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date = "2019-04-22T01:08:17+00:00"
discipline = "Soprano"
primary_image = "https://res.cloudinary.com/schmopera/image/upload/v1555894740/media/2019/04/JoelleHarvey.jpg"
primary_image_credit = "Arielle Doneson."
related_companies = ["scene/companies/washington-national-opera.md", "scene/companies/royal-opera-house.md", "scene/companies/utah-opera.md", "scene/companies/arizona-opera.md", "scene/companies/houston-grand-opera.md", "scene/companies/the-atlanta-opera.md", "scene/companies/portland-opera.md", "scene/companies/the-dallas-opera.md", "scene/companies/merola-opera-program.md", "scene/companies/san-francisco-opera.md", "scene/companies/glimmerglass-festival.md", "scene/companies/glyndebourne.md"]
slug = "joelle-harvey"
title = "Joélle Harvey"
website = "http://www.joelleharvey.com/"
[[social_media]]
platform = "Twitter"
template = "social-media"
url = "https://twitter.com/joelle_harvey"
[[social_media]]
platform = "Facebook"
template = "social-media"
url = "https://www.facebook.com/JoelleHarveySoprano"

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A native of Bolivar, New York, soprano Joélle Harvey has established herself over the past decade as a noted interpreter of a broad range of repertoire, specializing in Handel, Mozart, and new music.

During the 2020-2021 season, Ms. Harvey was to make her company debut with the Opernhaus Zürich as Aristea in Pergolesi’s _L’Olimpiade_. Additionally, she filmed a performance of Villa-Lobos’ _Bachianas Brasilieras No. 5_ with The Cleveland Orchestra as part of their re-configured season, and was to appear with the Orchestre de la Suisse Romande and conductor Leonardo García Alarcón for a program of Handel. Other originally scheduled events include Pat Nixon in _Nixon in China_ with Washington National Opera (cancelled) and Los Angeles Philharmonic (cancelled), Kansas City Symphony for their Messiah (cancelled), _L’oca del cairo_ with Mozartwoche Salzburg (postponed), a Schubert concert with Chamber Music Society of Lincoln Center(postponed), the Brahms _Ein Deutsches Requiem_ with San Diego Symphony and Edo de Waart, and Mahler’s 2nd Symphony with the Baltimore Symphony Orchestra (cancelled). Future seasons include returns to the Royal Opera House – Covent Garden, the Metropolitan Opera, and the Glyndebourne Festival, and her debut with the Chicago Symphony Orchestra.

Original engagements for Ms. Harvey’s COVID-19 shortened 2019-2020 season featured important debuts, as Pamina in _Die Zauberflöte_ with both the Metropolitan Opera (performed) and Santa Fe Opera (cancelled). She returned to the Cleveland Orchestra for Mahler’s 4th Symphony as well as Mozart’s Mass in C Minor, which she was also slated to perform with the Handel & Haydn Society (cancelled). Mahler’s 2nd Symphony featured prominently this season, for which she was scheduled to return to both the St. Louis Symphony (performed) and the New York Philharmonic (cancelled), the latter with performances in New York and on tour conducted by Jaap van Zweden. She was scheduled to return to the San Francisco Symphony for Brahms’s _Ein deutsches Requiem_ led by Michael Tilson Thomas (cancelled), and was to appear with the Santa Barbara Symphony for Beethoven’s Mass in C (cancelled). Her season also included appearances with the Philadelphia Chamber Music Society for their Emerging Voices series, and the Chamber Music Society of Lincoln Center for a concert in Alice Tully Hall featuring songs of Schubert, Chausson, and Harbison.

The works of Gustav Mahler figured substantially in Ms. Harvey’s 2018-2019 season engagements. She returned to the Cleveland Orchestra as the soprano soloist in his 2nd Symphony, conducted by Franz Welser-Möst and performed in Cleveland and on tour. She also performed the work for her debut with the Toronto Symphony, in performances led by Matthew Halls. With the San Diego Symphony, she was reunited with conductor Edo de Waart for Mahler’s 4th Symphony, on a program also featuring Barber’s _Knoxville: Summer of 1915_. She was also presented by Carnegie Hall in recital with pianist Allen Perriello, as part of the Great Singers: Evenings of Song series. With the British ensemble Arcangelo, Ms. Harvey toured several U.S. cities, in performances with Artistic Director Jonathan Cohen. In June, she made her mainstage debut with the Royal Opera House, Covent Garden as Susanna in _Le nozze di Figaro_. The season also included appearances with the New York Philharmonic (Mozart’s _Requiem_), Utah Symphony(Beethoven’s 9th Symphony), Saint Paul Chamber Orchestra (Bach _St. John Passion_), North Carolina Symphony (Mozart arias and Mass in C Minor), Music of the Baroque (Bach _Coffee Cantata_), and Handel & Hadyn Society (Mozart’s _Requiem_).

Ms. Harvey began the 2017-2018 season in concert with the Knoxville Symphony, performing Samuel Barber’s _Knoxville: Summer of 1915_. She subsequently made her Pittsburgh Opera debut as Susanna in _Le nozze di Figaro_, and joined The English Concert as Almirena in _Rinaldo_. Further concert appearances included a return to the New York Philharmonic for Handel’s _Messiah_, and an appearance with the Laguna Music Festival for a concert of music by Brahms and both Clara and Robert Schumann. In the summer of 2018, she returned to the Glyndebourne Festival Opera for her role debut as Cleopatra in Sir David McVicar’s iconic production of Handel’s _Giulio Cesare_, conducted by William Christie. She also appeared at the BBC Proms as the Mater Gloriosa in Mahler’s 8th Symphony.

In the previous season, Ms. Harvey joined the Milwaukee Symphony as Susanna in _Le nozze di Figaro_, the Los Angeles Philharmonic as Pat Nixon in _Nixon in China_, and returned to the Glyndebourne Festival Opera as Servilia in _La clemenza di Tito_, a role which she also performed at the BBC Proms. In concert, she appeared with the Mostly Mozart Festival for Mozart’s Mass in C Minor and his _Requiem_, which she also sang for the Kansas City Symphony and the Utah Symphony. Additionally, she joined the Cincinnati Symphony for Beethoven’s _Missa Solemnis_, sang Handel’s _Messiah_ with the Handel & Haydn Society and the National Symphony, the San Francisco Symphony for Mahler’s _Das klagende Lied_, and the London Symphony Orchestra and Concertgebouw for John Adams’ _El Niño_. She also appeared in concert with the LA Chamber Orchestra and the North Carolina Symphony.

Ms. Harvey’s varied appearances during the 2015-2016 season included Michal in _Saul_ with the Handel & Haydn Society and Inès in a concert performance of _La favorite_ with Washington Concert Opera. She also joined the Indianapolis Symphony, Virginia Symphony, St. Paul Chamber Orchestra and Les Violons du Roy in concert.

During the 2014-2015 season, Ms. Harvey’s numerous engagements included repeat appearances as Sicle in Ormindo with the Royal Opera, Covent Garden, Galatea in _Acis and Galatea_ with the Killkenny Festival, and role debuts as Marzelline in _Fidelio_ with San Francisco Symphony and Anne Trulove in Stravinsky’s _The Rake’s Progress_ with Utah Opera. On the concert stage, she appeared with the Cleveland Orchestra (Bach B minor Mass), Tafelmusik, Handel & Haydn Society (Messiah and St. Matthew Passion), LA Philharmonic (Missa Solemnis), North Carolina Symphony (Messiah), Dallas Symphony (Mozart Requiem) and the Pygmalion Ensemble (Mozart Mass in C minor).

Ms. Harvey’s 2013-2014 season included her debut with the Royal Opera, Covent Garden in London as Sicle in _Ormindo_, further performances with the Glyndebourne Festival Opera as Serpetta in _La finta giardiniera_, Adina in _L’elisir d’amore_ with the Glyndebourne Festival Touring Company, and the Dallas Opera for Miranda in _Death and the Powers_, as well as appearances on the concert stage with The Handel & Haydn Society (Dalila in Handel’s _Samson_), New York Philharmonic  (Handel’s _Messiah_), San Francisco Symphony (Beethoven’s Mass in C),Milwaukee Symphony (Schubert’s Mass No. 6) and the Kansas City Symphony (Handel’s _Messiah_).

During the 2012-2013 season, the soprano was engaged to sing Susanna in _Le nozze di Figaro_ on tour with the Glyndebourne Festival and also with Arizona Opera; two appearances with the San Francisco Symphony: Handel’s _Messiah_, conducted by Ragnar Bohlin, and music from _Peer Gynt_, conducted by Music Director Michael Tilson Thomas; the role of Tigrane in performances of _Radamisto_ at Carnegie Hall and in Ann Arbor, Michigan, with Harry Bicket and The English Concert; the Mendelssohn and Bach Magnificats for her debut with The New York Philharmonic; and Iphis in a United States tour of Handel’s _Jephtha_ with Harry Christophers and Handel & Haydn Society. She concluded the season in a return to Festival d’Aix-en-Provence for Zerlina in a revival of Dmitri Tcherniakov’s production of _Don Giovanni_, conducted by Marc Minkowski.

In the summer of 2011, Ms. Harvey made her role and company debut with Festival d’Aix-en-Provence as Galatea in _Acis and Galatea_ under the direction of Leonardo García Alarcón. The 2011-2012 season found performances of Galatea at the Teatro La Fenice in Venice; Handel’s _Messiah_ for her debut with the Kansas City Symphony, and in a return to the San Francisco Symphony; Michal in a performance of Handel’s _Saul_ at London’s Barbican with Harry Christophers and The Sixteen, which she also recorded with the company; and a return to New York City Operafor the role of Eurydice in Telemann’s _Orpheus_. She concluded the season in a debut with Glyndebourne Festival Opera in a revival of Jonathan Kent’s acclaimed production of _The Fairy Queen_. She also performed Bach’s B Minor Mass with The English Concert at the BBC Proms and in Leipzig.

The soprano’s 2010-2011 season included a return engagement with the San Francisco Symphony as the soprano soloist in _Carmina Burana_, performances of Handel’s _Messiah_ in Spain with Harry Bicket and The English Concert, Belinda in _Dido and Aeneas_ at the Concertgebouw in Amsterdam, Sophie in _Werther_ with Washington Concert Opera under the baton of Antony Walker, and creating the role of Miranda in the world premiere of _Death and the Powers_ at the Opéra de Monte-Carlo.

The soprano performed the role of Miranda in a workshop of Tod Machover’s new opera _Death and the Powers_ in September 2009, and subsequently made her debut at New York City Opera as Zerlina in Christopher Alden’s new production of _Don Giovanni_. She appeared as Flora in _The Turn of the Screw_ for her debut with Houston Grand Opera, and returned to Eugene Opera to sing the role of Susanna in Mozart’s _Le nozze di Figaro_. The spring of 2010 found Ms. Harvey at Atlanta Opera, where she covered Pamina in _Die Zauberflöte_ and sang matinee performances of the role. She also performed the Pergolesi Stabat Mater with the Orchestra of St. Luke’s at the Baryshnikov Arts Center. Ms. Harvey bowed at Glimmerglass Opera in the summer of 2010 as Seleuce in the U.S. professional stage premiere of Händel’s _Tolomeo_, where critic David Shengold declared she “dazzled physically and vocally”.

During the 2008-2009 season, Ms. Harvey made company debuts with Dallas Opera as Barbarina in Mozart’s _Le nozze di Figaro_, Portland Opera as Flora in Britten’s _The Turn of the Screw_, and Eugene Opera as Eurydice in Offenbach’s _Orpheus in the Underworld_. On the concert and recital platforms, Ms. Harvey made debuts with the San Francisco Symphony as Leila in performances of Gilbert & Sullivan’s _Iolanthe_ conducted by George Manahan, and with Steven Blier and the New York Festival of Song at Merkin Concert Hall and the Caramoor Festival. In the summer of 2009, Ms. Harvey returned to Glimmerglass Opera to sing the role of Belinda in Jonathan Miller’s new production of Purcell’s _Dido and Aeneas_.

In the summer of 2008, Ms. Harvey performed the role of Zerlina in Catherine Malfitano’s critically acclaimed production of Mozart’s _Don Giovanni_ with San Francisco Opera’s Merola Program. As a member of Glimmerglass Opera’s 2007 Young American Artists Program, Ms. Harvey performed the role of Cupid in Offenbach’s _Orpheus in the Underworld_ to great critical acclaim and covered soprano Lisa Saffer in the role of La Princesse in Philip Glass’ _Orphée_.

Ms. Harvey received Second Prize in Houston Grand Opera’s 2008 Eleanor McCollum Competition for Young Singers. She is a recipient of the Shoshana Foundation’s 2007 Richard F. Gold Career Grant, and was also presented with the John Alexander Memorial Award and the coveted Sam Adams Award for Achievement in Acting from the University of Cincinnati College-Conservatory of Music (CCM).

Ms. Harvey received her Bachelor’s and Master’s Degrees in vocal performance from CCM, where she performed the roles of Amor in Cavalli’s L’Egisto, Emmie and Flora in, respectively, Britten’s _Albert Herring_ and _The Turn of the Screw_, Poppea in _L’Incoronazione di Poppea_, Sophie in Massenet’s _Werther_, and Nannetta in _Falstaff_.