+++
discipline = "Soprano"
primary_image = "https://res.cloudinary.com/schmopera/image/upload/v1665348111/media/2022/10/AndreaCarroll_SimonPauly_ftfd7a.jpg"
primary_image_credit = "Simon Pauly."
related_companies = ["scene/companies/garsington-opera.md", "scene/companies/washington-national-opera.md", "scene/companies/wiener-staatsoper.md", "scene/companies/the-dallas-opera.md", "scene/companies/san-diego-opera.md", "scene/companies/houston-grand-opera.md", "scene/companies/teatro-alla-scala.md", "scene/companies/palm-beach-opera.md", "scene/companies/the-metropolitan-opera.md", "scene/companies/canadian-opera-company.md", "scene/companies/lyric-opera-of-kansas-city.md"]
slug = "andrea-carroll"
title = "Andrea Carroll"
website = "http://www.andreacarrollsoprano.com/home.html"
[[social_media]]
platform = "Instagram"
template = "social-media"
url = "https://www.instagram.com/acsoprano/"
[[social_media]]
platform = "Twitter"
template = "social-media"
url = "https://twitter.com/ACsoprano"

+++
In the 2022-2023 season, Andrea performs Micaëla in _Carmen_ for her debut with Lyric Opera of Kansas City, makes her role and house debut as Cunegonde in a new production of Candide at Opéra National de Lyon, makes her Canadian Opera Company debut as Susanna in _Le Nozze di Figaro_, returns to Palm Beach Opera as Nannetta in _Falstaff_, and debuts at The Metropolitan Opera as Zerlina in _Don Giovanni_.

The 2021-2022 season saw Andrea in her debut at the Bard Music Festival performing the role of Columbine in Ethel Smyth’s _Fête Galante_ and as the soprano soloist in Fauré’s _Requiem_. On the operatic stage, she made her Teatro alla Scala debut as Zerlina in _Don Giovanni_, returned to San Diego Opera as Beatriz in Daniel Catan’s _La Hija de Rappaccini_, to Houston Grand Opera as Pamina in _Die Zauberflöte_ and to the Wiener Staatsoper as Adina in _L'elisir d'amore_. Andrea appeared in concert for her debut with the Wiener Symphoniker and the Wiener Konzerthaus in the world premiere of Johannes Maria Staud’s _Jittering Directions_ and as the soprano soloist in Brahms’ _Requiem_ for her debut with The Cleveland Orchestra.

In the 2020-2021 season, Andrea made her company debut with San Diego Opera as Musetta in _La bohème_ and returned to Garsington Opera as Adèle in _Le comte Ory_. She was scheduled to make her debut at the Wiener Musikverein as the soprano soloist in Beethoven’s Symphony No. 9 and at the Metropolitan Opera as Zerlina in _Don Giovanni_ before Covid-19 cancellations. The previous season saw her debuts with Den Norske Opera in Oslo as Adina in _L’elisir d’amore_, The Dallas Opera as Pamina in _Die Zauberflöte_, and the Tokyo Philharmonic as Micaëla in _Carmen_. She returned to the Wiener Staatsoper for performances of Gretel in _Hänsel und Gretel_, Pamina in _Die Zauberflöte_, Gilda in _Rigoletto_, Norina in Don Pasquale, Zerlina in _Don Giovanni_, and was scheduled to perform Oscar in _Un ballo in Maschera_ and Susanna in _Le nozze di Figaro_.

Notable operatic highlights have included her house debut at Washington National Opera as Rosalba in Daniel Catan's _Florencia en el Amazonas_, Leïla in _Les pêcheurs de perles_ with Houston Grand Opera, her house and role debut as Mélisande in a new production of _Pelléas et Mélisande_ at Garsington Opera, creating the role of Mary Bailey in Jake Heggie's _It's a Wonderful Life_ with Houston Grand Opera, and creating the role of Kitty in Johannes Maria Staud's _Die Weiden_ at the Wiener Staatsoper. 

 Andrea was a member of the ensemble at the Wiener Staatsoper from 2015-2020, where her roles included Zerlina in _Don Giovanni_, Susanna in _Le nozze di Figaro_, Nannetta in _Falstaff_, Gilda in _Rigoletto_, Musetta in _La bohème_, Norina in _Don Pasquale_, Adina in _L'elisir d'amore_, Pamina in _Die Zauberflöte_, Gretel in _Hänsel und Gretel_, Woglinde in _Das Rheingold/Götterdämmerung_, and Stimme des Waldvogels in _Siegfried_, among others.