrical effusion, was listening to
himself, Cosette and Marius grew intoxicated as they gazed freely at
each other.

Aunt Gillenormand surveyed all this with her imperturbable placidity.
Within the last five or six months she had experienced a certain amount
of emotions. Marius returned, Marius brought back bleeding, Marius
brought back from a barricade, Marius dead, then living, Marius
reconciled, Marius betrothed, Marius wedding a poor girl, Marius wedding
a millionairess. The six hundred thousand francs had been her last
surprise. Then, her indifference of a girl taking her first communion
returned to her. She went regularly to service, told her beads, read her
euchology, mumbled Aves in one corner of the house, while I love you
was being whispered in the other, and she beheld Marius and Cosette in a
vague way, like two shadows. The shadow was herself.

There is a certain state of inert asceticism in which the soul,
neutralized by torpor, a stranger to that which may be designated as the
business of living, receives no impressions, either human, or pleasant
or painful, with the exception of earthquakes and catastrophes. This
devotion, as Father Gillenormand said to his daughter, corresponds to
a cold in the head. You smell nothing of life. Neither any bad, nor any
good odor.

Moreover, the six hundred thousand francs had settled the elderly
spinster's indecision. Her father had acquired the habit of taking her
so little into account, that he had not consulted her in the matter of
consent to Marius' marriage. He had acted impetuously, according to his
wont, having, a despot-turned slave, but a single thought,--to satisfy
Marius. As for the aunt,--it had not even occurred to him that the aunt
existed, and that she could have an opinion of her own, and, sheep as
she was, this had vexed her. Somewhat resentful in her inmost soul, but
impassive externally, she had said to herself: "My father has settled
the question of the marriage without reference to me; I shall settle the
question of the inheritance without consulting him." She was rich, in
fact, and her father was not. She had reserved her decision on this
point. It is probable that, had the match been a poor one, she would
have left him poor. "So much the worse for my nephew! he is wedding a
beggar, let him be a beggar himself!" But Cosette's half-million pleased
the aunt, and altered her inward situation so far as this pair of lovers
were concerned. One owes some consideration to six hundred thousand
francs, and it was evident that she could not do otherwise than leave
her fortune to these young people, since they did not need it.

It was arranged that the couple should live with the grandfather--M.
Gillenormand insisted on resigning to them his chamber, the finest in
the house. "That will make me young again," he said. "It's an old plan
of mine. I have always entertained the idea of having a wedding in my
chamber."

He furnished this chamber with a multitude of elegant trifles. He had
the ceiling and walls hung with an extraordinary stuff, which he had by
him in the piece, and which he believed to have emanated from Utrecht
with a buttercup-colored satin ground, covered with velvet auricula
blossoms.--"It was with that stuff," said he, "that the bed of the
Duchesse d'Anville at la Roche-Guyon was draped."--On the chimney-piece,
he set a little figure in Saxe porcelain, carrying a muff against her
nude stomach.

M. Gillenormand's library became the lawyer's study, which Marius
needed; a study, it will be remembered, being required by the council of
the order.




CHAPTER VII--THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS

The lovers saw each other every day. Cosette came with M.
Fauchelevent.--"This is reversing things," said Mademoiselle
Gillenormand, "to have the bride come to the house to do the courting
like this." But Marius' convalescence had caused the habit to become
established, and the arm-chairs of the Rue des Filles-du-Calvaire,
better adapted to interviews than the straw chairs of the Rue de l'Homme
Arme, had rooted it. Marius and M. Fauchelevent saw each other, but did
not address each other. It seemed as though this had been agreed upon.
Every girl needs a chaperon. Cosette could not have come without
M. Fauchelevent. In Marius' eyes, M. Fauchelevent was the condition
attached to Cosette. He accepted it. By dint of discussing political
matters, vaguely and without precision, from the point of view of the
general amelioration of the fate of all men, they came to say a little
more than "yes" and "no." Once, on the subject of education, which
Marius wished to have free and obligatory, multiplied under all forms
lavished on every one, like the air and the sun in a word, respirable
for the entire population, they were in unison, and they almost
conversed. M. Fauchelevent talked well, and even with a certain
loftiness of language--still he lacked something indescribable. M.
Fauchelevent possessed something less and also something more, than a
man of the world.

Marius, inwardly, and in the depths of his thought, surrounded with
all sorts of mute questions this M. Fauchelevent, who was to him simply
benevolent and cold. There were moments when doubts as to his own
recollections occurred to him. There was a void in his memory, a black
spot, an abyss excavated by four months of agony.--Many things had been
lost therein. He had come to the point of asking himself whether it were
really a fact that he had seen M. Fauchelevent, so serious and so calm a
man, in the barricade.

This was not, however, the only stupor which the apparitions and the
disappearances of the past had left in his mind. It must not be supposed
that he was delivered from all those obsessions of the memory which
force us, even when happy, even when satisfied, to glance sadly behind
us. The head which does not turn backwards towards horizons that have
vanished contains neither thought nor love. At times, Marius clasped his
face between his hands, and the vague and tumultuous past traversed the
twilight which reigned in his brain. Again he beheld Mabeuf fall, he
heard Gavroche singing amid the grape-shot, he felt beneath his lips the
cold brow of Eponine; Enjolras, Courfeyrac, Jean Prouvaire, Combeferre,
Bossuet, Grantaire, all his friends rose erect before him, then
dispersed into thin air. Were all those dear, sorrowful, valiant,
charming or tragic beings merely dreams? had they actually existed? The
revolt had enveloped everything in its smoke. These great fevers create
great dreams. He questioned himself; he felt himself; all these vanished
realities made him dizzy. Where were they all then? was it really true
that all were dead? A fall into the shadows had carried off all except
himself. It all seemed to him to have disappeared as though behind the
curtain of a theatre. There are curtains like this which drop in life.
God passes on to the following act.

And he himself--was he actually the same man? He, the poor man, was
rich; he, the abandoned, had a family; he, the despairing, was to marry
Cosette. It seemed to him that he had traversed a tomb, and that he had
entered into it black and had emerged from it white, and in that tomb
the others had remained. At certain moments, all these beings of the
past, returned and present, formed a circle around him, and overshadowed
him; then he thought of Cosette, and recovered his serenity; but nothing
less than this felicity could have sufficed to efface that catastrophe.

M. Fauchelevent almost occupied a place among these vanished beings.
Marius hesitated to believe that the Fauchelevent of the barricade was
the same as this Fauchelevent in flesh and blood, sitting so gravely
beside Cosette. The first was, probably, one of those nightmares
occasioned and brought back by his hours of delirium. However,
the natures of both men were rigid, no question from Marius to M.
Fauchelevent was possible. Such an idea had not even occurred to him. We
have already indicated this characteristic detail.

Two men who have a secret in common, and who, by a sort of tacit
agreement, exchange not a word on the subject, are less rare than is
commonly supposed.

Once only, did Marius make the attempt. He introduced into the
conversation the Rue de la Chanvrerie, and, turning to M. Fauchelevent,
he said to him:

"Of course, you are acquainted with that street?"

"What street?"

"The Rue de la Chanvrerie."

"I have no idea of the name of that street," replied M. Fauchelevent, in
the most natural manner in the world.

The response which bore upon the name of the street and not upon the
street itself, appeared to Marius to be more conclusive than it really
was.

"Decidedly," thought he, "I have been dreaming. I have been subject to
a hallucination. It was some one who resembled him. M. Fauchelevent was
not there."'




CHAPTER VIII--TWO MEN IMPOSSIBLE TO FIND

Marius' enchantment, great as it was, could not efface from his mind
other pre-occupations.

While the wedding was in preparation, and while awaiting the date fixed
upon, he caused difficult and scrupulous retrospective researches to be
made.

He owed gratitude in various quarters; he owed it on his father's
account, he owed it on his own.

There was Thenardier; there was the unknown man who had brought him,
Marius, back to M. Gillenormand.

Marius endeavored to find these two men, not intending to marry, to
be happy, and to forget them, and fearing that, were these debts of
gratitude not discharged, they would leave a shadow on his life, which
promised so brightly for the future.

It was impossible for him to leave all these arrears of suffering behind
him, and he wished, before entering joyously into the future, to obtain
a quittance from the past.

That Thenardier was a villain detracted nothing from the fact that he
had saved Colonel Pontmercy. Thenardier was a ruffian in the eyes of all
the world except Marius.

And Marius, ignorant of the real scene in the battle field of Waterloo,
was not aware of the peculiar detail, that his father, so far as
Thenardier was concerned was in the strange position of being indebted
to the latter for his life, without being indebted to him for any
gratitude.

None of the various agents whom Marius employed succeeded in discovering
any trace of Thenardier. Obliteration appeared to be complete in
that quarter. Madame Thenardier had died in prison pending the trial.
Thenardier and his daughter Azelma, the only two remaining of that
lamentable group, had plunged back into the gloom. The gulf of the
social unknown had silently closed above those beings. On the surface
there was not visible so much as that quiver, that trembling, those
obscure concentric circles which announce that something has fallen in,
and that the plummet may be dropped.

Madame Thenardier being dead, Boulatruelle being eliminated from the
case, Claquesous having disappeared, the principal persons accused
having escaped from prison, the trial connected with the ambush in the
Gorbeau house had come to nothing.

That affair had remained rather obscure. The bench of Assizes had been
obliged to content themselves with two subordinates. Panchaud, alias
Printanier, alias Bigrenaille, and Demi-Liard, alias Deux-Milliards, who
had been inconsistently condemned, after a hearing of both sides of
the case, to ten years in the galleys. Hard labor for life had been the
sentence pronounced against the escaped and contumacious accomplices.

Thenardier, the head and leader, had been, through contumacy, likewise
condemned to death.

This sentence was the only information remaining about Thenardier,
casting upon that buried name its sinister light like a candle beside a
bier.

Moreover, by thrusting Thenardier back into the very remotest depths,
through a fear of being re-captured, this sentence added to the density
of the shadows which enveloped this man.

As for the other person, as for the unknown man who had saved Marius,
the researches were at first to some extent successful, then came to
an abrupt conclusion. They succeeded in finding the carriage which had
brought Marius to the Rue des Filles-du-Calvaire on the evening of the
6th of June.

The coachman declared that, on the 6th of June, in obedience to the
commands of a police-agent, he had stood from three o'clock in the
afternoon until nightfall on the Quai des Champs-Elysees, above the
outlet of the Grand Sewer; that, towards nine o'clock in the evening,
the grating of the sewer, which abuts on the bank of the river, had
opened; that a man had emerged therefrom, bearing on his shoulders
another man, who seemed to be dead; that the agent, who was on the watch
at that point, had arrested the living man and had seized the dead man;
that, at the order of the police-agent, he, the coachman, had taken "all
those folks" into his carriage; that they had first driven to the Rue
des Filles-du-Calvaire; that they had there deposited the dead man; that
the dead man was Monsieur Marius, and that he, the coachman, recognized
him perfectly, although he was alive "this time"; that afterwards, they
had entered the vehicle again, that he had whipped up his horses; a few
paces from the gate of the Archives, they had called to him to halt;
that there, in the street, they had paid him and left him, and that the
police-agent had led the other man away; that he knew nothing more; that
the night had been very dark.

Marius, as we have said, recalled nothing. He only remembered that he
had been seized from behind by an energetic hand at the moment when he
was falling backwards into the barricade; then, everything vanished so
far as he was concerned.

He had only regained consciousness at M. Gillenormand's.

He was lost in conjectures.

He could not doubt his own identity. Still, how had it come to pass
that, having fallen in the Rue de la Chanvrerie, he had been picked
up by the police-agent on the banks of the Seine, near the Pont des
Invalides?

Some one had carried him from the Quartier des Halles to the
Champs-Elysees. And how? Through the sewer. Unheard-of devotion!

Some one? Who?

This was the man for whom Marius was searching.

Of this man, who was his savior, nothing; not a trace; not the faintest
indication.

Marius, although forced to preserve great reserve, in that direction,
pushed his inquiries as far as the prefecture of police. There, no more
than elsewhere, did the information obtained lead to any enlightenment.

The prefecture knew less about the matter than did the hackney-coachman.
They had no knowledge of any arrest having been made on the 6th of June
at the mouth of the Grand Sewer.

No report of any agent had been received there upon this matter, which
was regarded at the prefecture as a fable. The invention of this fable
was attributed to the coachman.

A coachman who wants a gratuity is capable of anything, even of
imagination. The fact was assured, nevertheless, and Marius could not
doubt it, unless he doubted his own identity, as we have just said.

Everything about this singular enigma was inexplicable.

What had become of that man, that mysterious man, whom the coachman had
seen emerge from the grating of the Grand Sewer bearing upon his back
the unconscious Marius, and whom the police-agent on the watch had
arrested in the very act of rescuing an insurgent? What had become of
the agent himself?

Why had this agent preserved silence? Had the man succeeded in making
his escape? Had he bribed the agent? Why did this man give no sign of
life to Marius, who owed everything to him? His disinterestedness was no
less tremendous than his devotion. Why had not that man appeared again?
Perhaps he was above compensation, but no one is above gratitude. Was he
dead? Who was the man? What sort of a face had he? No one could tell him
this.

The coachman answered: "The night was very dark." Basque and Nicolette,
all in a flutter, had looked only at their young master all covered with
blood.

The porter, whose candle had lighted the tragic arrival of Marius, had
been the only one to take note of the man in question, and this is the
description that he gave:

"That man was terrible."

Marius had the blood-stained clothing which he had worn when he had been
brought back to his grandfather preserved, in the hope that it would
prove of service in his researches.

On examining the coat, it was found that one skirt had been torn in a
singular way. A piece was missing.

One evening, Marius was speaking in the presence of Cosette and Jean
Valjean of the whole of that singular adventure, of the innumerable
inquiries which he had made, and of the fruitlessness of his efforts.
The cold countenance of "Monsieur Fauchelevent" angered him.

He exclaimed, with a vivacity which had something of wrath in it:

"Yes, that man, whoever he may have been, was sublime. Do you know what
he did, sir? He intervened like an archangel. He must have flung himself
into the midst of the battle, have stolen me away, have opened the
sewer, have dragged me into it and have carried me through it! He
must have traversed more than a league and a half in those frightful
subterranean galleries, bent over, weighed down, in the dark, in the
cess-pool,--more than a league and a half, sir, with a corpse upon his
back! And with what object? With the sole object of saving the corpse.
And that corpse I was. He said to himself: 'There may still be a
glimpse of life there, perchance; I will risk my own existence for that
miserable spark!' And his existence he risked not once but twenty times!
And every step was a danger. The proof of it is, that on emerging from
the sewer, he was arrested. Do you know, sir, that that man did all
this? And he had no recompense to expect. What was I? An insurgent.
What was I? One of the conquered. Oh! if Cosette's six hundred thousand
francs were mine . . ."

"They are yours," interrupted Jean Valjean.

"Well," resumed Marius, "I would give them all to find that man once
more."

Jean Valjean remained silent.




BOOK SIXTH.--THE SLEEPLESS NIGHT




CHAPTER I--THE 16TH OF FEBRUARY, 1833

The night of the 16th to the 17th of February, 1833, was a blessed
night. Above its shadows heaven stood open. It was the wedding night of
Marius and Cosette.

The day had been adorable.

It had not been the grand festival dreamed by the grandfather, a fairy
spectacle, with a confusion of cherubim and Cupids over the heads of the
bridal pair, a marriage worthy to form the subject of a painting to be
placed over a door; but it had been sweet and smiling.

The manner of marriage in 1833 was not the same as it is to-day. France
had not yet borrowed from England that supreme delicacy of carrying off
one's wife, of fleeing, on coming out of church, of hiding oneself with
shame from one's happiness, and of combining the ways of a bankrupt with
the delights of the Song of Songs. People had not yet grasped to the
full the chastity, exquisiteness, and decency of jolting their paradise
in a posting-chaise, of breaking up their mystery with clic-clacs, of
taking for a nuptial bed the bed of an inn, and of leaving behind them,
in a commonplace chamber, at such a night, the most sacred of
the souvenirs of life mingled pell-mell with the tete-a-tete of the
conductor of the diligence and the maid-servant of the inn.

In this second half of the nineteenth century in which we are now
living, the mayor and his scarf, the priest and his chasuble, the law
and God no longer suffice; they must be eked out by the Postilion de
Lonjumeau; a blue waistcoat turned up with red, and with bell buttons,
a plaque like a vantbrace, knee-breeches of green leather, oaths to the
Norman horses with their tails knotted up, false galloons, varnished
hat, long powdered locks, an enormous whip and tall boots. France does
not yet carry elegance to the length of doing like the English nobility,
and raining down on the post-chaise of the bridal pair a hail storm
of slippers trodden down at heel and of worn-out shoes, in memory of
Churchill, afterwards Marlborough, or Malbrouck, who was assailed on
his wedding-day by the wrath of an aunt which brought him good luck.
Old shoes and slippers do not, as yet, form a part of our nuptial
celebrations; but patience, as good taste continues to spread, we shall
come to that.

In 1833, a hundred years ago, marriage was not conducted at a full trot.

Strange to say, at that epoch, people still imagined that a wedding was
a private and social festival, that a patriarchal banquet does not
spoil a domestic solemnity, that gayety, even in excess, provided it be
honest, and decent, does happiness no harm, and that, in short, it is a
good and a venerable thing that the fusion of these two destinies whence
a family is destined to spring, should begin at home, and that the
household should thenceforth have its nuptial chamber as its witness.

And people were so immodest as to marry in their own homes.

The marriage took place, therefore, in accordance with this now
superannuated fashion, at M. Gillenormand's house.

Natural and commonplace as this matter of marrying is, the banns to
publish, the papers to be drawn up, the mayoralty, and the church
produce some complication. They could not get ready before the 16th of
February.

Now, we note this detail, for the pure satisfaction of being exact, it
chanced that the 16th fell on Shrove Tuesday. Hesitations, scruples,
particularly on the part of Aunt Gillenormand.

"Shrove Tuesday!" exclaimed the grandfather, "so much the better. There
is a proverb:

                "'Mariage un Mardi gras
                  N'aura point enfants ingrats.'[66]


Let us proceed. Here goes for the 16th! Do you want to delay, Marius?"

"No, certainly not!" replied the lover.

"Let us marry, then," cried the grandfather.

Accordingly, the marriage took place on the 16th, notwithstanding the
public merrymaking. It rained that day, but there is always in the sky
a tiny scrap of blue at the service of happiness, which lovers see, even
when the rest of creation is under an umbrella.

On the preceding evening, Jean Valjean handed to Marius, in the presence
of M. Gillenormand, the five hundred and eighty-four thousand francs.

As the marriage was taking place under the regime of community of
property, the papers had been simple.

Henceforth, Toussaint was of no use to Jean Valjean; Cosette inherited
her and promoted her to the rank of lady's maid.

As for Jean Valjean, a beautiful chamber in the Gillenormand house had
been furnished expressly for him, and Cosette had said to him in such
an irresistible manner: "Father, I entreat you," that she had almost
persuaded him to promise that he would come and occupy it.

A few days before that fixed on for the marriage, an accident happened
to Jean Valjean; he crushed the thumb of his right hand. This was not a
serious matter; and he had not allowed any one to trouble himself
about it, nor to dress it, nor even to see his hurt, not even Cosette.
Nevertheless, this had forced him to swathe his hand in a linen bandage,
and to carry his arm in a sling, and had prevented his signing. M.
Gillenormand, in his capacity of Cosette's supervising-guardian, had
supplied his place.

We will not conduct the reader either to the mayor's office or to the
church. One does not follow a pair of lovers to that extent, and one is
accustomed to turn one's back on the drama as soon as it puts a wedding
nosegay in its buttonhole. We will confine ourselves to noting an
incident which, though unnoticed by the wedding party, marked the
transit from the Rue des Filles-du-Calvaire to the church of Saint-Paul.

At that epoch, the northern extremity of the Rue Saint-Louis was in
process of repaving. It was barred off, beginning with the Rue du
Pare-Royal. It was impossible for the wedding carriages to go directly
to Saint-Paul. They were obliged to alter their course, and the simplest
way was to turn through the boulevard. One of the invited guests
observed that it was Shrove Tuesday, and that there would be a jam
of vehicles.--"Why?" asked M. Gillenormand--"Because of the
maskers."--"Capital," said the grandfather, "let us go that way. These
young folks are on the way to be married; they are about to enter the
serious part of life. This will prepare them for seeing a bit of the
masquerade."

They went by way of the boulevard. The first wedding coach held Cosette
and Aunt Gillenormand, M. Gillenormand and Jean Valjean. Marius, still
separated from his betrothed according to usage, did not come until
the second. The nuptial train, on emerging from the Rue des
Filles-du-Calvaire, became entangled in a long procession of vehicles
which formed an endless chain from the Madeleine to the Bastille, and
from the Bastille to the Madeleine. Maskers abounded on the boulevard.
In spite of the fact that it was raining at intervals, Merry-Andrew,
Pantaloon and Clown persisted. In the good humor of that winter of 1833,
Paris had disguised itself as Venice. Such Shrove Tuesdays are no
longer to be seen now-a-days. Everything which exists being a scattered
Carnival, there is no longer any Carnival.

The sidewalks were overflowing with pedestrians and the windows with
curious spectators. The terraces which crown the peristyles of the
theatres were bordered with spectators. Besides the maskers, they stared
at that procession--peculiar to Shrove Tuesday as to Longchamps,--of
vehicles of every description, citadines, tapissieres, carioles,
cabriolets marching in order, rigorously riveted to each other by the
police regulations, and locked into rails, as it were. Any one in
these vehicles is at once a spectator and a spectacle. Police-sergeants
maintained, on the sides of the boulevard, these two interminable
parallel files, moving in contrary directions, and saw to it that
nothing interfered with that double current, those two brooks of
carriages, flowing, the one down stream, the other up stream, the
one towards the Chaussee d'Antin, the other towards the Faubourg
Saint-Antoine. The carriages of the peers of France and of the
Ambassadors, emblazoned with coats of arms, held the middle of the way,
going and coming freely. Certain joyous and magnificent trains, notably
that of the Boeuf Gras, had the same privilege. In this gayety of Paris,
England cracked her whip; Lord Seymour's post-chaise, harassed by a
nickname from the populace, passed with great noise.

In the double file, along which the municipal guards galloped like
sheep-dogs, honest family coaches, loaded down with great-aunts and
grandmothers, displayed at their doors fresh groups of children in
disguise, Clowns of seven years of age, Columbines of six, ravishing
little creatures, who felt that they formed an official part of the
public mirth, who were imbued with the dignity of their harlequinade,
and who possessed the gravity of functionaries.

From time to time, a hitch arose somewhere in the procession of
vehicles; one or other of the two lateral files halted until the knot
was disentangled; one carriage delayed sufficed to paralyze the whole
line. Then they set out again on the march.

The wedding carriages were in the file proceeding towards the Bastille,
and skirting the right side of the Boulevard. At the top of the
Pont-aux-Choux, there was a stoppage. Nearly at the same moment, the
other file, which was proceeding towards the Madeleine, halted also. At
that point of the file there was a carriage-load of maskers.

These carriages, or to speak more correctly, these wagon-loads of
maskers are very familiar to Parisians. If they were missing on a Shrove
Tuesday, or at the Mid-Lent, it would be taken in bad part, and people
would say: "There's something behind that. Probably the ministry
is about to undergo a change." A pile of Cassandras, Harlequins and
Columbines, jolted along high above the passers-by, all possible
grotesquenesses, from the Turk to the savage, Hercules supporting
Marquises, fishwives who would have made Rabelais stop up his ears just
as the Maenads made Aristophanes drop his eyes, tow wigs, pink tights,
dandified hats, spectacles of a grimacer, three-cornered hats of Janot
tormented with a butterfly, shouts directed at pedestrians, fists on
hips, bold attitudes, bare shoulders, immodesty unchained; a chaos of
shamelessness driven by a coachman crowned with flowers; this is what
that institution was like.

Greece stood in need of the chariot of Thespis, France stands in need of
the hackney-coach of Vade.

Everything can be parodied, even parody. The Saturnalia, that grimace of
antique beauty, ends, through exaggeration after exaggeration, in Shrove
Tuesday; and the Bacchanal, formerly crowned with sprays of vine leaves
and grapes, inundated with sunshine, displaying her marble breast in a
divine semi-nudity, having at the present day lost her shape under
the soaked rags of the North, has finally come to be called the
Jack-pudding.

The tradition of carriage-loads of maskers runs back to the most ancient
days of the monarchy. The accounts of Louis XI. allot to the bailiff of
the palace "twenty sous, Tournois, for three coaches of mascarades
in the cross-roads." In our day, these noisy heaps of creatures are
accustomed to have themselves driven in some ancient cuckoo carriage,
whose imperial they load down, or they overwhelm a hired landau, with
its top thrown back, with their tumultuous groups. Twenty of them ride
in a carriage intended for six. They cling to the seats, to the rumble,
on the cheeks of the hood, on the shafts. They even bestride the
carriage lamps. They stand, sit, lie, with their knees drawn up in a
knot, and their legs hanging. The women sit on the men's laps. Far
away, above the throng of heads, their wild pyramid is visible. These
carriage-loads form mountains of mirth in the midst of the rout. Colle,
Panard and Piron flow from it, enriched with slang. This carriage which
has become colossal through its freight, has an air of conquest. Uproar
reigns in front, tumult behind. People vociferate, shout, howl, there
they break forth and writhe with enjoyment; gayety roars; sarcasm flames
forth, joviality is flaunted like a red flag; two jades there drag farce
blossomed forth into an apotheosis; it is the triumphal car of laughter.

A laughter that is too cynical to be frank. In truth, this laughter is
suspicious. This laughter has a mission. It is charged with proving the
Carnival to the Parisians.

These fishwife vehicles, in which one feels one knows not what shadows,
set the philosopher to thinking. There is government therein. There one
lays one's finger on a mysterious affinity between public men and public
women.

It certainly is sad that turpitude heaped up should give a sum total
of gayety, that by piling ignominy upon opprobrium the people should
be enticed, that the system of spying, and serving as caryatids to
prostitution should amuse the rabble when it confronts them, that the
crowd loves to behold that monstrous living pile of tinsel rags, half
dung, half light, roll by on four wheels howling and laughing, that they
should clap their hands at this glory composed of all shames, that there
would be no festival for the populace, did not the police promenade in
their midst these sorts of twenty-headed hydras of joy. But what can be
done about it? These be-ribboned and be-flowered tumbrils of mire are
insulted and pardoned by the laughter of the public. The laughter of all
is the accomplice of universal degradation. Certain unhealthy festivals
disaggregate the people and convert them into the populace. And
populaces, like tyrants, require buffoons. The King has Roquelaure,
the populace has the Merry-Andrew. Paris is a great, mad city on every
occasion that it is a great sublime city. There the Carnival forms
part of politics. Paris,--let us confess it--willingly allows infamy to
furnish it with comedy. She only demands of her masters--when she has
masters--one thing: "Paint me the mud." Rome was of the same mind. She
loved Nero. Nero was a titanic lighterman.

Chance ordained, as we have just said, that one of these shapeless
clusters of masked men and women, dragged about on a vast calash, should
halt on the left of the boulevard, while the wedding train halted on the
right. The carriage-load of masks caught sight of the wedding carriage
containing the bridal party opposite them on the other side of the
boulevard.

"Hullo!" said a masker, "here's a wedding."

"A sham wedding," retorted another. "We are the genuine article."

And, being too far off to accost the wedding party, and fearing also,
the rebuke of the police, the two maskers turned their eyes elsewhere.

At the end of another minute, the carriage-load of maskers had their
hands full, the multitude set to yelling, which is the crowd's caress
to masquerades; and the two maskers who had just spoken had to face the
throng with their comrades, and did not find the entire repertory of
projectiles of the fishmarkets too extensive to retort to the enormous
verbal attacks of the populace. A frightful exchange of metaphors took
place between the maskers and the crowd.

In the meanwhile, two other maskers in the same carriage, a Spaniard
with an enormous nose, an elderly air, and huge black moustache, and a
gaunt fishwife, who was quite a young girl, masked with a loup,[67] had
also noticed the wedding, and while their companions and the passers-by
were exchanging insults, they had held a dialogue in a low voice.

Their aside was covered by the tumult and was lost in it. The gusts of
rain had drenched the front of the vehicle, which was wide open; the
breezes of February are not warm; as the fishwife, clad in a low-necked
gown, replied to the Spaniard, she shivered, laughed and coughed.

Here is their dialogue:

"Say, now."

"What, daddy?"

"Do you see that old cove?"

"What old cove?"

"Yonder, in the first wedding-cart, on our side."

"The one with his arm hung up in a black cravat?"

"Yes."

"Well?"

"I'm sure that I know him."

"Ah!"

"I'm willing that they should cut my throat, and I'm ready to swear that
I never said either you, thou, or I, in my life, if I don't know that
Parisian." [pantinois.]

"Paris in Pantin to-day."

"Can you see the bride if you stoop down?"

"No."

"And the bridegroom?"

"There's no bridegroom in that trap."

"Bah!"

"Unless it's the old fellow."

"Try to get a sight of the bride by stooping very low."

"I can't."

"Never mind, that old cove who has something the matter with his paw I
know, and that I'm positive."

"And what good does it do to know him?"

"No one can tell. Sometimes it does!"

"I don't care a hang for old fellows, that I don't!"

"I know him."

"Know him, if you want to."

"How the devil does he come to be one of the wedding party?"

"We are in it, too."

"Where does that wedding come from?"

"How should I know?"

"Listen."

"Well, what?"

"There's one thing you ought to do."

"What's that?"

"Get off of our trap and spin that wedding."

"What for?"

"To find out where it goes, and what it is. Hurry up and jump down,
trot, my girl, your legs are young."

"I can't quit the vehicle."

"Why not?"

"I'm hired."

"Ah, the devil!"

"I owe my fishwife day to the prefecture."

"That's true."

"If I leave the cart, the first inspector who gets his eye on me will
arrest me. You know that well enough."

"Yes, I do."

"I'm bought by the government for to-day."

"All the same, that old fellow bothers me."

"Do the old fellows bother you? But you're not a young girl."

"He's in the first carriage."

"Well?"

"In the bride's trap."

"What then?"

"So he is the father."

"What concern is that of mine?"

"I tell you that he's the father."

"As if he were the only father."

"Listen."

"What?"

"I can't go out otherwise than masked. Here I'm concealed, no one knows
that I'm here. But to-morrow, there will be no more maskers. It's Ash
Wednesday. I run the risk of being nabbed. I must sneak back into my
hole. But you are free."

"Not particularly."

"More than I am, at any rate."

"Well, what of that?"

"You must try to find out where that wedding-party went to."

"Where it went?"

"Yes."

"I know."

"Where is it going then?"

"To the Cadran-Bleu."

"In the first place, it's not in that direction."

"Well! to la Rapee."

"Or elsewhere."

"It's free. Wedding-parties are at liberty."

"That's not the point at all. I tell you that you must try to learn for
me what that wedding is, who that old cove belongs to, and where that
wedding pair lives."

"I like that! that would be queer. It's so easy to find out a
wedding-party that passed through the street on a Shrove Tuesday, a week
afterwards. A pin in a hay-mow! It ain't possible!"

"That don't matter. You must try. You understand me, Azelma."

The two files resumed their movement on both sides of the boulevard, in
opposite directions, and the carriage of the maskers lost sight of the
"trap" of the bride.




CHAPTER II--JEAN VALJEAN STILL WEARS HIS ARM IN A SLING

To realize one's dream. To whom is this accorded? There must be
elections for this in heaven; we are all candidates, unknown to
ourselves; the angels vote. Cosette and Marius had been elected.

Cosette, both at the mayor's office and at church, was dazzling and
touching. Toussaint, assisted by Nicolette, had dressed her.

Cosette wore over a petticoat of white taffeta, her robe of Binche
guipure, a veil of English point, a necklace of fine pearls, a wreath
of orange flowers; all this was white, and, from the midst of that
whiteness she beamed forth. It was an exquisite candor expanding and
becoming transfigured in the light. One would have pronounced her a
virgin on the point of turning into a goddess.

Marius' handsome hair was lustrous and perfumed; here and there, beneath
the thick curls, pale lines--the scars of the barricade--were visible.

The grandfather, haughty, with head held high, amalgamating more than
ever in his toilet and his manners all the elegances of the epoch of
Barras, escorted Cosette. He took the place of Jean Valjean, who, on
account of his arm being still in a sling, could not give his hand to
the bride.

Jean Valjean, dressed in black, followed them with a smile.

"Monsieur Fauchelevent," said the grandfather to him, "this is a fine
day. I vote for the end of afflictions and sorrows. Henceforth, there
must be no sadness anywhere. Pardieu, I decree joy! Evil has no right to
exist. That there should be any unhappy men is, in sooth, a disgrace
to the azure of the sky. Evil does not come from man, who is good at
bottom. All human miseries have for their capital and central government
hell, otherwise, known as the Devil's Tuileries. Good, here I am
uttering demagogical words! As far as I am concerned, I have no longer
any political opinions; let all me be rich, that is to say, mirthful,
and I confine myself to that."

When, at the conclusion of all the ceremonies, after having pronounced
before the mayor and before the priest all possible "yesses," after
having signed the registers at the municipality and at the sacristy,
after having exchanged their rings, after having knelt side by side
under the pall of white moire in the smoke of the censer, they arrived,
hand in hand, admired and envied by all, Marius in black, she in white,
preceded by the suisse, with the epaulets of a colonel, tapping the
pavement with his halberd, between two rows of astonished spectators, at
the portals of the church, both leaves of which were thrown wide open,
ready to enter their carriage again, and all being finished, Cosette
still could not believe that it was real. She looked at Marius, she
looked at the crowd, she looked at the sky: it seemed as though she
feared that she should wake up from her dream. Her amazed and uneasy air
added something indescribably enchanting to her beauty. They entered the
same carriage to return home, Marius beside Cosette; M. Gillenormand
and Jean Valjean sat opposite them; Aunt Gillenormand had withdrawn one
degree, and was in the second vehicle.

"My children," said the grandfather, "here you are, Monsieur le Baron
and Madame la Baronne, with an income of thirty thousand livres."

And Cosette, nestling close to Marius, caressed his ear with an angelic
whisper: "So it is true. My name is Marius. I am Madame Thou."

These two creatures were resplendent. They had reached that irrevocable
and irrecoverable moment, at the dazzling intersection of all youth and
all joy. They realized the verses of Jean Prouvaire; they were forty
years old taken together. It was marriage sublimated; these two children
were two lilies. They did not see each other, they did not contemplate
each other. Cosette perceived Marius in the midst of a glory; Marius
perceived Cosette on an altar. And on that altar, and in that glory, the
two apotheoses mingling, in the background, one knows not how, behind a
cloud for Cosette, in a flash for Marius, there was the ideal thing, the
real thing, the meeting of the kiss and the dream, the nuptial pillow.
All the torments through which they had passed came back to them in
intoxication. It seemed to them that their sorrows, their sleepless
nights, their tears, their anguish, their terrors, their despair,
converted into caresses and rays of light, rendered still more charming
the charming hour which was approaching; and that their griefs were but
so many handmaidens who were preparing the toilet of joy. How good it is
to have suffered! Their unhappiness formed a halo round their happiness.
The long agony of their love was terminating in an ascension.

It was the same enchantment in two souls, tinged with voluptuousness
in Marius, and with modesty in Cosette. They said to each other in low
tones: "We will go back to take a look at our little garden in the Rue
Plumet." The folds of Cosette's gown lay across Marius.

Such a day is an ineffable mixture of dream and of reality. One
possesses and one supposes. One still has time before one to divine. The
emotion on that day, of being at mid-day and of dreaming of midnight
is indescribable. The delights of these two hearts overflowed upon the
crowd, and inspired the passers-by with cheerfulness.

People halted in the Rue Saint-Antoine, in front of Saint-Paul, to gaze
through the windows of the carriage at the orange-flowers quivering on
Cosette's head.

Then they returned home to the Rue des Filles-du-Calvaire. Marius,
triumphant and radiant, mounted side by side with Cosette the staircase
up which he had been borne in a dying condition. The poor, who had
trooped to the door, and who shared their purses, blessed them. There
were flowers everywhere. The house was no less fragrant than the church;
after the incense, roses. They thought they heard voices carolling in
the infinite; they had God in their hearts; destiny appeared to them
like a ceiling of stars; above their heads they beheld the light of a
rising sun. All at once, the clock struck. Marius glanced at Cosette's
charming bare arm, and at the rosy things which were vaguely visible
through the lace of her bodice, and Cosette, intercepting Marius'
glance, blushed to her very hair.

Quite a number of old family friends of the Gillenormand family had
been invited; they pressed about Cosette. Each one vied with the rest in
saluting her as Madame la Baronne.

The officer, Theodule Gillenormand, now a captain, had come from
Chartres, where he was stationed in garrison, to be present at the
wedding of his cousin Pontmercy. Cosette did not recognize him.

He, on his side, habituated as he was to have women consider him
handsome, retained no more recollection of Cosette than of any other
woman.

"How right I was not to believe in that story about the lancer!" said
Father Gillenormand, to himself.

Cosette had never been more tender with Jean Valjean. She was in unison
with Father Gillenormand; while he erected joy into aphorisms and
maxims, she exhaled goodness like a perfume. Happiness desires that all
the world should be happy.

She regained, for the purpose of addressing Jean Valjean, inflections of
voice belonging to the time when she was a little girl. She caressed him
with her smile.

A banquet had been spread in the dining-room.

Illumination as brilliant as the daylight is the necessary seasoning of
a great joy. Mist and obscurity are not accepted by the happy. They do
not consent to be black. The night, yes; the shadows, no. If there is no
sun, one must be made.

The dining-room was full of gay things. In the centre, above the white
and glittering table, was a Venetian lustre with flat plates, with all
sorts of colored birds, blue, violet, red, and green, perched amid the
candles; around the chandelier, girandoles, on the walls, sconces with
triple and quintuple branches; mirrors, silverware, glassware, plate,
porcelain, faience, pottery, gold and silversmith's work, all was
sparkling and gay. The empty spaces between the candelabra were filled
in with bouquets, so that where there was not a light, there was a
flower.

In the antechamber, three violins and a flute softly played quartettes
by Haydn.

Jean Valjean had seated himself on a chair in the drawing-room, behind
the door, the leaf of which folded back upon him in such a manner as to
nearly conceal him. A few moments before they sat down to table, Cosette
came, as though inspired by a sudden whim, and made him a deep courtesy,
spreading out her bridal toilet with both hands, and with a tenderly
roguish glance, she asked him:

"Father, are you satisfied?"

"Yes," said Jean Valjean, "I am content!"

"Well, then, laugh."

Jean Valjean began to laugh.

A few moments later, Basque announced that dinner was served.

The guests, preceded by M. Gillenormand with Cosette on his arm, entered
the dining-room, and arranged themselves in the proper order around the
table.

Two large arm-chairs figured on the right and left of the bride, the
first for M. Gillenormand, the other for Jean Valjean. M. Gillenormand
took his seat. The other arm-chair remained empty.

They looked about for M. Fauchelevent.

He was no longer there.

M. Gillenormand questioned Basque.

"Do you know where M. Fauchelevent is?"

"Sir," replied Basque, "I do, precisely. M. Fauchelevent told me to say
to you, sir, that he was suffering, his injured hand was paining him
somewhat, and that he could not dine with Monsieur le Baron and Madame
la Baronne. That he begged to be excused, that he would come to-morrow.
He has just taken his departure."

That empty arm-chair chilled the effusion of the wedding feast for a
moment. But, if M. Fauchelevent was absent, M. Gillenormand was present,
and the grandfather beamed for two. He affirmed that M. Fauchelevent had
done well to retire early, if he were suffering, but that it was only a
slight ailment. This declaration sufficed. Moreover, what is an obscure
corner in such a submersion of joy? Cosette and Marius were passing
through one of those egotistical and blessed moments when no other
faculty is left to a person than that of receiving happiness. And then,
an idea occurred to M. Gillenormand.--"Pardieu, this armchair is empty.
Come hither, Marius. Your aunt will permit it, although she has a
right to you. This armchair is for you. That is legal and delightful.
Fortunatus beside Fortunata."--Applause from the whole table. Marius
took Jean Valjean's place beside Cosette, and things fell out so that
Cosette, who had, at first, been saddened by Jean Valjean's absence,
ended by being satisfied with it. From the moment when Marius took his
place, and was the substitute, Cosette would not have regretted God
himself. She set her sweet little foot, shod in white satin, on Marius'
foot.

The arm-chair being occupied, M. Fauchelevent was obliterated; and
nothing was lacking.

And, five minutes afterward, the whole table from one end to the other,
was laughing with all the animation of forgetfulness.

At dessert, M. Gillenormand, rising to his feet, with a glass of
champagne in his hand--only half full so that the palsy of his eighty
years might not cause an overflow,--proposed the health of the married
pair.

"You shall not escape two sermons," he exclaimed. "This morning you
had one from the cure, this evening you shall have one from your
grandfather. Listen to me; I will give you a bit of advice: Adore each
other. I do not make a pack of gyrations, I go straight to the mark,
be happy. In all creation, only the turtle-doves are wise. Philosophers
say: 'Moderate your joys.' I say: 'Give rein to your joys.' Be as
much smitten with each other as fiends. Be in a rage about it. The
philosophers talk stuff and nonsense. I should like to stuff their
philosophy down their gullets again. Can there be too many perfumes,
too many open rose-buds, too many nightingales singing, too many green
leaves, too much aurora in life? can people love each other too much?
can people please each other too much? Take care, Estelle, thou art too
pretty! Have a care, Nemorin, thou art too handsome! Fine stupidity,
in sooth! Can people enchant each other too much, cajole each other too
much, charm each other too much? Can one be too much alive, too happy?
Moderate your joys. Ah, indeed! Down with the philosophers! Wisdom
consists in jubilation. Make merry, let us make merry. Are we happy
because we are good, or are we good because we are happy? Is the Sancy
diamond called the Sancy because it belonged to Harley de Sancy, or
because it weighs six hundred carats? I know nothing about it, life is
full of such problems; the important point is to possess the Sancy and
happiness. Let us be happy without quibbling and quirking. Let us obey
the sun blindly. What is the sun? It is love. He who says love, says
woman. Ah! ah! behold omnipotence--women. Ask that demagogue of a Marius
if he is not the slave of that little tyrant of a Cosette. And of his
own free will, too, the coward! Woman! There is no Robespierre who keeps
his place but woman reigns. I am no longer Royalist except towards that
royalty. What is Adam? The kingdom of Eve. No '89 for Eve. There has
been the royal sceptre surmounted by a fleur-de-lys, there has been the
imperial sceptre surmounted by a globe, there has been the sceptre of
Charlemagne, which was of iron, there has been the sceptre of Louis the
Great, which was of gold,--the revolution twisted them between its thumb
and forefinger, ha'penny straws; it is done with, it is broken, it lies
on the earth, there is no longer any sceptre, but make me a revolution
against that little embroidered handkerchief, which smells of patchouli!
I should like to see you do it. Try. Why is it so solid? Because it is a
gewgaw. Ah! you are the nineteenth century? Well, what then? And we
have been as foolish as you. Do not imagine that you have effected
much change in the universe, because your trip-gallant is called the
cholera-morbus, and because your pourree is called the cachuca. In fact,
the women must always be loved. I defy you to escape from that. These
friends are our angels. Yes, love, woman, the kiss forms a circle from
which I defy you to escape; and, for my own part, I should be only
too happy to re-enter it. Which of you has seen the planet Venus, the
coquette of the abyss, the Celimene of the ocean, rise in the infinite,
calming all here below? The ocean is a rough Alcestis. Well, grumble
as he will, when Venus appears he is forced to smile. That brute beast
submits. We are all made so. Wrath, tempest, claps of thunder, foam to
the very ceiling. A woman enters on the scene, a planet rises; flat on
your face! Marius was fighting six months ago; to-day he is married.
That is well. Yes, Marius, yes, Cosette, you are in the right. Exist
boldly for each other, make us burst with rage that we cannot do the
same, idealize each other, catch in your beaks all the tiny blades of
felicity that exist on earth, and arrange yourselves a nest for life.
Pardi, to love, to be loved, what a fine miracle when one is young!
Don't imagine that you have invented that. I, too, have had my dream, I,
too, have meditated, I, too, have sighed; I, too, have had a moonlight
soul. Love is a child six thousand years old. Love has the right to a
long white beard. Methusalem is a street arab beside Cupid. For sixty
centuries men and women have got out of their scrape by loving. The
devil, who is cunning, took to hating man; man, who is still more
cunning, took to loving woman. In this way he does more good than
the devil does him harm. This craft was discovered in the days of
the terrestrial paradise. The invention is old, my friends, but it is
perfectly new. Profit by it. Be Daphnis and Chloe, while waiting to
become Philemon and Baucis. Manage so that, when you are with each
other, nothing shall be lacking to you, and that Cosette may be the sun
for Marius, and that Marius may be the universe to Cosette. Cosette, let
your fine weather be the smile of your husband; Marius, let your rain
be your wife's tears. And let it never rain in your household. You have
filched the winning number in the lottery; you have gained the great
prize, guard it well, keep it under lock and key, do not squander it,
adore each other and snap your fingers at all the rest. Believe what I
say to you. It is good sense. And good sense cannot lie. Be a religion
to each other. Each man has his own fashion of adoring God. Saperlotte!
the best way to adore God is to love one's wife. I love thee! that's
my catechism. He who loves is orthodox. The oath of Henri IV. places
sanctity somewhere between feasting and drunkenness. Ventre-saint-gris!
I don't belong to the religion of that oath. Woman is forgotten in it.
This astonishes me on the part of Henri IV. My friends, long live women!
I am old, they say; it's astonishing how much I feel in the mood to
be young. I should like to go and listen to the bagpipes in the woods.
Children who contrive to be beautiful and contented,--that intoxicates
me. I would like greatly to get married, if any one would have me. It is
impossible to imagine that God could have made us for anything but this:
to idolize, to coo, to preen ourselves, to be dove-like, to be dainty,
to bill and coo our loves from morn to night, to gaze at one's image in
one's little wife, to be proud, to be triumphant, to plume oneself; that
is the aim of life. There, let not that displease you which we used to
think in our day, when we were young folks. Ah! vertu-bamboche! what
charming women there were in those days, and what pretty little faces
and what lovely lasses! I committed my ravages among them. Then love
each other. If people did not love each other, I really do not see what
use there would be in having any springtime; and for my own part, I
should pray the good God to shut up all the beautiful things that he
shows us, and to take away from us and put back in his box, the flowers,
the birds, and the pretty maidens. My children, receive an old man's
blessing."

The evening was gay, lively and agreeable. The grandfather's sovereign
good humor gave the key-note to the whole feast, and each person
regulated his conduct on that almost centenarian cordiality. They danced
a little, they laughed a great deal; it was an amiable wedding. Goodman
Days of Yore might have been invited to it. However, he was present in
the person of Father Gillenormand.

There was a tumult, then silence.

The married pair disappeared.

A little after midnight, the Gillenormand house became a temple.

Here we pause. On the threshold of wedding nights stands a smiling angel
with his finger on his lips.

The soul enters into contemplation before that sanctuary where the
celebration of love takes place.

There should be flashes of light athwart such houses. The joy which
they contain ought to make its escape through the stones of the walls in
brilliancy, and vaguely illuminate the gloom. It is impossible that this
sacred and fatal festival should not give off a celestial radiance to
the infinite. Love is the sublime crucible wherein the fusion of the man
and the woman takes place; the being one, the being triple, the being
final, the human trinity proceeds from it. This birth of two souls into
one, ought to be an emotion for the gloom. The lover is the priest;
the ravished virgin is terrified. Something of that joy ascends to God.
Where true marriage is, that is to say, where there is love, the ideal
enters in. A nuptial bed makes a nook of dawn amid the shadows. If it
were given to the eye of the flesh to scan the formidable and charming
visions of the upper life, it is probable that we should behold the
forms of night, the winged unknowns, the blue passers of the invisible,
bend down, a throng of sombre heads, around the luminous house,
satisfied, showering benedictions, pointing out to each other the virgin
wife gently alarmed, sweetly terrified, and bearing the reflection of
human bliss upon their divine countenances. If at that supreme hour, the
wedded pair, dazzled with voluptuousness and believing themselves alone,
were to listen, they would hear in their chamber a confused rustling of
wings. Perfect happiness implies a mutual understanding with the angels.
That dark little chamber has all heaven for its ceiling. When two
mouths, rendered sacred by love, approach to create, it is impossible
that there should not be, above that ineffable kiss, a quivering
throughout the immense mystery of stars.

These felicities are the true ones. There is no joy outside of these
joys. Love is the only ecstasy. All the rest weeps.

To love, or to have loved,--this suffices. Demand nothing more. There
is no other pearl to be found in the shadowy folds of life. To love is a
fulfilment.




CHAPTER III--THE INSEPARABLE

What had become of Jean Valjean?

Immediately after having laughed, at Cosette's graceful command, when
no one was paying any heed to him, Jean Valjean had risen and had gained
the antechamber unperceived. This was the very room which, eight months
before, he had entered black with mud, with blood and powder, bringing
back the grandson to the grandfather. The old wainscoting was garlanded
with foliage and flowers; the musicians were seated on the sofa on which
they had laid Marius down. Basque, in a black coat, knee-breeches, white
stockings and white gloves, was arranging roses round all of the dishes
that were to be served. Jean Valjean pointed to his arm in its sling,
charged Basque to explain his absence, and went away.

The long windows of the dining-room opened on the street. Jean Valjean
stood for several minutes, erect and motionless in the darkness, beneath
those radiant windows. He listened. The confused sounds of the banquet
reached his ear. He heard the loud, commanding tones of the grandfather,
the violins, the clatter of the plates, the bursts of laughter, and
through all that merry uproar, he distinguished Cosette's sweet and
joyous voice.

He quitted the Rue des Filles-du-Calvaire, and returned to the Rue de
l'Homme Arme.

In order to return thither, he took the Rue Saint-Louis, the Rue
Culture-Sainte-Catherine, and the Blancs-Manteaux; it was a little
longer, but it was the road through which, for the last three months,
he had become accustomed to pass every day on his way from the Rue de
l'Homme Arme to the Rue des Filles-du-Calvaire, in order to avoid the
obstructions and the mud in the Rue Vielle-du-Temple.

This road, through which Cosette had passed, excluded for him all
possibility of any other itinerary.

Jean Valjean entered his lodgings. He lighted his candle and mounted
the stairs. The apartment was empty. Even Toussaint was no longer there.
Jean Valjean's step made more noise than usual in the chambers. All the
cupboards stood open. He penetrated to Cosette's bedroom. There were no
sheets on the bed. The pillow, covered with ticking, and without a case
or lace, was laid on the blankets folded up on the foot of the mattress,
whose covering was visible, and on which no one was ever to sleep again.
All the little feminine objects which Cosette was attached to had been
carried away; nothing remained except the heavy furniture and the four
walls. Toussaint's bed was despoiled in like manner. One bed only was
made up, and seemed to be waiting some one, and this was Jean Valjean's
bed.

Jean Valjean looked at the walls, closed some of the cupboard doors, and
went and came from one room to another.

Then he sought his own chamber once more, and set his candle on a table.

He had disengaged his arm from the sling, and he used his right hand as
though it did not hurt him.

He approached his bed, and his eyes rested, was it by chance? was it
intentionally? on the inseparable of which Cosette had been jealous, on
the little portmanteau which never left him. On his arrival in the Rue
de l'Homme Arme, on the 4th of June, he had deposited it on a round
table near the head of his bed. He went to this table with a sort of
vivacity, took a key from his pocket, and opened the valise.

From it he slowly drew forth the garments in which, ten years before,
Cosette had quitted Montfermeil; first the little gown, then the black
fichu, then the stout, coarse child's shoes which Cosette might almost
have worn still, so tiny were her feet, then the fustian bodice, which
was very thick, then the knitted petticoat, next the apron with pockets,
then the woollen stockings. These stockings, which still preserved the
graceful form of a tiny leg, were no longer than Jean Valjean's hand.
All this was black of hue. It was he who had brought those garments to
Montfermeil for her. As he removed them from the valise, he laid them on
the bed. He fell to thinking. He called up memories. It was in winter,
in a very cold month of December, she was shivering, half-naked, in
rags, her poor little feet were all red in their wooden shoes. He, Jean
Valjean, had made her abandon those rags to clothe herself in these
mourning habiliments. The mother must have felt pleased in her grave, to
see her daughter wearing mourning for her, and, above all, to see that
she was properly clothed, and that she was warm. He thought of that
forest of Montfermeil; they had traversed it together, Cosette and he;
he thought of what the weather had been, of the leafless trees, of the
wood destitute of birds, of the sunless sky; it mattered not, it was
charming. He arranged the tiny garments on the bed, the fichu next to
the petticoat, the stockings beside the shoes, and he looked at them,
one after the other. She was no taller than that, she had her big doll
in her arms, she had put her louis d'or in the pocket of that apron, she
had laughed, they walked hand in hand, she had no one in the world but
him.

Then his venerable, white head fell forward on the bed, that stoical old
heart broke, his face was engulfed, so to speak, in Cosette's garments,
and if any one had passed up the stairs at that moment, he would have
heard frightful sobs.




CHAPTER IV--THE IMMORTAL LIVER [68]

The old and formidable struggle, of which we have already witnessed so
many phases, began once more.

Jacob struggled with the angel but one night. Alas! how many times have
we beheld Jean Valjean seized bodily by his conscience, in the darkness,
and struggling desperately against it!

Unheard-of conflict! At certain moments the foot slips; at other moments
the ground crumbles away underfoot. How many times had that conscience,
mad for the good, clasped and overthrown him! How many times had the
truth set her knee inexorably upon his breast! How many times, hurled
to earth by the light, had he begged for mercy! How many times had
that implacable spark, lighted within him, and upon him by the Bishop,
dazzled him by force when he had wished to be blind! How many times
had he risen to his feet in the combat, held fast to the rock, leaning
against sophism, dragged in the dust, now getting the upper hand of his
conscience, again overthrown by it! How many times, after an equivoque,
after the specious and treacherous reasoning of egotism, had he heard
his irritated conscience cry in his ear: "A trip! you wretch!" How many
times had his refractory thoughts rattled convulsively in his throat,
under the evidence of duty! Resistance to God. Funereal sweats. What
secret wounds which he alone felt bleed! What excoriations in his
lamentable existence! How many times he had risen bleeding, bruised,
broken, enlightened, despair in his heart, serenity in his soul!
and, vanquished, he had felt himself the conqueror. And, after having
dislocated, broken, and rent his conscience with red-hot pincers, it had
said to him, as it stood over him, formidable, luminous, and tranquil:
"Now, go in peace!"

But on emerging from so melancholy a conflict, what a lugubrious peace,
alas!

Nevertheless, that night Jean Valjean felt that he was passing through
his final combat.

A heart-rending question presented itself.

Predestinations are not all direct; they do not open out in a straight
avenue before the predestined man; they have blind courts, impassable
alleys, obscure turns, disturbing crossroads offering the choice of many
ways. Jean Valjean had halted at that moment at the most perilous of
these crossroads.

He had come to the supreme crossing of good and evil. He had that
gloomy intersection beneath his eyes. On this occasion once more, as had
happened to him already in other sad vicissitudes, two roads opened out
before him, the one tempting, the other alarming.

Which was he to take?

He was counselled to the one which alarmed him by that mysterious index
finger which we all perceive whenever we fix our eyes on the darkness.

Once more, Jean Valjean had the choice between the terrible port and the
smiling ambush.

Is it then true? the soul may recover; but not fate. Frightful thing! an
incurable destiny!

This is the problem which presented itself to him:

In what manner was Jean Valjean to behave in relation to the happiness
of Cosette and Marius? It was he who had willed that happiness, it was
he who had brought it about; he had, himself, buried it in his entrails,
and at that moment, when he reflected on it, he was able to enjoy the
sort of satisfaction which an armorer would experience on recognizing
his factory mark on a knife, on withdrawing it, all smoking, from his
own breast.

Cosette had Marius, Marius possessed Cosette. They had everything, even
riches. And this was his doing.

But what was he, Jean Valjean, to do with this happiness, now that
it existed, now that it was there? Should he force himself on this
happiness? Should he treat it as belonging to him? No doubt, Cosette did
belong to another; but should he, Jean Valjean, retain of Cosette all
that he could retain? Should he remain the sort of father, half seen but
respected, which he had hitherto been? Should he, without saying a
word, bring his past to that future? Should he present himself there,
as though he had a right, and should he seat himself, veiled, at that
luminous fireside? Should he take those innocent hands into his tragic
hands, with a smile? Should he place upon the peaceful fender of the
Gillenormand drawing-room those feet of his, which dragged behind them
the disgraceful shadow of the law? Should he enter into participation in
the fair fortunes of Cosette and Marius? Should he render the obscurity
on his brow and the cloud upon theirs still more dense? Should he
place his catastrophe as a third associate in their felicity? Should he
continue to hold his peace? In a word, should he be the sinister mute of
destiny beside these two happy beings?

We must have become habituated to fatality and to encounters with it, in
order to have the daring to raise our eyes when certain questions appear
to us in all their horrible nakedness. Good or evil stands behind
this severe interrogation point. What are you going to do? demands the
sphinx.

This habit of trial Jean Valjean possessed. He gazed intently at the
sphinx.

He examined the pitiless problem under all its aspects.

Cosette, that charming existence, was the raft of this shipwreck. What
was he to do? To cling fast to it, or to let go his hold?

If he clung to it, he should emerge from disaster, he should ascend
again into the sunlight, he should let the bitter water drip from his
garments and his hair, he was saved, he should live.

And if he let go his hold?

Then the abyss.

Thus he took sad council with his thoughts. Or, to speak more correctly,
he fought; he kicked furiously internally, now against his will, now
against his conviction.

Happily for Jean Valjean that he had been able to weep. That relieved
him, possibly. But the beginning was savage. A tempest, more furious
than the one which had formerly driven him to Arras, broke loose within
him. The past surged up before him facing the present; he compared
them and sobbed. The silence of tears once opened, the despairing man
writhed.

He felt that he had been stopped short.

Alas! in this fight to the death between our egotism and our duty, when
we thus retreat step by step before our immutable ideal, bewildered,
furious, exasperated at having to yield, disputing the ground, hoping
for a possible flight, seeking an escape, what an abrupt and sinister
resistance does the foot of the wall offer in our rear!

To feel the sacred shadow which forms an obstacle!

The invisible inexorable, what an obsession!

Then, one is never done with conscience. Make your choice, Brutus; make
your choice, Cato. It is fathomless, since it is God. One flings into
that well the labor of one's whole life, one flings in one's fortune,
one flings in one's riches, one flings in one's success, one flings in
one's liberty or fatherland, one flings in one's well-being, one flings
in one's repose, one flings in one's joy! More! more! more! Empty the
vase! tip the urn! One must finish by flinging in one's heart.

Somewhere in the fog of the ancient hells, there is a tun like that.

Is not one pardonable, if one at last refuses! Can the inexhaustible
have any right? Are not chains which are endless above human strength?
Who would blame Sisyphus and Jean Valjean for saying: "It is enough!"

The obedience of matter is limited by friction; is there no limit to the
obedience of the soul? If perpetual motion is impossible, can perpetual
self-sacrifice be exacted?

The first step is nothing, it is the last which is difficult. What was
the Champmathieu affair in comparison with Cosette's marriage and of
that which it entailed? What is a re-entrance into the galleys, compared
to entrance into the void?

Oh, first step that must be descended, how sombre art thou! Oh, second
step, how black art thou!

How could he refrain from turning aside his head this time?

Martyrdom is sublimation, corrosive sublimation. It is a torture which
consecrates. One can consent to it for the first hour; one seats oneself
on the throne of glowing iron, one places on one's head the crown of hot
iron, one accepts the globe of red hot iron, one takes the sceptre of
red hot iron, but the mantle of flame still remains to be donned, and
comes there not a moment when the miserable flesh revolts and when one
abdicates from suffering?

At length, Jean Valjean entered into the peace of exhaustion.

He weighed, he reflected, he considered the alternatives, the mysterious
balance of light and darkness.

Should he impose his galleys on those two dazzling children, or should
he consummate his irremediable engulfment by himself? On one side lay
the sacrifice of Cosette, on the other that of himself.

At what solution should he arrive? What decision did he come to?

What resolution did he take? What was his own inward definitive response
to the unbribable interrogatory of fatality? What door did he decide to
open? Which side of his life did he resolve upon closing and condemning?
Among all the unfathomable precipices which surrounded him, which was
his choice? What extremity did he accept? To which of the gulfs did he
nod his head?

His dizzy revery lasted all night long.

He remained there until daylight, in the same attitude, bent double over
that bed, prostrate beneath the enormity of fate, crushed, perchance,
alas! with clenched fists, with arms outspread at right angles, like a
man crucified who has been un-nailed, and flung face down on the earth.
There he remained for twelve hours, the twelve long hours of a long
winter's night, ice-cold, without once raising his head, and without
uttering a word. He was as motionless as a corpse, while his thoughts
wallowed on the earth and soared, now like the hydra, now like the
eagle. Any one to behold him thus motionless would have pronounced him
dead; all at once he shuddered convulsively, and his mouth, glued to
Cosette's garments, kissed them; then it could be seen that he was
alive.

Who could see? Since Jean Valjean was alone, and there was no one there.

The One who is in the shadows.




BOOK SEVENTH.--THE LAST DRAUGHT FROM THE CUP

[Illustration: Last Drop from the Cup  5b7-1-last-drop]




CHAPTER I--THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN

The days that follow weddings are solitary. People respect the
meditations of the happy pair. And also, their tardy slumbers, to some
degree. The tumult of visits and congratulations only begins later on.
On the morning of the 17th of February, it was a little past midday when
Basque, with napkin and feather-duster under his arm, busy in setting
his antechamber to rights, heard a light tap at the door. There had been
no ring, which was discreet on such a day. Basque opened the door, and
beheld M. Fauchelevent. He introduced him into the drawing-room, still
encumbered and topsy-turvy, and which bore the air of a field of battle
after the joys of the preceding evening.

"Dame, sir," remarked Basque, "we all woke up late."

"Is your master up?" asked Jean Valjean.

"How is Monsieur's arm?" replied Basque.

"Better. Is your master up?"

"Which one? the old one or the new one?"

"Monsieur Pontmercy."

"Monsieur le Baron," said Basque, drawing himself up.

A man is a Baron most of all to his servants. He counts for something
with them; they are what a philosopher would call, bespattered with the
title, and that flatters them. Marius, be it said in passing, a militant
republican as he had proved, was now a Baron in spite of himself. A
small revolution had taken place in the family in connection with
this title. It was now M. Gillenormand who clung to it, and Marius who
detached himself from it. But Colonel Pontmercy had written: "My son
will bear my title." Marius obeyed. And then, Cosette, in whom the woman
was beginning to dawn, was delighted to be a Baroness.

"Monsieur le Baron?" repeated Basque. "I will go and see. I will tell
him that M. Fauchelevent is here."

"No. Do not tell him that it is I. Tell him that some one wishes to
speak to him in private, and mention no name."

"Ah!" ejaculated Basque.

"I wish to surprise him."

"Ah!" ejaculated Basque once more, emitting his second "ah!" as an
explanation of the first.

And he left the room.

Jean Valjean remained alone.

The drawing-room, as we have just said, was in great disorder. It seemed
as though, by lending an air, one might still hear the vague noise of
the wedding. On the polished floor lay all sorts of flowers which
had fallen from garlands and head-dresses. The wax candles, burned
to stumps, added stalactites of wax to the crystal drops of the
chandeliers. Not a single piece of furniture was in its place. In the
corners, three or four arm-chairs, drawn close together in a circle,
had the appearance of continuing a conversation. The whole effect was
cheerful. A certain grace still lingers round a dead feast. It has been
a happy thing. On the chairs in disarray, among those fading flowers,
beneath those extinct lights, people have thought of joy. The sun
had succeeded to the chandelier, and made its way gayly into the
drawing-room.

Several minutes elapsed. Jean Valjean stood motionless on the spot where
Basque had left him. He was very pale. His eyes were hollow, and so
sunken in his head by sleeplessness that they nearly disappeared in
their orbits. His black coat bore the weary folds of a garment that
has been up all night. The elbows were whitened with the down which the
friction of cloth against linen leaves behind it.

Jean Valjean stared at the window outlined on the polished floor at his
feet by the sun.

There came a sound at the door, and he raised his eyes.

Marius entered, his head well up, his mouth smiling, an indescribable
light on his countenance, his brow expanded, his eyes triumphant. He had
not slept either.

"It is you, father!" he exclaimed, on catching sight of Jean Valjean;
"that idiot of a Basque had such a mysterious air! But you have come too
early. It is only half past twelve. Cosette is asleep."

That word: "Father," said to M. Fauchelevent by Marius, signified:
supreme felicity. There had always existed, as the reader knows, a lofty
wall, a coldness and a constraint between them; ice which must be broken
or melted. Marius had reached that point of intoxication when the wall
was lowered, when the ice dissolved, and when M. Fauchelevent was to
him, as to Cosette, a father.

He continued: his words poured forth, as is the peculiarity of divine
paroxysms of joy.

"How glad I am to see you! If you only knew how we missed you yesterday!
Good morning, father. How is your hand? Better, is it not?"

And, satisfied with the favorable reply which he had made to himself, he
pursued:

"We have both been talking about you. Cosette loves you so dearly! You
must not forget that you have a chamber here, We want nothing more to
do with the Rue de l'Homme Arme. We will have no more of it at all. How
could you go to live in a street like that, which is sickly, which is
disagreeable, which is ugly, which has a barrier at one end, where one
is cold, and into which one cannot enter? You are to come and install
yourself here. And this very day. Or you will have to deal with Cosette.
She means to lead us all by the nose, I warn you. You have your own
chamber here, it is close to ours, it opens on the garden; the trouble
with the clock has been attended to, the bed is made, it is all ready,
you have only to take possession of it. Near your bed Cosette has placed
a huge, old, easy-chair covered with Utrecht velvet and she has said to
it: 'Stretch out your arms to him.' A nightingale comes to the clump of
acacias opposite your windows, every spring. In two months more you will
have it. You will have its nest on your left and ours on your right. By
night it will sing, and by day Cosette will prattle. Your chamber faces
due South. Cosette will arrange your books for you, your Voyages of
Captain Cook and the other,--Vancouver's and all your affairs. I believe
that there is a little valise to which you are attached, I have fixed
upon a corner of honor for that. You have conquered my grandfather, you
suit him. We will live together. Do you play whist? you will overwhelm
my grandfather with delight if you play whist. It is you who shall take
Cosette to walk on the days when I am at the courts, you shall give her
your arm, you know, as you used to, in the Luxembourg. We are absolutely
resolved to be happy. And you shall be included in it, in our happiness,
do you hear, father? Come, will you breakfast with us to-day?"

"Sir," said Jean Valjean, "I have something to say to you. I am an
ex-convict."

The limit of shrill sounds perceptible can be overleaped, as well in
the case of the mind as in that of the ear. These words: "I am an
ex-convict," proceeding from the mouth of M. Fauchelevent and entering
the ear of Marius overshot the possible. It seemed to him that something
had just been said to him; but he did not know what. He stood with his
mouth wide open.

Then he perceived that the man who was addressing him was frightful.
Wholly absorbed in his own dazzled state, he had not, up to that moment,
observed the other man's terrible pallor.

Jean Valjean untied the black cravat which supported his right arm,
unrolled the linen from around his hand, bared his thumb and showed it
to Marius.

"There is nothing the matter with my hand," said he.

Marius looked at the thumb.

"There has not been anything the matter with it," went on Jean Valjean.

There was, in fact, no trace of any injury.

Jean Valjean continued:

"It was fitting that I should be absent from your marriage. I absented
myself as much as was in my power. So I invented this injury in order
that I might not commit a forgery, that I might not introduce a flaw
into the marriage documents, in order that I might escape from signing."

Marius stammered.

"What is the meaning of this?"

"The meaning of it is," replied Jean Valjean, "that I have been in the
galleys."

"You are driving me mad!" exclaimed Marius in terror.

"Monsieur Pontmercy," said Jean Valjean, "I was nineteen years in the
galleys. For theft. Then, I was condemned for life for theft, for a
second offence. At the present moment, I have broken my ban."

In vain did Marius recoil before the reality, refuse the fact, resist
the evidence, he was forced to give way. He began to understand, and, as
always happens in such cases, he understood too much. An inward shudder
of hideous enlightenment flashed through him; an idea which made him
quiver traversed his mind. He caught a glimpse of a wretched destiny for
himself in the future.

"Say all, say all!" he cried. "You are Cosette's father!"

And he retreated a couple of paces with a movement of indescribable
horror.

Jean Valjean elevated his head with so much majesty of attitude that he
seemed to grow even to the ceiling.

"It is necessary that you should believe me here, sir; although our oath
to others may not be received in law . . ."

Here he paused, then, with a sort of sovereign and sepulchral authority,
he added, articulating slowly, and emphasizing the syllables:

". . . You will believe me. I the father of Cosette! before God, no.
Monsieur le Baron Pontmercy, I am a peasant of Faverolles. I earned my
living by pruning trees. My name is not Fauchelevent, but Jean Valjean.
I am not related to Cosette. Reassure yourself."

Marius stammered:

"Who will prove that to me?"

"I. Since I tell you so."

Marius looked at the man. He was melancholy yet tranquil. No lie could
proceed from such a calm. That which is icy is sincere. The truth could
be felt in that chill of the tomb.

"I believe you," said Marius.

Jean Valjean bent his head, as though taking note of this, and
continued:

"What am I to Cosette? A passer-by. Ten years ago, I did not know that
she was in existence. I love her, it is true. One loves a child whom one
has seen when very young, being old oneself. When one is old, one feels
oneself a grandfather towards all little children. You may, it seems to
me, suppose that I have something which resembles a heart. She was an
orphan. Without either father or mother. She needed me. That is why I
began to love her. Children are so weak that the first comer, even a man
like me, can become their protector. I have fulfilled this duty towards
Cosette. I do not think that so slight a thing can be called a good
action; but if it be a good action, well, say that I have done it.
Register this attenuating circumstance. To-day, Cosette passes out of my
life; our two roads part. Henceforth, I can do nothing for her. She is
Madame Pontmercy. Her providence has changed. And Cosette gains by the
change. All is well. As for the six hundred thousand francs, you do not
mention them to me, but I forestall your thought, they are a deposit.
How did that deposit come into my hands? What does that matter? I
restore the deposit. Nothing more can be demanded of me. I complete
the restitution by announcing my true name. That concerns me. I have a
reason for desiring that you should know who I am."

And Jean Valjean looked Marius full in the face.

All that Marius experienced was tumultuous and incoherent. Certain gusts
of destiny produce these billows in our souls.

We have all undergone moments of trouble in which everything within us
is dispersed; we say the first things that occur to us, which are
not always precisely those which should be said. There are sudden
revelations which one cannot bear, and which intoxicate like baleful
wine. Marius was stupefied by the novel situation which presented itself
to him, to the point of addressing that man almost like a person who was
angry with him for this avowal.

"But why," he exclaimed, "do you tell me all this? Who forces you to
do so? You could have kept your secret to yourself. You are neither
denounced, nor tracked nor pursued. You have a reason for wantonly
making such a revelation. Conclude. There is something more. In what
connection do you make this confession? What is your motive?"

"My motive?" replied Jean Valjean in a voice so low and dull that one
would have said that he was talking to himself rather than to Marius.
"From what motive, in fact, has this convict just said 'I am a convict'?
Well, yes! the motive is strange. It is out of honesty. Stay, the
unfortunate point is that I have a thread in my heart, which keeps me
fast. It is when one is old that that sort of thread is particularly
solid. All life falls in ruin around one; one resists. Had I been able
to tear out that thread, to break it, to undo the knot or to cut it, to
go far away, I should have been safe. I had only to go away; there are
diligences in the Rue Bouloy; you are happy; I am going. I have tried
to break that thread, I have jerked at it, it would not break, I tore my
heart with it. Then I said: 'I cannot live anywhere else than here.' I
must stay. Well, yes, you are right, I am a fool, why not simply
remain here? You offer me a chamber in this house, Madame Pontmercy is
sincerely attached to me, she said to the arm-chair: 'Stretch out your
arms to him,' your grandfather demands nothing better than to have me, I
suit him, we shall live together, and take our meals in common, I shall
give Cosette my arm . . . Madame Pontmercy, excuse me, it is a habit, we
shall have but one roof, one table, one fire, the same chimney-corner
in winter, the same promenade in summer, that is joy, that is happiness,
that is everything. We shall live as one family. One family!"

At that word, Jean Valjean became wild. He folded his arms, glared at
the floor beneath his feet as though he would have excavated an abyss
therein, and his voice suddenly rose in thundering tones:

"As one family! No. I belong to no family. I do not belong to yours.
I do not belong to any family of men. In houses where people are among
themselves, I am superfluous. There are families, but there is nothing
of the sort for me. I am an unlucky wretch; I am left outside. Did I
have a father and mother? I almost doubt it. On the day when I gave that
child in marriage, all came to an end. I have seen her happy, and that
she is with a man whom she loves, and that there exists here a kind old
man, a household of two angels, and all joys in that house, and that it
was well, I said to myself: 'Enter thou not.' I could have lied, it is
true, have deceived you all, and remained Monsieur Fauchelevent. So long
as it was for her, I could lie; but now it would be for myself, and I
must not. It was sufficient for me to hold my peace, it is true, and all
would go on. You ask me what has forced me to speak? a very odd thing;
my conscience. To hold my peace was very easy, however. I passed the
night in trying to persuade myself to it; you questioned me, and what I
have just said to you is so extraordinary that you have the right to do
it; well, yes, I have passed the night in alleging reasons to myself,
and I gave myself very good reasons, I have done what I could. But there
are two things in which I have not succeeded; in breaking the thread
that holds me fixed, riveted and sealed here by the heart, or in
silencing some one who speaks softly to me when I am alone. That is why
I have come hither to tell you everything this morning. Everything or
nearly everything. It is useless to tell you that which concerns only
myself; I keep that to myself. You know the essential points. So I have
taken my mystery and have brought it to you. And I have disembowelled my
secret before your eyes. It was not a resolution that was easy to take.
I struggled all night long. Ah! you think that I did not tell myself
that this was no Champmathieu affair, that by concealing my name I was
doing no one any injury, that the name of Fauchelevent had been given to
me by Fauchelevent himself, out of gratitude for a service rendered to
him, and that I might assuredly keep it, and that I should be happy in
that chamber which you offer me, that I should not be in any one's way,
that I should be in my own little corner, and that, while you would have
Cosette, I should have the idea that I was in the same house with her.
Each one of us would have had his share of happiness. If I continued to
be Monsieur Fauchelevent, that would arrange everything. Yes, with the
exception of my soul. There was joy everywhere upon my surface, but the
bottom of my soul remained black. It is not enough to be happy, one must
be content. Thus I should have remained Monsieur Fauchelevent, thus
I should have concealed my true visage, thus, in the presence of your
expansion, I should have had an enigma, thus, in the midst of your full
noonday, I should have had shadows, thus, without crying ''ware,' I
should have simply introduced the galleys to your fireside, I should
have taken my seat at your table with the thought that if you knew who
I was, you would drive me from it, I should have allowed myself to
be served by domestics who, had they known, would have said: 'How
horrible!' I should have touched you with my elbow, which you have a
right to dislike, I should have filched your clasps of the hand! There
would have existed in your house a division of respect between venerable
white locks and tainted white locks; at your most intimate hours, when
all hearts thought themselves open to the very bottom to all the rest,
when we four were together, your grandfather, you two and myself, a
stranger would have been present! I should have been side by side with
you in your existence, having for my only care not to disarrange the
cover of my dreadful pit. Thus, I, a dead man, should have thrust myself
upon you who are living beings. I should have condemned her to myself
forever. You and Cosette and I would have had all three of our heads in
the green cap! Does it not make you shudder? I am only the most crushed
of men; I should have been the most monstrous of men. And I should have
committed that crime every day! And I should have had that face of night
upon my visage every day! every day! And I should have communicated to
you a share in my taint every day! every day! to you, my dearly beloved,
my children, to you, my innocent creatures! Is it nothing to hold one's
peace? is it a simple matter to keep silence? No, it is not simple.
There is a silence which lies. And my lie, and my fraud and my
indignity, and my cowardice and my treason and my crime, I should have
drained drop by drop, I should have spit it out, then swallowed it
again, I should have finished at midnight and have begun again at
midday, and my 'good morning' would have lied, and my 'good night' would
have lied, and I should have slept on it, I should have eaten it, with
my bread, and I should have looked Cosette in the face, and I should
have responded to the smile of the angel by the smile of the damned
soul, and I should have been an abominable villain! Why should I do
it? in order to be happy. In order to be happy. Have I the right to be
happy? I stand outside of life, Sir."

Jean Valjean paused. Marius listened. Such chains of ideas and of
anguishes cannot be interrupted. Jean Valjean lowered his voice once
more, but it was no longer a dull voice--it was a sinister voice.

"You ask why I speak? I am neither denounced, nor pursued, nor tracked,
you say. Yes! I am denounced! yes! I am tracked! By whom? By myself.
It is I who bar the passage to myself, and I drag myself, and I push
myself, and I arrest myself, and I execute myself, and when one holds
oneself, one is firmly held."

And, seizing a handful of his own coat by the nape of the neck and
extending it towards Marius:

"Do you see that fist?" he continued. "Don't you think that it holds
that collar in such a wise as not to release it? Well! conscience
is another grasp! If one desires to be happy, sir, one must never
understand duty; for, as soon as one has comprehended it, it is
implacable. One would say that it punished you for comprehending it;
but no, it rewards you; for it places you in a hell, where you feel God
beside you. One has no sooner lacerated his own entrails than he is at
peace with himself."

And, with a poignant accent, he added:

"Monsieur Pontmercy, this is not common sense, I am an honest man. It is
by degrading myself in your eyes that I elevate myself in my own. This
has happened to me once before, but it was less painful then; it was
a mere nothing. Yes, an honest man. I should not be so if, through my
fault, you had continued to esteem me; now that you despise me, I am so.
I have that fatality hanging over me that, not being able to ever have
anything but stolen consideration, that consideration humiliates me,
and crushes me inwardly, and, in order that I may respect myself, it is
necessary that I should be despised. Then I straighten up again. I am
a galley-slave who obeys his conscience. I know well that that is most
improbable. But what would you have me do about it? it is the fact.
I have entered into engagements with myself; I keep them. There are
encounters which bind us, there are chances which involve us in duties.
You see, Monsieur Pontmercy, various things have happened to me in the
course of my life."

Again Jean Valjean paused, swallowing his saliva with an effort, as
though his words had a bitter after-taste, and then he went on:

"When one has such a horror hanging over one, one has not the right to
make others share it without their knowledge, one has not the right to
make them slip over one's own precipice without their perceiving it,
one has not the right to let one's red blouse drag upon them, one has no
right to slyly encumber with one's misery the happiness of others. It is
hideous to approach those who are healthy, and to touch them in the dark
with one's ulcer. In spite of the fact that Fauchelevent lent me his
name, I have no right to use it; he could give it to me, but I could not
take it. A name is an _I_. You see, sir, that I have thought somewhat, I
have read a little, although I am a peasant; and you see that I
express myself properly. I understand things. I have procured myself an
education. Well, yes, to abstract a name and to place oneself under it
is dishonest. Letters of the alphabet can be filched, like a purse or a
watch. To be a false signature in flesh and blood, to be a living false
key, to enter the house of honest people by picking their lock, never
more to look straightforward, to forever eye askance, to be infamous
within the _I_, no! no! no! no! no! It is better to suffer, to bleed, to
weep, to tear one's skin from the flesh with one's nails, to pass nights
writhing in anguish, to devour oneself body and soul. That is why I have
just told you all this. Wantonly, as you say."

He drew a painful breath, and hurled this final word:

"In days gone by, I stole a loaf of bread in order to live; to-day, in
order to live, I will not steal a name."

"To live!" interrupted Marius. "You do not need that name in order to
live?"

"Ah! I understand the matter," said Jean Valjean, raising and lowering
his head several times in succession.

A silence ensued. Both held their peace, each plunged in a gulf of
thoughts. Marius was sitting near a table and resting the corner of his
mouth on one of his fingers, which was folded back. Jean Valjean was
pacing to and fro. He paused before a mirror, and remained motionless.
Then, as though replying to some inward course of reasoning, he said, as
he gazed at the mirror, which he did not see:

"While, at present, I am relieved."

He took up his march again, and walked to the other end of the
drawing-room. At the moment when he turned round, he perceived that
Marius was watching his walk. Then he said, with an inexpressible
intonation:

"I drag my leg a little. Now you understand why!"

Then he turned fully round towards Marius:

"And now, sir, imagine this: I have said nothing, I have remained
Monsieur Fauchelevent, I have taken my place in your house, I am one of
you, I am in my chamber, I come to breakfast in the morning in slippers,
in the evening all three of us go to the play, I accompany Madame
Pontmercy to the Tuileries, and to the Place Royale, we are together,
you think me your equal; one fine day you are there, and I am there, we
are conversing, we are laughing; all at once, you hear a voice shouting
this name: 'Jean Valjean!' and behold, that terrible hand, the police,
darts from the darkness, and abruptly tears off my mask!"

Again he paused; Marius had sprung to his feet with a shudder. Jean
Valjean resumed:

"What do you say to that?"

Marius' silence answered for him.

Jean Valjean continued:

"You see that I am right in not holding my peace. Be happy, be
in heaven, be the angel of an angel, exist in the sun, be content
therewith, and do not trouble yourself about the means which a poor
damned wretch takes to open his breast and force his duty to come forth;
you have before you, sir, a wretched man."

Marius slowly crossed the room, and, when he was quite close to Jean
Valjean, he offered the latter his hand.

But Marius was obliged to step up and take that hand which was not
offered, Jean Valjean let him have his own way, and it seemed to Marius
that he pressed a hand of marble.

"My grandfather has friends," said Marius; "I will procure your pardon."

"It is useless," replied Jean Valjean. "I am believed to be dead, and
that suffices. The dead are not subjected to surveillance. They are
supposed to rot in peace. Death is the same thing as pardon."

And, disengaging the hand which Marius held, he added, with a sort of
inexorable dignity:

"Moreover, the friend to whom I have recourse is the doing of my duty;
and I need but one pardon, that of my conscience."

At that moment, a door at the other end of the drawing-room opened
gently half way, and in the opening Cosette's head appeared. They saw
only her sweet face, her hair was in charming disorder, her eyelids were
still swollen with sleep. She made the movement of a bird, which thrusts
its head out of its nest, glanced first at her husband, then at Jean
Valjean, and cried to them with a smile, so that they seemed to behold a
smile at the heart of a rose:

"I will wager that you are talking politics. How stupid that is, instead
of being with me!"

Jean Valjean shuddered.

"Cosette! . . ." stammered Marius.

And he paused. One would have said that they were two criminals.

Cosette, who was radiant, continued to gaze at both of them. There was
something in her eyes like gleams of paradise.

"I have caught you in the very act," said Cosette. "Just now, I heard my
father Fauchelevent through the door saying: 'Conscience . . . doing my
duty . . .' That is politics, indeed it is. I will not have it. People
should not talk politics the very next day. It is not right."

"You are mistaken. Cosette," said Marius, "we are talking business. We
are discussing the best investment of your six hundred thousand
francs . . ."

"That is not it at all," interrupted Cosette. "I am coming. Does any
body want me here?"

And, passing resolutely through the door, she entered the drawing-room.
She was dressed in a voluminous white dressing-gown, with a thousand
folds and large sleeves which, starting from the neck, fell to her feet.
In the golden heavens of some ancient gothic pictures, there are these
charming sacks fit to clothe the angels.

She contemplated herself from head to foot in a long mirror, then
exclaimed, in an outburst of ineffable ecstasy:

"There was once a King and a Queen. Oh! how happy I am!"

That said, she made a curtsey to Marius and to Jean Valjean.

"There," said she, "I am going to install myself near you in an
easy-chair, we breakfast in half an hour, you shall say anything you
like, I know well that men must talk, and I will be very good."

Marius took her by the arm and said lovingly to her:

"We are talking business."

"By the way," said Cosette, "I have opened my window, a flock of
pierrots has arrived in the garden,--Birds, not maskers. To-day is
Ash-Wednesday; but not for the birds."

"I tell you that we are talking business, go, my little Cosette, leave
us alone for a moment. We are talking figures. That will bore you."

"You have a charming cravat on this morning, Marius. You are very
dandified, monseigneur. No, it will not bore me."

"I assure you that it will bore you."

"No. Since it is you. I shall not understand you, but I shall listen
to you. When one hears the voices of those whom one loves, one does not
need to understand the words that they utter. That we should be here
together--that is all that I desire. I shall remain with you, bah!"

"You are my beloved Cosette! Impossible."

"Impossible!"

"Yes."

"Very good," said Cosette. "I was going to tell you some news. I could
have told you that your grandfather is still asleep, that your aunt is
at mass, that the chimney in my father Fauchelevent's room smokes, that
Nicolette has sent for the chimney-sweep, that Toussaint and Nicolette
have already quarrelled, that Nicolette makes sport of Toussaint's
stammer. Well, you shall know nothing. Ah! it is impossible? you shall
see, gentlemen, that I, in my turn, can say: It is impossible. Then who
will be caught? I beseech you, my little Marius, let me stay here with
you two."

"I swear to you, that it is indispensable that we should be alone."

"Well, am I anybody?"

Jean Valjean had not uttered a single word. Cosette turned to him:

"In the first place, father, I want you to come and embrace me. What do
you mean by not saying anything instead of taking my part? who gave me
such a father as that? You must perceive that my family life is very
unhappy. My husband beats me. Come, embrace me instantly."

Jean Valjean approached.

Cosette turned toward Marius.

"As for you, I shall make a face at you."

Then she presented her brow to Jean Valjean.

Jean Valjean advanced a step toward her.

Cosette recoiled.

"Father, you are pale. Does your arm hurt you?"

"It is well," said Jean Valjean.

"Did you sleep badly?"

"No."

"Are you sad?"

"No."

"Embrace me if you are well, if you sleep well, if you are content, I
will not scold you."

And again she offered him her brow.

Jean Valjean dropped a kiss upon that brow whereon rested a celestial
gleam.

"Smile."

Jean Valjean obeyed. It was the smile of a spectre.

"Now, defend me against my husband."

"Cosette! . . ." ejaculated Marius.

"Get angry, father. Say that I must stay. You can certainly talk before
me. So you think me very silly. What you say is astonishing! business,
placing money in a bank a great matter truly. Men make mysteries out of
nothing. I am very pretty this morning. Look at me, Marius."

And with an adorable shrug of the shoulders, and an indescribably
exquisite pout, she glanced at Marius.

"I love you!" said Marius.

"I adore you!" said Cosette.

And they fell irresistibly into each other's arms.

"Now," said Cosette, adjusting a fold of her dressing-gown, with a
triumphant little grimace, "I shall stay."

"No, not that," said Marius, in a supplicating tone. "We have to finish
something."

"Still no?"

Marius assumed a grave tone:

"I assure you, Cosette, that it is impossible."

"Ah! you put on your man's voice, sir. That is well, I go. You, father,
have not upheld me. Monsieur my father, monsieur my husband, you are
tyrants. I shall go and tell grandpapa. If you think that I am going to
return and talk platitudes to you, you are mistaken. I am proud. I shall
wait for you now. You shall see, that it is you who are going to be
bored without me. I am going, it is well."

And she left the room.

Two seconds later, the door opened once more, her fresh and rosy head
was again thrust between the two leaves, and she cried to them:

"I am very angry indeed."

The door closed again, and the shadows descended once more.

It was as though a ray of sunlight should have suddenly traversed the
night, without itself being conscious of it.

Marius made sure that the door was securely closed.

"Poor Cosette!" he murmured, "when she finds out . . ."

At that word Jean Valjean trembled in every limb. He fixed on Marius a
bewildered eye.

"Cosette! oh yes, it is true, you are going to tell Cosette about this.
That is right. Stay, I had not thought of that. One has the strength for
one thing, but not for another. Sir, I conjure you, I entreat now, sir,
give me your most sacred word of honor, that you will not tell her. Is
it not enough that you should know it? I have been able to say it myself
without being forced to it, I could have told it to the universe, to the
whole world,--it was all one to me. But she, she does not know what
it is, it would terrify her. What, a convict! we should be obliged to
explain matters to her, to say to her: 'He is a man who has been in the
galleys.' She saw the chain-gang pass by one day. Oh! My God!" . . . He
dropped into an arm-chair and hid his face in his hands.

His grief was not audible, but from the quivering of his shoulders it
was evident that he was weeping. Silent tears, terrible tears.

There is something of suffocation in the sob. He was seized with a sort
of convulsion, he threw himself against the back of the chair as though
to gain breath, letting his arms fall, and allowing Marius to see his
face inundated with tears, and Marius heard him murmur, so low that his
voice seemed to issue from fathomless depths:

"Oh! would that I could die!"

"Be at your ease," said Marius, "I will keep your secret for myself
alone." And, less touched, perhaps, than he ought to have been, but
forced, for the last hour, to familiarize himself with something
as unexpected as it was dreadful, gradually beholding the convict
superposed before his very eyes, upon M. Fauchelevent, overcome,
little by little, by that lugubrious reality, and led, by the natural
inclination of the situation, to recognize the space which had just been
placed between that man and himself, Marius added:

"It is impossible that I should not speak a word to you with regard to
the deposit which you have so faithfully and honestly remitted. That is
an act of probity. It is just that some recompense should be bestowed on
you. Fix the sum yourself, it shall be counted out to you. Do not fear
to set it very high."

"I thank you, sir," replied Jean Valjean, gently.

He remained in thought for a moment, mechanically passing the tip of his
fore-finger across his thumb-nail, then he lifted up his voice:

"All is nearly over. But one last thing remains for me . . ."

"What is it?"

Jean Valjean struggled with what seemed a last hesitation, and, without
voice, without breath, he stammered rather than said:

"Now that you know, do you think, sir, you, who are the master, that I
ought not to see Cosette any more?"

"I think that would be better," replied Marius coldly.

"I shall never see her more," murmured Jean Valjean. And he directed his
steps towards the door.

He laid his hand on the knob, the latch yielded, the door opened. Jean
Valjean pushed it open far enough to pass through, stood motionless for
a second, then closed the door again and turned to Marius.

He was no longer pale, he was livid. There were no longer any tears
in his eyes, but only a sort of tragic flame. His voice had regained a
strange composure.

"Stay, sir," he said. "If you will allow it, I will come to see her. I
assure you that I desire it greatly. If I had not cared to see Cosette,
I should not have made to you the confession that I have made, I should
have gone away; but, as I desired to remain in the place where Cosette
is, and to continue to see her, I had to tell you about it honestly. You
follow my reasoning, do you not? it is a matter easily understood. You
see, I have had her with me for more than nine years. We lived first
in that hut on the boulevard, then in the convent, then near the
Luxembourg. That was where you saw her for the first time. You remember
her blue plush hat. Then we went to the Quartier des Invalides, where
there was a railing on a garden, the Rue Plumet. I lived in a little
back court-yard, whence I could hear her piano. That was my life. We
never left each other. That lasted for nine years and some months. I
was like her own father, and she was my child. I do not know whether
you understand, Monsieur Pontmercy, but to go away now, never to see her
again, never to speak to her again, to no longer have anything, would
be hard. If you do not disapprove of it, I will come to see Cosette from
time to time. I will not come often. I will not remain long. You shall
give orders that I am to be received in the little waiting-room. On the
ground floor. I could enter perfectly well by the back door, but that
might create surprise perhaps, and it would be better, I think, for me
to enter by the usual door. Truly, sir, I should like to see a little
more of Cosette. As rarely as you please. Put yourself in my place,
I have nothing left but that. And then, we must be cautious. If I
no longer come at all, it would produce a bad effect, it would be
considered singular. What I can do, by the way, is to come in the
afternoon, when night is beginning to fall."

"You shall come every evening," said Marius, "and Cosette will be
waiting for you."

"You are kind, sir," said Jean Valjean.

Marius saluted Jean Valjean, happiness escorted despair to the door, and
these two men parted.




CHAPTER II--THE OBSCURITIES WHICH A REVELATION CAN CONTAIN

Marius was quite upset.

The sort of estrangement which he had always felt towards the man beside
whom he had seen Cosette, was now explained to him. There was something
enigmatic about that person, of which his instinct had warned him.

This enigma was the most hideous of disgraces, the galleys. This M.
Fauchelevent was the convict Jean Valjean.

To abruptly find such a secret in the midst of one's happiness resembles
the discovery of a scorpion in a nest of turtledoves.

Was the happiness of Marius and Cosette thenceforth condemned to such a
neighborhood? Was this an accomplished fact? Did the acceptance of that
man form a part of the marriage now consummated? Was there nothing to be
done?

Had Marius wedded the convict as well?

In vain may one be crowned with light and joy, in vain may one taste the
grand purple hour of life, happy love, such shocks would force even the
archangel in his ecstasy, even the demigod in his glory, to shudder.

As is always the case in changes of view of this nature, Marius asked
himself whether he had nothing with which to reproach himself. Had he
been wanting in divination? Had he been wanting in prudence? Had he
involuntarily dulled his wits? A little, perhaps. Had he entered upon
this love affair, which had ended in his marriage to Cosette, without
taking sufficient precautions to throw light upon the surroundings? He
admitted,--it is thus, by a series of successive admissions of ourselves
in regard to ourselves, that life amends us, little by little,--he
admitted the chimerical and visionary side of his nature, a sort of
internal cloud peculiar to many organizations, and which, in paroxysms
of passion and sorrow, dilates as the temperature of the soul changes,
and invades the entire man, to such a degree as to render him nothing
more than a conscience bathed in a mist. We have more than once
indicated this characteristic element of Marius' individuality.

He recalled that, in the intoxication of his love, in the Rue Plumet,
during those six or seven ecstatic weeks, he had not even spoke to
Cosette of that drama in the Gorbeau hovel, where the victim had taken
up such a singular line of silence during the struggle and the ensuing
flight. How had it happened that he had not mentioned this to Cosette?
Yet it was so near and so terrible! How had it come to pass that he had
not even named the Thenardiers, and, particularly, on the day when he
had encountered Eponine? He now found it almost difficult to explain his
silence of that time. Nevertheless, he could account for it. He recalled
his benumbed state, his intoxication with Cosette, love absorbing
everything, that catching away of each other into the ideal, and perhaps
also, like the imperceptible quantity of reason mingled with this
violent and charming state of the soul, a vague, dull instinct impelling
him to conceal and abolish in his memory that redoubtable adventure,
contact with which he dreaded, in which he did not wish to play any
part, his agency in which he had kept secret, and in which he could be
neither narrator nor witness without being an accuser.

Moreover, these few weeks had been a flash of lightning; there had been
no time for anything except love.

In short, having weighed everything, turned everything over in his mind,
examined everything, whatever might have been the consequences if he had
told Cosette about the Gorbeau ambush, even if he had discovered that
Jean Valjean was a convict, would that have changed him, Marius? Would
that have changed her, Cosette? Would he have drawn back? Would he have
adored her any the less? Would he have refrained from marrying her? No.
Then there was nothing to regret, nothing with which he need reproach
himself. All was well. There is a deity for those drunken men who are
called lovers. Marius blind, had followed the path which he would have
chosen had he been in full possession of his sight. Love had bandaged
his eyes, in order to lead him whither? To paradise.

But this paradise was henceforth complicated with an infernal
accompaniment.

Marius' ancient estrangement towards this man, towards this Fauchelevent
who had turned into Jean Valjean, was at present mingled with horror.

In this horror, let us state, there was some pity, and even a certain
surprise.

This thief, this thief guilty of a second offence, had restored that
deposit. And what a deposit! Six hundred thousand francs.

He alone was in the secret of that deposit. He might have kept it all,
he had restored it all.

Moreover, he had himself revealed his situation. Nothing forced him to
this. If any one learned who he was, it was through himself. In this
avowal there was something more than acceptance of humiliation, there
was acceptance of peril. For a condemned man, a mask is not a mask, it
is a shelter. A false name is security, and he had rejected that false
name. He, the galley-slave, might have hidden himself forever in an
honest family; he had withstood this temptation. And with what motive?
Through a conscientious scruple. He himself explained this with the
irresistible accents of truth. In short, whatever this Jean Valjean
might be, he was, undoubtedly, a conscience which was awakening. There
existed some mysterious re-habilitation which had begun; and, to all
appearances, scruples had for a long time already controlled this man.
Such fits of justice and goodness are not characteristic of vulgar
natures. An awakening of conscience is grandeur of soul.

Jean Valjean was sincere. This sincerity, visible, palpable,
irrefragable, evident from the very grief that it caused him, rendered
inquiries useless, and conferred authority on all that that man had
said.

Here, for Marius, there was a strange reversal of situations. What
breathed from M. Fauchelevent? distrust. What did Jean Valjean inspire?
confidence.

In the mysterious balance of this Jean Valjean which the pensive Marius
struck, he admitted the active principle, he admitted the passive
principle, and he tried to reach a balance.

But all this went on as in a storm. Marius, while endeavoring to form a
clear idea of this man, and while pursuing Jean Valjean, so to speak, in
the depths of his thought, lost him and found him again in a fatal mist.

The deposit honestly restored, the probity of the confession--these were
good. This produced a lightening of the cloud, then the cloud became
black once more.

Troubled as were Marius' memories, a shadow of them returned to him.

After all, what was that adventure in the Jondrette attic? Why had that
man taken to flight on the arrival of the police, instead of entering a
complaint?

Here Marius found the answer. Because that man was a fugitive from
justice, who had broken his ban.

Another question: Why had that man come to the barricade?

For Marius now once more distinctly beheld that recollection which had
re-appeared in his emotions like sympathetic ink at the application of
heat. This man had been in the barricade. He had not fought there. What
had he come there for? In the presence of this question a spectre sprang
up and replied: "Javert."

Marius recalled perfectly now that funereal sight of Jean Valjean
dragging the pinioned Javert out of the barricade, and he still heard
behind the corner of the little Rue Mondetour that frightful pistol
shot. Obviously, there was hatred between that police spy and the
galley-slave. The one was in the other's way. Jean Valjean had gone to
the barricade for the purpose of revenging himself. He had arrived late.
He probably knew that Javert was a prisoner there. The Corsican vendetta
has penetrated to certain lower strata and has become the law there; it
is so simple that it does not astonish souls which are but half turned
towards good; and those hearts are so constituted that a criminal, who
is in the path of repentance, may be scrupulous in the matter of theft
and unscrupulous in the matter of vengeance. Jean Valjean had killed
Javert. At least, that seemed to be evident.

This was the final question, to be sure; but to this there was no reply.
This question Marius felt like pincers. How had it come to pass that
Jean Valjean's existence had elbowed that of Cosette for so long a
period?

What melancholy sport of Providence was that which had placed that child
in contact with that man? Are there then chains for two which are forged
on high? and does God take pleasure in coupling the angel with the
demon? So a crime and an innocence can be room-mates in the mysterious
galleys of wretchedness? In that defiling of condemned persons which
is called human destiny, can two brows pass side by side, the one
ingenuous, the other formidable, the one all bathed in the divine
whiteness of dawn, the other forever blemished by the flash of an
eternal lightning? Who could have arranged that inexplicable pairing
off? In what manner, in consequence of what prodigy, had any community
of life been established between this celestial little creature and that
old criminal?

Who could have bound the lamb to the wolf, and, what was still more
incomprehensible, have attached the wolf to the lamb? For the wolf loved
the lamb, for the fierce creature adored the feeble one, for, during
the space of nine years, the angel had had the monster as her point of
support. Cosette's childhood and girlhood, her advent in the daylight,
her virginal growth towards life and light, had been sheltered by
that hideous devotion. Here questions exfoliated, so to speak, into
innumerable enigmas, abysses yawned at the bottoms of abysses, and
Marius could no longer bend over Jean Valjean without becoming dizzy.
What was this man-precipice?

The old symbols of Genesis are eternal; in human society, such as it now
exists, and until a broader day shall effect a change in it, there will
always be two men, the one superior, the other subterranean; the one
which is according to good is Abel; the other which is according to evil
is Cain. What was this tender Cain? What was this ruffian religiously
absorbed in the adoration of a virgin, watching over her, rearing her,
guarding her, dignifying her, and enveloping her, impure as he was
himself, with purity?

What was that cess-pool which had venerated that innocence to such a
point as not to leave upon it a single spot? What was this Jean Valjean
educating Cosette? What was this figure of the shadows which had for its
only object the preservation of the rising of a star from every shadow
and from every cloud?

That was Jean Valjean's secret; that was also God's secret.

In the presence of this double secret, Marius recoiled. The one, in some
sort, reassured him as to the other. God was as visible in this affair
as was Jean Valjean. God has his instruments. He makes use of the tool
which he wills. He is not responsible to men. Do we know how God sets
about the work? Jean Valjean had labored over Cosette. He had, to some
extent, made that soul. That was incontestable. Well, what then? The
workman was horrible; but the work was admirable. God produces his
miracles as seems good to him. He had constructed that charming Cosette,
and he had employed Jean Valjean. It had pleased him to choose this
strange collaborator for himself. What account have we to demand of him?
Is this the first time that the dung-heap has aided the spring to create
the rose?

Marius made himself these replies, and declared to himself that they
were good. He had not dared to press Jean Valjean on all the points
which we have just indicated, but he did not confess to himself that he
did not dare to do it. He adored Cosette, he possessed Cosette, Cosette
was splendidly pure. That was sufficient for him. What enlightenment did
he need? Cosette was a light. Does light require enlightenment? He had
everything; what more could he desire? All,--is not that enough? Jean
Valjean's personal affairs did not concern him.

And bending over the fatal shadow of that man, he clung fast,
convulsively, to the solemn declaration of that unhappy wretch: "I
am nothing to Cosette. Ten years ago I did not know that she was in
existence."

Jean Valjean was a passer-by. He had said so himself. Well, he had
passed. Whatever he was, his part was finished.

Henceforth, there remained Marius to fulfil the part of Providence to
Cosette. Cosette had sought the azure in a person like herself, in her
lover, her husband, her celestial male. Cosette, as she took her flight,
winged and transfigured, left behind her on the earth her hideous and
empty chrysalis, Jean Valjean.

In whatever circle of ideas Marius revolved, he always returned to a
certain horror for Jean Valjean. A sacred horror, perhaps, for, as we
have just pointed out, he felt a quid divinum in that man. But do what
he would, and seek what extenuation he would, he was certainly forced to
fall back upon this: the man was a convict; that is to say, a being who
has not even a place in the social ladder, since he is lower than the
very lowest rung. After the very last of men comes the convict. The
convict is no longer, so to speak, in the semblance of the living. The
law has deprived him of the entire quantity of humanity of which it can
deprive a man.

Marius, on penal questions, still held to the inexorable system, though
he was a democrat and he entertained all the ideas of the law on the
subject of those whom the law strikes. He had not yet accomplished all
progress, we admit. He had not yet come to distinguish between that
which is written by man and that which is written by God, between law
and right. He had not examined and weighed the right which man takes to
dispose of the irrevocable and the irreparable. He was not shocked by
the word vindicte. He found it quite simple that certain breaches of the
written law should be followed by eternal suffering, and he accepted,
as the process of civilization, social damnation. He still stood at this
point, though safe to advance infallibly later on, since his nature was
good, and, at bottom, wholly formed of latent progress.

In this stage of his ideas, Jean Valjean appeared to him hideous and
repulsive. He was a man reproved, he was the convict. That word was
for him like the sound of the trump on the Day of Judgment; and, after
having reflected upon Jean Valjean for a long time, his final gesture
had been to turn away his head. Vade retro.

Marius, if we must recognize and even insist upon the fact, while
interrogating Jean Valjean to such a point that Jean Valjean had said:
"You are confessing me," had not, nevertheless, put to him two or three
decisive questions.

It was not that they had not presented themselves to his mind, but that
he had been afraid of them. The Jondrette attic? The barricade? Javert?
Who knows where these revelations would have stopped? Jean Valjean did
not seem like a man who would draw back, and who knows whether Marius,
after having urged him on, would not have himself desired to hold him
back?

Has it not happened to all of us, in certain supreme conjunctures, to
stop our ears in order that we may not hear the reply, after we have
asked a question? It is especially when one loves that one gives way
to these exhibitions of cowardice. It is not wise to question sinister
situations to the last point, particularly when the indissoluble side of
our life is fatally intermingled with them. What a terrible light might
have proceeded from the despairing explanations of Jean Valjean, and who
knows whether that hideous glare would not have darted forth as far
as Cosette? Who knows whether a sort of infernal glow would not have
lingered behind it on the brow of that angel? The spattering of a
lightning-flash is of the thunder also. Fatality has points of juncture
where innocence itself is stamped with crime by the gloomy law of the
reflections which give color. The purest figures may forever preserve
the reflection of a horrible association. Rightly or wrongly, Marius
had been afraid. He already knew too much. He sought to dull his senses
rather than to gain further light.

In dismay he bore off Cosette in his arms and shut his eyes to Jean
Valjean.

That man was the night, the living and horrible night. How should he
dare to seek the bottom of it? It is a terrible thing to interrogate
the shadow. Who knows what its reply will be? The dawn may be blackened
forever by it.

In this state of mind the thought that that man would, henceforth, come
into any contact whatever with Cosette was a heartrending perplexity to
Marius.

He now almost reproached himself for not having put those formidable
questions, before which he had recoiled, and from which an implacable
and definitive decision might have sprung. He felt that he was too good,
too gentle, too weak, if we must say the word. This weakness had led him
to an imprudent concession. He had allowed himself to be touched. He
had been in the wrong. He ought to have simply and purely rejected
Jean Valjean. Jean Valjean played the part of fire, and that is what he
should have done, and have freed his house from that man.

He was vexed with himself, he was angry with that whirlwind of emotions
which had deafened, blinded, and carried him away. He was displeased
with himself.

What was he to do now? Jean Valjean's visits were profoundly repugnant
to him. What was the use in having that man in his house? What did the
man want? Here, he became dismayed, he did not wish to dig down, he did
not wish to penetrate deeply; he did not wish to sound himself. He
had promised, he had allowed himself to be drawn into a promise; Jean
Valjean held his promise; one must keep one's word even to a convict,
above all to a convict. Still, his first duty was to Cosette. In short,
he was carried away by the repugnance which dominated him.

Marius turned over all this confusion of ideas in his mind, passing
from one to the other, and moved by all of them. Hence arose a profound
trouble.

It was not easy for him to hide this trouble from Cosette, but love is a
talent, and Marius succeeded in doing it.

However, without any apparent object, he questioned Cosette, who was as
candid as a dove is white and who suspected nothing; he talked of her
childhood and her youth, and he became more and more convinced that that
convict had been everything good, paternal and respectable that a man
can be towards Cosette. All that Marius had caught a glimpse of and had
surmised was real. That sinister nettle had loved and protected that
lily.




BOOK EIGHTH.--FADING AWAY OF THE TWILIGHT

[Illustration: The Twilight Decline  5b8-1-decline]




CHAPTER I--THE LOWER CHAMBER

On the following day, at nightfall, Jean Valjean knocked at the carriage
gate of the Gillenormand house. It was Basque who received him. Basque
was in the courtyard at the appointed hour, as though he had received
his orders. It sometimes happens that one says to a servant: "You will
watch for Mr. So and So, when he arrives."

Basque addressed Jean Valjean without waiting for the latter to approach
him:

"Monsieur le Baron has charged me to inquire whether monsieur desires to
go upstairs or to remain below?"

"I will remain below," replied Jean Valjean.

Basque, who was perfectly respectful, opened the door of the
waiting-room and said:

"I will go and inform Madame."

The room which Jean Valjean entered was a damp, vaulted room on the
ground floor, which served as a cellar on occasion, which opened on the
street, was paved with red squares and was badly lighted by a grated
window.

This chamber was not one of those which are harassed by the
feather-duster, the pope's head brush, and the broom. The dust rested
tranquilly there. Persecution of the spiders was not organized there. A
fine web, which spread far and wide, and was very black and ornamented
with dead flies, formed a wheel on one of the window-panes. The room,
which was small and low-ceiled, was furnished with a heap of empty
bottles piled up in one corner.

The wall, which was daubed with an ochre yellow wash, was scaling off in
large flakes. At one end there was a chimney-piece painted in black
with a narrow shelf. A fire was burning there; which indicated that Jean
Valjean's reply: "I will remain below," had been foreseen.

Two arm-chairs were placed at the two corners of the fireplace. Between
the chairs an old bedside rug, which displayed more foundation thread
than wool, had been spread by way of a carpet.

The chamber was lighted by the fire on the hearth and the twilight
falling through the window.

Jean Valjean was fatigued. For days he had neither eaten nor slept. He
threw himself into one of the arm-chairs.

Basque returned, set a lighted candle on the chimney-piece and retired.
Jean Valjean, his head drooping and his chin resting on his breast,
perceived neither Basque nor the candle.

All at once, he drew himself up with a start. Cosette was standing
beside him.

He had not seen her enter, but he had felt that she was there.

He turned round. He gazed at her. She was adorably lovely. But what he
was contemplating with that profound gaze was not her beauty but her
soul.

"Well," exclaimed Cosette, "father, I knew that you were peculiar, but
I never should have expected this. What an idea! Marius told me that you
wish me to receive you here."

"Yes, it is my wish."

"I expected that reply. Good. I warn you that I am going to make a scene
for you. Let us begin at the beginning. Embrace me, father."

And she offered him her cheek.

Jean Valjean remained motionless.

"You do not stir. I take note of it. Attitude of guilt. But never mind,
I pardon you. Jesus Christ said: Offer the other cheek. Here it is."

And she presented her other cheek.

Jean Valjean did not move. It seemed as though his feet were nailed to
the pavement.

"This is becoming serious," said Cosette. "What have I done to you? I
declare that I am perplexed. You owe me reparation. You will dine with
us."

"I have dined."

"That is not true. I will get M. Gillenormand to scold you. Grandfathers
are made to reprimand fathers. Come. Go upstairs with me to the
drawing-room. Immediately."

"Impossible."

Here Cosette lost ground a little. She ceased to command and passed to
questioning.

"But why? and you choose the ugliest chamber in the house in which to
see me. It's horrible here."

"Thou knowest . . ."

Jean Valjean caught himself up.

"You know, madame, that I am peculiar, I have my freaks."

Cosette struck her tiny hands together.

"Madame! . . . You know! . . . more novelties! What is the meaning of
this?"

Jean Valjean directed upon her that heartrending smile to which he
occasionally had recourse:

"You wished to be Madame. You are so."

"Not for you, father."

"Do not call me father."

"What?"

"Call me 'Monsieur Jean.' 'Jean,' if you like."

"You are no longer my father? I am no longer Cosette? 'Monsieur Jean'?
What does this mean? why, these are revolutions, aren't they? what has
taken place? come, look me in the face. And you won't live with us!
And you won't have my chamber! What have I done to you? Has anything
happened?"

"Nothing."

"Well then?"

"Everything is as usual."

"Why do you change your name?"

"You have changed yours, surely."

He smiled again with the same smile as before and added:

"Since you are Madame Pontmercy, I certainly can be Monsieur Jean."

"I don't understand anything about it. All this is idiotic. I shall ask
permission of my husband for you to be 'Monsieur Jean.' I hope that he
will not consent to it. You cause me a great deal of pain. One does
have freaks, but one does not cause one's little Cosette grief. That is
wrong. You have no right to be wicked, you who are so good."

He made no reply.

She seized his hands with vivacity, and raising them to her face with
an irresistible movement, she pressed them against her neck beneath her
chin, which is a gesture of profound tenderness.

"Oh!" she said to him, "be good!"

And she went on:

"This is what I call being good: being nice and coming and living
here,--there are birds here as there are in the Rue Plumet,--living with
us, quitting that hole of a Rue de l'Homme Arme, not giving us riddles
to guess, being like all the rest of the world, dining with us,
breakfasting with us, being my father."

He loosed her hands.

"You no longer need a father, you have a husband."

Cosette became angry.

"I no longer need a father! One really does not know what to say to
things like that, which are not common sense!"

"If Toussaint were here," resumed Jean Valjean, like a person who is
driven to seek authorities, and who clutches at every branch, "she would
be the first to agree that it is true that I have always had ways of my
own. There is nothing new in this. I always have loved my black corner."

"But it is cold here. One cannot see distinctly. It is abominable, that
it is, to wish to be Monsieur Jean! I will not have you say 'you' to me.

"Just now, as I was coming hither," replied Jean Valjean, "I saw a piece
of furniture in the Rue Saint Louis. It was at a cabinet-maker's. If I
were a pretty woman, I would treat myself to that bit of furniture. A
very neat toilet table in the reigning style. What you call rosewood, I
think. It is inlaid. The mirror is quite large. There are drawers. It is
pretty."

"Hou! the villainous bear!" replied Cosette.

And with supreme grace, setting her teeth and drawing back her lips, she
blew at Jean Valjean. She was a Grace copying a cat.

"I am furious," she resumed. "Ever since yesterday, you have made me
rage, all of you. I am greatly vexed. I don't understand. You do not
defend me against Marius. Marius will not uphold me against you. I am
all alone. I arrange a chamber prettily. If I could have put the good
God there I would have done it. My chamber is left on my hands. My
lodger sends me into bankruptcy. I order a nice little dinner of
Nicolette. We will have nothing to do with your dinner, Madame. And my
father Fauchelevent wants me to call him 'Monsieur Jean,' and to receive
him in a frightful, old, ugly cellar, where the walls have beards, and
where the crystal consists of empty bottles, and the curtains are of
spiders' webs! You are singular, I admit, that is your style, but people
who get married are granted a truce. You ought not to have begun being
singular again instantly. So you are going to be perfectly contented in
your abominable Rue de l'Homme Arme. I was very desperate indeed there,
that I was. What have you against me? You cause me a great deal of
grief. Fi!"

And, becoming suddenly serious, she gazed intently at Jean Valjean and
added:

"Are you angry with me because I am happy?"

Ingenuousness sometimes unconsciously penetrates deep. This question,
which was simple for Cosette, was profound for Jean Valjean. Cosette had
meant to scratch, and she lacerated.

Jean Valjean turned pale.

He remained for a moment without replying, then, with an inexpressible
intonation, and speaking to himself, he murmured:

"Her happiness was the object of my life. Now God may sign my dismissal.
Cosette, thou art happy; my day is over."

"Ah, you have said thou to me!" exclaimed Cosette.

And she sprang to his neck.

Jean Valjean, in bewilderment, strained her wildly to his breast. It
almost seemed to him as though he were taking her back.

"Thanks, father!" said Cosette.

This enthusiastic impulse was on the point of becoming poignant for Jean
Valjean. He gently removed Cosette's arms, and took his hat.

"Well?" said Cosette.

"I leave you, Madame, they are waiting for you."

And, from the threshold, he added:

"I have said thou to you. Tell your husband that this shall not happen
again. Pardon me."

Jean Valjean quitted the room, leaving Cosette stupefied at this
enigmatical farewell.




CHAPTER II--ANOTHER STEP BACKWARDS

On the following day, at the same hour, Jean Valjean came.

Cosette asked him no questions, was no longer astonished, no longer
exclaimed that she was cold, no longer spoke of the drawing-room, she
avoided saying either "father" or "Monsieur Jean." She allowed herself
to be addressed as you. She allowed herself to be called Madame. Only,
her joy had undergone a certain diminution. She would have been sad, if
sadness had been possible to her.

It is probable that she had had with Marius one of those conversations
in which the beloved man says what he pleases, explains nothing, and
satisfies the beloved woman. The curiosity of lovers does not extend
very far beyond their own love.

The lower room had made a little toilet. Basque had suppressed the
bottles, and Nicolette the spiders.

All the days which followed brought Jean Valjean at the same hour. He
came every day, because he had not the strength to take Marius' words
otherwise than literally. Marius arranged matters so as to be absent at
the hours when Jean Valjean came. The house grew accustomed to the novel
ways of M. Fauchelevent. Toussaint helped in this direction: "Monsieur
has always been like that," she repeated. The grandfather issued this
decree:--"He's an original." And all was said. Moreover, at the age of
ninety-six, no bond is any longer possible, all is merely juxtaposition;
a newcomer is in the way. There is no longer any room; all habits are
acquired. M. Fauchelevent, M. Tranchelevent, Father Gillenormand
asked nothing better than to be relieved from "that gentleman." He
added:--"Nothing is more common than those originals. They do all sorts
of queer things. They have no reason. The Marquis de Canaples was still
worse. He bought a palace that he might lodge in the garret. These are
fantastic appearances that people affect."

No one caught a glimpse of the sinister foundation. And moreover, who
could have guessed such a thing? There are marshes of this description
in India. The water seems extraordinary, inexplicable, rippling though
there is no wind, and agitated where it should be calm. One gazes at the
surface of these causeless ebullitions; one does not perceive the hydra
which crawls on the bottom.

Many men have a secret monster in this same manner, a dragon which gnaws
them, a despair which inhabits their night. Such a man resembles
other men, he goes and comes. No one knows that he bears within him a
frightful parasitic pain with a thousand teeth, which lives within the
unhappy man, and of which he is dying. No one knows that this man is a
gulf. He is stagnant but deep. From time to time, a trouble of which
the onlooker understands nothing appears on his surface. A mysterious
wrinkle is formed, then vanishes, then re-appears; an air-bubble rises
and bursts. It is the breathing of the unknown beast.

Certain strange habits: arriving at the hour when other people are
taking their leave, keeping in the background when other people
are displaying themselves, preserving on all occasions what may be
designated as the wall-colored mantle, seeking the solitary walk,
preferring the deserted street, avoiding any share in conversation,
avoiding crowds and festivals, seeming at one's ease and living poorly,
having one's key in one's pocket, and one's candle at the porter's
lodge, however rich one may be, entering by the side door, ascending
the private staircase,--all these insignificant singularities, fugitive
folds on the surface, often proceed from a formidable foundation.

Many weeks passed in this manner. A new life gradually took possession
of Cosette: the relations which marriage creates, visits, the care
of the house, pleasures, great matters. Cosette's pleasures were not
costly, they consisted in one thing: being with Marius. The great
occupation of her life was to go out with him, to remain with him. It
was for them a joy that was always fresh, to go out arm in arm, in the
face of the sun, in the open street, without hiding themselves, before
the whole world, both of them completely alone.

Cosette had one vexation. Toussaint could not get on with Nicolette, the
soldering of two elderly maids being impossible, and she went away.
The grandfather was well; Marius argued a case here and there; Aunt
Gillenormand peacefully led that life aside which sufficed for her,
beside the new household. Jean Valjean came every day.

The address as thou disappeared, the you, the "Madame," the "Monsieur
Jean," rendered him another person to Cosette. The care which he had
himself taken to detach her from him was succeeding. She became more and
more gay and less and less tender. Yet she still loved him sincerely,
and he felt it.

One day she said to him suddenly: "You used to be my father, you are
no longer my father, you were my uncle, you are no longer my uncle, you
were Monsieur Fauchelevent, you are Jean. Who are you then? I don't
like all this. If I did not know how good you are, I should be afraid of
you."

He still lived in the Rue de l'Homme Arme, because he could not make up
his mind to remove to a distance from the quarter where Cosette dwelt.

At first, he only remained a few minutes with Cosette, and then went
away.

Little by little he acquired the habit of making his visits less brief.
One would have said that he was taking advantage of the authorization of
the days which were lengthening, he arrived earlier and departed later.

One day Cosette chanced to say "father" to him. A flash of joy
illuminated Jean Valjean's melancholy old countenance. He caught her
up: "Say Jean."--"Ah! truly," she replied with a burst of laughter,
"Monsieur Jean."--"That is right," said he. And he turned aside so that
she might not see him wipe his eyes.




CHAPTER III--THEY RECALL THE GARDEN OF THE RUE PLUMET

This was the last time. After that last flash of light, complete
extinction ensued. No more familiarity, no more good-morning with a
kiss, never more that word so profoundly sweet: "My father!" He was at
his own request and through his own complicity driven out of all his
happinesses one after the other; and he had this sorrow, that after
having lost Cosette wholly in one day, he was afterwards obliged to lose
her again in detail.

The eye eventually becomes accustomed to the light of a cellar. In
short, it sufficed for him to have an apparition of Cosette every day.
His whole life was concentrated in that one hour.

He seated himself close to her, he gazed at her in silence, or he talked
to her of years gone by, of her childhood, of the convent, of her little
friends of those bygone days.

One afternoon,--it was on one of those early days in April, already
warm and fresh, the moment of the sun's great gayety, the gardens which
surrounded the windows of Marius and Cosette felt the emotion of waking,
the hawthorn was on the point of budding, a jewelled garniture of
gillyflowers spread over the ancient walls, snapdragons yawned through
the crevices of the stones, amid the grass there was a charming
beginning of daisies, and buttercups, the white butterflies of the
year were making their first appearance, the wind, that minstrel of the
eternal wedding, was trying in the trees the first notes of that grand,
auroral symphony which the old poets called the springtide,--Marius said
to Cosette:--"We said that we would go back to take a look at our garden
in the Rue Plumet. Let us go thither. We must not be ungrateful."--And
away they flitted, like two swallows towards the spring. This garden of
the Rue Plumet produced on them the effect of the dawn. They already
had behind them in life something which was like the springtime of their
love. The house in the Rue Plumet being held on a lease, still belonged
to Cosette. They went to that garden and that house. There they
found themselves again, there they forgot themselves. That
evening, at the usual hour, Jean Valjean came to the Rue des
Filles-du-Calvaire.--"Madame went out with Monsieur and has not yet
returned," Basque said to him. He seated himself in silence, and waited
an hour. Cosette did not return. He departed with drooping head.

Cosette was so intoxicated with her walk to "their garden," and so
joyous at having "lived a whole day in her past," that she talked of
nothing else on the morrow. She did not notice that she had not seen
Jean Valjean.

"In what way did you go thither?" Jean Valjean asked her."

"On foot."

"And how did you return?"

"In a hackney carriage."

For some time, Jean Valjean had noticed the economical life led by the
young people. He was troubled by it. Marius' economy was severe, and
that word had its absolute meaning for Jean Valjean. He hazarded a
query:

"Why do you not have a carriage of your own? A pretty coupe would only
cost you five hundred francs a month. You are rich."

"I don't know," replied Cosette.

"It is like Toussaint," resumed Jean Valjean. "She is gone. You have not
replaced her. Why?"

"Nicolette suffices."

"But you ought to have a maid."

"Have I not Marius?"

"You ought to have a house of your own, your own servants, a carriage, a
box at the theatre. There is nothing too fine for you. Why not profit by
your riches? Wealth adds to happiness."

Cosette made no reply.

Jean Valjean's visits were not abridged. Far from it. When it is the
heart which is slipping, one does not halt on the downward slope.

When Jean Valjean wished to prolong his visit and to induce
forgetfulness of the hour, he sang the praises of Marius; he pronounced
him handsome, noble, courageous, witty, eloquent, good. Cosette outdid
him. Jean Valjean began again. They were never weary. Marius--that word
was inexhaustible; those six letters contained volumes. In this manner,
Jean Valjean contrived to remain a long time.

It was so sweet to see Cosette, to forget by her side! It alleviated his
wounds. It frequently happened that Basque came twice to announce:
"M. Gillenormand sends me to remind Madame la Baronne that dinner is
served."

On those days, Jean Valjean was very thoughtful on his return home.

Was there, then, any truth in that comparison of the chrysalis which
had presented itself to the mind of Marius? Was Jean Valjean really a
chrysalis who would persist, and who would come to visit his butterfly?

One day he remained still longer than usual. On the following day he
observed that there was no fire on the hearth.--"Hello!" he thought. "No
fire."--And he furnished the explanation for himself.--"It is perfectly
simple. It is April. The cold weather has ceased."

"Heavens! how cold it is here!" exclaimed Cosette when she entered.

"Why, no," said Jean Valjean.

"Was it you who told Basque not to make a fire then?"

"Yes, since we are now in the month of May."

"But we have a fire until June. One is needed all the year in this
cellar."

"I thought that a fire was unnecessary."

"That is exactly like one of your ideas!" retorted Cosette.

On the following day there was a fire. But the two arm-chairs were
arranged at the other end of the room near the door. "--What is the
meaning of this?" thought Jean Valjean.

He went for the arm-chairs and restored them to their ordinary place
near the hearth.

This fire lighted once more encouraged him, however. He prolonged the
conversation even beyond its customary limits. As he rose to take his
leave, Cosette said to him:

"My husband said a queer thing to me yesterday."

"What was it?"

"He said to me: 'Cosette, we have an income of thirty thousand livres.
Twenty-seven that you own, and three that my grandfather gives me.' I
replied: 'That makes thirty.' He went on: 'Would you have the courage to
live on the three thousand?' I answered: 'Yes, on nothing. Provided
that it was with you.' And then I asked: 'Why do you say that to me?' He
replied: 'I wanted to know.'"

Jean Valjean found not a word to answer. Cosette probably expected some
explanation from him; he listened in gloomy silence. He went back to the
Rue de l'Homme Arme; he was so deeply absorbed that he mistook the
door and instead of entering his own house, he entered the adjoining
dwelling. It was only after having ascended nearly two stories that he
perceived his error and went down again.

His mind was swarming with conjectures. It was evident that Marius had
his doubts as to the origin of the six hundred thousand francs, that
he feared some source that was not pure, who knows? that he had even,
perhaps, discovered that the money came from him, Jean Valjean, that he
hesitated before this suspicious fortune, and was disinclined to take
it as his own,--preferring that both he and Cosette should remain poor,
rather than that they should be rich with wealth that was not clean.

Moreover, Jean Valjean began vaguely to surmise that he was being shown
the door.

On the following day, he underwent something like a shock on entering
the ground-floor room. The arm-chairs had disappeared. There was not a
single chair of any sort.

"Ah, what's this!" exclaimed Cosette as she entered, "no chairs! Where
are the arm-chairs?"

"They are no longer here," replied Jean Valjean.

"This is too much!"

Jean Valjean stammered:

"It was I who told Basque to remove them."

"And your reason?"

"I have only a few minutes to stay to-day."

"A brief stay is no reason for remaining standing."

"I think that Basque needed the chairs for the drawing-room."

"Why?"

"You have company this evening, no doubt."

"We expect no one."

Jean Valjean had not another word to say.

Cosette shrugged her shoulders.

"To have the chairs carried off! The other day you had the fire put out.
How odd you are!"

"Adieu!" murmured Jean Valjean.

He did not say: "Adieu, Cosette." But he had not the strength to say:
"Adieu, Madame."

He went away utterly overwhelmed.

This time he had understood.

On the following day he did not come. Cosette only observed the fact in
the evening.

"Why," said she, "Monsieur Jean has not been here today."

And she felt a slight twinge at her heart, but she hardly perceived it,
being immediately diverted by a kiss from Marius.

On the following day he did not come.

Cosette paid no heed to this, passed her evening and slept well that
night, as usual, and thought of it only when she woke. She was so happy!
She speedily despatched Nicolette to M. Jean's house to inquire whether
he were ill, and why he had not come on the previous evening. Nicolette
brought back the reply of M. Jean that he was not ill. He was busy. He
would come soon. As soon as he was able. Moreover, he was on the point
of taking a little journey. Madame must remember that it was his custom
to take trips from time to time. They were not to worry about him. They
were not to think of him.

Nicolette on entering M. Jean's had repeated to him her mistress' very
words. That Madame had sent her to inquire why M. Jean bad not come on
the preceding evening."--It is two days since I have been there," said
Jean Valjean gently.

But the remark passed unnoticed by Nicolette, who did not report it to
Cosette.




CHAPTER IV--ATTRACTION AND EXTINCTION

During the last months of spring and the first months of summer in 1833,
the rare passersby in the Marais, the petty shopkeepers, the loungers on
thresholds, noticed an old man neatly clad in black, who emerged every
day at the same hour, towards nightfall, from the Rue de l'Homme Arme,
on the side of the Rue Sainte-Croix-de-la-Bretonnerie, passed in front
of the Blancs Manteaux, gained the Rue Culture-Sainte-Catherine, and,
on arriving at the Rue de l'Echarpe, turned to the left, and entered the
Rue Saint-Louis.

There he walked at a slow pace, with his head strained forward, seeing
nothing, hearing nothing, his eye immovably fixed on a point which
seemed to be a star to him, which never varied, and which was no
other than the corner of the Rue des Filles-du-Calvaire. The nearer he
approached the corner of the street the more his eye lighted up; a sort
of joy illuminated his pupils like an inward aurora, he had a fascinated
and much affected air, his lips indulged in obscure movements, as though
he were talking to some one whom he did not see, he smiled vaguely and
advanced as slowly as possible. One would have said that, while desirous
of reaching his destination, he feared the moment when he should be
close at hand. When only a few houses remained between him and that
street which appeared to attract him his pace slackened, to such a
degree that, at times, one might have thought that he was no longer
advancing at all. The vacillation of his head and the fixity of his
eyeballs suggested the thought of the magnetic needle seeking the pole.
Whatever time he spent on arriving, he was obliged to arrive at last; he
reached the Rue des Filles-du-Calvaire; then he halted, he trembled, he
thrust his head with a sort of melancholy timidity round the corner of
the last house, and gazed into that street, and there was in that tragic
look something which resembled the dazzling light of the impossible,
and the reflection from a paradise that was closed to him. Then a tear,
which had slowly gathered in the corner of his lids, and had become
large enough to fall, trickled down his cheek, and sometimes stopped at
his mouth. The old man tasted its bitter flavor. Thus he remained for
several minutes as though made of stone, then he returned by the same
road and with the same step, and, in proportion as he retreated, his
glance died out.

Little by little, this old man ceased to go as far as the corner of the
Rue des Filles-du-Calvaire; he halted half way in the Rue Saint-Louis;
sometimes a little further off, sometimes a little nearer.

One day he stopped at the corner of the Rue Culture-Sainte-Catherine and
looked at the Rue des Filles-du-Calvaire from a distance. Then he
shook his head slowly from right to left, as though refusing himself
something, and retraced his steps.

Soon he no longer came as far as the Rue Saint-Louis. He got as far as
the Rue Pavee, shook his head and turned back; then he went no
further than the Rue des Trois-Pavillons; then he did not overstep the
Blancs-Manteaux. One would have said that he was a pendulum which was
no longer wound up, and whose oscillations were growing shorter before
ceasing altogether.

Every day he emerged from his house at the same hour, he undertook the
same trip, but he no longer completed it, and, perhaps without
himself being aware of the fact, he constantly shortened it. His whole
countenance expressed this single idea: What is the use?--His eye was
dim; no more radiance. His tears were also exhausted; they no longer
collected in the corner of his eye-lid; that thoughtful eye was dry. The
old man's head was still craned forward; his chin moved at times; the
folds in his gaunt neck were painful to behold. Sometimes, when the
weather was bad, he had an umbrella under his arm, but he never opened
it.

The good women of the quarter said: "He is an innocent." The children
followed him and laughed.




BOOK NINTH.--SUPREME SHADOW, SUPREME DAWN




CHAPTER I--PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY

It is a terrible thing to be happy! How content one is! How
all-sufficient one finds it! How, being in possession of the false
object of life, happiness, one forgets the true object, duty!

Let us say, however, that the reader would do wrong were he to blame
Marius.

Marius, as we have explained, before his marriage, had put no questions
to M. Fauchelevent, and, since that time, he had feared to put any to
Jean Valjean. He had regretted the promise into which he had allowed
himself to be drawn. He had often said to himself that he had done
wrong in making that concession to despair. He had confined himself to
gradually estranging Jean Valjean from his house and to effacing him,
as much as possible, from Cosette's mind. He had, in a manner, always
placed himself between Cosette and Jean Valjean, sure that, in this
way, she would not perceive nor think of the latter. It was more than
effacement, it was an eclipse.

Marius did what he considered necessary and just. He thought that he had
serious reasons which the reader has already seen, and others which will
be seen later on, for getting rid of Jean Valjean without harshness, but
without weakness.

Chance having ordained that he should encounter, in a case which he had
argued, a former employee of the Laffitte establishment, he had acquired
mysterious information, without seeking it, which he had not been
able, it is true, to probe, out of respect for the secret which he had
promised to guard, and out of consideration for Jean Valjean's perilous
position. He believed at that moment that he had a grave duty to
perform: the restitution of the six hundred thousand francs to some
one whom he sought with all possible discretion. In the meanwhile, he
abstained from touching that money.

As for Cosette, she had not been initiated into any of these secrets;
but it would be harsh to condemn her also.

There existed between Marius and her an all-powerful magnetism, which
caused her to do, instinctively and almost mechanically, what Marius
wished. She was conscious of Marius' will in the direction of "Monsieur
Jean," she conformed to it. Her husband had not been obliged to say
anything to her; she yielded to the vague but clear pressure of his
tacit intentions, and obeyed blindly. Her obedience in this instance
consisted in not remembering what Marius forgot. She was not obliged to
make any effort to accomplish this. Without her knowing why herself, and
without his having any cause to accuse her of it, her soul had become
so wholly her husband's that that which was shrouded in gloom in Marius'
mind became overcast in hers.

Let us not go too far, however; in what concerns Jean Valjean, this
forgetfulness and obliteration were merely superficial. She was rather
heedless than forgetful. At bottom, she was sincerely attached to the
man whom she had so long called her father; but she loved her husband
still more dearly. This was what had somewhat disturbed the balance of
her heart, which leaned to one side only.

It sometimes happened that Cosette spoke of Jean Valjean and expressed
her surprise. Then Marius calmed her: "He is absent, I think. Did not
he say that he was setting out on a journey?"--"That is true," thought
Cosette. "He had a habit of disappearing in this fashion. But not for so
long." Two or three times she despatched Nicolette to inquire in the
Rue de l'Homme Arme whether M. Jean had returned from his journey. Jean
Valjean caused the answer "no" to be given.

Cosette asked nothing more, since she had but one need on earth, Marius.

Let us also say that, on their side, Cosette and Marius had also
been absent. They had been to Vernon. Marius had taken Cosette to his
father's grave.

Marius gradually won Cosette away from Jean Valjean. Cosette allowed it.

Moreover that which is called, far too harshly in certain cases, the
ingratitude of children, is not always a thing so deserving of reproach
as it is supposed. It is the ingratitude of nature. Nature, as we have
elsewhere said, "looks before her." Nature divides living beings into
those who are arriving and those who are departing. Those who are
departing are turned towards the shadows, those who are arriving towards
the light. Hence a gulf which is fatal on the part of the old, and
involuntary on the part of the young. This breach, at first insensible,
increases slowly, like all separations of branches. The boughs, without
becoming detached from the trunk, grow away from it. It is no fault of
theirs. Youth goes where there is joy, festivals, vivid lights, love.
Old age goes towards the end. They do not lose sight of each other, but
there is no longer a close connection. Young people feel the cooling
off of life; old people, that of the tomb. Let us not blame these poor
children.




CHAPTER II--LAST FLICKERINGS OF A LAMP WITHOUT OIL

One day, Jean Valjean descended his staircase, took three steps in the
street, seated himself on a post, on that same stone post where Gavroche
had found him meditating on the night between the 5th and the 6th of
June; he remained there a few moments, then went up stairs again. This
was the last oscillation of the pendulum. On the following day he did
not leave his apartment. On the day after that, he did not leave his
bed.

His portress, who prepared his scanty repasts, a few cabbages or
potatoes with bacon, glanced at the brown earthenware plate and
exclaimed:

"But you ate nothing yesterday, poor, dear man!"

"Certainly I did," replied Jean Valjean.

"The plate is quite full."

"Look at the water jug. It is empty."

"That proves that you have drunk; it does not prove that you have
eaten."

"Well," said Jean Valjean, "what if I felt hungry only for water?"

"That is called thirst, and, when one does not eat at the same time, it
is called fever."

"I will eat to-morrow."

"Or at Trinity day. Why not to-day? Is it the thing to say: 'I will eat
to-morrow'? The idea of leaving my platter without even touching it! My
ladyfinger potatoes were so good!"

Jean Valjean took the old woman's hand:

"I promise you that I will eat them," he said, in his benevolent voice.

"I am not pleased with you," replied the portress.

Jean Valjean saw no other human creature than this good woman. There are
streets in Paris through which no one ever passes, and houses to which
no one ever comes. He was in one of those streets and one of those
houses.

While he still went out, he had purchased of a coppersmith, for a few
sous, a little copper crucifix which he had hung up on a nail opposite
his bed. That gibbet is always good to look at.

A week passed, and Jean Valjean had not taken a step in his room. He
still remained in bed. The portress said to her husband:--"The good man
upstairs yonder does not get up, he no longer eats, he will not last
long. That man has his sorrows, that he has. You won't get it out of my
head that his daughter has made a bad marriage."

The porter replied, with the tone of marital sovereignty:

"If he's rich, let him have a doctor. If he is not rich, let him go
without. If he has no doctor he will die."

"And if he has one?"

"He will die," said the porter.

The portress set to scraping away the grass from what she called her
pavement, with an old knife, and, as she tore out the blades, she
grumbled:

"It's a shame. Such a neat old man! He's as white as a chicken."

She caught sight of the doctor of the quarter as he passed the end of
the street; she took it upon herself to request him to come up stairs.

"It's on the second floor," said she. "You have only to enter. As the
good man no longer stirs from his bed, the door is always unlocked."

The doctor saw Jean Valjean and spoke with him.

When he came down again the portress interrogated him:

"Well, doctor?"

"Your sick man is very ill indeed."

"What is the matter with him?"

"Everything and nothing. He is a man who, to all appearances, has lost
some person who is dear to him. People die of that."

"What did he say to you?"

"He told me that he was in good health."

"Shall you come again, doctor?"

"Yes," replied the doctor. "But some one else besides must come."




CHAPTER III--A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT'S
CART

One evening Jean Valjean found difficulty in raising himself on his
elbow; he felt of his wrist and could not find his pulse; his breath
was short and halted at times; he recognized the fact that he was weaker
than he had ever been before. Then, no doubt under the pressure of some
supreme preoccupation, he made an effort, drew himself up into a sitting
posture and dressed himself. He put on his old workingman's clothes. As
he no longer went out, he had returned to them and preferred them. He
was obliged to pause many times while dressing himself; merely putting
his arms through his waistcoat made the perspiration trickle from his
forehead.

Since he had been alone, he had placed his bed in the antechamber, in
order to inhabit that deserted apartment as little as possible.

He opened the valise and drew from it Cosette's outfit.

He spread it out on his bed.

The Bishop's candlesticks were in their place on the chimney-piece. He
took from a drawer two wax candles and put them in the candlesticks.
Then, although it was still broad daylight,--it was summer,--he lighted
them. In the same way candles are to be seen lighted in broad daylight
in chambers where there is a corpse.

Every step that he took in going from one piece of furniture to another
exhausted him, and he was obliged to sit down. It was not ordinary
fatigue which expends the strength only to renew it; it was the remnant
of all movement possible to him, it was life drained which flows away
drop by drop in overwhelming efforts and which will never be renewed.

The chair into which he allowed himself to fall was placed in front of
that mirror, so fatal for him, so providential for Marius, in which
he had read Cosette's reversed writing on the blotting book. He caught
sight of himself in this mirror, and did not recognize himself. He was
eighty years old; before Marius' marriage, he would have hardly been
taken for fifty; that year had counted for thirty. What he bore on his
brow was no longer the wrinkles of age, it was the mysterious mark of
death. The hollowing of that pitiless nail could be felt there. His
cheeks were pendulous; the skin of his face had the color which would
lead one to think that it already had earth upon it; the corners of his
mouth drooped as in the mask which the ancients sculptured on tombs. He
gazed into space with an air of reproach; one would have said that he
was one of those grand tragic beings who have cause to complain of some
one.

He was in that condition, the last phase of dejection, in which sorrow
no longer flows; it is coagulated, so to speak; there is something on
the soul like a clot of despair.

Night had come. He laboriously dragged a table and the old arm-chair to
the fireside, and placed upon the table a pen, some ink and some paper.

That done, he had a fainting fit. When he recovered consciousness, he
was thirsty. As he could not lift the jug, he tipped it over painfully
towards his mouth, and swallowed a draught.

As neither the pen nor the ink had been used for a long time, the point
of the pen had curled up, the ink had dried away, he was forced to rise
and put a few drops of water in the ink, which he did not accomplish
without pausing and sitting down two or three times, and he was
compelled to write with the back of the pen. He wiped his brow from time
to time.

Then he turned towards the bed, and, still seated, for he could not
stand, he gazed at the little black gown and all those beloved objects.

These contemplations lasted for hours which seemed minutes.

All at once he shivered, he felt that a child was taking possession of
him; he rested his elbows on the table, which was illuminated by the
Bishop's candles and took up the pen. His hand trembled. He wrote slowly
the few following lines:

"Cosette, I bless thee. I am going to explain to thee. Thy husband was
right in giving me to understand that I ought to go away; but there is
a little error in what he believed, though he was in the right. He is
excellent. Love him well even after I am dead. Monsieur Pontmercy, love
my darling child well. Cosette, this paper will be found; this is what
I wish to say to thee, thou wilt see the figures, if I have the strength
to recall them, listen well, this money is really thine. Here is the
whole matter: White jet comes from Norway, black jet comes from England,
black glass jewellery comes from Germany. Jet is the lightest, the most
precious, the most costly. Imitations can be made in France as well as
in Germany. What is needed is a little anvil two inches square, and a
lamp burning spirits of wine to soften the wax. The wax was formerly
made with resin and lampblack, and cost four livres the pound. I
invented a way of making it with gum shellac and turpentine. It does not
cost more than thirty sous, and is much better. Buckles are made with
a violet glass which is stuck fast, by means of this wax, to a little
framework of black iron. The glass must be violet for iron jewellery,
and black for gold jewellery. Spain buys a great deal of it. It is the
country of jet . . ."

Here he paused, the pen fell from his fingers, he was seized by one of
those sobs which at times welled up from the very depths of his being;
the poor man clasped his head in both hands, and meditated.

"Oh!" he exclaimed within himself [lamentable cries, heard by God
alone], "all is over. I shall never see her more. She is a smile which
passed over me. I am about to plunge into the night without even seeing
her again. Oh! one minute, one instant, to hear her voice, to touch her
dress, to gaze upon her, upon her, the angel! and then to die! It is
nothing to die, what is frightful is to die without seeing her. She
would smile on me, she would say a word to me, would that do any harm to
any one? No, all is over, and forever. Here I am all alone. My God! My
God! I shall never see her again!" At that moment there came a knock at
the door.




CHAPTER IV--A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING

That same day, or to speak more accurately, that same evening, as Marius
left the table, and was on the point of withdrawing to his study, having
a case to look over, Basque handed him a letter saying: "The person who
wrote the letter is in the antechamber."

Cosette had taken the grandfather's arm and was strolling in the garden.

A letter, like a man, may have an unprepossessing exterior. Coarse
paper, coarsely folded--the very sight of certain missives is
displeasing.

The letter which Basque had brought was of this sort.

Marius took it. It smelled of tobacco. Nothing evokes a memory like an
odor. Marius recognized that tobacco. He looked at the superscription:
"To Monsieur, Monsieur le Baron Pommerci. At his hotel." The recognition
of the tobacco caused him to recognize the writing as well. It may be
said that amazement has its lightning flashes.

Marius was, as it were, illuminated by one of these flashes.

The sense of smell, that mysterious aid to memory, had just revived a
whole world within him. This was certainly the paper, the fashion
of folding, the dull tint of ink; it was certainly the well-known
handwriting, especially was it the same tobacco.

The Jondrette garret rose before his mind.

Thus, strange freak of chance! one of the two scents which he had so
diligently sought, the one in connection with which he had lately again
exerted so many efforts and which he supposed to be forever lost, had
come and presented itself to him of its own accord.

He eagerly broke the seal, and read:


 "Monsieur le Baron:--If the Supreme Being had given me the talents,
 I might have been baron Thenard, member of the Institute [academy
 of ciences], but I am not.  I only bear the same as him, happy if
 this memory recommends me to the eccellence of your kindnesses.
 The benefit with which you will honor me will be reciprocle.
 I am in possession of a secret concerning an individual.
 This individual concerns you.  I hold the secret at your disposal
 desiring to have the honor to be huseful to you.  I will furnish
 you with the simple means of driving from your honorabel family
 that individual who has no right there, madame la baronne being
 of lofty birth.  The sanctuary of virtue cannot cohabit longer
 with crime without abdicating.

 "I awate in the entichamber the orders of monsieur le baron.

                                               "With respect."


The letter was signed "Thenard."

This signature was not false. It was merely a trifle abridged.

Moreover, the rigmarole and the orthography completed the revelation.
The certificate of origin was complete.

Marius' emotion was profound. After a start of surprise, he underwent a
feeling of happiness. If he could now but find that other man of whom he
was in search, the man who had saved him, Marius, there would be nothing
left for him to desire.

He opened the drawer of his secretary, took out several bank-notes,
put them in his pocket, closed the secretary again, and rang the bell.
Basque half opened the door.

"Show the man in," said Marius.

Basque announced:

"Monsieur Thenard."

A man entered.

A fresh surprise for Marius. The man who entered was an utter stranger
to him.

This man, who was old, moreover, had a thick nose, his chin swathed in a
cravat, green spectacles with a double screen of green taffeta over his
eyes, and his hair was plastered and flattened down on his brow on
a level with his eyebrows like the wigs of English coachmen in "high
life." His hair was gray. He was dressed in black from head to foot, in
garments that were very threadbare but clean; a bunch of seals depending
from his fob suggested the idea of a watch. He held in his hand an old
hat! He walked in a bent attitude, and the curve in his spine augmented
the profundity of his bow.

The first thing that struck the observer was, that this personage's
coat, which was too ample although carefully buttoned, had not been made
for him.

Here a short digression becomes necessary.

There was in Paris at that epoch, in a low-lived old lodging in the Rue
Beautreillis, near the Arsenal, an ingenious Jew whose profession was
to change villains into honest men. Not for too long, which might have
proved embarrassing for the villain. The change was on sight, for a day
or two, at the rate of thirty sous a day, by means of a costume which
resembled the honesty of the world in general as nearly as possible.
This costumer was called "the Changer"; the pickpockets of Paris
had given him this name and knew him by no other. He had a tolerably
complete wardrobe. The rags with which he tricked out people were almost
probable. He had specialties and categories; on each nail of his
shop hung a social status, threadbare and worn; here the suit of a
magistrate, there the outfit of a Cure, beyond the outfit of a banker,
in one corner the costume of a retired military man, elsewhere
the habiliments of a man of letters, and further on the dress of a
statesman.

This creature was the costumer of the immense drama which knavery plays
in Paris. His lair was the green-room whence theft emerged, and into
which roguery retreated. A tattered knave arrived at this dressing-room,
deposited his thirty sous and selected, according to the part which
he wished to play, the costume which suited him, and on descending the
stairs once more, the knave was a somebody. On the following day, the
clothes were faithfully returned, and the Changer, who trusted the
thieves with everything, was never robbed. There was one inconvenience
about these clothes, they "did not fit"; not having been made for those
who wore them, they were too tight for one, too loose for another and
did not adjust themselves to any one. Every pickpocket who exceeded or
fell short of the human average was ill at his ease in the Changer's
costumes. It was necessary that one should not be either too fat or
too lean. The changer had foreseen only ordinary men. He had taken the
measure of the species from the first rascal who came to hand, who is
neither stout nor thin, neither tall nor short. Hence adaptations which
were sometimes difficult and from which the Changer's clients extricated
themselves as best they might. So much the worse for the exceptions!
The suit of the statesman, for instance, black from head to foot, and
consequently proper, would have been too large for Pitt and too small
for Castelcicala. The costume of a statesman was designated as follows
in the Changer's catalogue; we copy:

"A coat of black cloth, trowsers of black wool, a silk waistcoat, boots
and linen." On the margin there stood: ex-ambassador, and a note
which we also copy: "In a separate box, a neatly frizzed peruke, green
glasses, seals, and two small quills an inch long, wrapped in cotton."
All this belonged to the statesman, the ex-ambassador. This whole
costume was, if we may so express ourselves, debilitated; the seams were
white, a vague button-hole yawned at one of the elbows; moreover, one of
the coat buttons was missing on the breast; but this was only detail; as
the hand of the statesman should always be thrust into his coat and laid
upon his heart, its function was to conceal the absent button.

If Marius had been familiar with the occult institutions of Paris, he
would instantly have recognized upon the back of the visitor whom
Basque had just shown in, the statesman's suit borrowed from the
pick-me-down-that shop of the Changer.

Marius' disappointment on beholding another man than the one whom he
expected to see turned to the newcomer's disadvantage.

He surveyed him from head to foot, while that personage made exaggerated
bows, and demanded in a curt tone:

"What do you want?"

The man replied with an amiable grin of which the caressing smile of a
crocodile will furnish some idea:

"It seems to me impossible that I should not have already had the honor
of seeing Monsieur le Baron in society. I think I actually did meet
monsieur personally, several years ago, at the house of Madame la
Princesse Bagration and in the drawing-rooms of his Lordship the Vicomte
Dambray, peer of France."

It is always a good bit of tactics in knavery to pretend to recognize
some one whom one does not know.

Marius paid attention to the manner of this man's speech. He spied
on his accent and gesture, but his disappointment increased; the
pronunciation was nasal and absolutely unlike the dry, shrill tone which
he had expected.

He was utterly routed.

"I know neither Madame Bagration nor M. Dambray," said he. "I have never
set foot in the house of either of them in my life."

The reply was ungracious. The personage, determined to be gracious at
any cost, insisted.

"Then it must have been at Chateaubriand's that I have seen Monsieur! I
know Chateaubriand very well. He is very affable. He sometimes says to
me: 'Thenard, my friend . . . won't you drink a glass of wine with me?'"

Marius' brow grew more and more severe:

"I have never had the honor of being received by M. de Chateaubriand.
Let us cut it short. What do you want?"

The man bowed lower at that harsh voice.

"Monsieur le Baron, deign to listen to me. There is in America, in a
district near Panama, a village called la Joya. That village is composed
of a single house, a large, square house of three stories, built of
bricks dried in the sun, each side of the square five hundred feet in
length, each story retreating twelve feet back of the story below, in
such a manner as to leave in front a terrace which makes the circuit
of the edifice, in the centre an inner court where the provisions and
munitions are kept; no windows, loopholes, no doors, ladders, ladders
to mount from the ground to the first terrace, and from the first to the
second, and from the second to the third, ladders to descend into the
inner court, no doors to the chambers, trap-doors, no staircases to the
chambers, ladders; in the evening the traps are closed, the ladders
are withdrawn carbines and blunderbusses trained from the loopholes;
no means of entering, a house by day, a citadel by night, eight hundred
inhabitants,--that is the village. Why so many precautions? because the
country is dangerous; it is full of cannibals. Then why do people go
there? because the country is marvellous; gold is found there."

"What are you driving at?" interrupted Marius, who had passed from
disappointment to impatience.

"At this, Monsieur le Baron. I am an old and weary diplomat. Ancient
civilization has thrown me on my own devices. I want to try savages."

"Well?"

"Monsieur le Baron, egotism is the law of the world. The proletarian
peasant woman, who toils by the day, turns round when the diligence
passes by, the peasant proprietress, who toils in her field, does not
turn round. The dog of the poor man barks at the rich man, the dog
of the rich man barks at the poor man. Each one for himself.
Self-interest--that's the object of men. Gold, that's the loadstone."

"What then? Finish."

"I should like to go and establish myself at la Joya. There are three
of us. I have my spouse and my young lady; a very beautiful girl. The
journey is long and costly. I need a little money."

"What concern is that of mine?" demanded Marius.

The stranger stretched his neck out of his cravat, a gesture
characteristic of the vulture, and replied with an augmented smile.

"Has not Monsieur le Baron perused my letter?"

There was some truth in this. The fact is, that the contents of the
epistle had slipped Marius' mind. He had seen the writing rather than
read the letter. He could hardly recall it. But a moment ago a fresh
start had been given him. He had noted that detail: "my spouse and my
young lady."

He fixed a penetrating glance on the stranger. An examining judge could
not have done the look better. He almost lay in wait for him.

He confined himself to replying:

"State the case precisely."

The stranger inserted his two hands in both his fobs, drew himself up
without straightening his dorsal column, but scrutinizing Marius in his
turn, with the green gaze of his spectacles.

"So be it, Monsieur le Baron. I will be precise. I have a secret to sell
to you."

"A secret?"

"A secret."

"Which concerns me?"

"Somewhat."

"What is the secret?"

Marius scrutinized the man more and more as he listened to him.

"I commence gratis," said the stranger. "You will see that I am
interesting."

"Speak."

"Monsieur le Baron, you have in your house a thief and an assassin."

Marius shuddered.

"In my house? no," said he.

The imperturbable stranger brushed his hat with his elbow and went on:

"An assassin and a thief. Remark, Monsieur le Baron, that I do not here
speak of ancient deeds, deeds of the past which have lapsed, which can
be effaced by limitation before the law and by repentance before God.
I speak of recent deeds, of actual facts as still unknown to justice
at this hour. I continue. This man has insinuated himself into your
confidence, and almost into your family under a false name. I am about
to tell you his real name. And to tell it to you for nothing."

"I am listening."

"His name is Jean Valjean."

"I know it."

"I am going to tell you, equally for nothing, who he is."

"Say on."

"He is an ex-convict."

"I know it."

"You know it since I have had the honor of telling you."

"No. I knew it before."

Marius' cold tone, that double reply of "I know it," his laconicism,
which was not favorable to dialogue, stirred up some smouldering wrath
in the stranger. He launched a furious glance on the sly at Marius,
which was instantly extinguished. Rapid as it was, this glance was of
the kind which a man recognizes when he has once beheld it; it did not
escape Marius. Certain flashes can only proceed from certain souls;
the eye, that vent-hole of the thought, glows with it; spectacles hide
nothing; try putting a pane of glass over hell!

The stranger resumed with a smile:

"I will not permit myself to contradict Monsieur le Baron. In any case,
you ought to perceive that I am well informed. Now what I have to tell
you is known to myself alone. This concerns the fortune of Madame la
Baronne. It is an extraordinary secret. It is for sale--I make you the
first offer of it. Cheap. Twenty thousand francs."

"I know that secret as well as the others," said Marius.

The personage felt the necessity of lowering his price a trifle.

"Monsieur le Baron, say ten thousand francs and I will speak."

"I repeat to you that there is nothing which you can tell me. I know
what you wish to say to me."

A fresh flash gleamed in the man's eye. He exclaimed:

"But I must dine to-day, nevertheless. It is an extraordinary secret,
I tell you. Monsieur le Baron, I will speak. I speak. Give me twenty
francs."

Marius gazed intently at him:

"I know your extraordinary secret, just as I knew Jean Valjean's name,
just as I know your name."

"My name?"

"Yes."

"That is not difficult, Monsieur le Baron. I had the honor to write to
you and to tell it to you. Thenard."

"--Dier."

"Hey?"

"Thenardier."

"Who's that?"

In danger the porcupine bristles up, the beetle feigns death, the old
guard forms in a square; this man burst into laughter.

Then he flicked a grain of dust from the sleeve of his coat with a
fillip.

Marius continued:

"You are also Jondrette the workman, Fabantou the comedian, Genflot the
poet, Don Alvares the Spaniard, and Mistress Balizard."

"Mistress what?"

"And you kept a pot-house at Montfermeil."

"A pot-house! Never."

"And I tell you that your name is Thenardier."

"I deny it."

"And that you are a rascal. Here."

And Marius drew a bank-note from his pocket and flung it in his face.

"Thanks! Pardon me! five hundred francs! Monsieur le Baron!"

And the man, overcome, bowed, seized the note and examined it.

"Five hundred francs!" he began again, taken aback. And he stammered in
a low voice: "An honest rustler."[69]

Then brusquely:

"Well, so be it!" he exclaimed. "Let us put ourselves at our ease."

And with the agility of a monkey, flinging back his hair, tearing off
his spectacles, and withdrawing from his nose by sleight of hand the two
quills of which mention was recently made, and which the reader has also
met with on another page of this book, he took off his face as the man
takes off his hat.

His eye lighted up; his uneven brow, with hollows in some places and
bumps in others, hideously wrinkled at the top, was laid bare, his nose
had become as sharp as a beak; the fierce and sagacious profile of the
man of prey reappeared.

"Monsieur le Baron is infallible," he said in a clear voice whence all
nasal twang had disappeared, "I am Thenardier."

And he straightened up his crooked back.

Thenardier, for it was really he, was strangely surprised; he would have
been troubled, had he been capable of such a thing. He had come to bring
astonishment, and it was he who had received it. This humiliation had
been worth five hundred francs to him, and, taking it all in all, he
accepted it; but he was none the less bewildered.

He beheld this Baron Pontmercy for the first time, and, in spite of
his disguise, this Baron Pontmercy recognized him, and recognized
him thoroughly. And not only was this Baron perfectly informed as to
Thenardier, but he seemed well posted as to Jean Valjean. Who was this
almost beardless young man, who was so glacial and so generous, who knew
people's names, who knew all their names, and who opened his purse to
them, who bullied rascals like a judge, and who paid them like a dupe?

Thenardier, the reader will remember, although he had been Marius'
neighbor, had never seen him, which is not unusual in Paris; he had
formerly, in a vague way, heard his daughters talk of a very poor young
man named Marius who lived in the house. He had written to him, without
knowing him, the letter with which the reader is acquainted.

No connection between that Marius and M. le Baron Pontmercy was possible
in his mind.

As for the name Pontmercy, it will be recalled that, on the battlefield
of Waterloo, he had only heard the last two syllables, for which he
always entertained the legitimate scorn which one owes to what is merely
an expression of thanks.

However, through his daughter Azelma, who had started on the scent of
the married pair on the 16th of February, and through his own personal
researches, he had succeeded in learning many things, and, from the
depths of his own gloom, he had contrived to grasp more than one
mysterious clew. He had discovered, by dint of industry, or, at least,
by dint of induction, he had guessed who the man was whom he had
encountered on a certain day in the Grand Sewer. From the man he had
easily reached the name. He knew that Madame la Baronne Pontmercy was
Cosette. But he meant to be discreet in that quarter.

Who was Cosette? He did not know exactly himself. He did, indeed, catch
an inkling of illegitimacy, the history of Fantine had always seemed to
him equivocal; but what was the use of talking about that? in order to
cause himself to be paid for his silence? He had, or thought he had,
better wares than that for sale. And, according to all appearances, if
he were to come and make to the Baron Pontmercy this revelation--and
without proof: "Your wife is a bastard," the only result would be to
attract the boot of the husband towards the loins of the revealer.

From Thenardier's point of view, the conversation with Marius had not
yet begun. He ought to have drawn back, to have modified his strategy,
to have abandoned his position, to have changed his front; but nothing
essential had been compromised as yet, and he had five hundred francs
in his pocket. Moreover, he had something decisive to say, and, even
against this very well-informed and well-armed Baron Pontmercy, he felt
himself strong. For men of Thenardier's nature, every dialogue is
a combat. In the one in which he was about to engage, what was his
situation? He did not know to whom he was speaking, but he did know of
what he was speaking, he made this rapid review of his inner forces, and
after having said: "I am Thenardier," he waited.

Marius had become thoughtful. So he had hold of Thenardier at last.
That man whom he had so greatly desired to find was before him. He could
honor Colonel Pontmercy's recommendation.

He felt humiliated that that hero should have owned anything to this
villain, and that the letter of change drawn from the depths of the tomb
by his father upon him, Marius, had been protested up to that day. It
also seemed to him, in the complex state of his mind towards Thenardier,
that there was occasion to avenge the Colonel for the misfortune of
having been saved by such a rascal. In any case, he was content. He
was about to deliver the Colonel's shade from this unworthy creditor
at last, and it seemed to him that he was on the point of rescuing his
father's memory from the debtors' prison. By the side of this duty there
was another--to elucidate, if possible, the source of Cosette's fortune.
The opportunity appeared to present itself. Perhaps Thenardier knew
something. It might prove useful to see the bottom of this man.

He commenced with this.

Thenardier had caused the "honest rustler" to disappear in his fob, and
was gazing at Marius with a gentleness that was almost tender.

Marius broke the silence.

"Thenardier, I have told you your name. Now, would you like to have me
tell you your secret--the one that you came here to reveal to me? I have
information of my own, also. You shall see that I know more about it
than you do. Jean Valjean, as you have said, is an assassin and a thief.
A thief, because he robbed a wealthy manufacturer, whose ruin he brought
about. An assassin, because he assassinated police-agent Javert."

"I don't understand, sir," ejaculated Thenardier.

"I will make myself intelligible. In a certain arrondissement of the Pas
de Calais, there was, in 1822, a man who had fallen out with justice,
and who, under the name of M. Madeleine, had regained his status and
rehabilitated himself. This man had become a just man in the full force
of the term. In a trade, the manufacture of black glass goods, he
made the fortune of an entire city. As far as his personal fortune was
concerned he made that also, but as a secondary matter, and in some
sort, by accident. He was the foster-father of the poor. He founded
hospitals, opened schools, visited the sick, dowered young girls,
supported widows, and adopted orphans; he was like the guardian angel of
the country. He refused the cross, he was appointed Mayor. A liberated
convict knew the secret of a penalty incurred by this man in former
days; he denounced him, and had him arrested, and profited by the arrest
to come to Paris and cause the banker Laffitte,--I have the fact from
the cashier himself,--by means of a false signature, to hand over to
him the sum of over half a million which belonged to M. Madeleine. This
convict who robbed M. Madeleine was Jean Valjean. As for the other fact,
you have nothing to tell me about it either. Jean Valjean killed the
agent Javert; he shot him with a pistol. I, the person who is speaking
to you, was present."

Thenardier cast upon Marius the sovereign glance of a conquered man who
lays his hand once more upon the victory, and who has just regained, in
one instant, all the ground which he has lost. But the smile returned
instantly. The inferior's triumph in the presence of his superior must
be wheedling.

Thenardier contented himself with saying to Marius:

"Monsieur le Baron, we are on the wrong track."

And he emphasized this phrase by making his bunch of seals execute an
expressive whirl.

"What!" broke forth Marius, "do you dispute that? These are facts."

"They are chimeras. The confidence with which Monsieur le Baron honors
me renders it my duty to tell him so. Truth and justice before all
things. I do not like to see folks accused unjustly. Monsieur le Baron,
Jean Valjean did not rob M. Madeleine and Jean Valjean did not kill
Javert."

"This is too much! How is this?"

"For two reasons."

"What are they? Speak."

"This is the first: he did not rob M. Madeleine, because it is Jean
Valjean himself who was M. Madeleine."

"What tale are you telling me?"

"And this is the second: he did not assassinate Javert, because the
person who killed Javert was Javert."

"What do you mean to say?"

"That Javert committed suicide."

"Prove it! prove it!" cried Marius beside himself.

Thenardier resumed, scanning his phrase after the manner of the ancient
Alexandrine measure:


"Police-agent-Ja-vert-was-found-drowned-un-der-a-boat-of-the-Pont-au-Change."

"But prove it!"

Thenardier drew from his pocket a large envelope of gray paper, which
seemed to contain sheets folded in different sizes.

"I have my papers," he said calmly.

And he added:

"Monsieur le Baron, in your interests I desired to know Jean Valjean
thoroughly. I say that Jean Valjean and M. Madeleine are one and the
same man, and I say that Javert had no other assassin than Javert. If
I speak, it is because I have proofs. Not manuscript proofs--writing is
suspicious, handwriting is complaisant,--but printed proofs."

As he spoke, Thenardier extracted from the envelope two copies of
newspapers, yellow, faded, and strongly saturated with tobacco. One of
these two newspapers, broken at every fold and falling into rags, seemed
much older than the other.

"Two facts, two proofs," remarked Thenardier. And he offered the two
newspapers, unfolded, to Marius.

The reader is acquainted with these two papers. One, the most ancient, a
number of the Drapeau Blanc of the 25th of July, 1823, the text of
which can be seen in the first volume, established the identity of M.
Madeleine and Jean Valjean.

The other, a Moniteur of the 15th of June, 1832, announced the suicide
of Javert, adding that it appeared from a verbal report of Javert to the
prefect that, having been taken prisoner in the barricade of the Rue de
la Chanvrerie, he had owed his life to the magnanimity of an insurgent
who, holding him under his pistol, had fired into the air, instead of
blowing out his brains.

Marius read. He had evidence, a certain date, irrefragable proof, these
two newspapers had not been printed expressly for the purpose of backing
up Thenardier's statements; the note printed in the Moniteur had been an
administrative communication from the Prefecture of Police. Marius could
not doubt.

The information of the cashier-clerk had been false, and he himself had
been deceived.

Jean Valjean, who had suddenly grown grand, emerged from his cloud.
Marius could not repress a cry of joy.

"Well, then this unhappy wretch is an admirable man! the whole of that
fortune really belonged to him! he is Madeleine, the providence of a
whole countryside! he is Jean Valjean, Javert's savior! he is a hero! he
is a saint!"

"He's not a saint, and he's not a hero!" said Thenardier. "He's an
assassin and a robber."

And he added, in the tone of a man who begins to feel that he possesses
some authority:

"Let us be calm."

Robber, assassin--those words which Marius thought had disappeared and
which returned, fell upon him like an ice-cold shower-bath.

"Again!" said he.

"Always," ejaculated Thenardier. "Jean Valjean did not rob Madeleine,
but he is a thief. He did not kill Javert, but he is a murderer."

"Will you speak," retorted Marius, "of that miserable theft, committed
forty years ago, and expiated, as your own newspapers prove, by a whole
life of repentance, of self-abnegation and of virtue?"

"I say assassination and theft, Monsieur le Baron, and I repeat that I
am speaking of actual facts. What I have to reveal to you is absolutely
unknown. It belongs to unpublished matter. And perhaps you will find in
it the source of the fortune so skilfully presented to Madame la Baronne
by Jean Valjean. I say skilfully, because, by a gift of that nature it
would not be so very unskilful to slip into an honorable house whose
comforts one would then share, and, at the same stroke, to conceal one's
crime, and to enjoy one's theft, to bury one's name and to create for
oneself a family."

"I might interrupt you at this point," said Marius, "but go on."

"Monsieur le Baron, I will tell you all, leaving the recompense to your
generosity. This secret is worth massive gold. You will say to me: 'Why
do not you apply to Jean Valjean?' For a very simple reason; I know
that he has stripped himself, and stripped himself in your favor, and I
consider the combination ingenious; but he has no longer a son, he would
show me his empty hands, and, since I am in need of some money for
my trip to la Joya, I prefer you, you who have it all, to him who has
nothing. I am a little fatigued, permit me to take a chair."

Marius seated himself and motioned to him to do the same.

Thenardier installed himself on a tufted chair, picked up his two
newspapers, thrust them back into their envelope, and murmured as he
pecked at the Drapeau Blanc with his nail: "It cost me a good deal of
trouble to get this one."

That done he crossed his legs and stretched himself out on the back of
the chair, an attitude characteristic of people who are sure of what
they are saying, then he entered upon his subject gravely, emphasizing
his words:

"Monsieur le Baron, on the 6th of June, 1832, about a year ago, on the
day of the insurrection, a man was in the Grand Sewer of Paris, at the
point where the sewer enters the Seine, between the Pont des Invalides
and the Pont de Jena."

Marius abruptly drew his chair closer to that of Thenardier. Thenardier
noticed this movement and continued with the deliberation of an orator
who holds his interlocutor and who feels his adversary palpitating under
his words:

"This man, forced to conceal himself, and for reasons, moreover, which
are foreign to politics, had adopted the sewer as his domicile and had
a key to it. It was, I repeat, on the 6th of June; it might have been
eight o'clock in the evening. The man hears a noise in the sewer.
Greatly surprised, he hides himself and lies in wait. It was the sound
of footsteps, some one was walking in the dark, and coming in his
direction. Strange to say, there was another man in the sewer besides
himself. The grating of the outlet from the sewer was not far off.
A little light which fell through it permitted him to recognize the
newcomer, and to see that the man was carrying something on his back.
He was walking in a bent attitude. The man who was walking in a bent
attitude was an ex-convict, and what he was dragging on his shoulders
was a corpse. Assassination caught in the very act, if ever there was
such a thing. As for the theft, that is understood; one does not kill
a man gratis. This convict was on his way to fling the body into the
river. One fact is to be noticed, that before reaching the exit
grating, this convict, who had come a long distance in the sewer, must,
necessarily, have encountered a frightful quagmire where it seems as
though he might have left the body, but the sewermen would have found
the assassinated man the very next day, while at work on the quagmire,
and that did not suit the assassin's plans. He had preferred to
traverse that quagmire with his burden, and his exertions must have been
terrible, for it is impossible to risk one's life more completely; I
don't understand how he could have come out of that alive."

Marius' chair approached still nearer. Thenardier took advantage of this
to draw a long breath. He went on:

"Monsieur le Baron, a sewer is not the Champ de Mars. One lacks
everything there, even room. When two men are there, they must meet.
That is what happened. The man domiciled there and the passer-by were
forced to bid each other good-day, greatly to the regret of both. The
passer-by said to the inhabitant:--"You see what I have on my back, I
must get out, you have the key, give it to me." That convict was a man
of terrible strength. There was no way of refusing. Nevertheless, the
man who had the key parleyed, simply to gain time. He examined the dead
man, but he could see nothing, except that the latter was young, well
dressed, with the air of being rich, and all disfigured with blood.
While talking, the man contrived to tear and pull off behind, without
the assassin perceiving it, a bit of the assassinated man's coat. A
document for conviction, you understand; a means of recovering the trace
of things and of bringing home the crime to the criminal. He put
this document for conviction in his pocket. After which he opened the
grating, made the man go out with his embarrassment on his back, closed
the grating again, and ran off, not caring to be mixed up with the
remainder of the adventure and above all, not wishing to be present
when the assassin threw the assassinated man into the river. Now you
comprehend. The man who was carrying the corpse was Jean Valjean; the
one who had the key is speaking to you at this moment; and the piece of
the coat . . ."

Thenardier completed his phrase by drawing from his pocket, and holding,
on a level with his eyes, nipped between his two thumbs and his two
forefingers, a strip of torn black cloth, all covered with dark spots.

Marius had sprung to his feet, pale, hardly able to draw his breath,
with his eyes riveted on the fragment of black cloth, and, without
uttering a word, without taking his eyes from that fragment, he
retreated to the wall and fumbled with his right hand along the wall for
a key which was in the lock of a cupboard near the chimney.

He found the key, opened the cupboard, plunged his arm into it without
looking, and without his frightened gaze quitting the rag which
Thenardier still held outspread.

But Thenardier continued:

"Monsieur le Baron, I have the strongest of reasons for believing that
the assassinated young man was an opulent stranger lured into a trap by
Jean Valjean, and the bearer of an enormous sum of money."

"The young man was myself, and here is the coat!" cried Marius, and he
flung upon the floor an old black coat all covered with blood.

Then, snatching the fragment from the hands of Thenardier, he crouched
down over the coat, and laid the torn morsel against the tattered skirt.
The rent fitted exactly, and the strip completed the coat.

Thenardier was petrified.

This is what he thought: "I'm struck all of a heap."

Marius rose to his feet trembling, despairing, radiant.

He fumbled in his pocket and stalked furiously to Thenardier, presenting
to him and almost thrusting in his face his fist filled with bank-notes
for five hundred and a thousand francs.

"You are an infamous wretch! you are a liar, a calumniator, a villain.
You came to accuse that man, you have only justified him; you wanted to
ruin him, you have only succeeded in glorifying him. And it is you who
are the thief! And it is you who are the assassin! I saw you, Thenardier
Jondrette, in that lair on the Rue de l'Hopital. I know enough about
you to send you to the galleys and even further if I choose. Here are a
thousand francs, bully that you are!"

And he flung a thousand franc note at Thenardier.

"Ah! Jondrette Thenardier, vile rascal! Let this serve you as a lesson,
you dealer in second-hand secrets, merchant of mysteries, rummager of
the shadows, wretch! Take these five hundred francs and get out of here!
Waterloo protects you."

"Waterloo!" growled Thenardier, pocketing the five hundred francs along
with the thousand.

"Yes, assassin! You there saved the life of a Colonel. . ."

"Of a General," said Thenardier, elevating his head.

"Of a Colonel!" repeated Marius in a rage. "I wouldn't give a ha'penny
for a general. And you come here to commit infamies! I tell you that
you have committed all crimes. Go! disappear! Only be happy, that is all
that I desire. Ah! monster! here are three thousand francs more. Take
them. You will depart to-morrow, for America, with your daughter;
for your wife is dead, you abominable liar. I shall watch over your
departure, you ruffian, and at that moment I will count out to you
twenty thousand francs. Go get yourself hung elsewhere!"

"Monsieur le Baron!" replied Thenardier, bowing to the very earth,
"eternal gratitude." And Thenardier left the room, understanding
nothing, stupefied and delighted with this sweet crushing beneath sacks
of gold, and with that thunder which had burst forth over his head in
bank-bills.

Struck by lightning he was, but he was also content; and he would
have been greatly angered had he had a lightning rod to ward off such
lightning as that.

Let us finish with this man at once.

Two days after the events which we are at this moment narrating, he set
out, thanks to Marius' care, for America under a false name, with his
daughter Azelma, furnished with a draft on New York for twenty thousand
francs.

The moral wretchedness of Thenardier, the bourgeois who had missed
his vocation, was irremediable. He was in America what he had been in
Europe. Contact with an evil man sometimes suffices to corrupt a good
action and to cause evil things to spring from it. With Marius' money,
Thenardier set up as a slave-dealer.

As soon as Thenardier had left the house, Marius rushed to the garden,
where Cosette was still walking.

"Cosette! Cosette!" he cried. "Come! come quick! Let us go. Basque, a
carriage! Cosette, come. Ah! My God! It was he who saved my life! Let us
not lose a minute! Put on your shawl."

Cosette thought him mad and obeyed.

He could not breathe, he laid his hand on his heart to restrain its
throbbing. He paced back and forth with huge strides, he embraced
Cosette:

"Ah! Cosette! I am an unhappy wretch!" said he.

Marius was bewildered. He began to catch a glimpse in Jean Valjean of
some indescribably lofty and melancholy figure. An unheard-of virtue,
supreme and sweet, humble in its immensity, appeared to him. The convict
was transfigured into Christ.

Marius was dazzled by this prodigy. He did not know precisely what he
beheld, but it was grand.

In an instant, a hackney-carriage stood in front of the door.

Marius helped Cosette in and darted in himself.

"Driver," said he, "Rue de l'Homme Arme, Number 7."

The carriage drove off.

"Ah! what happiness!" ejaculated Cosette. "Rue de l'Homme Arme, I did
not dare to speak to you of that. We are going to see M. Jean."

"Thy father! Cosette, thy father more than ever. Cosette, I guess it.
You told me that you had never received the letter that I sent you by
Gavroche. It must have fallen into his hands. Cosette, he went to the
barricade to save me. As it is a necessity with him to be an angel, he
saved others also; he saved Javert. He rescued me from that gulf to give
me to you. He carried me on his back through that frightful sewer. Ah! I
am a monster of ingratitude. Cosette, after having been your providence,
he became mine. Just imagine, there was a terrible quagmire enough to
drown one a hundred times over, to drown one in mire. Cosette! he made
me traverse it. I was unconscious; I saw nothing, I heard nothing, I
could know nothing of my own adventure. We are going to bring him back,
to take him with us, whether he is willing or not, he shall never leave
us again. If only he is at home! Provided only that we can find him,
I will pass the rest of my life in venerating him. Yes, that is how it
should be, do you see, Cosette? Gavroche must have delivered my letter
to him. All is explained. You understand."

Cosette did not understand a word.

"You are right," she said to him.

Meanwhile the carriage rolled on.




CHAPTER V--A NIGHT BEHIND WHICH THERE IS DAY

Jean Valjean turned round at the knock which he heard on his door.

"Come in," he said feebly.

The door opened.

Cosette and Marius made their appearance.

Cosette rushed into the room.

Marius remained on the threshold, leaning against the jamb of the door.

"Cosette!" said Jean Valjean.

And he sat erect in his chair, his arms outstretched and trembling,
haggard, livid, gloomy, an immense joy in his eyes.

Cosette, stifling with emotion, fell upon Jean Valjean's breast.

"Father!" said she.

Jean Valjean, overcome, stammered:

"Cosette! she! you! Madame! it is thou! Ah! my God!"

And, pressed close in Cosette's arms, he exclaimed:

"It is thou! thou art here! Thou dost pardon me then!"

Marius, lowering his eyelids, in order to keep his tears from flowing,
took a step forward and murmured between lips convulsively contracted to
repress his sobs:

"My father!"

"And you also, you pardon me!" Jean Valjean said to him.

Marius could find no words, and Jean Valjean added:

"Thanks."

Cosette tore off her shawl and tossed her hat on the bed.

"It embarrasses me," said she.

And, seating herself on the old man's knees, she put aside his white
locks with an adorable movement, and kissed his brow.

Jean Valjean, bewildered, let her have her own way.

Cosette, who only understood in a very confused manner, redoubled her
caresses, as though she desired to pay Marius' debt.

Jean Valjean stammered:

"How stupid people are! I thought that I should never see her again.
Imagine, Monsieur Pontmercy, at the very moment when you entered, I
was saying to myself: 'All is over. Here is her little gown, I am a
miserable man, I shall never see Cosette again,' and I was saying that
at the very moment when you were mounting the stairs. Was not I an
idiot? Just see how idiotic one can be! One reckons without the good
God. The good God says:

"'You fancy that you are about to be abandoned, stupid! No. No, things
will not go so. Come, there is a good man yonder who is in need of an
angel.' And the angel comes, and one sees one's Cosette again! and one
sees one's little Cosette once more! Ah! I was very unhappy."

For a moment he could not speak, then he went on:

"I really needed to see Cosette a little bit now and then. A heart needs
a bone to gnaw. But I was perfectly conscious that I was in the way. I
gave myself reasons: 'They do not want you, keep in your own course,
one has not the right to cling eternally.' Ah! God be praised, I see her
once more! Dost thou know, Cosette, thy husband is very handsome? Ah!
what a pretty embroidered collar thou hast on, luckily. I am fond of
that pattern. It was thy husband who chose it, was it not? And then,
thou shouldst have some cashmere shawls. Let me call her thou, Monsieur
Pontmercy. It will not be for long."

And Cosette began again:

"How wicked of you to have left us like that! Where did you go? Why have
you stayed away so long? Formerly your journeys only lasted three or
four days. I sent Nicolette, the answer always was: 'He is absent.' How
long have you been back? Why did you not let us know? Do you know that
you are very much changed? Ah! what a naughty father! he has been ill,
and we have not known it! Stay, Marius, feel how cold his hand is!"

"So you are here! Monsieur Pontmercy, you pardon me!" repeated Jean
Valjean.

At that word which Jean Valjean had just uttered once more, all that was
swelling Marius' heart found vent.

He burst forth:

"Cosette, do you hear? he has come to that! he asks my forgiveness! And
do you know what he has done for me, Cosette? He has saved my life. He
has done more--he has given you to me. And after having saved me, and
after having given you to me, Cosette, what has he done with himself? He
has sacrificed himself. Behold the man. And he says to me the ingrate,
to me the forgetful, to me the pitiless, to me the guilty one: Thanks!
Cosette, my whole life passed at the feet of this man would be too
little. That barricade, that sewer, that furnace, that cesspool,--all
that he traversed for me, for thee, Cosette! He carried me away through
all the deaths which he put aside before me, and accepted for himself.
Every courage, every virtue, every heroism, every sanctity he possesses!
Cosette, that man is an angel!"

"Hush! hush!" said Jean Valjean in a low voice. "Why tell all that?"

"But you!" cried Marius with a wrath in which there was veneration, "why
did you not tell it to me? It is your own fault, too. You save people's
lives, and you conceal it from them! You do more, under the pretext of
unmasking yourself, you calumniate yourself. It is frightful."

"I told the truth," replied Jean Valjean.

"No," retorted Marius, "the truth is the whole truth; and that you did
not tell. You were Monsieur Madeleine, why not have said so? You saved
Javert, why not have said so? I owed my life to you, why not have said
so?"

"Because I thought as you do. I thought that you were in the right. It
was necessary that I should go away. If you had known about that affair,
of the sewer, you would have made me remain near you. I was therefore
forced to hold my peace. If I had spoken, it would have caused
embarrassment in every way."

"It would have embarrassed what? embarrassed whom?" retorted Marius. "Do
you think that you are going to stay here? We shall carry you off. Ah!
good heavens! when I reflect that it was by an accident that I have
learned all this. You form a part of ourselves. You are her father,
and mine. You shall not pass another day in this dreadful house. Do not
imagine that you will be here to-morrow."

"To-morrow," said Jean Valjean, "I shall not be here, but I shall not be
with you."

"What do you mean?" replied Marius. "Ah! come now, we are not going to
permit any more journeys. You shall never leave us again. You belong to
us. We shall not loose our hold of you."

"This time it is for good," added Cosette. "We have a carriage at the
door. I shall run away with you. If necessary, I shall employ force."

And she laughingly made a movement to lift the old man in her arms.

"Your chamber still stands ready in our house," she went on. "If you
only knew how pretty the garden is now! The azaleas are doing very
well there. The walks are sanded with river sand; there are tiny violet
shells. You shall eat my strawberries. I water them myself. And no
more 'madame,' no more 'Monsieur Jean,' we are living under a Republic,
everybody says thou, don't they, Marius? The programme is changed. If
you only knew, father, I have had a sorrow, there was a robin redbreast
which had made her nest in a hole in the wall, and a horrible cat ate
her. My poor, pretty, little robin red-breast which used to put her head
out of her window and look at me! I cried over it. I should have liked
to kill the cat. But now nobody cries any more. Everybody laughs,
everybody is happy. You are going to come with us. How delighted
grandfather will be! You shall have your plot in the garden, you shall
cultivate it, and we shall see whether your strawberries are as fine as
mine. And, then, I shall do everything that you wish, and then, you will
obey me prettily."

Jean Valjean listened to her without hearing her. He heard the music of
her voice rather than the sense of her words; one of those large tears
which are the sombre pearls of the soul welled up slowly in his eyes.

He murmured:

"The proof that God is good is that she is here."

"Father!" said Cosette.

Jean Valjean continued:

"It is quite true that it would be charming for us to live together.
Their trees are full of birds. I would walk with Cosette. It is sweet to
be among living people who bid each other 'good-day,' who call to each
other in the garden. People see each other from early morning. We
should each cultivate our own little corner. She would make me eat her
strawberries. I would make her gather my roses. That would be charming.
Only . . ."

He paused and said gently:

"It is a pity."

The tear did not fall, it retreated, and Jean Valjean replaced it with a
smile.

Cosette took both the old man's hands in hers.

"My God!" said she, "your hands are still colder than before. Are you
ill? Do you suffer?"

"I? No," replied Jean Valjean. "I am very well. Only . . ."

He paused.

"Only what?"

"I am going to die presently."

Cosette and Marius shuddered.

"To die!" exclaimed Marius.

"Yes, but that is nothing," said Jean Valjean.

He took breath, smiled and resumed:

"Cosette, thou wert talking to me, go on, so thy little robin red-breast
is dead? Speak, so that I may hear thy voice."

Marius gazed at the old man in amazement.

Cosette uttered a heartrending cry.

"Father! my father! you will live. You are going to live. I insist upon
your living, do you hear?"

Jean Valjean raised his head towards her with adoration.

"Oh! yes, forbid me to die. Who knows? Perhaps I shall obey. I was on
the verge of dying when you came. That stopped me, it seemed to me that
I was born again."

"You are full of strength and life," cried Marius. "Do you imagine that
a person can die like this? You have had sorrow, you shall have no more.
It is I who ask your forgiveness, and on my knees! You are going to
live, and to live with us, and to live a long time. We take possession
of you once more. There are two of us here who will henceforth have no
other thought than your happiness."

"You see," resumed Cosette, all bathed in tears, "that Marius says that
you shall not die."

Jean Valjean continued to smile.

"Even if you were to take possession of me, Monsieur Pontmercy, would
that make me other than I am? No, God has thought like you and myself,
and he does not change his mind; it is useful for me to go. Death is
a good arrangement. God knows better than we what we need. May you be
happy, may Monsieur Pontmercy have Cosette, may youth wed the morning,
may there be around you, my children, lilacs and nightingales; may your
life be a beautiful, sunny lawn, may all the enchantments of heaven fill
your souls, and now let me, who am good for nothing, die; it is certain
that all this is right. Come, be reasonable, nothing is possible now, I
am fully conscious that all is over. And then, last night, I drank that
whole jug of water. How good thy husband is, Cosette! Thou art much
better off with him than with me."

A noise became audible at the door.

It was the doctor entering.

"Good-day, and farewell, doctor," said Jean Valjean. "Here are my poor
children."

Marius stepped up to the doctor. He addressed to him only this single
word: "Monsieur? . . ." But his manner of pronouncing it contained a
complete question.

The doctor replied to the question by an expressive glance.

"Because things are not agreeable," said Jean Valjean, "that is no
reason for being unjust towards God."

A silence ensued.

All breasts were oppressed.

Jean Valjean turned to Cosette. He began to gaze at her as though he
wished to retain her features for eternity.

In the depths of the shadow into which he had already descended, ecstasy
was still possible to him when gazing at Cosette. The reflection of that
sweet face lighted up his pale visage.

The doctor felt of his pulse.

"Ah! it was you that he wanted!" he murmured, looking at Cosette and
Marius.

And bending down to Marius' ear, he added in a very low voice:

"Too late."

Jean Valjean surveyed the doctor and Marius serenely, almost without
ceasing to gaze at Cosette.

These barely articulate words were heard to issue from his mouth:

"It is nothing to die; it is dreadful not to live."

All at once he rose to his feet. These accesses of strength are
sometimes the sign of the death agony. He walked with a firm step to
the wall, thrusting aside Marius and the doctor who tried to help him,
detached from the wall a little copper crucifix which was suspended
there, and returned to his seat with all the freedom of movement of
perfect health, and said in a loud voice, as he laid the crucifix on the
table:

"Behold the great martyr."

Then his chest sank in, his head wavered, as though the intoxication of
the tomb were seizing hold upon him.

His hands, which rested on his knees, began to press their nails into
the stuff of his trousers.

Cosette supported his shoulders, and sobbed, and tried to speak to him,
but could not.

Among the words mingled with that mournful saliva which accompanies
tears, they distinguished words like the following:

"Father, do not leave us. Is it possible that we have found you only to
lose you again?"

It might be said that agony writhes. It goes, comes, advances towards
the sepulchre, and returns towards life. There is groping in the action
of dying.

Jean Valjean rallied after this semi-swoon, shook his brow as though
to make the shadows fall away from it and became almost perfectly lucid
once more.

He took a fold of Cosette's sleeve and kissed it.

"He is coming back! doctor, he is coming back," cried Marius.

"You are good, both of you," said Jean Valjean. "I am going to tell you
what has caused me pain. What has pained me, Monsieur Pontmercy, is that
you have not been willing to touch that money. That money really belongs
to your wife. I will explain to you, my children, and for that reason,
also, I am glad to see you. Black jet comes from England, white jet
comes from Norway. All this is in this paper, which you will read. For
bracelets, I invented a way of substituting for slides of soldered sheet
iron, slides of iron laid together. It is prettier, better and less
costly. You will understand how much money can be made in that way. So
Cosette's fortune is really hers. I give you these details, in order
that your mind may be set at rest."

The portress had come upstairs and was gazing in at the half-open door.
The doctor dismissed her.

But he could not prevent this zealous woman from exclaiming to the dying
man before she disappeared: "Would you like a priest?"

"I have had one," replied Jean Valjean.

And with his finger he seemed to indicate a point above his head where
one would have said that he saw some one.

It is probable, in fact, that the Bishop was present at this death
agony.

Cosette gently slipped a pillow under his loins.

Jean Valjean resumed:

"Have no fear, Monsieur Pontmercy, I adjure you. The six hundred
thousand francs really belong to Cosette. My life will have been wasted
if you do not enjoy them! We managed to do very well with those glass
goods. We rivalled what is called Berlin jewellery. However, we could
not equal the black glass of England. A gross, which contains twelve
hundred very well cut grains, only costs three francs."

When a being who is dear to us is on the point of death, we gaze upon
him with a look which clings convulsively to him and which would fain
hold him back.

Cosette gave her hand to Marius, and both, mute with anguish, not
knowing what to say to the dying man, stood trembling and despairing
before him.

Jean Valjean sank moment by moment. He was failing; he was drawing near
to the gloomy horizon.

His breath had become intermittent; a little rattling interrupted it.
He found some difficulty in moving his forearm, his feet had lost all
movement, and in proportion as the wretchedness of limb and feebleness
of body increased, all the majesty of his soul was displayed and spread
over his brow. The light of the unknown world was already visible in his
eyes.

His face paled and smiled. Life was no longer there, it was something
else.

His breath sank, his glance grew grander. He was a corpse on which the
wings could be felt.

He made a sign to Cosette to draw near, then to Marius; the last minute
of the last hour had, evidently, arrived.

He began to speak to them in a voice so feeble that it seemed to come
from a distance, and one would have said that a wall now rose between
them and him.

"Draw near, draw near, both of you. I love you dearly. Oh! how good it
is to die like this! And thou lovest me also, my Cosette. I knew well
that thou still felt friendly towards thy poor old man. How kind it was
of thee to place that pillow under my loins! Thou wilt weep for me a
little, wilt thou not? Not too much. I do not wish thee to have any real
griefs. You must enjoy yourselves a great deal, my children. I forgot
to tell you that the profit was greater still on the buckles without
tongues than on all the rest. A gross of a dozen dozens cost ten francs
and sold for sixty. It really was a good business. So there is no
occasion for surprise at the six hundred thousand francs, Monsieur
Pontmercy. It is honest money. You may be rich with a tranquil mind.
Thou must have a carriage, a box at the theatres now and then, and
handsome ball dresses, my Cosette, and then, thou must give good dinners
to thy friends, and be very happy. I was writing to Cosette a while ago.
She will find my letter. I bequeath to her the two candlesticks which
stand on the chimney-piece. They are of silver, but to me they are gold,
they are diamonds; they change candles which are placed in them into
wax-tapers. I do not know whether the person who gave them to me is
pleased with me yonder on high. I have done what I could. My children,
you will not forget that I am a poor man, you will have me buried in the
first plot of earth that you find, under a stone to mark the spot. This
is my wish. No name on the stone. If Cosette cares to come for a little
while now and then, it will give me pleasure. And you too, Monsieur
Pontmercy. I must admit that I have not always loved you. I ask your
pardon for that. Now she and you form but one for me. I feel very
grateful to you. I am sure that you make Cosette happy. If you only
knew, Monsieur Pontmercy, her pretty rosy cheeks were my delight; when I
saw her in the least pale, I was sad. In the chest of drawers, there is
a bank-bill for five hundred francs. I have not touched it. It is for
the poor. Cosette, dost thou see thy little gown yonder on the bed? dost
thou recognize it? That was ten years ago, however. How time flies! We
have been very happy. All is over. Do not weep, my children, I am not
going very far, I shall see you from there, you will only have to
look at night, and you will see me smile. Cosette, dost thou remember
Montfermeil? Thou wert in the forest, thou wert greatly terrified; dost
thou remember how I took hold of the handle of the water-bucket? That
was the first time that I touched thy poor, little hand. It was so cold!
Ah! your hands were red then, mademoiselle, they are very white now. And
the big doll! dost thou remember? Thou didst call her Catherine. Thou
regrettedest not having taken her to the convent! How thou didst make
me laugh sometimes, my sweet angel! When it had been raining, thou didst
float bits of straw on the gutters, and watch them pass away. One day
I gave thee a willow battledore and a shuttlecock with yellow, blue and
green feathers. Thou hast forgotten it. Thou wert roguish so young! Thou
didst play. Thou didst put cherries in thy ears. Those are things of
the past. The forests through which one has passed with one's child, the
trees under which one has strolled, the convents where one has concealed
oneself, the games, the hearty laughs of childhood, are shadows. I
imagined that all that belonged to me. In that lay my stupidity. Those
Thenardiers were wicked. Thou must forgive them. Cosette, the moment
has come to tell thee the name of thy mother. She was called Fantine.
Remember that name--Fantine. Kneel whenever thou utterest it. She
suffered much. She loved thee dearly. She had as much unhappiness as
thou hast had happiness. That is the way God apportions things. He is
there on high, he sees us all, and he knows what he does in the midst of
his great stars. I am on the verge of departure, my children. Love each
other well and always. There is nothing else but that in the world: love
for each other. You will think sometimes of the poor old man who died
here. Oh my Cosette, it is not my fault, indeed, that I have not seen
thee all this time, it cut me to the heart; I went as far as the corner
of the street, I must have produced a queer effect on the people who
saw me pass, I was like a madman, I once went out without my hat. I no
longer see clearly, my children, I had still other things to say, but
never mind. Think a little of me. Come still nearer. I die happy. Give
me your dear and well-beloved heads, so that I may lay my hands upon
them."

Cosette and Marius fell on their knees, in despair, suffocating with
tears, each beneath one of Jean Valjean's hands. Those august hands no
longer moved.

He had fallen backwards, the light of the candles illuminated him.

His white face looked up to heaven, he allowed Cosette and Marius to
cover his hands with kisses.

He was dead.

The night was starless and extremely dark. No doubt, in the gloom, some
immense angel stood erect with wings outspread, awaiting that soul.

[Illustration: Darkness  5b9-1-Darkness]




CHAPTER VI--THE GRASS COVERS AND THE RAIN EFFACES

In the cemetery of Pere-Lachaise, in the vicinity of the common grave,
far from the elegant quarter of that city of sepulchres, far from all
the tombs of fancy which display in the presence of eternity all the
hideous fashions of death, in a deserted corner, beside an old wall,
beneath a great yew tree over which climbs the wild convolvulus, amid
dandelions and mosses, there lies a stone. That stone is no more exempt
than others from the leprosy of time, of dampness, of the lichens and
from the defilement of the birds. The water turns it green, the air
blackens it. It is not near any path, and people are not fond of
walking in that direction, because the grass is high and their feet
are immediately wet. When there is a little sunshine, the lizards
come thither. All around there is a quivering of weeds. In the spring,
linnets warble in the trees.

This stone is perfectly plain. In cutting it the only thought was the
requirements of the tomb, and no other care was taken than to make the
stone long enough and narrow enough to cover a man.

No name is to be read there.

Only, many years ago, a hand wrote upon it in pencil these four lines,
which have become gradually illegible beneath the rain and the dust, and
which are, to-day, probably effaced:

           Il dort. Quoique le sort fut pour lui bien etrange,
           Il vivait. Il mourut quand il n'eut plus son ange.
           La chose simplement d'elle-meme arriva,
           Comme la nuit se fait lorsque le jour s'en va.[70]





LETTER TO M. DAELLI

Publisher of the Italian translation of Les Miserables in Milan.

                               HAUTEVILLE-HOUSE, October 18, 1862.


You are right, sir, when you tell me that Les Miserables is written for
all nations. I do not know whether it will be read by all, but I wrote
it for all. It is addressed to England as well as to Spain, to Italy as
well as to France, to Germany as well as to Ireland, to Republics which
have slaves as well as to Empires which have serfs. Social problems
overstep frontiers. The sores of the human race, those great sores which
cover the globe, do not halt at the red or blue lines traced upon the
map. In every place where man is ignorant and despairing, in every place
where woman is sold for bread, wherever the child suffers for lack of
the book which should instruct him and of the hearth which should warm
him, the book of Les Miserables knocks at the door and says: "Open to
me, I come for you."

At the hour of civilization through which we are now passing, and which
is still so sombre, the miserable's name is Man; he is agonizing in all
climes, and he is groaning in all languages.

Your Italy is no more exempt from the evil than is our France. Your
admirable Italy has all miseries on the face of it. Does not banditism,
that raging form of pauperism, inhabit your mountains? Few nations are
more deeply eaten by that ulcer of convents which I have endeavored to
fathom. In spite of your possessing Rome, Milan, Naples, Palermo, Turin,
Florence, Sienna, Pisa, Mantua, Bologna, Ferrara, Genoa, Venice, a
heroic history, sublime ruins, magnificent ruins, and superb cities,
you are, like ourselves, poor. You are covered with marvels and vermin.
Assuredly, the sun of Italy is splendid, but, alas, azure in the sky
does not prevent rags on man.

Like us, you have prejudices, superstitions, tyrannies, fanaticisms,
blind laws lending assistance to ignorant customs. You taste nothing of
the present nor of the future without a flavor of the past being mingled
with it. You have a barbarian, the monk, and a savage, the lazzarone.
The social question is the same for you as for us. There are a few less
deaths from hunger with you, and a few more from fever; your social
hygiene is not much better than ours; shadows, which are Protestant in
England, are Catholic in Italy; but, under different names, the vescovo
is identical with the bishop, and it always means night, and of pretty
nearly the same quality. To explain the Bible badly amounts to the same
thing as to understand the Gospel badly.

Is it necessary to emphasize this? Must this melancholy parallelism
be yet more completely verified? Have you not indigent persons? Glance
below. Have you not parasites? Glance up. Does not that hideous balance,
whose two scales, pauperism and parasitism, so mournfully preserve their
mutual equilibrium, oscillate before you as it does before us? Where
is your army of schoolmasters, the only army which civilization
acknowledges?

Where are your free and compulsory schools? Does every one know how to
read in the land of Dante and of Michael Angelo? Have you made public
schools of your barracks? Have you not, like ourselves, an opulent
war-budget and a paltry budget of education? Have not you also that
passive obedience which is so easily converted into soldierly obedience?
military establishment which pushes the regulations to the extreme of
firing upon Garibaldi; that is to say, upon the living honor of Italy?
Let us subject your social order to examination, let us take it where it
stands and as it stands, let us view its flagrant offences, show me the
woman and the child. It is by the amount of protection with which these
two feeble creatures are surrounded that the degree of civilization
is to be measured. Is prostitution less heartrending in Naples than in
Paris? What is the amount of truth that springs from your laws, and what
amount of justice springs from your tribunals? Do you chance to be so
fortunate as to be ignorant of the meaning of those gloomy words: public
prosecution, legal infamy, prison, the scaffold, the executioner, the
death penalty? Italians, with you as with us, Beccaria is dead and
Farinace is alive. And then, let us scrutinize your state reasons.
Have you a government which comprehends the identity of morality and
politics? You have reached the point where you grant amnesty to heroes!
Something very similar has been done in France. Stay, let us pass
miseries in review, let each one contribute his pile, you are as rich
as we. Have you not, like ourselves, two condemnations, religious
condemnation pronounced by the priest, and social condemnation decreed
by the judge? Oh, great nation of Italy, thou resemblest the great
nation of France! Alas! our brothers, you are, like ourselves,
Miserables.

From the depths of the gloom wherein you dwell, you do not see much more
distinctly than we the radiant and distant portals of Eden. Only, the
priests are mistaken. These holy portals are before and not behind us.

I resume. This book, Les Miserables, is no less your mirror than ours.
Certain men, certain castes, rise in revolt against this book,--I
understand that. Mirrors, those revealers of the truth, are hated; that
does not prevent them from being of use.

As for myself, I have written for all, with a profound love for my own
country, but without being engrossed by France more than by any other
nation. In proportion as I advance in life, I grow more simple, and I
become more and more patriotic for humanity.

This is, moreover, the tendency of our age, and the law of radiance
of the French Revolution; books must cease to be exclusively French,
Italian, German, Spanish, or English, and become European, I say more,
human, if they are to correspond to the enlargement of civilization.

Hence a new logic of art, and of certain requirements of composition
which modify everything, even the conditions, formerly narrow, of taste
and language, which must grow broader like all the rest.

In France, certain critics have reproached me, to my great delight,
with having transgressed the bounds of what they call "French taste"; I
should be glad if this eulogium were merited.

In short, I am doing what I can, I suffer with the same universal
suffering, and I try to assuage it, I possess only the puny forces of a
man, and I cry to all: "Help me!"

This, sir, is what your letter prompts me to say; I say it for you and
for your country. If I have insisted so strongly, it is because of one
phrase in your letter. You write:--

"There are Italians, and they are numerous, who say: 'This book, Les
Miserables, is a French book. It does not concern us. Let the French
read it as a history, we read it as a romance.'"--Alas! I repeat,
whether we be Italians or Frenchmen, misery concerns us all. Ever since
history has been written, ever since philosophy has meditated, misery
has been the garment of the human race; the moment has at length arrived
for tearing off that rag, and for replacing, upon the naked limbs of the
Man-People, the sinister fragment of the past with the grand purple robe
of the dawn.

If this letter seems to you of service in enlightening some minds and
in dissipating some prejudices, you are at liberty to publish it,
sir. Accept, I pray you, a renewed assurance of my very distinguished
sentiments.

                                                  VICTOR HUGO.


*****

FOOTNOTES:


[Footnote 1: Patois of the French Alps: chat de maraude, rascally
marauder.]

[Footnote 2: Liege: a cork-tree. Pau: a jest on peau, skin.]

[Footnote 3: She belonged to that circle where cuckoos and carriages
share the same fate; and a jade herself, she lived, as jades live, for
the space of a morning (or jade).]

[Footnote 4: An ex-convict.]

[Footnote 5: This parenthesis is due to Jean Valjean.]

[Footnote 6: A bullet as large as an egg.]

[Footnote 7: Walter Scott, Lamartine, Vaulabelle, Charras, Quinet,
Thiers.]

[Footnote 8: This is the inscription:--

                       D. O. M.
                    CY A ETE ECRASE
                       PAR MALHEUR
                    SOUS UN CHARIOT,
                    MONSIEUR BERNARD
                    DE BRYE MARCHAND
               A BRUXELLE LE [Illegible]
                      FEVRIER 1637.]

[Footnote 9: A heavy rifled gun.]

[Footnote 10: "A battle terminated, a day finished, false measures
repaired, greater successes assured for the morrow,--all was lost by a
moment of panic, terror."--Napoleon, Dictees de Sainte Helene.]

[Footnote 11: Five winning numbers in a lottery]

[Footnote 12: Literally "made cuirs"; i. e., pronounced a t or an s at
the end of words where the opposite letter should occur, or used either
one of them where neither exists.]

[Footnote 13: Lawyer Corbeau, perched on a docket, held in his beak a
writ of execution; Lawyer Renard, attracted by the smell, addressed him
nearly as follows, etc.]

[Footnote 14:          This is the factory of Goblet Junior:
          Come choose your jugs and crocks,
          Flower-pots, pipes, bricks.
          The Heart sells Diamonds to every comer.]

[Footnote 15: On the boughs hang three bodies of unequal merits: Dismas
and Gesmas, between is the divine power. Dismas seeks the heights,
Gesmas, unhappy man, the lowest regions; the highest power will preserve
us and our effects. If you repeat this verse, you will not lose your
things by theft.]

[Footnote 16: Instead of porte cochere and porte batarde.]

[Footnote 17: Jesus-my-God-bandy-leg--down with the moon!]

[Footnote 18: Chicken: slang allusion to the noise made in calling
poultry.]

[Footnote 19: Louis XVIII. is represented in comic pictures of that day
as having a pear-shaped head.]

[Footnote 20: Tuck into your trousers the shirt-tail that is hanging
out. Let it not be said that patriots have hoisted the white flag.]

[Footnote 21: In order to re-establish the shaken throne firmly on
its base, soil (Des solles), greenhouse and house (Decazes) must be
changed.]

[Footnote 22: Suspendu, suspended; pendu, hung.]

[Footnote 23: L'Aile, wing.]

[Footnote 24: The slang term for a painter's assistant.]

[Footnote 25: If Cesar had given me glory and war, and I were obliged
to quit my mother's love, I would say to great Caesar, "Take back thy
sceptre and thy chariot; I prefer the love of my mother."]

[Footnote 26: Whether the sun shines brightly or dim, the bear returns
to his cave.]

[Footnote 27: The peep-hole is a Judas in French. Hence the half-punning
allusion.]

[Footnote 28: Our love has lasted a whole week, but how short are the
instants of happiness! To adore each other for eight days was hardly
worth the while! The time of love should last forever.]

[Footnote 29: You leave me to go to glory; my sad heart will follow you
everywhere.]

[Footnote 30: A democrat.]

[Footnote 31: King Bootkick went a-hunting after crows, mounted on two
stilts. When one passed beneath them, one paid him two sous.]

[Footnote 32: In olden times, fouriers were the officials who preceded
the Court and allotted the lodgings.]

[Footnote 33: A game of ninepins, in which one side of the ball is
smaller than the other, so that it does not roll straight, but describes
a curve on the ground.]

[Footnote 34: From April 19 to May 20.]

[Footnote 35: Merlan: a sobriquet given to hairdressers because they are
white with powder.]

[Footnote 36: The scaffold.]

[Footnote 37: Argot of the Temple.]

[Footnote 38: Argot of the barriers.]

[Footnote 39: The Last Day of a Condemned Man.]

[Footnote 40: "Vous trouverez dans ces potains-la, une foultitude de
raisons pour que je me libertise."]

[Footnote 41: It must be observed, however, that mac in Celtic means
son.]

[Footnote 42: Smoke puffed in the face of a person asleep.]

[Footnote 43: Je n'entrave que le dail comment meck, le daron des
orgues, peut atiger ses momes et ses momignards et les locher criblant
sans etre agite lui-meme.]

[Footnote 44: At night one sees nothing, by day one sees very well;
the bourgeois gets flurried over an apocryphal scrawl, practice virtue,
tutu, pointed hat!]

[Footnote 45: Chien, dog, trigger.]

[Footnote 46: Here is the morn appearing. When shall we go to the
forest, Charlot asked Charlotte. Tou, tou, tou, for Chatou, I have but
one God, one King, one half-farthing, and one boot. And these two poor
little wolves were as tipsy as sparrows from having drunk dew and thyme
very early in the morning. And these two poor little things were as
drunk as thrushes in a vineyard; a tiger laughed at them in his cave.
The one cursed, the other swore. When shall we go to the forest? Charlot
asked Charlotte.]

[Footnote 47: There swings the horrible skeleton of a poor lover who
hung himself.]

[Footnote 48: She astounds at ten paces, she frightens at two, a wart
inhabits her hazardous nose; you tremble every instant lest she should
blow it at you, and lest, some fine day, her nose should tumble into her
mouth.]

[Footnote 49: Matelote: a culinary preparation of various fishes.
Gibelotte: stewed rabbits.]

[Footnote 50: Treat if you can, and eat if you dare.]

[Footnote 51: Bipede sans plume: biped without feathers--pen.]

[Footnote 52: Municipal officer of Toulouse.]

[Footnote 53: Do you remember our sweet life, when we were both so
young, and when we had no other desire in our hearts than to be well
dressed and in love? When, by adding your age to my age, we could
not count forty years between us, and when, in our humble and tiny
household, everything was spring to us even in winter. Fair days!
Manuel was proud and wise, Paris sat at sacred banquets, Foy launched
thunderbolts, and your corsage had a pin on which I pricked myself.
Everything gazed upon you. A briefless lawyer, when I took you to the
Prado to dine, you were so beautiful that the roses seemed to me to turn
round, and I heard them say: Is she not beautiful! How good she smells!
What billowing hair! Beneath her mantle she hides a wing. Her charming
bonnet is hardly unfolded. I wandered with thee, pressing thy supple
arm. The passers-by thought that love bewitched had wedded, in our happy
couple, the gentle month of April to the fair month of May. We lived
concealed, content, with closed doors, devouring love, that sweet
forbidden fruit. My mouth had not uttered a thing when thy heart had
already responded. The Sorbonne was the bucolic spot where I adored thee
from eve till morn. 'Tis thus that an amorous soul applies the chart of
the Tender to the Latin country. O Place Maubert! O Place Dauphine!
When in the fresh spring-like hut thou didst draw thy stocking on thy
delicate leg, I saw a star in the depths of the garret. I have read
a great deal of Plato, but nothing of it remains by me; better than
Malebranche and then Lamennais thou didst demonstrate to me celestial
goodness with a flower which thou gavest to me, I obeyed thee, thou
didst submit to me; oh gilded garret! to lace thee! to behold thee going
and coming from dawn in thy chemise, gazing at thy young brow in thine
ancient mirror! And who, then, would forego the memory of those days of
aurora and the firmament, of flowers, of gauze and of moire, when love
stammers a charming slang? Our gardens consisted of a pot of tulips;
thou didst mask the window with thy petticoat; I took the earthenware
bowl and I gave thee the Japanese cup. And those great misfortunes which
made us laugh! Thy cuff scorched, thy boa lost! And that dear portrait
of the divine Shakespeare which we sold one evening that we might sup! I
was a beggar and thou wert charitable. I kissed thy fresh round arms
in haste. A folio Dante served us as a table on which to eat merrily a
centime's worth of chestnuts. The first time that, in my joyous den, I
snatched a kiss from thy fiery lip, when thou wentest forth, dishevelled
and blushing, I turned deathly pale and I believed in God. Dost thou
recall our innumerable joys, and all those fichus changed to rags? Oh!
what sighs from our hearts full of gloom fluttered forth to the heavenly
depths!]

[Footnote 54: My nose is in tears, my friend Bugeaud, lend me thy
gendarmes that I may say a word to them. With a blue capote and a
chicken in his shako, here's the banlieue, co-cocorico.]

[Footnote 55: Love letters.]

[Footnote 56:

               "The bird slanders in the elms,
                And pretends that yesterday, Atala
                Went off with a Russian,
                    Where fair maids go.
                         Lon la.

My friend Pierrot, thou pratest, because Mila knocked at her pane the
other day and called me. The jades are very charming, their poison which
bewitched me would intoxicate Monsieur Orfila. I'm fond of love and its
bickerings, I love Agnes, I love Pamela, Lise burned herself in setting
me aflame. In former days when I saw the mantillas of Suzette and of
Zeila, my soul mingled with their folds. Love, when thou gleamest in
the dark thou crownest Lola with roses, I would lose my soul for that.
Jeanne, at thy mirror thou deckest thyself! One fine day, my heart flew
forth. I think that it is Jeanne who has it. At night, when I come from
the quadrilles, I show Stella to the stars, and I say to them: "Behold
her." Where fair maids go, lon la.]


[Footnote 57: But some prisons still remain, and I am going to put
a stop to this sort of public order. Does any one wish to play at
skittles? The whole ancient world fell in ruin, when the big ball
rolled. Good old folks, let us smash with our crutches that Louvre where
the monarchy displayed itself in furbelows. We have forced its gates. On
that day, King Charles X. did not stick well and came unglued.]

[Footnote 58: Steps on the Aventine Hill, leading to the Tiber, to which
the bodies of executed criminals were dragged by hooks to be thrown into
the Tiber.]

[Footnote 59: Mustards.]

[Footnote 60: From casser, to break: break-necks.]

[Footnote 61: "Jeanne was born at Fougere, a true shepherd's nest; I
adore her petticoat, the rogue."]

[Footnote 62: In allusion to the expression, coiffer Sainte-Catherine,
"to remain unmarried."]

[Footnote 63: "Thus, hemming in the course of thy musings, Alcippus, it
is true that thou wilt wed ere long."]

[Footnote 64: Tirer le diable par la queue, "to live from hand to
mouth."]

[Footnote 65: "Triton trotted on before, and drew from his conch-shell
sounds so ravishing that he delighted everyone!"]

[Footnote 66: "A Shrove-Tuesday marriage will have no ungrateful
children."]

[Footnote 67: A short mask.]

[Footnote 68: In allusion to the story of Prometheus.]

[Footnote 69: Un fafiot serieux. Fafiot is the slang term for a
bank-bill, derived from its rustling noise.]

[Footnote 70: He sleeps. Although his fate was very strange, he lived.
He died when he had no longer his angel. The thing came to pass simply,
of itself, as the night comes when day is gone.]





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