+++
date = "2015-04-06T20:02:00+01:00"
discipline = "Mezzo-soprano"
lastmod = "2017-03-15T12:01:00+00:00"
primary_image = "https://res.cloudinary.com/schmopera/image/upload/v1545409169/media/webhook-uploads/1428346793472/AllysonMcHardyBoHuang.jpg.jpg"
primary_image_credit = "Bo Huang"
publishDate = "2015-04-06T20:02:00+01:00"
related_companies = ["scene/companies/canadian-opera-company.md","scene/companies/opera-atelier.md","scene/companies/calgary-opera.md","scene/companies/pacific-opera-victoria.md","scene/companies/lopra-de-montral.md"]
slug = "allyson-mchardy"
title = "Allyson McHardy"
website = "http://www.allysonmchardy.com/"
[[social_media]]
platform = "Twitter"
template = "social-media"
url = "https://twitter.com/AllysonMcHardy"
+++

*The singing was magnificent tonight. Sister Prejean (McHardy) had an immense amount of singing throughout the night, and her expressive and demonstrative voice never showed signs of wear. She acted marvellously as well – not an easy task when portraying an Elvis-loving nun with a sharp, dry wit.” (Bachtrack)*

*“The other great performance was Allyson McHardy, as Phèdre, the mother who wants to sleep with her stepson: McHardy has a sumptuous mezzo tone, perfect French and noble bearing.” (Opera News)*

*“As Sara, Duchess of Nottingham, mezzo-soprano Allyson McHardy sang her aria “All’afflitto è dolce il pianto” so beautifully that the applause nearly brought the opera to a halt as soon as it began. McHardy never lost the golden creaminess of her tone: even the most rapid passages and the depth of her characterization lent variety to a figure who is in a perpetual state of anxiety throughout the action.” (Opera News)*

Allyson McHardy’s mezzo voice has been described as radiant, dusky, incandescent, and sumptuous; her presence on stages around the world as noble, spellbinding, and seductive. Her varied opera repertoire encompasses roles from Handel to Verdi and from Saint-Saëns to Heggie. Allyson embraces a range of orchestral and recital repertoire from early to contemporary music, including Mozart’s and Ligeti’s *Requiems*, from Bach to Berlioz and Mahler, and new works such as the song cycle *Enchantments of Gwendolyn* written for her by Marjan Mozetich.

#### PERFORMANCES

In the 2017-2018 season Allyson will perform Mahler’s Symphony No. 8 and Beethoven’s Symphony No. 9 with L’Orchestre symphonique de Montréal, Smeton in *Anna Bolena* for the COC, Ryan’s *Requiem* with the Toronto Symphony Orchestra, and Messiah with the Kansas City Symphony. Her 2016-2017 season included a debut with the Beijing Music Festival in the Aix-en-Provence production of Britten’s *A Midsummer Night’s Dream*. The spring sees Allyson take on the role of Julie Riel in the Canadian Opera Company’s new production of Harry Somer’s *Louis Riel* at the Four Seasons Centre in Toronto, in Ottawa with the National Arts Centre Orchestra, and in Quebec for l’Opéra de Québec, presented as part of the celebrations surrounding Canada’s 150th Anniversary. She also appears with the National Arts Centre Orchestra in Mozart’s *Requiem*, and *L’Enfant et les Sortilèges* with the Seattle Symphony, as well as later in their season for Ligeti’s *Requiem*.

Recent highlights include appearances as Suzuki in *Madama Butterfly* with both the Opéra de Montréal and Vancouver Opera, in Britten’s *A Midsummer Night’s Dream* at the Aix-en-Provence Festival, Donizetti’s *Lucrezia Borgia* in St. Gallen, Switzerland, in the Canadian Opera Company’s *Roberto Devereux*, Handel’s *Alcina* with Opera Atelier, as Sister Helen Montréal’s *Dead Man Walking*, in l’Opéra de Paris’s *La Clemenza di Tito*, and Amadis de Gaule at the Opéra Comique, as Juno/Ino in Handel’s *Semele* with the Canadian Opera Company, as Dijanira in Handel’s *Hercules* with Tafelmusik, Marchesa Melibea in Rossini’s *Il Viaggio a Reims* at the New York City Opera , as Adalgisa in *Norma* in Warsaw, and as Isabella in Rossini’s *L’Italiana in Algeri* with the Calgary Opera.

She has appeared with major orchestras across the globe including performances of Ligeti’s *Requiem* with the Royal Concertgebouw Orchestra, Mahler’s *Das Lied von der Erde*, Mozart’s *Requiem*, Bach’s *Magnificat*, Beethoven’s *Missa Solemnis*, and Elgar’s *Dream of Gerontius*, among many other works. She also recently took on an innovative collaboration with the Alberta Ballet, performing *Requiem*, choreographed by Jean Grand-Maître and set to the music of Mozart’s masterpiece.

#### DISCOGRAPHY

Allyson’s discography includes the 2014 JUNO-nominated Handel’s *Orlando* with the Pacific Baroque Orchestra and Alexander Weimann (ATMA). Other CDs include the JUNO- and ADISQ-nominated Caldara’s *La Conversione di Clodoveo, Re di Francia* (ATMA) in which she performed the title role, Bellini’s *Norma* with the Warsaw Philharmonic (Philharmonia Narodowa), two works by Harry Somers – *Serinette* and *A Midwinter Night’s Dream* (Centrediscs), and Ukrainian music by composer Mykola Lysenko in a six-disc collection by the Musica Leopolis label.
