+++
date = "2017-09-10T12:37:00-04:00"
lastmod = "2017-09-10T12:39:00-04:00"
primary_image = "https://res.cloudinary.com/schmopera/image/upload/v1594146683/media/2020/07/Logo-AOP_oxzljd.jpg"
publishDate = "2017-09-10T12:37:00-04:00"
related_people = ["scene/people/david-cote.md", "scene/people/jorell-williams.md", "scene/people/jordan-rutter.md", "scene/people/david-lang.md", "scene/people/dominic-armstrong.md", "scene/people/blythe-gaissert.md"]
slug = "american-opera-projects"
title = "The American Opera Project"
type_of_company = "Opera Company"
website = "http://aopopera.org/"
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url = "https://www.facebook.com/aopopera"
[[social_media]]
platform = "Twitter"
template = "social-media"
url = "https://twitter.com/AOPopera"
[[social_media]]
platform = "Youtube"
template = "social-media"
url = "https://www.youtube.com/user/AmericanOperaProject"

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### MISSION

AOP’s mission is to develop and present new and innovative works of lyric theater, provide a creative home to emerging and established artists, and engage contemporary communities in a transformative operatic experience.

### BIO

In 2019, American Opera Projects became The American Opera Project. But we are still AOP. As AOP, we continue a proud legacy of being at the forefront of the contemporary opera movement for over thirty years through the commissioning, developing, and producing of opera and music-theatre projects, training programs for student and emerging composers and librettists, and community engagement.

AOP has produced over 30 world premieres, including the Nathan Davis/Brendan Pelsue dance chamber opera _Hagoromo_ starring Wendy Whelan (BAM, 2015), Kaminsky/Reed/Campbell's _As One_ (BAM, 2014), Nkeiru Okoye's _Harriet Tubman: When I Crossed That Line to Freedom_ (Irondale Center, 2014), and Lera Auerbach's _The Blind_ (co-production with Lincoln Center Festival, 2013) and the 2017 co-production with Nashville Opera of Robert Paterson and David Cote’s _Three Way_ (Nashville Opera, BAM Fisher).

Other notable premieres include Kimper/Persons' _Patience & Sarah_ (1998), Weisman/Rabinowitz's _Darkling_ (2006), Lee Hoiby's _This is the Rill Speaking_ (2008), and Phil Kline's _Out Cold_ (2012) at BAM.

AOP-developed operas that premiered with co-producers: _The Summer King_ (Sonenberg/Nester/Campbell) at Pittsburgh Opera (2017), _Paradise Interrupted_ (Ruo/Yi/Wen Ma) at Spoleto Festival (2015) and Lincoln Center Festival (2016), _The Scarlet Ibis_ (Weisman/Cote) at PROTOTYPE Festival (2015), _Paul's Case_ (Spears/Walat) at Urban Arias (2013) and PROTOTYPE Festival (2014), _Love/Hate_ (Perla/Bailis) at ODC Theater with San Francisco Opera (2012), Stephen Schwartz's _Séance on a Wet Afternoon_ at New York City Opera (2011), Tarik O'Regan's _Heart of Darkness_ at London's Royal Opera House (2011), and Jorge Martín's _Before Night Falls_ at Fort Worth Opera (2010).

AOP productions have appeared at London’s Royal Opera House, the Brooklyn Academy of Music, Lincoln Center Festival, New York City Opera, Fort Worth Opera, the Skirball Center, the Guggenheim Museum, Symphony Space, the Annenberg Center in Philadelphia, the U.S. Holocaust Memorial Museum, at many out-of-doors performances sponsored by the City of New York Department of Parks and Recreation.