+++
date = "2015-10-26T17:49:00-04:00"
discipline = "Soprano"
lastmod = "2015-10-26T17:49:00-04:00"
primary_image = "https://res.cloudinary.com/schmopera/image/upload/v1574354720/media/2019/11/ElizabethCaballero-SuzanneVinnik_vxwn3z.jpg"
primary_image_credit = "Suzanne Vinnik"
publishDate = "2015-10-26T17:49:00-04:00"
related_companies = ["scene/companies/opera-grand-rapids.md", "scene/companies/the-metropolitan-opera.md", "scene/companies/florida-grand-opera.md", "scene/companies/seattle-opera.md", "scene/companies/staatsoper-berlin.md", "scene/companies/central-city-opera.md", "scene/companies/opera-coeur-dalene.md"]
slug = "elizabeth-caballero"
title = "Elizabeth Caballero"
website = "http://elizabethcaballero.com/"
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Soprano Elizabeth Caballero is a frequent guest of numerous American and international opera houses, festivals and concert venues.

Her repertoire encompasses staples of the dramatic coloratura and full lyric repertoire, including Mimì (_La Bohème_) (Metropolitan Opera, New York; New York City Opera; Florida Grand Opera; Hawaii Opera Theater; Central City Opera); the title role in Puccini’s _Madama Butterfly_ (Staatsoper unter den Linden, Berlin), Musetta (_La Bohème_, Metropolitan Opera, New York); Violetta (_La Traviata_) (Opera Naples; Opera Carolina; Florentine Opera; Madison Opera; Pacific Symphony; Orlando Philharmonic; Compañía Lírica Nacional de Costa Rica); Magda (Puccini’s _La Rondine_) (Florida Grand Opera; Teatro Verdi, Trieste, Italy); both Contessa di Almaviva and Susanna (_Le nozze di Figaro_) (Florida Grand Opera, and Seattle Opera, respectively); both Donna Anna (Madison Opera) and Donna Elvira (_Don Giovanni_) (New York City Opera; Seattle Opera; Lyric Opera Kansas City); as well as Nedda (_I Pagliacci_) (New York City Opera; Hawaii Opera Theater; Opera Carolina; Arizona Musicfest); Liù (_Turandot_) (Lyric Opera of Kansas City; Pacific Symphony; Florida Grand Opera; Austin Lyric Opera); Micaëla (_Carmen_) (Florida Grand Opera; Central City Opera; Pacific Symphony); Alice Ford (_Falstaff_) (Virginia Opera); Adina (_L'elisir d'amore_) (San Antonio Opera); Hanna Glawari (_Die Lustige Witwe_) (Teatro Nacional de Santo Domingo, Costa Rica); and Anne Truelove (Stravinsky's _The Rake's Progress_) (Théâtro Municipal de Rio de Janeiro, Brasil).

Amongst the less frequently performed and contemporary works which she has championed are the roles The Mother/The Moon (in Jorge Martín's _Before Night Falls_) (Florida Grand Opera); Zemfira (in Rachmaninov’s _Aleko_) (Opera Carolina); and the title role in Daniel Catán’s _Florencia en el Amazonas_ (New York City Opera; Nashville Opera), which she will be reprising shortly at Madison Opera, and at Pensacola Opera during the 2018-2019 season. Additional future engagements include The Governess (Britten’s _The Turn of the Screw_) (Seattle), a return to the Metropolitan Opera as Mimì (cover), role which she will also sing at Austin Lyric Opera.

In concert, she has sung the soprano solos in John Rutter’s Requiem (Carnegie Hall, New York); Orff’s _Carmina Burana_ (Hawaii Opera Theater; Asheville Symphony; National Chorale, Florida Orchestra); Verdi’s Requiem (Spokane Symphony; Opera Grand Rapids), Rachmaninov’s _The Bells_ and Poulenc’s Gloria (Crane Chorus and Symphony Orchestra), and the orchestral song cycle _Honey and Rue_ (Previn) (Pacific Symphony).

Originally from Cuba, Elizabeth Caballero is a citizen of the USA. She speaks fluent English, Spanish and Italian.